#holy Temple

[wiirocku]

Psalm 65:4 (NLT) - What joy for those You choose to bring near, those who live in Your holy courts. What festivities await us inside Your holy Temple.

[random-xpressions]

You still too skeptical about magic? Perhaps you haven't touched a woman the way she deserves to be touched - the alchemy you'll witness could literally defy science and blow your mind away...

Random Xpressions

[justana0kguy]

2023 SEPTEMBER 29 Friday

"I will give thanks to you, O LORD, with all my heart, for you have heard the words of my mouth;

in the presence of the angels I will sing your praise; I will worship at your holy temple.

I will give thanks to your name, because of your kindness and your truth.

When I called, you answered me; you built up strength within me."

~ Psalms 138:1-3

[light7778]

I love Him. So much.

[mybeautifulchristianjourney]

Ko ahau ia ka haere i runga i te tini o au atawhai ki tou whare: ka koropiko ki te ritenga o tau temepara tapu, me te wehi ano ki a koe.

But as for me, in the abundance of Your lovingkindness I will enter Your house, At Your holy temple I will worship in fear of You. — Psalm 5:7 | Maori Bible (Maori) and Legacy Standard Bible (LSB) The Maori (language) Bible is in the public domain and Legacy Standard Bible Copyright ©2021 by The Lockman Foundation. All rights reserved. Managed in partnership with Three Sixteen Publishing Inc. Cross References: Psalm 2:11; Psalm 28:2; Psalm 69:13; Psalm 115:11; Psalm 115:13; Psalm 132:7; Psalm 138:2

[inspectorspacetimerevisited]

It probably didn’t come as that much of a surprise that the Rabbinical Mercenaries were duped into believing that they were on Coregatedstielio II to defeat some enemy of the Holy Temple.

How unfortunate that the mercenaries were so married to their beliefs that they didn’t question why they hadn’t seen a Coregatedstielian in the flesh even once.

[alwaysbelieveinmiraclesuk]

Heart activation, cleansing & purifying soul at Pura Tirta Empul 🙏🏼💚🌺 #calming #releasing #bali

[mochiobonio]

" You're trembling, are you scared?"

" No, I'm not. Because it's you."

[tom4jc]

Psalm 79:1 The Enemy Is Infiltrating

O God, the nations have come into Your inheritance; Your holy temple they have defiled; they have laid Jerusalem in heaps. Psalm 79:1 In battles between two nations, there is often one that rises above the other. The enemy will sometimes be able to infiltrate the nation and cause destruction in order to break down the nation and win the battle. Once the enemy is inside the borders of another…

[superbdonutpoetry]

A Better Way of Understanding Edification

2 Corinthians 5:1 – Authorised Version For we know that if our earthly house of this tabernacle were dissolved, we have a building of God, an house not made with hands, eternal in the heavens. The word ‘edification’ relates to the word ‘edifice’ which is a building. 1 Corinthians 3:9 – Authorised Version For we are labourers together with God: ye are God’s husbandry, ye are God’s building. We…

[stealingpotatoes]

hands you all this cal to announce i’ve FINALLY finished fallen order (by which i mean i finally picked it up again after those couple hours i played a few months ago and then finished the whole game in 2 days lol)

[shihkas]

Alison Miller DID NOT have her license revoked

Stop fucking spreading this blatant lie around.

This lie was started by The Satanic Temple, an organization linked with Grey Faction, who routinely denies the existence of DID and inserts themselves into the 80s SRA allegations despite them not even existing at the time (not yet as a recognized institution). Alison Miller had already retired prior to this despite their claims (2). There was no license to be revoked because it no longer existed.

How many times does it need to be stated that The Satanic Temple and Grey Faction are malicious groups that routinely target trauma therapists, survivors and individuals with DID.

For fuck's sake stop using them as sources. Stop citing them. Stop talking about them in a positive light at all. These are terrible people who have said and done terrible (and, frankly, stupid) things and who are clearly not afraid of lying if it fits their narrative.

** I'm not inviting debate on whether or not Miller purports conspiracy theories, if you truly think she believes everything she writes then you REALLY need to take a course on scientific literacy. Writing about survivor beliefs and how to treat them =/= believing they are true.

[justana0kguy]

2023 SEPTEMBER 29 Friday

"I will give thanks to you, O LORD, with all my heart, for you have heard the words of my mouth;

in the presence of the angels I will sing your praise; I will worship at your holy temple.

I will give thanks to your name, because of your kindness and your truth.

When I called, you answered me; you built up strength within me."

~ Psalms 138:1-3

[il-predestinato]

Then:

Now:

Val d'Argenton 2012 vs. Austria 2023 ↳ Max Verstappen when it comes to "unfair" and his rival Charles Leclerc

[w3llf4ll]

Revealing my magnum opus: Holy Ghost AU (name… under construction)

BLURB CW: Mentions of gore/decomposition, and canon-typical violence

ART CW: Suggestive Themes, Robot Blood(?)

αChurch doesn’t get erased, not completely. While he was projecting his consciousness into Washington’s neural implants when the emp hit, his core is still buried in Blood Gulch. While Temple is starting up his freelancer hunt, he finds information about The Alpha’s human host… and where it’s buried. He digs up αChurch, an ai that’s been stuck in an abandoned base for years at this point, alone and deteriorating, but still more whole than the fragments ever were, trapped in an unmoving decomposed corpse. He digs him up, has his teammates make him an ai body, and team up with a mutual hatred for the freelancers and the project, especially Washington in αChurch’s case. Please please please ask me about this AU! I’d be so happy to elaborate!

@rvbrarepairweekdos

My Commissions Are Open You Should Check Them Out (u really cant beat $5 - $10 halfbodies)

[artandthebible]

Christ and St Mary Magdalen at the Tomb

Artist: Rembrandt van Rijn (Dutch, 1606-1669)

Date: 1638

Medium: Oil on Panel

Collection: Royal Collection Trust, United Kingdom

Description

Christ and St Mary Magdalene at the Tomb reveals how imaginatively Rembrandt could interpret traditional religious subject-matter. The scriptural source for this scene is the Gospel of St John (20:11-18), who describes in some detail the burial and subsequent resurrection of Christ following the Crucifixion. Mary Magdalene returns to the tomb early the next morning, only to find the stone at the entrance removed and two angels inside it where the body should have been. She then fetches two of the disciples, who check that the tomb is empty and then leave her. The angels then ask Mary Magdalene, ‘Woman, why weepest thou?’ and she replies, ‘Because they have taken away my Lord, and I know not where they have laid him.’ At that moment she turns round and sees a man dressed as a gardener, not appreciating that he is the resurrected Christ. She appeals to him for information, but he calls her by her name and she instantly recognises him. (‘Jesus saith unto her, Mary. She turned herself, and saith unto him, Rabboni; which is to say master.’) Rembrandt has depicted the moment of realisation just before the actual recognition. Most artists chose to paint the next moment in the text, when Mary Magdalene reaches out towards Jesus and he forestalls her with the words ‘Touch me not’ (in Latin, Noli me tangere).

Rembrandt skilfully evokes the dawn as the opalescent light picks out from the darkness the towers of the Temple of Jerusalem, the upper half of the figure of Christ, the face of Mary Magdalene, and the outline of one of the angels in the tomb. This use of light is almost symbolic in both the physical and the spiritual senses. The paint is in general thinly applied and, apart from the treatment of the light and the vegetation around the tomb referring to Christ’s activities as a gardener, could almost be described as monochrome. It is only after a time that the eye focuses on the two female figures (the Gospels of St Mark and St Luke refer to three Maries at the tomb) in the middle distance on the left descending the hill.

Of particular note is the positioning of Christ, who in the relationship established between his partially silhouetted vertical form and the Temple of Jerusalem behind and the rocky cave next to him dominates the composition, whereas the twisting pose of Mary Magdalene is the pivot. The tension created between Christ’s standing figure and the twisting kneeling Mary Magdalene is palpable. The artist’s only other treatment of the subject of Christ and Mary Magdalene is in Brunswick (Herzog Anton Ulrich Museum): it is dated 1651 and is totally different in composition.