#horror options

[becks-picrew-directory]

Your world maker

Dude this one has so many dramatic storyline options - backgrounds, positions, expressions, etc. And not only is there a bunch of stuff the main one can hold, there's options to have another person's hand interacting - holding a gun on them, lifting their chin, etc.

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[creekfiend]

Kuzu: I get the impression that the vampire interview is about if everybody from your local queer scene was immortal and you couldn’t get away from them. This is an effective vampire premise because unlike most, it fills me with genuine horror

Pip: yeah vampire interview is like "what if there were genuinely so few of you that if you wanted to be around anyone who you could even slightly relate to you would have to be in a bullshit theater cult in France." absolutely chilling to imagine, thanks

[thejakeformerlyknownasprince]

Animorphs morph rats to ratatouille controllers to freedom.

I am vague on the logistics of how exactly Remy controls Alfredo's body. It doesn't appear to be a 100% consensual relationship, since the first time it happens Alfredo is unsuspecting. But it doesn't appear to be entirely non-consensual either, because at one point Alfredo successfully yanks Remy off his head. And we know it can't be as simple as each region of Alfredo's hair being tied to a specific motion (i.e. Remy's his homunculus) because again we see Remy controlling Alfredo before they work that system out. Also I don't know if the human's opinion necessarily matters, if a yeerk and a rat are battling for control of their body. So...

[hexnovo]

Illustration of a stranger's nightmare about the end of the world

[urgohthewanderer]

suppertime!

[classichorrorblog]

Tales From The Crypt - "The Bribe" - (1994)

[turbo-tsundere]

Content warning for gore, blood, burns & body horror.

A king with no crown and a holy fool.

(The element of venom/poison, stabbing/puncture wounds and destruction of a whole body is present in both of their deaths. Kokichi's pristine white clothes also end up being shoved down the toilet, and the poison made it difficult for him to breathe, so there's plausible callback to Miu also. Karma at its finest?)

If I could be the devil, you could be the sinner.

(Don't mind them, they're just spilling their guts)

(...)

(Concepts for scenes from a Gonta-centric survival horror game I'll never make. But it was fun to daydream about - maybe one day I'll finish other sketches and doodles relating to it into a more presentable state. The Cat Lady OST was playing on constant repeat while I drew this - Lily of the Valley, Don't Follow the Light, String, Plainwalker, Early Winter, Storytelling, Susan's Blue Sheep (alone again) - those in particular are now stuck in my brain when I look at those drawings, and what I imagine the "game's" mood to be like, at least the opening segment.)

(I felt both heartbroken and like a monster when drawing this one... But I wanted to draw something that doesn't conveniently erase nor tuck his mangled, swollen face away from view. Sure... in game it looks goofy. But I think mockingly disfiguring him was the point in all of this, too. And given the venom, the Schmidt pain index, how it rates some wasp species, the fact that those robot wasps could be packed with anything necessary really... it had to be awful. Really, every stage of Gonta's execution was excruciating and enough to kill a person on its own, but due to his strength he likely suffered through them all. I remember begging in my head he was at least spared the flame, that he was already gone by this point... But it's foolish to pretend it definitely was the case.)

I wanted to post something new, but I was either busy, ill, or focused on something else, so another sketchdump with oldies and wips it is. This time strictly 2020-21 stuff, drawn during the first few months after finishing the game; mostly to process the post-game/Ch4 sorrows. All very emotionally raw, very edgy stuff that I felt, to be honest, too shy to show before.

Like with any wip I posted before, I do hope to finish some of them properly one day, even though I don't know when. But that's fine, I've signed up for a very long ride with the bug man. Taking it easy is the priority.

Speaking of long-term projects, maybe there's no need to, but I do want to talk about my Gonta fancomic, so here goes.

It's a bit long, so I will continue under the cut.

(Some panel teasers first! ...Gonta sanity fine.)

I took a few months long break from personal drawings - an *actual* break, not just sitting in front of a screen, tired, stewing in guilt that I'm tired, and that I can't magically muscle through burnout, or headache, or exhaustion.

My brain was stuck in a loop of berating myself for underperforming, not doing well enough, for taking so long on "mere" 27 pages, when in the past I could finish a 90-page webcomic chapter much faster. I wouldn't let myself rest, because I didn't do enough; but I couldn't do enough, because I didn't allow myself to rest. And it's been going on for months and months.

What a stupid, unconstructive thing to do to myself. I was only spiralling down, intimidating and overwhelming myself with work on the one thing I specifically wanted to keep doing out of joy, not ambition and pedantism. So I decided to just say "fuck it" and stop for a while. Like, actually stop, do something else and try to feel unapologetic about it.

So I briefly took up sewing, a creative activity I had no personal stake in, and then I started PVP-ing in DS3 (sorry if I happened to kick your butt in there. Rest assured my butt gets kicked just as much), which did wonders, too, as non-artistic pastime.

And, in the end, it seems it worked.

I finally feel this internal drive to draw again. Sadly, I can't spend all of my free time on the doujin (I might need to open commissions soon), so my pacing will still be glacial... But there was an internal change from "I have to, I have to, I must..." back to "I want to". And this is all that matters.

Still, that makes me think... while technically I don't have deadlines, the comic has taken so much longer than I thought it would - and it will take a while still. Thus, I wonder if I shouldn't change my approach re publishing it.

The initial idea was to post it all at once when it's fully finished, but I debate releasing it one page at a time instead, while it's still work in progress.

Thing is, I don't think it would be good for overall pacing. I don't want to sacrifice it, plus I can't guarantee regular uploads, esp since I don't exactly work on the pages in chronological order (While the first page is done, it was drawn after I finished a few in the middle & at the end; and there are still a few important pages/panels in first half I'm a bit too afraid of touching just yet, wanting to do them justice. This is how I work in general, jumping around rather than sticking to overly strict linear order.)

The compromise would be to post like 3-5 pages per post, making it so each upload covers a specific scene, however, same issue arises - I can't promise regular uploads. In the end it feels like a half-measure. But maybe it's a good idea, despite that impression?

There's a secret option, too - if this takes absurdly long, my plan was to just post the storyboard, after replacing some panels/pages with already finished drawings. The thing is readable as is, and long finished on that front anyway. My personal deadline for that was "right before my current lease ends", but, well… I plan on extending it anyway, and again... it's just a back-up option for when everything else fails. In the end, I just want to finish the comic, and present it how it's meant to be presented, however long it will take.

All those things considered, I'll stick to the original plan for now... and then we shall see. I simply wanted to share where things stand currently, and where they might go.

And that's it! If you've read this far, thank you. See you in the undetermined future.

[becks-picrew-directory]

Fleshwad Halloween Picrew

[qin-qin16]

Alright, Im curious now

[apollos-boyfriend]

started a list of characters that aren’t considered creepypastas but technically fit the bill. feel free to add on

monika ddlc

freddy fazbear

darkiplier

the among us impostor

bill cipher(??)

[stil-lindigo]

bedside bouquet.

--

a sapphic comic about a village girl and the fae she fell in love with.

creative notes:

[breebird33]

happy pride to all my fellow monsters 🏳️‍🌈✨

[rosecorcoranwrites]

Body Horror and Internalized Misogyny

This post showed up in my "for you" feed, and I commented that 63% of people have internalized misogyny, to which two other people asked how being afraid of getting pregnant was misogynistic, so I thought I would explain.

First, the option that the majority of people voted on was this: Pregnancy "sounds like unreal terrifying body horror". Not just something scary or dangerous, but body horror. So lets talk about that first.

Body horror comes from taking something normal and natural about the body and twisting it. Putting teeth where there should not be teeth. Grafting dozens of arms onto every part of the body. Faces in odd places. Limbs bending the wrong direction. Think Dark Souls et al.

Now, one could try to describe normal bodily processes as horrifying, but I wouldn't call this body horror. Take puberty, and all the crazy things your body goes through during it, or describe exactly how each organ keeps you alive in detail. Or take "Skeletons", by Ray Bradbury. This is a horror story in which a man feels aches in his bones and becomes convinces that his skeleton--all skeletons--are some form of Other, some entity inside people that is trying to get out. He describes seeing his wife's skeleton peering out of her mouth each time she smiles, and seeing the shape of people's bones poking out just below the skin.

The thing about this story is that the skeleton is not actually what is horrifying, but rather the man's phobia of the skeleton. It's one of those stories where the protagonist is clearly not in his right mind. It only veers into body horror once the inhuman doctor that first stoked his fears into a phobia shows up and sucks the skeleton out of the man, leaving a gasping, jelly-like mass with nothing to hold it up.

Body horror inherently comes from something being unnatural, something a body is not supposed to have or be able to do.

If one were to view a racial trait, such as more or less body hair, darker or lighter skin, or the presence or absence of epicanthic folds as horrifying, we would call that person racist. If they viewed their own racial traits as horrifying, we wold call that internalized racism.

So now we can circle back to pregnancy. True, pregnancy can be dangerous and scary, and one's body goes through some pretty crazy changes during and after it, but it's also something that female bodies have evolved to be able to do. The potential to become pregnant--the specific gametes and organs and hormones--is literally what makes a body female, at least for placental mammals like humans. Pregnancy is a normal, natural, uniquely and definitively female biological process.

You don't have to want to get pregnant, and it's totally fine to be scared about being pregnant. But to treat it as something unnatural, or as the original poll said, as "unreal terrifying body horror" is to see the capabilities of the female body as somehow Other and alien and twisted. That is misogyny. When women view our own bodies this way, it's internalized misogyny.

[chalkrub]

challenging myself by engaging in the ancient art known as "dynamic poses", but making it harder on myself by ignoring the noble practice of "using references"

featuring belvedere and florawell