#his back story at least

[egophiliac]

(looks at upcoming card releases)

I'm in danger :)

[theribbajack]

"Now, the vow will be honoured, and my Lord brother's soul will return."

Radahn stans keep winning, but I personally am in Miyazaki's walls rn

[scaredii-cat]

My beautiful wife!! REAL!!!!

[raepliica]

(content warning: blood)

Sewed Up Heart

[ID: A Trigun comic done in grayscale with red accents. First, an anatomical heart gushes blood, forming a puddle which shifts into Vash's coat. Vash's gloved hands can be seen sewing up a tear at the hem.

Vash raises his hands, which are now bare and covered in blood. He looks sweaty and distressed, and he raises his coat to his face and cries into it. His clenched hands rip the sewed portion apart, and the red thread leads to a heart whose own stitches are tearing apart. The background gets darker and darker, and the red looks brighter and starker against it.

Then the background returns to white, and brown-skinned hands using embroidery scissors snip a red thread. Wolfwood holds up Vash's repaired coat, grinning proudly, and does a happy thumbs-up in Vash's direction. Vash lifts his head, seeming distant.

Wolfwood holds out the coat. As Vash puts out his hand to take it, the cloth is replaced so Wolfwood is dropping a sewed-up heart in Vash's hand. Vash rubs the coat against his face with a teary smile. End ID] ID CREDITS

[sunderwight]

Hualian Idol AU where instead of the statues the big reveal of Hua Cheng's longstanding amorous fixation on Xie Lian is all of his self-insert "my mom sold me to One Direction" style fanfics located in the depths of some boyband RPF archive.

[unproduciblesmackdown]

Lackadaisy Enrichment

[freyadragonlord]

How do I explain how married Han Yoojin and Sung Hyunje are in the post-epilogue Side Stories without sounding like I am exaggerating or making things up...

[poorly-drawn-mdzs]

Bonus 9: So that's where the turtle came from!

[First] Prev <–-> Next

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[somegrumpynerd]

Did a little doodle of the twins on my lunchbreak, Nightmare is reading the story out for Dream c:

[beskarfrog]

i didn't expect it to be someone like you, i didn't expect you to be like me

[egophiliac]

WHO IS THIS PINK HAIR GENTLEMAN YOU JUST POSTED? HES SO PRETTY???

he's Hayate from Ride Kamens! 🦩 he is my bird son a very silly guy who's part of a superhero (well...hero-ish) group trying to take down a cult, although his real passion is lattes. also, he is very pink!

(the fancy outfit was just for a game event, alas, although I spent way too much time grinding to get the pink variant so now it is mine forever, mwahaha. >:)

[plusultraetc]

okay but what if seeing quirkless pro hero Deku on the news inspires quirkless former-pro Takami Keigo to try the whole hero thing again, but this time on his own terms

[gingermintpepper]

In light of my recent Asclepius and Apollo musings, I feel like it's the perfect time to post this, actually.

How do you build a human being? 

Bold question. Foolish question. But a question it is all the same. 

The memory of his father’s consternated expression is still bright behind his eyes, that unusually furrowed brow, the tension in his gentle jaw. He didn’t falter in his setting of Asclepius’ broken shin, hands perpetually steady and sure, but he hesitated for a conspicuously long moment as though reluctant to give an answer. In this body, he resembled Orpheus something fierce. The same flaxen curls of his hair, the same delicate eyelashes that stand stark against the dark brown of his skin. Often Asclepius wondered if his elder brother was nothing but a body built to suit their father’s preferences. The subtle wrinkle of skin around their eyes when they smiled was the same, and the steadiness of their hands, the soothing power of their presence. 

And Orpheus did not bleed like Asclepius did. The blood in Asclepius’ veins were as red as any human’s, any mortal’s, but Orpheus seemed not to bleed at all. Even when he’d suffered the same fall down the crumbling cliff as Asclepius had. Even when his skirts had ripped and jagged stone sliced into his shanks. 

Even so, Orpheus was unmistakably alive. His eyes were rich with grief fresher than any blood spilt from the worst of Asclepius’ wounds, his counsel too, was tempered with the wisdom of a life well lived. So even at the apex of his most perfect, inhuman beauty, Asclepius never once doubted that his brother was a human being. Just that he was more divine construct than flesh and blood. Just that their father had built for himself a son that would not break as easily as all the others. 

His father stayed silent for so long that Asclepius assumed it would be one of the million questions that would go unanswered. Then, just when the last of his bandages had been wrapped - 

“A human body is easy to build,” he’d had that faraway look on his face as he spoke, like he was speaking to the horizon. Or a version of Asclepius that was not quite here. Such things happened from time to time. “Any flesh would do. From men, or animals, or even monsters. Any flesh would do.” Their gazes had locked then, and Asclepius would never forget the flecks of gold which swirled in his father’s blue eyes, the weight of divine words rattling at the boundaries of their mortal apparatus, “But the breath of life, a living soul? That is beyond your means as a mortal man. You ought never seek it.” 

(Asclepius would remember these words when he revives a man for the first time at the age of nineteen. He’s surprised to find that his father is wrong for once. Souls are easy to source when they’re already eager to return to their mound of flesh.) 

[victorie552]

Kind of a weird AU but hear me out:

Finwe marries Indis, right? Most controversial thing Finwe ever done and that includes leading elves from their ancestral home to a new continent to live with gods. Silmarillion says that it happened because he fell in love and I believe it BUT what Silmarillion doesn't tell you is WHEN Finwe marries Indis. I saw posts that say the canon is inconclusive and Tolkien probably changed his mind a lot, and half of what of what Tolkien wrote is thrown from the window by fandom, so.

Anyway, one of the versions said Feanor was at least a teenager when Finwe/Indis happens (I think). What Silmarillion states is that Feanor married VERY young by elven standards, and that Nerdanel was below his station (classism? in elven society? apparently!).

Last thing before I get to the main point: Fingolfin marries Anaire, a Noldo lady, who I saw often enough written as a noble or a court lady, perfectly fine that, no idea if that's canon. And Finarfin very much marries Teleri princess.

...I don't know guys, it feels very convienient. For princes to fall in love with exactly the kind of women who would be approved by royal court and strenghten political ties with other elven factions. If it was anything else than silm, I would call political marriages.

Time for crack: based on what I wrote above I propose an AU where it was FEANOR who was supposed to marry Indis. For politics! Vanyar are the most important faction in Aman! Let's marry into that!

But the MOMENT Feanor became an adult and they could process with courting without making it creppier than it already is, Feanor runs off to elope with his coworker and there's nothing they can do. Well, that's what Finwe tells Ingwe when Ingwe rages about it to him.

Finwe loves Feanor, he wants him to marry for love, and that's exactly what happens. But, uh, all Vanyar are pissed that there's no political marriage when they were promised one (they mad cause they look stupid now), and, well. Finwe decides to bite the bullet. For his son.

It's not true of course. But imagine family dinners after that.

[shitpostingkats]

Wandering my hallways and pacing around my home thinking about Final Fantasy XV and its myriad examples of the core cast casually dehumanizing themselves for the sake of what they believe to be something greater. Ignis has perfectly fine vision but wears glasses to correct to 20/20. "When you can't focus, I focus for you." All of Episode Prompto. Ravus seeing his sister's death as a tragedy, not just because she's dead, but because she's dead and she doesn't even get to rest. The repeated imagery of getting closer and closer to Noct's destined goal is literally him trying to hold very still and not flinch as he lets a sword hit him. The goddamn ending. The game is not in conversation with this theme. These are things that are true to the characters and they cannot imagine a world where they are not. I'm climbing on the walls.