#hes not evil though hes just edgy

[sc3n3kitt3h]

SCENEKITTEH VS EMODAWG

[simcardiac-arrested]

honestly surprised there hasn't been any petty Sliver of Straw stuff pulled by people (as far as I'm aware) with how concerningly unsensical some of the shit that pops up can be

honestly where is the #equality. where's the discourse over how people make her super serious and evil but she bets on lizard fights in canon and probably watches minecraft letsplays. Where's the discourse over her name being sliver of straw and not silver of straw as it obviously should be

[adozentothedawn]

I love Northward Turnabout Express, it's just the right amount of cheesy, dumb, and clever.

[sethdomain]

Reading mnmc and im going crazy and foaming in the mouth

[angorwhosebabyisthis]

tfw you want to write up a proper post detailing What the Fuck about a particular thing about a character, but you're too exhausted and out of sorts to figure out the best way to format it and you'd rather make an actual concise, relatively coherent post instead of just reblogging it over and over with 'jesus fucking christ'

[grimdarling69]

Another deaged Ellie and Dan, but Danny was reincarnated as Damian Wayne

Danny Damian because he was Damian now, wasn't he? He remembers now the Fentons, the GIW, Sam and Tucker, jazz. He wonders if they could have also followed him here. A part of him longs to see his fraid again, but are they his fraid still? He was a new person. Son of The Bat and Heir to the Demon Head. Something Dami he remembers reminding people of. If only Sam could see him now, he knows she'd love that. "Who's edgy now?" He can picture her saying. He can almost see Tucker laughing so hard he'd fall out of his seat.

Crack

The sharp sound of the thunder brings him to the present. He looked over at his clock, 3:00 A.M. The witching hour he can hear Ellie tell him with a mischievous smile on one of their flights around Amity Park. She loved to drag him and Dan sometimes Vlad if he was feeling friendly. Dan, his future evil self tormented by the deaths of all his family and friends, so hurt he got Vlad to rip his human half out so he didn't have to feel the pain. Ellie, his clone, created by Vlad to be the perfect son, too bad she was a daughter. Looking down at his stomach where their cores are now incubating, he couldn't help but wonder if Vlad had anything to do with this.

He shook his head as if that would rid himself of that thought. Vlad was a real fruitloop,but he would never purposefully endanger Dan or Ellie. Vlad, in his twisted and weird ways, did love them in his own ways like kidnapping and keeping him hostage to save Ellie. He had forgiven vlad for the desperate attempt to save his daughter, but incubating Ellie and Dan's cores would make him their father now, too. Ew, coparenting with Vlad does not sound like a fun time. He glanced down and lifted his shirt hesitantly. If he focused on his stomach, he could see a faint blue and red glow emanating from his stomach. Red, Vlads' color, he thought distantly. Hopefully, it didn't mean much. As if signaling him, the envelope they had carried with them to him fell off the bed carried to the floor by the slight breeze.

Lighting lumineating the bedroom, making the crisp white color shine for just a second. He tentatively reached down to grab it. He was being a baby. He was a trained assassin from birth, and his fear trained beaten out of him a long time ago. Some part of him whispered his father and Richard's teachings of being brave but not without fear.

He paused. Father would want to know everything. His past life, Ellie and Dan, the ghosts, being a halfa. He wouldn't understand, Richard would try to, but not even he could never really understand. He couldn't subject his babies to that. He couldn't live with the threat to being ripped apart molecule by molecule. His father's lack of emotional intelligence certainly would not help young halfas. He was fourteen again the age he was killed in his first life. The age he started facing ghosts from another dimension.

He started younger in this life. Killing younger, he learned to fight his whole life. Jazz would hate that. Jazz... he wondered if she was alright if she survived the attack... no, there's no time to think of that right now. He ripped open the envelope( like a band-aid, Richard would remind him), and he noticed Vlad's familiar fancy fruitloop writing immediately(he had fancy fruitloop writing now, instead of the chicken scratch Jazz chided him over). So he was right about one thing this had vlad all over it.

Dear Daniel,

Though I understand you might not be Daniel when this letter finds you. I have been reincarnated into another life as I believe you have as well. My new name is Alexander Luther. I own a corporation called Lexcorp. I unfortunately can not change the name according to my board. The idiot lot of them.

He snickered at that. His smile dropped immediately. Vlad was Lex Luthor, the archnemesis of Superman. Jon would most certainly not like this. He forced himself to read on before he spiraled further.

I regained my memories after an experiment went wrong. I know how original. My new incarnation was able to open a small portal that grew in size, and eventually, somehow Danielle and Dan fell through. The portal then exploded, and I regained my memories. Unfortunately, it destabilized their clone bodies. I couldn't grow working bodies in time, and eventually, I had to hope they could find you. I hoped somehow that the yeti doctor would have imparted some of his strange knowledge onto you that might save them.

Vlad, no Lex still wrong. Vlad was somewhat right about that. During one of his all things ghostly lessons from Frostbite, he told him of how in the old ages ghosts often incubated their ghostlings. A protective measure back when magic and spirits were more prevalent. He didn't really understand it back then, and he doesn't understand it much now, either. Apart from the fact he was doing it, he supposed. What if he did something wrong and he lost them? He doesn't think he could live out his half-life if he lost them again. He needed to get to Vlad, and quickly too so they could start building a new portal to the infinite realms.

If this letter finds you. Come find me immediately at these coordinates. I've gone deep underground to escape my new archnimesis's suoer senses. I've m started research on a new portal, but I'll need your endeneering skills. This world is severely lacking in ectoplasmic science and engineering. I am once again forced to start from scratch on my own. Once we get the portal open, you'll need to go straight to The Far Frozen.

It's as if he's reading my mind, I think jokingly.

P.s. One of my experiments may or not have regiven then my new DNA in an attempt to restabilize them.

Only Vlad.

Well, it looks like they actually were going to be coparenting after all. This was going to go great.

I sigh and lean my head back down on my pillow. He committed the cords to memory before lighting the letter on fire with the lighter he kept in his bedside drawer. Point to assassin training. Jason would be proud. He supposed he could stay for a month or so before leaving, which would give him enough time to get away or think of some kind of mission to give himself. He shoots up. Todd had died and came back. He was a revenant. He couldn't stick around if he were to visit he'd know something was wrong immediately even if he didn't understand it.

He sprung out of bed quickly, but quietly, his foot steps perfectly silent despite his rushed mood of packing a bag. He packed a few pairs of clothes and lots of hidden weapons, some snacks he kept hidden for that should keep him fed on his journey but leaving any sentimental things behind. He glanced longingly at his sketch pad, but Vlad was most likely under the water judging by the coordinates he was given. Who knows if it would survive.

He checked the pack, making sure he got all he needed. He promptly checked it again. Twice. After deeming it sufficient, he willed himself to open the door. He mentally cataloged everyone in the manor. Pennyworth was most likely still in Father's room, making sure he actually listened to his insructions. Richard and Todd in Bludhaven and Crime Alley, respectfully. Cain and Brown in Hong Kong. Thomas was sleeping after his dayshift.

Everyone accounted for except Drake. He was most likely using Pennyworth's attention on Father to work cases. He just had to take the risk. For his ghostlings, for himself, Vlad. He crept down the hallways. He was opening the grandfather clock in record time. He went slower this time. He would use his powers, but his father had supernatural wards of all kinds in the cave. Who knows what they did. He was also admittedly trying to save his little energy for his voyage on the open sea. Light snoring hit his ears as he peered around the corner.

Thank ancients.

Drake was sleeping at the batcomputer, still in his Red Robin suit sans mask surrounded by his poor choices. Empty coffee cups and files spread around. He would still need to be quiet, Drake was a light sleeper, as was everyone else in his family. He grabbed the keys to his bike quickly, sneaking by. If he wasn't ditching his bike at Gotham Bridge, he would have disabled his trackers. He checked the gas and made sure he could make it. That's when he made his first mistake.

Putting the gas jug back down, he accidently hit another of one of his siblings' tools to the floor. He tried catching it without success, but it fell anyway, the loud clang echoing. Mistake number two.

Shit.

"Huh? What's happening?" Drake arose sleepily rubbing his eyes.

He froze. Mistake number three.

"Damian? What are you doing down here?" His eyes landed on him, and he spoke confusedly with his voice heavy with sleep or lack thereof.

He panics. He's blaming the pregnancy hormones on this.

He runs.

"Damian!" Drake responded to his dead sprint with his own. "Stop!"

He reaches his bike, and he turns the keys and prays. Luckily, it comes to life. He fumbles with his helmet it would hide his tears he needed it. who knows if he'll ever get to see them again. He shoots off down the tunnel. Flicking the cave door open remotely.

Another bike rears to life behind him. "Damian wants going on?" Drakes voice echoes in his ears. He can almost taste the concern in it amplified by the helmet. He ignores it and accelerates. He ignores the returned acceleration behind him.

----------------

Tim has no clue what made Damian panic enough to run away. He quickly ran to his own bike while swearing. Damian is already gaining distance on him. After another attempt at getting Damian to calm down and talk, he calls the only person Damian would actually listen to.

He hopes Dick will forgive him for waking him at five o'clock in the morning on his day off.

[twisted-wonderland-but-gayer]

A Well Deserved Grudge

Summary: You still hate them after their overblot

Notes: GN Yuu. Some based off some stuff from the light novel. Yuu is pretty evil in Jamils. General edginess that comes with angst

Based on this old post abt Yuu with scars

Riddle Rosehearts

A familiar click of heels has you on edge. As they approach you turn around to face him, messing with some of the bandages around your neck from your last encounter. There stood Riddle, his confident stance dropping the second he meets your eyes. 

His usual piercing gaze filled with anxiety as the words he so wanted to say— needed to say— died on his tongue. He's such a coward without a rule book. He's even more cowardly under your scrutiny.

"What?” You deadpan at him and Riddle swallows, looking at the bandages on your neck and arms. He then looks at your face, covered in a few scratches from rose bushes.

“... I… am here to… ” His voice shook toward the end and he took a breath to steady himself. “I'm sorry Yuu. I didn't mean to hurt you.”

You merely raised a brow and fully turned to him. Riddle could see the gash along your neck that peeked through some of the bandages. A grim reminder on how his magic failed during his overblot. The expression you had on your face as the collar around your neck continued to tighten and cut into you haunts him.

“You’re apologizing?” A flicker of determination flashes in Riddle's eyes as he nods. 

“Yes. I know it's not enough but… I'm sorry.” The dullness of your eyes reminds the dormleader that this was far from enough to smooth things over.

“I do not forgive you.” He should have expected that, yet he winces still. What is he supposed to do in this scenario? What else does he say? There is no rule, no guide to what he has done. Deuce and Ace said that he needs to make things right, but how?

“... I understand. If there's anything I can do to earn your forgiveness, please–”

“I don't think there's anything you could do that makes this okay.” Your voice is dull as you pull at the bandages on your neck. “Shouldn't you be in the headmage's office fighting your expulsion?”

It was true. Crowley was to judge whether or not he was to be expelled for his actions. It scared him. “I… I am but–”

“Then go. We both know you won't be kicked out– Crowley doesn't have a backbone and your bitch of a mother will make sure you stay in. You want to ‘earn’ my forgiveness? Stay the hell away from me.” 

Riddle grits his teeth and closes his fist tighter. Emotions of all kinds surge through him. He's confused, he's guilty, he's angry, he's lost. 

Most of all, he's scared. Scared of your gaze, scared of how you hold yourself. Your eyes remind him so much of the ones above him he tries to please and they're boring into him with such disapproval.

“I don't want to see you around, get your shitty tantrums in check. Just because you lose your head doesn't mean others have to. Just go.”

By now you've turned away and started walking off. Riddle could only watch, unable to find the strength to move or say anything. It was probably for the better. He needs to go to the Headmage.

Jamil Viper

He hates this feeling. You have forgiven him, though and through, water under the bridge and he hates it. He hates how you shrug it off. He hates that you don't hate him. He hates this guilt.

He mind controlled you. You. A magicless and defenseless human who was already helping him. You who are in a position so similar to his. You who had no way to fight back. He kidnapped you, keeping you in Scarabia for days regardless of your own plans. If it weren't for your dorm ghosts feeding the fire fairies, Crowley would have cut off your food for the week.

Then he tried to kill you, and had the audacity to be angry at you for it. To add even more salt into the wound you were so kind with him afterwards. You didn’t seem to take it seriously. Take him seriously. Your attitude reminds him so much of Kalim which makes this even worse.

He hates your smile. He hates your attitude. He hates the way you have to walk because of your injuries. He hates seeing glimpses of the wounds on your abdomen from him.

Yet another reminder of his failures. How he hates someone that's not entirely to blame. How he hates someone that's overly nice. He avoids your gaze so often he doesn't notice the glints of satisfaction within it.

Vil Schoenheit

He could only stare at the prefect within the mirror. Their gaze so fixated on themselves and their new appearance they paid no mind to the hospital bed they should be laying in. He wants to lecture them to sit, lay back down and to stop sitting up, but he's sure they would break down if he did.

Blackened veins run along your body, your skin reddened and inflamed in random areas. Even with all the magical remedies the doctors have given you, the black tar like substance runs through you still. “Good going Vil. Really fucked that one up huh?” 

Vil’s eyes met yours in the mirror, he could see your face steel itself before you turned to him. Your eyes stood out against the inky scrawls of venom coursing through you. They were so cold, so angry.

“... I know this is something I may never be able to amend…” Vil starts, taking a breath. Fuck. Years of acting and hard work are lost on him. It is hard to keep strong when seeing how badly your own childishness, your own selfishness hurt someone this badly.

“I want to apologize. I know this is far from enough. I plan to not only cover any costs that may occur in your recovery, but to also offer my support in any way I can during your recovery.” 

Your gaze only hardens. "Bare minimum I guess…” You sniffle a bit as words slur. It was clear you were still inebriated. You weren't going to be the most logical right now, but that's fine. He will say this apology a million times over if it would make it right.

“... If there is anything you need..."

“Go away.” You sniffle again, wiping away tears. “Just leave.” Vil swallows and shuts his eyes for a moment. “I understand.” 

As he turns to leave the drugs in your system really start to kick in. “You… You really are a villain.” The words come out crude and harsh, no doubt you are speaking to hurt him. Yet as you turned away he could see your face in the mirror.

Scared. You were scared of him. You were scared and truly believed in what you were saying. And you weren't wrong. He is a villian.

Malleus Draconia

A mighty dragon places his glass heart in the hands of a human without their knowledge, and is enraged when the human breaks it. Except here Malleus broke it himself to protect himself from the possibility of the human hurting him first. Now he holds the shards of what's left and sees them stained not by his blood, but by yours.

A position he put onto you, his only friend. He does not even know if he has the right to call you that anymore. Not after his little stunt. Children of men do not deserve to be locked away in the dark, no matter how beautiful you were in it. They were to be free. Even if it hurt him. You and him could have been free together.

He looks at your expression. It still holds no fear, no anxiety, just as foolishly brave you were when he first met you. Instead it holds disappointment. Such a pathetic emotion that he would smite off anyone else if it wasn't you. 

“... You're really selfish, you know that?” You mutter and look away from him, as if not wanting to believe the words coming out of your own mouth. “Were we really friends or was I just some doll to you? Some obsession?”

A sniffle. “I wanted to be your friend…” Malleus hasn't the words to respond. He can only open his mouth then close it. “I know. I'm sorry. You made me so happy I wanted you all to myself. It's not an excuse, but when I thought I would be losing you, it was too much for me. I made… A very rash decision.”

There's silence. More deafening than the silence at his birthday parties growing up. “Is there any possibility you could forgive me?” It was a daring question, one he was afraid to know the answer to. 

“... I don't know, Tsuno. I think… I think I need some time to think about it.” You turn away from him and his heart sinks, the pet name does nothing to soothe his nerves.

He remembers all the times he's told you how his kind are born cruel and you would tell him that his actions have shown just how kind he could be. That him learning to be nice and overcoming his nature is more meaningful than anyone who was born that way. 

And he ruined that. He may not be able to choose his nature but he can choose his actions. He chose to hurt you.

[vvividlyy]

So I watched Days of Future Past again last night, and at the part where Erik stabs Logan with all that metal and then throws him into the lake, I thought, Wow this is so edgy and over the top, like why is his beef with Logan SO personal at that moment?

One funny/shippy thought is that he's jealous of Charles and Logan because they seem to be pretty friendly and Logan is VERY protective and fond of Charles during the whole movie, even though Charles is a complete mess lol. (When Erik & Charles fight on the plane, I do think that they both have valid reasons to be upset with each other, but Logan is just very blatantly on Charles' side lmao)

More importantly though, Erik is SO overwhelmingly like... evil in DOFP. He doesn't hesitate to try and kill Raven, he detains Logan in the most sadistic and violent way he can think of, and then he makes a public declaration of violence and terrorism and attempts to kill the president & co before Raven stops him.

And all of this is done in front of Charles. Charles, who doesn't use his powers to stop Erik at any point, even when Erik says multiple times that without his helmet, he's defenseless against Charles. Even at the end, Charles controls Erik just to get the giant metal thing off of him and then releases his control instantly. Erik points out that Charles could freeze him and allow the humans to arrest him again and return him to prison, and Charles acknowledges that but it's clear that he's allowing Erik to be free. Even after all of Erik's rather astoundingly bad actions throughout the movie, Charles won't hurt him.

I think this is something that Erik cannot stand. I genuinely believe that he acts over-the-top violent and awful as a way to push Charles away, but it doesn't work.

It also brings to mind the Beach Divorce, when Charles gets shot and Erik is holding him. He immediately wants to blame Moira and you can see the moment his heart breaks with Charles tells Erik it's his fault that Charles got hurt, not Moira's. I'm not even convinced that Erik was set on leaving until Charles said it was his fault. I think Erik paralyzing Charles, who up until that point had been a rare beacon of uncomplicated happiness, really convinces Erik that he can't be good. He's only good for avenging and killing, and then he spends forever trying to convince Charles of that, too. He wants so badly to be unforgivable and for Charles to not love him anymore so it's no longer a choice to return :(

[bonefall]

do you have any tips for writing a low empathy character who isn't evil? Or how to make an interesting apathetic character who's a thoughtless sort of evil? These are two different chatacters btw-

I tried looking up examples and stuff but uh. It's been a bit fruitless.

Honestly it's not too hard! Having low empathy just means we're bad at automatically "connecting" to the feelings of other people. You can come to understand it's not even a character flaw once you uncouple the idea that Empathy = Kindness. And apathy, well, that one's a bit more complicated imo.

Low Empathy

In English, it's just unfortunately super common to conflate Empathy and Compassion. To have compassion is to be aware of the suffering of another person, and ergo, want to help stop it. To be empathetic is to identify with and understand the feelings of another person. These are different things.

For an example in action; imagine a medic with a patient whose shoulder is dislocated, and xey'll need to pop that arm back in place in order for the patient to feel better.

A medic feeling EMPATHY for that patient is having an emotional response to what xey're seeing. Xey might have a tingly "ghost pain" thinking about the injury, and xey might feel guilty xey're going to put them in more agony, but also joy because this patient is going to feel much better in just a moment.

A medic feeling COMPASSION for that patient is thinking about how the shoulder must be causing a lot of pain, and knows xey have the skill to fix it. Xey know from xeir own experience that pain sucks and so it is a bad thing that needs to go away. It will hurt a little more for a moment, but then there will be immediate relief.

This is imo, why a lot of low empathy people are "bad at" comforting people without going to Autism College where they give you the scripts of Shit Neurotypicals Say. We're not trying to be selfish when we end up making "comfort sessions" about ourselves-- that's what we think empathy is, because we don't have a lot of it to really know what you want.

Like, doesn't it make sense to you? "I don't know what you're feeling. Here's a similar situation I've been though. I must know what you're feeling-- does that make you feel better? That you aren't alone? I think that's what empathy is, am I right?"

A LOT of low empathy people go into medical fields, the funeral industry, and disaster relief. We often really do want to help people so seek these fields out, or when we get there, just end up not getting burnt out like our high-empathy peers!

Apathy

As for the apathetic character, honestly, I'd suggest thinking about your story's themes. Villains are very special to me and I always try to handle them with care. What are you trying to say is bad to not care about in your work? How does their apathy play into the story you're trying to tell?

A Captain Planet villain is completely selfish, and exists only to benefit itself by exploiting nature in some way. Then the Planeteers show up and punch it in the face. Boiled down to its barest, most simple essentials; "We have conflicting goals and so I will stop you."

Personally I find total apathy to be something not especially compelling in villains, for that reason. Like, if you really don't care about anything, why bother with the trouble of going against the protag? Motivation is meant to be MOTIVATING.

(also ngl I'm on the Shadow As A Hero sort of bandwagon where I find it much funnier for the simple apathetic cool edgy guy to be the funniest person on your tennis team)

Dungeon Meshi has TWO characters who struggle with apathy, and are both antagonists at some points in the story, but never villains. Shuro and Mithrun. The theme of Dungeon Meshi is the beauty and complexity of life, the value of living, and how our connections to others changes the people we are. Food is a metaphor for bonding, self-care, and understanding.

For Shuro, he begins the story as someone who's both been encouraged to bottle up his emotions for the sake of other people, as well as to not actually consider the emotions of those lower-born than him. He's from a very different place than the other members of his party, and this causes friction as class, culture, and sophisticated, refined, weapons-grade autism clashes.

When the woman he loves is eaten by a dragon, he doesn't stop to tell her brother and """childhood friend""" what he's planning, as if they both wouldn't run in and get hurt. He owns demi-humans. He doesn't consider his own needs or the needs of his rescue team of loyal vassals. As a result, he's too weak to continue, losing a fistfight with one of the main characters, Laios.

After this, he connects with him for the very first time, and reaches out to him by giving him an important magic item. There's even a MASSIVE moment where he outright tells Laios that his ability to be so open (read: not have to mask his autism) is something he envies, breaking through that veil of apathy he wears.

The story Dungeon Meshi is telling here is that it is important to value the needs of yourself and of others. Shuro's apathy towards his own needs in a bid to prove his love weakened him. In acting like he was above his old teammates, he never spoke to them like people to smooth out his issues. He's never even noticed how much his vassals love and care for him.

(and the incredible irony is not lost on me, that Shuro's name is because Laios mispronounced it and was never corrected... while Shuro never noticed that Izutsumi had the unwanted name "Asebi" forced onto her when she was "taken in" and made his slave.)

See how that comes back to the theme? Shuro doesn't exist to just "be some asshole" or act like a villain. He has a full character arc that contributes to the narrative.

For Mithrun? I won't even spoil it. Go read Dungeon Meshi. Watch elf depression. We love a king with strabismus.

Anyway,

If you ever need good personal resources on any stigmatized mental condition, I've found it's usually productive to go into the #Actually (Thing) tag here on Tumblr. You can find people posting about basically anything. I found a lot of really good resources on NPD that way.

[thestargayzingheroine]

Why A Better World is my favourite "Evil Superman" Story

So in the last two decades or so, there's been a notable amount of dark and edgy stories around superheroes turning evil and whatnot and most of them really love to do their own expies of Superman. I've never been the biggest fans of these kinds of stories.

And then there's the actual stories of Superman and other heroes being outright villains or at least just massive assholes. In recent years, this has been largely thanks to the influence of media like the Injustice Games or the Synderverse DC movies. It's... honestly become a trope I am tired of.

Because you know the damnest thing? There is a story that does all these ideas really damn well and arguably better. It is the two-parter from the Justice League cartoon "A Better World".

Now, I am aware how most people favouring the DCAU has become a bit of toxic nostalgia at times and it's something I myself am trying to work through a bit. But in this case, I do think it's the best idea of doing an evil DC story, much better and more interesting than the Crime Syndicate, who if you ask me are not very interesting, though I do remember liking the Crisis On Two Earths movie a lot, which funny enough, was originally going to be this two parter before various things led to it being canned and then later repurposed as a direct to DVD movie.

Anyway, my main crux of why I love this story is simple... The entire Justice League turns evil... and the reasons are very much in-character for all of them. You look at the scene with Justice Lord Batman for example.

As fucking evil as the Justice Lords are... Batman can't quite fully hate his alternate self for his reason for taking part in all this being basically one-step further than his own mission, that no child should ever go through what he did. Hell, I recall reading that the reason the writers had Batman drop his batarang at the end of this scene... was because he genuinely wouldn't be able to come up with an argument to that.

Superman likewise kills Lex Luthor because yeah, Luthor literally exploited the flaws in Democracy and became president of the US, threatening to kinda basically start world war 3. It's obviously horrible... but Superman is a character whose main motivation is making the world a better place. And if people who abuse the systems of power of the world are hurting people, why shouldn't Superman put a stop to that?

And yeah, Superman should obviously never kill, he's the most paragon of paragons of the DC universe, a man committed to always being better than the villains he fights... but this is him pushed to his most logical extreme. Hell, the main Superman knows this and its why Lex used his knowledge of this alternate universe as part of his plan in the season after this, to goad our Superman into crossing the line because yeah, there's a part of him that could go this far.

But right as Superman is about to apparently finish him, the big guy says this.

"I'm not the man who killed President Luthor. I wish to heaven that I were but I'm not."

Because Superman like everyone else, obviously would have those same thoughts and same urges. He's human.

I've kinda gone off Injustice a bit because to be honest... the injustice games were kinda just this but a bit too edgelordy. Hell, in A Better World, Lois Lane still lives and the whole genesis of it doesn't revolve around her getting fridged.

So yeah, A Better World is probably one of my favourite mirror universe stories because of the fact that well... it really is like looking in a mirror and seeing just how easy the greatest heroes can become evil and how they wouldn't be massively out of character doing so. But also it reminds us that as much as this darkness can tempt some of our finest, the ones who don't go down this dark path are stronger in heart than anyone else. Because when the world becomes a dark and horrible place, it becomes very easy to be just as dark. But even though it can be hard to still try and be a good person even in dark times, it's ultimately worth it. Because good always triumphs over evil.

[fuckitwebhaal]

the dark urge

please do not come for me these are just my takes and opinions on the durge route, as someone who has run it through a few times and is pretty familiar with the lore in regards to the previous games. also massive spoilers below. like if you do not want any dark urge spoilers stop reading now.

The Dark Urge (henceforth referred to as DU), whether approached narratively as resisting or as succumbing, is more of a solidly fleshed out origin for a customizable player character compared to Tav. The reason for this is because the DU follows the precedent set by the previous Baldur's Gate games where the main player character is a Bhaalspawn. (If I recall correctly, that was also the intention for BG3, but it was scrapped and the origins split to allow for a fully customizable option).

I'm not going to get into the history of the Bhaalspawn, save to say this much: The protagonist of BG1 & 2, Gorion's Ward, is referenced on rare occasion throughout a DU playthrough and is implied to be dead. (Though they are never named as Abdel Adrian from the TTRPG canon, it is implied that it seems to be following a blend of canon from BG2 and the TTRPG canon). Bhaal, who had split his divine essence into his many children, relied on their deaths and a ritual so that he could return--in a physical sense--to the planes and reclaim his godhood as the Lord of Murder.

You, BG3 DU protag, are crafted purely from Bhaal's divine essence. This was confusing to me at first, because I had believed Bhaal incapable of having any more mortal children (due to not having a physical presence), but it is implied that Bhaal's spiritual and divine essence is strong enough to form you from himself, he is merely lacking the ritual that would return him to physicality. Which is where you come in. And, Orin, I guess.

Because you were crafted from Bhaal, it is implied that any cultural or genetic claim (such as half-elf, dragonborn, or whatever race you choose) is but Bhaal's mimicry of what those stereotypes should be. You're a killer, a Bhaalyn through and through, and you'll be the one to slay the world and slit your own throat on the carcasses left behind to bring about Bhaal's return. The only thing is, you got cocky. Confident. Comfortable. Careless. You got comfortable in your alliance with Gortash and Ketheric. Orin was jealous and wanted your blessing--your place as Bhaal's chosen--, so she struck you down, muddled your mind, and infected you with a mindflayer parasite. That's why you have no memory, and why you ended up on that ship.

So, here you are. You have no memories, but you have a rage and a disgrace and a vengeance you can't quite place. You've got an urge telling you to kill, kill, kill.

Pause. In previous games, the Bhaalspawn protagonist didn't have a "dark urge" that caused you to want to commit violence or murders outside of your control. (Not including Siege of Dragonspear (2016), which does include one uncontrollable murder. This DLC was released as a bridge between BG1 & 2 and came out after the pitches for BG3 had begun). It's implied that this is because of your pure divine creation--think Jesus. Think godspawn. God and mortal. That's what you are, murder incarnate.

The main crux of the DU run, then, becomes this: what do you want to do with this? There are a few paths laid out before you, but the narrative is pretty clear: you are a killer, and you'll always be a killer. This is where I first ran into my concerns with the DU; I was afraid it was going to be an edgelord-y, murderhobo-y playthrough that sacrificed story and companion mechanics for the sake of a bloody kill and edgy narration. I was pleasantly surprised to find that it wasn't the case, because the story unfurls really well no matter which way you go.

A friend of mine played the DU run totally evil; every bad option, every urge indulged, so I asked them what they thought of it. They said it "It definitely involved a lot more violence and death than [their Tav] run, but it's not like [they] murdered everyone [they] came across", and "It did feel a lot like someone very confused with themselves becoming very drunk with the power that comes with the urge".

I played my two DU playthroughs in two parallel ways. The first being Kyr; a DU who wanted to resist his urges and talked a good talk, had a good heart, but at every major moment, he failed to resist and ultimately succumbed back to Bhaal's embrace and became his Chosen.

My other playthrough is Nyris; a cynical, mistrustful bastard, he started out a little rocky, but growing with his companions caused him to reject the evil in his blood despite his other moral shortcomings; in the critical moments, he rejected Bhaal's influence and overcame.

How the DU presents to me, then, is this: nature v nurture. Which will win, which will overcome? By playing Kyr, it felt as though the nature was his driving force. It didn't matter how removed he was or how hard he tried to convince others that he could do better--how hard he could try to convince himself he could do better--he was already doomed by the narrative. Bhaal's manipulations drove him back home, and he didn't even realize that he'd been sucked back into the cult until it was far too late.

But, then, what about Nyris? To him, it felt like nurture. If you remove the cult from him, the indoctrination, what was left? A man struggling to make his own identity, but among those who reaffirmed it every chance that they could. He relied on his own strength and that of those around him to overcome, even if he was unsure, afraid, doubted. It feels like the nurture, or lack thereof, of Bhaal and the Bhaalist cult meant that he was free to grow and learn away from it.

It's something I find further supported in conversations with Jaheira and Minsc, who both talk about "their Bhaalspawn companion", otherwise known as Gorion's Ward from the first two games.

[ID: Minsc: "If Minsc did not inherit the flaming red hair of his mother, or the bushy red beard of his father, why would the spawn of Bhaal inherit his wickedness?"

Kyrran: "We should talk about nature versus nurture some day."

Minsc: "It is simple. As with all battles, the winner will be the one that carries the bigger sword."]

So, in my opinion, the personal arc of the DU and one that the player must engage with is the idea of nature versus nurture, and how your DU will cope with the revelations of their paths in light of the new memories and friendships that they have forged. That's not to say you can't always swing to one extreme; never indulge or always indulge, it's still digging into that nature versus nurture idea.

There is, also, the more overarching theme of BG3 in regards to breaking cycles of abuse, power, and control. If you lean into the idea of nature v nurture, and you realize that there were originally foster families involved in the upbringing of the DU (before said families were murdered, or the DU stolen away by the Bhaalist cult), you have to consider two things:

1.) Bhaal is comparable to both Shar and Vlaakith as gods that indoctrinate their religious followers, and

2.) Bhaal is comparable to Mystra and Cazador as those who take control of a severe power imbalance to inflict their will.

The narrative informs you, if you accept Bhaal's gift as Chosen, exactly the consequences that will fall upon you. It is the same as the consequences that are so heavily explained to you in regards to Shadowheart, Lae'zel, Gale, and Astarion.

[ID: *A gift from your god, your Father. An offering of his affection for you, or confirmation that he owns you.*]

[ID: *For a moment, the brine-pool of your brain clears. To die: to rest, to save the world from yourself. To accept, to become his prophet - in any disobedience, subject to his lash.*]

A lot of people say that the DU run is the "evil" playthrough, and it truly isn't. Just like any of the other decisions you make in this game in regards to your companion quest, it is a question of power and control. Power you give up by rejecting Bhaal is also control that he loses over you. Power you gain in accepting him, to exert over others, is also the control he will take. It's up to you how you will approach the DU, but I think it is shortsighted to say it is the "evil" playthrough if you are not fully engaging with the themes. You can make all of the good options that you can make with Tav--but you are fighting the narrative. The narrative has a plan for you. If you want to resist, you will have to fight for it.

[hestzhyen]

Chapter 53 Fear Posting

Hello, kind internet void. What a chapter, huh? Not much to say other than I need someone to heal Chihiro's pain pronto.

That's a lie, of course- there's always a yapfest from me. Thanks for tolerating my nonsense as usual.

Hiruhiko Gets Fucked

Ch. 49

Ch. 53

How it started vs. how it's going for our playful psychopath foil

I loved this moment. Instead of shaking the protagonist and making him question himself, Hiruhiko's trolling just shows us that Chihiro is already well aware of how people see him.

Hiruhiko tried to call a bluff with the ol' reliable "I'm just like you" to make the MC question everything he's done, but it backfired in a huge way. He should have been paying attention since the start:

Chs. 1 & 6

Chihiro wasn't just being edgy in these moments early on, Mr. Discount Mahito.

I enjoy when the author has the protagonist confront that they really aren't so different from their sworn enemies. When done well, it helps the character clarify their moral stance and adds depth as they incorporate some of their enemy's ideals into their own worldview. But Sojo already forced Chihiro to do this. So what value would Hiruhiko doing the same have? Is it different just because they're close in age and Hiruhiko said he already understood Chihiro?

Nope. The meaning comes from Hiruhiko posing a different question.

Sojo asked: who gets to have the final say over Kunishige's intent? The answer Chihiro came to is: the one who's willing to go the farthest to fight for their vision.

Hiruhiko asked: are you aware of how evil you appear to be by going so far? Chihiro answers that he is, and always has been.

I'm really pleased with this turn of events! The flippant piece of shit doesn't get to waltz in and completely upend the protagonist's worldview by pointing out that he's killing people for once. Instead, we get an amazing inversion of the scenario that makes me want to cry for Chihiro. I trusted Hokazono-sensei to do a crisis of conscience arc well but this is a much better outcome IMO. It's never too late to try and exploit a character's cognitive dissonance between their beliefs and actions, so good try Hiruhiko. You just tried to fuck with the wrong traumatized MC. Enjoy being two arms lighter for the next few chapters.

Seriously though, fuck Hiruhiko. I appreciate his role in the narrative and I'm looking forward to what he does next, but he's kind of on the same level as Soya for me. I will cheer his death and not mourn one bit when we move on from him for good.

But we shouldn't be glad when people are killed, should we?

On Death and Killing Intent

This chapter had many jaw-dropping action moments but they're all so sad.

In my Chapter 51 post, I went on a bit of a tangent about how the adult cast all seem to have a heavy burden that they're using to try and steer the younger generation. Samura, Shiba, Kunishige, and Uruha all reject the idea of being "heroes" and the first three are shown to be reluctant to take lives if they can help it. Because killing is a wrongful act that leads one to hell. Doesn't matter what one's intentions are- taking a life is an act of evil. The adults didn't want the younger generation to revere them or try to follow in their footsteps.

But Chihiro chose to do so anyway, and he's taken their mindset to heart to help himself commit to the bit.

Doesn't matter that Chihiro tanked all of Hiruhiko's attacks to let the audience escape. Doesn't matter that he held back to avoid accidental casualties. Doesn't matter that he's ridding the world of the Hishaku's evil. He's a killer - a monster- that's going to hell. And he's resigned to it. He doesn't even have the excuse of saving lives or fighting a war to hide behind- he's steeping himself in sin for selfish reasons.

I was wrong about Samura having to teach Chihiro how to buckle down despite knowing he's walking the path to hell- Chihiro can already do it. So Hiruhiko was right. They're both drenched in blood with no chance for redemption. But that wasn't what Chihiro was pissed about last chapter. It was Hiruhiko assuming their reasoning for killing as being the same that got to him.

Chihiro doesn't find pleasure in killing someone, obviously. Not even Sojo, who was an objectively evil child torturer that wanted to use Kunishige's works to massacre innocents. But when Chihiro's alone against true evil, like his fights against Sojo and Hiruhiko, he goes full-on villain mode to meet them where they are. He's walking straight to hell and doesn't care about how it makes him look when the people he cares about aren't there to see him at his worst.

I posted a little bit about how loved Chihiro is even if he won't let himself realize or accept it, and it's true more than ever now. Chihiro's not a good guy. We shouldn't be thinking he's a purely wholesome person. But he's a damn sympathetic protagonist who is in a truly unbearable amount of pain, and I want him to just... let himself cry or something.

We don't mind that he's a murderer since we see him focus on doing what good he can, like taking detours for abused orphans and risking his life to save helpless captives. He's not the same as the vile scum he kills. Chihiro, though... "All scum go to hell!" is one of the earliest taglines of the series. Pretty sure he would apply this to himself, too. He's in a self-destructive spiral and we're just now seeing how far gone his mental state is.

What's that saying... the road to hell is paved with good intentions?

Chihiro and Samura

Seems like Kunishige was (or could have been) quite the warrior himself based on Shiba's comment... putting a pin in that.

Samura's got a ton of death flags, sorry to say. He's just scooping them up and dumping them all over himself. Not gonna stake my life on this or anything but Tobimune is probably going to be usable by the Hishaku somewhat soon... I hope Chihiro gets to reunite with him one last time before that happens though. Surely next chapter is where the gang gets back together...? Hakuri will probably teleport Chihiro to the temple once he's recovered, so it'll just be a matter of Chihiro getting Hiruhiko to talk enough before that happens.

Not that the type of food has deep symbolic meaning, but Chihiro and Samura are sharing traditional tea snacks; probably higashi (干菓子) of the rakugan variety. They're extremely dry and sweet, so I doubt Chihiro enjoyed them- is that why they're untouched? Maybe Chihiro wasn't actually willing to stop looking at Samura as a hero despite what he said? I don't want to make guesses about the meaning of the food being uneaten. I've been too fried by IRL stress to have much time to think about fun stuff lately. Just know that this is another food=connection/understanding moment that's a bit strained instead of comfortable. (Hakuri's still the only person we've seen Chihiro willingly accept an offer of food from and actually eat... hm.)

No wonder Chihiro considers himself a monster if a "hero" like Samura talks about himself like one. Noble beliefs (hi, Hiyuki!) don't shield you from the horror that lurks in your conscience. It's really respectable of Samura to be so blunt about the reality of what he did and try to steer away Chihiro from admiring him, but the consequences we see now are...

None of them could have known that Chihiro would end up like this a little over three years later (hopefully). He took the lesson of "killing=monstrous" to heart a little too well, sadly... so who can help him break that mindset? Assuming the author wants to say that Chihiro's not the villain he thinks he is, at least. Which is reasonable. He might not be a hero, but he's not truly a monster either.

It depends on who else knows about how he's faring and if Chihiro will let anyone in to help. Keep close tabs on how he interacts with Hakuri and Hiyuki, IMO. One or both of them will probably be the key to him at least stabilizing his metaphorical descent into darkness. Even if they can't pull him out, they can walk through hell at his side.

Hakuri's more than willing to do this already- I wouldn't be at all surprised if he considers staying with Chihiro to be the best part of his life so far, despite all the hardships that he will face. He was already in hell when they met and Chihiro helped pull him out of it. Hiyuki's the bigger question since we hardly know anything about her right now. Her faith in Chihiro as someone who only kills bad guys is important, though. As of this chapter, I can see her helping him out if she believes it's the morally right thing to do.

Spaghetti Queen Thoughts

I'm a little surprised we've left Hiyuki behind for most of the arc to this point, so I do wonder where she'll factor in and how much.

She's set up to be just as important as Hakuri was during the Rakuzaichi arc thanks to her strong ties to the Kamunabi. And there are issues with her that are completely unexplored; namely, her convictions clashing with how the Kamunabi operates. Maybe we'll see her again with the other two bearers? Or when things shift back to Kamunabi HQ for the blood test reveal and such?

I wonder how she'll be motivating Chihiro. They squabble like siblings already; she's the only one who genuinely gets under his skin (which is very cute if you ask me). Both of them are headstrong and idealistic, but Hiyuki doesn't seem to be down on herself and what she does nearly as much as Chihiro is. So maybe that'll be the angle... hard to say when there are so many unknowns, so obviously she needs to come back ASAP to give us more insight!

Thanks for letting me ramble, kind void... see you next week if I make it there.

[zippidi-dooda]

Overblot design ratings starting at the bottom

DISCLAIMER: everything is ranked higher than Leona cause his toes

7) Score: 6.5/10

I think this is self explanatory-put shoes one, cause 1: ew, dirty floor may step on a nail and 2: you got long nails, if you stub a toe, the nail will break or be pushed back into toe and it will hurt, though I will say I like the "tights" or ink covering the legs and ankle bangles. The stitched rags are a cool idea but compared to other designs, it doesn't exude fear or an aura of power. I like the upper half though, it suits you and I like how the fur across the shoulders represents Scar's mane. The hair and makeup is nice, but the makeup is lacking compared to others.

6) Score: 6.8/10

The makeup is amazing, love the addition of the crown->that plus the shell necklace are a lovely representation of Ursula. I was surprised and happy to see this ob transformation but it's kinda just a darker version of Azul's merform to me so lacking a bit of creativity, still like it though

5) Score: 7/10

Admittedly this design is very plain compared to even the two before him, but it gains bonus points for changing flame color based on emotion like Hades' hair, the hair here is also styled just like Hades' so if we think about it, someone could have literally blowed his hair out during the battle like happened to Hades, plus I like the mask, similar to the masks that light up when you talk which is fitting for Idia's chatacter

4) Score: 8.3/10

Shoes are freaking amazing, the snatched waist, the tight fitting ... uh skirt, dress (?), the dangly jewelry, amazing, love baggy-Jammi but Jamil needs to wear more slick clothes like this, black and blood red suit him, makeup is great, inky chin pubes are ehh, turban is a bit over the top but it represents Jafar when he first gets his power which is fitting and the medusa hair is also representative of Jafar's transformation and looking at Jafar's dialogue we now know that deep down Jamil loves puns which is great. Will say that although each character gets a skin tone alteration when the ob, I found Jamil's most apparent and he kinda just looks ashy, but still a great design

3) Score: 9.3/10

So when I first saw this, I hated his crown, sun, peacock headdress thing but seeing it more and more, it's kind of fitting, Vil is the only one who could rock something so "extra" (I mean that in a nice way, idk the right word for it), and if it represents a peacock it matches with the feathers on his legs, and I guess the claws do too. Honestly, I think this design was more inspired by the Evil Queen in Snow-white and the Huntsman (I may be wrong on that, don't quote me) but again, it is very fitting for Vil as a character. The subtle hints of red are nice, love the crown and the puffed sleeves and the dark veil. All of it is very grandiose and regal very queen, very Vil, but the dirty collar peaking out (and kinda the sleeve style) reminds me of Snow White which can be fitting for both the Queen and Vil because they both hate the one people praise but are always overshadowed by them, no matter what they do people will remember and connect them to the one they hate, even if they had succeeded in getting rid of them. The corset's okay, just shows that the rose has thornes, makeup's okay looks like his dorm crown and makeups nice but not much else

2) Score: 9.8/10

He is adorable. Should I be scared, yeah probably, but he looks like an edgy cupcake I love it. Has one of the best makeup designs, love that the crown stays but just becomes more deadly, love the choker, love the spiked collar, love the high boots, his heart is displayed for all to see, double belts are always a safe bet, the painted roses represent the queen how things went wrong, the thorny vines wrap around him showing how sharp his words can bite, and the cards hanging from him, dyed in black like him are a lovely addition to the ensemble because it represents how even when gone mad, the Queen's soldiers dutifully followed her orders and came to her defense which, if Ace hadn't done anything, would be exactly the case for all the Heartslabyul students when Riddle overblotted

1) Score: 10/10

I mean, come on now, look at him. I love the minty skin tone here its representative of Maleficent and really suits him. The cape shifting from purple to thorny green flames is also representative of Maleficent at the end of the film which I love, the crossing cage on his chest and under his skirt reminds me of the gates/windows/doors patterns of the time Sleeping Beauty is based in and we know he love architecture so points there, the style of the shoes/tights also look like the style if the time a little dorky but cute. He wears bangles and ink runs up his shoulders but I think it's interesting his arms and hands are mostly uncovered which is uncommon in almost all of the ob forms. The design of his corset is nice, don't really get the point of the belt tied in front but hey if it come down to it, grab and throw him over your should then sprint away, he'll be thrown off for a second but greatly angered afterward but hey distraction. The hair brushed back really seems to make him look more royal than he normally does which is nice and we can see his scales which are perfectly enhanced by the makeup outlining them. Now, I do like the green glowing between the plates of his tail but seeing the same pattern going on in his horns throws me off since I think I got too used to seeing his normal horns, his horns do look longer here but I'm not entirely sure that's true or if its just an optical illusion cause of the colors. Overall, the true extent of his strength and power are showcased clearly in this form which I think is great, and I see his cape is still dragging on the floor despite his height and the fact that he's floating so I need to see him walk down the stairs and swish his cape around like Mother Gothel

And that's it, what ranking would you give these Overblot forms? Which one would you wear?

[damnfandomproblems]

Fandom Problem #5905:

I am so sick and tired of rape being the ultimate evil in fanfiction when there were worse things that were done. Yes, rape is bad but genocide is even worse. Why is the genocider acting as though the rapist is more evil. I'd get it if it was someone they really cared about but to act though the rapist is more evil when they themself committed genocide over someone they just met, this is just ridiculous.

Most ridiculous usage of this would be that one time I read a fanfiction about how the wife of an evil demon lord with 600+ wives wants to finally rebel against her husband . . . for attempted rape on someone she doesn't even know. For context, canon is a parody of R-18 edgy dark male power fantasy so just think of your typical R-18 dark edgy male power fantasy protagonist and up it to eleven, I am not exaggerating about the 600+ wives. I know the author was going for a girlboss story about how an obedient wife strikes back and regains her independence with a side of lesbian romance but her motivation is weak as hell. Girl, you let your husband destroy your home, kill your teachers, friends and other innocent humans and the only ones who were spared were the women who agreed to become his wives. Fucking mass murder wasn't enough to make you rebel but attempted rape was? Did you think that when your husband ordered his demonic troops to plunder that small innocent village, he told them this " now you can kill everyone there including the children and animals, you can torture them for fun, you can steal their treasures but you can't rape them. I can excuse murder and torture but rape's just going too far." And why is the demon lady who canonically tried to kill kids for funsies also helping you because of the attempted rape of someone she never knew. "I can excuse child murder but rape's just too evil". The most hilarious part of this is that the demon husband is canonically a rapist.

[honeycreammilkshake]

Hey so idk if you know about this, but in Japan the politicians are going ham on trying to get BL and GL censored and illegal (???)

And with how gege likes bl, gl, and a lot of queer romances in general, do you think if he didnt play it safe, sukuita would have been canon?

i think i've read about the recent backlash on yaoi/yuri/etc in japan. and i'm really happy gege came out in support of queer series. i feel like it means a lot that they did that.

i also have a feeling that gege knew exactly what they were doing when they made sukuna and yuuji so shippable, but i'm also sure that jjk being a shounen would have prevented sukuita from being canon either way, only because then the series would technically be classified as yaoi or bl instead. and since this was marketed as shounen, it's highly unlikely that the publishers will allow it turn into bl (especially now that there's more censorship of yaoi).

however, gege still (so unsubtly) went out of their way to give us some of the most bl-looking scenes between yuuji and sukuna.

i mean just look at this!!! sukuna is like some kind of lovesick kitten, trailing after yuuji the whole time, yet insisting he's nothing more than an intimacy-hating stray who can't stand any kind of closeness or warmth. but if that's the case, why cling so much to yuuji, who (may i remind you) was the only guy to treat sukuna as human??? i don't know, kinda looks like you're a bit needy for that affection, sukuna.

then there's them constantly taunting each other like boyfriends that can't stop being competitive for one moment. (over the literal smallest of stuff, too. you know the infamous king of curses couldn't care less what kind of crayfish he got if he wasn't with yuuji... he constantly has to show us - so painfully unsubtle - just how much yuuji gets to him.)

but at least he gets to one-up yuuji during archery... though of course the brat isn't as impressed as he should be. (you can just sense the hurt pride dripping off of sukuna's words after yuuji said playing with him wasn't enticing.)

i mean, this whole chapter just made me feel like sukuna is like those tsundere guys in yaoi who can't tolerate having feelings for the cute protagonist everyone loves, so they have to be as edgy-looking and rude as possible whenever their crush comes around. (and then their crush is just 10x nicer to them because of it, which only makes them even more insecure and angry.)

sukuna, it looks like you're repressing lots...

... especially with whatever you got going on here—

(do you think gege drew this with a nosebleed?)

and just when you thought it couldn't get any gayer... these two are pretty much canonical soulmates whose fates have been chained together since before they even met.

(i think i'm noticing a trend with how gege draws them like this —back to back, two parts of a matched set, all but fused together.)

it reminds me of those yaoi manga where the protagonist becomes an unwilling (at first) bride to the monster guy everyone else hates but then slowly starts falling in love with him despite everything because oh maybe he isn't so evil after all.

and though the most recent chapter have really made it seem like yuuji has been pursuing sukuna in this way, let's not forget that sukuna was also the biggest flirt with yuuji before all the feelings hit him far too hard.

sukuna, you've known yuuji for only a few days and you're already feeling up his heart? isn't that usually not until the 3rd or 4th date?

so he does something like that but then has the nerve to act all coy with yuuji later on...

"it's annoying" he says but he's smiling. he looks almost excited. (yes, we know you like yuuji looking up at you without permission, sukuna, we get it already. you don't have to spell it out for us so obviously.)

and yuuji, honey, you know he's into that, right? stop falling for his thinly-veiled traps; you know he loves to bait you like this, you're just feeding his ego. (and also i can't forget to mention just how frustrated sukuna gets when yuuji does ignore him!)

oh and remember that fighting is how sukuita flirts, just in case you didn't pick up on that already.

they look so excited to be doing this right now — yuuji's unhinged grin, sukuna's "fight me" eyes... (mappa, it's a crime that you didn't animate this ;-;)

i'm crying, they could have done comedy together.

also... why are they grinning at each other like this?

sukuna's sitting on top of you, yuuji so why are you looking up at him with that completely unhinged look on your face? (i would say get a room but isn't that what innate domains more or less are?)

and again. if we didn't understand it perfectly well enough already, gege doesn't want us to forget that sukuna just loves it when yuuji fights back.

just look at his feral grin at the idea of yuuji trying to take him on... he loves messing with this brat.

and although sukuna and yuuji are never officially married, the fate they're forced to is almost exactly just that. in sickness and in health (mostly sickness) they are bound to each other, and only death does them part.

crazy how they got divorced TWO times...

.... yet they still can't escape whatever threads them together

even if it's not explicitly stated, it's still heavily implied that yuuji was the one to set sukuna on this different path, to remind him of whatever humanity he had left.

he was the one to connect with sukuna as the king of curses was dying.

to hold him gently and remind him that the monster he is was a matter of chance, that they could have shared that same curse if yuuji hadn't had his grandfather to provide him the fulfillment he needed while sukuna didn't have that in his own life.

to even propose that they could live together, even if he alone would accept such a thing.

it's like something straight out of a doomed romance story. i've never seen such romantic dialogue even in actual bl romance.

and if the heartbreakingly, over the top romantic dialogue wasn't enough, this is their official art, too:

like does any of this look straight to you? (also sukuna can't stop trying to get his hands all over yuuji, it's insane.)

i think it's pretty clear that sukuita is essentially canon already. and short of gege drawing them violently making out with each other (which, technically, that's what fighting is like for them) that crazy one-eyed cat made it nearly transparent that sukuita is actually a thing.

gege, you're THE shipper. to think they got away with inserting the most wonderfully messed up and fascinating yaoi story into a shounen series about a boy who literally sticks his enemy's fingers in his mouth is just crazy.

[thewandererh]

bOO‼️

@if-you-heart @if-you-mind @if-you-soul

told heart this but i drew fanart of ya’ll’s sweet angular soul guy :]! i couldn’t not…look at his dumb face…..🥺

i have two versions because the lighting experiment came out ok-ish. t was originally blue (because it was coming from the left side lmao) but red looks better 🤷

it’s a little simple and the composition is messy, but it was a good stress relief + shading practice :D! im proud of it. i’ll definitely draw him (and the gang) more though if i can!! been getting better with hair recently and tested out my skills with this one :]. styling and keeping consistent with hair is tough, but oddly relaxing. did some lineart in the car somehow 👀??

he looks like such a,,,bro i can’t….. i love how stupidly spindly he is

i was attached to this stupid lanky fictional(???) man the *moment* i saw this post. absolutely bonkers. i was so charmed by this concept i shared it to all of my friends you don’t understandjshdkdhdgsgd /silly /but yeah i did do that XD

also you fazgang have been reblogging and liking my stuff 🐥 <- looks up at you like this chick

which,,,,thankie,,…🐥🐥😳💛✨

.-.

for you onlookers have some more posts by the fazgang (what the if-you-hms-gang call themselves) to gaze upon. you will not regret,,

.-.

i’ve noticed a trend that i often tend to write big paragraphs about a simple piece of art i’ve made, which is okay but i get the lack of interaction lol. im very proud of my art, and go on rambles on why i like it. the formatting i turn to aswell as the text and images almost turns the post into a collage? visually?? i love collages so it works out XD! but anyways,, im not upset over notes, i just like getting my art out there. so thank you to everyone whose viewed, read, liked, and followed for the ride :]. im glad you appreciate my stuff, it’s what i can offer <3. it won’t be consistently one fandom but im glad to not be alone in my interests. good god that sounded like a traumatized rant (maybe it was but:)

TLDR: check out if-you-heart/mind/soul :]! they are very cool and nice💛