#and no obviously im not saying the others are worse im just saying how do people accept astarion when hes Actually manipulative but not gale

[wizardsix]

i guess i have to say it a million times since people insist on being dense: gale is just as much of a victim as the other companions. this isn't the trauma olympics. everyone has been through shit and deserves healing and redemption.

gale is not the self entitled, manipulative abuser people are painting him as. he's a lot of things, but nothing so heinous. he was groomed by a goddess who has a history of preying on wizards that threaten her power, and as a result, gale's ambition and faith was what drove him to discover the netherese orb. what he did was for mystra - in his mind, it was to prove his love by restoring her missing power - and by extension for the betterment of mortals. his actions were never malicious or selfish, in fact he puts himself so low on the priority list it's pretty much non existent. he was never going to use that power to usurp her, but mystra definitely saw it like that, which is why she didn't hesitate to present suicide as his only solution. he never crossed her personal boundaries in the way people are twisting it, he only wanted to cross the boundaries she put on wizards and their power.

people who insist he's all of these things and more clearly only spoke to him once or lack the reading comprehension to see past how much of an unreliable narrator he is. i can understand first impressions might put some people off, but you can say the same about the other companion introductions. i don't like comparing but since people insist on doing it; gale is one of the easiest companions to get along with just by being a good person, yet his honesty and selflessness makes people think he's secretly evil? while the companions with the capacity to be evil don't even try to hide it? how are people being so backwards about this? it's genuinely baffling and tiring to see people continuously spit out incorrect takes all too confidently.

no one is forcing anyone to like him, but it's unfair to completely mischaracterize him because you refuse to learn critical thinking. i promise using your brain is not as scary as it seems, or you can just. not talk about things you don't understand.

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[homehauntsyou]

i feel like sometimes people who post negatively about sam forget how those posts impact the people who are reading them and who also connect to sam as a character and/or the actions that he’s taken. there are so many sam posts that just make me think. someone’s going to see that who’s going through the same thing and they are going to feel so much worse. especially when talking about sam & stanford or sam & being othered. and ofc there’s no problem with discussing these things within the context of the show and the way that the characters are reacting to them, but it gets a bit unnerving when the opinions start to stretch out of the show and into real life situations

[a-blip-of-billdip]

this isnt what i usually post on this blog but I'm already sick of all the memes and 'jokes'. I am almost certainly leaving the fandom for good now because of the book of bills release and NO it is not because billford's community has an influx of supporters.

So the worship and romanticization of asylums and other abusive practices for mental health have been steadily gaining traction in recent years, especially with the rise of tiktok's toxicity.

SO many people, especially younger people, regularly talk about how they want lobotomies or how women they don't like should be lobotomized. They get tattoos of lobotomy like it's some quirky fun thing and not one of the most horrific tortures someone can endure.

These same people, ESPECIALLY leftists, will look at anyone they disagree with or don't like and say "get institutionalized, loser" or "et therapy" and it's always in a mocking way. it's always in a policing way.

because these people know that mental wards strip everyone of their freedom and their bodily autonomy. they know these places arent for healing--theyre for silencing.

So the amount of people i see treating bill being institutionalized like a good thing---even the writers and alex himself?

Yeah. Im out ✌🏼

[widevibratobitch]

laalalalala another vent post because i have no therapist to pay for listening to my bullshit

[homophyte]

thank you for the long & thought out response. while i do fully agree with you on stances like prison abolition & the myth of the stranger pedophile scapegoat, my question and discomfort with jimmy’s actions comes not so much from a political/philosophical standpoint but from a very human emphatic one. i put myself in the shoes of the girl he groomed and abused and imagine people listening to and enjoying the music of my abuser and it makes me sick to my stomach. so thats more where my guilt and discomfort comes from. that said i can’t say that their music doesn’t have an impact or isn’t enjoyable. i also agree with you that this mass outrage and very public renunciation and demand for punishment is very much a social mechanism and automatic reaction that quite simplifies a complex situation. however these mechanisms exist for a certain evolutionary purpose after all (sorry my background is psychology) but thats sort of besides the point because im also not a fan of how these things get handled with zero nuance. 

its also true what you said that me or you or anyone deciding to disengage with this band or their music changes nothing in the grand scheme of things, so doing it as some sort of Noble Cause against abuse is useless. so in this case i feel it’s up to personal preference and whether or not i can swallow the cognitive dissonance and discomfort this information arises in me whenever i listen to their music from now on. 

thanks again for the insightful response, i’m glad we can have this sort of discussion because i also think this topic is extremely important but people often shy away from it because it’s so heavy. 

im glad you asked me to share! like i said ive spent a lot of time thinking abt this specifically so its very much like years worth of mishmash thoughts kinda strung together only by me experiencing them over time in succession lol. but i agree its important to talk about it especially within a culture so ensnared in the logic of the prison and particularly how effectively thats been exported into like 'mob justice' for lack of a better word.

re: the emotive aspect im not sure i have much to say other than like Yeah its a very strong one and i dont think its a bad thing at all to have. i got the impression from ur ask--and idk how true this is--that you were wrestling between a desire to return to the music bc you enjoyed it and that response preventing you and feeling a sort of obligation to do one over the other n struggling with that. so i think i approached it as like 'heres ways you can reason w that emotional response and grapple w it if its smth ur agonizing over' or something like that. im also a firm believer in the ways politics shapes the ways we think n feel so my instinct was to tease out some of the structures that may be shaping ur thought processes--which of course i nor anyone but you can fully know. but i dont get that same sense from how u describe it here and either way i think whatever feeling ur having about it is like...i dont want to say its 'valid' but ur allowed to have that and do whatever you want pretty much lol. i cant and am not going to force anyone to engage w the band and theres probably more reasons than i could think to list why its not for everyone even without the sordidness of abuse hanging over it.

without getting into a much much broader discussion i would gently push back on the idea of a biologically innate reason for the existence of carceral/punitive logics (and frankly psychology more broadly), if only bc it does a lot of the work of justifying them. keep in mind that these are concepts ideas and patterns of thought that exist because they serve systems of power and particularly the state. we did not have to have a society which created them, we only happen to--which is to say theyre not innate in this way and i disagree that they have an 'evolutionary' purpose bc it fails to properly historicize them. but thats me coming from an antipsych position lol

[girl-bateman]

Blood-work came back fine which either means I really do have a mysterious deadly illness OR its my mental health that's fucking up my physical health. Now my dilemma for my upcoming appointment .. do I mention how neurotically devastated I've been feeling these last months, knowing the doctor might be relieved to blame it all on hysteria instead of doing more testing ? Or do I just... not say anything about that.. lol

[arolesbianism]

Why must I only be capable of coming up with cool art ideas long past midnight

[29121996]

.

[playingonedchess]

like ironically i guess, the only sport i ever actually learnt the rules for at school was netball cause boys werent excepted to know the rules but still had to play it so the rules were explained but for every other sport everyone was just expected to know the rules already or something

[gaystardykeco]

what to do when im obsessing and obsessing over conversations and interactions again but like the mistakes im finding are very real mistakes in a very real pattern that ive been trying to fix for years and keep getting worse about instead so like clearly the obsessing is warranted but also its eating my brain from the inside out

[maxivstappen]

౨ৎ WHAT A COINCIDENCE ! ‧₊˚.

౨ৎ part of my short n’ sweet series (not posted yet) ౨ৎ

smau — angst & sweet revenge

pairing — charles leclerc x reader / lando norris x reader ( fc: sabrina carpenter )

summary — charles has a habit of running back to you whenever things don’t work out between him and alex, but how long will you be willing to keep up with his shit?

warnings / disclaimer — none, just some swearing!

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23rd August 2023 - TWITTER

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31st August 2023 - TEXTS and TWITTER

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4th Feburary 2024 - TEXTS

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5th Feburary 2024 - TWITTER and TEXTS

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6th February 2024 - @.yourusername ✓ just posted on INSTA!

liked by landonorris, sadiesink_ and 2,965,201 others

yourusername the only thing that surprised me yesterday was, in fact, the cake ✨ wouldn’t have wanted to spend it any other way — thank you for all your birthday wishes <3

view all 87,082 comments

landonorris ✓ pretty girl

-> ♥️ by @.yourusername ✓

carlossainz55 ✓ @.landonorris omg🥹 you’re growing up lando

user3 @.carlossainz55 NOT HIM SIDING WITH LANDO THIS IS SO MESSY

user1 i cannot handle everything that’s happened yesterday and today

user2 @.user1 what’s going on?

user3 @.user2 charles and his ex got together again right on y/n‘s birthday and she’s very obviously throwing shade in her caption (saying she’s not surprised because alex and charles are always on&off) + lando just called her pretty girl???

user2 @.user3 omg queen, lando should make a move

milliebobbybrown ✓ happy birthday bb

-> ♥️ by @.yourusername ✓

user4 @.milliebobbybrown eleven what are you doing here

user7 ICONIC ICON

user5 oscar and lily were there, carlos, lando, george and max were there, where the hell was charles??? he didn’t even like the post

user6 @.user5 he’s with alex again :(

user5 @.user6 WHAT

user6 @.user5 yes even worse, he left the morning of her bday to fly out to alex

user7 @.user6 nobody confirmed it stop talking shit

user8 @.user7 charles was seen at an airport just that morning + it wouldn’t be out of character for him, he’s always been like this + he wasn’t at her bday party but they were still seen together one day before + half of the grid was there but he wasn’t

user8 the caption is so ironic 😭😭

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23rd August 2024 - @.landonorris ✓ just posted a story on INSTA! (playing: coincidence by y/n l/n)

@.yourusername replied : i love you more lan🥹

@.danielricciardo replied : i thought your obsession would stop now that you’re together but these past months have all proven me very wrong😔

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TWITTER

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@.yourusername ✓ just posted on INSTA!

liked by charles_leclerc, lilymhe and 5,669,069 others

yourusername what a coincidence! I’ve got a few surprises for you! first of all, my new single “coincidence” is out now! second, music video for said song is coming tomorrow ANNNNNNDDDD surprise surprise surprise!!! MY NEW ALBUM “Short n’ Sweet” COMING OUT NOVEMBER 13TH <333

view all 128,696 comments

user1 ALBUM OF THE YEAR ALBUM OF THE YEAR ALBUM OF THE YEAR

user2 i want her so bad

user3 @.user2 same

user4 IS THAT LANDO’S HEAD ON THE FOURTH SLIDE

user5 @.user4 IT IS

user6 @.user4 HE’LL BE IN HER MV I THINK

user7 @.user6 OH MY GOD

user8 i want both her and lando

user9 lmao charles in the likes👀👀

user10 probably wants her back

landonorris ✓ 🤭🤭

-> ♥️ by @.yourusername ✓

user11 @.landonorris @.charles_leclerc omg look charles!😧 it’s not that hard to interact with and post your girlfriend !!!

user12 @.landonorris PLEASE GET MARRIED HAVE KIDS PLEASE

user13 im gonna stream this til my neighbours know the lyrics by heart

oscarpiastri ✓ lando won’t shut up about you

carlossainz55 ✓ @.oscarpiastri he never will

user14 i love how they’re all friends with y/n🥹🥹

user15 oscar and carlos interaction in y/n’s comment section might be my favourite thing ever

user16 please more charles hate songs 👍

mclaren ✓ streaming rn as we speak

user17 THE ALBUM’S COMING OUT ON LANDO’S BIRTHDAY🥹🥹🥹

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general taglist :: @norrisdriver

first smau ever !! probs not the best but i hope you like it anyway :)

[ragingbookdragon]

It comes as somewhat a surprise when the others realize that something has obviously happened between their resident Lieutenant and Private, as she’s quick to fall silent whenever he appears, and even more so make herself scare when she can when he’s around. It’s only the third time that Soap sees it that he says something, because if he doesn’t no one else will, and where’s the fun in that?

He watches her duck her head and leave the break room, Gaz, Soap, Price, and Ghost sitting alone at the breakfast table conversing over soggy cereal and cooling tea; Soap pushes a piece of bacon on his plate and asks, “Trouble in paradise, Lt?” the corner of his mouth arches with a slight grin when he hears the warning grunt come from Ghost.

“No.”

“Seems like it,” he retorts, taking a sip of his coffee. “What’d ya do? Tell her ta fuck off?”

“Drop it, MacTavish,” Ghost warns darkly. “Nothing’s wrong.”

This time, Gaz jumps in. “C’mon, Lt., it’s obvious that something’s wrong. I mean, she won’t even look at you, let alone say anything unless you speak first.”

“An’ she’s callin’ ‘im ‘sir.’” Soap adds, pointing at him. “Christ, Lt., ya musta done a number on ‘er. Poor Puffin. So sweet and kind. Broke ‘er heart ya did.”

Price can tell that Ghost is close to snapping at the both of them but gets to it before he does. “Soap, Gaz, go catalogue our inventory for the mission next week.”

“Aw, but we already d—” Soap falls silent when Price shoots him a look and quietly grumbles to himself as he grabs his plate and cup, Gaz following in suit.

It’s only until the two soldiers are alone that Price asks, “What did happen, Simon?”

Ghost lets out a long sigh and rolls his head back, staring at the ceiling. “Pretty much told ‘er to fuck off.”

Price watches quietly as Ghost begins rattling to himself—he’s never really had to ask the man to explain himself. All he’s gotta do is prompt him to do so and Ghost does the rest.

“I just got mad. She’s always ‘round and practically up my arse, and I got caught up and instead of ‘andlin’ it properly, I shoved my fucking foot in my mouth and scalped her.” He rubs a hand over his face. “I meant to be gentler but once I started, I couldn’t stop. It just kept comin’ out. And now she fuckin’ hates me.”

He pulls his hand down and looks up at Price with a scowl—the man is smiling at him, but it’s that stupid smile that means more than Ghost wants to admit it does.

“Quit that.”

“You care about her,” Price murmurs, rubbing his chin thoughtfully, though his admonish is still harsh. “And instead of telling her how you felt like a grown adult, you took the ten-year-old way out and decided to be a cunt to her.”

“I didn’t mean to be such a cunt.”

“But the fact of the matter is that you did, and you’ve screwed up team fluidity and cohesion.” He looks at him. “You know a team divided—”

“Can’t stand,” Ghost finishes with an even worse scowl. “Yeah, yeah, I know.” He looks away. “I just don’t know how to even start tryin’ to fix it.”

“Well, apologizing might be a good start,” Price rumbles with a grin. “She’s a good kid, Simon. Her heart’s in the right place, even if it’s a bit much at times. Shows she cares. More than most do in our line of work. She’s a rare one.”

“I know,” he admits in a much, much softer tone. “I just don’t want her to lose that doin’ this.” His eyes meet Price’s, and they hold such a misery. “Look at us, Price,” he mutters, gesturing between them. “Middle age, unmarried, no kids, too fucked up for anything like that. She doesn’t…” he clenches his jaw. “She deserves a better path, a safer path, than this life. She deserves to go out and have a life where she comes home to a family.”

“That’s not your choice to make, son,” he replies gently, but there’s a firmness to it. “If this is what she wants to do, then she will. We can’t make her get out of service.”

Ghost growls low in his throat. “She has so much more potential than being cannon fodder. She could do somethin’ with her life. Somethin’ good. Somethin’ that won’t have her dying face down in the sand with a bullet wound in the back.”

Price simply watches him.

“But she’s so fuckin’ stupid. She wants to be here. She wants to spend whatever time she has dodgin’ bullets and wakin’ up every night in sweat ‘cause she can’t escape the dreams. No one wants to do this. We don’t want to do this. We do this because we have to. But her? She’s happy here.” He lowers his voice, it’s as if he’s in disbelief. “She’s happy here.” He looks at Price. “Why? Why is she so happy here?”

It's another long moment before Price speaks.

“You hear, son, but you don’t listen.” He moves the cup on the saucer. “She bounced around homes growing up, scraped by on the skin of her teeth. She has no one. But here, she has something. She has people who care for her, if nothing else, they won’t let her die alone.”

“Oh what? So, it’s found family bullshit?” Ghost spits. “If she dies, at least the team would mourn her?”

“Isn’t that what you’ve done too?” he replies, and Ghost falls silent. “People like Gaz, Soap, and myself are different than you and she are, Simon. We have homes. We’ve had families that have loved us, that do love us. But you two? Simon, you’ve made a home where you’ve had to. Made a family out of people you’ve bled for, would gladly bleed for. You’ve made something that’s yours. You made a family for yourself. And so did she. She’s made us her family. The one she never had the privilege to call her own.”

Price lets out a quiet hum, and pats his thighs, standing up and pushing his chair in.

“Think on what I’ve said, son. And if nothing else, apologize and leave it at that. Put the ball in her court and let her make the next move.”

As he walks off, he hears, “And if she doesn’t want it?”

He tosses a knowing look over his shoulder. “I’m sure she’ll take it.” His eyes twinkle as he adds, “Takes an awful strong woman to care about a man like you.”

[nereidprinc3ss]

come on home

in which the only person who can comfort you after your breakup with spencer reid, is spencer reid

inspired by the song "summer's end" by the artist currently known as phoebe bridgers

wc 2857

warnings: gn!reader (correct me if im wrong), minor mommy issues, angst, happy ending

a/n: thank you to the person who requested this:) u r an angel and I listened to this song the whole time i wrote (if you haven't heard, listen!!) i sincerely hope you enjoy, i like this one a lot<3

She hung up on you. 

Forty-seven minutes of being insulted and berated after you’d called her looking for comfort, and you put up with every single cruel word—just for your mother to hang up on you. And it’s exactly the kind of thing she’d do, so you shouldn’t be surprised. An ache, you’d expect—but it shouldn’t sting like this. You thought you knew better. 

Now you’re in a ball on your couch, clutching your phone to your chest and crying. There’s no point hiding it. Your roommate is out with her girlfriend for the evening—which is too bad because even though you feel like being alone, you’re sure that’s the wrong call. Your other friends are out having fun tonight, too. They’d even invited you, but you turned them down. Look where that had gotten you. Obviously, your mother is not the person you’re about to run to for comfort, either. 

You try to pretend, while you’re thinking of all these people who have ever cared for you, that Spencer Reid isn’t on your mind at all. You try to pretend like you don’t care that the person who loved you until you believed you actually deserved it is a contact going stale deep in the bowels of your text cache. With bleary eyes you scroll down, looking for your conversation where it gathers dust—the end of your relationship was a mutual decision, and you’re friendly, but you haven’t texted in a few weeks. Probably because every time the conversation starts to feel a little too easy, or the phone call lasts a little too long, that aching void in your chest gets worse and worse. Like pain in a phantom limb, you become acutely aware of what you do not have and how much it hurts.  

So blame it on the tears, or the mind-muddling melodrama of your relationship with your mother, blame it on anything but the truth—when your thumb drops on that call button like the plunger on a syringe, you don’t regret it.  

What you’re not expecting is for him to answer after the first ring. 

“Hi,” you say with a snuffle before Spencer can get a word in. There’s a brief interlude, in which you pick at your nails, comfortable to just sit in silence if that’s what he wants. As long as he’s there. 

“Hi.” Hearing his voice instantly melts a bit of the weight you hadn’t realized you were carrying. Another pause, for which you remain silent, because you can feel him formulating a question—and you’d like to hear him speak again. “...am I allowed to ask if you’re okay?” 

Your lips purse and twist to the side, pained and comforted by how easily he can tell that you’re distraught. One word across a tinny connection, and he knows. 

“No. Yes. I mean... I guess that’s why I called you. But you don’t have to ask me about it.” You sniff again and take a deep breath. “How was your day? What state are you in?” 

“I’m in the district,” he answers after a moment, easing into a casualness that he likely doesn’t feel for your sake. Wind crunches through the speaker. He probably just got out of work. “My day was... it was good. I got to talk about my job to a bunch of elementary schoolers, which is always a confidence boost.” 

You chuckle, still laying on your side on the couch and watching storm clouds gathering outside. 

“Nice, nice. What else?” 

“Let’s see... I forgot lunch, so I had three oranges, and they were actually pretty good. I reread Game of Thrones—I don’t know why I did that. I’m never going to like that book.” 

“Masochist,” you smile. He laughs, and you hear the sound of a car door opening. 

“Oh! I talked to my mom. Believe it or not, she says hi.” 

A completely inadvertent snort constitutes your response. It’s not what you meant to do, and out of context it’s sort of mean, but you actually think it’s incredibly endearing that he still talks to his mother about you. He scrambles to explain himself. 

“I swear, we barely talked about you this time. Mostly we talked about her new boyfriend Leonard.” 

“No, no, that’s not... I’m sorry, I’m not laughing at you or your mom. That’s really sweet, actually. Tell her I say hi too.” 

When he next speaks, you can hear the smile in his voice. 

“I will.” Another long pause. You imagine him sitting in the parking lot at Quantico, keys vertical in the ignition of his old car and feeling the silence just as much as you are. He surprises you by not ending the conversation—instead he asks a question. It is concern, poorly disguised with nervous humor. Or maybe you just know him too well. “Do I get to find out what’s on your mind, or are you leaving me in suspense here?”  

You bite the inside of your cheek. 

“Um... well, actually, I just got off the phone with my mom, too. It didn’t go so well,” you laugh halfheartedly, “I know it was dumb to try and have an actual conversation with her, but... you know me. Always following blind optimism to the depths of hell.” 

“Why’d you call your mom?” he asks, so gently it brings a fresh round of tears to your eyes. Still, you attempt to put a cheerful affect on your strained voice. 

“Mm, you know. Just needed someone to talk to.” 

Spencer’s knowing sigh does little to make you feel better. 

“You know you can always talk to me, right? I know it’s... it’s different now, but... I care about you a lot. And, you know, I receive very few phone calls, so the line is pretty much always open.” 

Your laugh quickly devolves into a cry. 

“I appreciate that, but I can’t talk to you about everything.” 

“Why not?” he pleads immediately, voice thin and desperate like it’s his most burning question. A million lies dance over the tip of your tongue. A million things that feel safer to say than the truth. But in the end, it comes out anyway—choked, and so quiet, but aloud nonetheless. 

“Because I’m trying really hard to stop missing you so much.” 

Another long beat of silence. The back of your throat feels dry and hollow—a cage for your hummingbird heart. 

“If it hurts too much to talk to me, you don’t need to do that to yourself. But I also don’t want you to hurt yourself thinking you’re alone. You are... so important to me. I will always try to take care of you the best I can—whether that means staying away or being at your front door. If you ever need me, or even... vaguely want me, I will be there.” 

Each word caves your resolve. Each syllable is a slap in the face to progress you’d been pretending to make. You can be strong—you've proven that over the past ten weeks. You can be stone-faced and slash at your heart until the scar tissue is thick and jagged, and eventually it won’t hurt anymore. But maybe, by letting someone tend to the wounds, they’ll heal a little nicer. A little kinder. Even if you can’t undo the damage, maybe one day you’ll be soft again. 

“What if I vaguely want you right now?” you sniffle. 

Finally, you hear the silver jingle of keys turning. The sputter and rumble of an old engine coming to life. 

“Then I’m on my way.” 

Twenty four minutes later, there’s a soft knock at your door.  

After the call had ended, you’d wondered if you made it all up. Surely your ex-boyfriend wasn’t actually about to show up at your apartment. Someone you’ve grieved for can’t just come back—there are countless horror novels and movies based upon that very tenet. Does it matter if they ever actually died? How long is ten weeks, really? It feels like a lifetime. 

You shuffle across the room, wiping under your eyes with your already damp sleeves, and undoing all the locks Spencer had conditioned you to start using. When the door cracks open, and you see Spencer standing there, windswept and concerned, for the first time in months, it hits you like a tidal wave. You are, beyond a shadow of a doubt, still just as in love with him as you ever were. The relief that floods your veins as he looks down at you with so much care in his eyes is like sinking into warm water. It’s a dead giveaway, and maybe it makes this whole thing a terrible idea, but you can’t seem to care very much. You open the door wider, and he enters, and he stands in your kitchen with his hands in his coat pocket as you shut the door and he’s perfect. It dawns on you that for the first time since the breakup, you feel safe. Like you don’t have to be a stone pillar anymore. This, of course, translates into even more tears, which you try to hide as you face away, re-locking the door.  

“Sweetheart...” he sighs, because you can’t hide anything from him. Hearing the resonance of his voice so close to you once more is overwhelming. In an instant you’re rushing into his arms, and he accepts you without hesitation. You bury your teary face in the vetiver safety of his button-up and slip your arms under his coat, as if you could absorb his warmth and forever hide from the world that way. He pulls you even closer. It’s terrible and cruel how much he is exactly what you needed. “What’s wrong? What did she say?” 

You shake your head and gasp a small sob. 

Truthfully, you’re not really crying about the petty insults from your mother anymore. You’re back to square one, the reason you’d called your mother to begin with—you miss the man whose arms are currently wound around your shoulders. 

His hand smooths over the back of your hair. 

“Okay. That’s okay. We don’t have to talk about it.” 

You stay like that—content even as you cry because being with him feels so much safer than being alone. It feels right—or perhaps it’s just familiar. You don’t know which is worse.  

Spencer is rubbing soothing lines up and down your back as you cling to him, soaking him up in all his ephemeral, comforting glory. He surprises you by chuckling—it vibrates through his chest, buzzing against your ear. 

“Nice Magritte print. I bet the person who bought that has fantastic taste.” 

“Are you gonna ask for it back?” you mumble into the fabric of his suit jacket. He is, of course, referring to the painting you’d more or less stolen from his apartment seven months ago. You really don’t want him to take it home. It’s the most overt Spencer memorabilia you’d allowed yourself to keep in plain sight. 

“No, baby. You can keep it.” The words are low, and kind, and they settle you some, but you can’t seem to get him close enough. “What can I do?” he whispers after a moment, helpless as you take a shuddering breath. “Can I make you tea? Have you eaten?” 

“Will you just... stay for a little bit? I’ll—I promise I’ll stop crying.” 

There is an unexpected lull where you thought you’d receive pretty immediate agreement, but before you can pull back and ask what’s wrong, he murmurs, “yeah. I can stay for a while. But you have to kick me out before it gets too late.” 

You wonder if you’re imagining the double-entendre that seems to underline his words in bold red ink. Spencer is too smart to have not noticed a thing like that. You don’t mention it—it all boils down to the same unspoken idea. 

Don’t let me stay, because I might not leave. 

“I will,” you sniff, finally stepping back and wiping your own tears. It hurts to lose his touch, but at least you know he’s not going anywhere for the next few hours. This, as opposed to everything else lately, can be a beginning instead of an end.  

At least, until he goes home. 

Three and a half hours later, after tea, an impromptu dinner comprised mostly of cheese and crackers, and several vinyl changes on your record player (which served only as background noise for your long, ambling conversations), things are seeming to wind down to a natural stopping point. Which you hate. The whole time you’d had a dull ache in your chest because talking to him was easier than breathing and you knew it wouldn’t last. There had been one or two false bottoms already—the first when you’d yawned around nine, and the second when you’d gotten up to do your skincare and brush your teeth half an hour later. Even then he’d just leaned against the doorframe, watching your reflection above the sink as you talked for fifteen more minutes. Now you stand across from each other in the kitchen, plates restacked and everything in order. Of course he’d insisted on helping you clean up. 

“I should go,” he says, with a soft sort of finality in his voice.  

“Is your carriage turning into a pumpkin?” you tease gently, to hide how much you don’t want him to leave. He smiles—a small, weary thing—but genuinely and endlessly charmed by you. 

“That among other things.” 

“Would you—would you walk me to my room first?” 

The hesitance is clear in his eyes and the way his lips part as if to say, ‘I don’t think that’s a good idea’, but you're sure he’s really going to leave in a moment and you’re also sure he won’t deny you this one small thing before he does. 

“Okay.” 

It’s a short, silent walk through the living room and down the hall to your bedroom door, but you can feel him trailing behind you the whole way. You stop in front of your open door, turning face to face with him.  

“Thanks,” you murmur.  

His lips pull into a melancholy smile. 

“Anytime.” 

There’s nothing left to do but wrap your arms around each other once more, tuck yourself into the you-sized space between his head and shoulder and hold on for as long as he’ll let you. The hug lingers for longer than is wise. Spencer adjusts his arms looped around your waist, pulling you closer, and you nuzzle against his neck, grateful that at least he seems as reluctant to let this end as you are.  

But eventually, it relaxes. Your hold on each other loosens. His face is just inches from yours, and you get to study every plane and valley and line like you’d thought you never would again. It seems he’s doing the same—losing himself in the luxury of seeing you up close. 

“Will you kiss me goodnight?” you whisper, unable to muster any self-consciousness though you know it’s a fool’s errand. Spencer strokes your waist. 

“I can’t do that, honey.” 

“Why not?” 

His voice is just as quiet as yours. It falters slightly as he speaks, so gently, so patiently. 

“Because we’re not together anymore.” 

“Why not?” 

Your feeble, desperate supplication sounds pitiable even to you. You’re not proud, but you can’t find it in yourself to be ashamed, either. All you want is an answer. But it’s like a child asking why the sky is blue, or the earth is round. There is a definitive explanation, but mostly, the adult will shrug, and say, that’s just how it is. 

Spencer’s eyes squeeze shut. His head tilts down. 

“We can’t do this again, sweetheart. You know why we’re not together.” 

In theory—yes. You’d had so many conversations when you’d broken up. It had been a long, painful process, spanning multiple all-nighters at his kitchen table, nursing coffee and trying to convince each other and yourselves that it was the right choice. But it just feels like a horrible, horrible mistake. You feel desperate to explain this to him before he slips away again—the words come out flustered, inelegant as you cling to him.

“But I don’t think I’m getting better without you. I tried, I tried so hard to be good on my own, but everything is worse and harder and—and we weren’t sure about it then, and I don’t think it was the right choice, because I still really need you. Like, all the time. I’m—it’s not getting better without you. Nothing got better.” 

He swallows, eyes darting between yours for an infinite second. You’re breathless and your heart is pounding after your confession—you can feel your eyes stinging with the few tears that managed to escape as you spoke. 

“Everything is worse,” he agrees shakily. “Everything. I’m—I’m getting disciplinary infractions from Hotch like I’m a child because I can’t focus on anything. Game of Thrones is the most complex literature I can comprehend right now. I had to use a calculator the other day.” 

You want to laugh, but nothing is funny until he’s yours again. 

“Then come back. Please come back, Spencer.” 

Finally, he leans closer, until your heads are pressed together, and his nose bumps yours, feather light. You're dizzy. You exhale. He inhales. 

“I don’t think I knew how to leave in the first place.” 

When he kisses you, it feels like home. 

[hanjisungslag]

hiiii!! so sorryyy idk if you take requests BUTT could you do headcannons of being in an argument with the aot characters?

🗣️ aot characters & arguments

characters involved: eren, armin, mikasa, connie, jean, sasha, reiner, annie, bertolt, erwin, levi & hange

notes: i do take requests indeed!! :3 i luv angst, i hope this is gd♡

✧ eren jaeger - 

okay, when you guys argue it’s honestly more cute than anything because you’re both so protective of one another. neither of you wanted each other to join the scouts because it was so dangerous but, you both joined anyways obviously. oh my god, you guys non-stop bicker when there’s a mission! and don’t even get me started if you get put into different teams😭 you start TWEAKINGG. after he finds out he’s the attack titan, oh it gets 10x worse. his absolute biggest fear is losing control and hurting you - he’s already so conflicted, confused & felt like an outcast. he definitely lashes out more and becomes snappier than usual but, it does come from a place of sincerity.

when this happens, you just leave it be. as soon as it’s not just bickering anymore, when a voice is raised or an insult is made, you just leave it. you understand he’s going through a lot and just needs a minute but, TRUST ME! when you walk off, you make sure it is known that your feelings are hurt.

“i said no! you are not being on my team! im going with the levi squad, thats final.”

✧ armin arlert -

you both love each other very much but, goddamn you’re both so up your own arses! you are the ‘smart couple’ you are both strategic and witty and have your own way you go about things. so, when it comes to deciding whose plan is better, you always think yours is better and admin thinks his is better. this has (and probably always will be) the main root of your arguments, tbh. nobody likes to get involved either because if someone picks a side then even more havoc will break lose. the only people who’ve ever come between you two is: mikasa, levi & erwin.

it’s just like a debate, you know the ones on jubilee where it’s just people speaking over each other with different facts and sources? literally you two. you both would keep going until the end of time if you didn’t need to sleep, eat and drink water. it’s never that serious at the end of the day, you both love each other and i GUESS you can appreciate each others plans albeit you both think yours is better.

“if you actually listen to me when i say, my layout is better! look at how easy it is to manoeuvre from the castle to the forest!”

✧ mikasa ackerman -

wash the damn scarf. that is all you ask of her. she has literally never washed it and you love but jesus christ, stink LINGERS. not only do you think it’s weird she doesn’t wash it but, it’s also from eren… now, you know mikasa’s lore, of course. however, it’s really hard to get over your girlfriend having this deep love for this smelly scarf that her ex-crush gave to her after he literally saved her from being kidnapped. at first, you try to ignore it but it gets to a point where you sit down and talk to her but, she is not having it. she clearly cares very, very deeply for this scarf and will defend it. it’s really awkward conversation that slowly turns into raised voices and some opinionated things being raised.

“why are you getting jealous over a scarf? that’s so stupid! i just have fond memories with it!”

✧ connie springer -

again, not so much major arguments but just bickers. it usually starts as a joke but slowly but surely divulges into an argument about something stupid. one time, someone ate the last of jean’s meal that his mum made for him and he saved until today, obviously he was super upset and jokingly you blamed connie. at first, all was well, laughs were being heard and he even poked fun at you but, somewhere along the way it became more serious for you two, you genuinely suspected connie of eating jean’s meal and connie was getting visibly more upset.

“that was so not me! why are you telling them that?! i didn’t eat it, y/n!”

jean regretted asking who ate his food.

✧ jean kirstein -

jean is unfortunately a jealous guy. not for any malicious reasons, he’s just a bit insecure gang! he’s more scared that you’ll leave him for someone ‘better’ more than anything but, these feelings of insecurity manifest as jealously. he’d get jealous over you spending time with people like eren, mikasa or armin. in so many aspects, they’re better than him (in his eyes) and this will just make him reallyyy pissy. being in an argument with jean is painstakingly ambiguous like he never straight up says it, it’s always sly remarks or dry responses from him for a while. eventually, you know something is up and question him but he will avoid answering like the plague and it’s just so, so frustrating! eventually, when you break your calm demeanour, he will also break his ‘nonchalant-ness’ and just shout about how he feels.

he crossed his arms, “i just don’t understand why you need to be around him so much, you have me?”

✧ sasha braus -

absolutely nothing. i’m sorry but, she is too sweet and loving. IM SORRY, i’m sorry… i tried so hard to think of something but this queen is too perfect. at most, she would snap at you in high stress situations but she would never turn it into an argument. for example, if you told her to slow down her eating because you’re going on a mission but, she hasn’t eaten much that day she may snap and tell you to “let her do what she wants” but, she’s sooo quick to recover and apologise. literally not even giving you a second to even think about arguing with her!!

“ah, i’m sorry. you’re right, i don’t wanna be sick while flying through the air, huh?” she pouts.

✧ reiner braun -

you’re both from marley, you know damn well what you’re doing here but it seems reiner is straying off path. you’re there to try and remind him why you’re there and this leads to so many arguments. his split personality also plays a role in the arguments because it’s so.. scary and confusing for you because one moment he’s defending eldians than the next, he’s shouting at you about how he ‘knows the plan’.

when talking about stuff like this, since it’s extra sensitive for reiner he definitely flips out. i’m talking shouting, angry grunting, clenching his fists into balls and holding them against his forehead so he doesn’t fully crash tf out. he’s just as confused and scared as you are about his split personality but, he doesn’t want to seem weak or to seem like he’s losing sight of what is ‘right’ - it gets him really worked up. obviously, you stand your ground against him, he doesn’t scare you when you’re arguing. you’ve known him for so long.. you feel like he just needs to be guided.

“when did i ever say i liked them? yes, they’re okay people to be around for now but— no, i never said that! i know what they are, you don’t remind to tell me, y/n!”

✧ annie leonhart -

just the fact she’s cold and distant, it makes it really hard to actually have a relationship with her. at first, she was closed off COMPLETELY but cracks began to show and eventually, you thought you were at a good point with each other but, you kind of realised you didn’t know that much about annie. you try to ask questions to get her to open up but, she is one tough egg to crack so eventually, you just ask! hoping to help her more than anything but, this leads to an argument…

after this first argument, it became pretty regular like once every few weeks this would happen. you get super frustrated because she acts like she doesn’t even care! so, you’re shouting and getting really passionate while she sits there, looking pissed off and bored, rolling her eyes and scoffing. she doesn’t see the need to open up to you, she’s done what she thinks is ‘enough’ in her books.

“what do you want me to say? i’m not an open book, that’s just how i am. we’re all gonna end up dead, anyways.”

✧ bertolt hoover -

sigh… oh bert. every time you feel yourself developing further into your relationship with bert, his friends seem to pull him back. you’re still not quite sure why and they always seem to be giving side eyes or glances when he talks about his life - its starting to piss you off, rightfully so. you feel like he’s got two other side hoes watching yours and his every move! you being this up in subtle ways as to not seem like a crazy, jealous partner but eventually you burst and tell him how you really feel.

arguing with sweet bert isn’t fun because you can tell he tries so hard to please everyone in the situation, whether it’s you, him or now in this case, his friends too. he will raise his voice but, not in a bad way just in a general sense, things are getting heated, his voice will raise and he will fling his arms and hands. he’s a very expressive man when arguing because he is so passionate about it.

“y/n, they’re my friends! they’re just trying to protect me, why are you jealous?”

✧ erwin smith -

there’s so such things as arguments in your relationship, erwin likes to call them ‘mutual disagreements’ as your both in the scouts, he knows your time is limited. it’s a morbid and pessimistic way to think but, you have to be realistic when you live such a deadly lifestyle. he doesn’t want to take your time together for granted - plus, he’s a MAN like, he is calm and collected and will always hear you out.

you both start off calm, having a mature conversation about whatever it is that is bothering you but, when you start getting rowdier that’s when erwin quells the flames quickly. he takes a deep breath, hears you out and calmly walks you through it all. he’s so compassionate about it, i cant omg. he’ll gently place a hand over your own hand or on your shoulder if you’re standing, letting you know he’s present, he’ll sweetly talk you down, eventually calming you down and usually you’ll both say apologises or just general sweet statements and move on!

“i’m sorry, y/n. no, i’m glad you talked to me about this.”

✧ levi ackerman -

oh lord, being in an argument with levi ackerman is nawwtt fun. i’m sorry but, i’d kms if i argued with levi 😭. this man has such an awful resting bitch face as it is but, imagine his face when he’s arguing with you? IF LOOKS COULD KILL. he cant hide his emotions, so when you’re arguing even if he’s trying to be somewhat nice, his face says it all. usually he’ll roll his eyes and scoff if it’s something minor, he’ll hear you out, maybe give a half arsed apology or some sort of nice gesture to make sure you’re not upset however, if it’s a big issue oh brother…

silent treatment, i fear. he is so bad at communicating his feels correctly and often feels confused because this mf ain’t been in love before?! it gets too a point where he’s so mad, he just cant even begin to think of anything to say to you. you’ll be there raising your voice, becoming so passionate and when you ask what he thinks, he’ll say “i have nothing to say.” then boom, silent treatment. however, he’s bad with his words… but good with his actions. he still wants you to know he cares, you two could be in the most rancid moods but, you’ll go to your room and find your clothes ironed and folded🥲.

✧ hange zoë -

oh my sweet hange, my probably neurological challenged sweet hange… an argument with them would definitely stem from them spending more time with titans than you. when sawney and bean were around, you weren’t getting ANY time of day with them, trust. at first, you didn’t want to say anything because of course, you understand! the lifetime you guys are living in, things like hange’s research is soo important but, you can’t help but feel neglected sometimes.

when you finally bring it up, an argument ensues. neither of you really shout or anything, it’s just that kind of weird sort of raised, high pitched voice people get when you’re really frustrated. you both stay relatively calm for the situation you’re in but, you can totally tell you’re both so frustrated because hange just doesn’t see the problem. when you guys argue like this, it usually just goes in circles and after a while you both decide to mutually give up and leave it for another day.

“it’s all for science and the greater good of humanity though, i don’t understand?”

[going-to-ikea-for-the-fries]

It's a Match! || 141 x reader

[ Chapter 3 ] || [ Chapter 5 ]

Pairing: 141 x gn!Reader Words: 1.6K~ Summary: While overcoming recent heartbreak, you decide to join Tinder in search of a rebound. Your friends advise to just Swipe Right indiscriminately... What happens when 4 soldiers from the same squad match with you?

Chapter 4: John?

The lads sat in the common room of their floor at the base. Gaz and Soap had just finished a round of Gran Turismo on the PS4 they had set up, while Ghost sat at a table in the corner on his work laptop.

“Ye think the Captain’s married?” Soap mused aloud once he set down his controller on the coffee table.

“What kind of question-” Gaz quipped in confusion as he turned to look at Soap.

“He never talks about a missus Price...” Soap explained. “or second mister…” He added.

“That’s not a question you want the answer to.” Ghost said in a dismissive tone from his corner.

“Why not L.T.?” The Scot grumbled.

“People’s lives are private for a reason, Johnny.” Ghost said with a shrug and a tired look.

“Ye, but the Captain’s not like you, L.T.” Soap retorted with a chuckle.

“If anything, he’s worse, Johnny.” Gaz remarked as he looked at the two other men. “Simon’s reserved but Captain Price is pretty open.... except for that side of his.”

Soap went silent for a long moment, seeming to ponder what the other two were saying.

Then, the Scot shook his head. “If he was married, he’d be easier to deal with, I reckon.” He grumbled.  “And I think I’ve heard of him going out and getting laid before.” He added. “Last year, especially.”

“You’ve heard that too?” Gaz asked as he bounced a bit in his seat and straightened up, intrigued. “Fuckin’ hell, I thought it was just me. I’ve been dying trying to keep my mouth shut about it!” Gaz added.

“So d’ye think he hasn’t gotten laid lately, then?” Soap asked. “He’s been bloody moody since early last year with Shepherd and Graves…” He added.

“Oh, he definitely has a major case of blue balls.” Ghost remarked, drawing both the other men’s attention to him and causing their jaws to drop.

“L.T.!” Soap said with a surprised chuckle. “That’s bad of you! You’re not being the Captain’s good ol’ boy…” He joked.

“Oh, piss off. Just saying. It’s obvious the boss’ pent up.” Ghost remarked. 

“I say we get him laid.” Soap remarked with an impish expression.

“And how do you suggest we do that? We hire him a prostitute?” Gaz asked with raised brows.

“No? Obviously not!” Soap said with a head shake. 

“Good, can’t imagine the Captain appreciating that very much.” Gaz added.

“No, but we’ve gotta think of something! He’s impossible to deal with.” Soap remarked.

“I’ve told ‘im to his face and he asn’t done shit to fix it yet.” Ghost remarked from the corner.

“You’re kiddin’? L.T. you told him to get laid?!” Soap gasped in surprise.

“No, I’ve told ‘im to get ‘is ‘ead on straight.” The Mancunian quipped and shrugged, turning his attention back to the laptop in front of him.

“What about a dating app profile?” Gaz suggested and the Mancunian and the Scot both turned to look at Gaz with intrigued eyes.

“I’m getting my spare phone!” Soap announced as he got up and rushed out of the room.

“He has a second phone?” Gaz asked Ghost who simply shrugged.

-

It took almost an hour and a half and a few beers in their systems (thank God they were on break for the evening), but eventually tey had set up a fake profile for Price.

Sure, the pictures were grainy at best, but they worked well-enough. Courtesy of Soap having a habit of taking covert pictures for his snapchat and sometimes catching Price in them... (and other times just taking pictures of the man directly).

It had been mostly Soap and Gaz doing the work, however when it came down to writing the bio, Ghost gave quite the helpful input… By the time they were done, it genuinely looked like it had been Price writing it.

The lads high-fived each other. Even Ghost joined in! He looked to be in a good mood… Maybe it was the beer, or maybe something he was doing on his phone. Gaz had spotted him texting someone and chuckling to himself.

As Soap began swiping mindlessly across all the pictures of people on the Swiping page, Gaz sat next to him, peeking over his shoulder.

“People are going to read the part on the bio that says we are not Price, right? Because I don’t want ‘em to feel like we’re catfishing.” Gaz remarked.

“Don’t worry! If they don’t, we’ll unmatch!” Soap announced as he kept moving his finger repeatedly and quickly to the right. He was liking everyone, in order to get a fairly good sample size for Price. They didn’t know what kind of person the Captain liked after all…

Just as Soap’s finger is slowing down due to the amounts of profiles he liked… He spots it. And then Gaz does.

“No way!” Soap interjects. “I know this person! I matched with them on my own account!” He remarks as he clicks on your profile.

“Bloody hell, me too.” Gaz remarks, causing Soap’s head to turn and his jaw to drop.

“Wait, ye’ve got a Tinder too?” Soap asks to which Gaz nods.

“Yeah, to get laid.” He says with a shrug and a mischievous smirk. “Our chat was bloody funny.”

“Mine too!” Soap quips and chuckles. “Had a right laugh with them earlier.”

“Let me see?” Ghost asks, curious, and he slides over, bending over the back of the couch to look over Soap’s other shoulder.

“Small world. They matched with me too.” He remarks dismissively.

Both Gaz and Soap turn to look at Ghost like they’ve seen, well, a ghost.

“YE’VE GOT AN ACCOUNT TOO, L.T.?!” Soap shrieks, louder and more high-pitched than a grown man with his natural timber should.

“I’ve got a life, MacTavish.” Ghost retorts.

“No, we know that, sir.” Gaz says softly. 

“Just didn’t think ye’d be on dating apps.” Soap nods.

Ghost simply shrugs and pulls back, walking back to his corner, in an armchair which he took as his own in the last hour.

“Was that who was makin’ you laugh earlier, Simon?” Gaz adds.

Ghost simply gives him a look that can be interpreted as a tired ‘Yes’, before he looks away to keep working on his laptop.

“Should we Like their profile, then?” Soap asks with a chuckle.

“Uh… yes?” Gaz adds, laughing along. “I can’t wait to see their reaction to it being us behind the screen.” He adds.

Soap clicks the green heart button to Like your profile and then immediately hops on DM once it presents a Match. Before he can write some nonsense, Gaz steals the phone from his hand and starts typing on the cracked screen.

John: well hello again you: hello? you: how can it be again though? you: never saw your 'captain' before in my life. John: no but uve seen US John: sorry! allow us to introduce ourselves formally

“Sir, does your profile have you listed as Simon?” Gaz asked as he raised his eyes from the screen. Once Simon nodded, he resumed typing.

John: our names are kyle john and simon

“Johnny, not John, mate.” Soap corrected Gaz right after he hit send.

John: johnny* sorry

They could only imagine the look on your pretty face as you realized who they were.

you: get out! you: no way!!!!! you: all three of you?! John: ye you: wait is this what simon meant when he called himself a traveling consultant? is he a soldier like you?

“L.T. they’re already accusing ye of lying to them.” Soap quips, causing Ghost’s eyes to shoot up from his laptop.

“Lying? Huh?!” He asks in confusion as he puts his laptop aside and rushes over to the couch. He sits on the armrest next to Gaz so he can look at the screen.

He then snatches the phone from Gaz’s hand, pulls off his right glove, and types a reply with now bare fingers on the cracked screen. 

John: I wasn’t lying. John: I just omitted the truth. I don’t go about bragging about my career. you: sure sure sure ‘John’. you: sooo you: is this some kind of weird joke? are you playing a prank on me all matching me individually and then using a fake account?

Gaz snatched the phone from Ghost again.

John: kyle here and no John: we really want our boss to get laid John: he’s miserable you: well im not the one night stand type really you: its why i didnt accept to get together with any of you.

“L.T. YOU TRIED TO SLEEP WITH THEM?!” Johnny asked with another gasp.

“So did you!” Ghost retorted.

“I never thought you were the type!” Soap said with a smug little smirk on his lips.

“Oh piss off, they rejected us all.” Ghost retorted. “So it shouldn’t matter.”

As they kept bickering, Gaz remained laser-focused on texting you and, just as they got heated, he spoke up: “They accepted.”

“Wait wha-” Soap said as he whipped his head down to look at the screen, just narrowly dodging Gaz’s nose and Ghost’s head.

“Bloody hell they did!” Soap yelped as he pulled his head back.

“They wanna go out with Price and ‘see where it goes because he seems like a nice man that needs a break from the three of you’?” Ghost read from the DMs on the screen.

“Ow.” Soap quipped in mock-injury.

The three men raised their eyes and met each other’s, before all their faces morphed into confusion.

“Did they… Did they just reject all three of us for a man that isn’t even aware of this account?” Soap asked aloud, undoubtedly voicing the thoughts in all their minds.

“It seems that way.” Simon said as he looked away.

They all went quiet, each of them quietly contemplating all their life’s choices that led them to the moment they got rejected for a person that isn’t even ‘real’.

After long minutes, Gaz spoke up. “How are we going to tell the Captain he has a date?”

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