#how does it feel to treat me like you do

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[sciderman]

Which do you prefer, Spideypool or Poolverine?

glances at my decade-long running spider-man and deadpool blog

...hm. good question. i'll have to think about th

[poorly-drawn-mdzs]

Counterspell

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[hella1975]

so there's a reason my new job got back to me so quickly about my application and that's bc it's an absolute fucking shambles like actually perfect timing for me to decide to rewatch the bear bc i have never more felt like ive been thrown into a broke on-its-knees establishment trying to crawl its way up the ladder where i am somehow a godsend to them. my old job was crazy and shambolic in the sense that the industry is just Like That but this one?????? insanity. every 5 mins i am questioning what im doing with my life. ive already had a walk-in fridge moment

[squuote]

we need to go back to when people treated stanarrator as a small fun aspect of the game and not the fandom’s main focus please. yes the narrator is gay or whatever, cool, let’s talk about him possibly being a skull now

[feline-evil]

Dethvanity is really funny to me conceptually as an episode because you can see how little they had to make the characters insecure about for the bit. They swing for obvious lowblow choices with Pickle' baldness and Nathan's weight and even those require some suspension of disbelief because ok. Sure. Nathan '(said extremely proudly) never skipped a meal in my life!' Explosion is insecure about being a big man now. Nathan *guy who everyone thinks is smoking hot 99% of the time* Explosion is a tiny bit larger than usual and is insecure about it now. Lol. Lmao even.

But anyway then we hit Skwisgaar and Toki and there's like NOTHING to swing for, you can see them going uhhh ok Skwis doesn't sleep he probably drinks a lot of coffee, and Toki? Shit, what does Toki have to be insecure about with his looks. He's perfect, he's adorable, he's ripped. Um. FUCK IT, HE'S DOING NOTHING BUT EATING LEMONS. WE GOT NOTHING, WE GOT NOTHING, JUST GIVE THE BOY CITRUS FRUITS.

WOE 🍋 BE UPON YE

I'm sure i could make some smarter points about the attempts at applying vanity in this ep and how outside of this and a few other moments i do actually like that the show rarely takes pot shots at things like Nathan's weight, but you see Nathan has shirtless scenes in this one and so my intelligence is impeded when all the blood rushes out of my head and into my-

[sukibenders]

A female artist/celebrity: Hey, while I'm really happy for all the support you guys as my fans have shown me, can we please establish some boundaries? Some things are starting to make me uncomfortable. Again, I'm grateful but--

Said people the response was aimed towards: Oh so now she thinks she's too good for us? She's so ungrateful, letting all the fame get to her head. Doesn't she know that without us, she wouldn't be as famous? She should just suck it up!

[abluescarfonwaston]

Hey... What do you think Mia called her Dad? Papa? Father? Daddy?

Because she must have been at least 9 or 10 when he died if not a little older. Like. She remembers him. Even if he was always outside the village for work she remembers him. Remembers Misty losing him. Had to explain to Maya, or maybe worse- never had to at all - why he wasn't there. How she got his sense of humor and his laugh and neither of them can be held tight by him anymore but she can hold Maya tight and maybe then he doesn't feel so far gone.

What did she call him? Did she love him? Did Maya ever get that chance?

[chatdae]

Grace FUMBLED Ryan! BAD parenting to preach respect and then act contrarily (ie saying she wants him to feel safe, then not allowing him any autonomy). She should've let him leave and come back... or at least explained why she didn't want him to leave before deciding (ex: 'Homelander will kidnap you', etc). She needed to let him make the decision for himself... agh. AAAAA.

And now Butcher's no use because he's committed to being evil and can't offer ANYTHING good to Ryan!!! He was so right, they NEEDED to give Ryan more space... I know the external pressures seemed impossible, but dammit, Grace, this was no way to beat the odds!

(this is about The Boys season four)

[entering--hyperspace]

Cannot imagine whatever is going on through Mr Leonard Echowatcher's head. You spend your life yearning for a world where you lived differently, where the day wasnt soaked in war, blood, and battle. Where you could envision a future where you have a partner and a family with friends to live gracefully with. But then you are given such opportunities only to find you were never taught to be gentle, you have a gentle, empathetic nature and yet the physicality of it is a stranger to you. You are expected to raise a child with gentle hands so that she saves the world, What does that even mean? How can you accept your growing love for your friend when you were never taught how to love, that intimate love is a luxury best left forgotten, there are no need for such things in war. He has to learn to become the things he wanted bc he grew too old to develop it naturally. He becomes a father to taimi fumbling his way into learning how to care and parent, he is defensive of Aurene bc he is from a culture where they arent expected to raise their own young and yet has to do so with a dragon. It feels like a test, He has to prove both to others and to himself he is capable of being a father, of nuturing, that calloused, stained hands can still be gentle. He has to accept that love is a terrifying leap of faith in vulnerability in order to gain a partnership that is considered a rarity. I love the idea that he spent 30 years yearning for things he thought he would never have and when he is actually given those opportunities (albeit admittedly through unusual circumstances) he has to learn how to actually live in them, becuase they were always just Concepts until now. Ohhhh my god Mr. Leo you are my everything

[royalreef]

@infernalpursuit inquired: how does your muse react when they're scared? does it change, depending on what is currenly scaring them?

(( Oh, absolutely it depends on what's currently scaring her!

The thing you have to understand about Miranda is that she's less of a person, in the sense that her personality and reactions are organic and naturally occurring, and moreso that she's someone who has been so intensely groomed and micro-managed and pushed in such a specific direction that a lot of the way that she is is entirely on purpose.

Her personality isn't really a natural product of her birth nor her circumstance in the same way someone else's personality might be. It's more like... There's no way that people can go through something like what she had gone through and not turn out in a very similar way to her. It's a designed process in this way, something that very intentionally obliterates any other chance to be anything else, and makes becoming this highly specific mold of a person into a life-or-death matter, something that you can't will or whim or nature your way out of. Miranda is the way that she is because she's been intentionally ground down and shredded into the person that she is. She doesn't really have a concrete sense of self. She doesn't even really know who she is. She's not supposed to, she's just supposed to be a means to serve a singular purpose and a singular end, and all she even can comprehend doing is that purpose.

Fear is a major part of this process, this total obliteration of any other mere possibility, but I also feel like it's a little disingenuous to call it fear in the same way most people would relate to it. It's the kind of fear that's so big and bone-deep and constant that it stops really feeling like fear at all, the kind of thing that Miranda herself has a very hard time of realizing that she's feeling even when it's particularly bad.

It might be more accurate to call it getting locked into a constant state of flight-or-fight. It's a constant existential threat where Miranda is sincerely and totally convinced that she could die at any moment and anyone could hurt her as much as they wanted, constantly living solely in the very present and unable to think of what even a short distance ahead in time would be like, because she just never feels comfortable or secure enough to stop thinking of the right now. She's what happens when the fear has been intensified strongly enough that it never dips below what would be debilitating for anyone else, and thus has become wildly detached to her own body, physical harm to her body, threats to her own life, or any escalation of fear.

This is, in fact, one of the things that I worry about disappointing roleplay partners with at times! Because their muse will act scary or try to frighten Miranda, and it just doesn't work. She just doesn't respond to the situation in a measurably different way than how she normally does, because she's under so much constant stress and strain and terror that it's not really any different to her than how everything else already is.

The only real times when she starts to show it, in fact, are places where her aversion and fear of them have been specifically cultivated. Miranda is a tool, and a tool doesn't break under expected strain, but you do have to be able to sharpen it and make sure it remains useful. You do have to take it apart to do maintenance on it, make sure it's working. The points where Miranda starts to actually, sincerely, show her genuine fear and terror, are during these points and in these situations where her aversion of them can be used to punish her and make sure she's being redirected in the proper direction.

In which case, Miranda's fear response is also highly specific and the only real option that other people who have gone through it come out with.

Mostly, she freezes up. She starts fawning hard. She lets it happen, over and over and over again until the object of her fear goes away, because it's going to be easier if she doesn't fight back or resist. She starts disassociating, disconnecting from her body and her thoughts, forgetting where she is or what's happening to her, because then she doesn't have to be present to register it and the memories are easier to repress later. She starts to people-please, trying to make the object of her fear happy and content them, because doing what they tell her to do and making them happy makes it not last as long. If she just does what they want her to, then they won't hurt her as much. If she just listens when she's told, then she won't get punished as much.

The end result is that she's very... robotic, in a sense. She does what she is told, to the letter. She will do what she is told, and she will not fuss or cry or cause any further problems if it also hurts her as well. She will be good, because the only choice other than being good is total obliteration. They should tell her what to do. They should make her do what they want her to do. It's okay that she's not there, or it's hurting her. It's even better if that happens, in fact, because then it's not as bad. She will not mention it after the fact, she will not hold it against them, she will not upset them again. She will be good. She was designed to be good.

Which, again, is part of why Miranda's fear response can be so inappropriate sometimes... Because she's been cultivated this way, because other people punishing her is so ingrained into her mind as a fundamental way of being, very often she will pick the seemingly much scarier or painful option over that cultivated social fear. She will happily hurt herself for someone else, and she will not be afraid of it, or be very upset at all. She will happily do many frightening things and deal with things that anyone else wouldn't be able to, because she's already locked into a permanent state of terror, and the only exception would be what happens if she doesn't do this. She's a tool. The only thing a tool has to fear is not fulfilling its purpose.

It's why she keeps doing increasingly dangerous things, too, seemingly without regard to her own life or death. Fear is an adaptation which allowed living things to avoid situations and things that were dangerous to them. Because Miranda's fear is constant and always at its peak, she doesn't register minor fluctuations to it, nor does she have it to try and get her to avoid things that might or will hurt her. It's also why her pain response is so bizarre and detached, and doesn't take very many efforts to avoid pain in general.

It also means, too, is that the potential for other people accidentally setting off or triggering this particular type of cultivated fear is very high, basically intentionally so. She has to be easy to control and redirect as needed, after all. If someone else gets close to her, gets her in an intimate situation similar to how she was cultivated to respond to punishment, then she can very easily get locked into a loop that they didn't know they were setting off. She's not in the state of mind to notice contradictions or try and correct herself, let alone notice if something is wrong, so nothing she can do can stop this from happening beyond general discouragement from those situations.

It just also means that it can be rather upsetting for other people when they notice that Miranda's immediate fear response, in wholly out-of-proportion situations, is to just sit there and take it without protest, even to the point of seemingly not reacting to someone nearly killing her if they do it in the right way.

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[yesokayiknow]

rewatching the wedding of river song just for those five minutes of all three ponds sitting down at home and talking ;-;

[deepseawave]

obsessed w the tags on ur last reblog

Omgg, thank you haha, it was a quality post so I just had to appreciate it in full force 😂❤️

Can‘t believe someone would actually enjoy my yapping :,D

[aemiron-main]

Thinking about baby patty 20 dead 40 wounded

[eclaire-went-bam]

morals are so confusing sometimes. it's not like i'm trying to do anything malicious, it just doesn't occur to me that most people see these things as bad — to me, some things are just kind of a means to an end and if nobody gets genuinely hurt idrc ??

if i let someone borrow something and they're not giving it back, i don't really see anything wrong with telling a lie about the importance of that item to guilt trip someone into giving it back (eg, so & so gave this to me before they died & it's rlly important to me so i really would appreciate it if i got this back soon ...). not because i want to go outta my way to make someone feel bad, but that's just how i view the world. they are probably maliciously keeping my stuff, so just talking to them wouldn't be enough. so why shouldn't i?

i don't see an issue in hacking into my parents email so i can get the verification code for a family streaming service, it takes me a really long time for it to click that actually People Don't Like Someone Going Thru Their Private Stuff even though i'm not trying to find anything but the verification email

type of things that i don't really realise could genuinely upset someone until i think about it a lot and ask someone for their opinion. i could realistically just ask and communicate better, but i often fall into the pit on never relying on anybody to do something when i put a task in their hands. that will only end up hurting or disappointing me.

oftentimes in trying to watch my own back and keep myself safe from nonexistent problems, i somehow create them