#i am much more pro

[biohazbat]

Tim is a freak and obsessed with other freaks. I would like him with Bernard more if Bernard like…secretly started a cult or crime spree or was just weirder. Don’t gotta be a vigilante, just a little freaky

[notahaterbutakvetcher]

Open letter to everyone silent on the pogram in LA yesterday (being Sunday, June 23rd), despite reblogging misinformation after misinformation about Israel’s unique evil:

I see you. I see how quiet you are. I see how afraid you are, how scary it is to comment on it, because of the backlash you might face for “not supporting the movement.” I see the indecision as you hover over the reblog button.

And I am calling you a coward for it.

How dare you refuse to acknowledge what is happening within your own movement. How dare you claim to be on the side of peace, and allow yourself to ignore what your own protesters are doing.

I see you, and I am disgusted with you.

[cosmossystem]

can pro-endo and/or pro-ship blogs interact with this post or follow us or send asks or something? weve been dealing with right-wingers & medicalists in our notes for like a week now and its been a bad time. and also we wanna make more mutuals on this blog <3

[non-plutonian-druid]

[ID: a comic set in the parantural au, drawn in the parantural style, in which all the Hargreeves except Five are kids and Five is a teacher at their school.

Panel 1: Five's bedroom. He is seen sleeping next to Delores the mannequin. Klaus suddenly barges in through the window, shouting "Five, theres a spirit thing!" Five shouts back "WHY ARE YOU IN MY HOUSE."

Panel 2: Allison climbs in after Klaus. She says, "We tried to text you first!"

Panel 3: Five blearily checks his phone. A notification reads "Sent 3 sec. ago. Child A: 5 THERES A THING"

Panel 4: Five rolls over and rubs his face, saying "Ugh, fine, I'll come help. Just get out!"

Panels 5 - 8: Five rolls out of bed, puts on a bathrobe, and teleports downstairs. He opens his front door to find Klaus and Allison looking up at him. They both say "Hi."

Panel 9: A white box labeled "Cool spirit fight scene that I'm not drawing"

Panel 10: Five looks suspiciously down at Allison, reaching over her head. He says, "Why are you still here." Allison aloofly says "No reason. Where's this woman you married without telling anyone?"

Panel 11: An image of Delores, who is actually a giant bug spirit, appears behind Five, who looks uncomfortable. He says, "Uh. None of your business."

Panel 12: They are revealed to be standing on Five's front porch, as Five opens the door. He says "If I give you hot chocolate will you leave," and Allison responds "Deal."

Panel 13: In Five's warmly lit kitchen, Allison delightedly drinks a mug of hot chocolate and Five pours himself coffee. End ID.]

sometimes you encounter a spirit problem you can't solve on your own and you break into your teacher's house about it. and then because in addition to being your teacher hes also a family friend you decide to interrogate him about why hes being so weird and secretive. Just normal things!

[silverwhittlingknife]

hi Silver! o/ because that fanart made me wonder - would you happen to know when/where Dick's stuffed elephant plush Zitka turns up in the comics?

GREETINGS CAM <3333 THAT ART WAS SO CUTE

Yeah, I think your instincts are right - it's a truly adorable bit of transformative fandom, but I'm 95% percent sure it's not comics canon. Barbara has canon plushies, but I don't think anyone else does.

I got kinda invested in the investigation (it's hard to prove a negative!) and I ended up typing out an entire History of Elinore/Zitka, so, uh, if you're curious, meet me below the cut for:

Where does Elinore / Zitka - the animal - appear in comics?

Did Dick ever have a stuffed elephant toy in comics?

Where does Elinore / Zitka appear in comics?

We're gonna go in chronological order!

Dick's circus elephant friend was first created for practical reasons: in Batman 436, Marv Wolfman does a big expanded flashback to Dick's circus backstory as a way to subtly show us Tim before officially introducing him (so that we can have a technically-solvable mystery-of-Tim's-identity in LPoD). In this comic, there's an elephant named Elinore who loves Dick:

Aww. Such a cute elephant!

Batman 436 comes out in August 1989. New Titans 60 comes out a few months later, in November, and guess what? When Dick visits the circus, he is suddenly surprised by an unexpected blast from the past! It turns out that even though it's been years, Elinore still remembers him!

Here's the part where Elinore remembers Dick:

SUCH a cute elephant. I love her.

(Guess who else still remembers Dick even though it was so long ago. Guess which other character is about to be an unexpected blast from the past. Guess which character Elinore is directly paralleling guess guess guess sorry everything is about Dick and Tim in my mind but I can focus I swear)

Four years later, in 1993, Batman: The Animated Series retells Dick's origin story. They like and keep Wolfman's elephant, but they change her name to Zitka:

Wolfman doesn't return to the elephant beyond those two appearances, and a few years down the line, New Titans gets cancelled and Wolfman's not writing Dick anymore anyway. So the animal gets abandoned for a while, until Devin Grayson, a fan of both Wolfman and B:tAS, revives the Wolfman-era Titans team in JLA/Titans and then the ongoing series Titans 1999.

Grayson then brings back the elephant in a flashback to Dick's past in Titans 16 (Jun 2000), where she imports the B:tAS name. Sometimes I'm skeptical of TV-to-comics imports, but honestly, I endorse this one. You lose the alliteration, which is a shame, but IMO Zitka is a better elephant name than Elinore.

Here's Dick with the newly-christened Zitka in Titans 16:

Grayson also briefly references the elephant in Gotham Knights 20 and - in a final angsty callback - in Nightwing 88 (Feb 2004), where Zitka tries futilely to comfort Dick in the midst of his trauma conga line:

... And... honestly, I think that's it for comic appearances? The two Wolfman comics plus the three Grayson comics.

Both Wolfman and Grayson are writing multiple titles - Batman, New Titans, Titans, Gotham Knights, and Nightwing between the two of them, spanning a big chunk of Dick's post-Crisis canon - and both writers use the elephant for heartwarming moments of nostalgia, which means if you're doing a post-Crisis readthrough for Dick, Elinore/Zitka feels memorable. But I don't think she actually shows up that much.

For post-2011, I am not as well-informed - throwing this out to the dash? anyone know? - but I feel like Zitka the heartwarming symbol of Dick's heartwarming circus past is, uh, thematically very at odds with the Court of Owls evil!circus vibes, so my instinct is that this story element was almost certainly dropped in the reboot.

Did Dick ever have a stuffed elephant toy in comics?

In WFA, yes; in main comics continuity, no. Technically, I have not read every comic ever published, so I could be wrong!! But I don't think so.

Below, find my rambling reasoning on the tonal vibes of pre-Crisis, post-Crisis, and post-2011, and why this particular story element doesn't seem right to me for the first two.

Pre-Crisis (...okay, mostly the Silver Age): stuffed animal, yes or no?

tl;dr no, requires too much background knowledge on the part of the reader, plus the elephant wasn't a thing until later

Elinore doesn't get created until post-Crisis, but also just generally, pre-Crisis callbacks are more along the lines of this reference in Batman 129 (published in 1960), where, wow, Batman and Robin are hunting jewel thieves - and it turns out Robin recognized this strongman! BUT HOW?!

The comic goes on to recap Dick's entire origin story in flashback, on the assumption that you may not know it.

(BTW, if you'd like to know more about Haly's Circus throughout the years, nightwingology has a great post here summarizing a lot of fun plotlines and characters!)

Basically: Silver Age comics are very self-consciously episodic and kid-friendly; they're not generally gonna do overly-elaborate callbacks because they don't know what comics their kid readers may have randomly picked up or remember.

By the time of post-Crisis, comic books were being written for an adult audience buying from the direct market, i.e. readers who are collecting whole runs & don't need or want Dick's origin story to be recapped to us in full every time it's referenced. That's why in post-Crisis, we get stuff like "hey, neat, this particular soda brand is getting mentioned in several different books!!" or "in order to understand this story arc, buy SIXTEEN DIFFERENT COMICS in FIVE DIFFERENT RUNS and read them ALL ACCORDING TO A NUMBERED ORDER and also you better be following the individual plotlines and recognize these five minor characters who we don't bother to introduce!! Good luck!!" But the elaborate post-Crisis plotlines - and subtler worldbuilding like a stuffed animal callback to Dick's backstory - don't make a lot of story sense UNLESS you're imagining your readers as completionist adult fans.

So IMO a stuffed animal wouldn't be a pre-Crisis thing unless it was The Episodic Story Of the Week, and I don't think a stuffed animal is action-adventure-y enough for the fast-paced storytelling of the Silver Age. (Unless it, like, came to life and tried to eat you or something.)

Post-Crisis: stuffed animals, yes or no?

tl;dr: no, Dick's a manly tough guy, he's not gonna have a stuffed animal, that'd be lame, like something Tim might do

Part of the edgy grimdark adult vibes in 80s/90s comics is that some characters who used to be kinda silly & goofy & lighthearted - like Batman and Robin - get reimagined as Serious and Angsty and Edgy in a Tough Cool Manly Brooding Way. This massively affects characterization for Bruce, Dick, and Bruce and Dick's relationship.

(I obviously love this change & love the tense Bruce-and-Dick interactions, but plenty of fans of the earlier fluffy comics really disliked the edgy retcons of Miller / Wolfman / Starlin / et al.)

The upshot is that post-Crisis is a period when you could have a recurring reference like a stuffed elephant, but you wouldn't have a stuffed elephant, not for Dick. I think a toy like that would be too cutesy / childish / effeminate to give a male character in post-Crisis, unless you were poking fun at him.

Now, you could probably let Tim have a stuffed animal, because Tim is sometimes cool but also sometimes a tryhard loser who is faking being cool and not entirely pulling it off (see e.g. the Robin comic where he practices tough-guy faces in the mirror, or the Teen Titans comic where Conner discovers his cringy Enya CD, or when he's fanboying over Connor and it's awkward, etc etc.). A stuffed animal would be deeply embarrassing, and you'd have to be careful to compensate by having Tim do something cool afterward - but Tim's character concept allows for "he's kind of a loser sometimes."

But Dick isn't!! In post-Crisis, Dick's a tough / impressive / "cool guy" character, the kind of guy anyone would want to be, even in the flashbacks where he's Robin, and even in the stories where he's more lighthearted than angsty. It'd be kinda lame for Dick to have a stuffed elephant, so he wouldn't. I feel like Dick would be more likely to poke fun at it if someone had one, like when he's making fun of Wally for liking the Hardy Boys. Dick could have a Batman action figure, at most, and if he had one he would have it ironically.

Basically: in post-Crisis, a male character hugging a stuffed elephant feels more likely to be a punchline to me, not something poignant. (Even with Tim, Tim could have an embarrassing stuffed animal, but he couldn't hug it when sad - that's too far. Maybe Booster Gold might do this. Probably he wouldn't, but spiritually, he would. Sorry Booster ilu! <3)

Instead, Dick instinctively deals with his inner turmoil like the TORTURED ACTION HERO he is: by punching things and brooding and yelling and joining the mob and sleeping on rooftops and going on obsessive secret missions and acquiring Angsty Stubble!! Just like Batman!

(Technically I don't know if Bruce ever joined the mob but you know he would.)

Anyway as you know this is my favorite continuity and I am poking fun affectionately, but uh, yeah sdfsfdsfs. No stuffed animals.

Post-2011 / Infinite Frontier / Wayne Family Adventures: stuffed animals, yes or no?

tl;dr it's in WFA! Probably not anywhere else, but it could be.

Post-2011 stuff tends to be cutesier overall, most of all in the current Infinite Frontier era. So I don't feel like this would be tonally out-of-line with IF comics. Taylor tends to go for more meme-y references rather than fanfic references, though.

So the obvious best fit is WFA, which is aiming for a rough approximation of Silver Age family-friendly vibes - wholesome, episodic plots, Teaching Good Moral Lessons For The Youth, etc. - plus lots of Easter eggs for fanfic readers and some comic references.

And look, here we are:

Aww.

Whew - that's everything I could find!

Anyway as you can probably tell, I LOVE the elephant, so this was a very entertaining rabbit hole to go down, thank you <3

[loveyazy]

Whether you wanna admit it's true or not

the only reason Elain is hated is because, like in every other fandom ever, the feminine, kind, sweet woman is overhated for being "boring" all because she chose to overcome her trauma in a healthy way without turning into a raging bitch who takes out her anger on those around her and shows kindness and love to people instead.

anyways, can't wait for Elain's book and for everyone to see what a badass she truly is. for being strong and amazing when everyone constantly underestimates you

[icedb1ackcoffee]

to my fellow creatives: never stop making art. art is an act of protest.

[hopeswriting]

imagine you're luce, and you're born the heir to a mafia family. you're mafia-born, and so of course also mafia-raised, and then also a donna-to-be. you're raised to be able to take on the role, to be good and capable at it, are taught to make one of your core beliefs about how the many must come before the few, because the family must always come first. you're going to be the donna, of course you must always prioritize the family above all else, it's your foremost and most important duty.

if caring about the few too comes at the price of the many, comes at the price of the family, is it even worth it? if the happiness gained from it comes at the price of a greater suffering for others, is there even any meaning to it, even if it's your happiness we're talking about? you understand, don't you?

you're not sure if you do, but you care about your family, love it, want to do right by it once you become their donna, so you nod, listen and learn.

(you don't have to be taught the pain and loss and guilt and anger and bitterness is a fair price to pay for the pain you decide has to be inflicted and the sacrifices you decide must be made, including by yourself. it's the least you could do, even.)

imagine you're luce, and the gift of foresight runs through your blood.

you would not call it a gift. you did not ask for it either. and you'll never come to see it as something wanted by you.

you can see the future, and it happened exactly as you saw it would, so of course it's exactly the way you wanted it to go. you can see the future, and it happened exactly as you saw it would, so of course you didn't care to try hard enough to change it. you saw the future before the shape of it had yet to be breathed into existence, and who's to say it didn't come into existence only because you saw it happen? you saw the future, and it happened worse than it had to for it.

you can see the future, but you still can't make it anything else than what it was always going to be. you can even make the visions happen at your will, but you still have no say on what you see or how much you see. you still can only be the witness of it before anyone else can.

it does mean double and longer the happiness sometimes, means relief and gratefulness and hope beyond words, and it'd be cruel of you to voice out loud your feelings for others to hear the many more times it means something else.

you can see the future, and it doesn't make it any kinder on you than on anyone else, does not give you any more power or control over it than anyone else, but at least you can see the future. you're given the time to make peace with it, to brace yourself for it, to bargain with it, to plead and beg and fight against it however desperately and hopelessly, even if in the end it still happens exactly as you saw it would.

(you can see the future, and it still doesn't hurt you any less than anyone else when it happens, but you don't expect anymore for anyone to hold you any less responsible for it anyway. it would be nice for someone to do it one day, but you understand.)

you can see the future, and you decide it's a kindness to both yourself and others to keep it for yourself as much as possible whenever you can.

imagine you're luce, and your family has this set of rings they've looked after and protected for as long as your family has existed. they're one set of three of the most important artifacts in the world, ones that help in safeguarding its existence and balance. they're duty, the very first one and the most important one your family was created for.

the pacifier around your mother's neck is duty too, and the most important and powerful artifact among twenty-one in safeguarding the world and its balance. it's been passed down in your family too, from mother to daughter. it's duty, but less tied to your family and much more to the blood running through your veins. it's a curse, in fact, as it demands heavy sacrifices the rings don't, and one that can only be tied to the blood running through your veins.

(your mother looks at you as if expecting some kind of reaction from you, and you can only wonder at which point you weren't supposed to see it as a given. duty and sacrifices have been one and the same for you for a long time now. is it even duty if it doesn't require any sacrifices from you?)

imagine you're luce, and your mother dies for duty. she's the donna, and so she dies for your family. she's the sky arcobaleno, and so she dies for the world. she's your mother, but she dies anyway, doesn't fight it either, even knowing she will leave you behind, even knowing she won't ever get to see what you look like all grown-up.

everywhere you look, duty stares back at you, from your mother and the pacifier around her neck, her love for your family and the life she gives up for it, her love for you and how she dies anyway while you're still only a child. duty, from your family members and how they die for you and kill for you, how they do both at your command, how their lives are in the palms of your hands and how they weigh only as much as you allow them to at a time. duty, from the knowledge your foresight gives you and the shackles tied to the blood running through your veins.

your mother's only duty while she lives too. she loves you, but she'd have had to give birth to you anyway even if she didn't. she loves you, but she still gave birth to you even knowing the kind of life you'd have to live, the kind of hands you'd inevitably end up with, the burdens she'd have to lay on your shoulders, passing them down from her own. because she loves you, she finds the resolve to raise you to be able to face all of it head-on and come out on top, but she'd have had to raise you much the same way anyway even if she didn't.

(she doesn't die for you, doesn't fight to be able to keep living with you, and this, too, is your mother surrendering to duty one last time.)

(you're so sick of it, so angry at it, so hateful and resentful against it. you're so stifled by it to the point you've stopped being able to breathe for a long time now. or you would have been if they had taught you how to face duty in this way too.

it's for the better they didn't. a silver lining, sparing you pain that isn't necessary for you to go through. everyone you turn to only teaches you how to keep holding your breath longer, and you listen and learn, obedient and dutiful as you've ever been.

you're grateful for it too. really, you are.)

everywhere you look, there's no room for you to so much as question any of it, let alone anything more. duty is commendable, something you ought to look up to and strive towards, strive to achieve. duty is the right thing to do. of course it is.

(you exhale a breath of relief that shakes you down to your very core.

thank god, it's at least the right thing to do.

you're grateful for it beyond words. really, you are.)

imagine you're luce, and before it even happens, you know the choice you'll make when climbing that mountain, when standing on top of it, when waiting for a bright light to shine down on you from above. you know the choice you'll make then, even when pregnant with your daughter.

it doesn't matter since how long you knew, be it years, months, days, hours or minutes before. all that matters is that before you can even contemplate the idea of making another choice and all its implications and possible consequences, before the thought can even come alive in your mind, you already know the choice you'll make.

(you can see the future, but just because you already saw it, it doesn't mean it's now set in stone.

you can see the future, but just because you're given the chance to fight to change it, it doesn't mean it still won't happen every bit like you saw it.

it doesn't mean it can't still happen even worse than how you first saw it happen because you fought to change it, no matter how already dreadful it originally was.)

imagine you're luce, and before it even happens, you know they'll be others with you standing on top of that mountain. you're the only one who'll know it before it happens.

(because you can see the future.

and oh, you did not ask for it.)

they're strangers, people you don't owe anything to. adults who choose to show up at the first meeting, and to show up to every following mission after that. the chosen seven, whose ambitions and prides lead them to walk the path of the seven strongest too once laid down in front of them.

you don't force their hands in making any of those choices for them. you're not responsible for any of them.

you become coworkers then, accomplices, your hands stained in blood to various extent, but now dipping in the same pool of blood as you strive towards the same goal together. you have each other's backs, learn each other's strengths and weaknesses, learn each other's personalities, likes and dislikes. you keep having to spend more time together as the missions keep coming your way.

inevitably, you come to care about them. even more damning, they come to care about you in return. enough so they'll look after your daughter even after what'll happen on top of that mountain. enough so they'll look after your granddaughter too, warmly and fondly enough she'll call one of them uncle.

you're still the only one who knows they'll stand together with you on top of that mountain, not knowing what'll happen on it like you do.

and you do care about them, you swear you do. really, you do.

(you care about them the same way your mother cared about you, and how she still raised you to have steel in you and be made of sharp edges you know how to use. you care about them the same way you care about your family, and how you still send them to their deaths as needed so the rest of your family you care about just the same can keep on living longer and safely. this is the only way you've had the chance to learn how to care and love.

duty and sacrifices have been one and the same for you for as long as you can remember. it doesn't matter at which point sacrifices came to mean love to you too.

and most of all, you love your daughter more than anything else in the world.)

imagine you're luce, and this is who you are. this is who you've been raised to be, the only way you've been given room to grow up to be. this is the life you've lived and the kind of life that has shaped you as the person you are now. this is what you've been taught and told is the best version of yourself you could have grown up to be. this is who you ended up being by what you've been taught and told are all the right choices to make.

you're still the only one who knows what is about to happen on top of that mountain. it hasn't happened yet. the fate of the world hangs on what'll happen on top of that mountain, the same world you'll have to give birth to your daughter in. the same daughter you're currently pregnant with.

now imagine you're luce, look me in the eye and tell me you'd know how to even form the thought of the possibility of there being any other choice to make. look me in the eye and tell me you wouldn't look at the only choice in front of you, and know deep in your bones it's the only right choice to make. that it is right of you to make it. because it simply has to be.

(imagine you're luce, and you're not doomed by the narrative. of course, you're not.

why would you need to be when the narrative has painstakingly shaped you all your life to become its perfect, faithful and dutiful sacrificial lamb?

and then, imagine you're luce, and you're even grateful for it, so, so very grateful it held up its end of the bargain too.

truly, you are.)

[quicktimeeventfull]

honestly misa and light are so compelling to me because both of them have like, subzero interest in one another and in fact actively resist any attempt to learn one single thing about the other. this is obvious from light's side of things & probably does not need expanding upon, but misa also does not care even a little bit about light -- she is instead in this parasocial relationship with this fake made-up version of him that has nothing whatsoever to do with him. like the amount of effort she puts into ignoring and wildly misinterpreting every single non-instructional thing light has ever told her is truly astounding. she lives with him for years and is genuinely convinced that he's a sweet, thoughtful man who is completely obsessed with her and can't live without her due to the depths of his love. they're soulmates and also strangers.

[the-way-astray]

alright everybody can we please stop tagging me/talking about me in the notes of pro keefe/sokeefe posts. i know strieefe has made it so that it's really funny to talk about how much i love him and how much i'm in denial when i say negative things about him under those posts (and that's all in good fun and not the problem), but we have to think about the fact that the ops are just trying to make a positive post and probably don't want a keefe hater in their notes /srs

[cable-salamdr]

PSA: Don’t repost people’s shit without credit, obviously.

However, if you do, know that I will find you. I have a Pinterest account. And though I barely go on it nowadays I still check every once in a while (I also upload and link some of my stuff on there). If I find my own art there WILL be a passive aggressive comment with <3 telling you to credit people.

Thank you, that will be all.

[throwawayasoiafaccount]

of course it’s an alicent profile pic saying this shit:

the thing is, i would’ve agreed with the original sentiment of this post if it wasn’t for the tags, but then this person goes mask off and proves to me that they were only pretending to offer meaningful criticism.

cause all i see in these tags is buzzword 🗣️🗣️ buzzword 🗣️🗣️ buzzword 🗣️🗣️

i just wanna know, why are the targaryens always singled out as the house that ‘regularly cannibalizes its own?’

these don’t exist ig: the she-wolves of winterfell, the current lannisters, and literally every House ever.

why are the targaryens held to such an unfair standard? and why are they held responsible for the sins of their ancestors?

it is literally so funny. but like… in an astonishing kind of way.

in these tags there’s no objective language used 🙅‍♀️ no care for nuance 🙅‍♀️ and no meaningful interaction with the main themes of the series 🙅‍♀️

OP kind of tries to pretend, but it’s all surface level shit. it’s clear that they’re blinded by their hatred of the targs and dany.

because george never holds things his characters can’t control against them. what a character should be judged by is their actions, and imo, that’s what george writes about: how individual characters actions and choices can shape the world around them (bonus if the character is a cripple, bastard, or broken thing and is trying to protect others); and he also puts a lot of emphasis on a characters intentions and how they come to their decisions, which gets us his famous ‘human heart in conflict with itself’ thesis statement.

george, someone who’s interested in the choices of the individual and how they get there, clearly thinks it’s important to showcase how different characters handle great power, otherwise he wouldn’t have so many POV characters in positions of such great importance.

on that note, asoiaf isn’t an anti-monarchy piece. you could easily claim that it’s a criticism of systematic oppression, systematic violence, corrupt institutions, and unbalanced social structures; it’s a sort of think piece on how people in positions of power destroy the lives of the common in their petty fights of greed and ambition, all whilst ignoring the incoming humanity ending threat.

and through this thought process, you get the title of the first book: a game of thrones. the political shifts are a game for these powerful people, and this motif is one of the most important statements to understand in order to interact with the series discussion on what it means to be a good ruler. this motif also comes up in a conversation jorah and dany have about the smallfolk: “It is no matter to them if the high lords play their game of thrones, so long as they are left in peace. They never are.” it’s high lords, not royals. it’s a critique of the whole social structure and political system, not a criticism of one family.

so, if you’re of this belief that petty power disputes are dumb and are angry that most high lords don’t give a shit about their subjects, then you should love daenerys, who’s one of the few characters who’s using her power to make lasting societal change.

now, is she perfect? no. no she’s not. cause she’s a teenage girl trying to take down a slave trade that’s been around for thousands of years (hilarious that she’s actually fixing the mistakes of her ancestors…). but dany is learning and is doing her best to get better and is trying to empower the powerless. that sets her apart from almost every other ruler in asoiaf and makes her one of the most important POVs in this book series quest to find out what makes a good ruler. something something gods make kings and queens to protect those who can’t protect themselves…

with that in mind, i agree that the conclusion of the series won’t be a character sitting on a throne because of their blood or because of some divine right mumbo jumbo. imo, a character will only sit on a throne if they’ve been smart, gained allies, formed alliances, have control of an army, have gained loyalty from the people they wish to rule, have been honorable, maybe have a dragon or three, and are a hero.

dany has checked off almost all the boxes, so i think it’s safe to root for her. and considering the foreshadowing, i think it’s logical to guess that peace will be ushered in, even if it’s a hard won peace. and what’s wrong with believing that daenerys will be one of the ones who helps usher in this peace after all the work she’s done to protect those who don’t have the power to protect themselves?

[pianokantzart]

Pardon my lack of art and overall absence lately. I have been caught up in a little side project, and since I just recently reached my progress goal I figured now was a good time to show it off!:

I have a winter greenhouse on my parents' property that, ever since I left home, got completely abandoned and taken over by weeds since it never had a proper floor to begin with. My brothers helped me clear the weeds and put down the rock, but I laid out the new lawn fabric and built that pond wall on my own (it's neither the sturdiest nor the prettiest thing in the world, but it does the trick of keeping the pea gravel from being kicked into what is eventually going to be a pond.)

A few more things I'd like to do before I once again leave home:

Add more stone (probably just a few Home Depot bags here and there to even things out)

Staple that back flap of the pond tarp back into place (you can see the wood where it's falling away)

Use some weedkiller around the edges to keep all that bermudagrass from creeping back in.

Transport some of the old tools & gardening pots back into the greenhouse

But yeah!!! I'm excited for when I can settle in, get a pond pump installed and actually get some stuff growing :D

[feyres-divorce-lawyer]

and the truth of the matter is, at the end of the day

tamlin is the only high who paid reparations

[radio-4-is-static]

さよーならまたいつか！ | Kenshi Yonezu

誰かと恋に落ちて また砕けて やがて離れ離れ 口の中はたと血が滲んで 空に唾を吐く 瞬け羽を広げ 気儘に飛べ どこまでもゆけ 100年先も憶えてるかな 知らねえけれど さよーならまたいつか！

///

Fall in love, only to be crushеd once again And eventually, go our sеparate ways Blood seeps in my mouth without warning And I spit into the sky Spread your wings and soar Fly away to wherever your heart desires Would we remember in 100 years? Who cares? So long and see you again!

[pushing500]

The day started pretty uneventfully, with a visit from Euclid's baby brother Fabio Vasquez signalling that it was time to build a new dinosaur museum. Hey, no arguments here. Dinosaur museums are kickass.

Vasquez–who is a bug person, for some reason–was immediately pulled aside by his big sister to organise a hit on the guy who thought it was a good idea to send a marriage proposal to the psychopathic gay genie who is part of a cannibal cult.

We were going to turn these refugees away since we're only just getting back on our feet after our hasty relocation to Loyalty's Meander, but then some mechanoids attacked, and we decided we could use the cannon fodder help.

The refugees conveniently entered the map close to where the biggest group of mechanoids had landed and did a very decent job of distracting them for all of two seconds...

Before the refugees were all downed, the yttakin among them had the chance to use his animal warcall ability on a nearby megasloth. The megasloth lasted much longer against the mechanoids than the refugees did but was eventually downed.

Then, finally, the mechanoids stumbled into the trade caravan that Euclid's brother had come with (you can see Vasquez on the far left in the screenshot), and that, at last, was enough to destroy them.

And then, someone rescued one of the downed refugee children (without my permission, I might add), and it's Adrián's daughter!!! Adrián who made me laugh so hard I cried back in Monster's Basin!!! It's a small Rim.

For that reason alone, she will be tended to and allowed to live to choose how she proceeds in life without her other refugee companions.

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