#heresy of the free spirit

[gazetto-no-ki]

LIVE2024 HERESY LIMITED 【HETERODOXY Vol.3-IMMORTAL CREED-】 2024.09.12 Toyosu PIT - spice.eplus Live report

At every live show, the GazettE's vocalist RUKI always says, “First, thank you for sharing this time with us.” These words are not just a formality; they come from his heart, and during this two-hour performance, it became evident that this is the reality of their world. Thousands of fans filling the venue chose to share the same space and time with the GazettE, directly meeting the members’ gaze and creating an intense sense of unity. What seems like a "usual" sight for their live shows—a sea of fans and the band connecting deeply—is, in fact, a miraculous and irreplaceable experience. This night served as a profound testament to that truth, and it will surely stand as an enormous “trace” (shouseki) in the band’s future path.

In April of this year, the band’s bassist REITA passed away, and this was their first live performance after the memorial concert "HERESY LIMITED 'SIX GUN'S,'" held on May 27th. This show was part of their fan club exclusive series 'HETERODOXY' Vol. 3. Ahead of the performance, vocalist RUKI stated that the setlist would be chosen from across the three-disc best-of album they released about two years ago (the GazettE 20TH ANNIVERSARY BEST ALBUM HETERODOXY -DIVIDED 3 CONCEPTS-). He also explained that the title, "IMMORTAL CREED," carried the meaning of an "undying belief." In other words, the purpose of this concert was to reflect on the band’s journey so far, while reaffirming their unchanging commitment, no matter what happens. After watching the two-hour show, this became an undeniable conviction.

As the start time approached, the SE track "HETERODOXY" played, and five flags, adorned with the logo of their fan club ‘HERESY,’ slowly rose. With the five spirits gathered on stage, the intro to "Filth in the beauty" began, featuring graceful female vocals. This unexpected opening song sparked a cheer from the audience. When this single was released in 2006, its innovative blend of heavy rock and R&B created a buzz, and the floor shook with movement as fans jumped and headbanged at RUKI’s command. Applauding the sight, RUKI then transitioned the applause into clapping, signaling the start of "VENOMOUS SPIDER'S WEB." As the distorted guitar sound filled the venue, laser beams, like spider webs, crisscrossed the inside of Toyosu PIT. Uruha (Gt) and Aoi (Gt) exchanged guitar riffs while Kai (Dr) drove the beat forward, overwhelming the space with the band’s signature heaviness.

“Tokyo! Show me how cool you can be!” RUKI shouted as "VORTEX" began. Uruha had already taken the center stage platform, and RUKI moved fiercely from side to side, riling up the crowd with clapping and headbanging. In the powerful chorus, you could clearly hear REITA’s (Ba) voice, and the excitement in the room continued to rise. This unusually fast ignition of energy showed that the band truly craved the live performance setting, something RUKI hinted at in his next MC.

“Can I be honest with you? I’m so happy to see you. Really, live shows are a place where you can let out any feelings, any emotions, so feel free to do whatever. Show me any face you want. You don’t have to worry; we’ll lead you.”

Next, they performed "GABRIEL ON THE GALLOWS," a hard-hitting, vertical-headbanging song, followed by "FADELESS," a catchy melody wrapped in loud rock. Both numbers combined the decadent theme of ‘falling from grace’ after losing wings, delivering a clear narrative. During the latter’s outro, the spotlight turned to the rhythm section, placing the focus on the bass, and chants of “REITA!” echoed through the venue, etching his presence into that space.

RUKI’s vocals, both smooth and on the verge of breaking with sharp shouts, were bathed in blue lighting and smoke, reminiscent of water's surface, as he walked unsteadily, expressing loneliness through "DRIPPING INSANITY." The song introduced a world of quiet sorrow. In "QUIET," where the powerful drumming felt like it could blow everything away, RUKI sang "For now it's goodbye" but didn’t complete the line "The habit of leaving an empty space by your side." This left the audience with a tightness in their chest. After the poignant guitar echoes faded completely, applause filled the venue. RUKI’s silhouette swayed like a shadow puppet under the heavy, drumbeat-like drumming of Kai, while Aoi unleashed the maddeningly beautiful intro phrase of "GODDESS." The performance, drenched in red light, ends with RUKI singing of a broken mind, and just as he repeats the words "Are you testing me?" the curtain lifts on "BABYLON'S TABOO." The red lights flickered like candy threads across the hall, while RUKI whispered the spell-like phrase "ADE DUE DAMBALLA," creating a dark and unsettling atmosphere akin to a ritual. The band's heavy, technical, and tricky performance was captivating. No matter how aggressively they stormed through the songs, the deep tracks that followed were always integral, forming the foundation of the GazettE’s profound world.

"After all, live shows are great. Standing here, I feel like this is a place where you can release any emotion. So, everyone, don’t hold back. Let it all out, everything, and follow us from here," RUKI said.

Emphasizing the word "everything," the band’s physical power began to push the emotions of everyone present. In "TWO OF A KIND," RUKI incited headbanging with calls of "Head! Head! Head!" while the audience unleashed their wild energy under the weighty and brisk sound. But it wasn’t just their bodies that trembled—the lyrics like "Knowing the same pain" and "Every time we share our scars" shook their hearts as well. Under the laser beams, "VERMIN" painted a thrilling sight as the crowd leaped high during the chorus, while REITA’s gritty bass lines intertwined with Uruha’s swirling guitar. When the intro to "ATTITUDE" kicked off, the crowd exploded into a massive sing-along and clapping to "Until die!" RUKI rallied the crowd, shouting, "Come on, shout from your gut! Make it reach!" as the guitarists quickly switched positions, driving the audience into a frenzy.

"You're doing great, Tokyo! Can you keep going? You can do more, right? This isn't all you’ve been holding back! Bring it on!" RUKI roared as the crushing low bass of "ABHOR GOD" reverberated through the venue, sparking a storm of headbanging. As the crowd clapped in unison, Uruha and Aoi stood side by side, strumming their riffs, electrifying the audience with their presence. The intense blast beats of Kai and RUKI’s death growl brought the madness of the final moments to a thrilling close.

Then, as RUKI shouted, "Can you handle the last one? The last one!" and Kai hit the bass drum with a steady four-on-the-floor beat, the audience instantly responded with claps and cheers. In perfect harmony with the crowd, the band launched into "TOMORROW NEVER DIES." When RUKI shouted, "I’m singing for you guys!" fists were raised high, and the front members of the band freely ran across the stage, filled with the joy of performing. As the crowd erupted into cheers before the final chorus, RUKI looked up to the sky, repeatedly asking, "Do you hear it!?" The voices from the audience grew louder with each repetition. Needless to say, by the end of the song, RUKI let out a roar, pouring out all of his feelings.

Though REITA’s physical presence couldn’t be seen, his sound, his spirit, and his soul were unmistakably there. Because through the GazettE’s songs, the memories and presence of REITA were etched into the hearts of everyone in the venue.

"First of all, I want to thank you for sharing this time with us. You all have your jobs and daily lives, yet you chose to come to our live show today, and I’m really grateful for that. Truly, I’m genuinely so happy. No matter what expression you have, show me your faces clearly. To be able to meet again on the day we promised—honestly, I think that’s such a blessing. Time is something that inevitably passes equally for everyone, but today, every single second, let’s make this an unforgettable and amazing moment together, you and us."

Responding to the encore, the band reappeared, and RUKI expressed his gratitude as always, speaking about the happiness of being able to gather for the live show, which was met with applause. He followed it with these touching words: "Memories, you know... they're treasures that will never disappear for a lifetime." Then, he began singing the deeply emotional "Anata no Tame no Kono Inochi." (This Life is for You) with heartfelt love and melodic grace.

As he called out, "Let me hear you!" a huge chorus erupted, and during another early song, "Akai One Piece", the crowd joined in with claps, fists, and headbanging, creating a truly spectacular scene. "Go wild and go home! Can you do it?" he shouted, as they launched into "INCUBUS," sending heavy bass through the venue and creating a sea of raised fists, shaking the hall. This led seamlessly into "Hyena," where REITA's shout echoed across the venue from the start. Although REITA's voice and bassline were not live, the overwhelming live experience born in that moment, with the drums, twin guitars, vocals, and the audience's chorus all coming together, seemed to possess a mysterious, superhuman power.

The last song RUKI signaled was "UNFINISHED," a track that unmistakably declared that the GazettE’s journey is far from over, and they have yet to reach their final or complete form. Aoi leaned against Uruha, layering their sound together, while RUKI brought the lyrics "I'll take your hand" to life by gesturing as if pulling the crowd’s hands into his own. The audience responded with all the voice they had, and the unforgettable stage reached its emotional finale.

"Thanks to all of you, we were able to create an unforgettable and amazing day. Thank you. And next year, thanks to your support, the GazettE will be entering its 23rd year. As a surprise, we've prepared a promise for when we can meet again. We'll be waiting for you like this once more. Please spend your precious time with us again. Thank you for giving us such an incredible day today and for always supporting us. Please continue to support the GazettE from here on. Let's meet again. I love you."

As RUKI spoke these raw and sincere words, he gazed across the floor filled with applause before leaving the stage. On his way out, Kai embraced the bass amp. The flyers distributed at the venue's exit announced the tour 'the GazettE LIVE 2025 23rd ANNIVERSARY TOUR Shouseki,' which will take place in January through March next year. The tour will begin at Nagoya's DIAMOND HALL on January 16, continue at Osaka's Namba Hatch on February 6, and culminate on March 10 at the Tokyo Garden Theater, marking the band's 23rd anniversary.

The title of the tour, "Shouseki" ('traces or a trail that will serve as proof in the future'), reflects their earnest desire to leave behind a solid mark as the GazettE continues its journey. What kind of "trail" they will create along the way will depend on the audience who loves them.

[plasmometer]

What's your interpretation of Chaos?

If you had your way how would Chaos, Chaos corruption, and their relationship to the warp work? How would psykers, faith, and Chaos corruption change? How would their role in the grand narrative of 40k change? How might this change or recontextualize things like the Horus Heresy, the fall of the Eldar, the Sabbat wars, and the fall of Cadia/Cicatrix Maledictum?

okay.

chaos should work as pagan spiritualism. we have spirits(daemons), that are the embodiment of a concept or an event, and they act according to their nature. they don't need your goddamn soul, bc they have no free will or desires, they are unchangeable. but. if the soul is close to the aforementioned concept, it will be pulled in by the "gravity" and become a part of it. so the daemons will absolutely influence mortals to gain that astral mass and be more stable.

astral presence warps the body and mind. it generally warps it in the directions your "soul spikes" are pointing - new body will be better at things you like or do constantly. once your mind can't handle the change any more, your "soul spikes" change directions aimlessly - you become a chaos spawn. if you know what you want and your resolve is strong - it won't happen.

every use of warp powers is a fair exchange - although you don't always know what is taken from you. always keep that in mind and track all your losses, psyker. deals with daemons work the same - they are pure astral matter, not a creature, even if they look like one. remember that, summoner.

god-emperor is nothing but a big warp presence as well - and it works just the same with him, except you don't get any cool mutations, and live a boring life full of shame and regrets. i mean, if your soul wants it, then alright, but eh... i judge you. find something you personally are aligned with, not forced into.

chaos is ambivalent. it just so happens that death causes a huge emotional output. not all deaths are equal though. one of the millions slaughtered by a chaos space marine means nothing besides the fact of death - unlike someone's first murder done by a glass chard in self-defence. your rivals have to be the same size of you, or bigger - or there is no astral output.

i am not well-versed in 40k history, so you gotta figure things out yourself based on the provided concepts.

thank you for a good question!

[godslove]

Dear Anon,

Beloved, when was the last time you read the Bible, prayed to God and basked in His presence for at least 30 minutes? Some pray and stay in God's presence for up to 4 hours. It's possible. I want to quote a man of God when he said that “I have never seen a man of God with a strong prayer life and reads the Bible/the Word of God that doesn't have peace.”

Why do you feel that way? Why are those the thoughts you think? There are 3 voices that we hear:

God

Satan—the enemy, spirit of the anti-christ, the devil, the one who fell from heaven/the fallen, the evil one (this is a long topic for another post. Read Revelations 20:7-10 to know his destiny in the end times.)

The flesh—the corrupted, sinful nature of the devil mixed with the pure body that God created. In Genesis, man took the sinful nature when Adam and Eve gave into temptation.

‭¹⁹ “Now the works of the flesh are evident, which are: adultery, fornication, uncleanness, lewdness, ²⁰ idolatry, sorcery, hatred, contentions, jealousies, outbursts of wrath, selfish ambitions, dissensions, heresies, ²¹ envy, murders, drunkenness, revelries, and the like; of which I tell you beforehand, just as I also told you in time past, that those who practice such things will not inherit the kingdom of God.”

—Galatians 5:19-21

We have to pray to cast out demons and its whispering lies of gaslighting, slander, gossip, condemnation, self-hatred, self-doubt, hatred towards others, deception, depression and fearfulness. Sometimes the thoughts we hear are not ours. The emotions we feel are not from God. It's either the enemy or the flesh. The flesh grows or shrinks depending on how much you feed it or starve it. It's the part of you that always wants more and complains or blames other people when you don't get what you want.

‭“I say then: Walk in the Spirit, and you shall not fulfill the lust of the flesh. ¹⁷ For the flesh lusts against the Spirit, and the Spirit against the flesh; and these are contrary to one another, so that you do not do the things that you wish.”

—Galatians 5:16-17

God only gives us a spirit of power, of love and of self-control. Anything other than that is from Satan.

We pray with faith in God's power:

¹⁴ Now this is the confidence that we have in Him, that if we ask anything according to His will, He hears us. ¹�� And if we know that He hears us, whatever we ask, we know that we have the petitions that we have asked of Him.

—‭1 John 5:14-15

We lift up our burdens to Him and lay them all at His feet. When we pray, we let it all go and let God be God. Our loving Father will always give the best for His children.

The answers you are seeking are in the Bible. When I read the Bible, He reveals to me the answers I seek about everything in life. When I asked for deliverance, He was faithful to deliver me when the pain was too much to bear.

And He said, “Abba, Father, all things are possible for You. Take this cup away from Me; nevertheless, not what I will, but what You will.”

— Jesus Christ, The Prayer in the Garden, Mark 14:36

There is purpose in every suffering dear. Sometimes the pain we experience can be excruciating but sorrow that brings you closer to God is better than comfort that pulls you away from Him. Don't look at others and say that “God has favorites” because we don't know the personal problems they are going through which we have no knowledge of. We all have our cup of suffering. Followers of Christ are not free from the winds of trials and tribulations, especially in this earthly life.

The more you walk closer to God, the more the enemy tries to pull you away from God either via pleasure (the worldly temptations) or pain (problems in all areas of life). If that happens, pray to God and stand firm in your faith.

“Trust in the Lord, and do good; Dwell in the land, and feed on His faithfulness.

⁴ Delight yourself also in the Lord, And He shall give you the desires of your heart.

⁵ Commit your way to the Lord, Trust also in Him, And He shall bring it to pass.

⁶ He shall bring forth your righteousness as the light, And your justice as the noonday.”

—‭Psalms 37:3-6

God answers prayers dear. Your heart posture has to be right first. When you pray, approach His throne with thanksgiving and praise. Remember the sacrifice Christ has done on the cross for each and everyone of us, God's children. Remove the shame and guilt because ‘it is finished’. When you are already purified from sin, grateful and peaceful, that's when you can ask God to help you bring yourself closer to Him and experience His loving presence. He is always with us dear, He longs for His children to come to Him. Listen only to God's voice.

‭“But seek first the kingdom of God and His righteousness, and all these things shall be added to you. ³⁴ Therefore do not worry about tomorrow, for tomorrow will worry about its own things. Sufficient for the day is its own trouble.”

—Jesus Christ, Matthew 6:33-34

If you have prayer requests kindly send them so I can pray for you. If you have questions, I'll answer them as best as I can. I read it all. It's alright dear. I'm here. And so are the rest of our brothers and sisters in Christ who walk this journey with you. God bless you! *Hugs*💐🤍

[swervinonalatenight]

There’s something that’s been nudging me about Shadow of the Erdtree lately, and investigating it it goes back into a Soulsborne DLC problem in general.

They rarely have consequences on the base game story/world.

For clarity, The DS3 DLC storyline was hugely self contained to the point really only you and Patches matter in, and The Old Hunters was also boxed off enough that it didn’t tie into the rest of Moon Presence/Nightmare Shenanigans.

But Old Hunters had their existence and story acknowledged by Doll/Gherman, and in DS2 the DLC gave you a new ending of leaving the cycle of Fire all together by beating all the DLC end bosses.

However in DS3 you get, not really anything that can be affected outside of the DLC areas. No one really acknowledges the fact that you have been to the end of the world/a painted world or had an effect on any of it. (Though to be fair, everyone is more concerned about the coming Darkness apocalypse to care).

But Elden Ring doesn’t really have the excuse character wise. You think IC Gideon will see you waddle by decked out in Messmer’s looted armor, his Spear and a Shadow Rune in hand and just, not peek his head up and ask how the fuck you got to a place he didn’t know about? That dusty old man would be crawling over you like crack and spitting like the roadrunner down to Moghwyn palace to snort up some Shadow paper dust the moment you mention he has the chance. This is his chance to get even MORE knowledge no one else has.

Malenia’s fight is an even more obvious one, just, a change in dialogue where if you beat Miquella before her she can sense his great rune/death from you and immediately know you just killed her brother. Perhaps even acknowledge that she herself was manipulated by him but she still must avenge him no matter what.

Melina absolutely should have something about being in the place her brother is, being near him again and what her thoughts on the Shadow Realm/Scadutree are.

(Also while we’re here Lord of FF questline is painfully underfunded in the same way. You’re telling me you go into a place sealed from the rest of the world, containing the one thing capable of destroying it all, taking in apart of it so you yourself can destroy the world and no one besides Melina gives a shit? I’m sorry???)

(Like there’s so many cool ideas to play with. Everyone else’s quests ending as they realize you are set to literally destroy the world and now have to stop you, all the unique interactions that come with it. Gideon changing his motivation from “Mommy Marika told us to fight” to “This world, and my adopted daughter will be lost/was killed by you, I won’t let you destroy Lady Marika’s order.”)

(Godfrey/Horah Loux fighting not because he wants to see his ex again, but because he knows what you have done and will do if you win. Roderika refusing to spirit tune but you intimidating/hurting her into it but Hewg then refusing to smith for you because of what you did to her. Enia outright terrified of you, Mirial calling you a heresy because the FF is just THAT evil, Fia and Roger both castigating you because you would deny those who live in death and the living both the right to live and then pairing up with D because you are simply THAT much of a threat.

Ranni would absolutely be a boss fight, she knows what the FF can do, what it’s capable of and how her plan to be free of the Fingers and ascend is now moot because the thing that will fucking end the world is rampaging around.

Volcano Manor would likely lock you out of the house because they know you’re coming to kill them/Rykaed. Mohg may have even broke out of Miquella’s control long enough to recognize the FF, something he left a phantom of himself to guard, in front of him and be g scared shitless. The entire Lands Between NPCs uniting against you in a final battle boss rush ending with a fight with Radagon/Elden Beast where the fight is less you putting down a shattered god/an alien entity to a desperate attempt to stop the worlds end as Ranni empowers her dad with her own because she’s rather risk being back under Greater Will control than let the world she wants to save/rule burn.)

[ritunn]

Trans in Golarion: A Sample of Pathfinder's Trans Representation

Golarion, like any world, is home to people of many walks of life, but one thing it does very well is trans representation. There isn't a Lost Omens lore book without at least one trans character, in fact there's typically multiple! So, with pride month here, I wanted to highlight some of my favorites that don't get much press. Shardra, the shaman iconic, and Mios, the thaumaturge iconic (both pictures above) are one trans woman and enby you're probably familiar with already, but let's get you acquainted with some more! If you aren't of course acquainted with them, I recommend reading the Meet the Iconic stories for them.

Meet Shardra Geltl!

Meet Mios!

Iltara Clavela

Lost Omens Grand Bazaar, Pg. 48

The owner of Material Changes in Absalom, a fashion boutique, day spa, and a place where not only can your clothing be changed, bur your entire body, Iltara was born in Irrisen to the far north. Born to two parents who made a bargain with a winter fey to have a son that could wield fey magic of frost and winter so that he could lead their army in a wretched second Winter War, this wouldn't be the case. For the fey realized that he had not a male spirit, but a female one instead and that he would never lead anyone in war. The child begged her parents to let her abdicate her name and find the magic to align body with spirit, but they refused. So, when enlisted, she fled and found the fey to ask for the body she desired, but the fey could do no thing. Coming up with a second plan, the child asked if it could help her escape and to that it agreed, only for her name. A simple bargain, one that was happily made as the child renamed herself Iltara.

From then on, she would use her skills to take on odd jobs, but never used her magic for fear of revealing herself as a winter witch. Eventually, she helped fixed the clothes of some entertainers who invited her on as their seamstress and when she had grown close enough to them, she revealed her magic and she was asked to perform herself as a magician. Iltara agreed, only if they helped her find the magic she sought. The group toiled and the entertainers were confused by her obsession until she emerged with an enhanced visage. Illtara had finally achieved what she always dreamed of and now helps make the process for others like her much easier.

Ahran Benimaya

Lost Omens Grand Bazaar Pg. 36

Another merchant within the Grand Bazaar, Ahran is the tattooist at Kraken's Ink Tattoos, working there with his boyfriend, the azarketi, Brine. Growing up in the devil worshipping capital of Cheliax, Ahran's family were Shelynites, devotees of the goddess of art, Shelyn (who is quite queer herself may I add). However, with the state religion focused firmly on Asmodeus who isn't exactly a fan of the more chaotic free loving goddess, Ahran's family had to be careful. However, Ahran himself grew to be a talented artist to the joy of his parents, a skill he'd make use of upon moving to Absalom once one of their neighbors warned them they'd been accused of heresy and had to flee.

There, Ahran saw a shop selling a serum of sex shift for sixty gold pieces and thought it'd be the best way to align his body to his true identity. However, making that much money would be no simple task drawing portraits of others at Absalom's docks for copper pieces. So, he went to Kraken's Ink Tattoos and asked to become an apprentice to tattooist and owner at the time, Maelara, a tiefling dwarf of exceptional skill. Maelara found her new apprentice shared that skill, his artistic talents coming in handy, and soon enough he had enough gold to purchase the serum and become who he was always wished to be. A decade later Maelara retired and Ahran has run the shop ever since. If you ever need a magic tattoo (or just some normal ink), he's your man and even features in book one of the Stolen Fate adventure path.

Ishii Bunji

Lost Omens Firebrands Pg. 42

A member of the revolutionary group called the Firebrands, Ishii "The Tyrant Breaker" Bunji is infamous for his jubilant demeanor and towering physique as a former sumo champion. One of the many people who aided in tearing down the tyranny of the Jade Regent in his homeland of Minkai, Ishii helped rebuild afterwards but a question stirred in his heart. "What good is strength if not used to protect the vulnerable?" This led him to joining the Firebrands and eventually becoming one of their most formidable warriors. Able to win fights against champions, spellcasters, war machines, and even battalions himself, he joins small rebellions rather than full revolutions, an equalizing force that nothing can stop. When the rebellion is over, he stays behind to rebuild, cooking his signature hot pot for others in his massive shield that also happens to be a family heirloom, a singing steel cooking pot. A symbol of not only protection, but one of hearty meals and a better tomorrow. These actions have lead him to receiving many love letters and quite a few lovers as well, but he's not quite interested in marriage and thus remains the Firebrands' most eligible bachelor.

Passenger

Lost Omens Firebrands Pg. 45

Passenger was among the many androids who crashed in Numeria, unlike many androids, all of Passenger's companions had died. Every other incubator held incomplete or damaged bodies and the only sign of identity they had was a damaged plaque calling them "Passenger #-". Taking this as their name, they ventured into Numeria and were taken in by a group of scavengers who they soon left when they heard the Black Sovereign Kevoth-Kul, ruler of Numeria, was accepting androids into his court in the capital of Starfall. There they met more of their kind and learned of their android nature, but when a group of Firebrands made their way to the court looking to enter the dangerous Silver Mount for adventure, Passenger was intrigued and tagged along.

This adventure left Passenger wanting more and they declared themselves a first-mark Firebrand and staged even more expeditions into the Silver Mount with their tinkering experience and any who wished to join helping them. One of these people was Tyen-Ra, a human tigerkin, and over the next few months they discovered an annihilator robot which they fixed up and named Scrapheap. Using their newly found scorpion mech, they left Numeria and accumulated more members and a reputation as the Fire's Finest, traveling across Avistan searching for adventure, fine food, and fun wherever they went. Scaring a few along the way with their terrifying mech, only to ease their fears when the Fire's Finest popped out.

Beirivelle Starshine

Lost Omens Knights of Lastwall Pg. 42

The Knights of Lastwall are home to numerous prominent trans women, most notably Anevia, a major NPC in Wrath of the Righteous, and the leader of the organization, Kalabrynne Iomedar. Beirivelle herself is newly knighted but already rising through the ranks with her skills as a bard devoted to Shelyn. Born in Absalom to a noble family, Beirivelle was arranged to marry another high-ranking member of Absalom's noble houses and live an uneventful life. When the lich known as the Whispering Tyrant attacked the city, however, she realized she wanted more from life. Her spouse's tastes thankfully weren't very feminine and she was able to exit it gracefully, but she only was able to flee home after an intense argument with her father.

Ever since becoming a Knight of Lastwall, however, the dainty romantic has been making alliances for the organization, first with the Scarlet Rose after a candlelight dinner with its leader, Filarina Grantsliem. In addition to these duties, she gathers stories as any bard does, adventuring with anyone from the brutal orc skullhunters to the Chelaxian Hellknight Order of the Torrent who hunt down kidnappers, aiding all with her divine magic and bardic knowledge. As well, she finds other "late blooming" girls and those who have yet to bloom at all and helps them find their own path away from harsh families or dire circumstances. For now in her official duties, she uses her diplomatic skills to recruit adventurers and locals, doing her best to protect them. All the while trying to court the anti-Geb factions of Nex who despise the necropolis for the decades long war the country had with it, hoping to get their help with dealing with the undead. That is proving difficult to do as it feels impossible to navigate its byzantine court politics. Thus, she continues her search for allies to aid in that endeavor.

Conclusion

You have any trans characters you love in Pathfinder not mentioned here? I know Il'setsya Wyrmtouched is one I adore and even a character belonging to freelancer, Amber Stewart, who has done work for many TTRPG companies, even getting her own villainous arcanoloth featured in D&D's Planescape book. Perhaps you'd like to share your own trans TTRPG characters whether in Pathfinder, D&D, or another game! If so, I'd love to see them.

[elenwen-and-ondolemar]

I will be upfront, I've come upon this deeply disturbing text while going through the belongings of a Justiciar drunk in an alley in Markarth, for safe keeping of course, and felt the need to question you both on this.

What appears to be an Altmeri commentary on Talos:

"To kill Man is to reach Heaven, from where we came before the Doom Drum's iniquity. When we accomplish this, we can escape the mockery and long shame of the Material Prison.

"To achieve this goal, we must:

"1) Erase the Upstart Talos from the mythic. His presence fortifies the Wheel of the Convention, and binds our souls to this plane.

"2) Remove Man not just from the world, but from the Pattern of Possibility, so that the very idea of them can be forgotten and thereby never again repeated.

"3) With Talos and the Sons of Talos removed, the Dragon will become ours to unbind. The world of mortals will be over. The Dragon will uncoil his hold on the stagnancy of linear time and move as Free Serpent again, moving through the Aether without measure or burden, spilling time along the innumerable roads we once travelled. And with that we will regain the mantle of the imperishable spirit." This is a frankly terrifying text to find on anyone, so I would suggest you illuminate the Dominions stance on this. I would also suggest you teach your Justiciars to drink less and protect their pockets better. As a general rule of course.

Elenwen: . . . That is a good general rule. I applaud your concern for the Justiciar's security. You did the right thing in asking for our response instead of indulging in baseless speculation. And this document is indeed baseless. The Altmer have never recognized Talos as a god. Commander Ondolemar, this falls within your jurisdiction. Can you provide our visitor the pertinent details of the Justiciar's work in Markarth?

Ondolemar: (He is visibly fuming.) I am aware of this particular incident, yes. I wish you had been half as solicitous about the deceased Justiciar's health. What sort of barbarian leaves a dead-drunk man outside in a Skyrim winter? If you had assisted the poor mer to an inn or temple, his parents would still have a son.

Elenwen: I am sure our guest feels awful enough about his lapse of foresight. Let's move on to the document in question.

Ondolemar: It's a Justiciar's duty to confiscate pernicious libels about the Thalmor. This one has been circulating since the late Third Era, a ridiculous forgery which attributes a range of bizarre and heretical opinions to our scholars. This document cannot have been written by an Altmer, even an apostate or renegade. Such a renegade would know how to make their heresy sound more authentic.

The greatest heresy displayed in the text is the belief that there is any need to "escape the mockery and long shame of the Material Prison." This might have been a pressing concern in the Dawn Era. But the foundation of Altmer religion is simple. Even that popular Imperial book, Varieties of Faith, gets it right.

"[Auri-El] then ascended to heaven in full observance of his followers so that they might learn the steps needed to escape the mortal plane."

Our Ancestors were trapped in Mundus, but they have ascended to Aetherius, and invite their descendants to follow. We know that our ancestors are in Aetherius since we consult with them in times of need.

This Commentary attempts to solve a problem that does not exist within Altmer religion, while claiming that Auri-El had no idea what he was doing, lied to his descendants about the way to ascension, and needs to be rescued from his own ignorance. You can see how blasphemous this reads to any Altmer. If a true Altmer scholar came to this conclusion, he or she would certainly include arguments for overcoming the resistance of Altmer believers, rather than state it as an accepted truth that underlies the rest of the argument.

Now that we have established how foreign this Commentary is to true Atmer religion, let me point out that it contradicts itself. "With Talos and the Sons of Talos removed, the Dragon will become ours to unbind. The world of mortals will be over."

Wasn't it "the Doom Drum's iniquity" that supposedly doomed us to his material prison? Suddenly, Talos instead is very important, for no reason at all. Removing Talos will apparently change the nature of the world, even though Talos only appeared in the world about seven hundred years ago. What happened to Lorkhan in this Commentary? He has apparently trapped us in mortality but doesn't matter anymore? And who knew that linear time only started when Tiber Septim was born in Atmora or Alcaire or wherever it was? Elenwen: The so-called Altmeri Commentary only makes sense as the product of a member of a Talos cult who wanted their object of worship to be the most important and powerful of the gods. Someone who had a vested interest in duping the credulous into supporting their failing cult. Someone who wanted the humans of Tamriel to see elves as their mortal enemies. In short, there is every reason to believe the Commentary was written and distributed by the premier cult of Talos, the Blades.

Fortunately, the Emperor, the Elder Council and the Hierarchy of the Imperial Cult now recognize the perverse origins of such conspiracy theories. The Empire and the Dominion join together in condemning these calumnies. If you would leave us the copy of the Commentary you retrieved for safekeeping, we can commit it to the fire, as the late Justiciar would have done.

[mournivaldisco]

A master post of all my Warhammer fic.

Spot the post-rock titles.

Silly - crack/outside of canon, no smut:

Assorted Yarns from the Warp – random cracky one-shots about various characters

An Average Monday on Prospero – Primarch bodyswaps

The Primarchs Read Mean Tweets – self-explanatory

Never Have I Ever – primarch drinking games

Documentary Evidence – Dorn reviews Mersadie’s memory coils during her imprisonment

Sanguinala Silliness – in the 41st Millennium, Guilliman and the Lion try out Sanguinala customs. Works up to shipping, no smut.

Fluff or silly, but could technically take place in canon:

The Bear – Tarik tells his favourite joke to the Mournival

Mountain Heart – The Lion inhales sleepy cuddles pollen. Set on Sotha during the Unremembered Empire

Dreamtime – sleepy Sanguinius

Serious - missing scenes/reinterpretations close to canon, no shipping that would be unimaginable in canon (take with a pinch of salt if you are not a Loken/Mersadie shipper):

These are my favourite to write. Just taking the canon and pushing it a teeny bit.

And So I Watch You From Afar - Erda writes to her sons.

When the Sky is Burning, When the World is Falling Down – missing scene from The Solar War. Loken and Mersadie

These Depths Were Always Meant for Both of Us – written before EatD vols 2 and 3 released, set in upcoming books. Loken and Mersadie

The Death – written after finishing EatD 2, set in upcoming book 3. Loken, the Emperor and Horus, mentioned Sanguinius

Dynasty – written after finishing EatD 3, set some time immediately before the Siege. Horus and Fulgrim

After the Fall – written after finishing EatD 3, set at climax of that book. Loken and Mersadie

Serious/smut – doesn’t conform to established canon, heavier shipping:

Reconnect (WIP) – divergence at the point of The Solar War. Mersadie/Loken fluff in epistolary form. No smut

A Day Dark with Night (WIP) – Set immediately after Curze’s attack on Azkaellon. Sanguinius/Azkaellon. Will contain smut in future chapter

A Steamy Meeting – Guilliman, the Lion and Sanguinius in the bathhouse on Macragge during the Unremembered Empire era. Smut

Inconsequential – Set during Unremembered Empire era. Established Guilliman/Lion/Sanguinius. NB Sang coming out. No smut.

Vampires will Never Hurt You – Guilliman’s POV on the 41st Millennium, mourning Sanguinius, with flashbacks to Unremembered Empire era with G/L/S (smut). This is my favourite single thing I’ve written.

That Intimate Knowledge – written after finishing EatD 2, looking back at Horus/Sanguinius’ relationship. Little bit of smut

Scenes from a Reunion – written after reading The Lion: Son of the Forest. Technically not aligning with canon re Launciel and Galad because in canon it was just subtext

Experiments – Set in the 41st Millennium when Guilliman decides to remove the Armour of Fate. Smut starring Yvraine.

Sudatoria – Sanguinius and Guilliman in the bathhouse in Unremembered Empire era. Smut.

Quality Time – the Mournival discover porn. Smut

Closer – Sanguinius/Jaghatai set during the Siege. Smut

Nowhere, Still Somewhere - Loken/Abaddon angsty smut post EatD3

A Horus Heresy (WIP):

Series which became an AU Heresy. Everyone is bonking each other.

Heresy of the Free Spirit – Horus/Sanguinius first getting together, set after Melchior. The first Warhammer smut I ever wrote.

We’re Falling Through Space, You and Me – Loken and Mersadie getting together, set during Horus Rising. Smut (There’s a line in this which makes me giggle to re-read because it’s so abrupt, like Mersadie, slow down girl.)

The Time of Perfect Virtue – AU from Horus Rising events. Loken or Mersadie’s POV until later chapters. Smut and drama and heresy.

A Gathering – Fulgrim/Horus/Sanguinius threesome. Smut

Milestones – an OC from this AU contemplating things. Gen.

Come Ruin and Rapture (WIP) – continues the cliffhanger from the Time of Perfect Virtue. Smut and drama.

[cupcakegalaxia]

There is alot of really bad theology right now. NAR, Word of Faith and old heresies ( Like reinventing Modalism) are running rampant online that are being perpetuated by so called big-A apostles, prophets and people who claim to perform miracles.

If anyone, and I mean ANYONE, who claims to be an Apostle (specifically of Jesus Christ -- There are only 12.) or a prophet and teaches things that not only are not in the Bible but ask for a 'seed offering' or any kind of monetary gain or deviate from what has been written, they are to be called out as wolves and false teachers. They commit spiritual abuse against people who want to be free from pain and sin by exploiting them, selling them a false bags of goods and keeps telling them to come back again and again to get their 'deliverance from the demon of anxiety.'

These are the 'demon slayer' group, the guys who think that born again Christians can be possessed by demons. Are you flipping kidding me?! Can a demon be in the same vessel of the Holy Spirit who is God? Any well read Christian would know that according to Scripture, its utterly bogus.

Then when they have been taken advantaged of for so long and get out, some remain Christian by the grace of God and fall into the footsteps of true Christianity but most will remain in the hands of wolves. Being fleeced, lulled by what they want to hear, thinking that perhaps being a spiritual person is better then being a biblical person.

The doctrine we have in Scripture rightly tells us about God's Character, Promises, and our salvation outside of our experiences and emotions. Emotions and experiences are different and change, they are secondary to the Scriptures.

But what these NAR--New Apostolic Reformation--folks do is they twist doctrine in that God is now calling new Apostles and prophets to rule the Church. They lull people into their prophetic words and sayings, telling people what they want to hear. Using experience and emotion to get people hooked into their teachings.

I've seen a couple of people on here who post such teachers and this I tell you; run. Run far away from those wolves, they will only bring you to spiritual death and destruction. You posting those teachers can actively stumble others who were brought out of this movements.

Its doctrine like this that strays people away from a full filled Christian life, binding them and presenting a false version of Christianity to the world. Its doctrine like this that will produce rotten fruit.

Now I am not saying that miracles are not for today but it solely depends on God's will, not ourselves. We don't get to decide what gift God gives us and certainly if God has given these gifts, He would give them to whoever He so well pleases.

Find yourself a biblical church, committed to expository preaching. Ask God to get you to a biblical church with a equally biblical pastor. Look at resources like Ligonier Ministry (R.C Sproul) , Crossway, Pirate Christian Radio, The Messed Up Church, White Horse Inn and Founders Ministry.

If you are coming out of the NAR, I highly recommend Pirate Christian Radio (Fighting for the Faith on Youtube) and The Messed Up Church. I would highly recommend Dawn Hill , she came out of the NAR and has since repented of the things she had done in that movement. Lovely lady.

I implore you, and anyone else who is finding themselves falling into these churches. I pray that those wolves repent and turn.

[mybeautifulchristianjourney]

"Relativism says this: “truth is what you perceive it to be, and what is true for you may be false for somebody else.” In our present society, you’re perfectly free to believe whatever you like, but the one thing you may not do is to deny its antithesis. You can say, “I believe that this is true.” But you cannot say with impunity that that which opposes it is false. We have a whole generation of Christians who have been brainwashed by the spirit of relativism so they’re completely hesitant to say, “I deny that error over there.” We don’t have heresy trials anymore because, in relativism, there is no such thing as heresy." – R.C. Sproul

[camisoledadparis]

THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … November 3

1500 – Benvenuto Cellini (d.1571), sculptor, goldsmith, memoirist, and flamboyant pederast, is one of the greatest artists in the history of Western art. He was the last of the great Renaissance artists, for the free exploration and celebration of the sensual (particularly the homoeroticism) that inspired his genius and was a hallmark of Renaissance Florentine culture were soon aborted.

Benvenuto Cellini was born in Florence at the peak of the Italian Renaissance. Apprenticed to a goldsmith, he excelled in that art. In fact, he was so successful that he was called upon to fulfill major commissions throughout Italy and France. Indeed, he traveled so much that until he was forty-five years old, he never lived longer than five years in any one place. The reasons for his sometimes abrupt departures ranged from political upheavals and plague to outbursts of temperament, including murder.

At nineteen, Cellini went to Rome, where over the years he worked for Popes Clement VII and Paul III. In 1536, he traveled to France, where he sculpted decorations for the palace at Fontainebleau. In 1545, Cellini returned to Florence, where he lived the rest of his life.

Florence was notorious in the Renaissance as "Sodom City": in German slang, "Florenzer" meant "sodomite." In the late fifteenth century, one in two Florentine men had come to the attention of the authorities on suspicion of sodomy by the time they were thirty. In 1432, the "Office of the Night" was created to eliminate sodomy, but after seventy years it was disbanded as the task was deemed hopeless. About ninety percent of the cases reported involved boys under the age of eighteen. Sexual activity between men and boys was an integral feature of Florentine culture in the sixteenth century.

Cellini himself was convicted of homosexual sodomy with a boy named Domenico in Florence in 1523 and fined 12 bags of flour. He was prosecuted but absolved of charges of heterosexual sodomy in France. In Florence, Cellini was supported by his appreciative patron Duke Cosimo I de'Medici. Cosimo's first commission was for a large bronze Perseus holding Medusa's severed head. This magnificent nude figure in the Piazza della Signoria is a gay icon for its depiction of a beautiful young man.

Perseus

Cellini's subsequent works, including the marble statues of Ganymede and the Eagle,��Narcissus, and Apollo and Hyacinth are particularly appealing to men who love boys. In Ganymede and the Eagle, the young Trojan boy lovingly ruffles the neck feathers of his seducer, while in Apollo and Hyacinth, the mature Apollo ruffles the tousled curls of an expectantly receptive Hyacinth, on his knees at the god's feet.

The homoerotic spirit that nourished Cellini's art was soon to be crushed in Florence. In response to the Protestant Reformation, the Roman Catholic Church at the Council of Trent (1545-1563) adopted policies designed to make the Church even more austere than the Protestants. It also embarked on a campaign to crush heresy. It established the Index of Prohibited Books and it proscribed carnality in art. In 1559, Pope Paul IV ordered draperies painted on the nudes in Michelangelo's Last Judgment. The Council's decrees were enthusiastically enforced through the sadistic power of the Inquisition.

In this context, in 1557, when his apprentice Fernando di Giovanni di Montepulciano accused Cellini of having sodomised him many times, the penalty was a hefty fifty golden scudi fine, and four years of prison, remitted to four years of house arrest thanks to the intercession of Duke Cosimo.

During his years of house arrest, Cellini attempted to rehabilitate his reputation. Not only did he devote himself to religious art (including a deeply religious marble crucifix), but he also took minor holy orders and fathered a son in 1560 by his servant Piera, whom he married in 1563.

Most importantly, however, during his period of house arrest, Cellini began his celebrated Vita. In this autobiography, the artist recounts his acquaintanceships with princes and popes and his great achievements as sculptor and goldsmith, while disavowing, with wounded innocence, his reputation as a pederast. He implies that he is a ladies' man, but cannot resist bragging that once he took his apprentice Diego in drag to a party of artists and their whores. The boy was voted the most beautiful prostitute in Florence, which nearly caused a riot when one of the girls groped Diego and discovered the truth of his sex.

Although the Vita attempts to present an appearance of orthodox morality and fails to mention Cellini's gay affairs or his convictions for sodomy, it nevertheless repays interest for its homosexual content. Especially significant in this context is Chapter 71 of Book Two, which may be read as a defense of sodomy, that "noble practice" indulged in by "the greatest emperors and the greatest kings of the world." Cellini says that he lacks the knowledge or means to meddle in the "noble practice," but he nevertheless commends it as "a marvelous matter." Whether these passages can be taken seriously or in jest is a matter of debate; certainly the context in which he was writing—under house arrest for having had sex with a young man—is an important consideration in interpreting the autobiography.

1846 – (Francis Davis) Frank Millet was an American painter, sculptor, and writer who died in the sinking of the RMS Titanic on April 15, 1912.

Francis Davis Millet was born in Mattapoisett, Massachusetts. At age sixteen, Millet entered the Massachusetts regiment, first as a drummer boy and then a surgical assistant (helping his father, a surgeon) in the American Civil War. He repeatedly pointed to his experience working for his father as giving him an appreciation for the vivid blood red that he repeatedly used in his early paintings. He graduated from Harvard with a Master of Arts degree. He worked as a reporter and editor for the Boston Courier and then as a correspondent for the Advertiser at the Philadelphia Centennial Exposition.

Millet had a studio in Rome in the early 1870s, and Venice in the mid-1870s, where he lived with Charles Warren Stoddard, a well-known American travel journalist who, evidence indicates, had an active sexual interest in men. Historian Jonathan Ned Katz presents letters from Millet to Stoddard that suggest they had a romantic and intimate affair while living a bohemian life together.

A well-regarded American Academic Classicist, Millet was close friends with Augustus Saint-Gaudens and Mark Twain, both of whom were present at his 1879 marriage to Elizabeth Merrill in Paris, France; Twain was his best man. He was also well acquainted with the impressionist artist John Singer Sargent, who often used Millet's daughter Kate as a model, as well as the esteemed Huxley family.

Millet became a member of the Society of American Artists in 1880, and in 1885 was elected as a member of the National Academy of Design, New York and as Vice-Chairman of the Fine Arts Committee. He was made a trustee of the Metropolitan Museum of Art, and sat on the advisory committee of the National Gallery of Art. He was decorations director for the World's Columbian Exposition in Chicago in 1893, where he is credited with having invented the first form of spray paint. His career included work with a number of worlds' fairs, including Vienna, Chicago, Paris, and Tokyo, where he made contributions as a juror, administrator, mural painter/decorator, or adviser.

Millet lived with  Archibald Butt, who called him "my artist friend who lives with me", in a large mansion at 2000 G Street NW. They were known for throwing spartan but large parties that were attended by members of Congress, justices of the Supreme Court, and President Taft himself. There is some speculation that Butt and Millet were lovers.

Historian Richard Davenport-Hines wrote in 2012: "The enduring partnership of Butt and Millet was an early case of "Don't ask, don't tell". Washington insiders tried not to focus to closely on the men's relationship, but they recognized their mutual affection, and they were together in death as in life."

On April 10, 1912, Millet boarded the RMS Titanic at Cherbourg, France, bound for New York City. He was traveling with long-time friend Archibald Butt. He was last seen helping women and children into lifeboats. His body was recovered after the sinking by the cable boat Mackay-Bennett and returned to East Bridgewater, Massachusetts, where he was buried in Central Cemetery.

In 1913, the Butt-Millet Memorial Fountain was erected in Washington, D.C., in memory of Millet and his long-time friend and lover Archibald Butt, with whom he shared a home, and who also died on the Titanic.

1871 – Hanns Heinz Ewers (d.1943) was a German writer famous for his short stories and novels that expanded the parameters of the horror genre. He began his literary career as a poet when he published "A Book of Fables", satirical verses, in 1901. In addition to writing, he was an actor and created a vaudeville theater the same year he made his literary debut. He also founded another acting company that toured Central and Eastern Europe, but he abandoned the theater due to censorship.

It was his stories about the occult and horror that made his name. His first novel "The Sorcerer's Apprentice" was published in 1910 and his masterpiece, "Alarune", in 1911. The two novels were part of a trilogy based on the autobiographical character of Frank Braun, who also appears in the 1921 novel "Vampyr".

Ewers was deeply attracted to the philosophy of Friedrich Nietzsche, and the Nietzschean philosophy of the "intellectuals" of the Nationalsozialistische Deutsche Arbeiterpartei, as well as their nationalism (to say nothing of their mysticism) attracted him to the Nazi Party, though he never joined it. He did not agree with the party's anti-Semitism and this plus his homosexual tendencies soon ended his popularity with the party management.Though he wrote a novel based on the life of Nazi martyr Horst Wessel, allegedly at the bequest of Adolf Hitler, his works were banned by the Nazis in 1934.

A penniless Hanns Heinz Ewers died from tuberculosis on June 12, 1943 in Berlin. He was 72 years old.

1939 – Terrence McNally (d.2020) was an American playwright who has received four Tony Awards, an Emmy, two Guggenheim Fellowships, a Rockefeller Grant, the Lucille Lortel Award, the Hull-Warriner Award, and a citation from the American Academy of Arts and Letters.

After graduation, McNally moved to Mexico to focus on his writing, completing a one-act play which he submitted to the Actors Studio in New York for production. While the play was turned down by the acting school, the Studio was impressed with the script, and McNally was invited to serve as the Studio's stage manager so that he could gain practical knowledge of theater. In his early years in New York, he was a protégé and lover of the noted playwright Edward Albee.

Although several early comedies such as Next in 1969 and 1975's The Ritz, set in a gay bathhouse, won McNally critical praise, it was not until later in his career that he would become truly successful with works such as his Off-Broadway play Frankie and Johnny in the Clair de Lune and its screen adaptation with stars Al Pacino and Michelle Pfeiffer.

In 1990, McNally won an Emmy Award for Best Writing in a Miniseries or Special for Andre's Mother, a drama about a woman trying to cope with her son's death from AIDS. A year later, he returned to the stage with another AIDS-related play, Lips Together, Teeth Apart, a study of the irrational fears many people harbor towards homosexuals and people who have AIDS.

With Kiss of the Spider Woman (based on the novel by Manuel Puig) in 1992, McNally returned to the musical stage, collaborating on a script which explores the complex relationship between two men caged together in a Latin American prison.

Another of McNally's other plays is 1994's Love! Valour! Compassion!, with Lane and John Glover, which examines the relationships of eight gay men; it, too, was made into a popular movie.

In 1997, McNally stirred up a storm of controversy with Corpus Christi, a modern day retelling of the story of Jesus' birth, ministry, and death in which both he and his disciples are portrayed as homosexual. In fact, the play was initially canceled because of death threats from extremist religious groups against the board members of the Manhattan Theatre Club which was to produce the play. However, several other playwrights such as Tony Kushner threatened to withdraw their plays if Corpus Christi was not produced, and the board finally relented. When the play opened, the theatre was besieged by almost 2,000 protesters, furious at what they considered blasphemy.

On January 19, 2008, Robert Forsyth, Anglican bishop of South Sydney condemned Corpus Christi for depicting Judas seducing Jesus: "It is deliberately, not innocently, offensive and they're obviously having a laugh about it." The play also showed Jesus administrating a marriage between two male apostles.

In a January 2003 interview, McNally addressed critics who said he had "added" two gay characters to his Broadway adaptation of the film The Full Monty: "If Neil Simon had written the script, they wouldn't have said that. I get it for being gay, for proselytising. It's so annoying, all that bullshit."

McNally was partnered to Thomas Kirdahy following a civil union ceremony in Vermont in 2003, and they subsequently married in Washington, D.C. on April 6, 2010. McNally was one of the first victims of COVID-19 and died from complications on March 24 2020.

1948 – Walter Lee Williams is a former professor of anthropology, history, and gender studies at the University of Southern California. He is one of the pioneers in the field of Queer studies, with a long background in human rights activism. In 2013, after his retirement, he was arrested and imprisoned for five years on the charge of "illicit conduct in foreign places."

As a teenager in Atlanta in the 1960s, Williams was inspired by Martin Luther King to get involved in the civil rights movement. In 1978 he became a gay rights activist, protesting against Anita Bryant’s Save Our Children campaign.

Williams earned an undergraduate degree in History and Anthropology from Georgia State University in 1970, and continued to the University of North Carolina at Chapel Hill where he earned a Master's in History in 1972, and a Ph.D. in History and Anthropology, in 1974. His doctoral thesis was Black American Attitudes Toward Africa: The Missionary Movement, 1877—1900, and would form the basis of his first book.

In 1979, while Williams was an assistant professor at the University of Cincinnati, he and Gregory Sprague founded the Committee on Lesbian and Gay History, an affiliate of the American Historical Association.

In his fourth book, The Spirit and the Flesh: Sexual Diversity in American Indian Culture, in 1986, Williams came out as gay. This book was the first complete study of the berdache, androgynous and gender-variant people among the American Indians. The book won the 1987 Gay Book of the Year Award from the American Library Association, the 1986 Ruth Benedict Award from the Society of Lesbian and Gay Anthropologists, and the Award for Outstanding Scholarship from the American Foundation for Gender and Genital Medicine and Science presented at the 1987 World Congress for Sexology.

He has published ten books and taught American Indian Studies. He has also been recognized for his work with the gay and lesbian community. An ethnographer, Williams has also traveled throughout North America from Alaska to Yucatan to study Native American tribes. His other areas of expertise include cultures of Southeast Asia and the South Pacific, based on his years of field research in Indonesia, Thailand, Malaysia, Cambodia, the Philippines and Polynesia.

In 1994-1995, Williams, with Jim Kepner, oversaw the merger of the International Gay and Lesbian Archives and the ONE, Inc. library holdings to form the ONE National Gay & Lesbian Archives at USC, the largest repository of LGBT materials in the world.

On March 24, 2006, Williams was awarded the Gandhi, King, Ikeda Award from Morehouse College, for his work during the civil rights and peace movements and in support of LGBT rights.

Williams taught anthropology, gender studies and history at the University of Southern California until his retirement in 2011. He lived in Mexico on a retirement visa from 2011 to 2013, where he continued his earlier research among the Mayan Indians.

On April 30, 2013, a federal arrest warrant was issued for Williams in the United States District Court for the Central District of California for sexual exploitation of children, travel with intent to engage in illicit sexual conduct, and engaging in illicit sexual conduct in foreign places. Williams was accused of engaging in sexual acts with teenage boys in the Philippines via webcam.

On June 17, 2013, he was placed on the FBI Ten Most Wanted Fugitives list. He was arrested in Mexico one day after he was put on the FBI Ten Most Wanted Fugitives list and was extradited to Los Angeles, California. The FBI, with reasonable suspicion, searched Williams's computer, finding unclothed photographs of teenage boys. In 2014, he pleaded guilty to illicit sexual contact with boys aged 14 to 16 in the Philippines and was sentenced to five years in prison.

1952 – David Ho, HIV-AIDS researcher, was born on this date; a Taiwan-born American AIDS researcher famous for pioneering the use of protease inhibitors in treating HIV-infected patients with his team. Ho devised the method of treating HIV with "cocktails". He theorized that combining the powerful protease inhibitor drugs with other HIV medications would provide a more effective way to treat the disease.

Ho is married to artist Susan Kuo, with whom he has three children. Many of us owe our lives to his work.

1959 – Timothy Patrick Murphy (d.1988) was an American actor, perhaps best known for his role as "Mickey Trotter" on the popular CBS prime time soap opera Dallas during the 1982-83 season.

Murphy started his acting career as an adolescent in several television commercials and from there he went on to act in the 1978 miniseries Centennial. Other than his role in Dallas, he spent more than a year playing a young con-man on the CBS daytime soap drama Search for Tomorrow, and also had a regular role on the short-lived 1984 ABC prime-time drama Glitter. In addition to this, he appeared in episodes of Hotel, The Love Boat and Hunter.

He appeared in the 1981 film Bushido Blade. One of Murphy's most substantial roles was in the 1984 feature film Sam's Son, the film biography of the life of actor Michael Landon, in which he played the character of Gene Orowitz (the young Landon).

Murphy contracted HIV and died of AIDS on December 6, 1988 in California, aged 29. He once stated that he'd had an affair with the allegedly bisexual actor Brad Davis, who had AIDS and committed assisted suicide in 1991

[dailyanarchistposts]

A.3.7 Are there religious anarchists?

Yes, there are. While most anarchists have opposed religion and the idea of God as deeply anti-human and a justification for earthly authority and slavery, a few believers in religion have taken their ideas to anarchist conclusions. Like all anarchists, these religious anarchists have combined an opposition to the state with a critical position with regards to private property and inequality. In other words, anarchism is not necessarily atheistic. Indeed, according to Jacques Ellul, “biblical thought leads directly to anarchism, and that this is the only ‘political anti-political’ position in accord with Christian thinkers.” [quoted by Peter Marshall, Demanding the Impossible, p. 75]

There are many different types of anarchism inspired by religious ideas. As Peter Marshall notes, the “first clear expression of an anarchist sensibility may be traced back to the Taoists in ancient China from about the sixth century BC” and “Buddhism, particularly in its Zen form, … has … a strong libertarian spirit.” [Op. Cit., p. 53 and p. 65] Some, like the anti-globalisation activist Starhawk, combine their anarchist ideas with Pagan and Spiritualist influences. However, religious anarchism usually takes the form of Christian Anarchism, which we will concentrate on here.

Christian Anarchists take seriously Jesus’ words to his followers that “kings and governors have domination over men; let there be none like that among you.” Similarly, Paul’s dictum that there “is no authority except God” is taken to its obvious conclusion with the denial of state authority within society. Thus, for a true Christian, the state is usurping God’s authority and it is up to each individual to govern themselves and discover that (to use the title of Tolstoy’s famous book) The Kingdom of God is within you.

Similarly, the voluntary poverty of Jesus, his comments on the corrupting effects of wealth and the Biblical claim that the world was created for humanity to be enjoyed in common have all been taken as the basis of a socialistic critique of private property and capitalism. Indeed, the early Christian church (which could be considered as a liberation movement of slaves, although one that was later co-opted into a state religion) was based upon communistic sharing of material goods, a theme which has continually appeared within radical Christian movements inspired, no doubt, by such comments as “all that believed were together, and had all things in common, and they sold their possessions and goods, and parted them all, according as every man has need” and “the multitude of them that believed were of one heart and of one soul, not one of them said that all of the things which he possessed was his own; but they had all things in common.” (Acts, 2:44,45; 4:32)

Unsurprisingly, the Bible would have been used to express radical libertarian aspirations of the oppressed, which, in later times, would have taken the form of anarchist or Marxist terminology). As Bookchin notes in his discussion of Christianity’s contributions to “the legacy of freedom,” ”[b]y spawning nonconformity, heretical conventicles, and issues of authority over person and belief, Christianity created not merely a centralised authoritarian Papacy, but also its very antithesis: a quasi-religious anarchism.” Thus “Christianity’s mixed message can be grouped into two broad and highly conflicting systems of belief. On one side there was a radical, activistic, communistic, and libertarian vision of the Christian life” and “on the other side there was a conservative, quietistic, materially unwordly, and hierarchical vision.” [The Ecology of Freedom, p. 266 and pp. 274–5]

Thus clergyman’s John Ball’s egalitarian comments (as quoted by Peter Marshall [Op. Cit., p. 89]) during the Peasant Revolt in 1381 in England:

“When Adam delved and Eve span, Who was then a gentleman?” The history of Christian anarchism includes the Heresy of the Free Spirit in the Middle Ages, numerous Peasant revolts and the Anabaptists in the 16th century. The libertarian tradition within Christianity surfaced again in the 18th century in the writings of William Blake and the American Adam Ballou reached anarchist conclusions in his Practical Christian Socialism in 1854. However, Christian anarchism became a clearly defined thread of the anarchist movement with the work of the famous Russian author Leo Tolstoy.

Tolstoy took the message of the Bible seriously and came to consider that a true Christian must oppose the state. From his reading of the Bible, Tolstoy drew anarchist conclusions:

“ruling means using force, and using force means doing to him whom force is used, what he does not like and what he who uses force would certainly not like done to himself. Consequently ruling means doing to others what we would not they should do unto us, that is, doing wrong.” [The Kingdom of God is Within You, p. 242]

Thus a true Christian must refrain from governing others. From this anti-statist position he naturally argued in favour of a society self-organised from below:

“Why think that non-official people could not arrange their life for themselves, as well as Government people can arrange it nor for themselves but for others?” [The Slavery of Our Times, p. 46]

This meant that “people can only be freed from slavery by the abolition of Governments.” [Op. Cit., p. 49] Tolstoy urged non-violent action against oppression, seeing a spiritual transformation of individuals as the key to creating an anarchist society. As Max Nettlau argues, the “great truth stressed by Tolstoy is that the recognition of the power of the good, of goodness, of solidarity — and of all that is called love — lies within ourselves, and that it can and must be awakened, developed and exercised in our own behaviour.” [A Short History of Anarchism, pp. 251–2] Unsurprisngly, Tolstoy thought the “anarchists are right in everything … They are mistaken only in thinking that anarchy can be instituted by a revolution.” [quoted by Peter Marshall, Op. Cit., p. 375]

Like all anarchists, Tolstoy was critical of private property and capitalism. He greatly admired and was heavily influenced by Proudhon, considering the latter’s “property is theft” as “an absolute truth” which would “survive as long as humanity.” [quoted by Jack Hayward, After the French Revolution, p. 213] Like Henry George (whose ideas, like those of Proudhon, had a strong impact on him) he opposed private property in land, arguing that “were it not for the defence of landed property, and its consequent rise in price, people would not be crowded into such narrow spaces, but would scatter over the free land of which there is still so much in the world.” Moreover, “in this struggle [for landed property] it is not those who work in the land, but always those who take part in government violence, who have the advantage.” Thus Tolstoy recognised that property rights in anything beyond use require state violence to protect them as possession is “always protected by custom, public opinion, by feelings of justice and reciprocity, and they do not need to be protected by violence.” [The Slavery of Our Times, p. 47] Indeed, he argues that:

“Tens of thousands of acres of forest lands belonging to one proprietor — while thousands of people close by have no fuel — need protection by violence. So, too, do factories and works where several generations of workmen have been defrauded and are still being defrauded. Yet more do the hundreds of thousands of bushels of grain, belonging to one owner, who has held them back to sell at triple price in time of famine.” [Op. Cit., pp. 47–8]

As with other anarchists, Tolstoy recognised that under capitalism, economic conditions “compel [the worker] to go into temporary or perpetual slavery to a capitalist” and so is “obliged to sell his liberty.” This applied to both rural and urban workers, for the “slaves of our times are not only all those factory and workshop hands, who must sell themselves completely into the power of the factory and foundry owners in order to exist; but nearly all the agricultural labourers are slaves, working as they do unceasingly to grow another’s corn on another’s field.” Such a system could only be maintained by violence, for “first, the fruit of their toil is unjustly and violently taken form the workers, and then the law steps in, and these very articles which have been taken from the workmen — unjustly and by violence — are declared to be the absolute property of those who have stolen them.” [Op. Cit., p. 34, p. 31 and p. 38]

Tolstoy argued that capitalism morally and physically ruined individuals and that capitalists were “slave-drivers.” He considered it impossible for a true Christian to be a capitalist, for a “manufacturer is a man whose income consists of value squeezed out of the workers, and whose whole occupation is based on forced, unnatural labour” and therefore, “he must first give up ruining human lives for his own profit.” [The Kingdom Of God is Within You, p. 338 and p. 339] Unsurprisingly, Tolstoy argued that co-operatives were the “only social activity which a moral, self-respecting person who doesn’t want to be a party of violence can take part in.” [quoted by Peter Marshall, Op. Cit., p. 378]

So, for Tolstoy, “taxes, or land-owning or property in articles of use or in the means of production” produces “the slavery of our times.” However, he rejected the state socialist solution to the social problem as political power would create a new form of slavery on the ruins of the old. This was because “the fundamental cause of slavery is legislation: the fact that there are people who have the power to make laws.” This requires “organised violence used by people who have power, in order to compel others to obey the laws they (the powerful) have made — in other words, to do their will.” Handing over economic life to the state would simply mean “there will be people to whom power will be given to regulate all these matters. Some people will decide these questions, and others will obey them.” [Tolstoy, Op. Cit., p. 40, p. 41, p. 43 and p. 25] He correctly prophetised that “the only thing that will happen” with the victory of Marxism would be “that despotism will be passed on. Now the capitalists are ruling, but then the directors of the working class will rule.” [quoted by Marshall, Op. Cit., p. 379]

From his opposition to violence, Tolstoy rejects both state and private property and urged pacifist tactics to end violence within society and create a just society. For Tolstoy, government could only be destroyed by a mass refusal to obey, by non-participation in govermmental violence and by exposing fraud of statism to the world. He rejected the idea that force should be used to resist or end the force of the state. In Nettlau’s words, he “asserted … resistance to evil; and to one of the ways of resistance — by active force — he added another way: resistance through disobedience, the passive force.” [Op. Cit., p. 251] In his ideas of a free society, Tolstoy was clearly influenced by rural Russian life and aimed for a society based on peasant farming of communal land, artisans and small-scale co-operatives. He rejected industrialisation as the product of state violence, arguing that “such division of labour as now exists will … be impossible in a free society.” [Tolstoy, Op. Cit., p. 26]

Tolstoy’s ideas had a strong influence on Gandhi, who inspired his fellow country people to use non-violent resistance to kick Britain out of India. Moreover, Gandhi’s vision of a free India as a federation of peasant communes is similar to Tolstoy’s anarchist vision of a free society (although we must stress that Gandhi was not an anarchist). The Catholic Worker Group in the United States was also heavily influenced by Tolstoy (and Proudhon), as was Dorothy Day a staunch Christian pacifist and anarchist who founded it in 1933. The influence of Tolstoy and religious anarchism in general can also be found in Liberation Theology movements in Latin and South America who combine Christian ideas with social activism amongst the working class and peasantry (although we should note that Liberation Theology is more generally inspired by state socialist ideas rather than anarchist ones).

So there is a minority tradition within anarchism which draws anarchist conclusions from religion. However, as we noted in section A.2.20, most anarchists disagree, arguing that anarchism implies atheism and it is no coincidence that the biblical thought has, historically, been associated with hierarchy and defence of earthly rulers. Thus the vast majority of anarchists have been and are atheists, for “to worship or revere any being, natural or supernatural, will always be a form of self-subjugation and servitude that will give rise to social domination. As [Bookchin] writes: ‘The moment that human beings fall on their knees before anything that is ‘higher’ than themselves, hierarchy will have made its first triumph over freedom.’” [Brian Morris, Ecology and Anarchism, p. 137] This means that most anarchists agree with Bakunin that if God existed it would be necessary, for human freedom and dignity, to abolish it. Given what the Bible says, few anarchists think it can be used to justify libertarian ideas rather than support authoritarian ones and are not surprised that the hierarchical side of Christianity has predominated in its long (and generally oppressive) history.

Atheist anarchists point to the fact that the Bible is notorious for advocating all kinds of abuses. How does the Christian anarchist reconcile this? Are they a Christian first, or an anarchist? Equality, or adherence to the Scripture? For a believer, it seems no choice at all. If the Bible is the word of God, how can an anarchist support the more extreme positions it takes while claiming to believe in God, his authority and his laws?

For example, no capitalist nation would implement the no working on the Sabbath law which the Bible expounds. Most Christian bosses have been happy to force their fellow believers to work on the seventh day in spite of the Biblical penalty of being stoned to death (“Six days shall work be done, but on the seventh day there shall be to you an holy day, a sabbath of rest to the Lord: whosoever doeth work therein shall be put to death.” Exodus 35:2). Would a Christian anarchist advocate such a punishment for breaking God’s law? Equally, a nation which allowed a woman to be stoned to death for not being a virgin on her wedding night would, rightly, be considered utterly evil. Yet this is the fate specified in the “good book” (Deuteronomy 22:13–21). Would premarital sex by women be considered a capital crime by a Christian anarchist? Or, for that matter, should “a stubborn and rebellious son, which will not obey the voice of his father, or the voice of his mother” also suffer the fate of having “all the men of his city … stone him with stones, that he die”? (Deuteronomy 21:18–21) Or what of the Bible’s treatment of women: “Wives, submit yourselves unto your own husbands.” (Colossians 3:18) They are also ordered to “keep silence in the churches.” (I Corinthians 14:34–35). Male rule is explicitly stated: “I would have you know that the head of every man is Christ; and the head of the woman is the man; and the head of Christ is God.” (I Corinthians 11:3)

Clearly, a Christian anarchist would have to be as highly selective as non-anarchist believers when it comes to applying the teachings of the Bible. The rich rarely proclaim the need for poverty (at least for themselves) and seem happy to forgot (like the churches) the difficulty a rich man apparently has entering heaven, for example. They seem happy to ignore Jesus’ admonition that “If thou wilt be perfect, go and sell that thou hast, and give to the poor, and thou shalt have treasure in heaven: and come and follow me.” (Matthew 19:21). The followers of the Christian right do not apply this to their political leaders, or, for that matter, their spiritual ones. Few apply the maxim to “Give to every man that asketh of thee; and of him that taketh away thy goods ask them not again.” (Luke 6:30, repeated in Matthew 5:42) Nor do they hold “all things common” as practised by the first Christian believers. (Acts 4:32) So if non-anarchist believers are to be considered as ignoring the teachings of the Bible by anarchist ones, the same can be said of them by those they attack.

Moreover idea that Christianity is basically anarchism is hard to reconcile with its history. The Bible has been used to defend injustice far more than it has been to combat it. In countries where Churches hold de facto political power, such as in Ireland, in parts of South America, in nineteenth and early twentieth century Spain and so forth, typically anarchists are strongly anti-religious because the Church has the power to suppress dissent and class struggle. Thus the actual role of the Church belies the claim that the Bible is an anarchist text.

In addition, most social anarchists consider Tolstoyian pacifism as dogmatic and extreme, seeing the need (sometimes) for violence to resist greater evils. However, most anarchists would agree with Tolstoyians on the need for individual transformation of values as a key aspect of creating an anarchist society and on the importance of non-violence as a general tactic (although, we must stress, that few anarchists totally reject the use of violence in self-defence, when no other option is available).

[skitariiposting]

hiii so a friend of mine is gonna be running an only war game, and i've got an enginseer written up, and while i know the main trick is just maximizing my autism swag, i'm wondering if you've got any fun ideas for roleplaying a techpriest. thanks!

Sure! Here's a couple of neat ideas I've compiled for some of my NPCs that I might run in future Dark Heresy games. Feel free to pick and choose a couple to work into your character if you like them!

1. "Names are confusing" - This character has trouble remembering non-admech names, instead electing to call every non-mechanicus person something along the lines of "Meatbag," "Lapdog," "Biological One," "Fleshling," "Rat," "Annoyance," "Thing," and/or "You."

2. "Varience. of. PITCH! andtiming" - THIS admech has PROblemsspeaking in NORmal ScEnTeNcEs due to beING so UUUUUUuuused to SPEAKING in PROJECTED TEXT via ocular SENsoooors.

3. "Empathy" is an oddity amongst the admech. However, there are some that still cling to the likes of empathy and compassion. Steel may have replaced their hearts biologically, but even a steel heart still yearns for love. Maybe in different ways than the usual biological beings, but love is love.

4. "Strong silent type." Not mute mind you, they just don't have a lot to say. Instead of butting in to conversations, they tend to wait until someone asks them for something or until the perfect moment to say something (sometimes to comedic effect) (skit's note for Anar-kitty or any player that wants to go this route: be sure to discuss this with your party if you want to play a character like this. It helps to keep them in the know as it will allow them to be prepared to interact and bounce dialogue of your character. Also, while being quiet may be part of your personality, going out of your way to stay quiet even if it inconveniences your team may not be wise. Still talk, and be active out of character! Don't let your parry think you yourself are disinterested, make it a point that the character is quiet, either through stoicism, edginess, or even shyness! Describe body language or how your character may communicate non-verbally (examples: shrugging instead of saying "I don't know," giving a thumbs up to say okay, describing nervous fidgeting, describing facial expressions, etc. ))

5. "Know it all." Everyone around you doesn't know how to "properly" use technology, and it's driving you insane. No one is doing morning chants for their weapons' machine spirits blessings! Heck, most of them don't even know any rituals!! And they just. Point these poor machines at things and *hope* they work??? You need to whip these biological beings into shape! They need to start following proper mechanical doctrine, and it's your job to get them on the right path!

6. "Unknowable" You hide beneath a standard admech robe, only small portions of your body are visible, whether that be your eyes, hands, feet, whatever have you, or even none of the above! But whenever you have a need for something, you always seem to reveal it from beneath your cloak, as if it manifested from the void. Extra arms, weapons, tools, a tail, a data port, comms devices, you name it, somehow it all fits beneath your cloak, and nobody has seen your true form beneath it.

7. "Gullible" since you've been raised amongst the socially inept admechs for so long, your knowledge of jokes and saying are... subpar. You take things at face value or struggle to find meaning in the sarcastic or metaphoric. You prefer the literal meaning of what people say.

8. "[Statement]" (skit tip: look up videos of HK-47 from Star Wars: Knights of The Old Republic talking, it'll give you an idea. )

You lack proper means to adjust pitch, leaving you to talk in a constant monotone voice. As such, wanting to show your emotions, you state what they are prior to what you are about to say.

9. "Pets." You find little biological creatures "cute" even if they are meatlings. You may take some with you to places and display them proudly to your compatriots, mayhaps even if they are ugly to them or dangerous. You may take interest in replicating their design into servitors or even converting the creatures themselves.

10. "Machines are friends, not slaves." You find the company of machines to be quite enjoyable, however people seem to view them in a different light. You find this disconcerting, as your machines are your friends, and you treat them with love and repsect! Why do others not treat theirs the same way?

11. "Death is not the end." When we pass, we continue our work for the Omnissiah, either as Servitors or perhaps the Omnissiah may take favor with your devotion and grant you the honor of becoming a machine spirit. Either way, mourn not the dead, friends. We are cogs in the machine, and cogs break from time to time. But we can always repair them so they may continue their work.

12. "Utterances." You mumble odd things beneath your breath or aloud when you think nobody is listening. You constantly seem to be planning your next move, and to others, it may seem worrying. Are you planning a contingency for if they turn on you? Are you plotting a master heist to steal xeno technologies from the inquisition? Did you just insult one of them behind their backs? Are you uttering an ancient prayer beneath your breath that may bless them? The answers could always be yes, but it is more likely that you are planning to construct a new machine from their weapons when they turn their backs to you.

Little tips:

If you are playing online, consider grabbing Voicemod or an equivalent to change your voice to sound more mechanical-y! (Be sure to set up a toggle on and off button for in and out of character, and test the voice with a friend prior to playing to make sure it won't get annoying during long sessions)

Admechs benefit from being chaotic or weird; the classic "I'm crazy or unusual" bit many players want to tap into, but struggle with capturing. My advice? Paradoxically: dont go overboard. Dont try to be the center of attention. Try to be a setup for the other characters' moments instead of the other way around. People enjoy characters like Jester from CR for her chaos, but tend to forget that she largely is used to set up other people to make a joke or to cause a problem for the party to fix, while still having her own character and story that's separate from her "I'm a silly chaotic person." Here's the biggest thing to remember:

Your randomness should be a facet of your character, not your entire personality.

Stay consistent with your randomness. Develop predictable patterns. If you just keep being chaotic without method to your madness, it becomes annoying or difficult to pin down what your character actually is, and that makes it difficult to interact with them. Have boundries your character wouldnt break, and use that to create inner conflict! (Example: I want to pie my friend in the face, but he's sad from his girlfriend breaking up with him. My morals tell me that I love my friend and always try to cheer him up, but uuuuuuugh the prank would be soooo funny to me and potentially everyone else! Ooh, but it'd likely conflict with my want to cheer him up, as it'd make him mad or sadder... How do I feel about this situation and how will it affect my decision and interaction with the other character?)

Developing a pattern to your "I am a chaotic being" helps other players to compliment your character and vice versa! Jester likes pulling pranks, so eventually the Nien figures that out and starts to keep an eye out for it. Does that stop her from trying? No! But its a predictable action that can still be chaotic, while not being uninteractable or disruptful to the enjoyment of the game for everyone at the table. Running gags, pranks or catchphrases are a good place to start, then build on it the farther you go.

My best advice I give for character development, and this goes for any kind of character you run: You aren't just playing a character. You're playing on a team of characters. Try to play to their strengths as much as your own.

There we go! I modified them a bit to be more "for a character" and not an NPC, so hopefully, there will be some interesting ideas to build off of for your character! If you have any other questions or would like some more, feel free to ask! I'm always happy to be of assistance :D

[the-college-of-whispers]

I was wondering if you have anything on worship of Y’ffre? I know he’s not a Daedra, but he’s still fascinating to me.

Alright, I'm sorry this took literal months to get together, but my schedule was fucked. Now, let's talk about Y'ffre.

Y'ffre is the head of the Bosmeri pantheon, the creator of the Green Pact, and usually described as a bearded man (though Y'ffre has been referred to with she/her pronouns in at least one instance). The Bosmer are also referred to as Y'ffre's people.

As Jephre, he is worshiped by the Altmer, who also depict him as bearded. There is an Altmer order known as the Jephrine Paladins who style themselves after indriks and protect the wild, as opposed to most Altmer who demand perfection and obedience from nature.

The Bretons worship him as both Jephre and Jeh Free, God of the Forest and Spirit of the Now. They have their own version of the Jephrine Paladins, the Vicars of Jephre who are also known defenders of the natural world. This isn't even getting into the Druids, the Druids of Galen, and the Beldama Wyrd.

As Y'ffer, he appears in the Khajiiti pantheon (though, who doesn't?). He created the first flower to woo Nirni, became corrupted by Namiira, killed Nirni, and was slain by Hircine, Azurah, and Khenarthi (who turned his bones into a cairn for Nirni). He was known as a snooping spirit who couldn't keep secrets and was the reason Fadomai's Children could cross the Lattice. In their lore, he's responsible for turning some of the Khajiit into the Bosmer. Prior to the Riddle'thar Epiphany, he was known as the bastard son of Ahnurr. Interestingly, he is not a figure of worship.

He's also believed to have had Ayleid and Snow Elf worshipers.

There was once an Argonian heresy that abandoned the Hist and turned to Y'ffre and the Valenwood for an alternative reproduction method, but this was potentially wiped out in the Second Era when ex-Shadowscale refugees assassinated those responsible.

Fascinatingly, the Imperials were strictly prohibited from Y'ffre worship due to Alessian Empire religious laws (though the current ban on worship is unknown in the modern Imperial Cult).

Along with the names Y'ffre, Jephre, and Y'ffer, he is also known as the Singer, the Storyteller, God of Song and Forest, and Spirit of the Now. He is known to be swift and to send wisps to herald the storms of Rain's Hand. Seeing the wisps are a promise of new growth, new life, and a new chapter in nature's cycle.

His most faithful are the Spinners, who keep histories, laws, and prophecies as stories. They invoke him into themselves to tell the stories. Some of them include how he brought forth the Green from the Ooze, the establishment of the Green Pact, and how he taught the Bosmer to both escape the original Ooze and how to activate the Wild Hunt, which is super fucky.

As a god of nature and, let's be honest, life as a whole - because let's be honest, that's what it means to pull the Green from the Ooze - he's associated with literally all animals and plants, though obviously cares more for the plants than the animals given the average Bosmer's diet. Particularly of note are trees (especially oaks), flowers, birds, elks, and indriks. His only known artifact is the Ring of the Wild Hunt, which we'll talk about later.

What is he the god of? Well...

Songs

Stories

Narrative magic

The Green

Treethanes

Nature

Guardian elemental spirits

Graht-Elk

The Wild Hunt (aka Great Hunt)

Speed/swiftness

I'd even argue that he's a god of the planet overall, creation, and life as a whole given his mythology and what exactly is attributed to him. Like, pulling the Bosmer out of gook is a huge thing, and it's only one of the things that is attributed to him!

What? Okay, okay, fine, I'll talk about the Ring of the Wild Hunt!

Look, everyone keeps arguing about what is or is not canon in the Elder Scrolls series now. Which means that I'm just taking all of the information, canon or no, and dumping it at your feet. That's been the case for everything, but it's especially the case with this section.

The Ring of the Wild Hunt is a Bosmeri artifact. It plagues the wearer's dreams with images of hunters and prey, yet also blessed the wearer with Y'ffre's swiftness. Literally, it makes you run a lot faster.

The ring is composed of five pieces: the Band of Water, the Charm of the Shapeless, the Face of the Serpent, the Face of the Wolf Beast, and the Symbol of Y'ffre.

Band of Water: small band, possibly depicts a liquefied Bosmer (my thoughts: potentially one in the midst of the Wild Hunt)

Charm of the Shapeless: bizarrely-shaped green charm, possible relic of the Wild Hunt

Face of the Serpent: possible imagery of the Wild Hunt, resembles serpentine beast

Face of the Wolf Beast: monstrous animal resembling different creatures, possible depiction of King Dead Wolf-Deer

Symbol of Y'ffre: depiction of Y'ffre, thought to be of the god unleashing the power of the Wild Hunt

It broke into five pieces sometime after its creation and was reunited in 2E 582 by the ESO player character as a member of the University of Gwylim's Antiquarian Circle.

So that's it. That's all I managed to find about Y'ffre in canon. My only additions are some minor musings, as I've never interacted with Y'ffre myself.

Something I should consider doing is to trace where the inspiration for him came from, as the Elder Scrolls series has a bad habit of pulling directly from Greek, Roman, or Norse gods to "inspire" their own... Though the lore of Y'ffre does do its best to separate him from any direct inspiration or obscure the gods who inspired him.

(PS: The apple dividers used on this post were created by @firefly-graphics!)

Perhaps this gives you something to work with, anon!

UESP Lore page: Y'ffre

UESP Lore page: The Green Singing

UESP Lore page: Jephrine Paladins

UESP Lore page: Ring of the Wild Hunt

UESP Lore page: Beldama Wyrd

UESP Lore page: Druids

UESP Lore page: Druids of Galen

UESP Lore page: Wild Hunt

UESP Online page: Ring of the Wild Hunt

[monvenusblg]

Eight of Wands & Motorsport Racers

You don’t need a license to heed the siren call of the open road.

💋Motorsports or Biker fashion aesthetic and the individuals who wear them embody the energy of the 8 of wands best. Mandolin-collared racer jackets, belted boots, and chunky zippers all preferably in leather equipped these warriors for an urban apocalypse. The highly durable, high-speed clothing symbolizes protection against the dying city streets of a post-apocalyptic world. In comparison with ancient suit of armors, however, current styles are far more playful and sexier. The aesthetic’s created fantasy of crime and speed attracts people to them in recent years. Muses of the 8 of wands tempt us to strike while the iron is hot. To live a life of adrenaline. Their style represents what living in the fast lane and/or wide expanse looks like.

☄️The final stages of the fire suit in tarot (wands) had left the drive to conquer in Aries and the celebration and trials of leadership in Leo. When we arrived in Sagittarius, the heroine became legendary for her previous deeds. At the end lies a burden to sustain one’s legacy. Hence, in the 10 of Wands imagery, a man is weighed down by his many accomplishments. The 8 of wands is exactly where the action is. A mutable fire or a wildfire is on the move. Here in a Jupiter-ruled fire sign, ambition changes gears to higher realms. Ruthlessness and conflicts seemed to be left far behind in Aries and Leo. So why is there something immoral about Sagittarius first decan? Why the association with crime?

☄️Boldness, Malice, Liberty headline the decan’s Agrippa image. We encountered a warrior braving the open road. Perhaps for an adventure or…in most cases, to get away with something. Mercury who co-rules with Jupiter gives this decan its shadow qualities since he is the god Hermes who travels between the underworld and the surface world. Constantly lurking between worlds often pushes them to the fringes of society. It is one of the many hermetic explanations for Sagittarius' bohemian or free-spirit stereotypes. They are sometimes deemed dangerous for being part of the counter-culture. Often they are tasked to carry the collectives' shadow representing the antithesis of whatever was the norm at that time. Another significant Hermetic symbolism is the fixed stars of Lupus the wolf which can be seen in three degree groups of this decan. In ancient times wolves were powerful shamanic creatures representing higher learning (9th house) and the human drive to investigate the existence or nature of God. A very Sagittarian theme. Unfortunately, by medieval times wolves became negatively associated with heresy. Women especially are vulnerable to allegations of dark witchcraft practices. Believed to seduce “wretched” people and entrapping them.

💋Etymologically, Lupa in Latin (lit. she-wolf) translates to a prostitute who seduces through her rapaciousness. Interestingly, a key feature of the biker aesthetic during its peak fame (2022/2023) is a luscious deep red dubbed ‘cherry cola’. It was in every subsection of beauty (hair, nails, makeup). The star muse of this shade is a leather jacket-wearing and over-lined lipped Kylie Jenner, emphasizing yet again the sex appeal of biker/racer-inspired clothing. Although the clingy materials of biker aesthetics are mainly worn to shield them from the rough asphalt, they naturally complement the body’s natural curves. I think this resonates with the 8 of Wands persona. Natives of this card play the forbidden fruit, the dark bittersweet cherry who is likely to scare you as much as she entices. Mercury’s wit and Jupiter’s jovialness bestow a charming and humorous attitude to individuals of first Sagittarius. The humor is not without irony, however, a little black and morbid. Still, this gives them a uniquely intoxicating charm, capable of making illicit subjects and dangerous antics at best, cathartic and simultaneously fun.

☄️Sagittarius Decans are represented by the Centaur creature (half-man, half-beast). They reveal the unification of our animalistic nature with our human (strategic, meaning-making, rational) mind. our pursuit of higher learning and philosophy can’t be separated from the physical prowess of our lower, instinctual nature. Instead, in Sagittarius, we learned that it is on our basest nature to enquire about the physical world around us. Hence, there’s an understanding among racers and bikers to merge with their vehicle. Akin to ancient Amazonians and warriors who built genuine deep relationships with their horses. Together they become formidable warriors. Moreso in this decan than the ones after do we see the full result of this unification. Austin Koppock named Decan one of Sagittarius: “poisoned arrows”, which I think testify to the swift precision of its natives in obtaining their goals. Whether it is a race to the finish line, a beloved to seduce, or dreams to chase, it'll surely be attained fast and decisively.

💋To feel the 8 of Wands in its entirety I suggest watching the Fast and Furious movies. They feature styling and female characters who embody the card/decan's bold, fiery, and intense energy with a hint of malice. The garments and styling worn in the "Fast and Furious" saga testify to its global settings (Puerto Rico, Tokyo, London, Los Angeles, and more). Since Jupiter does not understand boundaries and only expansion, travel is expected. Elements such as muscle tees, jeans, leather, etc. are modified through color and cut depending on levels of practicality as well as settings and characters. The women share an element of vulgarity overall though, especially in the earlier installments. Each look is adorned with silver metal jewelry and chunky leather footwear. The clothes show equal parts skin and fierceness, fitting for the characters' rough lifestyle as professional drag racers. A personal favorite of mine are the looks worn by Suki (Devon Aoki) in 2 Fast 2 Furious (2015). She clearly wasn't denied any restrictions with colors. Dressed in multicolored ensemble of crop tanks and shirts paired with the internet famous hot pink low-rise jeans which display cheeky crossed threads at the crotch and thigh area. Then there's a tartan schoolgirl skirt paired with studded boots number, as well as a monochrome look of matching short-shorts and racing tee with knee-high white boots. Suki's overall wardrobe is an ode to the spunky enthusiasm of Sagittarius Decan one/8 of Wands personality.

☄️Alternatively, "Mad Max" films feature a grittier take on the “men being one with their machine” trope. Here there’s an added touch of ecological doom where the desert becomes a character of its own. Both franchises rely on “horsepower” aka the speed of their chosen machines. It's a testament to the double mercurial influence in the 8 of Wands; quick instinctual movement and action is emphasized as important skills to survive the harshness of each respective environment. The costumes carry the 8 of Wands message for proper mental and emotional preparation before you embark on a journey or face a war zone. In Mad Max, the threat is very much physical, depicting environmental devastation and civilization collapse. The outfits consist of tattered rags, harnesses, and armored chest pieces. ID-magazine describes 2015 Mad Max movie’s aesthetic as the "scavenged and wanderlust". The female characters of this world have no choice but to roam. Their clothing provides immediate protection from the post-apocalyptic desert. With Furiosa's (Charlize Theron) tactical attire, we see someone who possess mastery over her environment. Her femininity is hidden underneath the ashy face paint and accessories made from cars and motor parts. Including a symbolic asymmetrical shoulder armor. She dress similar to that of the opposing ‘war boys’. I think this signifies her alignment with the 8 of wands message I wrote above. In contrast, the nymph-like tattered white fabrics covering the rescued maidens, expresses human vulnerability against such conditions. They were previously held hostage and therefore are yet to subtilize the high velocity energies around them. Violence, warfare, and oppression are some thematic commonalities of this film with the 8 of wands. So, although the outfits of Mad Max aren't acclimatized into the mainstream biker/racer aesthetic, I believe they represent the energetic essence behind this aesthetic in its most pure and rawest form.

─── ⋆⋅☆⋅⋆ ──

Check the gallery below for more contemporary fashion/visual inspirations:

🫶Let me know if you enjoy this post! I’m thinking to turn this into a series about all 78 tarot cards and each corresponding aesthetics. So far, I’ve seen really fascinating patterns emerge and I’m so excited to share them. I hope my posts will get better as i adapt to writing my downloads. x Jess

[christian-heresies-tournament]

brethren of the free spirit, a sect only loosely describable as such, who were actually kind of based and correct and aligned with my own personal brand of heresy

folks, if we perfect our souls, we're indistinguishable from god. christ, the church, and sacraments are unnecessary. the only sins are what we consider sins, religious authority sucks, and we use language that invokes erotic union with christ.

if you appreciate the use of the language of erotic union with christ, you might be a fan of side wound theology, which has medieval lesbian nuns engaging with christ's side wound in an erotic way.

[gretchensinister]

Dark Crystal Vampire AU Part 1: HERE WE GO

I alluded to two different Dark Crystal AUs I probably wouldn’t write, but I figure, I can still talk about them, put them into the hive mind for consideration. It was in conversation with @tejoxys where he brought up the idea of the skeksis being vampires in a “human” AU. I thought that idea was really cool and an opportunity for weird vampires.

So, in this AU, there aren’t any real “regular” vampires; they’re still in folklore and fiction, but if anyone was like “hey I think that guy’s a vampire” everyone else would be like, “stop being a weirdo.”

Therefore, in the grand old tradition of Our Vampires Our Different, here we go:

The UrSkeks: In the 900s there was a small, secretive, mystical/esoteric cult who believed a) they once had been bodiless spirits, fully mature and aware (not like a baby soul waiting to be installed), b) one of their purposes on Earth was to spread the wisdom/knowledge they had due to once being bodiless spirits, and c) the other purpose they had was to become pure immortal spirit again, without dying, and remain ever-living on the Earth.

If I did this I think I’d spell it URSKEK and have it be a relevant acronym for mystic/occult/esoteric terms.

Some problems: a lot of their wisdom and knowledge was like...just utterly wack, or impossible to say if it was or wasn’t true. But some of it was good, and some of it was surprisingly ahead of its time, even when considering the whole world (if I wrote this I would set it somewhere in what is now modern-day Italy). Another problem is that they had a secret 1-7 ranking system for all other people based on how worthy the URSKEKs thought they were to receive URSKEK wisdom.

Anyway, (and here I had to stop myself from going down a rabbit hole of find out what interesting astronomical events were happening in the middle ages) at a certain point all 18 members of the inner circle of the cult have been excommunicated because the cult shit is getting too obvious. (Hmm, wait, there was a solar eclipse visible in some parts of Europe on July 20, 966, maybe that would be a good date for the Big Event. BTW it still troubles me that 2020 ended with what is called a great conjunction on Earth.) Anyway, things are getting hot, even though all the inner circle is pretty wealthy/privileged, there’s talk of heresy trials because WTF are you even talking about. This big astronomical event is going to occur, and the URSKEKs are like, we’re ready, we have everything ready to cast off mortal flesh and become immortal beings of pure spirit.

The aesthetic is very alchemy. (Another significant research hole hindering this project.)

So the URSKEKs prepare this complex ritual to cut their spirits free from their bodies during the eclipse (maybe the thing is that their flesh is “eclipsing” their spirits and as the moon moves away from the sun their radiant spirits can be free).

Now as a writer I’m always up for taking aim at the concept of the body vs. mind/spirit. They’re not really separate! So there’s that issue with the ceremony, along with the fact that the URSKEKs are not as pure and wise as they’d like to believe. Also, most of them are at least a little bit afraid of this ceremony, which, if one has any doubts at all, sounds like an elaborate suicide pact. But they can’t stop now, it needs 18 people to work because 2x3x3 and other math and geometry reasons, and no one else is enlightened enough. So the ceremony starts, and it gets underway, and whoa it seems to actually be working, or at least something’s happening that’s not just bleeding out and dying when you cut your body down the center line with a quartz dagger. But they also feel like they’re losing themselves and they don’t really want to do that (too late).

When totality ends there are now 36 bodies in the ceremony location, with fractured memories and appearances that are now somewhat off from human.

All of them immediately feel that there’s something very wrong about this situation, but it’s hard to think in the confusion.

And then a lower-ranking cult member that they’d arranged to check on them after the ceremony (an honor, to see their new spirit forms and maybe deal with their bodies if they were still there after the transformation) opens the door to the room. And for all of the new skeksis AND urRu, a couple of things become very clear: 1) one of the ways in which they’re different from humans is their fangs, and 2) they need that guy’s blood. Basically a feeding frenzy ensues, and this is when they all learn about paired injuries and paired deaths, and those two pairs whose names I forget die. Exsanguinated by their former cult fellows. Kind of fucked but this is a vampire AU babey.

Now, after this whole shitshow, the 32 remaining vampires are a lot calmer and they’re able to figure out that they’re halves of the URSKEKs. One set of halves (the urRu) is of the opinion that they all represent a horrible failure of the ceremony (they were compelled to tear into that guy like wild animals), while the skeksis halves immediately start insisting that it went right or even better than planned (they’re now above humans and can consume them like any other meat animal). The difference of opinion corresponds to some subtle physical differences between the two as well.

Part 2

Part 3

Part 4