#i actually have more shit than this worked out btw this is just off the top of my head
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nerdyfangirlingbooks · 2 months ago
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I've had a stupid merlin au idea stuck in my head for days now and I know I'll never get around to writing it the way I want it written but I kinda wanna try anyway even though I am 100% of the target audience
#it's an f1 au btw#so I feel like a merlin x f1 crossovee is very niche#but I just have this idea in my head pf arthur as a driver and merlin as an aerodynamics engineer#and arthur starts off as an ass (as per usual) and thinks that he's god's gift to motorsports and all his good results are because of his#skill and bad results are because the engineers fucked up bad#and lowkey people don't like working with him BUT uther is giving red bull absolute mega bucks to keep him and he is actually a fantastic#driver in his own right. deep down he's not super satisfied though because people keep saying he's only winning because of his car#and his dad's money which is why he's a grumpy ass to most people and tries to claim good races as his and blame engineers for bad ones#also because uther probably taught him that attitude#in this au I think either Newey didn't exist but rb dominance still did or this is far enough after Newey that I haven't got arthur blaming#him for a bad car because y'all I can't do that it's too unrealistic no one would believe it#(yes I am aware that max and checo are currently complaining about a car newey made but shh)#anyway he secretly goes to sign for like. williams or something who currently suck so he can prove to himself and everyone else that he IS#a good driver and can drive a shit car well. he's admittedly doing fairly well in a tractor when merlin joins the team as the new head#of aerodynamics and arthur is giving him shit because he's so young and how could he possibly fix this shitbox#then Merlin's first big upgrade packages comes and makes a pretty big difference and arthur has to rethink a bit#the next season is the first car that merlin was actually mostly in charge of and it's a massive difference and suddenly it's competitive#meanwhile merlin's pov is that arthur sucks ass and he hates him but he keeps being told that arthur is his destiny#he refuses to believe this though and even though he has magic he point blank refuses to use it on anything that would help arthur even#somewhat indirectly like using it to help design the car. his official reasoning to people who know about his magic is that the fia wouldn't#allow it but personally he also just wants to say a fuck you to fate because he doesn't like arthur. but then they get to know each other#more and he realises that maybe arthur isn't that bad and they become friends like in the show#arthur is leading the championship (pendragon dominance could bore fans) but then he has a big crash and is out for a couple of races#by all accounts it's a miracle he's even alive (it's the only time merlin has used his magic for arthur). when he comes back he still has a#chance at wdc but it's way tighter than it was. maybe there's only a few races to go. he gets some podiums and his competition has some bad#luck (genuine not merlin) or something but then at like the second last race he can guarantee wdc if he wins regardless of where anyone else#places. he does it and merlin is the one to go on the podium with him on behalf of the team (maybe not for winning wdc but just his first#win after the crash idk) and it's this big emptional moment#also morgana was as good as arthur as kids but uther only supported arthur so now she works for sky or someone in a role like nico rosberg
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asfdhgsdkjhgb · 3 months ago
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staying up as late as possible tipsy playing bg3 because thats just the sort of week I've had i cannot even lie rn
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tiktaaliker · 3 months ago
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the mortally coiled magic system
ive been talking about this shit for AGES without actually explaining it so. this is me explaining it
the whole system is specifically how mortals perceive it btw. externals have a different relationship to "magic" due to being on an entirely separate plane of existence
Magic is based on the use and manipulation of natural energies know as Coil. Coil exists in literally everything, but not all of it can be easily used in magic.
that brings me to types of Coil- mortals tend to categorize Coil into a handful of different designations. Some mage guilds have their own categorizations depending on specialization/casting technique, but the most common + widespread categorization (which is also the most generalized) is the String System, popularized by the Empty Chain guild.
The String System separates Coil into Loop, Stitch, Tangle, and Thread. Loop and Stitch are usually the only types of Coil considered suitable for magic.
Loop (or "unbound" Coil) can be drawn from anywhere, but is particularly abundant in wind, and is therefore always available to a spell-caster in some form or another. It's often considered a "friendlier" source of magic, in that it takes to direction easily and willingly. Unlike Stitch, Loop drawn from different sources tends to act similarly, and can be used in ways unlike to their sources, with a near negligible amount of additional effort compared to keeping to the source's nature. The biggest downside to Loop is that it is comparatively weak- it takes a very large amount of Loop to preform a spell that would take only a small amount of Sitch, so Loop is typically used for small tasks, to supplement Stitchwork, or when suitable Stitch is unavailable/the spellcaster cannot use suitable Stitch for some reason or another.
Stitch (or "bound" Coil) is drawn from plants, water, flesh, fire, stone, and many other sources. Not all things contain Stitch, but things that are alive or have been alive always contain some amount of Stitch. Stitch is differentiated from Loop in that it is far more closely bound to its source, and cannot be inherently changed from its source. For example, Stitch drawn from water cannot be used in fire-magic, Stitch drawn from stone cannot be used in flesh-magic, and so on and so forth. Sometimes, things can be a bit arbitrary, and the lines can be blurred, but Stitch is, as a rule, set in its ways. Stitch is more powerful than Loop, and most mages will find a specific sort of Stitch-source that they specialize in and master wielding.
Tangle is the type of Coil associated with Soul, and it is (almost) always only found in "living" beings. While not impossible to use in spellcasting, albeit extremely difficult due to being even more stubborn than Stitch, it is wildly considered off-limits as a source. Some healers specialize in the repairing and retrieval of damaged or lost Tangle, but said healers are often shunned and called necromancers or cycle-breakers. There is one specific guild of mages known as Froggers who have mastered the art of snipping off tiny bits of their own Tangle, which can then be used like Loop with the power of Stitch. However, this means that all Froggers end up having extremely short lifespans due to literally breaking off bits of their life-force.
String was for an extremely long time considered completely unavailable to mortals. It's the start and the end of all Coil. Pure, free, uncontained magic. It was extremely plentiful at the beginning of the universe, but all String was quickly changed into the other types of Coil. String is inherently unstable, and it is believed if any String is formed, it is instantly converted into a more stable form. All magic of Eternal origin is actually String- the presence of String is enough to cause extreme fallout in the surrounding area. The most significant example of String is Noxa Krov's Crater, the site of the bog that eats. The undead are formed because of the high saturation of String in the bog's waters.
Actual spellcasting is varied from caster to caster. Spellcasting can be done with runes, somatic components, gestures, rituals, or even by just using sheer willpower. Different spellcasters can find different types of spellcasting easier or more challenging, but some types are inherently simpler (many mages start out with runes, due to there being several established scripts for runecasting) or always extremely difficult (will-casting is rarely done outside of a handful of isolated sects due to high effort is required for little reward compared to other methods). Experienced mages will typically stick to one or two casting methods they prefect for themselves, while newer mages tend to slapdash different methods together to make up for their shortcomings in any given method.
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baekuras · 8 months ago
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Sometimes I think I like my coworkers as people but then they go gossip about a dude with long hair, whine about jobless people receiving THEIR MONEY (taxes) so they get paid for doing nothing, a homeless man owning 1 nice jacket he paid for in cash, someone being too fat to fit into our chairs, trans people existing and misgendering them afterwards even when they already said what they're pronouns are(especially funny after the 'oh no idc/am fine w/ trans ppl-just curious and don't understand it fully but i am fine w/ them no problems there'-chats), about gay men being too flamboyant bc that other gay man isn't, about us paying for inmates' wages (again-taxes, also where do you think your money is going into eventually anyway? our wages are also paid for by other ppl-money is supposed to move around??), about how there were so many covid regulations and suddenly there is nothing about it so that means it was all a hoax and not that covid is still there and killing but it'd be too expensive to keep up quarantine so it was faded out despite still being on going
sometimes it's really fucking hard to like people when you fundamentally disagree with how they want other people to be treated or what they get mad about
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snekdood · 1 year ago
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idk but maybe some of the reason ppl see the internet as a politically unhelpful tool for activism is because most of the ppl who say that... kinda tend to be in an echo chamber already, or are just surrounded by people who already agree with them and the message doesnt reach farther. we need to find ways to appeal to more people than just the people we like.
#ig to me its like. the internet is literally what radicalized a bunch of alt right dudes. id say its pretty effective at advancing certain#politics. we just need to find a way to advance the opposite politics. and we can start by not shunning anyone who doesnt know everything..#not gonna act like posting shit online is the Only and Best form of activism but i do think it still counts. its more about who you actuall#reach and being realistic about that fact.#if you're only reaching the most lefty of leftists thats a problem.#if you roll your eyes at the idea of working with libs then thats a problem.#the whole point should be increasing our numbers and diversity of views.#and bein passive aggressive or holier than thou is not gonna get you anywhere btw.#no amount of 'on the ground' activism will matter if you cant even increase the amount of ppl at whatever thing you're doing#you cant have the same group of 20 people do whatever and think thats enough#YOU need to figure out why you aren't appealing to more people and figure out how to fix that#and yeah- sometimes that means just saying the most basic progressive shit and not making people feel dumb or lesser than.#stop posting shit w the idea of 'omg this is going to lookso good and smart to my friends/discord' and start trying to figure out#how to look good and smart to the rest of the world too. and one of those steps is not acting like a patronizing know it all whos morally#superior to whomstever you're talking to.#oh and also posting on tumblr is virtually pointless if you're trying to do activism.#at best its a tool to educate ppl but most ppl on here already know shit about shit. you're better off posting on youtube. or if twitter wa#still twitter. which is partially the reason musk bought it bc it was helping open ppls eyes and conservatives hate that
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ham1lton · 2 months ago
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NASTY GIRL!
— pairings: oscar piastri x reader.
— faceclaim: rihanna <3
— summary: slut, whore, bitch - all the words that have been used to describe famous party girl yn yln. so when you show up to the grid with a shiny diamond ring on your hand, people are trying to figure out just who would choose you.
— warnings: misogynistic language and attitudes about yn’s behaviour and actions. not from any of the main characters in this au though!
────── ・ 。゚☆: *.☽ .* :☆゚. ──────
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enews: y/n may not be releasing new music anytime soon, but she’s definitely making waves—this time under the sea. the party girl was spotted scuba diving in italy with her usual mixed-gender crew, proving once again that vacationing is her real full-time job. 🎶 or should we say, lack of? #priorities #wherethemusicat?
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badgalyn: y’all stay on my dick 😭 hop off.
-> user1: LMFAOOOOOO
user2: can a girl not holiday now?
user3: idgaf if she’s partying. she’s been working since she was 16. have a mimosa for me babe <3
-> user4: bffr. she just sings into a mic for a living. that’s not a job.
-> user5: every job is a job. and every job has it’s downsides. she’s been touring every year since her debut almost ten years ago. let her breathe 😭
────── ・ 。゚☆: *.☽ .* :☆゚. ──────
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liked by ynupdates, ferrarigirlies and 2,737,839 others.
f1gossip: look who’s in the ferrari garage today! the singer/songwriter yn on break from… well, her eternal break. and what is that we saw on her hot girl walk through the paddock? a diamond ring? oop 🙊
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user1: LEAVE YN ALONE !1!1!1!111
user2: she’s engaged to charles and they’re gonna have the most gorgeous kids!!
-> user3: um… could be carlos?
-> user2: no 😜
user3: nahhhhh no way she’s engaged 😷
-> user4: like c’mon. it’s probably a rich ceo from behind the scenes. no self respecting f1 driver would want HER 😒
-> user5: like who would actually marry her?
-> user6: u sound so miserable 😭
-> user7: like what fucking weirdos LMFAO 😭 focus on yourselves.
────── ・ 。゚☆: *.☽ .* :☆゚. ──────
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liked by ynsgirlie, oscarspiastri and 1,108,890 others.
ham1ltonshaderoom: singer/songwriter yn was invited by ferrari to watch the baku grand prix but was seen relaxing in the mclaren garage after a photo op. the moment went viral on social media, what do you think of yn’s disappearance ham1ltons?
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user1: idgaf. she can do whatever she wants.
user2: she’s so fucking ungrateful my god.
user3: love her!!!!
user4: who cares?? i just wanna know who put that ring on her finger???
user5: RELEASE THE ALBUM @/BADGALYN
-> user6: RELEASE THAT SHIT NOWW
badgalyn: is it illegal for me to move from place to place now? like damn 😭
-> user7: they stay on ur ass like
-> user8: WHO DOES THAT BIG FAT RING BELONG TO ?!!?!!
-> user8: I KNOW U SEE THIS SHIT
-> user8: ANSWER ME 😭😭
────── ・ 。゚☆: *.☽ .* :☆゚. ──────
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liked by landonorris, badgalyn and 1,090,123 others.
f1: oscar piastri is your ‘24 baku grand prix winner!
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user1: OSCAR GIRLIES EVERYWHERE CHEERED
user2: YASSSSSSSS
user3: SO PROUD WOOOOOOO
user4: YN WHAT ARE U DOING HERE 😭
nicolepiastri: that’s my son btw 🍾🥂
user5: DID Y’ALL SEE YN RUNNING OUT TO KISS OSCAR?????
-> user6: WHAT?2&2&
-> user7: GIRL IT’S ALL OVER TWT
-> user7: https://twitter.com/ynsgirl/status/827373832992125
-> user8: oh… they in love frfr
-> user9: SICK OMG SICK SICK SICK
-> user9: HATE SEEING HAPPY COUPLES
-> user10: the way he carries her?? ims ick
────── ・ 。゚☆: *.☽ .* :☆゚. ──────
INTERVIEW W/ YN YLN.
by james collins.
she walks into the room like she owns it, a diamond-studded one of a kind necklace hanging off her neck, and a confidence that can only come from being at the top of her game. y/n yln is more than just a household name at this point—she’s a cultural phenomenon. whether it's topping the charts, turning heads with her bold fashion choices, or making headlines for her unapologetic lifestyle, y/n is everywhere.
GQ: let’s get right into it. you’ve never been one to shy away from controversy. you've been called everything from a "party girl" to… well, a lot worse. how do you deal with the constant slut-shaming?
Y/N: (laughs) i mean, what can i say? people are gonna talk whether i’m out at the club or chilling at home in sweats. they see me having fun, and they can’t handle it. honestly, i don’t care. i love my life. if i want to party, i’ll party. if i want to make a million-dollar deal the next morning, i’ll do that too. being called a slut? whatever. it’s just a word. a word can’t hold me down.
GQ: that’s the attitude that’s made you so iconic. but it seems like the more successful you get, the more people try to tear you down. how do you stay grounded amidst all the noise?
Y/N: honestly, it’s all about knowing who you are. like, i know what i bring to the table. the opinions of strangers on the internet? they don’t pay my bills, they don’t run my career. i’ve got a solid circle around me—my family, my team, my people. they keep it real with me, and that’s what matters. plus, i’ve got my own inner voice. if i let every hater get to me, i wouldn’t be where i am now. you gotta block out the noise and keep doing you.
GQ: you’re definitely doing that, and it shows in your music. speaking of which, your last album broke records and you’ve hinted that the next one’s even more personal. what’s the inspiration behind it?
Y/N: oh, this next album is gonna hit different. it’s like a reflection of the last few years—everything i’ve been through, the highs, the lows, and the lessons. i’ve been writing a lot about love, discovery, identity, and power. there’s a track on there that’s straight-up about how people have tried to label me my whole life, and i’m just like, ‘f**k that, i define me.’ there’s some deep stuff in there, but also bangers that’ll make you wanna dance your ass off. it’s a mix, just like me.
GQ: there’s been a lot of talk about one specific song that fans think is about your alleged relationship. care to spill the tea on that?
YN: (smiling) oh, you mean *that* song? (laughs) yeah, people are good at picking up on things. look, i’m not saying too much, but let’s just say it’s a vibe. relationships—especially when you’re in the spotlight—are complicated, and i’m not afraid to write about it. but you’ll have to listen to the track to get the full story.
GQ: fair enough. now, let’s address the gorgeous and expensive elephant in the room—that ring. fans have been speculating non-stop about your engagement. can you confirm or deny the rumors?
Y/N: (grinning) ah, you’re nosy! but yeah, the ring’s real, and it’s from someone very special. look, i’ve never been one to hide anything, but i also love keeping certain things close to my chest. all i’m saying is… things are good. real good.
GQ: the internet’s been trying to piece it together, especially after you were spotted at the mclaren paddock with oscar piastri. any comments on that?
YN: (laughs) you are really trying to get me in trouble! look, i support my friends, i show up for them, and they show up for me. that’s all i’m saying for now. but if people want to talk, let them talk. i’m busy living my life.
GQ: fair enough! last question—what’s next for y/n yln?
Y/N: taking over the world, obviously. (laughs) but for real, the album is coming soon, and i’m working on some new projects that’ll surprise a lot of people. i’m not just a singer, i’m building an empire. music, fashion, business—it’s all on the horizon. so, buckle up, we’re just getting started.
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tagged: @/badgalyn
liked by ynswifey, ham1ltonshaderoom and 4,938,983 others
gqmagazine: from island girl to international superstar: our newest covergirl yn yln talks slutshaming, her upcoming album and wedding rumours in this months gq magazine. link in bio! 🔗
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oscarpiastri: real good is an understatement 😉
-> user1: WHAT)2&/@/
-> user2: yn being all cryptic and oscar straight up like ‘yeah we together and what about it?’
-> user3: OSCAR HELLO?2&2
landonorris: am i invited to the wedding?
-> landonorris: hellloooo @/badgalyn????
-> landonorris: i’m sosoooooo drunk @/badgalyn
-> landonorris: YYYYYNNNNNNN 😭😭😭
user4: she’s such a bad bitch idgaf
-> user5: ‘i love my life. if i want to party, i’ll party. if i want to make a million-dollar deal the next morning, i’ll do that too. being called a slut? whatever. it’s just a word. a word can’t hold me down.’ — AS YOU SHOULD QUEEN!!!!
user6: y’all … oscaryn is growing on me fr
user7: this is so wattpad trope i love this for them
user8: YN RELEASE THE ALBUM!!!!
user9: MIC DROP FROM OSCAR YUP YUP!
user10: she’s so gorgeous… her face card omg
user11: Y/N YLN AND OSCAR FREAKING PIASTRI ARE ENGAGED AND CONFIRMED IT IN THE MOST CASUAL WAY?? HOW AM I SUPPOSED TO FUNCTION TODAY?!?!
user12: oscaryn engagement. yn6 being in the works. more pics of yn’s face card. ynnies, we won today.
────── ・ 。゚☆: *.☽ .* :☆゚. ──────
— oscar taglist: @papayadays @assholeinatrenchcoat @mxdi0 @lillysbigwilly @liberty-barnes @yelenasloverrrrr @hiireadstuff @starz4me1 @mvk1ma @lozzamez3 @dear-fifi @ihtscuddlesbeeetchx3 @styl1shl1v @whyamireadingthis @halleest @s4misbetter @llando4norris @chezmardybum @ivyvlair @isthatacandle @luvsforme @fabulouskk01 @littlegrapejuice @anotherblackreader @laur20a23 @greantii @sumlovesjude @sageispunk @mindless-rock @mehrmonga @ravisinghs-wife @six-call @notyaslol @1-800-love-me @nzygftoji @dilflover44 @ilivbullyingjeongin (all works taglist in comments/reblog. if you see yourself tagged and you don’t want to be or you don’t see yourself tagged and you want to be — refill out the taglist in my pinned post! <3)
────── ・ 。゚☆: *.☽ .* :☆゚. ──────
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avocado-writing · 3 months ago
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if you are taking short fic requests for wade n logan, how about one where typically sunshine!reader comes home sad and while the both of them have that frenemy thing going, they agree on fucking up whoever made reader unhappy :o btw i love your work ❣️
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You fill the apartment with laughter and light and life. You: all parts sunshine and joy, making things a bit brighter even when the world feels so dark. You’re a bit of levity at the end of a day which is usually bathed in blood. A reminder of what’s worth fighting for. 
So when you walk in that night with your jaw grit tight and eyes watery, it’s pretty damn noticeable. 
“Hey. You okay?” asks Logan, voice gruff but full of concern. He’s on the couch, patching himself up from no doubt getting the shit beaten out of him, hopefully not staining the new throw blanket you bought. You head to the fridge wordlessly, grabbing a beer and getting annoyed when you can’t immediately find a bottle opener. He holds his hand out silently, and you give in, allowing him to use one of his claws to help. 
“Long day,” you manage, trying to bite back tears. You hear the bathroom door open and Wade sticks his head out, the sound of conversation irresistible to him. 
“Hey sunshine! How’s my favourite—?” he starts, but trails off when he sees the state you’re in. He goes to jump over the back of the sofa to get to you but immediately falls on his face because he’s missing half a leg. Despite everything a laugh bubbles up from you, inescapable. 
“I’m glad my dismemberment is just a slapstick routine to you, cupcake,” he pouts up at you from the floor. You wipe your eyes furiously with your sleeve and go to help him up, settling him into an armchair - and giving him the opportunity to sweep you into his lap. 
“What’s the matter, honey? Seriously. Who do we need to kill?” he asks. “Is it Deborah? Tell me it’s her. She’s been asking for a knife in the kidney ever since she swiped your lunch two months ago. I’m surprised you haven’t done it yourself, you know we’d help you hide the body.”
“You’re sweet,” you sigh, “but it’s not her, actually. I just had a lot to do today and nobody was cutting me any slack, you know? It got too much.”
“If you need us to talk to anyone,” says Logan, fixing Wade with a look which suggests murdering your colleagues will probably create more problems than solve them, “we’ll do it.”
“Yes! Good-boyfriend, bad-boyfriend routine. Oh, or charismatic-boyfriend, grumpy-but-sexy boyfriend. Or even, slut-boyfriend, slut-but-doesn’t-know-it-yet boyfriend. Maybe that one’s better suited for tonight though…”
Logan growls a warning but Wade just grins, blasé. You giggle. 
“Thanks, guys. I don’t know what I’d do without you.”
“Be a lot more bored and horny,” Wade muses, as Logan mutters “hmph. Apartment would be quieter…”
You drink your beer and smile.  
taglist: : @falsewordz @malfoys-demigod @belilwen @mildly-salted @tvwebs @childeslegstrap @getmeoutofhell @s1eep-o @just-a-beatlemaniac69 @yrthr @momopad @sugarplumz100 @captainjinkx @madspads @acrosstheunivcrse
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theonottsbxtch · 1 month ago
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THE OTHER GUY PT.6 | FC43
an: and we've reached the final part of the series! i hope you guys have enjoyed this as much as i have, it was very fun to write and i can't wait to write something soon :) remember my requests are always open!!
part one | part two | part three | part four | part five |
ynpiastri
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liked by oscarpiastri, logansargeant, landonorris and 30,382 others
spain, i'll miss you 🥲
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userone: spain yn was my fav yn
usertwo: is that franco? 👀
userthree: it's probably oscar or logan
oscarpiastri: i have an idea, i pay you to stay in spain for the rest of your life and you never come to the track again
logansargeant: i need her there, you're not a reliable source of gossip
ynpiastri: if you don't invite me, i have other ways of being there
userfour: franco? 👀
userfive: your honour i love them
lilyznimer: can't wait to see you again
ynpiastri: @/oscarpiastri HA SHE LOVES ME MORE THAN YOU 😹🫵😹🫵
usersix: yn, we're all here for franco confirmation. give it to us.
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francolapinto
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liked by alex_albon, williamsracing, ynpiastri and 985,352 others
back to work, i hate this country 🌧️
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alex_albon: next time take me to spain too
francolapinto: yes boss
userone: no yn confirmation ☹️☹️
williamsracing: franco...
francolapinto: no amount of media training will make me lie about this country
usertwo: where's yn?
userthree: we want to see FRANYN!
userfour: she's in his likes. im connecting dots.
userfive: stop being delusional, you ain't connecting shit.
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ynpiastri
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liked by oscarpiastri, logansargeant, francolapinto and 29,453 others
me when i remember that i actually have a big girl job and living off of oscar's money in his spare room isn't actually what i do with my life.
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userone: wife
usertwo: she has a job?? i thought she just went to gp's with oscar
ynpiastri: SHE has a masters in engineering design and technology 💅
userthree: cleared
oscarpiastri: move out please
ynpiastri: no 😁
userfour: still no franco
userfive: girl they both have full time jobs
usersix: MOTHERRRRR
logansargeant: you're a psycho for bringing your laptop to the beach btw
ynpiastri: i don't think i asked for your opinion, hope that helps lo! 😘
interview with franco colapinto
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ynpiastri
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liked by oscarpiastri, logansargeant, mclarenracing and 31,439 others
supporting my favourite mclaren driver (not oscar)
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userone: I WANT TO BE HER
usertwo: I WANT HER
oscarpiastri: funny joke
logansargeant: or is it..👀
userthree: imagine living her life
landonorris: i thought your favourite driver didn't race for mclaren [this comment has been deleted]
userfour: she's so pretty
userfive: still no sign of franyn
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francolaptino
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liked by williamsracing, alex_albon, ynpiastri and 924,235 others
the only women in my life btw (not that anyone asked)
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userone: oh😀
usertwo: i don't believe it
alex_albon: this guy
userthree: he's so unintentionally funny
williamsracing: how cute
imessage between logan and yn
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ynpiastri
argentina
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liked by oscarpiastri, logansargeant, francolapinto and 31,435 others
would rather date traffic cone (holiday dump coming soon x)
*comments have been turned off*
offseason 2024
The golden Argentinan sun hung low in the sky, casting a warm, amber glow across the quiet, coastal villa. His family home sat nestled on the edge of a cliff, overlooking the endless blue stretch of sea. The scent of saltwater drifted in on the breeze, mingling with the fragrant citrus trees that lined the garden.
You and Franco sat on a cushioned wicker sofa in the sunroom, the wide-open windows framing the breathtaking view. The room had a rustic charm—whitewashed walls, terracotta tiles, and soft, earth-toned furniture. His arm was draped lazily around your shoulders, pulling you close as you both idly scrolled through your phones, the sounds of crashing waves and distant seagulls filling the peaceful silence.
But neither of you were really focused on the phones. The fan speculations and social media drama had become a background hum—amusing, but distant. For months now, you’d both kept this secret relationship hidden, playing the game of cat-and-mouse with the public, teasing and trolling them into thinking you were still enemies.
“Do they really still think I hate you?” you muttered, your lips curving into an incredulous smile as you glanced at a fan comment. “I’ve done too good a job convincing them.”
He chuckled, his voice low and smooth as he leaned in closer to peek at your screen. “Well, you have been pretty savage online. You didn’t hold back with that last post, hermosa.”
Your eyes flicked up to meet his, playful. “Says the guy who told the press I’d have to beg for a date. I never forgot that one.”
He grinned down at you, his light brown eyes twinkling with amusement. “I mean, to be fair, you did tweet that you wouldn’t date me if I were the last man on earth.”
You rolled your eyes, nudging him with your elbow. “Touché.”
His laughter faded, replaced by a softer, more thoughtful expression. His fingers tracing slow, absent-minded circles on your arm, and his gaze shifts from the ocean outside back to you. The silence stretched out between you for a moment, and you could feel the weight of what’s unspoken.
“We can’t keep this up forever, you know,” he finally said, his voice quieter now, more serious.
You paused for a second, his words catching you off guard. You’d grown so used to the secrecy, to sneaking around and playing up the rivalry for the fans. It had become a game, but now, here in the warmth of his family’s sunroom, with the sea breeze gently ruffling your hair, the reality of your relationship felt different. Realer. More solid.
You sat up a little straighter, turning to face him fully. “What are you saying?”
He met your eyes, his lips curling into a small, meaningful smile. “Maybe it’s time we tell everyone. Stop pretending.”
Your heart skipped a beat. The thought of going public, of finally letting the world see what’s been building between you, sent a thrill through you. But it was also terrifying. What would people say? How would the fans react? You’ve been holding onto this secret for so long, the thought of exposing it felt almost... vulnerable.
Still, as you sat there with him, in this secluded little bubble away from the world, the idea didn't seem so scary anymore. It felt exciting. Liberating.
A slow, playful grin spread across your face. “If we’re going to do this, we have to do it in the most ridiculous, out-of-pocket way possible.”
He raised an eyebrow, intrigued. “Like what?”
You leaned back against the sofa, the sunlight warming your skin as the wheels in your head begin to turn. “Something so cheesy and over-the-top that people won’t even know if we’re serious or still trolling them.”
His lips quirked into a smirk, rubbing his chin as if considering it. “What, like one of those cringey TikTok couple challenges?”
You nodded eagerly. “Exactly. The kind of stuff that makes people cringe, but they can’t look away.”
He let out a low chuckle, clearly warming up to the idea. “You mean the ones where people do those obnoxiously cute couple things, like finishing each other’s sentences?”
You grin. “Exactly. Go so hard that no one can tell if we’re serious.”
He leans forward, grabbing his phone from the coffee table. “I like it. Let’s do it.”
You blink, a little surprised at how quickly he’s jumping on board. “Wait, right now?”
He shrugs, that familiar mischievous glint in his eyes. “Why not? We’ve kept this quiet long enough. Let’s have some fun.”
Your pulse quickened with a mixture of excitement and nerves as you both adjusted your positions on the sofa, sitting up a little straighter, leaning in close to each other. His arm slid around your waist, pulling you just a little closer, and you could feel the warmth of his body against yours. The soft hum of the waves and the distant calls of seagulls faded into the background as the moment intensified.
“Alright,” you said, barely keeping a straight face, “let’s do this.”
He raised his phone, the camera pointed at both of you, and the screen lights up, casting a soft glow on your faces. “First question,” you began, doing your best over-the-top rom-com voice. “Who said ‘I love you’ first?”
He smirked, nudging you playfully. “Easy. You did.”
You gasped dramatically, placing a hand over your heart. “I did not! That was totally you.”
The playful banter flowed easily, the chemistry between you undeniable. The air between you crackled with tension, but the laughter kept things light. Each question grows sillier than the last, your teasing jabs masking the real emotions simmering beneath the surface.
As the game continued, the joking faded. The answers become more meaningful, more intimate. He reached out and takes your hand, his thumb brushing over your knuckles, and the teasing spark in his eyes shifted into something softer.
Then, as if the playful mood couldn’t hold any longer, he lowered his phone and set it down on the coffee table, turning to face you fully. His gaze was intense, his eyes locking with yours in the fading sunlight. “Maybe we should stop messing around and just... tell them.”
Your breath caught in your throat. “For real?”
He nodded, his voice a little quieter, a little rougher. “Yeah. I’m tired of hiding. I want people to know.”
You hesitated for a second, the weight of the official decision settling in. But then, a surge of boldness rose within you. “Okay. Let’s do it. But first—” You held up your phone, turning off notifications before tossing it onto the sofa. “I don’t want to deal with the chaos immediately.”
He chuckled, grabbing his phone, posting the video and then,following your lead and shutting off his phone. “Smart. We’ll get spammed for sure.”
Once the phones were off and forgotten, you exchanged a glance, and then both of you dissolved into laughter, the weight of secrecy lifting off your shoulders. The relief, the excitement—it was overwhelming in the best way.
As the laughter died down, the air between you shifted slightly, becoming heavier, charged with something far more intense than before. His eyes darkened as they traced the curve of your lips, and your breath hitches, feeling the pull between you like a magnetic force. Neither of you speak for a long moment, the silence thick with unspoken desire.
Without warning, he leaned in, his hand sliding up to cup the side of your face, his thumb brushing tenderly along your cheek. The touch sent a shiver down your spine, and your heart pounded in your chest, anticipation crackling in the air around you. He was so close now that you could feel the heat radiating off his skin, the scent of his cologne mixing with the salty sea air.
Your pulse quickened as his gaze locked with yours, and for a second, time seemed to stop. Then, he closed the gap, capturing your lips in a kiss that was slow and deliberate, yet filled with an undeniable hunger. His lips were soft but firm, moving against yours with a heat that left you breathless.
You responded immediately, your hands gripping the fabric of his shirt as you pulled him closer, needing more. His kiss deepened, and the intensity built. The taste of him is intoxicating, like you had both been waiting for this moment for far too long. His other hand snaked around your waist, pulling you flush against his chest, and you could feel the strength of his body against yours.
The kiss grew more urgent, your bodies pressed together as if the space between you was unbearable. His fingers threaded through your hair, holding you in place as he kissed you harder, deeper, like he couldn't get enough. You lost yourself in the sensation—the way his lips devoured yours, the heat of his breath mingling with yours, the low, barely audible groan that escaped from deep in his chest.
As you kissed him back with equal fervor, your entire body tingled, your senses overwhelmed by him—the way his hands gripped your waist, the way his lips tease and explore yours.
When he finally pulled back, his forehead resting against yours, both of you were panting, your hearts racing in sync. His eyes, dark and full of desire, met yours, and a slow, satisfied smile tugged at the corner of his mouth.
“Guess I can do that more often now,” he murmured, his voice husky and low.
You smiled back, your lips still tingling from the kiss. “With my brother in that same paddock? Not a chance?”
francolapinto and ynpiastri
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liked by logansargeant, schecoperez, oscarpiastri and 984,348 others
it wasn't a joke btw
*limited comments only*
williamsracing: franco...
oscarpiastri: that's my sister pal
francolaptino: oops?
logansargeant: this hurt more than my replacement
ynpiastri: shut up?
logansargeant: yes ma'am
the end.
taglist: @iimplicitt @isaadore @iamred-iamyellow @justheretoreadthxxs @obxstiles @how-what-why-huh @raizelchrysanderoctavius @sainzzreputaticn @xxx-betty @dukeofjjune @dejavuontrack @littlegrapejuice @mxdi0 @st4rgirl-ellie @dullypully @cinderellawithashoe
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stuckinapril · 10 months ago
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what red flags should i look for in a man?
I actually feel like I’m a good person to ask this question, not bc I’ve had a long healthy relationship or anything, but bc I’ve humored walking red flags way more than I should’ve lmao. Btw this list doesn’t go for just men. It can apply to man, woman, just any human being across the board. Ok so:
When someone tells you they’re not ready for a relationship, BELIEVE THEM. Idc what the reason is. Idc if it’s bc they aren’t that into you or if they have shit going on. They just told u straight up. Appreciate that and just leave. Please. For me.
Piggybacking off that point—listen to people when they tell you who they are in general!!! This was a major 2023 lesson for me. People self-report all the time, whether it be friends or romantic interests. Most people are legitimately incapable of hiding who they really are. Pay attention. Do not ignore the signs, however small. I could’ve saved myself so much trouble if I didn’t just pretend Not to See.
Not consoling you when you need it because “they’re not good with emotions.” This is just an excuse for being lazy. They just don’t wanna put the work into being there for you properly—especially if you’ve already gone through the trouble of communicating this to them.
People who talk the talk but don’t walk the walk. Actions over words. Actions over words always.
Fuck overextended talking stages. If you wanna know more about me, let’s plan something in person. Otherwise you run the risk of getting attached to someone who’s possibly nothing like how they actually are in front of you.
If you’re having to “communicate” extensively with a person like a month in, as in there are lots of miscommunications and misunderstandings and things you don’t like about them or they don’t like about you, I’d probably just drop it. I learned this the hard way last year after burning through a lot of friendships where I found that we didn’t know each other that long at all, but there was already a plethora of problems to work through. This can apply to relationships just as well. If you’re asking a person to change this early in, or they’re asking you to change this early in, it’s probably just not a match.
Mostly talking about themselves. Not asking you anything about yourself in return. Ew.
It takes months to actually know a person’s true nature. That’s typically around the time people start showing their true colors. Ik a lot of people choose to commit like a month in, so just take that as u will.
Fucking competing with you. People who’re incapable of just being happy for other people without inserting themselves into it are insufferable. Immediate next.
This isn’t conscious behavior, and all of us are guilty of it, but people have an innate habit of taking advantage of your fantasies. If they know you’re desperate for their attention, they’ll get lazy (even if they don’t realize it). If they know they’re the object of your desire, they will leverage that to get your benefits without putting in the work. This is like playing cards and immediately showing someone your hand. Do not do that. This isn’t “playing hard to get”—it’s just guarding yourself until you’re sure you can trust the other person.
Not always the case, but a lot of times the way someone’s last relationship ended is pretty telling for how yours will go. ESPECIALLY if they’re not at all remorseful about how the last one went down, lol. You’re not the exception.
People are busy and taking a while to respond is O.K., but if it’s a continuous pattern of them taking forever to reply, it’s probably just a matter of priorities (and you’re not theirs). Sorry.
Pls take the ego out of the talking stage and recognize that love bombing is not flattering. I’ve reprogrammed my brain to where any time someone is doing way too much like three seconds in, I get the ick. I’ve legit dropped guys over this. It’s such a red flag to me. They either don’t have a life, or just are a natural love bomber (who will overwhelm you w compliments and attention only to fizzle out just as quickly), or they know exactly what they’re doing and they’re playing to your ego. Whichever it is, ick. Big ick.
The way they talk about other people is a major tell. This goes for friends and romantic interests. I think a bit of gossip will always be unavoidable, but if someone is liberally trash-talking other people—ESPECIALLY EX-FRIENDS OR EX-PARTNERS—you could literally be next. Anyone who thrives off badmouthing other people / hating on others / just generally not giving others grace doesn’t have exceptions. You’re their focus for now. It could just as easily be you tomorrow.
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enha-doodles · 6 months ago
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Heyya I love your works 💗💗 and I was wondering if u u could do Slytherin boys reacting to the reader being a muggleborn 🥹
Classic yk🕺🏻🕺🏻
SLYTHERIN GUY'S REACTION TO YOU BEING A MUGGLEBORN | ✧⁺。
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Pairing : (Mattheo , Tom , Theodore , Lorenzo , Draco) x muggleborn!reader
Note : tysm bestie 🤪🤪✨ also that is such a classic request !!!
Warnings : mentions of fighting , toxicness in Tom's (I mean?)
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MATTHEO RIDDLE
Yes , he's got this thing against Muggle-borns, but if it's you, he's willing to put on his big boy pants and overlook it. But don't you dare insult his girl's blood status, or else you'll witness a show even Voldemort himself would be proud of! Picture it: a bunch of Slytherin wannabes start spouting nonsense about you not being worthy of Mattheo because he's the Dark Lord's spawn, and well you're just a stupid mudblood.
That sets Mattheo off like a firecracker! He goes all Hulk mode, smashing and bashing until they're all groveling at his feet. "Stay in your fucking place, you piece of shit, or else you won't live to tell the tale of Voldemort's son representing the Dark Lord himself!" He's a total hotie in fight mode btw
TOM RIDDLE
Now, Tom's got issues. He's got this whole orphanage baggage weighing him down, but deep down, he's just a lovesick puppy because he never received any. Sure, he hates the whole blood status talk, but he loves you more than he hates it. And merlin, does he have a way of showing it! He'll dominate and control like it's his daily job, but common, it's all out of love, right? And if anyone dares to even look at you funny, bam! It's going to be a hex city, and guess whose the population ? them.
But if you try to disobey or disrespect him he won't hesitate to return to his true self , he'd grab your chin harshly and menacingly whisper, "You're just a filthy mudblood, know your place. Here, God isn't your lord. I am."
THEODORE NOTT
hmm, Theodore, the rebel with a cause. He's not like his father , nothing like him at all and he constantly wants to prove it , this is just one of those things that help him show you and others that he's different.He couldn't care less about blood status drama. Nope, if he loves you, he loves ALL of you, flaws and all.
He'd threaten everyone around that you're his girl and if anyone says anything to you or if they try to hurt you then they'd be found dead before they can say sorry . "Get this in your stupid ass head, you dick - you mess with her, you mess with me and remember I don't pull bunnies out of a hat ."
LORENZO BERKSHIRE
Lorenzo's like that curious cat who just can't resist poking his nose into everything. Muggle stuff? Fascinating! Like Theodore he wouldn't mind . He'd actually ask more about how it's there and all the technology intrigues him but he'd still be on about how magic is better . He would support you all the time and try to indulge in stuff to make you feel better .
Would threaten his friends to be mindful of their words around you because you're very dear to him and he wouldn't mind a punch to two if it means you're protected "Hey hey hey , watch it or I won't!"
DRACO MALFOY
Draco, return of the drama queen of Slytherin lmao . He'll start off all high and mighty, spouting hurtful things left, right, and center. But when reality hits and you stop talking to him , he realizes he's messed up, cue the banging at your door , sputtering out apologies and the gifts galore - rich boy lowkey buying his way out but you can't complain because he's got all your favourite stuff .
Draco would kinda joke to lighten the mood "God, I love you, but my father cannot hear about this." Classic Draco, am I right?
。    ✧    ⁺     。
TAGLIST : @sugarcandydoll @helendeath
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findmeinforks · 1 year ago
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The Incident - Paul Lahote x Fem!Reader
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A little one shot that I just couldn't stop writing. A good angst to fluff (btw my fics will never be all angst, im too soft). Also do not fear, Im working on a Sam fic and part 3 to not letting you go. But you let ME know what you think of this one ❤️ 2K words
"My SISTER, Paul. She's my fucking SISTER!" you yelled, voice hoarse as your throat cracked.
"I could give a SHIT LESS WHAT SHE IS. YOU'RE. NOT. GOING." He screamed, jaw taut as he tried his best to subside the tremors that were threatening to take over his body.
You ignored the teeth he bared, shaking your head and scoffing.
"Aren't you tired of this?! I'm going over there. I HAVE to know she's safe."
"YOU SERIOUSLY THINK I'LL JUST SIT BY AND WATCH MY IMPRINT GO TO A PLACE WHERE I CAN'T PROTECT HER? WHAT ABOUT ME KNOWING THAT YOU'RE SAFE?? HUH?? YOU'RE SICK IF YOU THINK I WOULD BE OKAY WITH THIS!"
"Sick?!? SICK?!? LETS TALK ABOUT HOW 'SICK' IT IS THAT YOU WOULD WANT TO KILL HER AND THE BABY. THATS MY FAMILY PAUL!"
"AND WERE NOT?"
It had been like this for a week straight. Ever since the pack stormed through the door announcing their mission to kill Bella and the unborn child within her.
You felt as though your two families had been pinned against each other. Head spinning at the idea of there being a 'choice' between your sister and imprint.
On one hand you were desperate to make sure she was alright, but also exhausted at the never ending battle with your boyfriend.
Sure you had talked to Bella over the phone, but you didn't buy into the lies like your father had. Even though you knew significantly more than he did, she still attempted to downplay the situation. She had done this numerous times since getting thrown into the vampire world, but she could only keep you in the dark for so long before you unraveled the truth.
You had to see her. Even if it was the last time. By fate, or at the hands of the pack. You had to be there for her, as she would you.
Leaving your imprint though? Was at task challenging at best. On at least four different occasions you fought with Paul for so long that Emily and Sam had to intervene, prying you two apart at the pleads of other pack members.
Emily would console you while you ranted and Sam would make Paul run off his anger in the woods. When you faced him again, it turned into a rerun of the same argument. Nobody in the house had gotten sleep, and the things were progressively getting worse.
Quil came through the door, widening his eyes.
"Just a heads up everyone, a little comedic relief does not go over well. I saw my life flash before Paul's eyes." He huffed before sitting down.
"When is this going to be overrrr?" Embry whined. He shoved his head in his hands on the kitchen table while you and Paul went at it in the front yard.
Emily sighed.
"Unfortunately sooner than you think....Y/N packed her suitcase this morning." She said quietly.
"You're not really going to let her go over there are you?!?" Kim stood up, looking at both Emily and Sam.
"If you would like to stop her, please, be my guest." Sam motioned his hand to outside, where you and Paul could be seen through the window. You were throwing your arms up and pointing fingers at him, while his voice boomed loudly, towering his large frame over yours.
Kim winced.
You had always been the calm to Paul's raging storm. 'Made him all soft' as the guys would tease. None of them had actually seen you two disagree with each other. In the mind link they saw glimpses of minor arguments, most of the time being reconciled in the sheets..
Paul eventually got an order by Sam to think about something else while on patrol. 'Literally, anything else'.
"She's not going anywhere. I can count on my hand how many times they've been apart since he imprinted. They'll work it out eventually." Jared said as he pulled Kim on his lap, taking a hunk out of his apple.
Kim didn't share a look that she believed him, worriedly looking out to where you stood.
A few moments passed when her body stiffened and she gasped, making Jared look where she was.
"SHIT! SHIT!" He said, throwing Kim off his lap.
Sam turned to look out the window in time to see Paul phase, his sharp claw making contact with your skin. Your blood curdling scream instantly had everyone else off their seats, nearly knocking each other over to race outside.
You laid on the ground as your body wracked with sobs, clutching your side. Blood gushed through your hand as you started to panic, scrambling to stand. The large silver wolf only stood for a few moments before Paul shifted back, completely horrified as he frantically tried to reach you.
He felt his heart nearly rip out of his chest as you backpedaled into Emily, who was helping to hold you upright.
"NO! NO! GET THE FUCK AWAY FROM ME! IM DONE!" You cried.
Sam stood in the middle of the two of you.
Paul could feel his chest caving in, hand out, speaking more gently than he had at all in the past week.
"B-baby. Please. Please, I'm- I'm so sorry baby. Please let me just see-"
"NO! I'm done. I'm done. I'm leaving. I'm done." You repeated like a mantra, limping to the car.
"Y/N you cannot drive like this..." Emily attempted to say as she stepped in from behind you. She could see your anxiety was heightened, and afraid to set you off further.
"I have to go," you choked, on the verge of tears as you tried to open the drivers side. You had yet to even notice the gash in your side, adrenaline pumping wildly through your body.
Paul made his way around Sam, grabbing your other arm that was holding the door.
"You are crazy if you think I'm letting you leave like this. Please come-"
You yanked your arm from his grasp.
"Don't. Let me go!" You said coldly.
Paul froze. He couldn't move. You never spoke to him like this. Even in the numerous fights you two had this week.
Every single instinct in his body needed to help you. He knew you were downplaying your injuries. He knew he just royally fucked everything up. But the absolute last thing you could do was walk into a house full of vampires dripping in blood. Fucking doctor or not.
"Come inside and let me take a look at you, okay? Please." Emily said to coax you, frantically looking at your wound.
This made Sam follow her gaze, looking down to see the blood pouring from your side hadn't stopped, and you were growing paler by the minute.
"Y/N....you're going to stay here and I'll call Sue." He said in an authoritative voice, leaving no room to argue as he turned to start dialing the number.
You almost argued. You almost fought both of them on the subject. Your stubbornness almost won.
But you felt an immense pain. So strong you don't know how the hell you didn't notice it when you stood up.
That couldn't be good.
"....Y/N?" Paul said, barely above a whisper. Tears were now silently streaming down his face as he held both hands out slightly. Not close enough to touch you but to be prepared in case you fell.
You could feel yourself start to float in and out of consciousness. You tried to ground yourself by focusing on something. You looked at his hands that were outstretched.
Those hands that you held on your first date. The hands that hover your back anywhere you go. The hands that lift you up from the couch on movie nights to bring you to bed. The hands that move in just the right way when making love to you. The hands that were now shaking, not out of anger, but fear. You loved those hands.
"Y/N? Baby?" Paul said louder, more urgently as he could see you fading.
You watched him get blurry as the world started to spin.
"Paul," you murmured, before fading into darkness. The last thing you remember were the hands that caught you before you hit the ground.
"Y/N!!!" Paul screamed as he caught your body falling into him.
Sam ran back, telling him Sue was just up the street. He instructed Paul to carry you inside and onto the bed. The pack dispersed, each trying to find something to help you such as towels, an emergency kit and pillows.
Paul held you close as he lay you down, while repeatedly whispering in your ear.
"I'm so sorry baby. I'm so-so sorry. I cant lose you. Youre everything to me. I'll never yell at you again. I swear on my life. You can do whatever you want. I'll do whatever you want. Please, I love you." Paul pressed kisses to your hairline when Sue and her nurse friend entered.
Jared reluctantly came in behind them to lead Paul out of the room as they worked.
"Come on man, she'll wake up soon I promise."
After he was guided out, Paul slid down to sit on the other side of the door, refusing to move. Jared didn't push it, leaning down to sit next to him.
"Sue's seen this kind of stuff before. Just needs stitching up and stuff," Jared reassured as he put his hand on Paul's shoulder.
"It's not the injuries I'm worried about. So much as what she'll think of me when she wakes up. I....I fucked this one up, Jare."
"If Emily can forgive Sam, I think Y/N will forgive you. She's crazy about your ass."
Paul just nodded, praying he was right.
~
Your eyes fluttered open slowly as you woke. You looked around to see that you had been bandaged up along your left side, an IV attached to your arm sat close by. You attempted to sit up, whining when the pain wouldn't allow it. Within a few minutes Emily entered, her face showing relief.
"You're up! How are you feeling?" She checked the IV before sitting on the edge of the bed, careful of your body.
"Sore...where's, where's Paul?" Your heart ached as you started to replay what happened. There was no doubt in your mind what happened was an accident. You had seen the signs he always warned you about, and chose to ignore them in the heat of the argument. Not only that, but the look on his face when you had refused him was too much to bare.
Emily smiled, not expecting you to want to see him so soon.
"He's just outside the door. Hasn't moved. He didn't know if you'd want to see him..."
"I need to talk to him."
It hadn't even been a few seconds when Paul stood at the door. He looked more out of shape than you did. The disheveled hair and dark circles under his eyes told you he hadn't slept in days.
"I'll give you two some space. Just holler if you need anything," Emily spoke as she stood up, making her way around him and down the stairs.
Paul remained where he stood,
"If you don't want to be with me I understand. I have no words for my actions other than I am so...." he cleared his throat, trying not to cry. "So incredibly sorry I put you through this. I put you in danger when I was trying to keep you out of it. You don't have to stay I-"
"Paul please just kiss me." You interrupted, not wanting to hear the rest as you already made up your mind in forgiving him.
He stood for just a moment longer, trying to comprehend if he heard you correctly. It was when you weakly opened your arms for him that he wasted no time in rushing over to you, cupping your face and gently yet passionately kissed you with everything he had. Tears flowed his cheeks at the relief that you still wanted him. Even after everything he had put you through.
You two pulled back for air after a moment, and you ran your hand through his hair.
"I forgive you, okay? I can't imagine my life without you."
He let out a breath, smiling for the first time in weeks.
"It will never happen again. I swear on my fucking life baby." He caressed your hair, neck, landing his palm on your heart.
You two sat like that for awhile. Almost scared to leave each other's presence. You two talked for hours on the bed. Paul had confessed that the night before, while you were sleeping, the pack had fought with the Cullens. You learned that Paul refused to go, not wanting to leave your side. You were grateful to hear that Sam didn't push on him being there, knowing you were all that mattered to him, and he'd refuse him if he had too. Even if it went against his every instinct as a wolf. Turns out that Jacob had imprinted on your niece, and Bella had survived, now as a vampire.
You weren't particularly thrilled your sister was now a bloodsucker, but as long as she was alive, you were happy.
Paul eventually made his way to the other side of the bed, kissing every exposed inch of you, whispering all the things he loved about you in your ear until you fell asleep.
When your heartbeat slowed down and he was sure you were out, he reached down and felt the velvet box in his pocket. No doubt in his mind about the future you both held.
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shhhimnothereiswear · 8 months ago
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I think I'd be an avatar of the Eye (I LOVE learning new stuff) or the Spiral (im just funky like that)
I think I'd probably give a statement on the Corruption (I'm currently writing a fan statement on it B] )
ok wait im curious-
which tma entity do you think youd be an avatar of and which do you think youd give a statement on
#cheerios reblogs >:)#prev >#i am cringe but i am free#tma#just me rambling again#this is like. the hogwarts house or chb cabin for this fandom#and like! its gotta be legit it cant just be which one you think youd most want to encounter or be affiliated with#like it has to be genuinely considering your interests and things youre drawn to /#like it has to be genuinely considering your interests and things youre drawn to and have been drawn to / fears that would unsettle you#to like a very specific high degree and hobbies or things you do thatd cause you to have to face it#once again this is probably cringe as hell but idc#i feel kinda like how i did in relation to fandom stuff in middle school rn but its making my brain happy so. i dont give a shit#like one of my friends at first thought would probably be somehow related to the spiral but on more thought n after talking we decided#he would definitely be an avatar of the eye and have an encounter with the stranger! or another friend would be an avatar of the stranger#but would honestly probably give a statement or at least be most afraid of the web! i just think its neat i mean none of the friends ive#rambled to abt this silly little podcast actually have listened to it but its still so very fun to let brain go brbrbrbbrr and explain#things and talk abt plot stuff w them i think (usually pretty boy more than anything that poor dude has to deal w so many rambles)#i think for me we came to the conclusion of avatar of the spiral (fractals and spiraling stuff make brain brbrbrbrbr + hyperfixated#on optical illusions for a good portion of my childhood + deep longing to confuse people + just how i am abt the concept of madness)#(also just a deep love for distorted imagery and audio god anything with audio distorions makes my brain so very brbrbrbrbrbr)#(i feel like this explains my Unnormal Unnormalcore feelings abt mr michael distortion himself)#and one of my friends said they think id give a statement on the corruption which i think honestly makes a lot of sense?#im very outdoorsy and love dirt and being in nature and im usually chill w bugs n shit but the thing they suggested was like.#i seem like i would pry open a rotting log just to see whats there and there would be worms or smth (which shouldnt bother me) but#like theres way too many of them or something about them just sets off the creepy crawly what the hell freak out part of my brain#and i was like shit dude that makes sense bc i feel like a lot of the time peoples statements they start off with like oh yeah btw this#thing has never scared me im chill with this thing or this is common w a hobby i like BUT THIS ONE TIME. IT WAS BAD.#anyways im hyperfixated and know more than i should about the workings and concepts despite having just finished episode 52#like i know the gist of the fears n shit and can put together stuff n see patterns but i genuinely dont know shit abt the actual plot#so like
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astrobydalia · 1 year ago
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🍂Cozy observations 🎃
Itssss fall you guys!!!! 🥰🥰🥰🥰 It’s actually super hot still where I live but that won’t stop me from living my cozy era. Anyways, I want to avoid collecting posts on my drafts for centuries so here’s more general observations!
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🍂Aquarius placements are simultaneously the most understanding and empathetic people ever and the biggest assholes out there. I don't know how they pull that contradiction off but it's true (I mean this in the best way possible btw)
Moreover, I’ve noticed Aquarius placements are way more appreciative of kindness and social harmony than Libra tbh. Libra's desire for harmony can be just for the sake of keeping appearances but they are actually very judgmental. Aquarius on the other hand tend to appreciate authenticity and have a “live and let live” philosophy where they accept people unconditionally that’s why they attract popularity. Underdeveloped Aquarius tho do have a tendency to break social harmony due to pick-me behavior
🍂 Cardinal moons are serial daters. I swear every person I’ve met who had a rather active love life or were always crushing on someone was more often than on Cardinal moon
Also, Cardinal moons are always very dominant people even when don’t intend to be. They have a very summoning aura/personality that just demands engagement. They also tend to be social butterflies, even when they’re introverted they always end up surrounded by people somehow
🍂 I like to think Pisces is the final movie while Virgo is all the behind the scenes and editing
🍂I've seen this endless times where people with Mars in Libra or 7th house always end up either in law or business (mostly creating their own business, freelancers, entrepreneurs, etc)
🍂Any Venusian influence on the MC/10th house/6th house indicates a career or job where you’re required to dress up and appear very put together, having a certain aesthetic can be important in your career
🍂Saturn square or opposite MC/10th house ruler indicates the native was forced into a career they never chose/wanted in the first place or they had to wait a long time to finally have the opportunity to pursue their ideal career OR the path towards the career they chose could have been harder/more unfulfilling than they expected
🍂 I also like to think Taurus stops to smell the flowers and creates a flower bed for herself. Virgo studies the flowers and learns all about photosynthesis and shit. Capricorn creates a flower business and monopolizes the flower market
🍂 Those with Mars influence on their moon (Moon-Mars aspects, Aries/Scorpio moon) are really good at throwing shade but they’re unable to take it themselves. They don’t like to feel called out.
🍂 Mars in the 12th house people will 👏🏼hold 👏🏼 grudges 👏🏼
🍂 To be quite honest with you, every single Virgo sun I’ve met had a very standoffish personality.
🍂 Saturn retrograde individuals raised themselves. That’s why this placement is known to have issues with authority and discipline because their parents didn’t really parent them at all, so they had to set their own boundaries, rules and systems to navigate life. Getting their life together and materializing their ambitions could take extra effort for them
🍂 I usually like Capricorn Moons cause I always find that they are very loyal to everyone (friends, family, partner, etc) but honestly they are not as emotionally mature as you might think. They have a really hard time moving on from the past to the point where they can stay stuck in their wounded child self and spend a big chunk of their lives trying to overcompensate this with work, productivity and success. Tendency to depression, low emotional intelligence and being emotionally stunted. Deep down they feel like the victim of their own story
🍂 Aquarius sun+Scorpio moon: I’ve met quite a few people with this combo and with all of them I’ve noticed they always have a cult leader kinda mentality towards their friendships and connections (might apply to Aquarius+Scorpio combos in general). You’re either with them or against them. If you're not a follower they’ll hit you with the "cool kids table" attitude
🍂 My mom has Mercury in the 4th house and she once said "I don't mind moving abroad but I can't live in a place where people don't speak my native language. I need to hear my native language"
🍂 When it’s said that Venus in the 1st house people know how to make themselves look good it doesn’t mean just physically. The know how to present themselves as a more virtuous person than they actually are...
🍂Mutable risings, Mars in a mutable sign/house: their motto is “work smarter not harder”. Their first instinct will always be to find a way around challenges and difficulties. They usually aren’t the most action oriented people, but they are cunning. Their way to success is basically beating the system to make things easier for themselves.
🍂I can easily recognize Taurus Sun because they always ooze BDE. Also they always tend to have very rugged and bold physique/features
🍂From what I've seen Gemini Venus is a placement that easily makes someone stereotypically extroverted. Golden retriever energy
🍂Has anyone else noticed that succedent houses (aka fixed houses) are all related to money and wealth in some way?
2nd house: your resources, what spend your money on 5th house: gamble 8th house: shared resources, investments and debt 11th house: production of wealth
🍂All Gemini and Cancer risings I’ve met had some sort of hypersensitivity to stimuli. Gemini rising is more mental; anxiety, overthinking, information overload, etc they easily get triggered by immediate stimuli, specially noise around them. For Cancer risings this manifests more in the senses (photosensitivity, very sensitive to smells, flavors, etc) and heightened intuition just like Spiderman with spider-sense
🍂I’m sorry but why are Cancer Mercuries so elusive in their communication??? Everything they say has this "well, maybe. I don't know" or "I guess" undertone to it, they never openly say what they really mean. They are good listeners tho
🍂Underdeveloped Taurus placements feel entitled to use and dispose of people to benefit themselves. Tend to be very selfish and stingy. They do something for you they'll hang it over your head forever and act like they have ownership over you. You do something for them, they owe you nothing.
🍂Pisces Moons grew up in their own little bubble. It's very likely they missed out on 'normal' mundane experiences and this makes them feel very separated from the rest of the world and the rest of the people which is why they often come off as clueless and disconnected. They often give off the impression they've been living under a rock or a parallel universe. A perfect example of this is when Kim Kardashian said she's never been to a grocery store💀
Every single Pisces moon I’ve met never ever wanted to have kids and if they do have them they tend to not be too present in their kids’ lives. The harsh truth is pisces moons are not reliable, generally they are the ones who want to be saved and cared for
🍂I've noticed earth Venus and Venus-Saturn aspects are a little bit too good at showing contempt. To some degree they always remind me of Disgust from the Inside Out movie 😂
🍂 When I see Moon-Saturn conjunction in a chart I flinch a little tbh cause idk what’s worse the fact that their mothers couldn’t be bothered to give the native any sort of emotional comfort or the fact that these natives have normalized conditional love as the only kind of love possible. I've also noticed they grew up with strong authoritarian values and were never allowed to question hierarchies or status
Also, natives with Moon-Saturn conjunction are extremely shady people if you ask me. It's true they are insanely observant but what people don't seem to notice is that they are observant in a Joe Goldberg or Light Yagami kind of way without the murder They do be having inner monologues like that. They come across as calm, intelligent, respectful and trusted. Can use emotional expression (theirs and others') in strategic ways to influence others. Big tendency towards materialistic, utilitarian and/or elitist mindset too. I can't quite put my finger on it but I've met a lot of people with this aspect and the deeper I dig the more I keep feeling something very dark and/or disingenuous about them
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🍂Venus square Neptune people and their lack of self-respect… 🙁
🍂Aquarius Moons always give off the impression of having a rather lazy or passive personality. I'm not talking about their productivity but the fact that they seem to always have a "meh" attitude towards everything to the point where they can feel a bit disconnected similar to pisces moon
🍂Virgo risings often have freelance jobs due to Aquarius ruling their 6th house
🍂People with Industria rx (389) may actually dislike their work environment even if they like their job. I’ve noticed they often find the industry they work in to be toxic, depleting or too demanding
🍂Enterprise rx (9777) might always feel unsatisfied with their position, they might be the type to always want more and more
🍂 Aries Moon women and always attracting very immature and selfish men omg I've seen this time and time again
🍂 Scorpio moon/Moon 8th house is an underrated wealth indicator imo. I've noticed they always have a "from rags to riches" kinda life story. They however often face issues with fraud or debt along the way cause they have a tendency to take huge financial risks
🍂 you ever heard about the crabs in a bucket phenomenon? Well Ive actually observed underdeveloped 4th house placements do tend to have this kind of clingy and envious behavior particularly towards people that are really close to them. You can also experience this with people you have 4th house Synastry with; you get too attached to the comfort zone they provide to the point where they stifle your growth
🍂Pisces placements 🤝 falling for people who are bluntly abusive, controlling and narcissistic. They want to believe they’re living a beauty and the beast love story when in reality they’re trauma bonding
🍂Libra/Taurus Mars people ARE problematic and petty as fuck, they’re just good at the social game and making it look like they didn't do anything. Underdeveloped Venus energy is the opposite of peaceful, it gives major mean girl vibes and Mars being debilitated in these signs easily brings out this hostile side of Venus. The type to passively instigate drama just to make themselves look better. Very hypocritical
🍂What natives with Saturn in Taurus will consider first when choosing a career is make sure that it is well payed and gives them financial status. Other factors come second
🍂Fixed+cardinal combo in the luminaries is hands down the best sun-moon combo I've seen tbh (specially fixed sun+cardinal moon), they're a force to be reckoned with. Very charismatic, outspoken and confident people with healthy ego if developed. Most people I've met with this combo were very extroverted and/or excellent leaders
🍂Sagittarius placements 🤝 this pose 😜✌🏼
🍂Libra/7th house Lilith have a tendency to judge a book by its cover all the time
🍂I've noticed Pisces MC/10th house natives aren't very ambitious. They seem to not really care about things like self-development or being on top. From what I've seen they mostly aspire to have a pleasant and glamurous life that frees them form real life mundane worries and could desire to retire as early as possible. In some cases I've seen they could want a "princess" kinda lifestyle where they literally have no responsibilities. They want a career that liberates them from any pressure of achieving material expectations and allows them to just go brain dead all the time following a higher power/inspiration/knowledge. That's why many artists have this placements and I've also seen cases of Pisces MC people who wanted to be nuns and nurses. I've noticed that when they genuinely don't care about recieving recognition or achievements but rather do things bc it aligns with their soul that's when they become successful
🍂Scorpio placements have a tendency to be very cynical I've noticed, specially mercury and mars
🍂Gemini/3rd house Lilith can spot lies from miles away and will not be sacred to call it out
🍂As per my observation the water sign that gets idolized the most is not Pisces but Cancer 100%. Yes Pisces does get idolized but I’ve noticed that’s actually very short-lived, people tend to switch up on them SO fast cause they project a deeply unrealistic image on them and eventually fall off the pedestal. Cancer placements on the other hand are not infantized like Pisces, they are consistently very sought after people I’ve observed. They always come across as emotionally reliable even when they’re not, people always go soft for them while simultaneously respecting them so they’re always seen as perfect,kind,charming,etc. Their personality naturally portrays an energy of unconditional love and understanding so people easily get obsessed and addicted to them
🍂I always find that Pisces Venus natives have a very whimsical and juvenile personality. They also have a very extravagant taste they may like anything with bright colors, glittery shiny stuff, squishy toys, etc. they have a tendency to be a bit tacky and corny I’ve noticed
🍂Every fixed moon I've seen avoided any sort of emotional rehabilitation like the plague unless it’s strictly necessary. They believe no one can begin to understand them better than themselves and they got it all figured out already. Now this is more my opinion but I feel like they low-key underestimate the amount of healing they actually need to do cause they really struggle taking emotional accountability. They have a tendency to act like their needs and feelings justify everything so there's not much to "fix" or heal
🍂People who have at least 2 out of their big 3 in cardinal signs are often seen as the golden girl/boy
🍂Capricorn/Virgo moons will be literally the best at what they do and make it seem so effortless. If you ask them how they got so successful they'll be like "idk I guess I just practiced a lot"
🍂I’ve noticed your 8th house sign(s) represent themes that people are consistently using against you as the fastest way to tear you down, so you always end up feeling powerless here at some point. That’s why you tend to resent this energy and have toxic dynamics with people who have their planets here. This house is literally the death of you (8th from 1st), but it can also be the source of your empowerment once you claim this energy so it's best that you keep this house to yourself as much as possible. Some examples:
Gemini 8th house: using what you say against you. you could have a hard time with people believing your words, what you say is always scandalous and/or rubs people the wrong way. Gossip or information that makes you look bad. People always think you’re lying or deceiving or have ulterior motives Cancer 8th house: you could struggle with getting sympathy and emotional support from people. Others think you’re just being vulnerable and complaining for clout. Any display of emotion or care will be seen as manipulative. People trying to break or ruin your relationship with your family or closed ones Capricorn 8th house: you struggle with people respecting you, others don't take you seriously and don't see you as a valid authority. Any attempt to make yourself respected will be seen as dictatorial or elitist behavior, any desire to succeed will be seen as you being power hungry. People try to dismiss or belittle your achievements
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kisses4reid · 6 months ago
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big change | ·˚ ༘ spencer reid ,,
summary - cutting spencer’s hair results in more than just a ‘big change’ appearance wise.
genre - fluff!!!!! cutesy yearning
warnings - idk u scared of haircuts?? scissors??? kissing?? (barely edited btw)
a/n - sometimes i black out and write a fanfic and then find it later on and then i’m like shit this kinda fire and then i edit it and then i post it and then-
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You roll your chair over to Spencer’s desk after much staring, and rest an elbow on a low stack of manila folders. Your sneakers squeak as you slow yourself, causing a visible flinch from the long haired boy.
His brunet hair was flicked up at the ends which touched his shoulders, the front pieces tucked behind his ears. As he lifted his gaze, hard expression softening immediately, you whispered, “I know your secret.”
His smile jolted, heart beat quickening. You had a cheeky smile on, hair twirling between your fingers, talking so low. You couldn’t possibly know his secret.
“Oh yeah, what’s that?” He asked, placing his pen down and turning to give you his full attention.
“You don’t know how to cut your hair.” His long hair suited him, you thought he looked as handsome as he did on your first day of work how many years ago. The day Spencer fell in love.
Dumbfounded, Spencer replied with a pout, “I know how to cut my hair.”
You raised an eyebrow, and suddenly he was aware of the jagged lines and length of his hair, and how he was now bringing hair ties with him everywhere. Which was actually convenient for all female members of the team. He had to admit, it was inconvenient at times, and it wasn’t his favourite to deal with or to look at. He looked back into your sparkling expecting eyes, smiled softly, and continued, “You should cut it for me.”
You lifted your head from your palm and raised your eyebrows, a pink flush ghosting your cheeks. The offer was innocent, it was a favour, but something about it felt so domestic in your head that you couldn’t help but smile hard, cheeks pressing, “Yeah, of course.”
You pushed off his desk and returned to yours, though his gaze never left your sunny appearance.
The next day, you were knocking on a familiar apartment door, rocking on your sneaker heels, eyes wandering anywhere but where you thought Spencer would be when he opened the door. But even when he did open his door, after a thud and small ‘ow’, you couldn’t help but look at him and savour the last moments with his long hair.
He had a navy blue sweater over a white t-shirt, some sweatpants that looked more formal from afar, and mis-match socks on. You gulped and stepped into his apartment, taking everything in as if you hadn’t been there before.
You took off your light purple scarf and placed it on the kitchen counter, along side the small hair cutting kit you had gotten a few years ago (you couldn’t afford a hair cut before your first day at the BAU, it was a diy emergency).
The apartment was dark and cosy, cabinets a rich wood tone, countertops squeaky clean, couches plush and thrifted. You two often talked about the best thrift stores to visit, you had even planned to go to one together one day. As Spencer pulled a wooden bar stool into the kitchen to sit on, you tied your own hair up, reminding yourself of why you were here.
He smelt amazing, like a new book and burnt marshmallow, and as he gazed into your eyes waiting for you to speak, a cat caught your tongue. You were alone in this warm apartment, only the soft music of Spencer’s old playlist in the background, and a heart beating that you weren’t sure was yours or his.
“Um- Okay. Do you have a reference photo or?”
“Yeah,” he pulled his phone out of his back pocket and showed you a reference photo. It was like he wanted to be a boy band member, and as you imagined him with it, you couldn’t be happier.
He got nervous watching your reaction, it was a very drastic change. You placed his phone on the counter top next to your hair kit, his eyes following your every move like if he blinked you would dissipate. And when a small smile ghosted your face, he felt a weight being lifted off his shoulders.
"I like it."
"Good."
You leaned close to Spencer, your heat radiating onto him, to pull a lever on his chair to lower him to your eye level. A spray bottle appeared in your hand while the other covered Spencer's brown eyes. Suddenly, cold sprits of water caused Spencer to flinch every time he heard the trigger fire, causing you to giggle lightly. "It's just water." "I didn't get any warning though." He replied sheepishly. He couldn't hear much over his heartbeat, or see much other than you.
The next 15 minutes was spent in radio music and being surrounded by your sweet perfume, trying not to grab you or touch you as much as he wanted to. You were stood in front of him now, eyes focused on his bangs and the hair around his ears, scissors and comb in hand, and he couldn't stop gazing into your eyes like a little boy looking at the stars.
You were utterly gorgeous, beautiful, unreal. Spencer often wondered, especially at the start of your relationship, how nobody else had tried to date you in the team, or in general. But as the two of you grew closer, he realised you were telling everyone no. You were waiting for someone, and it made his heart break everytime he remembered your words.
If only he knew. Your hands jittered slightly, feeling insecure at his hard gaze that you simply couldn't ignore. You hoped in the dim lighting he couldn't see your red cheeks or steep breaths, or that he could. You hoped you never finished cutting his hair, and you thought of other ways you could stay this close. He was tall, warm, comfortable. He was smart, caring, clean. He was Spencer, who wouldn't want to stay with him? A gulp escaped you, and he ripped his eyes off of yours, looking down to avoid your eyes and to see the damage.
There was piles of hair beneath your feet now, and he smiled at the sight.
"Spencer, stop moving your head. I couldv'e cut off your eyebrows." Your laugh filled the apartment, and he looked back up at you.
He hadn't realised how far you had gotten, your eyes scanning his hair for any improvements before a small smile of approval appeared on your cheeks. A breath escaped him. You turned to close your kit. He stood up and placed a hand on the front of your neck, turning your head, and planting his lips on yours.
You squeaked in surprise, quickly kissing back as his hands traveled to your cheeks, holding onto you like you were the only girl in the world. Your fingertips splayed on his chest, you pulled away only to be followed for another kiss, only broken up by a millisecond of a breath.
You opened your eyes and pushed him softly away, noticing the lipstick now stained on his lips and around them. The dim kitchen was spinning, your chest was heaving, and your heart was racing a million beats per minute. You even got a little light-headed before Spencer took his hands from your face and rest them on your waist.
He was much taller now that he wasn't sat, and he looked even more handsome with the haircut you had given him. For a second you thought you were hallucinating. Spencers eyes played between your lips and your eyes, before meeting you in the middle once again. He lifted you slightly, kissing you with movements full of yearning and passion, slowly with multiple breaths in the middle to give you time to reject him (which he expected), but you never did.
You put one hand on his cheek as he pulled away. He smiled widely at you, taking the enthusiasm back as a good sign. He didn't totally fuck up. You whispered, "You kiss your barbers often?" He replied with a cheeky smile, "Only you."
taglist: @jeffswh0re @reap3erslov3 @candyd1es
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1moreff-creator · 20 days ago
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DRDT CH2 PT2: Full Analysis
While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!
WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.
Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).
(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)
How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.
Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.
The Case
Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.
Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.
If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.
As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.
To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.
We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.
In the series, however, we get:
Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.
You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.
That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.
And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.
Character Analysis
I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.
Mai Akasaki
No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p
Xander Matthews
He got mentioned, but he’ll come up in David’s section so. Skipping him. 
Min Jeung
Well, there were a few references. Such as:
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Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.
Something something, David-Xander vs Teruko-Min parallels, etc. And also:
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I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!
There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.
MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.
Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.
Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?
We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.
But hey! We might get more Min content in the future! I, for one, am very, very excited.
Charles Cuevas
Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-
Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.
-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)
J Rosales/Moreno
Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.
I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).
Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 
…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 
Or maybe Mariabella killed a guy. Yeah, sure. Why not?
Veronika Grebenshchikoba
There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 
We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-
Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?
… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).
The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:
Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.
I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D
But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.
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Veronika: Oh my. How tragic.
She is such an awful person, just such a piece of garbage. I adore her.
Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"
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Veronika [about Min, 1-12]: Min died in such a cruel manner...
Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.
Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...
So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!
+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.
+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.
+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.
+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.
Whit Young
.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?
Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.
Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 
That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?
Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…
You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?
Food for thought. Again, not much reason to believe it yet. 
Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.
Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...
And, of course.
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Whit: ...
Of course.
Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.
You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.
As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.
That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.
Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.
Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?
Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.
This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.
For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.
The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?
Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?
He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?
Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.
And you know when he splits off from Charles?
Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.
My guy will genuinely do anything except investigate the playground.
And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:
Whit [2-9]: Eden has [the note]. Ask her.
He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.
With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.
By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.
This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.
Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.
Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.
Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.
Arturo Giles
I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.
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Arturo [2-12]: You shut your whore mouth!
"I thought you were only doing necessary imag-" This one's necessary shut
I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.
The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.
Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:
Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--
Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...
Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.
Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:
Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?
Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.
MonoTV
I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.
Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-
Rose Lacroix
Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol
Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.
Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--
Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.
You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.
The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.
Arei Nageishi
You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.
For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.
But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!
Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.
... Well the context's different but you get the idea.
Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.
Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.
Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?
David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.
Ah right because David is a well written character. Carry on then.
I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.
Eden Tobisa
Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)
There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.
Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.
I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).
There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.
Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!
On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!
The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:
Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....
AAAAAAAAAAA-
Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:
Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.
The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v
Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.
Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.
How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.
This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D
To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-
Ehem. The point is I like Eden a lot :D
Speaking of wonderfully human moments, time to switch to the other big Eden character moment!
Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.
You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.
Anyways, here's a few more fun Eden moments this part gave us.
Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.
I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)
Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?
For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(
It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.
Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.
Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-
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Ah. Right.
Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!
So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...
Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.
Fuck am I supposed to gather from this.
Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???
Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.
Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-
Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D
Nico Hakobyan
Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.
First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.
Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...
Were they just... lying here? Did they mean something else?
My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:
Nico [2-14]: I tried to kill [Ace] because I don't like [him].
When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v
Second.
Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.
Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:
Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.
I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.
Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.
Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.
Next point:
Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.
... Yeah.
Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.
I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.
Except:
Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]
This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.
Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.
Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.
Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.
But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.
Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.
Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.
... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.
Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.
So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.
Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.
Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--
... We're gonna have to talk about this in the Hu section.
Finally, "I don't expect you to forgive me. Very few people ever do."
Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?
Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.
There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.
Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...
Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.
That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.
Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.
And it's not like anything this chapter erased the FTE:
Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.
So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D
Final highlight:
Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...
Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.
Hu Jing
Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.
Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.
Well that's just sad.
I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:
Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.
And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.
(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)
As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.
Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.
Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.
Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.
Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.
(Obligatory props to VAing ofc)
I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:
Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!
Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.
Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--
Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?
Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.
If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.
So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.
Though, speaking of Hu blaming herself for what happened to an extent:
Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.
This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.
Did any of that make absolutely any sense? Maybe. Hopefully.
And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.
Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--
Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.
The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.
But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:
Hu [2-14]: Eden? Please don't cry.
She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.
So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?
Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.
The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.
Veronika-Arturo is funny because, well.
Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!
I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.
Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.
Miscellaneous highlights!
Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.
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Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...
Damn she really gets defensive when you question her reliability huh?
Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.
...
Oh. Oh no.
David Chiem
YOU
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WHAT THE FUCK IS WRONG WITH YOU?!
Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.
The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.
David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.
While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."
This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.
David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.
You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.
This is where we get to Weird Point #1. David didn't want to lose the first trial.
Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.
If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).
However, something in David shifts upon seeing Min's execution.
David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.
This line is said pretty somberly.
Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.
David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?
Where he seems to imply a wrongful vote will cause 16 deaths.
But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.
David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.
(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)
However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."
David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...
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Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.
Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.
So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?
Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.
David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!
(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)
I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...
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So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.
So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.
But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.
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Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:
Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.
Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.
Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).
Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.
What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.
Especially because David does, in fact, seem to have a very weird fixation on Teruko.
David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...
(Obligatory props to VAing ofc)
... Alright so it's five questions. Because how does he know all that?
Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.
Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.
Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.
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Like, that's the face of a man who tried to be slick and failed miserably.
(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)
In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.
Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.
And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.
By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.
That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.
So, let's recap.
David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.
David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.
Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.
David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.
As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.
And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.
David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.
So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.
But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.
So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.
And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.
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David [2-8]: Of course. Of course this would happen.
David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.
(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)
Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.
There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.
Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.
Final note, completely unrelated.
Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!
Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.
Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!
Levi Fontana
Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D
Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.
Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.
Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.
Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.
Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.
Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.
Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?
We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.
Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.
One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.
Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.
Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.
Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.
Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.
One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.
Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?
Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.
Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.
This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.
Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.
I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.
Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.
(why is everyone blue you're fucking up my color schemes-)
Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~
I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.
Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.
I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:
Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.
Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.
Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!
Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.
Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.
Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."
However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.
Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-
Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."
-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.
By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.
Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.
So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.
I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."
Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?
So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.
Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.
Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.
Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.
Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.
Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.
Also, "I did everything so I could have a better life," huh?
Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?
Get paralleled, idiot >:D
Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.
But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?
Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.
Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.
Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!
Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.
To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.
They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.
However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.
Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.
Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.
Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.
I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/
Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.
Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?
Nico [to Hu, 2-14]: I never asked you to defend me--
Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.
Okay time to continue with 2-13 because no we're not done with it.
Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.
Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.
We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.
Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.
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Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.
The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.
Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.
Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?
Very interested in seeing where Levi's character goes from here!
Teruko Tawaki
You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v
I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.
David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!
She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.
Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?
I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.
2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.
Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.
Yuri stays winning.
Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.
Speaking of that.
Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.
YURI STAYS WINNING!!!
That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.
That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.
Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.
Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.
Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.
Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.
Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.
I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.
Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!
So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-
Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!
The foils ever.
Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.
Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p
Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.
Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.
But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.
Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.
Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...
Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.
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Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(
Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.
But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.
Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.
Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.
Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-
Yeah you get the idea. Too much peak for me to write it all out.
Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.
That was the biggest Teruko thing, but there's still more to cover.
Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!
Uh... someone's projecting~
Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.
Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O
(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)
Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.
Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!
Ace Markey
Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.
That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.
Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p
Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?
Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.
Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.
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We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:
Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!
Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.
So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p
But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.
Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.
So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."
No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:
Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!
Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.
To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.
Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.
Well he sure did take the killing game seriously after this point now didn't he?
Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.
The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.
Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.
Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!
Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.
Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?
This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.
Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.
And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."
Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.
How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.
J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.
My personal opinions on this are probably best saved for when we get the full picture in just a moment.
And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?
Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]
Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.
Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...
Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.
Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]
I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.
The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.
You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.
And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.
Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?
At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.
In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.
Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.
Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.
But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.
Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!
There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.
You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!
Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.
It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.
I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.
As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.
---
I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.
I'm being silly, of course. Thanks for reading, hope you enjoyed!
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starsworldd · 9 months ago
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Solar Observations pt. 7
readings are open! ⛓️
please take with a grain of salt ⛓️
I used orbs of 3 degrees for aspects from whole signs ⛓️
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👾 some of my best sr years have been the years where i’ve had the same sr venus as my natal
👾 looking at the persona chart of your profected year lord can give you a lot of insights for the year ahead i’ve found
👾 chiron on the mc (both solar or natal x solar) shows a year of yearning for something very badly (most likely to be career/goal/experience related)
👾 having positive mercury-saturn aspects (including conjunction depending on sign) is a year where you are on top of your shit, maybe you feel like you conversations with others are thwarted in some way but better than most you’re preparing for something bigger, plans, plans, PLANS!!
👾 saturn conjunct mercury is a really interesting aspect actually for a solar return. it maybe harder to categorize and to process the world around you in a productive way, but you may also learn new subjects/wisdom.
👾 having venus at 28 degrees can indicate an exciting love/crush/relationship happening for that year
👾 moon at 29 degrees can show that from that year on out you will approach life from a very different mindset to what you had before. this mindset can last for a year or your entire life but either way it’s an anaretic degree so BIG STUFF! the sign can show what mindset you’re “ending” (ex: i had moon at 29 degrees in taurus in 2020 and from that year on out i really prioritized productivity and worked to stop my lazy/indulgent habits)
👾 planets at 20 degrees and what house those planets are in can show what themes/events prove to be very mystical or witchy that year. (ex: i had mars and neptune at 20 degrees with mars in the 7th and neptune in the 11th and that year i got back with my old friend group out of random chance and went on my first date with someone from that group😭😭 not me telling you guys my life tea. dating within friend groups is weird and would not recommend btw! but to each their own🩷)
👾 planets at the 1st degree + their houses show where you’re ambitious and what you desire, expect lots of action in these areas
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👾 1st house ruler in 1st (aka your chart ruler in one of its domicile places) may mean that your by yourself or more alone, but most likely NOT in a bad way!! (self-care, self-improvement, reflection, etc…). check other houses that the planet rules to see what other important themes are emphasized that year (ex: libra venus in 1st house —> 8th house themes are important as well because taurus rules over the 8th)
👾 going off from the previous observation, planets in angular houses (1, 4, 7, 10) will ALWAYS be prominent throughout your year especially if they’re in domicile/exaltation/detriment/fall.
👾 a lot of celebrities have gotten big time famous the year where they had their 11th house in their 11th (ex: megan thee stallion, doja cat, billie eilish, etc…)
👾 just a tip, but make persona charts of your solar planets! if you don’t know how, go to astro.com, charts and calculations, extended chart selection, blue plus sign in the top right corner then fill out info from your solar return chart. after making this, click the “natal chart” tab, scroll down to “persona chart” :)
👾 jupiter/sagittarius in the 3rd or jupiter-mercury aspects show a lot of activity for the year ahead. fire/air = adventurous/fun activity, water/earth = self-growth/learning related (but arguably the themes can overlap), mercury in the third house is also indicative of a busy year!
👾 when i had mars in my natal 12th house last year i stayed up souper late almost every night regardless of weekend/weekday
👾 planets at 5 degrees show where there’s a lot of exciting things happening (ex: venus at 5 degrees -> lots of interesting meetups with friends, starting new hobbies, etc…, juno at 5 degrees -> partnerships open up new feelings of happiness, feeling loved, etc…). creds to @astrosky33 for this one!
👾 pay attention to the aspects made to your vertex for the year! and also what house the vertex falls in in your natal house. a couple years ago i had venus in my solar 4th trine my solar vertex in 8th conjunc turanus and was able to spend more time resting and doing fun things at home because unexpectedly (uranus) responsibilities/burdens placed upon me were lifted
👾 mars in the 12th house (including solar x natal) can show that you’re trying to break out of bad habits
👾 moon in fire signs can show a time of unrest or lots of physical activity at home, you have a lot of energy to do activities whether they’re serious activities or not
💜🤍💜🖤💜🤍💜🖤💜🤍💜🖤💜
hope you enjoyed!
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