#honestly as much as i do want to learn a more realistic style
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moltensunlight · 3 months ago
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The Daymocker
Character design belongs to In_Spired on Art Fight!
I loved the vibes of Daymocker, so here she is, a little unhinged, as she pulls the shadows around herself to escape a situation!
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softle0 · 3 months ago
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A little message for mostly YouTube builders but y’all in general, I hope I’m not being too rough but..
I know it’s been just a couple of days but guys what you mean when you say you were expecting more “Mexican” style furniture in the new ep? 😭😭 y’all don’t expect us to have art deco or modern stuff? Like seriously, what do you guys want 😂 We all Mexican simmers think this new pack is very accurate, you can even ask the simmers that worked in the official builds 🤷🏻‍♀️
Y’all really falling over the Americanized cliché of Mexico fr, this pack is inspired in Mexico City. We are a city, the population is like 24million, we’re a really big city 💀 please leave your “villas” and “haciendas” to oasis springs or sol del valey.
Please I beg you to not come and say “oh this is not giving Mexico” cause clearly you don’t know what are you talking about, be educated fr. I said it before and I’m gonna keep talking about it; But the architectural limitations in Mexico are pretty much non-existent. We probably have every single architectural style you can think about. Modern, post-modern, brutalist, art deco, mid century, colonial, Romanesque, gothic among others, probably even Tudor 😭 so you coming and expecting us to only have the villas or colorful haciendas fiesta salsa talcos it really hurts me as Mexican 😂
I’m not hating against them, I love them and as I said we have all types of places so keep doing them if you want but that’s not really common in Mexico City. So why y’all keep going with the same villas or just straight boxes builds 😭 please do more research over than using only Pinterest please, is really not that hard 🙏🏻 there’s a lot of fellow Mexican simmers, there’s google, google maps, you can even do a research of Mexico City in airbnb 😭😭 likeeee there’s a ton of ways to get information really…. You can really step up your building game if you only do a proper research. As I’ve seen a lot of you do for other worlds, why not taking the time for Mexico? Why y’all don’t respect us as much as other cultures?:(
And I know and I understand y’all probably won’t be 100% accurate if you’re not Mexicans but that doesn’t mean you can build a Los Angeles Spanish style of home and get away with it by saying “sorry if is not that accurate” 😭 cause you’re not even trying :( Mind you I been working on a uk inspired save when I never been outside my country other than some places in Canada and Florida and I’m still doing very realistic builds just by doing some research. And I’m 100% sure almost every other realistic builder is in the same situation.
Y’all are amazing and you’re so creative, I love that about the community and I know y’all can do wonderful things if doing a really small but proper research!
And next time you wanna talk about if something is giving or not Mexican at least be educated before talking about something you don’t know, it’s honestly very disrespectful. Y’all are better than that and please don’t take this as an offense, this is more like constructive criticism. I know y’all not doing this on purpose, this is just based on ignorance which is nothing bad, you can always learn something new!🥺 please do better!!
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hansoeii · 6 months ago
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Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??
I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?
Hey hey!
Thank you so much!
I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!
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(yes, I was really into danmei and kpop back then, haha)
I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)
2020
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I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.
2021
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Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.
2022
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This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.
2023
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And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!
Now here comes some actual advice, haha:
What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!
I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.
Here are some cool faces I found on pinterest!
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I have a pinterest board with many more!
One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.
This is a great video on it:
6 Ways to Draw Anything by Proko
Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!
And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!
I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)
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abby-howard · 3 months ago
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I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?
Hi there!
I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.
Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.
When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.
There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:
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Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:
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And here's the same comic, years later:
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And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:
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Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:
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Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!
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And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.
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She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.
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So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.
Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!
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xxscarletxrosexx · 1 month ago
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Kiss Distance: When Feelings Can't Reach | Linguistic Analyses on Rick & Rachel's lines foreshadow for TwiYor, DamiAnya, and Marthanderson from Ch. 105.5 (PART 1)
This is gonna be a take from the linguistic + literary lens regarding Rick and Rachel's lines from Spy x Family's Ch. 105.5.
Spoilers beware.
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So let's talk about the film: Kiss Distance.
On X/Twitter, all I said was my analysis senses were tingling. There was a strong linguistic and creative writing/literary devices indicating foreshadow from the movie, and this just surprisingly got attention.
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So now, I'm finally addressing this specific section in a long analysis post.
I cannot stress how much I love Endo-san's short chapters. There are so many things going on in terms of literary devices, and now, I think he plays with linguistics in them. I believe that the last time he did this was during Ch. 90.1 when we learned that Ania's name turned into Anya. I remember freaking the hell out that linguistics was touched upon, cuz honestly, what manga does that? Someone is finally paying attention to linguistics in a story, and it's just further pulling me into my rabbit-hole fixation and obsession with Spy x Family.
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Although the chapter is only 5 pages long, it has SO MANY THINGS TO COVER. I won't be able to do that in this post, but I DID cover the entire thing in a video analysis that you can watch here:
What I will mainly cover in this post will be the film: Kissing Distance and the characters (Yor, Anya, Becky, and Martha) watching it + post-watching it. I cannot stress the ridiculous efforts embedded in just 3 pages, so I need to divide these sections into a linguistic lens (part 1) and a literary lens (part 2).
Let's start with the linguistic lens.
Spelling reflects language association + cultural history + maybe it's a meme too.
Spelling reflects language association
At the top right corner of page 2, we've got some English texts on the movie's billboard. "Interesting" and "Entertaining" are stacked on the left while "Movie" and "Theater" are stacked on the right.
Of these words, the word that stands out the most to me is Theater. English experts recognize that there are 2 spellings of this word: theater and theatre. These spelling tell you that it is either American (theater) or British (theatre).
I'm no expert on geography, but I believed that Ostania and Westalis were loosely based in Europe. I think I read someone talk about the architecture in Berlint also reflected European style houses--I'm so sorry that I can't recall who addressed it. The wars also felt like they were influenced by WWI and WWII. But what I do know is English it's my goddamn expertise. I'm not gonna be an uptight ass about pointing out every nook and cranny of inconsistent English, because that's just a whole lot of work for a creator and his team can do, realistically speaking. If Endo-san wanted perfect control in the language he's portraying in SxF, then he would need a dedicated team of linguists to help with translations. It may surprise you but there are many variations of a language (ex: English has AAVE. It's still English but used by this group of speakers--more on this later). But this is a hell hole of work, so I'm giving him so much slack on it as well as the translators handling the translations (like, really. No hate. Thank you for your services <3).
Another caveat: the English translation may also be a reflection of the translators. Maybe they favor American English than British English--who really knows? But I digress.
I'll stick to what I already know of the Ostanian language: It's English (variety is unspecificed, feels American) + Japanese.
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Spelling shows cultural history
Next, let's address that these are adjectives slapped on a movie billboard. Normally, American movie theaters do not post adjectives. They post about the movie, the actors, etc. Comments about movies theaters being "family friendly" are subtext under the current film, etc. Here's an example of a movie theater from the 1950s found on gettyimages:
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So this brings me to consider that English is being used as kazari eigo which means 'decorative English' in Japanese. In Chris Broad's (AbroadinJapan) words:
"... English in Japan is most commonly used as a form of cheap decorations and prestige, or value to a product and because so few people here understand it, the companies that plaster English all over their products and items rarely bother to check that it makes any sense." Reference:
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Maybe it's a meme
This chapter, overall, felt really silly. There were silly drawings, silly play on words, silly foreshadows, etc. I couldn't help but think that maybe Endo-san was throwing in something amusing in these small things (cuz he's got attention to detail). Is it:
Interesting Entertaining Movie Theater OR Interesting Movie Entertaining Theater
It reminds me of:
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Endo-san does have a tendency to incorporate memes into his manga/anime. Like... was Anya's jump not a Jojo's meme...? //sweats
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I don't know if I'm severely poisoned by JJBA memes but, yeah, I saw it since the day this chapter came out. I just thought:
ANYA = DIO BRANDO
Anyway... whether it was intentional or unintentional (for this section), I love when mangakas incorporate something meme-y
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2. Ricky's English Variety
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This is where I went berzerk in this chapter with all of these small linguistic details. Ricky's speech says so much about him.
His introduction of himself is that he's a broken razor. Essentially, he's painting the bad-boy ML image. But he's not just any bad boy. He's a bad boy with issues controlling himself/the situation. In other words he's toxic and not good for us healing men/women //joking. However, out of all of these words, the one that stands out to me is shaddup. His speech suddenly changed because romance conflicts need to have a wall between the main couple. In this case, other than Ricky's pompadour, it's his speech. What we have here is a clash between English varieties.
To understand what is variety in linguistics, you might be familiar with these words: language, dialect, vernacular, and accent. Language is the most obvious, but dialect, vernacular, and accent can be a lil confusing to distinguish. So here's a definition and a chart I made to help distinguish them:
- Language: a system of communication that uses words, grammar, and spelling to convey meaning, languages can be spoken, written, or signed-- Ex: English, Spanish, Arabic, etc. - Dialect: is a variation of a language that is spoken by a specific group of people, such as a community, culture, or region. It includes differences in vocabulary, grammar, and how the language is used -- Ex: American English vs. British English vs. Australian English - Vernacular: is a type of dialect that's used by the "common people" of a region. It's a non-standard dialect that's spoken rather than written. Vernacular language is often made up of slang or regional terms -- Ex: African American Vernacular English (AAVE) - Accent: is the way people in a specific group pronounce words, which is also know as the prosody of speech. Prosody refers to the tone and musicality of someone's speech -- Ex: Boston accent
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In Summary (a simplified version of the above info): Language is the standard language (aka what you learn in grammar class and in public speaking class) Dialect is born from language where it becomes variations of the language and adopts different grammar, vocabulary, and language use (like American English vs. British English vs. Australian English) Vernacular is a type of dialect used by "common people" and often include slang words and regional terms (think African American Vernacular English, or AAVE) Accent is a type of dialect that is mainly focused on prosody, or how a person pronounces a word (think Boston accent)
Now that you understand the linguistic terminologies, here's a fun exercise to show you what I see:
Ricky predominantly uses the standard English language in the film:
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The moment a language's word has a (legitimate) spelling change, it automatically turns into a dialect (which touches on my previous topic about theater vs. theatre).
These are Ricky's English accents:
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Finally, this is Ricky using an English vernacular:
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POP QUIZ!
Now that you know what English variety is, can you guess which one Ricky has? If you guessed dialect, then you're half a step there. If you guessed accent, you're so close! But the correct answer is vernacular. This is because accent overlaps with vernacular, but accent stops at word pronunciations. Vernacular has accent and slang.
3. Discourse Analysis on Ricky's Vernacular
You should now have a good understanding of Ricky's vernacular, but now let's talk about why this is significant in discourse analysis.
Linguists who specialize in discourse analysis are responsible for analyzing why and how people speak a certain way. Many linguistic features are observed (lexicons, syntax, phonology, semantics, etc.) but what they share in common is who it's presented to. They're looking at the relationship between interlocutors (people who take part in the dialogue/conversation). In other words, depending on who you converse with, the way you speak is affected.
You may have already realized that Ricky is code-switching (a speaker switches between one or more languages and/or varieties) between standard English and his English vernacular.
Now, pay attention to who Ricky speaks to and when he code-switches.
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We can observe in the above panel that Ricky uses standard English when speaking to Rachel. This is because Ricky has linguistically profiled her.
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How am I so sure that he's linguistically profiled her? Well, because the majority of human beings unconsciously linguistically profile their appearances. Linguistic profiling does have a similar general word: stereotype. The only difference is that based on appearance, we make a split-second assumption and decision on how we talk to that person.
In this case, Ricky spoke first (exercising dominance through initiation) and used standard English. From a linguistic lens, Ricky is telling me: hey, I know I look like a bad boy, and you may have linguistically profiled me as someone who didn't have good education, which would have reflected in my speech, but I'm more than competent to use standard English. And because I can use standard English, I'm on the same equal playing field (metaphorically and linguistically speaking) as Rachel.
But then, notice the moment, Rachel tells him that she hates Ruffians like [him], Ricky's replies with an accent of shuddap (shut up). Linguistically, he's drawing a line between them. This also indicates that they're no longer on the same side before adding his threat: "I'll cut you!"
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In this scene, notice Ricky's accent comes back again, but who is it directed to? An enemy or someone from his linguistic background. He uses this accent with an interlocutor of the same English variety background to make it clear to the person he's beaten up that he's speaking in the "language" that they both completely understand.
But, the moment Ricky speaks to Rachel, he reverts back to standard English. What this means is that Ricky is linguistically assimilating/aligning himself with Rachel to show that he's on her side. This can also mean that he's making himself appealing to her through discourse. On the other hand, Rachel makes herself appealing through physical means (her taste in clothing has changed--more on this under literary analysis).
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In this scene, Ricky changes appearance (more on this under literary analysis) and he speaks using standard English. But the moment he loses his pompadour, guess what happens?
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Ricky goes back to his true self and shows it through using English vernacular.
Rachel has never changed in her English, so she's always been true to herself. It's Ricky who goes through these changes. And it becomes a beautiful and romantic moment of a man undergoing change not only visually but linguistically.
4. Language parallel/mirroring between the anime and the manga
The fact that Endo-san decided to give Ricky an English vernacular in the English translation of the manga reflects his attention to details between the manga and the anime adaptation.
Linguistics in Anime (what you hear)
Maybe you've noticed, maybe you haven't, but Takuya Eguchi, Loid's voice actor, ingeniously incorporated different prosodic features when assuming roles for [redacted], Loid Forger, Twilight, and Robert. Catte-b covers this in her Leitmotifs in the Spy x Family soundtrack. Piracytheorist also provided a video demonstrating Loid, [Redacted], and Twilight's voices. In both posts, Eguchi's changing voice is called timbre (Catte-B and Piracytheorist have a music background). Timbre is defined as:
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In other words, timbre is an individual's voice quality or vocal signature. It's how listeners can recognize a singer regardless of what song they sing and how anime watchers can identify a VA's voice by the character's name in another anime--there's just a certain quality in a person's voice that makes them identifiable.
Because of this definition, timbre is unfortunately not the correct terminology. Using vocal/voice timbre when describing vocal register, at the end of the day, is just pitch. Catte-B and Piracytheorist, however, are not wrong in their analyses. They have correctly identified one of the characteristics of speech and even provided vocal qualties (sharp, flat, soft, etc.) but the more appropriate term should be prosodic features.
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I want to highlight the most important thing about prosodic features and it's the features that make it up: intonation, stress, rhythm, pitch, and pauses.
Intonation: is the variation of pitch across a phrase or sentence. > in a way, it's creating a melody when speaking. > its purpose in spoken language is to convey meaning. This is usually the case in tonal languages that require a specific pitch to indicate a word. However, in English, intonation is present when we ask a question (the last few words tend to be higher-pitched) vs. a statement which is either consistent in pitch or can sometimes be lower-pitched. Stress: involves giving prominence to one or more syllables in a word. This is achieved through increasing the length, volume, or pitch of a syllable, or by changing the vowel quality. > stress is important for helping listeners understand meaning / word class and distinguish words during rapid speech (ex: address, graduate, permit etc.) > it can be used to emphasize a specific word of a sentence (ex: Where did you go last night? vs. Where did you go last night? vs. Where did you go last night?) Rhythm: refers to the sense of movement and flow of speech. It's a combination of stress, length, and number of syllables. > mostly concerned with syllables and larger parts of speech rather than phonetic segments like consonants or vowels > important for making speech sound flow well and helps us understand what's being said > 2 most common types of rhythm in language are stress-timed and syllable-timed (English typically uses a stress-timed rhythm) Pitch: indicates highness or lowness of sound. > A person's pitch can reflect friendliness and warmth from the upper register (higher pitch spectrum) to mysterious and sexy with the lower register (lower pitch spectrum)--or at least, this is a consensus opinion that I've heard in English-speaking communities when it comes to the opinion of an individual's vocal pitch for both men and women. Pauses: a break in speaking or a moment of silence that can help add structure to the speech. Pauses have several functions: > gives listeners time to comprehend and digest the information > can be used to emphasize words or ideas > helps speakers transition between ideas > prevent rambling > can signal speech breaks, especially in languages that utilize pausing as a prominent cue > can denote high-information content
There are more prosodic features listed like juncture, loudness, duration, and tempo, but this is where it'll get too specific. Rhythm kinda already accounts for duration and tempo. Juncture is relating to annotating pauses (like indicate when a pause is greater than a certain milisecond), and loudness could kinda fall under the category of rhythm.
Timbre isn't listed as a feature, but I think it should simply because timbre is what makes your voice your voice. And because timbre is the "vocal signature", the shouldn't change--not unless you're as vocally talented as Tara Strong, who can easily change her timbre with different characters.
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Eguchi-san does, however, have some roles where his timbre does change, specifically as Shuuji Hanma from Tokyo Revengers and Kazuya Kujou from Gosick (he does have some moments when he slips back to his familiar timbre).
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Now that you have an understanding of what prosodic features are, you'll be able to hear that Eguchi-san's timbre doesn't change as [redacted], Twilight, Loid, or Robert. I believe Eguchi-san intentionally kept the same timbre for [redacted], Twilight, Loid, and Robert because they're all staying close to home. You can still recognize it's still the same person. But what changes are other prosodic features (intonation, pitch, rhythm, stress, and pauses). The following video is from Piracytheorist's post and the YouTube video is from Calle-B.
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Here are my descriptions of the 4 voices:
[Redacted] - Intonation: N/A. Japanese is not a tonal language. - Stress: vowels and consonants are even for syllables - Rhythm: slow and steady - Pitch: low register, feels like it can be the middle (makes sense since this is the voice he's born with) - Pauses: frequent pauses (also, no way in hell you can convince me to measure the mili-second of his pause) - Tone: warm and soft - Other quality(-ies): reminds me of slight head-mix dominant (60% - 70%). In singing, a mixed voice is when a singer mixes his/her/their head voice and chest voice together (you might commonly know this as belting). But with mix voices, the singer can choose to make it an even mix of both head and chest, or leaning to either more head or more chest. Twilight - Intonation: N/A. Japanese is not a tonal language - Stress: consonants, vowels, syllables, and long phrases are rushed - Rhythm: his speed is fast. it's like water gushing out - Pitch: low(est) register. This is probably the deepest voice he can go while maintaining his timbre - Pauses: They only exist when a completed thought is finished. Twilight, BREATHE, man - Tone: cold and sharp - Other quality(-ies): sometimes his low register have a bassy quality to it Loid Forger - Intonation: N/A - Stress: His consonants and vowels are spoken fast in some syllables but also have a slight elongation typically towards the last few words of a completed thought - Rhythm: fast like Twilights, but has an upbeat rhythm to it - Pitch: upper register (it's the customer service voice lol) - Pauses: It's a mix of Twilight and [Redacted]'s. He has moments where he pauses after a long completed thought. Sometimes, he pauses in between a few words/syllables. Pauses feel irregular here--like he doesn't know if he should relax of speed up (as if he's being pulled to either Twilight or [redacted]'s pause pacing) - Tone: sounds cheerful - Other quality(-ies): 80% head-mix voice. The chest voice is still there, but head voice stands out Robert - Intonation: N/A. Japanese is not a tonal language. - Stress: elongated vowels and consonants -- similar to [redacted]. - Rhythm: originally slow and drawl. But as soon as he realizes that "Robert's mission is over", he starts speaking fast like Twilight - Pitch: low register and soft - Pauses: He has similar pauses to [redacted]. There seems to be a lil bit of longer pauses to indicate passiveness (reinforce the boring image of Robert) - Tone: monotone and soft - Other quality(-ies): head voice. The chest voice seems to be absent (chest voice is perceived as the power in singing and speech) as to reflect Robert as someone who is small and doesn't have much personality (as to not stand out during this identity). This voice is achieved by keeping your voice low but above a whisper. When "Robert's mission is over", the chest voice emerges and his head voice becomes head-mix.
Prosodic features are best accurately portrayed in discourse, meaning it's exclusively for speaking, not writing. So, how can Endo-san incorporate any linguistic feature in writing? We've already answered that with the analyses above: spelling.
Linguistics in the manga (what you read)
I've already went into great detail about spelling reflecting dialect, so I won't regurgitate what I've already covered. Instead, I want to focus on the fact that Endo-san actually acknowledges and uses prosodic features to mirror the 2 mediums of Spy x Family. This is significant because it reinforces the mirroring characters between Ricky and Loid. After all, it's going to be a foreshadow. Normally, I'd talk more about foreshadow under a literary lens, but for once, foreshadow is illustrated through linguistics.
In discourse analysis, the way you speak almost always portrays your identity.
Ricky's English vernacular is his real speech. > [Redacted]'s voice is Loid/Twilight's real speech, which often came out in the presence of Yor Forger.
Ricky speaks in standard English to mask his real voice and make himself more appealing to Rachel. > Loid's voice is used to mask both Twilight and [redacted].
Ricky gives up his pompadour (the most important thing in his life--which also happens to be a part of his identity) to destroy the "barrier" between him and Rachel. In doing so, he goes back to speaking with his English vernacular. > FORESHADOW: Loid will give up one or two of his identities for Yor (it might be Twilight and/or Loid). In exchange, [redacted] will come back.
Another possible foreshadow is what Rachel says about recognizing the importance of Ricky's pompadour to him. Because Rachel is a parallel character to Yor Forger, it can be implied that Yor would recognize how important Loid's identity is to him. In a previous analysis, I mentioned that Ch. 90.1, is the closest thing to an identity reveal. When Yor carved out Anya's name as Ania, she never once questioned it. She also didn't question when she had to carve another sign and spelled it with Anya. I'm aware of the caveat in this claim, such as Yor lacking education in Ostanian orthography which is why she doesn't react.
Be it grasping at straws or not, Yor has the emotional maturity to bounce back from the shock of an identity reveal. Yes, Yor would be sad and hurt to find out that Twilight is a spy from the opposition, but she would understand. They know they're both orphans because of the war. Yor already has a positive bias towards Loid based on observing his behavior at home, in his efforts to provide a better future for Anya, regardless of blood relationship. The point is, Yor is already infatuated with him and her feelings for him will influence her compassion and understanding for the person he's become, so bouncing back from feeling betrayal (not the romantic kind) would be faster for her than Loid.
Loid, on the other hand, may have more reluctance towards accepting the identity reveal (this is also mentioned in my Ch. 90.1 analysis). This is mainly because he's been conditioned to be skeptical and overanalyzing. So, he'll definitely need time to brood and reflect on their situation. Or, maybe he just might have already reached a point where he's just tired, and deflatingly accepts the situation. He'll self-loathe himself for being Westalis's best spy only to have married a legendary Garden assassin--seeing both as a win and loss (he'd be the type to say that he should be dead right now because his identity was revealed to the deadliest enemy). The confession of their love for one another just might be the thing to smooth out the wrinkles.
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Someone once commented that, technically, losing Twilight as an identity isn't technically a loss. Twilight was born from a sacrifice. Loid technically isn't a loss either since he was born as a role for Twilight to play. Which leaves [redacted]. Like the film for Ricky, [redacted]'s foreshadowed arrival is just an opportunity for him to come in full circle.
PHEW.
This was a long linguistic analysis of these few pages, and in real-time this took me 8 hours to write. I did lose a night of sleep cuz my brain hyper-fixated on writing this. Help. But we're not done yet. The knowledge that you've acquired will definitely be beneficial through a literary lens in part 2.
I'll update this post with a link when Part 2 is finished.
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starlyx0 · 4 months ago
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so I have noticed some people think Ben is boring (trust me I’ve seen it)
so I am here to talk about everything ben and try to explain his character!
This won’t be the best character analysis
as English is not my first language and I'm trying to bring more attention to stuff that's not talked about often.
So I'm going to split this into 6 categories to try to make writing this easier for me so bare with me.
Things I’ll go over!
personality 
looks 
hobbies
past & current 
relationship with family 
relationship with friends
This is going to have a bunch of stuff that are headcanons I'm only including them to show ppl if u can put some thought into it u can get some reasonable ones.
1 | personality
I see a lot of ppl reduce his character to only music and being mute? which really upsets me because he soo so much more,
but making his entire personality music makes me so mad
most headcanons I see are all the same PLEASE I AM TIRED of hearing what kind of songs he listens to that or all ship headcanons titled as Bens 
he's a shy awkward guy we all know that cuz he really just stands in a corner awkwardly scratching his neck most times and he also doesn’t like horror or anything scary (eps 11) 
hes a protective older brother not overly like Tyler where hes more protective of Tay from other people ben is more chill going and more afraid of what life throws at Lily, there’s not much here cuz more points I have fit in the other categories :)
2 | looks 
he looks kinda of basic nobody can deny that so I won't, but because of his past I imagine he would have a bunch of scars ik he doesn’t and that’s a bummer cuz I really wish he had 🥲
After he lost his voice he became super facially expressive but also really good at hiding his emotions so it’s either really easy to read him or really hard no in between. also because of his past bullying, I assume it affected him and the way he presents himself that why he sticks to basic outfits and look,
overall trying not to bring attention to himself even after therapy he stuck to his habit but if someone gave him a little push and helped him he would drop it and start putting thought into his looks,
saw this somewhere I don’t remember where they said he would have curly hair as a kid but his mom didn’t know how to take care of it so they ended up shaving it and i think curly or wavy haired Ben would be so cute also he would look amazing with an eyebrow piercing %100 and uhh I genuinely don’t remember him smiling genuinely in canon so i imagine his with a downturned smile I may be wrong about that idk
3 | hobbies
did I make this a separate category just to talk about him being an artist? yes I absolutely did 🙂↕️
I fear most people forgot about it n honestly and that is criminal 
there is not much said about it in canon but I’ll work with what I have,
he probably didn’t have much artistic skills when he was younger and only started doing it as a distraction and a way to calm down n he probably made himself draw
I feel like red projected onto him in that ifykyk😭
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but from the picture Ben draws based on things that happen so he diff draws a bunch of random things he sees and thinks its cool, he would draw everything and everyone and I feel his art style would be more realistic tbh
but Ben also plays guitar, plays piano 
, fight, used to sing, and the medic of the group like what else he do?? he is literally perfect what more can I say here but most of these are not really hobbies but skills he had to learn for the sake of his life 
4 | Past & current 
I’ll talk more here about how his past affects him currently,
I love to think he has a fear of fires because of the fire that burned down his house more of a headcanon tbh
see the pan he burned in that official art? it took him half an hour in his room to calm down his heartbeat and gathering around the campfire is the opposite of relaxing for him
probably hates turtlenecks with his being 
and I want to talk about his voice as that affects him the most what really bothers me about the fandom is that a lot of people ignore the fact that he probably will never speak. 
I see plenty of ppl benlor shippers say 
“he would sing for —-🥺“ “he would whisper to comfort—🥺“ n it makes me wonder are we even talking about the same character???? which is absolute bullshit if he did that he is the one that’s gonna need comfort like please. he would probably never speak unless he sees someone's head gets ripped off there body.
It's said flat out in episode 27
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That he has the option to speak but he doesn’t why? Because he hates his voice and if he hates his voice sm he chose to not speak for yearsss what makes u think he would speak for the sake of someone else's comfort when doing that only pains him? he is selectively mute for a reason I'm not saying he doesn’t have a voice but at least if u headcanon him to speak in the future at least let it be for his own sake instead of doing it for someone else or make it about ur ship.
5 | Relationship with family 
Starting with his parents I don’t think they are bad parents at all they tried to help him as much as they could but they couldn’t so they opened up other options and let him move away and heal even if he’s not with them I think what the did is a good choice for their situation and their relationship would still be great tbh considering the distance 
now onto Lily
I honestly can talk about them for days. I love them 
Their relationship is so sweet the way Lily is stuck to him every chance she gets and ah also used to sing to her can you imagine how she felt seeing her brother coming home later and later covered in bruises not singing to her to sleep anymore watching him sneak out 
she basically watched her brother spiral down and then leave she was probably too young to really understand what was going on fully so now she just wants to spend all the time she can with him and he tries to make up for lost time :(
now Aiden 
most people probably forgot Aiden is the closest person to Ben and the same goes the other way around.
Aiden is a life long friend of Ben’s
he literally trusts him, follows him everywhere and lets him decide for him 
they spent most of their time together since Ben moved in they live together there stuck together.
Aiden probably helped him a lot mentally helping him try new things and be more carefree
Ben also probably helped him mentally and physically patching him up and looking out for him overall,
I see some Aiden fics that are like “Oh no Ben’s gonna be so upset at me 😖” and they make him act like a nurse, not a friend and he just bandages him up then leaves as if nothing happened and someone else comes and in does all the comforting 
like I can count all the fics where Ben acts like a decent person and I'd still have more fingers up than down,
it’s so upsetting how ignored their relationship is in this fandom they deserve so much more honestly.
6 | Relationship with friends 
he is definitely the therapist friend 
He is that kind of friend that you can tell everything to him going from weird food to the worst time of your life and won't even realize it 
his friendship with Ash is very chill not the closest I'd say,
they're really just trying to keep their peace lmao
his friendship with Taylor
I imagine them as gossip girls tbh Ben being a quiet kid while Taylor is popular they definitely know some good gossip 
his friendship with Tyler is something he used to find him irritating but then he realized they have a lot in common especially when Tyler was teaching him guitar which was precise since he was the one who offered 
and his friendship with Logan 
it's really sweet Logan would try to teach him gardening while they talk about their interests
and be absolute nerds together lmao
overall the friendship between all of them is really sweet ik I didn’t give it justice here but the found family trope and the way they find comfort in each other is just everything to me
And I'm done yappin hope u enjoyed that because that was over 1,5k words 
if u have any questions feel free to ask 🫡
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hogwartslegacypics · 1 year ago
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HL2 Discussion Post
Figured it would be fun to make a little post about the sequel and say what I’m looking forward to/hope to see from it, and everyone else can reblog or comment with what they hope to see!
DIRECT SEQUEL!! This is the most important one to me. I want to continue with the same storyline and the same characters.
ROMANCE! I feel like they will implement this just because of how much everyone has been asking for it. Not even just romance, it would be cool to have friendship meters as well so we can see if someone is just an acquaintance all the way to a close friend.
DECISIONS THAT MATTER! I know we technically can make decisions in this game, but they don’t change anything except a few lines of dialogue. I want actual impact. I want our decisions to change what can happen, or change our friendship/relationship with the characters.
MORE CLASSES! I honestly wouldn’t mind if they had us repeat activities in classes for the same class (like if we got another potions class and again had to go through the same motions to brew a potion), because realistically speaking we would be going to the same class multiple times and doing basically the same things.
DEMENTORS! I’d love to learn the patronus charm and be able to use it on them. Maybe it could be like a POA situation where a prisoner escaped and dementors are around the grounds? I know there’s a shit ton of patronuses and it’s a lot of work to animate them, so I wouldn’t even be upset if there were only like 10 to pick from.
QUIDDITCH! This may not end up being a thing because of the other Quidditch game coming out, but I still hope it is. Even if we ourselves can’t play it, it would still be a cool little immersive activity to sit on the stands and be able to watch a Quidditch game play out. Also beater!Sebastian
DIAGON ALLEY! Going back as sixth years, we need to get our supplies so it’s a perfect way include it in the game! Imagine going with Seb, Ominis, Poppy, and Natty in the beginning of the game! Walking around and getting our supplies just like we did in the Hogsmeade quest.
CHRISTMAS AND/OR HALLOWEEN EVENTS! Imagine if we could actually celebrate those holidays in the game! Exchanging gifts with our friends (going to Hogsmeade to shop for them, and maybe we have a choice of like 10ish items and we have to pick one for each friend we think they’d like best, and they have a different reaction programmed for each gift we can give them, and it could impact how much the friendship/relationship meter goes up), and they give us a gift based on our play style or level of closeness to them?
PETS!! We know pets were supposed to be in this game so I feel like they might make the cut the second time around. Just imagine having your own cat or owl! So cute!
COMPANIONS! And I mean without needing a mod to make it happen!
RESOLUTION FOR THE SEBASTIAN STORYLINE! Ok so I feel like this one is a given assuming it’ll be a direct sequel but I still wanted to mention it. I hope we can cure Anne somehow, whether it be actually us doing it or finding something with Sebastian. Also see how Sebastian is dealing with the murder, and coping without Anne, and hopefully seeing them get along again. Anne coming back to Hogwarts too if she’s cured!
LET US SIT AND SLEEP! Especially in the Great Hall! Doesn’t need to be a frequent thing, but maybe like once a season we have a little scene with our MC sitting in there having dinner with friends in their house? NPCs need to sleep at night too!
NO MORE MERLIN TRIALS!! I never wanna do a Merlin Trial ever again. I hate the process of having to do a bunch of repetitive, tedious tasks just to unlock stuff.
MORE LOCATIONS! I don’t mean the Highlands, I mean London, the Ministry of Magic, Diagon Alley, etc. Would be cool to get to visit each of these locations at least once.
HOUSE POINTS! Give us a house points system where we can have points given or taken away from us! I guess this could kind of double as a morality system too?
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feyspeaker · 8 months ago
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Hi! I made an account just so I could follow your work. Your art is brilliant and honestly and inspiration to where I want to be. I’m an older artist who has all the anxiety when it comes to improving my process. I’m trying to get into digital portraits and I have so many ideas in my head, but it’s frustrating because I’m not where I want to be to make this happen. What are some tricks that help you/software do you use? Of course, you don’t have to share anything that makes you uncomfortable. I currently have procreate and an iPad, but I feel a little lost. Wondering if I need a different writing tablet and photoshop. Not sure. I just eventually want to find that 3D, but also artistic look you are able to achieve.
hey there! thank you so much!!
ultimately, I will sound like a broken record but I always recommend you sign up for local figure drawing or painting classes. have people pose for you at home and sketch with charcoal and paper. go to the zoo and sit down in front on an exhibit for an hour and try to draw the animals in front of you as fast as you can and fill a couple of pages, move on to a new exhibit and do it again!
nothing is more powerful of a tool to learn than whatever writing utensil you have in your purse and the back of a napkin when you see something you'd like to capture. I've spent quite frankly my entire rememberable life doing this. I used to spend every single day in middle school/high school/my brief failed stint in community college with a pack of cheap sharpies and a beat up binder full of old worksheets and homework to draw on the backs of.
drawing/painting from life will teach you better than anything.
I use a very outdated version of Photoshop, and only got a "nice" tablet in the past 7 months.
Also, a huge tip to you and anyone else reading this: do NOT get too focused on a "style" that you want. Obsessing over that just ruined me for years and years. I wanted so, so, so badly to be the next Matsuri Hino when I was a kid. I copied her work religiously and it NEVER looked right. Frustrated me to no end. And you know why my stuff never looked like hers? Because I'm not her! You can't force your art to come out any way that isn't natural, and the sooner you can accept the art your hand wants to create, the happier you'll be and the easier art will get for you.
The past couple of years before I started diving into this more realism based work, I was just shoving myself through trying to make what art I envied of others. Very stylized/textured watercolor comic book style stuff. And I just was NOT getting any better at it. I have always been more inclined toward realism work, but I've hated it and yearned for stylized work. Yoshitaka Amano? God, I just drooled over that artstyle and beat myself up for never being able to capture it in studies or otherwise.
I finally essentially restructured my entire career around making the art that makes me happy instead of what I "wanted" it to look like. I was extremely depressed, my life was falling apart, and I still needed to make art to survive but I couldn't "art" if I was depressed and hated doing it, so I just had to step back and stop worrying so much about what I thought I wanted to make, and started making what felt most natural.
there's no easy way, and art can be a soul destroying path at times, truly. your software and hardware should come very last place compared to practicing from life (it doesn't matter if you want to paint cartoony stuff of realistic stuff, always start from life). naturally you will find what makes your heart sing the most.
I get a lot of messages from people telling me similar stuff "oh your art is EXACTLY what I want to do!" but I promise you that kind of thought process is chasing a dragon that is likely to harm or drag your creative process down. art style is such a deeply personal thing, so of COURSE it's important to find inspiration, but the second looking at someone else's artwork stops inspiring you and starts frustrating you, put it away.
There are some artists who I love, that I do not check up on often because their artwork ignites, like, serious bitter jealousy in me. It's the truth. I get so mad at myself for not being more like them, and it's such a poison. I think more artists should be transparent about this feeling because I KNOW the art community has a lot of jealousy and ugliness in it.
A fact of being an artist is that you will never be completely happy with a piece you make. You are always going to see the flaws, and that doesn't change whether you'd been drawing for 2 months or 20 years. Occasionally, you will get one piece that you are like "how did I make that???" and then get frustrated that you can't recreate it lol! It's a tough beast.
It's just really important to step back and work on yourself and where you are at, because at the end of the day, the way your soul wants to express artwork might be WILDLY different from what your brain wants, and it can be really detrimental to let those two go to war.
I hope this helps. I'm very passionate about this, and when I started out I ALWAYS ignored the artists who gave the same exact tips as above. I thought they were so annoying and unhelpful, but now I /get it/.
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adobe-outdesign · 7 months ago
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Could you review the Eyrie? They're one of my favorite Neopets.
(Note: I don't have any Pokemon review requests right now, so I'm doing one extra Neopet review to backlog through those a bit.)
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I always thought Eyries were really nice-looking pets. They're basically griffins, but with these really distinct owl-like feathery "ears" on their head that have edge markings dividing the front from the side. It gives them a really nice head shape when combined with the beak, and the overall anatomy is surprisingly realistic (wings are a bit off technically speaking, but that's okay). Like out of all the Neopets, Eyrie are one of a few that you could picture IRL without many changes.
In addition to the head markings, they also sport several lighter areas on their wings and tail, along with a thick fluffy mane that's usually darker but not always (even the base colors don't have this consistent). These break up the body in classic Neopets style and make it easy to read. Their beaks are traditionally orange, which is accented by their eyes so the color is carried through.
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Eyries are one of a few species that benefited from customization. Their old art wasn't bad, but the wings were all wrong (they were going backwards against the body lengthwise for some reason, and were halfway down the torso instead of coming out of the mane) and elements like the mane shape and tail position look a lot better. Otherwise, the changes were minimal.
Favorite Colours:
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Chocolate: The chocolate Eyrie does everything you want it to do. Whipped cream for the areas with long fur, wafer wings, chocolate swirl ears, white chocolate accents, and some fancy decorative filigree markings. It is completely over-the-top and looks delicious. My only nitpick is that the waver texture is flat, when it should go back in space at an angle and have more of a bend to it.
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Darigan: The Darigan Eyrie honestly doesn't event look that different than the regular Eyrie, but it does emphasize how well griffons work as vaguely demonic high-fantasy creatures. While subtle, changes include a different beak shape, more fur, extra-thick wings, a fluffier mane that goes behind the head, and giant claws.
Both the converted and UC/styled versions are fine, though they have their pros and cons. The converted version looks a bit too much like a normal Eyrie due to the change in pose, and the lose of the spearhead tail-tip and subtle feather wing textures is criminal. However, it is much better shaded than the UC version, and it fixes some of the janky anatomy like the weird fold in the wings and the screwed up haunch and foreleg.
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Maraquan: A lot of Maraquan pets nowadays tend to be based off of specific aquatic animals, and while that's fine, I really like it when they just take the base Neopet and adapt it to living underwater in a more abstract way. Such is the case of the Maraquan Eyrie, which has pretty fin-like wings, fins on the head instead of feathers, a swisy, extra furry tail, and a beautiful orange and blue color scheme. Little details, like the speckles and the lighter orange on the underbelly and paws, dd a lot to the design, and the whole thing flows beautifully.
It has a UC/styled version, though the differences are fairly negligible. The UC version has a slightly better pose, high-contrast thick and thin lineart, a wavier mane, and a better head shape. However, the converted version is still pretty spot-on, and it fixes the wing anatomy by putting them on the shoulders where they belong (Neopets artists learn to draw wings challenge) (impossible). In other words, both are great.
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simspaghetti · 11 months ago
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Simblr Gratitude Day!
Hello! Sorry this is a day late because I was really busy with deadlines over the last few days - I didn't even know this event was going on until I was tagged! 😭😭
I still want to express my love for some wonderful simblrs, and hopefully give you some new recommendations on some great blogs you should be following!! 🥰🥰 rather than clogging up everyone's inboxes a day late, I thought I'd just tag you all here (in no particular order!) <3
@kevinvoncrastenburg - you're such a lovely positive light in this community, I also love your scenery posts, the architecture of your builds looks so realistic and is really inspiring to me!
@erasabledinosaur - you always have such beautiful screenshots, I'm so inspired by your gameplay! Thank you for the work you do on creating reshade presets as well they're always so gorgeous!
@llamaheart - I love how alive your sims feel, they all have really in-depth personalities, I recently read through the Halen lepacy from start to finish and it made me want to start my own!! I'm so inspired by the way that you play :)
@sushiikinsss - you're always so supportive of my blog, if you ever post simblr content i know i would love it, you're so creative!! love you lots 💞💞
@appellosimae - i love the style of your gameplay! it feels so cosy and cute, and i've been reading your lepacy recently and loving it! I really like the fact that you include the premades in your gameplay, it leads to so much drama which is so entertaining!
@hiddengnomes - I'm so so inspired by your gameplay and screenshots, your interior design skills specifically are so on point I'm always striving to make my interiors as good as yours! The way you take screenshots could be an ad for sims 3 honestly, reading through the Maldanos makes me want to play my own game!
@twinsimming - thank you for your hard work making mods they're always such great additions to my game!! I specifically really really loved the acne mod, it's a feature that I'd always wanted in sims 3, I used to roll the chance it would occur and manually place it on my sims before your mod came along, so it really revolutionised the way that I play in such a good way! haha
@thesweetsimmer111 - you have created some of my favourite mods for sims 3, I'm so grateful for the work that you do and I use all of them in my game!! I specifically love how fluid the animations are and how they all feel like a really natural addition to the base game <3
@horusmenhosetix - there's not many cc creators like you making maxis-match content for sims 3 anymore, and I use so much of your cc in my game because I LOVE the way it looks! I really appreciate the work that you do for the community!! thank you for your hard work and your beautiful creations <3
@nectar-cellar - thank you for your beautiful cc and tutorials, i've learned so much from your tutorials on how to take good looking screenshots and set up amazing looking lighting, I also love the way that you create sims! They always look like real people because of how unique and detailed their faces are, I'm so inspired by your style!
@faeriefrolic - your sims are SO cute omg, i'm loving reading the jam legacy and the way that you create so much drama with your sims, it's something I'm trying to incorporate more of in my gameplay because I feel like I stray away from having any conflict, but I love how there's deaths, romance and so many emotions flying around in your gameplay! It makes it feel so much more real, dynamic and entertaining to read! <3
@obscurus-noctem - every time a post of yours pops up it looks like a totally different game than sims 3, I'm so in awe of the way that you're able to create sims to be so detailed and compose screenshots to be so beautiful - i LOVE deb belinski as well she's such an icon
@sim-songs - thank you for your gorgeous maxis-match cc, i also love your gameplay style, the composition of colours on your screenshots makes them feel like a cosy warm hug and i love that your sims have such unique faces, it makes them feel like real people!
@magiclabs - i love the way that you take screenshots, they're always so colourful and cosy - I love the Fitch legacy, your gameplay is so maxis match and cute it always makes me wanna go on a cc shopping spree and then go play my own game! The way that you decorate lots is also so detailed and inspiring <3
@papermint-airplane - your scenery screenshots are just so incredibly beautiful, i also love the dialogue on your gameplay posts it feels so realistic and is always so funny! you're such a warm light in the community <3
@mosneakers - the Darling legacy will always be such a big inspiration behind my gameplay - the way that your sims look so eccentric and your screenshots feeling so magical has always been something that i strive for in my own gameplay - your incredible storytelling abilities are also unmatched, whenever i read through your stories they always manage to pull at every different emotion in me! <3
@frostedshore - i LOVE your sims style and your gameplay screenshots are always so well composed, i also really like how when you makeover sims you keep their original personalities shining through, your version of Bella Goth specifically is probably my favourite makeover I've ever seen of her - I love how you captured her essence as a femme fatale which is what I've always imagined her as!
@thepettymachine - your gameplay inspires me so much, the trout legacy and the day legacy are some of my favourite gameplays on simblr to sit and read through! Your sims are also always GORGEOUS and I love love love your sims style!
I'm really sorry if I left anyone out, I'm bad at remembering names! But I just wanted to say a really big thank you and send lots of love to anyone who has interacted with my blog at all this year, even though the sims 3 community is small, it has the support and love of so many people it feels so full of joy, I'm sending hugs to all the people who are a part of this wonderful community and am grateful for anyone who enjoys my gameplay / blog in whatever form that takes 💞💞💞
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arianeemorythethird · 6 months ago
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I've probably been spending too much time plotting out elaborate Rexwalker postwar recovery AUs lately... but I just love them so much? In canon we never get to see Rex truly come to terms with his war trauma, or his childhood trauma, or the degree to which he'd been exploited, because he was too busy surviving/rebelling/rescuing his brothers to have any time for introspection. And even if he did - honestly, for his own sanity as a person uh working to restore the Republic he probably wouldn't want to spend too long dwelling on how the Republic used, abused and fucked him over, you know? Let alone give himself space to heal from that.
But it would be so satisfying! The ultimate hurt-comfort. Just - Rex in a galaxy at peace, no more war to fight - finally getting a chance to come to terms with his PTSD and trauma, facing up to the horror of the chips and trying to figure out who he is as a person, if he isn't a soldier anymore. If he isn't a loyal servant of the Republic willing to die for the cause, seeking no reward other than the opportunity to serve... if all that was a lie... what else was a lie? What does he have left?
And Anakin is simultaneously the worst and the best person to be going on that journey with him? Obviously in canon Anakin very much did not at any point come to terms with his own trauma or figure out how to live with it in a healthy way, lol - but the whole point of Anakin's character is that it was always possible for him to change and grow, and yeah, in a different world he might not have fallen, in a different world he absolutely would be capable of becoming someone better than who he had been.
To be truly satisfying to me the scenario has to be some kind of semi-realistic middle ground that walks the line between "Palpatine is accidentally or on-purpose dead and his plot to destroy the Jedi has failed, hooray" and "ok but that didn't fix everything or even most things, the Republic is still corrupt the clones are still exploited the Jedi are still being stretched past breaking point" - a fix-it but not a totally fluffy sweet fix it, it's gotta still be a little bit bitter and sour to taste good to me.
Ideally, really, it's them ending up somewhere unexpected in the middle of nowhere together - a planet in Wild Space (Teth??) where clones and/or Jedi fled the Republic after Palpatine's successor turned on them; a space station round Kamino, thrown together Studio Ghibli style out of repurposed pieces of Star Destroyers and clone medical stations - slowly processing trauma via the intensely satisfying physical work of building a small community including food production building houses gardens infrastructure community organisations, and probably also some grumpy three-legged rescue lothcats.
And in doing so Rex and Anakin have to learn to live together, outside the weird pressure-cooker intimacy of military life - they lived and worked and fought and risked death together, they saw each other at their best and worst, they had to have total trust in each other, they knew things about each other that no-one else ever did - but at the same time the intimacy was partial and they lived in totally different worlds.
What would it be like to finally live together as equals?
And, you know. Anakin pining. It is deeply important to me that Anakin is the one pining, Anakin the one whose intense emotions are basically visible from space - to everyone but Rex, who has absolutely no idea.
Is there anything sexier than a couple who basically get together backwards? Start with moving in together, figuring how to live well together, merging their lives together; the sheer intimacy of those little day-to-day moments that no-one else sees. Fucking comes much later; feelings - and the confession of feelings - come last.
Is that not terribly romantic? Or is it just me?
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monsterpie · 5 months ago
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My thoughts on the Pride comics:
(Below the cut is my opinions on both the Toradeen AND Spellentine comics)
Toradeen comic:
Overall, it was a cute comic. They somehow made Toralei and Clawdeen cute together, props to them. That said... it's a random-ass pairing. There is no way those two would have ever dated each other in g1. They didn't like each other and they didn't even spend time together alone if they could help it. It was very clearly a ship made because they thought dog x cat would be good. I think if it were a comic about, say, Ghoulia and Kjersti instead, it would've been better and more realistic.
The two new characters, Bridgett and Jackie, were very cute. It is VERY hard to believe that they're Monster High students, though. I thought they were college age or young adults. In my mind, they seemed around 25 years old. Regardless, they were quite endearing. I thought the lesson they taught Toradeen about respecting your partner's boundaries and understanding their needs was a very important lesson for people to learn, whether they be kids or adults reading the comic.
The comic was pretty well-paced. It did a good job with the amount of pages it was given and didn't drag things out or rush through too much. The art style was cute. There were small additions made to the world that I enjoyed, like the existence of the fire-salamanders and how they seem to be popular to catch and use to cook things like marshmallows. Overall, it was pretty solid and a relatively enjoyable read once I ignored the fact that, again, it is an INCREDIBLY random ship.
Spellentine comic:
I... honestly don't have a lot of nice stuff to say about this comic. 😬
I think Spelldon really didn't have much personality at all. I think that it is also a disservice to have Spelldon's first introduction outside of an obscure diary mention be a comic that isn't about him. I think they didn't do a good job of establishing Spelldon's personality or character or motivations or... well, anything really. If they had, for instance, leaned more into Spelldon being clumsy like when he accidentally tripped and bumped his head, or if they made him a little more judgmental like when he said Valentine's fake Southern accent was bad, maybe that would've at least made him more memorable.
I also think they made Valentine... off. I'm aware that his personality in WDGFIL was largely a farce, but his personality in the comic didn't feel like him at all, neither the suave and cool self from the movie nor the accepting and calm self from the SDCC diary. He was... well, emotional and whiny. Annoying, frankly. His entire SDCC diary was about accepting things and growing as a person, and although he seemed to have SOME of that in the comic, he was also ready to stop feeling love at the drop of a hat - something which is especially confusing when we remember that Mrs. Goblin from the diary specifically mentioned that free and true love was so important for emotional vampires, and also something that doesn't feel like a decision he would make given the fact that he's supposed to, y'know, have come to terms with and accepted the fact that things won't always go his way. Teenagers are dramatic, I understand that, but in his SDCC diary he had come to terms with the fact that Draculaura and her friends might never come to trust and forgive him, but that he still wanted to prove himself to them if it was possible. In the comic, Draculaura turns his invitation to fang out down in the kindest possible way and he reacts like...that. It didn't feel like him at all.
The comic itself felt badly-paced and rushed. It felt like they had too much that they wanted to do and not enough pages to do it, resulting in feeling rushed. Valentine's decision to give up on love forever, Spelldon's first official appearance giving him almost zero time to establish himself, a potion-making quest, a lesson about... whatever they were trying to teach (acceptance? again? I guess?)... it was just too much. Maybe a full-length comic could've tackled it better, but I think this short one couldn't do it. They should've cut out some parts (my vote is to cut the not-wanting-to-love part out and instead have Spelldon and Valentine just need to make a potion for class or whatever). Another problem with the comic was that it was largely ruled by Valentine, rather than both boys equally. Spelldon made almost zero impression because Valentine was so loud, both in personality and in amount of words spoken, leaving Spelldon to kind of flounder behind.
The relationship itself was... fine. There really wasn't much any substance whatsoever. Person A takes care of Person B. It just didn't feel like it had much going for it. Their personalities seemed to mesh alright as friends, but as boyfriends... I don't know, to me it just doesn't work. It's not like Jackie and Bridgett where they're differing personalities that still work in the end, it just feels like... guy-who-will-inevitably-be-overlooked and his boyfriend, the guy with giant neon signs pointing him out.
Also, small gripe: I really wish Spelldon hadn't called Valentine's fake accent dumb lmfao. Valentine said he liked the accent, and I think if he had explained that it made him feel comfortable and confident around others, and also explained that he just *liked* doing it regardless, that would've been a sweet characterization moment that I could've truly believed.
A personal gripe and overall criticism: I still, even now all these years later, think it was an absolutely horrific idea to make Valentine gay. Like, catastrophically bad. The guy preyed on a bunch of innocent ghouls and stole their ability to love for centuries (for some, if not all of them, that probably meant their entire lives), but, oh, it's okay guys! He's gay! He was just doing it because he was gay! Sometimes men hurt every women in their loves because their true soulmate is gay! This isn't about his ability to change - he CAN change and he DID change. This is about the optics of it: the (at the time of the SDCC diary) ONLY "confirmed" (in loose quotes because that was bullshit back then too) gay character in the children's media Monster High was one of, and I can NOT stress this enough, the WORST VILLAINS THAT MONSTER HIGH HAD EVER HAD. Just another evil gay trope. Again, yes, he did change and get better... but how many people have read his SDCC diary? How many people even know it exists? Probably not many casual fans, probably not anybody who was a kid when the movie came out and is now seeing this comic on shelves a few years later. He should've just been straight. In my mind, he is. That way, at least, I don't have to worry about yet another evil gay in kids media.
Anyway, things I liked about the comic: Spelldon's design was really nice, I enjoyed seeing Whisp again even if it was very brief, I thought Valentine apologizing to Draculaura and attempting to befriend her was very sweet, as was her apologizing to him at the end of the comic while still maintaining her boundaries and not trying to change her schedule too much for him, and I thought it was funny that Spelldon and Valentine were going around and stealing shit for a useless potion lmfao.
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crucifiedkiss · 2 months ago
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◌ೆ୧  ͢YOUR MAIL HAS BEEN DELIEVERED ♡
𓈒⠀⠀⁺⠀𝜗 crucifiedkiss ╱ w. byers x gn! reader 𝜚
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ꨄ︎ hcs dating will ⏤ ﹙i wanna be yours﹚ 🪽 ˖ ׁ ⁩
  ಲ ͏ㅤ ׅㅤㅤcw: wills season not specified (?), fluff, mentions of s1 events, kissing ('kiss attack'), and i think thats all ??ㅤ✿𝅼
( 。>﹏<) "first stuff written pls enjoy !!!" ⏤ c.k. と
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𝜗୧ ּ݂⠀💌 dating will byers would include ﹗
   ⏤  playing d&d with him, even after all these years and after all his friends have 'grown out of playing d&d'. u can never grow out of fun !!! if u dont know how to play d&d, he would be rlly patient with trying to teach u ! he doesnt want to be mean or anything (unlike some ppl ...) ! pls listen to him yap about d&d he will literally love u even more !! certified yapperton i swear (/pos !! he is silly !!)
   ⏤  trying to help him overcome his crush on mike. he slowly falls out of liking him the longer he is in a relationship with u, but he will never forget liking mike just as much as he does you right now. could u blame him, rlly? still stays friends with mike – he couldnt just leave him like that :( !!
   ⏤  expecting him to be rlly hesitant at the beginning of the relationship. he isnt rlly meaning to be like that, but hes just a lil nervous. after a few weeks i would say, he'll be that normal cheery lil guy :3 he is rlly sweet i swear he just doesnt have any idea what to do in a relationship, seeing how many found him weird (which makes me sob lowk !!). cant blame the lil man☹
   ⏤  a bunch of compliments !!! whether it is towards will himself or to u, he loves them sm ^^ being called zombie boy when younger rlly impacted how he views himself at times, confidence of course dropping ! any and all compliments r absolutely amazing honestly :) !! say his face is shaped nice, say his clothing style is cool, say his hair is especially bowl-cuttish (/j), say his moles/beauty marks r cute – ANYTHING !!! 😭 responds with a cheeky smile and returning the compliment (but in a more playful way cause compliments just make him happy immediately :3)
   ⏤  play fighting at the most random times !! i like to think he is kinda childish, wanting to escape whats all happened, so he ends up being rlly silly and goofy !! when done with play fighting, u two out of breath, u both just break into a fit of laughter that leaves u both dying for air once more. he misses the feeling of being young again, before he got kidnapped and all that disgusting stuff, so just doing all this dumb stuff with u rlly blossoms smth in him that just gives him so much joy ^_^
   ⏤  random kiss attacks to express love :) just smothering eachothers faces in big smooches is such a nice way to show love according to him, to which he isnt wrong !! happy giggles leave him when u do it, and vice versa !! playfully tries pushing u away, knowing that he realistically doesnt want u to stop, and why would he ?? he needs that affection !!!
   ⏤  gift giving !! will is the type of guy to say "this reminded me of u" and its literally like, a chip or smth. i think he personally collects rocks, so he gives u the rlly rlly pretty ones !! gives u the sparkly ones especially ^_^ !! loves giving rlly anything tho :3 stickers, card games/cards, etc. !! if he can show someone affection, he will show someone affection ❗❗ the gifts either consist of his favorite color or urs .. or both !!
   ⏤  u protecting will and will protecting u ^_^ usually u protecting will as a few still bully him, but its ok !! he doesnt even listen to what the person may be saying when he sees u standing up for him ! its such a sweet thing and he cant even bite back that loving smile :) when someone is talking bad about u, he talks BACK !!! have u seen how sassy that man is ?? WOULD win the argument !!! ugh !! he is eating !!
   ⏤  him drawing/painting u !!! :) u want it detailed ? ok !! cartoony ? sure !! learns how to do any artstyle u like and draws u in it !! on many occasions the art takes a while as its a style he is unfamiliar with, but hes trying his best !! tell him his art is rlly good pls he will go to sleep possibly the happiest man (can u tell he is rlly passionate about his art ...) :3 literally loves making art for u !! once more: gift giving !!!
   ⏤  him CHERISHING any beauty marks u have !!! since he has moles himself, i think he would just love urs just as much :) if u have any, he is absolutely loving them. hes drawing on them with his fingers (and sometimes markers) ... anything !! (extra: if u have tattoos, absolutely colors them in if not already – calls u a coloring book :3)
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animehusbandharem · 1 year ago
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I’m curious of other’s opinions on this: out of all the suitors, who is the most believable and least believable for “Belle” to actually fall in love with? Basically, how realistic would it actually be for her to fall in love with one of them?
I based my rankings based off a mix of Belle’s personality and the actual story and how it plays out - i tried to be as least biased as i possibly could lol
My ranking would be:
1. Leon: i picked Leon as most believable because of how quickly she warmed up to him and how compatible their communication styles are. They’re honestly almost too perfect that it makes me wanna gag (sorry Leon lovers lol)
2. Keith: He comes in 2nd similarly to Leon, the nice Keith and Belle get along so well and it seems like she has a soft spot for him from the get-go. It’s believable to me also because of how his story was written and i could definitely see MC ending up with him.
3. Rio: The boy next door has to be believable. Poor Rio lol. I put him 3rd because she has to get past seeing him as a friend which is a small obstacle, but it is totally believable because theyre already super close and it would make sense.
4. Chevalier: the “true” route. I love their story, and given their personalities, i think it was very well written for both of them to compliment each other. They have just enough in common to keep the stability, but also love languages to help learned and keep the spark alive.
5. Gilbert: the “bad boy”. He is believable to me because the slow progression makes sense, and you can see how both of them compliment each other and pique their interest of the other as well. It seems like a natural progression, and it’s one that we can see coming.
6. Clavis: the class clown. One of my favorite routes 🥰. I think the dynamic between Belle and Clavis are so quirky, that it works. It makes sense once she learns more about Clavis that she would fall for him.
7. Licht: Sweet emo baby. My first love. I put him lower on the list because he’s harder to actually get to know, so the likelihood of her truly being interested in him at first is likely low, but once she finds out he’s a sweet baby - she will be smitten and will fall.
8. Sariel: Daddy issues. I actually really like his route and i genuinely believe this could happen, the only reason hes lower on the list is because i think it would be less likely that Belle would sacrifice her “professionalism” but i do still think it’s a believable story!
9. Silvio: Loveable asshole. Okay, listen - i’m sorry Silvio stans… i ranked Silvio lower because it would take a lot longer for her to warm up to him… especially the way he talks to her - and quite frankly, with all the other options around, why would she fall for him when theres so many other princes?? BUT… i do think his route is very believable for what it is and i did enjoy it personally
10. Nokto: emo playboy. Let’s be real, she would be so turned off by his bullshit, i find it hard to believe she would even think twice about wanting to get to know him. When she does, i don’t think she would want to be more than friends.
11. Luke: Baby bear. I cant picture them together because of how young he seems honestly 😣
12. Jin: Titty idiot. His route felt so wrong and weird to me… it felt forced and awkward. This just doesn’t feel like a good match and it doesn’t seem like a natural progression to me. He doesn’t have much of a personality, and they both just don’t seem to fit
13. Yves: Baby girl. I cant take him seriously as a lover when even the game suggested that Belle questioned he may be queer. (Nothing wrong with this at all, just doesnt fit the narrative they are selling). I LOVE YVES and everyone needs one in their life, but he’s not believable as a lover… and we all know why 🙃
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jaegersmoon · 10 months ago
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hi aim!! i’m starting to write a book but i was wondering if you have any tips on how to make chapters longer? i feel like whenever i write i can’t write them detailed as much so they are short so any tips?? also you for writing ob and giving us updates on your writing progress!! <3
honestly, my advice is to not have a word count set in mind ahead of time. allow your brain to run free without giving it any restrains. that way, you don't feel like a failure for going over or under. it will only add to the pressure you already feel just from writing. if it's 2k words, great. if it's 50k words, great. be proud of yourself either way. self criticism is a writers worst, loudest, most heavily influential enemy. take it from me, a perfectionism girl with the loudest overthinking brain known to man.
straight up, writing longer chapters takes experience / practice. the more comfortable you get with your writing and the more you get to know your own writing style, the easier it will be to experiment and find the flow of things. for example, the aloha java chapter at the beginning of ob was 4k words I believe. that wc is barely even a single scene for me compared to now, but the only reason I have gotten to this point in my skills is because I've gotten more comfortable with my story and my craftsmanship when trying to get something across to others as vividly and as realistic as possible.
when aiming to write long chapter it's also important to make sure it doesn't seem forced. for example, detail is good but most readers aren't going to want to read 5 long paragraphs about one of the characters opening a water bottle (well, maybe if it were jean and he were shirtless and I was describing the tensing of his muscles in great detail but that besides the point) LMFAOOO
if you are writing a description and your gut it making you feel like you are forcing it, then it will most likely read that way too. trust yourself with this. from my experience, your first instinct in creative work is almost always right.
another note: stay away from "he said" "she said" "he asked" don't be afraid to get creative with your dialogue ... use things such as "their gazes locked in like a trusting promise and he can feel the question that's been hammering the inside of his aching brain, spirals out of his lungs in a breathless rush before he is able to find the restraint to stop it." this describes the characters feelings, the sound of his voice and his actions all in one while being semi quick with it.
also, talk about what your character your characters sense, what they can see, hear, feel, smell... describe that in detail. it makes the reader feel more present. instead of saying "the bed was soft when she got in it" say "in a swift, listless movement, she slid into bed. all the muscles in her body that have been tense with stess relaxed in an instant, the mattress dressed in baby pink welcoming her with open arms. as she the back of her head hit in the silk pillow, her face toward the dark shadowed ceiling, she felt her cruel thoughts slowly disperse as if the cushion of pliant feathers was a cloud of tranquility absorbing away her worst nightmares"
I really do hope this helps. if not, not I apologize I'm also trying to learn about this whole writing thing as I go to LMFAO--am no expert.
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zeeckz · 3 months ago
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any tips on how to learn to draw heads and facial expressions? i see some of your old drawings have some flaws (such as small upper or back part of head) but newer ones look perfect to me. did you do any specific exercises to learn or follow any guides? i am really bad at this so no answer is obvious and any advice is appreciated
Hi anon! I suppose my "old drawings" are the ones I have here on tumblr? Those are from 2016-18 more or less, the digital ones I did very uncomfortably with my finger on a small iPad, so they're like. Worse than my average. But either way I'm not sure I understood what you meant - I think I've always done the same kind of head shape (small upper/back head), so I wouldn't know what to tell you about it;;
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I also grew up kind of obsessed with Ancient Greek sculptures (and Greek-adjacent, aka Roman copies, Renaissance, Neoclassicism, etc), so my proportions are directly based on their canon. I think it might help you feel more comfortable with drawing faces/heads, but keep in mind it is just for that - getting used to it. You don't have to use these proportions forever, and real life people more often than not do not follow them. This is pretty eurocentric AND mathematically idealized, so it really won't apply to everyone, but you can still throw (guide)lines and adapt them to your needs
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This is more or less the way I draw faces and where I position things (like the eye, the ear, the end of the hairline or the front part of the neck). Again, you don't need to follow these. You can try to learn them, if you want, but it works the same way if you do so from real people. You can ignore things you don't feel as interested by, or draw them in a way that you like more (for instance I don't really draw the double chin a real person would have, I just do the bone jawline and the neck directly attached to it, if that makes sense). You could even pick your favorite person (or character) ever and draw their face/proportions until you're comfortable enough to try different things!
I've been talking about profiles because I think I don't have that much "structure" with front faces? As in, at most I think I'm only taking into consideration where to put the eyes in relation to the nose or viceversa, but you can try to do turnarounds like this and see what works best for you or just to test yourself
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(Lined notebooks are pretty useful for this...) Either way if you want me to be more specific about front faces, lmk and I'll try
Anyways, I think these should work out regardless of what your artstyle might be. By this I mean you could use, idk, Shin-Chan or Rick & Morty (or whatever else) to get the author's way of doing proportions. It's easier with 2D animation shows because they already need to do character sheets with them for the animators to draw characters consistently, but any other media should work just fine
If despite going through all of it you still feel you lack structure, then I'd suggest to learn some basic anatomy. You're lucky enough to currently be in an era with thousands of tutorials with thousands of artists, old and new, and styles that you can find for free. Honestly I don't personally own that sort of books, or if I do they're rather advanced compared to what your question is, so I could only suggest you some youtubers if you really wanted me to, but then you might already know them
As per how to draw expressions, I think my previous examples already show I've never been one to differ a lot from the lack of it, but I think this one depends more on the artstyle you want to achieve - I'd say it's way easier to clearly show an emotion with less realistic styles, as it allows you to exaggerate things more. Thus, I'm not sure what to tell you about this either. Keep things simple for now, try to recognize the way faces distort when they're smiling and compare them to when they're pissed off (or any other emotion you're interested in), look for the most basic guidelines/shapes from that, try to apply them to your drawings
I do struggle with certain things when conveying expressions or doing certain body parts, so I try to have a reference (or several) for them. This is normal. I'm not Kim Jung Gi, after all. So don't feel disappointed if you find yourself needing 10 different pictures or drawings of the same thing by different people. It's okay. Expressions are difficult. Bodies move in weird ways. Don't be hard on yourself, and have as much fun as possible
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