#however incoherently

[blindmagdalena]

just some word vomit feelings about GV and s4. spoilers for sure and some s4 wishful thinking.

I thought the show was good for what it was. I enjoyed the world building and it gave me something to do while I wait for s4. I never really expected it to be much more than that.

Victoria’s appearance was kind of a letdown for me because I didn’t feel like it made sense for her to reveal herself to Marie.

that said, she and Homelander are in cahoots. Did she tell him about the kids? Did he target Marie on purpose and shoot her that little brow quirk knowing he wasn’t going to kill her? We know Homelander can control the power of his lasers, and if he wanted her dead, why would he have left her alive in that moment?

my hope for the kids is that they exist in s4 to provide additional moral grey area for the push to eliminate supes. the writing in s1-3 so aggressively demonizes all supes that it’s hard to side with them. we only ever get like, a handful of “good” supes to sympathize with. I’m all for GV helping remedy that and shine a light on how actually Evil our beloved protagonists can actually be. neither side is right.

that said, I don’t need new protagonists. I loved all of them in GV and they’re fine to me as background characters in the main show. people calling for them to be the ones to take down Homelander just strike me as caring more about how much they hate HL than the actual narrative of the show.

I want Ryan to meet supes who don’t hate themselves/their powers. I want him to realize he doesn’t have to follow in his father’s footsteps to be loved.

I like Cate! And I like Sam. I thought it was weird that the others didn’t go with them to save the other kids literally being tortured and infected with a supe killing disease. especially when it was Andre and Emma who initiated saving Sam. GV is green lit for season 2, so I know their stories won’t conclude with s4. I don’t know how regularly theyre expected to be in s4, but I have a hard time buying that they will be huge narrative focuses. I think it’s more likely they’ll serve as tools for a narrative that is trying to lean more into the themes of a series like X-Men than what we’ve seen the show do before.

I guess I have a lot of mixed feelings but ultimately I’m choosing to enjoy the ride until something that I hate actually happens.

[constablequodo]

Honestly, there's something about the sheer horror on Spock's face when he thinks he's killed Kirk in amok time that always hits me like a fucking truck.

Now, I know this discussion probably isn't anything new to the spirk community, but jesus christ. Every time I watch that scene, I go from "Oh my god this is so gay. How the hell did the writers and production team not look at shatner and nimoy rolling around in the sand together and go 'yeah seems totally heterosexual' " to "Oh my god. This is so fucking sad."

The pure horror and shock on Spock's face when he snaps out of the fever and realises what he's done (or what he thinks he's done) is so....AAAA

I can't even put into words how it makes me feel, it just makes me so not normal about the show and those two as a whole all over again.

He thought he'd KILLED HIM. BY HIS OWN HAND. DURING A PROCESS HE SEEMED TO BE VERY ASHAMED TO TALK ABOUT AND HE SMILED WHEN HE SAW KIRK ALIVE AND AJAJSJ-

[posallys]

Also yelling bc in treasure island it says that flint drank himself to death in Savannah except the entire ending of black sails emphasizes stories and how you can never know what is true or what is untrue even if you were there to see it and so we as viewers only know what we are told--we never see silver kill flint, we never know if he retired, we dont know where he went, we learn about flint reuniting with thomas through a story silver tells, we learn that he drank himself to death because the words on a page tell us so and in the end you cant even find comfort in the ending treasure island gives flint because there is perhaps one man that knows the truth of it all except the truth has been warped and marred by time until it is completely unrecognizable even to himself and we're left with the ghosts of stories that are littered with truths but filled to the brim with lies and uncertainty and so maybe flint still haunts skeleton island or maybe flint haunts the sea or maybe flint haunts Savannah or maybe flint haunts silver or maybe the reality of it is that flint haunts everything because no matter which story you chose to believe and take as the truth they're all stories and in each and every one of them flint is a man that met his end by the hand of john silver

[murk888]

BIG SHOT! BIG SHOT! BIG SHOT!

(i can't find any other words right now. no thoughts only big shot. he occupies my mind. lives there rent free. leaves no free space at all. the big shot is very big indeed)

[vash-in-the-void]

Inspired by a post I can’t find rn but if you made a similiar post calling Meryl and Vash girlfriends just know you inspired this travesty

[justarandomsanenobody]

I hope they aren’t planning for another October takeover, because unless they’ll be playing games, it’s just slapping two villians onto the channel for a month. The Eclipse and Lunar show happened because Lunar wanted to play games and have fans and fun or something, they played games so it makes sense they’d rebrand it to themselves. The Bloodmoon and Ruin show (or whichever way it goes) took over the channel and played games, so it’d be rebranded to them. If this October they pull another takeover but the designated villians of the month don’t play games or barely do, that’s not a takeover that’s just rebranding it for a month, sure the lore could be more focused on that villian but there’d be no reason to rebrand the show since it wouldn’t make sense. I sound like a broken record but I just think it’s true.

[dragonsinthedarkness]

"But I hear other voices. A chorus of voices. Multitudes. They reach back centuries. Men and women and children who lost their lives to men like you. Man and women and children forced to wear your chains. I must answer to them.

And this war, Flint’s war, my war, it will not be bargained away to avoid a fight. To save John Silver’s life, or his men’s, or mine.”

I’d like to start from this beautiful speech from Madi to explain why I think Madi is the war itself. Why she was exactly what Flint needed to start fighting it and why she couldn’t be further away from Silver as a person.

Just because I rewatched the final ep. today and I feel the need to honor the one who lost part of herself in this and to reason about the dynamics among the two persons who might have changed the world and the one who kicked that hope back into the dark corner of the untold.

As always, Flint and Silver’s conversation at the end of ep.XXXVIII made me think A LOT. First time I guess I was overwhelmed by emotions, but this time, between the bitterness of the betrayal and the desperation of Flint's loss, I think I started to see exactly what Silver couldn’t get about the war. Which basically is its meaning.

But let me begin with Flint, because is the character I think I know better by now and because I need to start from a warrior who is not the war itself.

Flint started by fighting a war, another one, an easier one, alongside Thomas. He found himself in that period of time, but he lost that war and the one he loved the most with it. Then he started to fight another kind of war, twisted himself in order to fit into its lines. That war was never about liberation, even if that was what he had been telling himself all along and maybe what he hoped he could eventually accomplish by fighting it: it was just about revenge and something to grab in order to stay afloat. It took him to lost every hope of happiness he had left (Miranda), the last possible meaning of his life and of the person he felt he really was deep inside to see the chance for yet another kind of war. A wider one, a harder one, a most fundamental one. It took him to meet Madi. Knowing her, someone completely different from anyone he had known and fought along in the past, someone who was somehow closer to him as a person than anyone he had ever known (except maybe Eleonor, I’m talking mainly about the pirates. Thomas and Miranda were close to him but not very similar in character I’d say and maybe this is why they got along together so well), he finally had the chance to understand that he was not alone in his misery. She had the courage to be what Flint didn’t even know he could become, the fight not for the fight’s sake but for the outcome, as much as he reputed himself already excluded from it, because however he couldn’t ever be part of anything again, not in the way he had been with Thomas and Miranda. But there’s a difference between fighting just to kill and fighting to save who the one you are killing would have been willing to kill, and Madi represented that change for him.

And the war represented the only meaning he was still able to give to his life.

He is defined by his past, absolutely and mainly, and this makes him both someone with valid reasons to fight and someone with reasons to stop fighting.

In the previous episode we see how Silver instead refuses to be defined by his past, which could be a good or a bad thing, depending on how one let that past influence themselves, but that in this specific situation is basically what makes him unable (just my point of view of course) to get the general meaning of that war.

He chooses to erase his experience in favor of the moment, of the future maybe, and this makes him unable (as much as he likes to affirm the contrary, which I had never agreed upon) to understand the minds of the ones who let that experience shape them. And even more, it makes him unable to understand the minds of the ones who don’t need to have cruel experiences behind them in order to feel the fight. That is, Madi.

To link with my previous post ( https://www.tumblr.com/dragonsinthedarkness/758840316125216768/from-the-moment-he-started-speaking-i-couldnt?source=share ), in that infamous conversation in the last ep. Silver confesses he felt the war only (or especially, but I’d say only) when he lost Madi, because he felt the need to honor her sacrifice, avenge her lost and everything Flint had been doing for years, and the point is that that war was EXACTLY that. It was answering to the multitudes of voices who had undergone all that suffering and that demanded justice for it. It was trying to accomplish that as few others as possible could undergo that same fate.

And the point I want to make is that Madi was not only a warrior but the war itself because she felt those voices and the need to answer to them EVEN IF she had never personally experienced such tragedies. She was raised with the Guthries, then in the camp, she had probably even had the chance to be happy in her childhood, but this didn’t prevent her from developing the knowledge of that evil or the responsibility to fight it as leader of her community and as sisters of all the ones who had suffered before and may suffer again.

She wasn’t defined by her own past, but she brought on her shoulders the most painful and important legacy and decided to honor it.

And one may ask for justice for what happened in their own lifetime with a single chance of succeeding, that can make a great warrior of them, but those voices REACHED BACK CENTURIES, as she said. Her justice, their justice, would have been hopeless as long as something bigger as that war started to change things, and this is exactly what Silver couldn’t understand.

Now of course I know changes don’t happen overnight because “the world is too strong for that”, but I’m talking about their reality in that age right now and I think that as much as a war couldn’t have probably changed things, it would have been a beginning at least. A scream echoing in the night of their existences who would have maybe be heard, and as long as even a single person was able to gain goodness from it, it wouldn’t have been in vain.

As I believe all their efforts had not been in vain, despite the outcome.

For one hour, a month or a year (to improperly quote Silver) of freedom.

For one single moment of victory, of light in the dark.

[just-illegal]

h*r halloween special where both marzipan and strong sad show up as will wood. they did not coordinate their costumes

[chlorallines]

Okay but Byler college roommate AU has been on my mind for a while and just imagine Mike always taking too long to get ready and Will being polite and waiting for him so they're constantly late from class. Idk I think it's very funny.

[devotedlystrangewizard]

the school arc to me is so good because it drags ciel out of his position as a powerful figure and literally places him in the shoes of the person he could have been. the circus arc ALSO drags him out of his position as big bad queens watch dog/head of the phantomhive estate but the school arc feels like a mockery of a future that never was. this is what he could have been had his parents not died. and even then its NOT because he will never be that kid.

he never was.

[prettymediocrewizard]

typical behaviour

[seaquestions]

taking a fuck around and find out approach to baking.

[interpolationz]

okay it's over sorry everyone

you have one week of freedom before the arcane live blogging returns

[rabbits-of-negative-euphoria]

is the full spectrum of worldview interpretations of the Barbie movie evidence that it was ineffectively written and thus, impossible to understand? or is it evidence that we as a population no longer have the ability to interpret a story as it was written? be that through incompetence, ignorance, or total lack of a shared culture

[sleepyjim]

I *LOVE* VIOLET HILL AND DEATH AND ALL HIS FRIENDS AUGH

HELL YEAH violet hill is literally one of my favorite songs ever omg and death and all his friends was one of the first songs i learned on my clarinet its sauuur special to me

[danidoesathing]

wait hello I just saw that ‘feelings about the cowboys’ post and am EXTREMELY INTRIGUED by the “Lonesome Dreams is a time loop” thing??? 👀

ok ok ok so like. the plot of the lonesome dreams MV always kinda bothered me cause like if it's Huron and Blaquefut's first encounter, just. huh? How does Huron have a picture of Blaquefut in his pocket? why does he have a picture of Blaquefut in his pocket? is he searching for Blaquefut, if so, why? did he take this journey in search of him, and if so what could Blaquefut possibly offer to make him take such a dangerous journey? it just. never made any sense to me.

the island is implied and often theorized to be the afterlife or some kinda limbo. And Blaquefut does die during the Time to Run music video, so the idea of Huron going out to save his brother isn't really that much of a stretch. But he knows Huron at that point so Lonesome Dreams couldn't take place afterwards, right?

but like. what if its not their first encounter?

Time and death have always been a bit fucky in LH lore and like. lets say Blaquefut dies right? and somehow, Huron figures out this island exists and even though its insanely risky and may not work, he's willing to try. Because he can't just abandon his brother and he's willing to risk life and limb for it. So he does, and he does make it to the island. And then things just get...weird. it already doesnt make sense already with the changing biomes and the seasons changing within too short of a time. But even memories start to blur, even if the feelings remain. And washing up on the shore with nothing but a picture of man and the strong urge to find that man, Huron's left with no choice but to follow his instincts. It does eventually lead him to find Blaquefut, whose got no clue who he is either and well. we see what happens next. They form a close bond and get off the island together, and set off to all their future adventures together. They grow as close as brother and form a loyalty to the other unlike any other.

At least until it loops back around to the Time to Run MV and Blaquefut dies again.

and like. lonesome dreams the song is also weird in the sense that like. its not actually about the events of the MV and more about Huron having a strange dream about a lonely world that makes no sense. Maybe, one he's been to before 👀.

seriously like look at these

and hey hey. you wanna know another fun aspect of it that ive completely pulled out of my ass? with this theory and the fact that Huron is the one perpetuating the loop, it keeps with the "doomed both by the narrative and their own actions" and "I love and care about you a lot and that will be the death of us" things. Because the whole thing in the album is like. Huron really wants to go home to Helena. and as time goes on, he becomes more and more desperate to actually get back to her.

but in this scenario, its a timeloop. one he's causing, because he just...can't let go of his friend. He wants to get back to her more than anything but how could he just abandon his brother? if there's even a slim chance of saving him, how could he not take it? so he goes after his friend, and brings him along to this journey to get back home, and then Blaquefut dies again and Huron is going to go save him again and he just. isn't going to get home because he can't let go. Maybe if he took a different path, maybe if he stopped trying to go home and accepted that the life with Helena is unobtainable to him, then maybe they can avoid that fight and maybe Blaquefut can get out it alive. But Huron can't let go of Helena either, so he'll keep trying to return and Blaquefut is loyal enough to follow him to the ends of the earth and it just. keeps going. He can't have the life with both that he desperately wants but he refuses to make the choice necessary to free them from this loop. and thus the cycle continues.