#i can't with these analysis' anymore

[thiamblogger]

thanks to @thiamsxbitch i am deeper indulged in my heartbreak of the character that is theodore raeken

we see theo standing at tara's bridge and with him, he has white lilies, which symbolise purity, innocence, rebirth AND the virgin mary herself.

BUT theo is an atheist, so he doesn't believe in the virgin mary.

the purity and innocence clearly represents both him and tara. it represents how young they both were, the purity of theo's actions and the innocence of being a child. theo's actions might not have been seen as pure to someone such as stiles, but to theo, a 9 year old, death isn't relative. not to mention he probably thought that once he got her heart that the dread doctors would clean their hands with him, not drag him down into this hole of evil.

the bridge is the rebirthing.

theo being back there at that very same bridge where his sister died, and him taking that moment to add those flowers was him taking something so horrific and turning it into something so beautiful. not only was he giving tara's name a new meaning, but he was also a different person and by doing this he was rebirthing who they once were.

theo not being religious makes a lot of sense.

after all why would he?

people often tend to say phrases such as "this is all part of god's plan", "god only gives you things you can handle", or "god doesn't make mistakes", but when your whole life has been nothing except you trying to survive you start to believe others, that god doesn't love you or that nobody is watching over you.

what child could handle so much trauma and still believe that someone is watching over them, looking out for them, wanting what's best for them?

[blueskittlesart]

at a certain point i think we need to acknowledge that art is very rarely created accidentally. if you can see a theme in a work than that theme was, more likely than not, at least somewhat intentional on behalf of the creator. you don't put a piece of yourself out into the world without thinking about what it means at least a little bit.

[chirpsythismorning]

Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?

This will be a long post, so you might want to strap in or save it for later.

In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.

In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.

Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.

Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.

What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.

First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...

But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.

All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.

But then there's a shift.

Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--

Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?

But then suddenly this shift continues, going in a direction he probably didn't expect.

I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).

It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.

EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.

As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.

And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.

I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?

This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."

Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.

Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.

Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.

While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.

For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.

For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.

Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?

In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.

Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.

What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.

Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.

Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).

If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.

We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...

It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.

And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.

With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.

Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?

Yeah me and Jonathan are confused too.

Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!

And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.

Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.

Or who knows, maybe Mike could still be a little bit gay too...

But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.

But then Mike just has to surprise him one last time.

For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.

Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.

From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'

But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?

And then it hits him.

Mike is reminding him a little too much of another Wheeler right now...

Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.

And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.

And now it's like all those little moments are starting to add up to Jonathan.

Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.

I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.

As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.

This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.

Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.

Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.

Spoiler: They were not ready.

PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...

[me-sploh-rada-imas]

this is their public side. they are confronting the camera, they are playing with us more. the second photo is absolutely sexual/sensual and it's still a bit of a performance for us, even if it's based on truth.

this is them, boys kissing behind closed doors. the door is glass so we can see. but they are being intimate and affectionate in a way that isn't a performance at all. it's a little blurry and out of focus. but that's okay. it's meant to be.

[sunnykeysmash]

Man of words

[itswhatyougive]

Look at how coy Steve is being!!! The first sidelong glance in response to Eddie's gaze, followed by a cheekier look and a lean closer to.bump Eddie! Steve is using body language to FLIRT

Bonus: Eddie does a similar double glance a little while after 😏

[yuliasolsystem]

Okay, I'm trying to write an analysis of Legato and Knives' relationship in the manga, but apparently the app has a limit on the number of pictures in one post and the online translator I use has a limit on the number of words... So I decided to just make some separate posts about my interpretation of Legato and Knives' behavior toward each other in canon.

In short, I think their relationship is more complex than just "Legato blindly worships Knives but Knives doesn't care about him". I can see a mutual attachment between them that doesn't develop into a normal relationship, romantic or not, because of Knives' refusal to compromise his principles a little bit and Legato's inability to understand his own emotions.

I think I'll just show some examples from the manga and give my opinion of what is going on there, and I want to start with this scene because it is usually brought up as an example of how Knives doesn't care about Legato. But I think it's a little more complicated than that.

In short, I think Knives is lying.

Yes, he does say that he couldn't care less about Legato's loyalty and he also says he doesn't believe in Legato's ability to stand up to Vash, but his actions during the last battle tell exactly the opposite: Knives relies entirely on Legato's loyalty and his ability to deal with Vash.

Before Legato showed up from God knows where with his Guernica, Knives was observing the battlefield both below, on the planet's surface, and above, in space

Note the tense expression on his face: he is clearly having a hard time fighting several opponents at once and trying not to miss a single blow.

But then Legato appears (saving him for the third time in the manga) and from that moment Knives' behavior changes dramatically: he leaves Vash and the inhabitants of No Man's Land to Legato and focuses on the battle with the Earthlings.

Now he's acting very self-confident and even look on his face is changed.

He relies on Legato so much that he doesn't pay attention when humans hook up cables to a fused entity. Even one of the humans comments that it was too easy (I used fan translation for this one example because it was closer to the original)

Earlier we could see that Knives was very observant; he could not have failed to notice the ship with the cable. Especially since he knew that humans were up to something and he even knew what exactly.

Therefore, even while focused on preparing to repel the upcoming attack, he could not simply ignore such a threat. So my only explanation here is complete trust in Legato and faith in his powers. For Knives this level of trust in a human (especially since several of his allies have already betrayed him) would be a sign of a very personal attachment, that's why I think Legato is something more than a mere tool for him.

But why does he treat Legato like that then? I think, the fact of this attachment is too hard for him to accept because if he does he would feel as if he is betraying his own principles.

Knives' problem with humans goes deeper than just hatred and fear. He neither hates nor fears Legato, even though Legato, probably, is the only one who could hurt Knives if he wanted to. I mean he could control Knives' body even as a teen.

So that's not the reason for him to push Legato away. What then? I can imagine, for Knives to accept a human is the same as for Vash to kill one. Just as Vash thinks that if he kills even the evilest person, he will betray Rem and start turning into a monster, Knives probably thinks that if he lets a human get too close to him, he will betray the memory of Tessla and begin to forgive humanity for everything they've done to his kind. And just as Vash hoped he wouldn't have to face the negative consequences of his pacifism, Knives hoped that Legato would follow him to the end even if he keeps pushing him away.

Judging by the look on Knives' face, he was surprised by Legato's appearance

but decided that it meas that Legato's still loyal to him and his goals to the end. But alas, by this point Legato's concept of "loyalty" is a bit... different...

..but I'll talk about that in another post, I guess...

[stressedanime]

just received +25 psychic damage by relating song lyrics to the treatment of demigods in pjo

[fraudefiscal]

is it weird that im so delusional about jeffdave, i got to see more clips yesterday and i genuinely believe there's something because fuck. you don't talk like that with just some friends., that's not normal friend behavior. their blatant almost direct flirting, they are doing this in our faces they know what they're doing.

dave joking about jeff spitting in his cock, jeff watching the stream on his idiot tv and like waiting for dave, their jokes all of their twitter interactions, how comfortable they feel with each other and the way they laugh when the other is around I hope im not developing any type of mental illness or some sort of conspiracy-obssesion because i cannot be making this up...... they're queerbaiting me god

i wish im not getting brain damage do you know how much this means to me i might take a hostage and blow up a building just to know if something REAL is there but tbh deep down i really know it..... jesus was killed for saying the truth

maybe they are aware of their relationship. maybe in a weird and not-so-aware way, like their bond is so close it has developed in something only both lf them can understand, they haven't even set they're dating and maybe that won't change, it's not your traditional couple, it's weird and it'd take a long time to understand it, and maybe,, they don't want people to understand......

[aleksanderscult]

wdyt of you zoya acted in the taylor? can you write an analysis. thx!

Yeah, sure. Although she doesn't appear much but for only one page. And her behaviour was the same as in S&B. Jealous of Alina, Zoya wanted to be the Darkling's jewel and was desperate for his attention.

That girl wouldn't even say "Good morning" or something. She would be unprovokedly cold and arrogant. And literally for no reason.

Really, it isn't that hard to be kind. Especially since her remark to Genya here is deliberately cutting.

She doesn't want to show weakness.

Apparently, being one of the Darkling's favorites was very, very important to her and add the fact that she was in love with him and we have Zoya being distressed and heartbroken that she no longer has his favor.

(Also, my Queen Genya you dropped this 👑)

Amen to that.

(S&B!Genya was slaying and for what??)

I believe Zoya regretted that action of hers not because she felt pity for Alina and her injuries, but for the punishment she received.

Anything to keep her boss' eyes on her. She seems to depend too much on him.

I know that Zoya is treated like a girlboss in this fandom but, personally, I don't like bitches.

I can't stan Zoya when she seems from the very beginning to be arrogant, unlikable and mean. The Darkling was the center of her world and whoever threatened her position, she would squash and yeet that person.

And the whole sad background that Leigh gave her purposefully in Nikolai's duology didn't change my feelings for her at all.

[pbear]

Gotta talk about Nanami to cope. I thought he already died when Jogo burned him and was stunned when it was so short. This made it so much worse but there’s so much to this scene that I want to breakdown. I will never recover.

First, there’s the sharp contrast between the beach and Nanami half dead fighting Mahito’s transformed souls. It’s this contrast of ideal versus reality. It’d be nice to be somewhere else relaxing, but something about Nanami’s character is that he feels this duty to do what is right. He has to go help Megumi because that’s the right thing to do. Even if he's not in the state to do it. He can’t be daydreaming about beaches in Malaysia. And he’s so so tired. He’s already done so much but he continues to want to help others.

And Mahito, DAMN MAHITO, comes up behind him and reveals he was there the whole time. There’s so much futility in this moment. Mahito could have just killed Nanami instantly once he saw him, but he let him keep fighting. Fighting for what? Mahito was just going to kill him. This also enforces Mahito's character and how he's always seen humans as playthings.

Nanami feels this futility too. He doesn’t know why he even stayed in the jujutsu world. Then he sees his old friend. His friend who died too early to help anyone and who didn’t have the chance to do the work that Nanami did. And Nanami takes back what he said. He can’t regret what he did with his life when Haibara didn’t even have a chance at a life. Haibara embodies this sense of duty Nanami feels to do what is right.

"I shouldn't." Again, Nanami doesn't want to be here. He doesn't want to die, but even in his final moments he tries to do what is right. Ideally, you would die peacefully, but Haibara points Yuji out. There's something Nanami still needs to do. He gives Yuji encouragement to keep going and stand up against Mahito.

And then Itadori has to watch Nanami die. He’s just had a breakdown after having Sukuna use his body to form a crater in Shibuya and feels lost. In his stupor, he comes across Nanami, who had guided him when he was still new to the jujutsu world. This is the last thing he needed. Gojo, the renowned strongest sorcerer and his teacher, is sealed and now Nanami, who acted as Yuji's mentor, is dead. And Yuji screams at Mahito. The music change from silence to intensity is wild as they begin to fight.

Since Nanami is my favorite character from JJK, this hurt a lot. There's something reassuring knowing he can rest now but painful that he couldn't do that in life. I loved him because his desire to help people stood out compared to other characters. He didn't enjoy being a jujutsu sorcerer, but it at least helped people. That's why he stayed. And it hurts so much when someone just wants to help people and meets their end because of it.

[crownedwille]

Thinking about August becoming the back up storyline again...

I know that there were people questioning and critisizing that storyline in s2 that he can't actually become the second in line and there was a good post explaining why he actually could and that was if Kristina had no siblings and was an only child. Which I was like 'okay then so be it' but now I'm like 'wait no, it really doesn't make sense'.

As far as I know royal family lines always have more than one child. Don't they need to have at least two children to secure the line of the succession? They would never ever just have one child (in this case Kristina) and let it stay at that if we're talking pragmactically. I mean, we see that with Wilhelm, he is the back up for a reason, you need a spare in case something happens to the first child and it did. They obviously showed that with Wille and Erik being important but Kristina is not supposed to have any siblings?

The royal court being worried about the future of the monarchy and needing to have a back up for Wille makes sense but apparently they just skipped over that concern with Kristina...like we wouldn't need to be in this situation in the first place. Sadly they give us no information or explanation on the family tree situation. Yes, I'm aware it's done for the plot and we had to get August in this position but normally no, August would have never actually been able to become the second in line.

[supercantaloupe]

my professor is like "your paper just has to be 4000 words, that's not that long, don't stress about it and just write :)" and i'm here wrapping up at like 2400 and staring at my screen like how tf am i supposed to pad this thing any more before tomorrow midnight

[lucawrites11]

what about friday's match made sarina think YOU KNOW WHAT LET'S DO THE EXACT SAME FUCKING THING??

like i know the goals that were conceded were good goals almost impossible defend but england were slow on the ball, poor in possession, failed to create chances, failed to get players in the box and failed to hold up the ball enough to string a couple of fucking passes together IT'S A JOKE there needs to be a tactical shift and speed introduced to the starting xi

[lxvenderjewel]

ACTUALLY I'M NOT DONE BACUSE HAVE YOU HEARD THE ALCHEMY

DO YOU SEE WHAT I SEE

[iamthemaestro]

had a character development moment today where I realized maybe I simply do not have a healthy relationship to classical music anymore