#and no obviously im not saying the others are worse im just saying how do people accept astarion when hes Actually manipulative but not gale

[wizardsix]

i guess i have to say it a million times since people insist on being dense: gale is just as much of a victim as the other companions. this isn't the trauma olympics. everyone has been through shit and deserves healing and redemption.

gale is not the self entitled, manipulative abuser people are painting him as. he's a lot of things, but nothing so heinous. he was groomed by a goddess who has a history of preying on wizards that threaten her power, and as a result, gale's ambition and faith was what drove him to discover the netherese orb. what he did was for mystra - in his mind, it was to prove his love by restoring her missing power - and by extension for the betterment of mortals. his actions were never malicious or selfish, in fact he puts himself so low on the priority list it's pretty much non existent. he was never going to use that power to usurp her, but mystra definitely saw it like that, which is why she didn't hesitate to present suicide as his only solution. he never crossed her personal boundaries in the way people are twisting it, he only wanted to cross the boundaries she put on wizards and their power.

people who insist he's all of these things and more clearly only spoke to him once or lack the reading comprehension to see past how much of an unreliable narrator he is. i can understand first impressions might put some people off, but you can say the same about the other companion introductions. i don't like comparing but since people insist on doing it; gale is one of the easiest companions to get along with just by being a good person, yet his honesty and selflessness makes people think he's secretly evil? while the companions with the capacity to be evil don't even try to hide it? how are people being so backwards about this? it's genuinely baffling and tiring to see people continuously spit out incorrect takes all too confidently.

no one is forcing anyone to like him, but it's unfair to completely mischaracterize him because you refuse to learn critical thinking. i promise using your brain is not as scary as it seems, or you can just. not talk about things you don't understand.

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[skunkes]

Please try to find some sort of therapy or something because you have So so much more potential and worth than you think you do and its earnestly so saddening to see you resigning yourself to a fate you don't deserve

its ok because its my own fault honestly :[ im going to try to stop complaining now that it's just becoming more and more evident that im just choosing not to take da reins of my own life

[a-blip-of-billdip]

this isnt what i usually post on this blog but I'm already sick of all the memes and 'jokes'. I am almost certainly leaving the fandom for good now because of the book of bills release and NO it is not because billford's community has an influx of supporters.

So the worship and romanticization of asylums and other abusive practices for mental health have been steadily gaining traction in recent years, especially with the rise of tiktok's toxicity.

SO many people, especially younger people, regularly talk about how they want lobotomies or how women they don't like should be lobotomized. They get tattoos of lobotomy like it's some quirky fun thing and not one of the most horrific tortures someone can endure.

These same people, ESPECIALLY leftists, will look at anyone they disagree with or don't like and say "get institutionalized, loser" or "et therapy" and it's always in a mocking way. it's always in a policing way.

because these people know that mental wards strip everyone of their freedom and their bodily autonomy. they know these places arent for healing--theyre for silencing.

So the amount of people i see treating bill being institutionalized like a good thing---even the writers and alex himself?

Yeah. Im out ✌🏼

[llilychen]

it’s really sad that i always looked forward to rhaenyra and/or alicent scenes last season but i now feel the urge to fast forward every time one of them comes on screen

- every alicent scene is her looking sad or crying or her with cole but nothing she does adds anything of value to the plot

- we get the same black council scene in which the men are undermining rhaenyra twice per episode and still nothing is done (i do believe she will make some progress in the next episodes but it’s just so boring to watch her have the same scene over and over again)

cersei and dany i miss you both so much

[phagodyke]

kind of annoys me sometimes how I can happily listen to my roommate explain the entire plot of whatever she's currently into but when it comes to my interests she can only listen for a few mins before wordlessly walking out of the room

[dizzybevvie]

"not pro-ana just using the tags" "pro-ana only for myself" Ok but you see how you're still hurting people right. you see how you're perpetuating this mindset for other people by posting about it right.

[homophyte]

thank you for the long & thought out response. while i do fully agree with you on stances like prison abolition & the myth of the stranger pedophile scapegoat, my question and discomfort with jimmy’s actions comes not so much from a political/philosophical standpoint but from a very human emphatic one. i put myself in the shoes of the girl he groomed and abused and imagine people listening to and enjoying the music of my abuser and it makes me sick to my stomach. so thats more where my guilt and discomfort comes from. that said i can’t say that their music doesn’t have an impact or isn’t enjoyable. i also agree with you that this mass outrage and very public renunciation and demand for punishment is very much a social mechanism and automatic reaction that quite simplifies a complex situation. however these mechanisms exist for a certain evolutionary purpose after all (sorry my background is psychology) but thats sort of besides the point because im also not a fan of how these things get handled with zero nuance. 

its also true what you said that me or you or anyone deciding to disengage with this band or their music changes nothing in the grand scheme of things, so doing it as some sort of Noble Cause against abuse is useless. so in this case i feel it’s up to personal preference and whether or not i can swallow the cognitive dissonance and discomfort this information arises in me whenever i listen to their music from now on. 

thanks again for the insightful response, i’m glad we can have this sort of discussion because i also think this topic is extremely important but people often shy away from it because it’s so heavy. 

im glad you asked me to share! like i said ive spent a lot of time thinking abt this specifically so its very much like years worth of mishmash thoughts kinda strung together only by me experiencing them over time in succession lol. but i agree its important to talk about it especially within a culture so ensnared in the logic of the prison and particularly how effectively thats been exported into like 'mob justice' for lack of a better word.

re: the emotive aspect im not sure i have much to say other than like Yeah its a very strong one and i dont think its a bad thing at all to have. i got the impression from ur ask--and idk how true this is--that you were wrestling between a desire to return to the music bc you enjoyed it and that response preventing you and feeling a sort of obligation to do one over the other n struggling with that. so i think i approached it as like 'heres ways you can reason w that emotional response and grapple w it if its smth ur agonizing over' or something like that. im also a firm believer in the ways politics shapes the ways we think n feel so my instinct was to tease out some of the structures that may be shaping ur thought processes--which of course i nor anyone but you can fully know. but i dont get that same sense from how u describe it here and either way i think whatever feeling ur having about it is like...i dont want to say its 'valid' but ur allowed to have that and do whatever you want pretty much lol. i cant and am not going to force anyone to engage w the band and theres probably more reasons than i could think to list why its not for everyone even without the sordidness of abuse hanging over it.

without getting into a much much broader discussion i would gently push back on the idea of a biologically innate reason for the existence of carceral/punitive logics (and frankly psychology more broadly), if only bc it does a lot of the work of justifying them. keep in mind that these are concepts ideas and patterns of thought that exist because they serve systems of power and particularly the state. we did not have to have a society which created them, we only happen to--which is to say theyre not innate in this way and i disagree that they have an 'evolutionary' purpose bc it fails to properly historicize them. but thats me coming from an antipsych position lol

[lilgynt]

naturally i’m gonna be very upset at 6:09 am after an all-nighter over my brother and his actions

[charlesemersonwinchesteriii]

🔥 BJ Hunnicutt

My opinion on BJ Hunnicutt is whatever one of my mutuals last posted about him. My opinion on BJ Hunnicutt is whatever will get me notes. My opinion on BJ Hunnicutt is whatever Mike Farrell said in whatever his latest interview is because that man has so much love for this show and this character and his longstanding support of the queer community means so much to me and I like to think it meant a lot to Mr. Stiers too if it’s not too parasocial to say so and his interaction with MASH fans even decades later is so kind and sweet and the way he played his character even when the writers admitted he didn’t have enough to work with textually still has such an impact on so many viewers and I think that’s really powerful especially when you think about how it’s contributed to the recent boom in the general MASH fandom economy which no matter what I absolutely consider a net positive to the legacy of the show and to the world in general and even just to me personally given the way that being a part of this small community has changed my own life.

But mostly my opinion on BJ Hunnicutt is just. Whatever.

[stamplerfag]

Hey, you're not a bad person. If you don't know any better then you simply didn't know any better. That doesn't make you worthy of shame or hate. You're not a bad person.

no, i know im being very hyperbolic about it all and not giving myself any grace. but it feels like my only options are "dont question anything ever so your brain doesnt eat itself alive" or "dont ever forget how bad everything is because youre doing a disservice to everyone if you forget." and im doing the first one because ive spent so long doing this specific thing and feeling very guilty over things that i have no control over and its not good for me. but i know its morally incorrect to be happy in a broken system

and i cant stand the idea of being happy and doing well when its morally wrong to do so. and when other people observe me being happy they will scoff at me and hate me. i dont want to do things wrong ever or disagree with anyone and i would do the right thing if i had the rulebook, you know. but there isnt one because theres no concrete metric to measure the meaning of life and value on. so i will always be "living wrong" because nothing means anything in truth. and i dont want to be wrong to people

[nomairuins]

ill be like I can totally make a lighthearted post mentioning a kink i have and i wont even freak abt it. and then i freak abt it

[girl-bateman]

Blood-work came back fine which either means I really do have a mysterious deadly illness OR its my mental health that's fucking up my physical health. Now my dilemma for my upcoming appointment .. do I mention how neurotically devastated I've been feeling these last months, knowing the doctor might be relieved to blame it all on hysteria instead of doing more testing ? Or do I just... not say anything about that.. lol

[freakpercent]

taking a break from creatures of sonaria to play tower of adventures has genuinely been one of the best decisions we've made for our health im so serious

[arolesbianism]

Why must I only be capable of coming up with cool art ideas long past midnight

[29121996]

.