#i am NOT doing shading!!!

[nixii-sabre]

Day 1 and 2 combined of RW art month... Rivulet and Submerged Superstructure :3

[joshuamj]

Hero.

[gatoburr0]

I HATE how this turned out WITH A PASSION.

[hotdogmchiggin]

Company Mandated Fancy Fits on the Tulpar 😏

Also had to include the REAL star of the show (and a bonus)

Based off of this and this. Thank you very much joetastic for being inspirational 👍

The REAL reason this is late

[pumpkster]

my fav anime girl

[mightytato]

tumblr probably ate the quality. aNYWAY- here i am, inspired by the iron might suit. but i just drew it as if it were his regular hero suit.

[egophiliac]

so on the subject of the "Crowley is secretly Revaan/Laverne/Levin/please Twst give us his name" theory, I think my feelings are best summed up as "I don't really buy it, but it's funny". like, in all seriousness, I'm not opposed to it; I have enjoyed the writing in Twst so far and I'm willing to trust that whatever happens will, you know, make sense and not be terrible. but I'm just not really convinced by the current evidence! maybe that'll change once we learn more, we'll see!

with that said, may I propose a few alternate theories about the possible Crowley/Revaan connection:

[bisexualgenderclown]

you guys i am so in love with this fandom. you people read 2 whole books about a solar system with 9 planets that is stated to have been the cradle of humanity and you are still surprised when it turns out that it’s like, THE solar system.

Just fully no thoughts, head empty, marinating in the lesbianism of the situation without a single neuron firing. i salute your dedication

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are not gentle, and contain meaning that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[hinamie]

quick lmhs itafushi because god help me i have Not been able to get the concept of yuuji smiling/laughing into kisses out of my head

jjk atla!au with @philosophiums

[wormzandgutz]

there has got to be a beach episode, right?

[daemon-in-my-head]

Yk, when I had the idea to buy datv yday I forgot that my Internet is so fucking horrible it's gonna take 19h to download. So, after using my brothers arm as a canvas to marvel at my liquid inks and feeling a surge of inspiration mixed with incredible boredom:

I once again hijacked several marble statues just to slap a tyrant onto that. He gets to be Justicia as a treat. Ofc the scales are preemptively imbalanced cuz it's not like that fuck would actually judge fairly.

Consider this a treat or smth for Gortoween, idk I was just hoping to finish anything atp lol

[starry-bite]

sapphics will see a blonde and a brunette standing next to each other and be like 'is anyone going to ship this?' and not wait for an answer

[autisticaradiamegido]

day 231

doomed timeline

u ever think about how literally every single one of the thousands of aradias that traveled back to fight in the trolls' boss battle was from a doomed timeline where she had to a) watch all her friends die b) process that she was also doomed and c) then power through all that to do a bunch of time travel detective work so that she could advise the alpha iterations of her friends on how to avoid splitting into that doomed timeline in the first place? before traveling to a battle she knew she wouldn't make it out of?

yeah man

[obstinateson]

visit

[so-i-macedup-abit]

post before i temporarily lose consciousness