#i can't make you fall in love again

[peacockrulz]

An Well Made Excuse To Post My Specific Headcanons I've Had Since The Show Came Out

[paintedcrows]

Bill... Can I call you that? / You can call me whatever you want except "My Love"!

"That's a joke! Everybody loves me!"

Y yo a ti Ford, or whatever. @fearoftriangles pointed out that in the Spanish version of The Book of Bill: Bill says Ford can call him anything but "Mi Amor" instead of anything but "Late for Dinner" and-

...I swear, Spanish translators cannot keep getting away with this

[lunarharp]

played dragon age 2...just simple scribbles

[dxxtruction]

Louis' "You're boring!" Could mean so many things, but I think what's most apparent about that line is that Armand takes no initiative just for himself. He's not really anybody, because he never goes out and finds himself or gets attached to anyone but Louis. Without Louis as his guide he's literally just sitting on a couch picking lint! That's the thing.

He orbits constantly around what would make Louis happy, and never really fully going what would make me happy? Ultimately that drive to please Louis is what drives him to torturing Daniel, not so much that he'd care to just do it. Ultimately, not giving proper care to Louis is just a way to make sure Louis knows he has to orbit around him as well, with shoving Lestat onto him just that other nail on the coffin. So, even if he fails to figure out how to make Louis happy with him, he still knows what Armand is good for, and better than.

That dependency is what drives Armand's abuse. It really just comes down to that. Armand doesn't even realize how suffocated he is by his own dependency. This is just how life is to him. (It shouldn't be lost either that dependency is a theme considering this episode also deals with addiction).

Daniel's fascinating because he's just so driven to be somebody. He's largely independent, he seeks things because he wants them. It's his drug to poke and prod at all the things that he shouldn't. Daniel's exciting because he lets Louis in to something different, lets him in to all this potential in another person that he can also do the same with for himself. It's a real connection. A two way street. It's easy to tell how Armand can be smothering then because he's never introducing him to anything really new, and most the ways both of them connect are all painful and traumatic. It's never just fun because there's always that layer of that pain. Fun died with Claudia.

50 years on they've gotten to a lot better place, both of them, but it's still that same shit. No seriously, "How is this any different from last time, Louis?"

Well... Because Armand's going to be, at the very least, making one [1] decision only for himself - and that's to hold power over Daniel's life. Fucking sick foreshadowing.

They aren't driving each other to the brink anymore but "The vampire is bored" STILL. Maybe it's even worse, despite being in better places, because Louis' sort of just been defeated by it. (I mean, can he even really leave this either?). He's accepting the dependancy cause he kind of has to. He'd literally ended up letting all the enjoyment be up where he can't reach [The book shelves]. Armand so desperately wants Louis happiness but what really ends up happening is that Louis ends up having to give Armand all his own. He's got no one or anything else to get it from. But like an iPad and an over the top eating ritual. Two extremes of what's just more lint picking.

This whole relationship is one I find just tragic inside and out. You have to just pity it, really. There's ways in which you can find yourself feeling bad for both of them. But you can only really be mad at Armand for any of it. Armand, who isn't even 'free' in any sense, having so little concept of his own independence, but is at the same time so controlling over other's. It's a tragic cycle. It's an infuriating one.

Louis at least has the mind to know when enough is enough. If just needing that extra push to get there. Armand's too scared of it being over to even try.

[skellydun]

I just want someone to show me a house and say this is yours now congrats ! instead of making the most indecisive non-opinionated person make a big ass decision

[total-drama-brainrot]

World Tour Assistant Noah AU (where he is always an assistant):

After the gross kiss failed to stop Alejandro's flirting... Noah begs Duncan to convince Alejandro, that Noah is too dorky to date... but Duncan has an even better idea; make Alejandro jealous for fun!

(In this AU, Duncan and Courtney had broken up before Season 3, so Duncan isn't a cheater!)

Duncan: "Thanks for letting me return to the show, handsome.~" 😘

(Duncan kisses Assistant Noah's cheek.)

Alejandro: "Duncan, I will DESTROY you!" 😡

Noah: "I just want to be left alone!" 🙄

Wait hold on... hold on... this is just the premise of my favourite Dunnoah fic series but with an assistant Noah twist. And extra Alenoah flavouring. That's not to say I'm against the idea.

Though I can't really imagine Duncan ever committing himself to flirting with Noah unless the two had struck up a deal prior- Duncan's that specific brand of 2000s era bigoted where being seen as anything but straight is a social crime (despite the fact that Duncan is definitely a boykisser, just in denial), but he's also aware of just how much of a threat Alejandro is in the competition and the latino's huge obvious crush on Chris' personal assistant, so I think Duncan could push aside his own internal biases to at the very least propose a similar idea to Noah.

Really, it'd be beneficial for the both of them; Noah gets to subtly-not-so-subtly tell Alejandro to back off by responding to Duncan's advances but not his, and Duncan gets to rile up Alejandro enough to redivert his attention away from the competition itself thus increasing his own chances of winning. It's strategic, really, nothing more.

It's that line of logic that has Noah eventually conceding that, for all intents and purposes, it's a good plan. So he deigns to play along, at least for a little bit, just to get Alejandro off of his back.

And, canonically, they're both shown to be at least half-decent at flirting, so whatever displays they have planned to annoy Alejandro would be just convincing enough to really get under his skin. Especially since Alejandro's shown in canon to be the protective/possessive type (mostly in All-Stars, in how he reacts to José insulting Heather) and likely wouldn't take too kindly to Duncan swooping in on "his amor" or whatever Spanish nickname he'd substitute it with.

Which all eventually leads to the scenario you proposed; Duncan plants a wet one on Noah's cheek and Alejandro sees red.

Noah's already exhausted by default, but feels weariness seep into the marrow of his bones as a seething Alejandro glares poisonous daggers towards Duncan, who's committed enough to their little ruse to in turn shoot a wink and a pair of finger guns towards the assistant. Deciding that he isn't paid nearly enough to deal with the inevitable confrontation between the two idiots who've apparently taken an interest in him (Duncan's, of course, being a known ruse), Noah leaves to go and do his actual job.

...

And then, Alejandro confronts Duncan directly in the Economy cabin, claiming that he doesn't deserve to so much as look at Noah, and that he (Alejandro) was the one Noah kissed and therefore the object of his attraction so Duncan better lay off. This is news to the punk, and adds a whole new layer of complexity to their plan. And perhaps something he can later exploit to give himself a leg up in the competition.

But why does the idea of Noah kissing Alejandro make his chest tighten up with envy?

And then maybe Duncan finds the untamed passion of Alejandro's genuine fury kind of hot and he too enters the metaphorical boxing ring of feelings? Aledunnoah endgame? The intern server has been posting a lot of Aleduncan lately so letting those two get together (and with Noah in there too, as a bonus) just seems natural to my brain at this point.

[wizardsix]

i guess i have to say it a million times since people insist on being dense: gale is just as much of a victim as the other companions. this isn't the trauma olympics. everyone has been through shit and deserves healing and redemption.

gale is not the self entitled, manipulative abuser people are painting him as. he's a lot of things, but nothing so heinous. he was groomed by a goddess who has a history of preying on wizards that threaten her power, and as a result, gale's ambition and faith was what drove him to discover the netherese orb. what he did was for mystra - in his mind, it was to prove his love by restoring her missing power - and by extension for the betterment of mortals. his actions were never malicious or selfish, in fact he puts himself so low on the priority list it's pretty much non existent. he was never going to use that power to usurp her, but mystra definitely saw it like that, which is why she didn't hesitate to present suicide as his only solution. he never crossed her personal boundaries in the way people are twisting it, he only wanted to cross the boundaries she put on wizards and their power.

people who insist he's all of these things and more clearly only spoke to him once or lack the reading comprehension to see past how much of an unreliable narrator he is. i can understand first impressions might put some people off, but you can say the same about the other companion introductions. i don't like comparing but since people insist on doing it; gale is one of the easiest companions to get along with just by being a good person, yet his honesty and selflessness makes people think he's secretly evil? while the companions with the capacity to be evil don't even try to hide it? how are people being so backwards about this? it's genuinely baffling and tiring to see people continuously spit out incorrect takes all too confidently.

no one is forcing anyone to like him, but it's unfair to completely mischaracterize him because you refuse to learn critical thinking. i promise using your brain is not as scary as it seems, or you can just. not talk about things you don't understand.

[lightbulb-warning]

i used to freehand comics all the time as a child and since the part i liked was the drawing part i would just draw panel after panel because i didn't want to stop drawing to think about icky icky words, plus the story TOTALLY still made perfect sense! to me! and noone else, but 'whoooo caaaaares omgggg its not like comics and sequantial art are a communicative meeediummmm lmaoooooo'. i spent my entire childhood telling myself stuff like "oh pfft I know this story by heart- ill SIMPLY remember the dialogue and write it later" ...and. I can't help but admire baby maiora's (call that a minora ba tm tsk) fucking audacity? hubris? confident wrongness? kid couldn't even remember to finish the comics in the first place? INCREDIBLE levels of unearned self assurance, wish that were me, genuinely- what an icon!!! anyway i think i have forever cursed myself

[leatherbookmark]

our flag means death S2E3: the innkeeper

[alovethatkilledme]

Take as long as you need, even forever is fine with me.

[purpurussy]

.

[lupismaris]

Back from ptown and truly if I could only share one thing with you all it's this - You're gonna make it. Hold fast. Be true.

[perinkling]

the light that afternoon exposed the cracks in you, the ones you filled with dust

[pixelatedraindrops]

Getting sick from the rain? Jeez. You’re so pitiful, master…

…but as your adorable partner I can’t just leave you to suffer. So don't worry, I’ll help you out!

I’m forever haunting you, in sickness and in health 🌡️👻

[springcatalyst]

5 & 17 for liliana and 15 & 20 for reiji? 👉👈

OH YEAH BABY

5: Does your oc have a signature weapon and/or attack? How long did they train to master it?

Yeass so she typically just has these two curved cutlass-type swords that she uses and she is. very good at it. Swordfighting is a sort of tradition among sailors, a holdover from navys before the cataclysm, and as such her father Kane (follower of history, teller of stories, keeper of otherwise lost knowledge) taught it to her from a fairly young age. He, of course, never really intended for her to use it- their ship, under Kane, was a vessel of exploration, not conquest. She learned formal swordfighting to real skill, but little actual experience, until much later in life. She learned a offensive, more dual-wielding style as opposed to a defensive one (like with a parrying knife) because it was theoretical first, as opposed to a more practical fighting style which places higher value on defense like those that other sailors who may expect to actually fight would.

17: Does you oc have an enemy? What happened between them? Is it mutual or one-sided? Petty or serious? Revenge? Does one hate want the other dead or hate them from afar?

HMM IMPOSSIBLE TO TELL (lie). Yeag alright babey here is Liliana Lore 101- finally telling you what her fucking problem is.

Nadia was on Kane's ship, the Halcyon. She served as the navigator for a few years in Liliana's early adulthood. During that time they grew close. Nadia has her own cast of goals and reasons, but from Liliana's perspective (very trusting, very gullible, no reason to believe anything out of the ordinary), one day out of nowhere when they were docked, she grabbed Liliana from the town to walk out along the cliffs on the seaside, where she told her she'd killed Kane, the ship was hers, and made a solid attempt to kill Liliana as well. She was lucky- it was high tide and she missed the rocks at the bottom. Nadia doesn't know this. She leaves with the ship.

this then goes exactly as you'd expect. Liliana loses literally everything in a very short period of time and what else could she possibly do other than devote the next year+ of her life to tracking/chasing down Nadia to get revenge and her ship back? It takes a good while, because all she has is word-of-mouth and intuition based on anything she can gather, but it's not impossible because Nadia does not know she's alive, and so doesn't know she's being hunted

It's not... one-sided, but it is definitely unbalanced. Liliana flips a complete 180 on Nadia, which is fair, because she tried to kill her. But Nadia never hated Liliana. She was a means to an end. She grew to sort of... resent her? Because she had all this good- adventure and freedom and the ship itself as her home and a father who is both a larger-than-life legend and exactly the man they say he is and also incredibly kind- and it's all just hers. Naturally. Because she was lucky. She is granted grace and understanding in a way Nadia didn't really think existed. And the only way Nadia knows to get that for herself is to take it. Liliana also represents a sort of freedom from form that Nadia doesn't know what to do with for a long while after it becomes apparent, and so she chooses to instead destroy it.

15: What places hold significant meaning or memories for your oc? Do they have positive or negative association with those places?

Yeah. Reiji follows this cycle- choose a destination, decide it means something, reach it, be disappointed, repeat. It gets worse with time and circumstance as the continuous finding nothing weighs on him, but also as events make him need the Thing He's Looking For more. At first it was: we need a destination. He's a wanderer by circumstance and it is fairly important to actually cover distance instead of just cycling the same familiar area. He was aimless for a time, but that's so much worse than Traveling, so: a destination. Let's reach the ocean. It meant consistency and restart and friendship and continuing. Once they got there, it meant press pause- overwintering in larger communities is necessary for survival. This one brought with it a shaky kind of upset and the feeling that you did something wrong. Something changes.

Then was the mountains. It meant understanding something that he still didn't. It meant deciding, though he didn't know that until they got there, because it wasn't him making the decision. He'd hoped it would mean certainty, but it didn't quite yet. It brought with it the worst it's been in years, but not the worst it'll be.

Then was the caldera. It was a promise he'd made to someone he hoped to see again. It meant finding a link, some sort of connection to something he lost a long time ago. And it meant understanding the history of it. It was empty when he got there, no one waited for him, and it raised more questions than answers.

Then, after the worst, it's the rift. Once again, it promises a link, history, whatever is between the past and the present. It promises belonging. Once again it does not deliver. He finds what he was looking for in a more literal way, but it's crueler, then, that it doesn't give him what he wanted. He still doesn't have all the answers, and he still doesn't belong there. He's back at the beginning of the cycle without another destination. He's left aimless again. Places are promises that consistently are broken.

20: Has your oc ever done something terrible and lied about it? Did they run away or blame someone else? How long did they maintain the lie and did the truth ever come out?

Ach. Reiji has blood on his hands but the nature of it is that he couldn't lie about it even if he would have. Reiji is one of those people that's genuine to a fault; even people who aren't liars usually have something they're hiding, but funnily enough considering, hiding in this way doesn't come naturally to him. And it was his action but it wasn't his fault-is the blood really on your hands if you had no other choice? Has he done something terrible? Yes. Has he lied about it? He couldn't.

OC ASK GAME :]