#how to use mental models effectively

[chanelle-lize]

I used to have a really hard time bringing up the fact that I graduated from high school a year late without feeling the need to explain why and insisting that it wasn't my fault while simultaneously kicking myself for how much I sounded like I was just making excuses for something I should take responsibility for.

Then I watched Dimension 20's "The Seven" and suddenly I could simply say that I was a super senior.

The first time I heard the phrase "super senior" was in reference to Antiope Jones, a Black girl who had been held back a year after getting kidnapped and imprisoned by members of a fundamentalist cult, and like, girl, same.

So, since then, instead of anxiously spinning out any time I tried to tell a personal high school anecdote, I could just say I was a super senior, and then my brain would auto complete that statement with "like Antiope Jones" and I'd feel good about myself because Antiope Jones Is That Bitch.

That's what the problem had been the whole time. I wasn't worried about how other people would perceive me; I had been struggling with how I perceived myself.

Thanks, Aabria.

[derinthescarletpescatarian]

what’s the story about the generative power model and water consumption? /gen

There's this myth going around about generative AI consuming truly ridiculous amount of power and water. You'll see people say shit like "generating one image is like just pouring a whole cup of water out into the Sahara!" and bullshit like that, and it's just... not true. The actual truth is that supercomputers, which do a lot of stuff, use a lot of power, and at one point someone released an estimate of how much power some supercomputers were using and people went "oh, that supercomputer must only do AI! All generative AI uses this much power!" and then just... made shit up re: how making an image sucks up a huge chunk of the power grid or something. Which makes no sense because I'm given to understand that many of these models can run on your home computer. (I don't use them so I don't know the details, but I'm told by users that you can download them and generate images locally.) Using these models uses far less power than, say, online gaming. Or using Tumblr. But nobody ever talks about how evil those things are because of their power generation. I wonder why.

To be clear, I don't like generative AI. I'm sure it's got uses in research and stuff but on the consumer side, every effect I've seen of it is bad. Its implementation in products that I use has always made those products worse. The books it writes and flood the market with are incoherent nonsense at best and dangerous at worst (let's not forget that mushroom foraging guide). It's turned the usability of search engines from "rapidly declining, but still usable if you can get past the ads" into "almost one hundred per cent useless now, actually not worth the effort to de-bullshittify your search results", especially if you're looking for images. It's a tool for doing bullshit that people were already doing much easier and faster, thus massively increasing the amount of bullshit. The only consumer-useful uses I've seen of it as a consumer are niche art projects, usually projects that explore the limits of the tool itself like that one poetry book or the Infinite Art Machine; overall I'd say its impact at the Casual Random Person (me) level has been overwhelmingly negative. Also, the fact that so much AI turns out to be underpaid people in a warehouse in some country with no minimum wage and terrible labour protections is... not great. And the fact that it's often used as an excuse to try to find ways to underpay professionals ("you don't have to write it, just clean up what the AI came up with!") is also not great.

But there are real labour and product quality concerns with generative AI, and there's hysterical bullshit. And the whole "AI is magically destroying the planet via climate change but my four hour twitch streaming sesh isn't" thing is hysterical bullshit. The instant I see somebody make this stupid claim I put them in the same mental bucket as somebody complaining about AI not being "real art" -- a hatemobber hopping on the hype train of a new thing to hate and feel like an enlightened activist about when they haven't bothered to learn a fucking thing about the issue. And I just count my blessings that they fell in with this group instead of becoming a flat earther or something.

[prokopetz]

On the one hand, it's true that the way Dungeons & Dragons defines terms like "sorcerer" and "warlock" and "wizard" is really only relevant to Dungeons & Dragons and its associated media – indeed, how these terms are used isn't even consistent between editions of D&D! – and trying to apply them in other contexts is rarely productive.

On the other hand, it's not true that these sorts of fine-grained taxonomies of types of magic are strictly a D&D-ism and never occur elsewhere. That folks make this argument is typically a symptom of being unfamiliar with Dungeons & Dragons' source material. D&D's main inspirations are American literary sword and sorcery fantasy spanning roughly the 1930s through the early 1980s, and fine-grained taxonomies of magic users absolutely do appear in these sources; they just aren't anything like as consistent as the folks who try to cram everything into the sorcerer/warlock/wizard model would prefer.

For example, in Lyndon Hardy's "Five Magics" series, the five types of magical practitioners are:

Alchemists: Drawing forth the hidden virtues of common materials to craft magic potions; limited by the fact that the outcomes of their formulas are partially random.

Magicians: Crafting enchanted items through complex manufacturing procedures; limited by the fact that each step in the procedure must be performed perfectly with no margin for error.

Sorcerers: Speaking verbal formulas to basically hack other people's minds, permitting illusion-craft and mind control; limited by the fact that the exercise of their art eventually kills them.

Thaumaturges: Shaping matter by manipulating miniature models; limited by the need to draw on outside sources like fires or flywheels to make up the resulting kinetic energy deficit.

Wizards: Summoning and binding demons from other dimensions; limited by the fact that the binding ritual exposes them to mental domination by the summoned demon if their will is weak.

"Warlock", meanwhile, isn't a type of practitioner, but does appear as pejorative term for a wizard who's lost a contest of wills with one of their own summoned demons.

Conversely, Lawrence Watt-Evans' "Legends of Ethshar" series includes such types of magic-users as:

Sorcerers: Channelling power through metal talismans to produce fixed effects; in the time of the novels, talisman-craft is largely a lost art, and most sorcerers use found or inherited talismans.

Theurges: Summoning gods; the setting's gods have no interest in human worship, but are bound not to interfere in the mortal world unless summoned, and are thus amenable to cutting deals.

Warlocks: Wielding X-Men style psychokinesis by virtue of their attunement to the telepathic whispers emanating from the wreckage of a crashed alien starship. (They're the edgy ones!)

Witches: Producing improvisational effects mostly related to healing, telepathy, precognition, and minor telekinesis by drawing on their own internal energy.

Wizards: Drawing down the infinite power of Chaos and shaping it with complex rituals. Basically D&D wizards, albeit with a much greater propensity for exploding.

You'll note that both taxonomies include something called a "sorcerer", something called a "warlock", and something called a "wizard", but what those terms mean in their respective contexts agrees neither with the Dungeons & Dragons definitions, nor with each other.

(Admittedly, these examples are from the 1980s, and are thus not free of D&D's influence; I picked them because they both happened to use all three of the terms in question in ways that are at odds with how D&D uses them. You can find similar taxonomies of magic use in earlier works, but I would have had to use many more examples to offer multiple competing definitions of each of "sorcerer", "warlock" and "wizard", and this post is already long enough!)

So basically what I'm saying is giving people a hard time about using these terms "wrong" – particularly if your objection is that they're not using them in a way that's congruent with however D&D's flavour of the week uses them – makes you a dick, but simply having this sort of taxonomy has a rich history within the genre. Wizard phylogeny is a time-honoured tradition!

[fishnapple]

Healing yourself & Helping others

We often talked about the wounds of Chiron in Natal chart, the pains associated with Chiron placements, but I think exactly because of those wounds that the native can obtain a deep understanding of the matters related to those wounds, and can sympathise with other people who experience the same kind of pain, understanding creates kindness.

Where Chiron is in your chart will always be a sensitive spot. Exactly because it's such a sensitive spot that we pour so much effort into it, always be mindful of it, we might excel at it, become a master, but might never feel good enough.

Through healing the other person, we, in turn, would also be healed, it's a kind of projection. There's often an element of unfulfilled dreams, dreams were thwarted or the feeling that the reward isn't worth the effort. In extreme case, this can manifest as projecting our failed wishes and dreams on other people and burdening them with the responsibility to make them come true. On a lighter note, we would want to see the other person success in our stead, to see that someone finally made it. And here is where our Chiron can actually help people, making us a great counsellor, a teacher or a cheer leader in that matter. We help people in the matters related to the sign/the house Chiron is in, the aspects Chiron makes to other planets. In turn, we are known to people by our Chiron. Yes, Chiron can be a fame indicator, not by shining on its own, but by helping others shine.

What about ourselves? will we forever have to endure that pain of Chiron? We might actually find peace and healing through the positive manifestation of the sign/the house opposite of Chiron. The two opposite ends of an axis always provide answer to each other.

So don't associate Chiron with just wound and pain, associate it with the gift you can give to the world and in turn, the reward you can receive through the act of giving.

The way Chiron in each sign/ house and aspect finds healing and helping others:

Chiron in Aries/ in 1st house/ aspecting Mars

The wound: being judged as too direct and aggressive, having trouble in asserting yourself and putting yourself first, wound about your appearance & sexuality, self-confidence issue, fear of accidents, physical pain

How you heal yourself: be considerate of others when asserting yourself, be direct in a tactful way, be in the company of people that allows you to be yourself without judgement, find an aesthetic that matches you and makes you comfortable, allow yourself to explore your sexuality and desires without judgement, practice prudence

How you help others: help others stand up for themselves, give people courage to take the initiative, boost people's confidence, make others feel protected, be a role model, spread body positivity, normalise "defects" in appearance, stand against bullies

Chiron in Taurus/ in 2nd house/ aspecting Venus

The wound: finding security and stability, being objectified, feeling lack, self-loathing, placing values on external validation, finding independence, over indulgence

How you heal yourself: focus on your inner life to find true stability within, financial independence, let go of unhealthy attachments, listen to gut feeling and body's response to everything, take good care of your body and health

How you help others: generous with your resources, understand the pain of "lack", fundraiser, be the rock for other people, have a stabilising effect on people, help people beautifying themselves, , promote mindfulness in spending and healthy consumption

Chiron in Gemini/ in 3rd house/ aspecting Mercury

The wound: voicing your thoughts, being unheard, not feeling intelligent enough, being too talkative or too quiet, mental/ physical restriction, being neglected, favouritism, being misunderstood

How you heal yourself: be honest & objective, explore diverse subjects, learn constantly, share your knowledge with others, travel frequently, widen your perspective, see life in good humour

How you help others: help people find their voice, spread awareness about mental illness, create a safe space for others to express their ideas, understand different viewpoints in a conversation, be the voice of people, soothing voice, humour, a good listener and a story teller

Chiron in Cancer/ in 4th house/ aspecting Moon

The wound: birth trauma, abandonment, being neglected, lacking care and nurture, feeling unsafe in your own home, unstable family environment, repression, being ridiculed for your emotions, mother wound & complicated relationship with motherhood

How you heal yourself: build your own family, emotional stoicism, assume responsibility for your own emotional and physical well-being, give yourself the utmost respect, find peace and safety in structure & order, let the desire to have children come naturally along with your maturity, look for stability and resilience in a life partner

How you help others: provide shelter and protection, create/support programs for children, donate to causes, charity, raise awareness about vulnerabilities, make others feel safe to express their emotions, "sensitivity is not a weakness", be present for other people

Chiron in Leo/ in 5th house/ aspecting Sun

The wound: struggle with feeling creative enough, discouragement of expressing individuality, being yourself is painful, self- confidence issue, feeling not appreciated (especially in childhood), invisibility, having trouble acting carefree and playful, father wound & complicated relationship with fatherhood, feeling unlucky in love, physical pain

How you heal yourself: find your own community that will welcome you, surround yourself with children, being unapologetic in expressing yourself, revel in weirdness & uniqueness, being your own audience and your own judge, detach yourself from your own creations

How you help others: promote creative activities in everyday life, nurture other people's creativity, give space to people to express themselves without shame or guilt, acceptance of other people's individuality, humble, caretaker

Chiron in Virgo/ in 6th house/ aspecting Mercury

The wound: not feeling good enough, feeling like you have to constantly perform well, perfectionism, being nitpicked, judgmental, being denied consistency and stable routine, exploitation, mental & physical health issue, overworked, feeling hard to relax

How you heal yourself: take good care of your emotional and spiritual health, good sleep, incorporate quiet moments into your routine, be kind to yourself and tolerate your mistakes, treat yourself with compassion like how you treat a vulnerable person, have patience

How you help others: tolerance towards mistakes, encourage people to notice small beauty in life, good at giving detailed and practical advice, help others build a more efficient routine and work process, excellent organiser, spread awareness about the struggle of illnesses, advocate for green and healthy lifestyle

Chiron in Libra/ in 7th house/ aspecting Venus

The wound: being indecisive, having to choose between asserting yourself vs keeping the peace, feeling unlucky in love and partnership, being betrayed, witnessing bad examples of partnership, being judged as superficial, not feeling beautiful and lovable enough

How you heal yourself: be direct and honest with your desires, practice interdependence in relationships, take good care of yourself first before attempting to take care of others, be bold in your style, setting boundaries

How you help others: be a mediator, independent, fair to people, polite, know when to compromise, try to make people comfortable, change beauty standards, relationship counsellor, make a team work, help people work together, take commitment seriously, fight for equality

Chiron in Scorpio/ in 8th house/ aspecting Pluto

The wound: witnessing deaths early on, fear of mortality, boundaries violation, experiencing paranormal activities that left scars and fears on your psyche, having the wrong kind of people attracted to you, sexuality exploration is considered taboo and restricted, having things taken away from you, having your secrets exposed, lack of privacy, trust issue

How you heal yourself: setting boundaries, emotional stoicism, surround yourself with stable and orderly environment/ people, minimalism, ground yourself/ connect with nature, practise your own brand of spirituality, listen to your body's response , explore your sexuality in your own safe place and by your own pace

How you help others: fierce protector, keep people's secrets, counsellor, fight against and spread awareness about abuse, allow space for others to explore their own psyche and sexuality

Chiron in Sagittarius/ in 9th house/ aspecting Jupiter

The wound: having your freedom restricted, further education is denied, feeling like a stranger in your own family, being chastised for being too honest/ too blunt, constant moving, being taught distorted views about the world, having problems with spirituality and religions, having your faith challenged, constantly being shot down, lacking boundaries and guidance

How you heal yourself: listen to different viewpoints, strive for diversity in your pursuit of knowledge, know when to get up and get out of situations, question various schools of thought before committing to one, take a light-hearted approach in communication

How you help others: setting an example for being truthful, support and advocate for the right to education, hype people up, make people have faith again, humour, stay open-minded and help people see a different perspective, make people feel accepted, guiding and teaching

Chiron in Capricorn/ in 10th house/ aspecting Saturn

The wound: being demanded perfection constantly, having to perform, stifle yourself to keep an 'image', being attacked/ criticised/ scruntinised openly, feeling that you have to do more than others to be recognised, having your goals and plans thwarted, being restricted in any form, father wound, trouble with authority

How you heal yourself: allow yourself to express vulnerability and emotions in front of others, keep your goals and ambitions close to your heart/ avoid discussing them too openly, act quietly, be kind to yourself when you're disappointed, allow yourself alone time/ away from public's eyes, place importance on emotional fulfillment when considering a life partner

How you help others: a pillar of strength that people can lean on, be exemplary, help others find authority in themselves, support and help others achieving success, build people up, give structure, show the importance of mastery

Chiron in Aquarius/ in 11th house/ aspecting Uranus

The wound: being considered weird/different, struggle with a sense of belonging, loneliness, being misunderstood, feeling excluded, bully, trouble building a long lasting friendship, sudden upheavals, feeling like you never get what you wish for, feeling like you are living a wayward life

How you heal yourself: have fun with yourself, find your own niche and focus on it, spend time for hobbies, express your individuality more but in a warm and nonserious manner, bond with people who have the same interests and hobbies, play with children

How you help others: make others feel welcomed in a group, bring excitement, acceptance of people's many quirks and unique self, fight against bully, encourage others to follow their dreams, strive to do good, support humanitarian causes

Chiron in Pisces/ in 12th house/ aspecting Neptune

The wound: experiencing losses early in life, being lost, lacking boundaries, boundaries violation, nightmares, solitude, struggle in feeling real, addictions, disillusionment, being betrayed and back stabbed, lacking a firm structure and guidance

How you heal yourself: practise meditation daily, setting up routines to follow (especially sleep routine), consider swimming, take good care of your physical health, muse about small beauties in everyday life, practise discrimination when you're asked for help or to do something, avoid sharing about yourself too much

How you help others: counsellor, provide understanding ears, charity, support humanitarian causes, help people find peace, soothing, empathise with people's suffering, provide spiritual guidance, create art that can speak directly to people's souls

About me | Masterpost

[nonbinarynow]

How would you describe antibinarism?

To me, antibinarism is to be against the current gender binary in a manner that recognises the colonialist, bourgeois roots of the system.

Binarism is the Western imposed gender binary is a tool of colonialism, neo and classical. As a black person with direct African heritage, it broke my heart to find out how the West steamrolled the nuances of gender experience in my native culture, and imposed a very strict sex and gender binary. It divided them, it alienated them from their own culture and set them into rigid worker identities. Binarism shows why binary gendered POC are held to unrealistic standards that they will never reach because they are not going to fit into the patriarchal, white, bourgeois cishet binary. It shows how the binary was used to dehumanise us though that effect. It explains why queer people have always been genderqueer by nature of their sexualities. It explains why the nuclear family model was developed in that particular manner economically (domestic labour mother, market labour father and 2.5 children) and why it is upheld as a finality (to produce workers at an effective rate; to manage and engage with private ownership). Binarism is down to capitalism and it's effects on society, culture and mentality.

So for me as an antibinarist, I am specifically anticapitalist because of this. They are inseparable. I feel that anti-binarism is to be against the sociocultural mindset of the gender binary and the reasoning why it exists (capitalism, exploitation and private property.)

[luciusdaskel]

Macaque Episode Analysis ramble

So I was talking with a friend about the possible psychological and therapeutic take aways from each episode of Lego Monkie Kid, since I love Psychology as a whole, and came to a conclusion. Macaque's episode has a fuck ton of things to analyze. Such as - Not every role model you meet will be a good person Trust your teachers Don't push yourself too hard otherwise you'll get hurt, manipulated and possibly die (let's be real, Macaque would've killed MK if Wukong didn't step in) And, grooming They will all be covered as I explain the episode in depth. When MK first meets Macaque he thought he was Wukong but even after Macaque declines, MK still had stars in his eyes of pure admiration. He clearly looks up to Macaque since he was just as cool if not cooler than Monkey King. Within the very next second Macaque started the process of grooming, after a tiny test to see how strong MK's admiration was. "[...] I thought uh Monkey King was training you. [...] but you can never have too many teachers, I'm sure Monkey King would agree. [...]"

Then Macaque starts to train MK. This shows the duality of Wukong's more MK's current strength and capabilities training versus Macaque's more destructive and dehumanizing training. With Wukong's "Patience and focus, step into the strike", clashing with Macaque's far more brash "You don't use a weapon, you ARE the weapon." This is effective at isolating MK from Wukong and his teachings because MK feels like he is actually powerful now.

As Wukong says, MK's body isn't strong enough to handle the power. This applies to real life too. If someone tries to weight lift something too heavy for their skills, they could get seriously hurt. This is the just magical equivalent of weight lifting. But because of Macaque's influence, MK fights back and isolates himself from Wukong, his trust worthy mentor. This leads Macaque to his final part of his plan, lure MK into a trap with his full hearted trust in him.

Then Macaque finishes his plan by stealing MK's powers. Let's be honest, with how things were going and by our impression of Macaque in this episode, Macaque would have likely killed MK if it weren't for Wukong. OR left MK to die with the staff pressing him against the moutain. What can we gather from this? Well, first and foremost, MK's admiration made him an easy target for manipulation, and what resulted was MK nearly dying from the ordeal. Check for "not ever role model will be a good person", since Wukong is ALSO a role model, but a good one because he doesn't literally groom MK. (More on that in a minute.) Wukong was right and MK does what he taught him then admits his wrongs by the end and opens up on why, which Wukong responds with "Hey, your heart is in the right place, kid. We can work on the rest." MK learned to trust Wukong when he was teaching him something because ultimately that's what saved his life. I'm not saying trust EVERY authority figure, but one that is teaching you something that you trust and know will not hurt you. Get yourself a Wukong for your MK. Macaque's training has lasting impact on MK, making him feel like he needs to give himself up for others. Before this episode, MK never had the need to sacrifice himself or really seemingly blamed himself for anything. Macaque's dehumanizing training left MK with lasting damage to his mental health and also led to MK not being able to pick up the staff, granted that was after Macaque gut-punched the power out of him.

Ouch...

So, I hear you ask, "Ok, you made your point about various things, here but what about grooming? That's a bold word." Yes, it IS a bold word, especially considering the fandom space being primarily for children. However, I will clarify that grooming does not only apply to sexual circumstances.

This is from the official Canada public safety about child grooming. Notice the none sexual tactics.

"Make promises of a better life" - Promises to make MK stronger/a better fighter/hero

"Cause divsion saying "your parents are too strict" or "your parents don't understand you"." - Macaque says "Other people are going to tell you to be patient. They are slowing you down." to directly conflict with Wukong's training, further dividing MK and Wukong.

"May threaten or pressure your child to do what they ask, which could lead to sextortion." - Might not be explicit but it is implied MK had some minor doubts by the end of the training and was literally pushed into battle. Also he threw MK into the weapons rack on their first session, showing that MK was "weak" and prompted him to take up his implicit challenge, his trick. It's unclear if Macaque ever threatened MK while training, but I doubt it and he just pressured him and manipulated his drive and determination.

One that people might argue is "Approach your child online by pretending to be someone they're not - may falsely identify themselves as a person from school, or someone their age, to build a connection." but I believe it applies. - Macaque comes in creating a show with his own kaiju form, either to make himself popular or to attract MK or Wukong. Regardless, he seemed uncomfortable at first but once he prompts up "But you can never have too many teachers", that's when he starts creating a false identity, a trustworthy teacher who knows better than Wukong. That's also neglecting the fact Macaque pretended to not be that smoke demon.

If that's not "pretending to be someone they're not", then I'm not sure what is. Also for specifically adult grooming,

More signs I feel apply are;

"The person becomes withdrawn, or they may seem troubled by something but unwilling to talk about it. Alternatively their emotions might become volatile." - When Wukong points out MK has been running around other mentors, MK sounds calm and cold, like he was withdrawn. Then when Wukong presses on, MK yells at him and doesn't talk about exactly what was bothering him other than "You just don't like that there's someone who actually teaching me what I need to know."

"You notice them using or wearing something new, that you didn't buy [or teach] for them." - I added teach because Wukong points out he never taught MK how to break a wall like that, and was concerned and upset that MK learned that too quickly. Within that same scene, after MK yells at him, that's when Wukong notices the new symbol on MK's jacket and frowns. That's when he knows MK is being groomed, and by who.

"Groomers often aim to isolate their targets from their family or friends." - Well, we never see Mei, Pigsy, Tang, or Sandy in this episode, after the first meeting and they act like MK was gone for a month or more (could easily be a week lol). On top of that, Macaque was causing a divide between MK and Wukong. MK was very clearly pretty isolated already, and so Macaque just had to remove MK for MK's full reliance.

"The person might be spending more time on the phone, or online, than usual. But they won’t say what sites they’re visiting, or who they’re talking to." - This speaks for itself, but it's likely MK was training more and more with Macaque than being around his own friends, especially considering by previous point.

This video goes into great detail on how it happens, why the victim is manipulated easily, and what it does to someone. Granted this video is about a long-time grooming, but I believe the point and the awareness stands. If Macaque had been grooming MK for about a year or more, I feel MK would be closer to these signs than he is in the cannon LMK. Anyways! I hope you had fun with my analysis, and let me know if you'd like more! I love to just ramble about the psychology of certain characters or the takeaways of LMK episodes! I'd love to do Wukong, Macaque as a whole (not just the episode), MK, Xiangliu/Nine mayhaps?? Or even the Focus episode or something else- I have a minor analysis on the focus episode already in my head lol

[sagistrology]

𝖕𝖑𝖚𝖙𝖔 𝖎𝖓 𝖆𝖖𝖚𝖆𝖗𝖎𝖚𝖘, 𝖕𝖆𝖗𝖙 𝖙𝖜𝖔 - 𝖕𝖑𝖚𝖙𝖔 𝖙𝖍𝖗𝖔𝖚𝖌𝖍 𝖙𝖍𝖊 𝖍𝖔𝖚𝖘𝖊𝖘, 𝖓𝖆𝖙𝖆𝖑 + 𝖙𝖗𝖆𝖓𝖘𝖎𝖙

(these observations are general and do not cover all aspects)

♏︎ pluto shows where we burn, toughen, and become resilient. reaping the fruits of this process can be strenuous, and might be seen better in hindsight.

♏︎ the energies can be raw and primal, given pluto's urgency and intensity. centring obsession, compulsion, paranoia, etc.

♏︎ it can feel as though you symbolically enter a wound, refracting its pain back to you upon contact. the energies can be vile, and gory.

♏︎ pluto compels us to confront our deepest wounds, and demands us to see where our perception is tainted by trauma. it is an undercurrent, nudging us to the edge to fall (confront) - and rise (heal).

pluto in the first house

♏︎ a dominating placement since it falls in the house of 'identity', creating a deep resonance with plutonian themes. there's frequent retreat due to an early disillusionment about people's intentions - leading to relying on oneself. can detach from people and be cautious, extremely observant. you can find a detailed description on pluto conjunct the ascendant here.

♏︎ during transit: change in appearance, often 'darkening'. can be a time of vitality, endurance, and determination. coming out of introspection - redefining oneself.

pluto in the second house

♏︎ compulsively chasing security and resourcefulness, focused on materialism and control, fear of scarcity and being dominated – dealing with cyclical loss, creating a fear of losing ones foundation. this loss can range from opportunities, careers, assets or wealth to the loss of an identity or person (core wound).

♏︎ during transit: reclaiming what's been taken from you, having firm boundaries, accumulation and loss of wealth, defining value, learning that abundance starts from within.

pluto in the third house

♏︎ sensual voices - talking oneself into positions of power, feared for their intellect and silenced by those less competent. often critical of institutions. requiring depth and versatility - jack of all trades. loving banter and debate. intrigued by intelligence, quick and instinctual.

♏︎ can be extremely critical of themselves, downplaying their achievements even if they are exceptional. longing to be heard and valued.

♏︎ during transit: intellectual obsessions, craving taboo or occult knowledge, communal differences - questioning one's belonging, focus on mental health and what doesn't serve you.

pluto in the fourth house

♏︎ giving birth to creations through their pain - ancestral and domestic wounds that happened secluded and privately, inflicted trauma. highly intuitive and enduring, healing themselves and those to come. breathing life into everything they touch.

♏︎ where does life grow? in the mother's womb. what is inherent to this process? its cyclical nature. what does it consist of? sacrifice, dependence, excruciating pain, loss. what does it lead to? birth.

♏︎ during transit: domestic affairs or betrayal being exposed, secrets being told or asked to be kept. can be about loss, sacrifice, or distance to a beloved. creating boundaries or having them crossed.

pluto in the fifth house

♏︎ wounded inner child, being unable to create, often by force - a suppression of light. urge to be centred. tend to be erratic, having tunnel vision while creating. the initial 'wound' can vary in cause and effect based on how pluto's aspected. while pluto aspected by jupiter can create a feeling of superiority and a certain blindness to flaws, saturn causes doubt and repression, amplifying critique and diminishing one's work. same blindness, just flipped.

♏︎ during transit: immersing oneself in a project or person, craving to be inspired, finding a muse, dealing with copycats. being plagiarized or robbed of your creation. think of ai generated art based on artist's models or corporations stealing designs. (having upper hand despite fraud)

pluto in the sixth house

♏︎ destructive humility where one’s identity can dissolve – people feeling entitled to both their autonomy and service. demand to 'function' to a state of paralysis while disregarding their condition. worth can feel synonymous to performance.

♏︎ during transit: confronted with criticism, obsessive and compulsive tendencies in the mundane, change in routines, purification, having no 'saviour', learning to sacrifice for oneself rather than others. new ventures, e.g. professionally.

pluto in the seventh house

♏︎ fearing control and dependence - often seeking complex and unavailable partners in the house of 'others', with them being centred. there can be themes of possession, manipulation, and dominance, being sovereign. private and protective. being criticised in the public eye, confronted with jealousy and projection.

♏︎ during transit: business ventures and deals that need to be analysed carefully, focus on social class and status, entrance of opposing energies challenging your identity, keeping bonds private. having eyes on you.

pluto in the eighth house

♏︎ sexually reserved, treating sex and intimacy as something sacred or ritualistic. casual sex and intimacy drains them and generally can't be sustained. once committed they are bound. can have obsessive tendencies and high stamina. desired and charismatic, however out of reach.

♏︎ can be calculated and sense opportunities to gain power. psychological affinity allowing them to recognize patterns and behaviours. deeply tied to wealth (currency of power), either born into influential families or striving to attain status.

♏︎ during transit: having power and losing it, being stripped of everything you thought was yours. letting go of conditioned shame. financial dependence, trauma being centred (actively or in hindsight). intimacy, few but significant connections.

pluto in the ninth house

♏︎ the occult, philosophical expansion and psychic abilities - abundant yet compromised by structure. seeing past division and aching over discrimination, hatred, and coldness. receptive to transcendence, deeply wounded by closed hearts.

♏︎ when restricted or bound to a place the jupiterian expansiveness turns inward (mental). they are curious, wise, artistic, philosophical, and energetic. attempting to compromise their nature makes them burst (and leave).

♏︎ during transit: desire to attain higher education or specialising in a field, craving intellectual depth and mental stimulation, change of perception (also ideologies and religion), experimenting despite resistance.

pluto in the tenth house

♏︎ stunted legacy - often hindered by authorities or outer circumstances to achieve greatness, putting them at a disadvantage despite their capabilities. opportunities can be disproportionate to their potential. think of an excellent communicator working in a call centre. having to work harder than the average person.

♏︎ during transit: focus on public sphere and reputation, facing scrutiny and striving to be respected, peaking. can be about inheritance, passed on legacies, scandals, and authority. be strategic of what you put out, esp. online with pluto in aquarius. defending one's principles.

pluto in the eleventh house

♏︎ intelligent and analytical, craving originality and detecting lies without trying. can appear vain due to their selectiveness, needing mental stimulation, bored by repetitive and constructed thoughts. can be isolated - principle above sympathy. detached when nothing piques their interest.

♏︎ during transit: focus on higher concepts - disconnect that brings awareness to societal structures, innovation, and the subconscious. peak social awareness and calling out misbehaviour. pioneering esp. in tech and humanitarianism. decentralizing status, prioritizing impact.

pluto in the twelfth house

♏︎ being intertwined with the world's suffering and consumed by agony that isn't theirs. pain can be unrestricted since it transcends the material. the veil, to both humans and the otherworldly, is thin. feeling out of place, or surreal.

♏︎ mesmerizing eyes, and an existence between the worlds. characterised by sensitivity and wisdom beyond their years. esp. dominating when pluto in the 12h is conjunct their ascendant.

♏︎ during transit: loss of unity with their pain concentrated inward, can feel cataclysmic and fated. confrontation and healing of trauma. fear over losing our cognitive abilities and originality due to advancements, esp. ai.

[ipso-faculty]

Proposing new meanings for the Disability Pride Flag stripes

I love the design of the disability pride flag made by @capricorn-0mnikorn (in consultation with many disabled people!). It’s beautiful, elegant, and distinct. I love the symbolism of the diagonal stripes.

But the more I think about the meanings of the five diagonal stripes, the more uncomfortable I am with them. So I'll explain my discomfort and then give proposed alternative meanings.

For those unfamiliar, these are the meanings that capricorn-0mnikorn gives:

The White Stripe: Invisible and Undiagnosed Disabilities

The Red Stripe: Physical Disabilities

The Gold Stripe: Neurodivergence

The Blue Stripe: Psychiatric Disabilities

The Green Stripe: Sensory Disabilities

With additional and helpful context here! 💙 Like a lot of disabled people my disabilities don't all fit neatly into these boxes, but I recognize some disabled people see themselves in these categories. I do appreciate the symbolism of it being the most common flag colours / internationalism plus the intent of representing diversity amongst the disability community.

Here’s what doesn’t sit well with me:

The yellow was chosen for the neurodiversity stripe because gold = Au = autism (and also as a fuck you to autism speaks, a sentiment I agree with 💯). 

So autism is used to represent all of neurodiversity. Even though the 2018 AutisticsUK campaign to associate gold with autism was explicitly motivated by the idea that neurodiversity is larger than just autism and autistic people should have our own colour/symbol distinct from the rainbow infinity used for general neurodiversity.

One specific disability is effectively being given a whole stripe (autism) while the other four stripes are based on abstract ideas: red is associated with body -> physical disability, blue is associated with the mind (and is “opposite” to red) so -> mental disability. This is reasonable but it’s inconsistent. (And I am very much the kind of autistic who gets bothered by internal inconsistency 😅)

The Deaf community has been using cyan blue for ages (since at least 1999, probably older) and they have been so vital in disability rights history. I feel if any single disability deserves to get an entire stripe to themselves it should be them.

I appreciate the honestly that assigning green to sensory disabilities was because “that was the color that was left over” but it still feels wrong given how vital blind & deaf people have been to disability history. 

Blue for mental/emotional disabilities also misses that the Mad Pride movement has been using purple as their colour since at least 2013. 

If all five stripes were disconnected from actual disability-specific pride flags I think I’d be okay with it. What sets me off is the inconsistency: autism gets the privilege of its own chosen colour but not other disabilities? (Also: autism isn’t the only disability that uses yellow!)

My proposal for new meanings

I propose each stripe represent a different cause of disability, and the associated model(s) of disability that go with that cause:

Red: disability due to injury / the debility model of disability - e.g. injury due to armed conflicts caused by colonialism, injury due to gun violence in a country which fails to regulate gun safety, preventable illness due to sociopolitical neglect 😡🩸

Yellow: disability due to natural differences / affirmative models of disability - e.g. autistic people who lead lives that take advantage of their autistic traits, DSPS folks who are able to work night shifts and take pride in doing so 😄🌟

Blue: situational disabilities / critical models like the social model, social construction model, political/relational model, and radical model - e.g. a Deaf person who feels their only disability is that people don’t speak their signed language and don’t provide captions/etc 🗣️♿️

Green: disability due to illness / biomedical models of disability - e.g. people with conditions like ME/CFS and Long Covid who actually do want to be treated/cured 🤢🦠

White: disability caused by unknown or other factors / other models such as the human rights model - e.g. somebody with a poorly-understood and/or undiagnosed illness who is fighting for access for accommodations and medical care 👀🤍

People may relate to multiple stripes! Whether it’s for the same disability or for having multiple disabilities. Like the old meanings, the intent is to showcase our internal diversity. 🌈

It’s been my experience of disability community that attitudes about disability tend (in general) to be linked more to when/how we were disabled rather than mental/physical/sensory/etc. For example, people like me who were disabled from a young age tend to understand our disabilities differently than people who acquire disability later in life.

Colour choice justifications:

Red as disabilities caused by injury: keeping with capricorn-0mnikorn’s association of red with the body plus the common associations of red with blood, violence, and anger. I want to explicitly include the debility model of disability because a lot of white disabled people tend to forget or gloss over how disability is used as a weapon against racialized & Global South folks.

Yellow is associated with optimism and pleasure as well as enlightenment (such as in the Deaf flag) and so I connect it to the affirmation model of disability (which is the opposite of the charity/tragedy model). From there I associated it to disability due to natural differences, such as congenital neurodivergence. I want yellow to still be something that fellow autistics could still see themselves in the flag for! 💛 And I want intersex people who see their intersex variation as a disability to be able to see themselves here too because being intersex is natural 💛 

Blue as disabilities that are social/situational in nature, like Deafness being a disability in situations where signed languages are unavailable. I wanted Deafness to actually be under blue this time. 💙 

Blue has also been used for disability writ large for a long time now and so this one being the one associated with the Social Model feels most historically connected to me. I’m also including newer critical/postmodern models like the social construction model and radical model which also posit that disability is a social category rather than a deficiency of individuals’ bodyminds.

The social model is generally contrasted with the medical model - viewing disability as a medical problem. A lot of disability activism is focused on de-medicalizing our bodyminds and challenging the idea that we want to be cured. 

But there are chronic illnesses like ME/CFS, long covid, and cancer where the people who are disabled by them do actively (and vocally) want to be cured! And they belong to the disability community too.  Green was picked for illness because green has been used to symbolize sickness (e.g. the 🤮 emoji). And biomedical models like the traditional medical model and the more recent biopsychosocal model are thematically connected to disability being due to illness.

For white, I want people who are undiagnosed and/or who feel the invisibility of their disability as important to again be able to see themselves in this stripe. 🩶White is also the catch-all “other models” because of white being the sum of all colours in an additive colour model. Models like the human rights model I see as being appealing to disabled people who are feeling invisibilized by society.

For each stripe I've included both a cause of disability and a model of disability. The causes are concrete, and easy to understand. The models of disability are more abstract and not everybody will know them (especially ableds). But a flag gives us an opportunity to teach others about us and I think it's a great opportunity to increase awareness of the different views/models of disability. 🖤

Overall, I tried to keep as much of capricorn-0mnikorn’s reasoning/associations alive in my new proposed meanings as I could. 💜 I hope people who see themselves in a given stripe of the original flag will see themselves in this scheme as well. I hope people who didn’t see themselves in the original scheme find these options more inclusive. ☮️

[tumblingxelian]

No Pit Madness - What the Lazarus Pit might actually do to a human brain:

So, I hate the whole "Pit Madness" BS but I do find how the brain works fascinating and ended up wondering how something like the pit might effect the brain and if it could influence behaviors in a none ableist or "Evil magic" way. So please join me as I outline a fun little thought experiment about how the Lazarus Pit could influence someone's personality, but not in the way you'd expect!

Let's begin with a fun fact!

When we experience trauma is can leave a physical mark on our brain even if it wasn't physical trauma it still mars the fleshy sponge that is our brain.

This can be useful, like learning fire = hot & the ensuing pain = bad!

It can also hard-code in a lot of really bad stuff which is why when it comes to certain mental illnesses medications to suppress certain parts of the brain need to be taken for upwards of ten years. This is to ensure the damage does not keep perpetuating itself while the brain builds new neural pathways until the source of the sickness is gone.

So, now imagine if you get dumped in a Lazarus pit and and EVERYTHING comes back in perfect clarity. That's likely why people coming out are so initially panicked and wild, they are experiencing total sensory overload on a level never before imagined!

But, the influence of the pit likely lingers as it works its way through the body and so its still repairing damage as it happens. Which is key to my next point and we'll use Ra's as an example.

Ra's was a doctor, a healer, a man who wanted to better the world. But in that journey he saw and eventually did terrible things. Things that would forever change him, quite literally in this case.

Because imagine if you will, all that stuff coming back all at once, but then imagine the Lazarus pit remnant going "Oh the brains getting damaged real fast, better fix that!"

Put simply, it effectively heals the damage done to the mind via traumas as the brain is trying to process and learn from them.

This happens be they brought up by the pit or simply on the persons mind in the immediate after effects. The brain is trying to hard code in "Thing bad" but the Lazarus pit won't allow the brain to experience that kind of damage and wins out for at least a time. Essentially fortifying the mind against taking this kind of damage.

Using Ra's as an example the longer he lives, the more he sees and does, the more this stuff compounds and the more the pit has to heal when he goes in and comes out. By virtue of getting that healing, those actions no longer have the same kind of mental or emotional impact they once did. Causing him to become increasingly alienated from the human condition and the horrors he inflicts on others.

Now, for someone who went into the pit once this is likely not a huge deal but let's go over some example using this current model:

1: Cassandra Cain was killed by Shiva and thrown in a pit, she came out and killed Shiva, something she would normally be so violently opposed to she'd die rather than do it. This isn't merely philosophical for Cassandra it is also rooted in intense trauma. But this act did not impact her the way it should. Cassandra retains her intellectual and emotional morals, but the trauma that comes with seeing or causing death no longer hits her the way it once did, because her brains now been hard-wired to be able to handle that without taking damage.

2: Bruce has if I recall been in the pit at times, so wouldn't the trauma over his parents be lessened? No, because Bruce tends to go in the pit when he's on missions and thus compartmentalizing. Thus instead the trauma is just as bad or slightly worse because its in a sense been refreshed once he's out of mission mode and the Lazarus Pit effects wear off. IE, he got factory reset but kept all his memories, now they are just clearer than ever before and that's worse.

3: Much like the the above, Jason was factory reset as far as is brains physical trauma went and so confused when he came out that he wasn't entirely clear on having died over just getting injured. By the time he did know the pits effects had worn off, so this was his brains first major "new" old trauma, and thus it responded the way a new brain does to trauma with "This is the worst thing because its the first bad thing" magnifying its impact and solidifying it in his brain.

This hasn't made any of them new people, they retain agency in their actions and beliefs. But for a physical comparison, its like how some stories have someone coming out of the pits feet be baby smooth and thus needing to build up calluses, except for the brain.

The difference is, because one retains the memories, if they are in a calm scenario and ideally unconscious when first coming out of the pit, they could wake up, calmly meditate on things and come out more or less the same as before save maybe a little more level.

Most people cannot do that and so their brain gets a jagged, clumsy, often entirely unhelpful wave of protective film over major horrors, or get to experience them again like they are brand new with no in-between. Thus meaning the results tend to be either:

"Huh, that used to fuck me up but now it doesn't."

Or

"Oh gods this is worse than I remembered it, aaah!"

Or in other words you either get over stuff you probably shouldn't or get super re-traumatized with no middle ground and neither is ideal.

[fuji-sen]

the 'evil imposter' just wants to be a baker!

Prologue: The Foodie turned Imposter?!

Part 5: Burning Pinecones

[ part 4.5 ] || [ masterlist ] || [ part 6 ]

divider is made by @/saradika-graphics

warnings: the usual violence/blood for sagau fics.

"Traveller, would you like to accept a personal quest from me?"

Aether stared dubiously at the man in front of him, which the Cavalry captain noticed "Come on, aren't we friends?" The blond and Paimon stared at him incredulously, then the two travelling partners stared at each other, engaging in a mental conversation.

'Do they not trust me that much?' Kaeya felt a bit hurt but brushed it off when the duo turned to him once more. "You're not going to ask us to hunt down this 'imposter' are you?"

It was the blue haired man's turn to stare at them flabbergasted "My, you think so little of me. Haven't you heard the saying Innocent until proven guilty?" "We know that!" Paimon huffed "it's just. . you're still in the knights of Favonius, We're surprised you haven't gone all. ."

"Murderous" Aether offered.

"Yeah! It's a surprised you aren't as murderous as Jean and Lisa were with this lookalike." Paimon pointed out. "That's fair, but I would prefer knowing all the details before acting."

Aether sighed, "all right, then I'm guessing you want us to track down the lookalike and gather information to help decide whether they are the imposter or not. . right?"

"Astute as ever dear Traveler" Kaeya clapped with a Cheshire like grin. "Why can't you do it though?" The traveler questioned "You're more familiar with the region as a resident of Mondstadt."

"Be that as it may, I am a member of the Knights. I expect Jean will be ordering all of us in a mandatory man-hunt for the 'Imposter.' You two on the other hand have a chance of not partaking in it in the guise of already being on a separate quest."

Aether and Paimon frowned, "are they really set on killing them?" He asked, he did not like this, he did not like how they were acting. Upon first meeting them, they seemed reliable and level-headed, now they seemed like. .

"Faith does a lot of things to a person traveler, Paimon. You will find that once word spreads across Teyvat that person will no know peace, even if they end up really being the Creator. So hopefully you find them first."

Golden eyes stared into periwinkle eyes. "Should I warn them about everything?"

Kaeya combed his locks "I'll leave that decision to your judgement in character. I should go now, I have a feeling that Jean will have someone call for me soon."

"Then me and Paimon will head out now, but. . have you any idea where they might be?"

ִֶָ𓂃 ࣪˖ ִֶָ��་༘࿐

Thanks to the effort of the Samuchurl and the other hilichurls you had recovered quickly. All though the scars remained littering your body, still the pain that lingered was gone, you were no longer bothered by the lingering effects of electro from Lisa's attacks.

Your stomach was no longer empty and you were no longer in tattered clothes. The Pajamas although salvaged was now in a rucksack, you debated on whether throwing it away but seeing as it is your last memento of a life so far away from your grasps. . you decided to keep it in the end.

Now however, what draped your body was clothes that you could only describe as traditional or ethic, the type of clothes you'd see hilichurls wear. Luckily it fitted you and covered you properly considering hilichurl clothings usually cover the lower half of the body if you compared it to the in-game models. It reminded you of Claude's first attire in 'who made me a princess'*.

However the Hilichurls did not wear shoes so you had were still going to be walking barefoot. Dvalin or rather in the current timeline, Stormterror, had not returned to the area, you assumed he would be with the abyss mages or terrorizing mondstadt so you weren't scared for your safety (not like Dvalin would ever hurt you but you don't know that-) and you could stay with the hilichurls and your pyro buddy who were the best company right now!

Still. . you can't help but let your eyes linger away from the hilichurl camp. Despite the trauma that would no doubt haunt you for a long time, you still wanted to just. . explore Teyvat and everything it had to offer, well except for the people, you wanted to try the cuisine, wear there clothes and if it seemed like you'd be stuck here till you die. . maybe open up a shop or find a permanent home.

Inazuma would be nice as it would be based on Japan, but Liyue's culture also caught your eye. . but then Mondstadt's scenery, Fontaine's architecture and fashion. . .

"So while the hilichurls were busy you decided to take a walk, of course, some inkling inside you knew to avoid any humans and since your choices were either the brightcrown canyon teeming with enemy mobs or go south and find your way to dawn winery and then wolvendom. .

Brightcrown canyon was your choice of course.

"What-" you stare at the pyro slime that was angrily bouncing in front of you, as if stopping your escape. "I'm just going to take a walk."

It's stare was unnerving, clearly not wanting you to go anywhere else but the hilichurl camp. "I'm not going near any mondstadters if that helps my case!"

It stopped, blinking and then began happily prancing around you in circles.

You chuckled at the cute pyro slime as you scoped him in your hands, you didn't question how you weren't harmed by its flames, you were afraid to know what that means for you after all. Would that be considered proof of being an imposter?

ִֶָ𓂃 ࣪˖ ִֶָ🐇་༘࿐

"Okay so last that anybody has heard of this creator lookalike, is that they fell off the cliff behind the headquarters of the knights and landed in Cider Lake" Paimon repeated as she and Aether were just outside of the city, across the bridge and in front of a fork in the road.

The left road would lead back to the whispering woods then to the lake, then the beach where they came from when Aether first came to Mondstadt. The middle one would lead to Wind rise and farther off would be cape oath. Then the path that led to the right of them would lead to a small village named Springvale, then to dawn winery and Wolvendom and the farthest place there would be Stormterror's lair.

They stared at the map that Kaeya had kindly given them, marked with numerous locations that were well known in Mondstadt. "Okay then what happened after is that Stormterror came during the commotion which led to a chance for the person to escape. . then when they fell into the lake, followed by soldiers trying to catch them. . Stormterror took a sip or rather bite out of the lake and ate the people there?"

Aether continued with a distraught looking expression as he tried to imagine it, well he didn't have to imagine it for long because due to a commotion near the lakeside he turned, finding Amber and a few knights pulling a net which contained fish, clothes and . . dismembered limbs.

Paimon paled, floating behind him as she covered her eyes.

Despite the nauseating feeling he approached to inquire about the bodies, it would be bad if the creator lookalike had been eaten by Stormterror. "Oh Traveler come here!" Amber waved over as he gulped but nonetheless reluctantly got closer. The smell of iron filled their noses, nauseating them.

"A-are you finding the 'lookalike' I heard they fell into the lake?" Aether offered, trying to ignore the close up looks of the bodies in his peripheral vision. "Yes, we are looking for the 'imposter' we need to make sure they're dead." The outrider corrected, with a disturbing look the travelling duo could not quite place for a lack of better terms.

The blond haired boy scrutinized the outrider in front of him, sure they had a rough first meeting when Amber was very suspicious of him but he got past that because she was doing her job, this however. . hunting down a person just because of the face they were born with, was this her job as well as an outrider? as a knight of Favonius? This was not the person he respected, and that made it all the more disappointing.

This entire situation flabbergasted him, perhaps it was because he was not of this world but. . was it common sense to hunt someone down and kill them on sight for having the face of a God? would there be no trial? no interrogation or due process? He understood the appeal to devote ones self to the Creator, for he felt their lingering warmth and love even from an inanimate statue in their image.

He also understood that there was a prophecy of an imitator, a devil disguising themselves as the creator and being a sign of chaos, and sure Mondstadt was in a chaotic state but what if the prophecy wasn't real? prophecies weren't exactly reliable anyways and was it worth risking the chance of harming and offending their Creator if that person wasn't an imposter??

"What got you so quiet?" Amber noticed as the boy flinched, "nothing, it's just the smell is bothering me."

"Oh- that's fair, Sorry for making you come closer I should have approached you instead" she at least had the nerve to be sheepish about it "This is the first time Stormterror killed someone. Mostly they have been causing disturbances with the storms and some injuries here and there, but this would be the first recorded casualties."

"Does that mean, Stormterror's gotten ticked off by something?"

"Probably, it's probably because of the Imposter" the brown haired girl's lips had thinned considerably "I guess Stormterror has a bit more common sense to attack the Imposter as well. That's nice at least, if only he had finished the job."

Aether forced himself to laugh awkwardly, "well, I uh see. . anyways I need to go. I have a quest to fulfill."

Not really noticing his behavior, Amber offered something with a smile "Oh where are you headed? I'll be going on a search and exterminate party with a small group of knights maybe we could join together and help each other."

"Maybe some other time-" Paimon finally spoke, cutting Aether off "Sure! Where are you headed?" Amber who brushed off what Aether was originally going to say "We're going to comb the areas around the lake, if Stormterror didn't managed to kill the imposter then it's likely that they were able to swim to the shores."

"Wait-" Paimon quickly elbowed her friend before turning to Amber "then uhh, we'll pick the farthest one, it's more important that we find the Imposter after all, right Aether?"

"I- oh yeah, I guess." he quickly said after realizing why Paimon was agreeing to the suggestion.

Paimon's eyebrows had ticked in annoyance at the subpar acting Aether possessed. Honestly, could he not be so obviously weird about the imposter-lookalike situation!

Amber meanwhile smiled "That's great!" she was none the wiser "It's nice to see you prioritizing the more important things in life!"

She unrolled the map as she let them take their first pick, Paimon and Aether glanced at each other, wondering which place should they take.

Their outrider friend(?) was called away by a knight so they spoke in hush whispers. "where do you think they'd go. ." aether hummed as paimon whacked him in the head, "hey!" he hissed "what was that for!"

"For you terrible acting, could you be anymore obvious?? You know we have to find them first!" Paimon complained tugging at his ear, "right look sorry!" he swatter her much smaller hand away "but we have to choose now."

Paimon bit her lip "but what if we picked the wrong location and Amber and the others find her first. ." The traveler sighed "It's a risk we have to take, hopefully. . her luck doesn't run out."

ִֶָ𓂃 ࣪˖ ִֶָ🐇་༘࿐

"I need some herbs and spices, oh and some more sweet flowers and berries. . It'd be nice if I could catch some meat too." You absentmindedly said, as your pyro slime friend stared at you curiously, you love food after all so it's not entirely weird to be collecting ingredients.

The rucksack on your shoulder was already filled with mint, mushrooms, matsutakes, pinecones, sweet flowers and a few carrots. It was getting fairly heavy but still, you were excited to begin cooking with the ingredients and food that Teyvat had to offer. Would the mushrooms taste even slightly different from the ones in real life? is sweet flower sugar a better type of sugar than the one in real life as well? what about pinecones? how do they taste? she actually tried biting it but it wasn't any good, since the description of the item in-game was about having oil-rich seeds you assume it was either a substitute for cooking oil or the seeds are actually eaten or could add a taste to the few recipes that used them in the game like the hash browns.

"Want one?" you offered an apple to the pyro slime who shook in your hold, "so that's a no. Do you prefer sticks and coal? or what about pine cones?"

The pyro elemental being stared at the pinecone you handed him, and proceeded to eat it, simply by burning it inside of him. "Oh. ."

Luckily he seemed to like it enough when he jiggled like a happy jello. "We really need a name for you!**" you smile, petting him. There was a couple that went to your mind however before you could decide you stop by the coast or shores of the lake, you could see Mondstadt in the distance where the city was under dark gloomy skies.

'serves them right'

your eyes widened, surprised at your own bitter thoughts, one part of you loathed the city that traumatized you and rejected you but a part of you couldn't help but think of the poor people. .

"it's going to be okay, the traveler will save Dvalin and everything will be fine."

You basked in the sounds of the water and the chirping of the birds, as the smell of burning pine cones and freshwater filled your nostrils. You felt a sense of calm despite seeing the city under a blanket of darkness, from the looming dark clouds above it.

*snap!* body freezing up as you hear footsteps and the shaking of bushes. Your pyro slime friend jumped out of your hands, wiggling threateningly at the direction of the noise.

Turning slightly, you see two people getting out of the bushes. A boy with long blond hair, braided neatly and another, much smaller, floating near the other with silver hair.

Aether and Paimon. .

*this is claude, of course the clothes are not that open so your chest is covered (tho depending on you there may be a side-boob view (based on the shirt cut meme)) ** I will be posting a poll for the pyro slime's name, you are free to recommend names here, and if a name has been chosen, the person who gave the idea can request for a special chapter from this series (that can happen canonically, or not, or in a diff region.) however if a name I have suggested for has been chosen then I'll give a list of ideas for special chapters you can vote on that will be written.

ONE ACCOUNT IS ONLY ALLOWED TO SUGGEST AT MOST 2 NAMES (this applies to me)!

Current compiled suggestions: Fuji_Sen has suggested! Lava Cake or "Java" based on the food / coffee" Fuji_Sen has suggested! Monsieur Creme Brulee or "Creme" based on the food. @Fantasyhopperhea has suggested! Soleil or "Sol" @Cactus4226 has suggested! Ruru (Py-ro, ro -> ru -> ruru)

taglist: @fantasyhopperhea @rhoswen-drake @cchiiwinkle @aman3kkun @coffee-or-hot-cocoa

[martinsorbit]

Oh hey, it's that sun guy.

After two arduous weeks (Aug 1st - Aug 15th) the Sun cold porcelain figure is COMPLETE! DONE! FINISHED! HE IS HERE IN ALL HIS GLORY

Its been a long (and at times painful) process considering the time it took for all the stuff to dry and for me to have free time to finish this project, but now the silly little jester is in my hands and he looks SO CUTE AND COOL!! HE EVEN HAS A HOOK

Thanks everyone for hyping me up and keeping me motivated during this <3 It literally meant a ton and helped me keep working on this bonkus shit

under the read more, there will be some more details about the figure itself and some more pictures ( Like materials, how much time it took, the process stuff etc)

feel free to ask me questions! thanks everyone!

QUESTIONS ABOUT THE PROCESS!

Q: What materials did you use for this?

A: White Cold Porcelain, Hot Glue, super glue, pencils, pliers, paper clips, scissors, paint, all purpose varnish, paintbrushes, metalic pens

Q: How long did it take to make him?

A: Roughly two weeks

Q: Are you going to make moon too?

A: yes but it will take a while

Q: [X element of suns character design] is missing.

A: trust me, I know. Ive been staring at his model for roughly a whole week and mentally rotating him in my brain , so if something is missing its cuz i was either having a hard time making it or cuz I took creative liberties lmao

Q: How long did it take for the stuff to dry?

A: The cold porcelain abt 3 ish days; Paint took 1 day and the varnish also a day (as it states in the bottle)

FINAL NOTES:

Yes, you can use colored cold porcelain instead of painting it! It's just easier for me to paint it over

- For the love of god, be careful when applying the varnish, that shit is bad for your health! read the instructions, do it in a ventilated area, and NEVER put it too close to your face, or u might get some not so good side effects ( like yer eyes burning)

No, i dont intend on selling him anytime soon sorry ( this was asked before regarding some other cold porcelain thing I did, so I just thought i would add it here)

- If u dont wanna spend too much money on the colors u can just buy some Yellow, Cyan, Magenta, Black and White (CMYK) along with some skin tones; u can basically make any color from those

- I used two of Sun's main poses in the game as inspo for making this

- His faceplate is supposed to spin but since it keeps falling off I decided to glue it

[arguablysomaya]

Nightwing's weird fem-coding

! LONG POST !

Finally got around to jotting down my thoughts on the weird way that Dick Grayson (Nightwing) often occupies female-coded roles without being a particularly feminine guy. This is entirely due to me procrastinating on my finals. Okay!

Dick has often been cited as the hero who plays into the "female gaze", and he takes up some key roles that are typically reserved for women characters.

A large portion of Dick's fem-coding is contingent on his being with his family, and when he's not with them, this fem-coding kinda drops away, such as when he's with his various teams or acting solo.

His most prominent (and imo, complex) femme-coded role is:

-> Eldest Daughter + Widow

Eldest daughter syndrome means " frequently feeling like you’re not doing enough, like you’re struggling to maintain a veneer of control, like the entire household relies on your diligence." It's born out of the unique way that first-born girls are expected to take on adult roles around the household before they've had an opportunity to fully experience childhood (an opportunity their younger siblings will have, in part due to this sacrifice). It creates a strong sense of independence and a desire to be a good role model, but also leads to undue pressure and perfectionism.

Dick acts as a central emotional pillar for those in his family. To the point that when he fakes his death, it breaks something fundamental in the family dynamic:

Not only is it repeatedly made clear that Bruce depends on Dick to act as a lifeline for his own mental struggles, but moreover, his siblings do as well. In a very literal sense, the maintenance of the batfamily rests on Dick's shoulders. Bruce is so rarely available for emotional support that these children turn to the next best thing, which, to be fair, is better than what Dick had growing up. He has to clean up so many breakdowns, it's honestly pretty staggering.

As the OG sidekick, Dick receives quite a bit of hero worship, particularly from younger heroes/sidekicks, who look toward him for guidance. As a naturally upbeat and welcoming person, Dick ends up in the position of bringing light to everyone, not just Bruce. For example, here's Cassandra:

This balancing effect is unique to Dick's skill set. However, this can (and does) backfire very easily. The same pragmatism Bruce engages in hurts extra bad when coming from Dick: like when Dick had to take Robin away from Tim. Not to mention just how intimidating Dick's legacy is, which can create resentment when his successors aren't able to play this role so easily. For example, Jason both before and after his death expressed insecurity that he felt he was constantly being compared to Dick, and falling short.

As the original character that people think of when they think "sidekick", DG Robin (and his successors) had the advantage of not losing prominence even as his contemporaries (Kid Flash, Aqualad, Wonder Girl, etc.) were de-prioritized in favor of independent teenaged heroes (like Cyborg, Beast Boy, Raven, and Starfire). But that means Robin as a concept now has to deal with questions that weren't so prominent in the earlier decades, such as: "How do we justify a grown-ass man using a child (and in fact, children) as emotional crutches?"

It's icky to think about, but there's no denying that early Batman and Robin got side eyes for homosexual subtext. I mean, they literally call each other "partners". So while that "subtext" was, and remains, just audience speculation, given Dick is literally Bruce's adopted son, there is room, I believe, to call into question how healthy it is for Bruce's oldest kid to be taking on a nearly-parental role and be a core pillar of Bruce's emotional regulation.

Hot take here, but I think Dick's relationship with Bruce was/has been pretty emotionally incestuous for a long time.

-> Emotional incest

"Emotional incest[...] is a type of emotional abuse performed by a parent. In cases of emotional incest, parents rely on their children for significant emotional support, which is a reversal of roles. Emotional incest is more than just relying on your kids on occasion—rather, it is an extreme dependence on them." (There's a pretty good argument to be made that Bruce has been emotionally incestuous with all his Robins, especially Dick and DEFINITELY Tim, but y'know. Small steps.)

Emotional incest is a semi-common consequence of eldest daughter syndrome; the natural conclusion of deputizing a child to manage the other children combining with an inability to see the child as a child, still in need of emotional guidance, but more like an adult capable of shouldering the burdens of grown-ups dumping their traumas on them.

To be clear here, while emotional incest may not be incest in the most traditional, taboo sense, it is still abuse. It's putting a burden on a child they shouldn't have to carry, even for children that aren't dealing with such extreme burdens as "grown-ass man running around in a fursuit needs me to keep him from getting himself killed". It's a perversion of a healthy parent-child relationship, where the child is treated more like a partner than a child. In Dick's case, it further exacerbates the parentification he already experiences. This is made more explicit when Bruce "dies" and Dick is cast into a sort of "Widow" role.

Dick reluctantly dons the cowl in an attempt to bring order to his family members. He's also left to parent Damian, alone. He has to make the decision to take Robin from Tim, and try to deal with the fallout from that decision. He has to put a stop to Jason's fratricidal rampage. He's made into the de-facto head of the family.

And the thing about this is: Dick's not even bad at it. In comparison to Bruce's litany of disasters-in-parenting, Dick does a pretty bang-up job of managing his siblings, heading the Justice League, and being Batman. But the crucial point is that he does this at the expense of his own mental health, which is the crux of eldest daughter syndrome. There's no denying that at the time, Dick was most certainly the best choice for New Father Figure, but it was a choice he was pushed into, and a sacrifice he had to make. When this sense of responsibility to the point of self-sacrifice is pushed to its logical conclusion, it has the effect of making Dick a Martyr-type figure.

-> Protector/Mama Bear/Avenger

Dick has shown repeatedly that his hot button is his family. From Tony Zucco to allowing Blockbuster to be killed after the villain targeted Haley's Circus, going after Nightwing's family is a pretty good way to earn yourself an asskicking. Probably the most infamous example of this is when Dick thought the Joker had killed Tim, beating the clown to death to avenge both Tim and Jason.

And while this role isn't particularly feminine, I do think it's interesting that Dick protects his family members from each other with almost the same frequency that he protects them from outside threats. He's pretty notorious for wrangling Damian and Tim, foiling Jason's murder plans, and most importantly, beating the shit out of Bruce whenever he crosses a line, such as when Bruce asks Dick to conceal being alive from their family to join Spyral or when Bruce wanted to abandon the Bruce Wayne persona after the murder of Vesper Fairchild. Or of course, more recently after Bruce's latest MK-ULTRA shenanigans.

This basically puts Dick in the position of being the glue that holds the family together, at basically all times, but especially in times of conflict. This also means he's put in the dangerous position of bodily defending his younger siblings from Bruce's wrath or irresponsibility, a position made even more awkward given the whole emotional incest thing.

That's not to say that Dick's relationship with his family is 100% unhealthy. Dick and his family members (including Bruce!) feel legitimate affection and care for each other. There are times when the dynamics here are indeed healthy. And like most people with eldest daughter syndrome, the unhealthy nature of this dynamic is usually understated. Oldest sibling syndrome is often just an unavoidable consequence of how parenting works. So while I am of the opinion that this dynamic is often unhealthy, hot take: I'm fine with that.

Now, though I've just listed some tropes that he only falls into around family, Dick also falls into some fem-coding all the time, regardless of who he's with, and these have to do mostly with his sexuality.

-> Sexual Assault & Harassment

Yeah, so nobody is surprised that this is a factor. Look up any list of the top ten hottest/sexiest/most attractive male superheroes, I guarantee 9/10 times Nightwing is number 1. However, unlike his father, whose attractiveness is usually played as a part of the male wish-fulfillment fantasy, something people aspire to be, Dick's attractiveness more often makes him an object of desire- very similar to how most attractive female characters are perceived.

And as an object of desire, Dick Grayson is constantly having to deal with being objectified.

Now, Dick Grayson being an attractive character is not the problem. Dick Grayson being sexually assaulted isn't even the problem. the problem is that he keeps being harassed, assaulted, and raped in ways that are flagrantly nonconsensual, and yet it's not treated with the seriousness it deserves. In fact, it took a full decade for Devin Grayson to retract her previous statement and admit that yes, the rooftop scene with Catalina Flores was in fact rape, and it's never been acknowledged in-universe (though, comics have always been atrocious at calling out sexual abuse of all kinds, let alone that which targets men).

Hell, even when he in-universe calls it out, he's dismissed immediately and the story continues like nothing happened.

Like???

Dick's adult sexcapades (which were consensual and enthusiastic) have long contrasted with the numerous times he's been harassed; times in which he comes across as bored, exasperated, and even frustrated with his own attractiveness and the vulnerable position it often leaves him in.

This puts him in the rare (in comics) position of being a male character who consistently and near-exclusively has his sexual agency and boundaries violated by women - a position that authors uniformly refuse to examine despite writing him into it all the fucking time.

Other characters around him frequently make comments passing off this harassment and assault as a natural consequence of Dick's own attractiveness, making "jokes" that essentially amount to "I understand why someone would want to assault him". Which- UH?

There is also, of course, the unavoidable reality that as an acrobat and an aerialist, he receives a very specific type of sexual harassment

the nature of nightwing's fight style necessitates a type of tight-fitting suit that male heroes typically don't go for: an extremely slick suit with bare-minimum armour that again, makes him vulnerable in a way most male heroes aren't, but a style female heroes wear all the time, whether it makes sense for them or not. This of course then allows artists to draw attention to this fact by posing Nightwing in poses usually reserved for femme fatales:

And unlike the Hawkeye Initiative, these poses are (largely) unironic, and not played for jokes. Dick isn't arching his back or looking over his shoulder to poke fun at how female heroes are treated; he does so because the artist (clearly correctly) sincerely believed these poses would play into the unironic gaze of the audience, and also probably thought it was hot. It's the same line of thought artists use when posing femme fatales.

He's even been known to use his sexuality as a bargaining chip, much like more traditional Femme Fatales. In Batman and Harley Quinn (2017), he refers to sleeping with Harley Quinn after being kidnapped by her as one of "the things I do for Gotham", to which she responds "I'm taking that as a 'yes'." And that's uh- not how consent works.

And this particularly sucks because- HELLO? The opportunity to explore the very real and tragically underacknowledged phenomenon of sexual violence against men is literally invaluable, especially with such a prominent character. It's one thing to ignore that men face sexual violence, it's another, entirely more unforgivable thing to continuously and explicitly depict such scenarios and play them off as jokes or not as serious as they clearly are. But what did I expect from an industry that has never had a good track record on sexual violence anyway.

-> Queercoding?

There's also of course the fact that DC has been, as of late, dropping hints that Dick might be bisexual.

That on it's own doesn't mean anything, but when paired with the fact that DC has been angling toward giving Dick a similar playboy persona that Bruce has, just with men included, it's just very interesting.

(BTW: The likelihood DC actually commits to making Dick bi is, uh, not a lot, but if they're gonna stick with this weird closet stuff for a while, let's hope they do so in a way that doesn't make him sound like a cross between Donald Trump and Harry Styles next time? Please?)

Anyway, all of this is basically to say I am forever fascinated by the gender dynamics of Dick Grayson, likely due to the fact that I'm projecting all my eldest daughter traumas onto him, and that someone who's background is in Gender Studies needs to get on this shit if they haven't already. I just love this character sm.

[autumnbrambleagain]

It's like, you go up to Baldur's Gate 3 and you're like, hey, you're a fantasy game. Can I play as something weird? Like maybe a centaur? That's a fantasy race, right?

And Baldur's Gate 3 says, uhm, no. You can play as a human. If you really must be different you can play as a dragonborn.

And it's like. oh, neat! That's like, a dragon?

And they're like, well, it looks more like some kind of fish... maybe like, you know those shrink-wrapped dinosaurs from the earlier days of paleontology?

And it's like... oh. Okay. What about modded races? Did someone mod in a centaur?

And BG3 is like, buddy. Buddy. Do you know how hard that would be for fans to animate? We don't even have a modding toolkit for you to use. Of course not. You can't play as a centaur. You play as a human.

And it's like... no, sure, of course, I'm sorry for bothering you.

You go to Caves of Qud and ask if you can play as a centaur.

CoQ says oh, sure, one of the first npcs you run into is a taur! The extra legs let you outspeed enemies and also give you a carry weight bonus! But what's that over there is that your fursona

and i'm like, oh, what, uhh

and CoQ is like, yeah! What is that, two-headed, four-armed foxthing? Why don't you play as that instead?

and i'm like, I'm sorry, what?

and CoQ is like, yeah, having two heads lets you wear two kinds of helmets for different bonuses, and also lets you use mental abilities quicker AND helps you shake off mental effects faster! the extra arms lets you stack up a whole bunch of weapons at once, it's a really powerful base to build your character around!

And I'm like... well... what about the visual representation of it?

and CoQ goes, we use sprites with 2 colors and negative space, so you don't need to relearn 3D modeling and animation to have your guy represented in the game with the same fidelity as everything else that already exists in it! no problem!

and like... of course, the Thing You Can Play As isn't the only factor that makes a game good! but after experiencing this, it's so hard to enjoy games like BG3. Like yeah the story and its writing and your ability to affect it are unmatched in BG3 it especially makes Bethesda look like hot steaming garbage!

but i have to either play as a human or a shrink wrapped fish dinosaur from 60s paleontology to do it? and every game makes me just play as a human. the most fantastical games with the craziest settings all mostly moderate themselves to "medieval europe... with a little bit of weirdness"

meanwhile in CoQ turning a locked door sapient, recruiting it, and giving it a chaingun so i have a literal metal door wielding a chaingun is a perfectly viable answer to getting through a locked door

anyway that's why i think the developers of CoQ should be given the budget of BG3 tyvmia

[zorlok-if]

The new prologue it’s definitely AWESOME, I’ve played the game a few times to see different options, but I don’t know what determines the demon’s personality, because I got a friendlier? demon once but couldn’t figure out how to get it while I replay. 

Aw, thank you! Happy to answer your question but putting it below the cut since it's technically a spoiler, I guess :)

There are two different choices that Tommy makes which determine how the demon will present themself to him. They're always trying to charm and impress Tommy, and are just a charming person in general, but the demon chooses what side/version of themself to show to Tommy after looking into his mind and determining what they think will be most effective to make him sign a pact.

The first choice is how Tommy reacts to his friends when he says that the demon's name is Zorlok: Passive, Assertive, or Chill. The second choice (a little more indirect than the first one) is how Tommy leaves the conversation with Harlow. He can either leave the shop feeling Sure (believes in magic and knows that Harlow is a witch), Unsure (doubtful of Harlow), Grumpy (made Harlow mad and was assertive before), or Scared (made Harlow mad and was passive or chill).

Now there are 3.5 (technically 4) different ways the demon can act. Let's call them the Version 1, Version 2, Version 3, and Version 3.5:

VERSION 1 - A version of themself that plays up their sarcasm and seems to be more unbothered and chill. With this version they're trying to prove to Tommy that they can be the cool role model he's looking for. This version is apologetic, somewhat, for the mental invasion but will want Tommy to admit/see that he's in the wrong as well for intruding upon them. Tommy can ask for a proof of their power as long as they didn't leave Harlow's shop Sure that the ritual would work. (Probably the most common version players will encounter.)

To see this version choose either: Chill + Unsure, Chill + Sure, or Assertive + Unsure (there are slight differences in all three routes, but that's mostly flavor text)

VERSION 2 - A bombastic and unapologetic version of themself. This version of the demon is trying to appear like a classical demon, to impress Tommy with their prowess and power and be the exact kind of infernal force he needs to turn his life around. They will use more archaic words/phrasing and will want to demonstrate their power for Tommy.

To see this version choose either: Assertive + Sure or Assertive + Grumpy (there are differences between these two routes, in particular Assertive + Grumpy has one of my fav responses to the demon which is essentially "fuck you" but, you know Tommy, he doesn't swear)

VERSION 3 - With this version the demon will be deeply apologetic and really nice, getting Tommy back on their side after a rocky start. This persona's primary objective is to make Tommy think they can be the friend he's been looking for.

To see this version choose either: Passive + Sure or Passive + Unsure (slight differences between these two routes, maybe? I don't remember)

VERSION 3.5 - A variant of version 3 that's even more apologetic and flattering. This version's primary objective is to make Tommy think of them as human rather than demonic. When you encounter this version the game music also returns to Tommy's theme because they're trying to make Tommy think of the demon as the same as him. They want Tommy to feel completely safe with them after scaring him so much.

To see this version choose either: Passive + Scared or Chill + Scared (I don't think there's any difference between the two, but I could be wrong)

[spuirrelwiththeletterp]

cutely slides in the yap post about their Sans AU that was previously accidently posted and jumps out of a window 😊

I've posted some art of my kid, but haven't given their name(I did) or any other info. I will eventually make a proper info post on them, but for now...

this booger right here is Error Print Sans, or just Print Error (or Error Print)

an absolute feck ton of words under the cut that's me just throwing up my thoughts ⇓

they originally started out as a passing thought that was just Error!Sans but CMYK colors, which evolved into a whole different character who didn't even have anything CMYK going on and I forgot about them for around two or three years until I re-entered my Undertale/UTMV phase recently. seriously disliked the character and the direction I took them in so I decided to start from scratch, took the original CMYK concept, and Print Error was born

am still working out their lore. I have ideas for some events that led to their current state, though how they got into the Anti-Void or why their attire changed after becoming an error is still beyond me

I called them Print Error because inkjet printers use CMYK ink and they're an error (very creative ik) they also feel weird being called just Print but they don't know why

even though I made its design with the CMYK color model in mind, its more CMY than CMYK due to actually not having any black, the way its body works just makes it look like it has black↴

Print Error's being is composed of 3 overlapping color layers (cyan, magenta, yellow) that each depict how much of that magic they have. less saturated colors means less magic left, and running out of all three colors will leave Print Error in a mindless "no color" or "all white" state where they can't use any magic unless they absorb color through physical contact

the alignment of Print Error's layers reflect their mental state. more misaligned layers means more mentally unstable or intense Print Error's emotions. more aligned layers means Print Error is more "there" in their own chaotically fragmented way, but layers rarely ever align too closely...

Their body is not affected by lighting, which means they stick out like a sore thumb with their bright colors and vantablack bones (it's already hard enough to just make the effect, shading them would just be an absolute nightmare 😭)

Print Error's strings are much thicker than a typical error's and come from both its eyes and mouth. Print Error can additionally absorb CMY colors from objects/beings with its strings

Print Error's attacks (bones, gaster/printing error blaster blasts) come in cyan, magenta, and yellow, which all have their own properties, but Print Error can't control what color their attack will be half of the time

Print Error is cold to the touch but has thermoanesthesia, so it doesn't know its a walking ice cube. its confused why others react so weird when coming in physical contact with it

Print Error does not understand social cues and personal space. they're often in a chaotically playful mood, though not always

Print Error is morally grey and can't tell the difference between good and bad, everything is neutral to it... apart from mistakes

Print Error's thoughts are inconsistent, usually jumping from one topic to another, having multiple thoughts at once, or not having any thoughts at all. it usually "lives in the moment", often going with the flow

Print Error's fragmented mind kind of leaves them absent minded most of the time, getting easily distracted and forgetting things like it's nobody's business. though they can often hold their focus if they're intrigued by something

even with a horrible memory, Print Error can remember things at random, though often it's something that it was previously intrigued by, or just something completely random. either way its gonna forget not even 2 seconds later

Print Error deeply believes that any mistake, no matter how small, can be catastrophic, causing them to have a sort of perfectionist mindset. they try to avoid making any mistakes, and punish themself over any mistakes they do make (leaving out details)

if Print Error witnesses someone else make a mistake, there's a chance their mind might not register it, but more often than not, will get seriously exasperated at the person for making a mistake and might even crash out of frustration. not because of the mistake itself, but more so out of fear for the person, though Print Error doesn't recognize the feeling nor reason behind it

though they do heal quicker than usual, it's a double-edged sword as it subconsciously encourages Print Error's more self-destructive behavior

I originally had Print Error have excellent depth perception, until I thought of Print Error seeing everything in the same layered effect others see them in. definitely gonna explore that idea!

there are many more ideas I have for Print Error but I don't know how to "coherently" include them so those are gonna be revealed over time 😉

If anyone wants to ask anything about Print Error, feel free to ask! I would love to answer any questions about them and I got nothing but time!

been stressing over this post for like two weeks and I just set a deadline so I wouldn't tweak things till the heat death of the universe

was heavily inspired by @ossiethegreat's Static Hue/Error!Color post to make my own rant on my own kid, so there might be some similarities cuz I am oh so ✨️creative✨️. link to the post because I absolutely loved reading its ideas and I love Hue

I AM SO SORRY OZ IF YOU DID GET A NOTIFICATION FOR THE UNFINISHED VERSION OF THIS POST THAT WAS NOT SUPPOSED TO HAPPEN I AM SO FRICKING SORRY 😭😭😭

I really tried to explain my thoughts and I feel like I failed in certain areas 😭 I struggle with explaining my ideas and especially the more in-depth ones, so some things might change if I find better ways to explain them

I definitely plan to share more of this gremlin, and especially if more than one person is interested in them!

also found some older drawings of Print Error I made previously but didn't share, so I'm sharing now because I don't think I would have shared these at any point in the future

also a lil lore one 👀 which I like but also don't like

[literaryvein-reblogs]

Hi! Hope you're doing well 🌟

Do you have any advice on how to write ten year olds? Like, not physically but emotionally. One of my main characters is ten years old and I wanna make sure I get it right, sometimes I feel like I'm giving him the emotional maturity of the characters that surround him that are in their 20s and 30s but idk ://

Writing Notes: Emotional Development

Emotional Development

Also called affective development.

A gradual increase in the capacity to experience, express, and interpret the full range of emotions and in the ability to cope with them appropriately.

Cortical control, imitation of others, hormonal influences, home atmosphere, and conditioning play major roles in emotional development.

It is nearly impossible to imagine emotional development as separate from changes in cognitive development that occur in the first two decades of life.

As memory and thinking become more complex and abstract, emotional development changes as well.

Similarly, markers of emotional development are intimately linked to a child’s social experiences.

The following examples are major markers of change in emotional development as they occur within a social context.

Emotional competence (7 to 10 years). Emotion expressions are used to manage relationship dynamics, such as smiling at a new friend (Saarni & Camras, 2022).

Emotion regulation (infancy through adulthood). Emotion regulation strategies are processes used to monitor, evaluate, and modify our emotional reactions in order to achieve a goal. Strategies become more sophisticated from extrinsically based regulation in infancy to more intrinsically based regulation from preschool-age through adulthood (Eisenberg et al., 2010; Thompson & Goodvin, 2007).

8 to 9 years: Cognitive emotion regulation strategies emerge, and children begin to use thoughts and feelings about themselves and others to control their emotions (Garnefski et al., 2007).

The ability to regulate our emotions is one of the most important skills for learning, social relationships, and mental health. 

Adolescence - The period of human development that starts with puberty (10–12 years of age) and ends with physiological maturity (approximately 19 years of age), although the exact age span varies across individuals.

During this period, major changes occur at varying rates in physical characteristics, sexual characteristics, and sexual interest, resulting in significant effects on body image, self-concept, and self-esteem.

Major cognitive and social developments take place as well: Most young people acquire enhanced abilities to think abstractly, evaluate reality hypothetically, reconsider prior experiences from altered points of view, assess data from multiple dimensions, reflect inwardly, create complex models of understanding, and project complicated future scenarios.

Adolescents also increase their peer focus and involvement in peer-related activities, place greater emphasis on social acceptance, and seek more independence and autonomy from parents.

How Emotions Develop in Adolescence

Once self-conscious emotions such as guilt, embarrassment, and shame emerge in middle childhood, very few new emotions develop. Adolescents’ cognitive skills to reason about abstract concepts improve their ability to manage and reason about their own emotions and improve emotional competence in relationships (Rosenblum & Lewis, 2006).

Research on adolescent emotional development shows how emotions change during this time of rapid physical development.

Emotion Expression. Emotion expression in adolescence differs from that in childhood and adulthood. Adolescents report experiencing greater extremes of emotion and more negative mood states than adults. Adolescent emotional experiences are reported to include less happiness than during childhood (Rosenblum & Lewis, 2006).

Emotional Dissemblance. Emotional dissemblance is the ability to separate one’s emotional expressions from one’s internal feelings. Children learn how to control the emotions they display in order to avoid negative outcomes. During adolescence, teens begin to display expressions according to the norms of adult interaction (Rosenblum & Lewis, 2006); for example, the ability to outwardly display a facial expression of congratulations to a competitor immediately after a tough loss, while feeling intense emotion internally.

Emotional Competence. A successful transition to adulthood is associated with increased emotional competence across several skills during adolescence; for example, learning to regulate intense emotions, knowing how to attend to emotions without becoming overwhelmed by them, and learning how to manage interpersonal relationships in the midst of intense emotions (Rosenblum & Lewis, 2006).

Emotional Maturity - A high and appropriate level of emotional control and expression.

Prerequisites for Developing Emotional Maturity

Emotional maturity is a skill that can be nurtured and developed through psychoeducation, therapy, and coaching (Kaur et al., 2015).

Possessing or developing the following characteristics provides the foundation for developing emotional maturity:

Personal Reflection & Self-Awareness. Self-awareness and a willingness to reflect on one’s emotions and behaviors are crucial for the growth and development of emotional maturity (Herwig et al., 2010).

Openness to Feedback. Personal growth and emotional maturity are dependent on our willingness to accept and learn from constructive criticism (McEnrue et al., 2009).

Commitment to Growth. Personal growth is hard work and requires a dedication to ongoing personal development and emotional learning (Bauer & McAdams, 2004).

Empathy. The ability to identify, interpret, and share the feelings of others is integral to emotional maturity (McNaughton, 2016).

Resilience. All personal growth requires the capacity to recover quickly from difficulties and adapt to change (Still, 2023).

Sources: 1 2 3 ⚜ More: Notes & References ⚜ Writing Resources PDFs

There are some children who exhibit the same (or almost similar) level of emotional maturity of adults surrounding them, depending on the circumstances. Consider these notes and incorporate which ones are most suitable for your own story. Hope you're doing well yourself, and that this helps with your writing! :)