#his children however-

[transsongtaewon]

Yoohyun used to be so well behaved, no idea where he got that from.

original image

[fanaticalthings]

POV: You're the oldest sibling

it's tough being the oldest.

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Bonus:

[323cutie]

OH!!!! or san/wooyoung after they go on one of those shows where they play with and take care of kids …. later that night they’ve got your with your knees to your chest, damn near sobbing and begging to put a baby in you

well. I went a little bit feral.

"S-Sannie," you gasp out. "San. Slow down."

San punches out a whine like the thought alone upsets him. His grip on the pillows next to your head tightens and loosens, and he gives you one strong thrust as if to physically disagree. You moan, long and loud, San somehow folding you over even more to press his face to your neck.

"Can't," he whimpers, one of his hands leaving the sheets beside you to run along your entire body, fingers twitching over your skin. "Can't, sweetheart... please, need to fill you up. Wanna give you a baby. Please."

You gulp and San resumes his regular, brutal pace, your nails clawing at his back while his cock slides against your walls deliciously. He'd mentioned today's schedule -- a variety show with kids -- a couple weeks ago, and you'd been excited to hear about it, but you never would have expected this.

"San --"

"Don't you want me to?" He asks, pulling out of your neck to look at you. His eyes are bleary and full of tears, and the unshed shine in his eyes makes you clench around him. "Fuck, don't you want me to fill you up?"

You can't even think anymore. You feel insane, feverish, nodding immediately: "I do, please, Sannie, give me a baby."

He sobs, pushing harder and faster into you even still. Desperate for release, even more desperate to give you what you begged for -- what you both want. He splits you open, a hand finding its way in between you to rub at your clit.

"Gonna give it to you, honey," San pants, but your focus is slipping. You think you're drooling -- then again, he is too. "Gonna give you everything."

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[skeletoninthemelonland]

Now that’s a rare sight

[puppetmaster13u]

Prompt 117

Bruce does not enjoy magic. In fact he’s absolutely horrible at it, to the point it’s better that he avoids it in general. Getting thrown into some sort of summoning circle bullshit was not helping him feel any better about it either. 

At least he isn’t dead… probably. He might be surrounded by green and there might be a massive entity sitting on a throne, but he isn’t dead yet. Even if the cult had been rambling about sacrificing ‘the dark knight to the dark king’. 

… His kids are definitely going to kill him, but there are small children peeking out at him from within the being’s cape. Who seem happy enough, while the… king looks exhausted in a familiar way. Well. Maybe it’s his own parental exhaustion talking, but they can’t be too bad if their kids are happy to be there. 

[poorly-drawn-mdzs]

Hanguang-Jumpkick

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[serpentface]

Janeys about to win his first ever duel to the death, mostly by virtue of being a less shitty swordsman than his opponent.

DUELING IN IMPERIAL WARDIN

Dueling is partially legal in Imperial Wardin, with official duels overseen and regulated by authority figures, and unoffical duels regulated largely by social contract. This form of combat allows disputes, accusations, acts of vengeance, and slights of honor to be settled outside of court or pure interpersonal violence. Ritualized aspects of the practice act as a sort of self-regulation, allowing scores to be settled while dissuading the developments of outright feuds.

No one is materially compelled to accept a challenge to a duel, but refusing can be a tricky maneuver. In many cases, this will be taken as cowardice and a stain on the challenged party's honor and masculinity, and may add significant fuel to the challenger's accusations. The circumstances where it is socially 'safe' to refuse are when the challenger is VASTLY physically outmatched, or is of markedly lower status or otherwise seen as a social inferior (being lower class, a eunuch/woman/akoshos, an infamously dishonored party, a sex worker, etc), though even this can be risky depending on the circumstances.

Women and akoshos cannot be challenged in duels, nor can they Legally be challengers (with a very specific exception for Odonii priestesses, who have men's legal rights), though they can indirectly do so via a male relation acting as their proxy in combat. The alternative is not Entirely unheard of, but very rare, and rarer still that a male opponent will accept. The concept is, however, a motif in heroic folktales wherein a young woman disguises herself as a man and enters into a duel to avenge the murder of her brother or another family member. In most variants, this is cast as a heroic as an act of extreme familial piety, with her masculinization being an entirely temporary means of doing so (which is immediately abandoned post-duel).

Once the challenge is accepted, both parties will negotiate terms through a proxy (by convention, this is a blood relative or other legal kin). This decides the time and location of the match, as well as its stakes. The majority of duels are Not to the death, rather to a lesser end- first blood, incapacitation, submission, etc. In fully legal duels, this agreement is submitted to a local authority and its terms become legally enforceable. Even in 'off the books' duels, the terms will generally be enforced by overwhelming social contract. There is effectively no backing out once the formal agreements have been made. One party not showing up at the agreed time and place effectively concedes a victorious social high ground to their opponent, but without the matter being 'settled' (encouraging further escalation).

Legally, duels must either be fought on private property or outside of city limits (as wearing a weapon in any of the capital cities is illegal for most civilians). You can find semi-legal underground dueling sites in most of the cities, though this tends to be associated with the petty, dirty squabblings of commoners and most nobility will opt to fight in the countryside.

Duels are typically overseen by a neutral third party, with legal duels being specifically officiated by a socially protected individual (usually a priest) who directs the ritual elements of the proceedings and observes and records its outcome. The arena is measured out in a circle approximately twelve paces wide, and marked with stakes and a binding of sanctified amenchil rope wound left to right. This form of binding is broadly used in cultural practice to delineate and spiritually protect sacred spaces (wound right to left in these contexts). Its reversed use in duels provides a regulatory psychological function- the arena becomes a segregated liminal space, and the rest of the world is symbolically bound with a protective barrier, keeping the violence of the dispute confined to this space and time.

Additionally, both combatants (and their familial proxies) swear a binding oath (before a holy relic in priest-officiated duels) - swearing to obey pre-negotiated terms and rules, and declaring that the victor shall be recognized as the righteous party and that the outcome of the duel wholly resolves the dispute. Being bound to such an oath might not settle things on an emotional level, but HEAVILY disincentivizes a duel starting or worsening family feuds- even in fatal duels, the defeated party's family has no justification to demand a blood price or avenge their slain kin, or otherwise commit direct reprisals over the dispute (and would be breaking a solemn oath before God, which will have consequences).

Both parties prepare themselves to fight. Exact traditions vary across the region, but duels are near-ubiquitously fought unarmored with a single blade (sometimes, but not always, replaced by staffs or blunted swords for non-fatal fights). In the south of the region (as depicted here), it's traditional to fight topless with one's cloak clasped around their hips and hair bound into a topknot (the gull feather here is not a dueling norm, but it's lucky).

Both combatants enter the ring and stand at opposing sides, and the dual begins at the overseer's signal. The challenging party is not permitted to make the first attack, and instead must dodge or block their opponent's first swing before they can begin to retaliate. The duel will then proceed to its pre-negotiated ending.

There are additional compacts that direct the fighting. Fleeing from the arena is an automatic loss (and an EXTREME stain on one's honor and masculinity). If the combat spills out past the boundaries, it must be halted and the arena entirely moved and re-bound before restarting. Surrender is possible even in fatal fights, and it is generally taboo to kill an opponent who has verbally declared defeat (as they have lost the duel in doing so, and the matter is thus settled- proceeding further is murder). These rules will be enforced by the authority in legally overseen fights, and are largely (though not universally) enforced by social convention in illegal duels.

Upon resolution, the winner extracts a verbal affirmation of their victory from the loser (if they survived), or from the loser's familial proxy (if they didn't). In some traditions, they are specifically permitted to cut the loser's hair (which is a humiliating and somewhat emasculating act, only adolescent boys (and mourners) wear their hair short in most of the Wardi cultural sphere). A winner who feels the loser fought/died valiantly or is otherwise highly respectable may abstain, as a means of protecting their opponent's dignity. The resolution of the fight ostensibly concludes the dispute, with the winning party justified as righteous in their cause, and gaining social capital and Masc Points in their victory.

[lunarharp]

the scrabblers and their bored boyfriends

[bumblingbabooshka]

I think Seven would tentatively confide in B'Elanna about dissociation problems and B'Elanna would be like "Seven, everyone deals with that kind of thing! Don't worry about it too much, okay?" and they'd both be like, quietly relieved that they're not the only one and thus think that it's normal when in reality they should both talk to like, a professional. AND THEY WON'T! Bc they both kind of know in their hearts that it's weird but it's ok, bc they found someone else who understands and won't try to analyze them about it <3 Seven Dissociation: Fragile sense of burgeoning identity. Goes between feeling 'too empty' (you're not supposed to be alone) and 'too crowded' - as if she can feel multiple identities within her. Feels as if the 'original' her has died and she is a completely different person than the pre-borg her, not as if she IS that child just grown up. At times of high stress, she sometimes has memory lapses which freak her out. Not connected much to her body. Is this body hers? Where did she come from? She was born when she was severed from the collective and she was born when she emerged from the maturation chamber and she was born at some distant point in the past beyond memory, to a Human woman she once called mother. At times she listens back to her personal logs and feels as if she's listening to someone else's thoughts and opinions. Sometimes she remembers saying these things but still feels this way. It reminds her of being Borg, where she can remember things she did but can't really...reach it. Can't empathize fully. Who is Seven? Is she that child, the Human? Is she Seven of Nine, the borg? No. No. Who is Seven? B'Elanna Dissociation: Has a very 'insecure'[?] sense of identity. Easily hurt by and conscious of what others think of her though most wouldn't think this is true. Long periods of feeling completely detached from her body and the world, though she's still going about her daily tasks. Looks into the mirror and doesn't really recognize herself or sees herself as revoltingly ugly in ways others don't see or understand. At times self-harms in an attempt to 'return to herself' if she's dissociating too long as it starts to scare her. Often goes back and erases personal logs made while she dissociating. As a child had an internal habit of blaming things on one 'half' of her, heavily demonizing "The Klingon" girl and this has persisted into adulthood. Views herself in a very 'split' way - "My Klingon side protected me from X" etc. Does not have a cohesive whole vision of herself but instead sees herself as essentially "Good Half" and "Evil Half". I can picture her saying it was like she had a twin sister growing up. This began further back than she can remember but solidified totally after her father abandoned her family. At times she feels she is the "good" version of her, berating the "bad" one and at other times she's the "bad" one being berated. Her body is ugly and she is half evil and if only she could get rid of it, disengage from it, escape herself totally....

[backpackingspace]

Okay but consider by the time the odysseus is baby girling himself during suffering, it's been very well established that he is the distraction/talk their way out of trouble friend. So eurylochus who has probably been putting up with this nonsense since they were children was going no no this is 100% normal just ignore it. While the crew (who was just random subjects yes?) Was going what the fuck what the fuck

[moeblob]

Nytis, my loser demon cleric, about to lose it.

[mando-abs]

Guys, I’ve read the Wild Robot

And let me tell you, if I hadn’t recently taken a Children’s Literature class in college, I would’ve said this was the best middle-grade book I’ve read since elementary/middle school. I almost read this book in one night (I was sleepy 😴) like I couldn’t put it down.

The heart behind this book is astounding and it never shies away from showing complex and difficult concepts. You will fall in love with Roz and her gosling son along with all of the other animal on the island.

If you’ve got younger ones, I highly recommend reading this to them or having a little book club moment with them. However, be prepared for whatever hard questions may come your way (i.e. circle of life and climate issues). You know your child and how much they can handle/understand. If you’re like me and much older, it’s a quick read and a great way to finish off a long day. It’s a part of a trilogy and you bet I’m patiently waiting for my hold on a copy at the library.

If the movie is anything like the book (which, given a rewatch of the trailer, it’s looking like so), we are in for a special treat.

[thestobingirlie]

steve wanting kids isn’t a character flaw!!!!! it isn’t regressive!!! and no, the party can’t replace actual children. they’re all teenagers with their own parents lmao

steve wants his own children. his own family. one that loves each other and spends time together. that isn’t a bad thing.

if you want to write about a male character having complex feelings about having children, write about jonathan.

[quietwingsinthesky]

journey’s end au where the doctor tries to kick everyone off the TARDIS and they just go, ‘???? no?’ and won’t leave. can’t be stupid and think everyone will leave you when they won’t get out of your house.

[standfucker]

Marco with a nesting instinct. You get pregnant and he's just compulsively buying more and more pillows and blankets. An absurd amount and he can't stop hoarding them. Keeps gifting you stuffed animals. Bringing you food in bed. And he's not even really aware he's doing it until you wake up one day and realize your bed has turned into a literal nest.