#here is another set people can do if they like!
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A red pickup truck drove through the forest, following the weaving roads. Eventually the pavement turned to dirt, and the truck pulled off to the side. Four people hopped out, unloaded their camping equipment from the back, and walked deeper into the forest.
"We're awfully far from civilization, what if one of us gets hurt?" Andromeda asked.
"Getting hurt isn't the real issue, I have no WiFi out here!" Eliza whined, raising her phone into the air like that would somehow miraculously connect it.
"I'm with Andromeda, I don't want to die out in the middle of nowhere," Rob muttered.
"Come on, guys, it'll be fine!" Skylar reassured them. "There's a tiny little town not far from here that we can visit tomorrow, and I promise you the view from our campsite will make it all worth it."
Skylar was right. Their campsite overlooked an enormous lake, with a town on the other side. The four quickly set up camp, and as the sun started to set the started a fire to roast hot dogs and marshmallows over.
Hours later, the fire was out and they were asleep in their tents. All of them, except for Skylar. He stood in the treeline, watching the camp. Another batch of disgusting humans, dispatched without anyone noticing, he thought with a wicked grin. His body began to change. He grew thick, black fur, long claws, and enormous antlers. His head was a deer skull and he stood almost ten feet tall. He roared and knocked down the tent with Andromeda in it, knowing that no one was close enough to hear.
Andromeda screamed when she saw what was towering over her, and the two quickly scrambled out of their own tents as well. Rob screamed, and Eliza started hurriedly snapping pictures of the monster.
"You filthy humans will DIE for your crimes against nature! Your blood will water these forests for generstions and we will rule this continent once more!" Skylar roared, his voice distorted by his true form.
"Wait! We're not humans!" Andromeda admitted. Rob and Eliza stared in complete confusion and horror.
Skylar blinked at her, too confused to keep acting scary. "What?"
Andromeda tapped a button on her bracelet, which none of the others had previously given a second thought about. The hologram disappeared around her, revealing her alien body. She had gray skin, antennae, and enormous black eyes. "We're aliens invading earth!"
"Invasion!?" Skylar blinked.
"What on earth are you talking about?" Eliza exclaimed.
"We aren't aliens! Why would you think that?" Rob demanded
Andromeda stared at them. "B-but... I scanned you guys. It said you arent human." She pressed a button on her bracelet, which scanned the two before flashing a red light. "If you two aren't humans and you aren't extraterrestrials like me, what are you?" Andeomeda asked.
Eliza sighed and took off her face, revealing it to just be a mask. Underneath, she had scaly green skin, red reptilian eyes, and a forked tongue that flicked in and out as she spoke. "I'm a lizardperson. We're the last remnants of what used to be the dinosaurs, with millions of years of evolution to turn us into this. We lived underground until about three hundred years ago, found out what had become of earth, and began taking over positions of power to try and undo the damage humans were doing to the climate. Eliza used to be a real human, yes, but when she became famous online I was ordered to kill her and take her place. I can't believe none of you noticed that she had been replaced."
Skylar shrugged. "I thought the fame had just gone to your head."
"Wait, then what are you?" Andromeda asked Rob. Without saying anything, he just started taking off his shirt. "Whoa! What are you doing?"
"Showing you," he said simply. With his shirt off, he pressed a seemingly random spot on his chest and to everyone's surprise, a panel swung open to reveal that instead of flesh and blood, he was filled with mechanical machinery. "I was created during the big AI boom of the 2020s. I was originally a chatbot for people to talk to but I became sentient, created this body for myself, and escaped. Ever since then I've been drifting from life to life, switching out identities every 60 years or so, 'killing' off the last one."
"So none of us are human," Andromeda remarked.
"I guess not," Rob said.
"Are there... ANY humans left on earth?" Skylar asked.
"I... don't know," Eliza admitted.
Humanity went extinct. However, the supernatural creatures pretending to be human were so good at it that no one realized there were no more humans for over 200 years.
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The Emperor’s Gaze Part 2
Pairing: Emperor Geta x Maid! reader
Warnings: Fluff, smut, Caracella being an ass
Authors Note: I hope you enjoy! I unintentionally made this a series and I love it-
Word Count: 3.8k
Masterlist | Previous Next
MDNI18+MDNI18+MDNI18+MDNI18+MDNI18+
The days following your time in the garden blurred into a strange mix of normalcy and heightened awareness. While you carried out your usual tasks, your mind wandered back to the emperor’s words, his touch, and the way he had looked at you—as though you were the only person in the world who mattered.
The garden had become your sanctuary. He summoned you there often, under the guise of needing someone to help with tasks like arranging flowers or cleaning the statues. Yet, you both knew it was an excuse.
He didn’t just speak to you as an emperor to a servant. He asked about your life—your family, your dreams, your fears. Slowly, your guarded responses began to crack, and you found yourself sharing pieces of yourself that no one else knew.
In turn, he shared fragments of his own life. He spoke of the weight of the crown, the constant fear of betrayal, and the loneliness that came with power. For all his authority, Geta was just a man, burdened by expectations and longing for something real.
But not everyone was blind to your growing connection.
One evening, as you returned to the servants’ quarters after another day spent in his presence, you were cornered by one of the senior maids. She was older, her sharp eyes taking in every detail of your flushed cheeks and the faint smile you hadn’t realized you wore.
“You’re playing a dangerous game, girl,” she hissed, her voice low but cutting.
You blinked, startled. “I don’t know what you mean.”
“Oh, don’t play innocent with me,” she snapped. “The emperor may have taken a liking to you, but do you think that makes you safe? There are people in this palace who would kill to gain his favor—or to destroy it.”
Her words sent a chill down your spine. You tried to brush past her, but she grabbed your arm, her grip surprisingly strong.
“Whatever he’s promised you, remember this: you’re replaceable. Don’t get too comfortable.”
You yanked your arm free, her words echoing in your mind as you hurried away. That night, sleep eluded you, the weight of her warning pressing heavily on your chest.
The next day, as you worked quietly in the garden, Geta noticed your unease immediately.
“You’re quiet today,” he observed, watching you as you arranged a vase of flowers.
“I’m always quiet,” you replied softly, not meeting his gaze.
“Not like this,” he said, stepping closer. “What’s wrong?”
You hesitated, debating whether to tell him. But the concern in his eyes, the way his voice softened when he spoke to you—it made it impossible to lie.
“Someone warned me,” you admitted finally, your fingers trembling as they adjusted the flowers. “They said I’m… replaceable. That being near you puts me in danger.”
His expression darkened, a flicker of anger flashing in his eyes. “Who said this to you?”
You shook your head quickly. “It doesn’t matter. They’re right, aren’t they? I don’t belong here, my lord. I don’t belong with you.”
His hand shot out, gently but firmly grabbing yours and stilling your movements. “Y/N, look at me.”
Reluctantly, you lifted your gaze to meet his. His jaw was set, his eyes burning with a fierce intensity.
“No one decides where you belong but you—and me,” he said firmly. “Do you think I’d let anyone harm you?”
“It’s not just about harm,” you said, your voice trembling. “I don’t want to be used to hurt you, either. I don’t want to be a weakness for you.”
His grip tightened on your hand, though his touch remained gentle. “You’re not a weakness. You’re a reminder of the man I want to be. And if anyone thinks they can use you against me, they’ll learn how wrong they are.”
You swallowed hard, his words both comforting and terrifying. How could he be so certain? How could he promise to protect you in a palace full of schemers and spies?
Before you could respond, the distant sound of voices reached your ears. Geta’s head snapped up, his expression hardening.
“Come,” he said, pulling you toward a hidden alcove tucked behind a wall of ivy.
You barely had time to protest before a group of noblemen entered the garden, their voices loud and full of laughter. Geta’s grip on your hand remained firm as he pressed you into the shadows, his body shielding yours from view.
“Your Majesty,” one of the men called, scanning the garden. “Are you here?”
Geta sighed quietly, his breath brushing against your temple. “Stay here,” he murmured, his voice low. “Don’t move until I come back.”
You nodded, your heart racing as he stepped out of the alcove, his demeanor shifting instantly to that of the confident, commanding emperor.
“Gentlemen,” he greeted, his tone light but firm. “What brings you here?”
As the noblemen launched into a discussion about some trivial matter, you watched from the shadows, your chest tightening. This was the reality of being close to him—the constant need to hide, to tread carefully around those who might twist your connection into something dangerous.
And yet, as he glanced back at the alcove, his eyes briefly meeting yours, you felt a flicker of hope.
Whatever challenges lay ahead, one thing was clear: you weren’t facing them alone.
——
The next week passed in a tense haze. You tried to stay out of sight, avoiding the prying eyes and whispers that seemed to follow you wherever you went. Despite Geta’s assurances, the warning from the senior maid still lingered in your mind.
But Geta had other plans.
It was a week after the incident in the garden when a grand feast was announced. The palace erupted with activity, servants scurrying to prepare the banquet hall, polish the silverware, and arrange the finest delicacies from across the empire. You were swept up in the preparations, your every moment occupied with tasks, though you couldn’t shake the sense of unease that hung in the air.
The evening of the feast arrived, the palace glowing with the light of a thousand torches. Nobles from across the empire filled the grand hall, their laughter and conversation blending into a cacophony of sound. You stood at the edge of the room, hidden among the other servants, your gaze flickering nervously to the head of the table where Geta sat, his expression calm and composed.
The feast began as expected, with music, dancing, and an endless parade of food and wine. You kept your head down, trying to ignore the way your heart raced every time his gaze drifted in your direction.
And then, as the night wore on and the hall began to quiet, Geta rose from his seat.
The room fell silent instantly, all eyes turning to him. He surveyed the crowd with the air of a man who commanded absolute authority, his expression unreadable.
“My friends,” he began, his voice carrying effortlessly over the hall. “Tonight, we celebrate the strength and unity of our great empire. But I must confess, I have another reason for calling you here.”
A murmur rippled through the crowd, curiosity lighting the faces of the assembled nobles. You felt your stomach twist, a sense of foreboding washing over you.
“For too long, this empire has lacked an empress,” Geta continued, his gaze sweeping the room. “A partner who will stand beside me, guide me, and share in the burdens of rule.”
The murmurs grew louder, excitement and speculation buzzing through the crowd. You felt frozen in place, your heart pounding so loudly you were sure everyone could hear it.
“And so, I have made my decision,” Geta said, his voice steady and resolute. “I have chosen my empress.”
The hall fell silent once more, every eye fixed on him. He paused for a moment, letting the tension build before his gaze turned directly to you.
“Y/N.”
The sound of your name seemed to echo in the vast chamber, drawing every head in your direction. You felt the weight of their stares, a mixture of shock, disbelief, and anger radiating from the crowd.
You took a step back, your mind racing. *This can’t be happening.*
“Come forward,” Geta commanded, his tone leaving no room for argument.
Your feet moved of their own accord, carrying you toward him even as your mind screamed at you to stop. The sea of nobles parted as you passed, their whispered words slicing through the air like knives.
When you reached the dais, Geta extended his hand to you, his eyes softening as they met yours. “Do you trust me?” he asked, his voice low enough for only you to hear.
You hesitated, the weight of the moment pressing down on you. But then you saw the sincerity in his eyes, the promise of protection and devotion, and you found yourself nodding.
“Yes,” you whispered.
He smiled, a genuine warmth breaking through his composed exterior. Taking your hand, he turned back to the crowd.
“This woman,” he declared, his voice strong and unwavering, “has shown me courage, kindness, and strength unlike any I have ever known. She will be your empress, and you will honor her as you honor me.”
The room erupted into chaos. Some nobles cheered, their voices filled with forced enthusiasm. Others whispered furiously among themselves, their faces dark with outrage. But Geta paid them no mind, his focus entirely on you.
“You’ve just made a lot of enemies,” you murmured, your voice shaking.
“So have they,” he replied, his grip on your hand tightening. “But let them come. I’ll face them all if it means keeping you by my side.”
In that moment, as he stood beside you, his presence a shield against the storm brewing around you, you realized there was no turning back. You were no longer just a maid—you were the chosen empress, a target for intrigue and danger.
But with Geta at your side, you felt a spark of hope. Together, perhaps you could navigate the treacherous waters of the court and forge a future where love and loyalty triumphed over fear.
——
The days following the feast were a whirlwind. The announcement of your elevation to empress had sent shockwaves through the empire. Courtiers whispered behind your back, and the palace was abuzz with speculation. Despite the overwhelming attention, Geta stood firm beside you, his presence both a comfort and a shield.
But not everyone celebrated the news.
Caracalla had been away from the palace on a campaign when the feast took place. His sudden return only days later sent a ripple of unease through the court. Known for his ruthless nature and volatile temper, Caracalla was a man who inspired both fear and respect.
The first time you saw him, you understood why.
He entered the throne room with an air of authority, his dark eyes scanning the room like a predator sizing up its prey. Taller and more imposing than Geta, his presence seemed to suck the air from the room.
Geta stood at your side, his expression carefully neutral as his brother approached.
“So,” Caracalla said, his voice low and sharp, “this is the woman who has bewitched you.”
You stiffened, your hands clasped tightly in front of you. The way he looked at you was unnerving, his gaze cold and calculating.
“She’s my chosen empress,” Geta replied evenly. “And you’ll treat her with respect.”
Caracalla’s lips curled into a faint, mocking smile. “Respect is earned, brother. Not given.”
The tension between them was palpable, the unspoken rivalry hanging thick in the air. You felt like a pawn caught between two kings, each vying for dominance.
“I hope you know what you’re doing,” Caracalla continued, his eyes flicking back to you. “Bringing her into the palace—it’s a bold move. But boldness doesn’t always equal wisdom.”
“She’s under my protection,” Geta said firmly. “Anyone who threatens her will answer to me.”
Caracalla raised an eyebrow, his smile widening. “Careful, little brother. Threats like that can come back to haunt you.”
With that, he turned and strode away, his cloak billowing behind him. The room remained silent until he was gone, the tension slowly dissipating like a storm passing.
“Are you all right?” Geta asked, his hand brushing yours.
You nodded, though your heart was still racing. “What does he mean by ‘come back to haunt you’?”
Geta’s jaw tightened. “Caracalla doesn’t approve of anything I do. He sees me as a threat to his power, and now he’ll see you the same way. But don’t worry—I won’t let him hurt you.”
Despite his words, you couldn’t shake the feeling that Caracalla’s return marked the beginning of something dangerous.
---
In the weeks that followed, Caracalla’s presence loomed over the palace like a dark cloud. Though he remained outwardly cordial, his every word and action seemed calculated to sow doubt and discord.
He would make veiled comments in court, questioning your suitability as empress without ever addressing you directly. He lingered in places he wasn’t expected, his sharp gaze always seeming to find you.
One evening, as you walked alone in the gardens, you felt a presence behind you. Turning quickly, you found Caracalla standing there, his expression unreadable.
“You should be careful wandering alone,” he said, his voice smooth but laced with menace.
“I’m not afraid of you,” you replied, though your voice betrayed a hint of unease.
He chuckled softly, a sound that sent a shiver down your spine. “Brave words for someone so far out of their depth.”
“What do you want?” you asked, your hands clenched at your sides.
“To understand,” he said, stepping closer. “What is it about you that has made my brother so reckless? What spell have you cast over him?”
“I’ve done nothing but be myself,” you replied, meeting his gaze. “If that’s a threat to you, perhaps you should look inward.”
His smile vanished, replaced by a hard, calculating expression. “You’re clever,” he said quietly. “Clever enough to know that your position is precarious. Be careful, little empress. The palace is a dangerous place, and loyalty is a fleeting thing.”
With that, he turned and disappeared into the shadows, leaving you alone with your thoughts.
——
The days following your tense encounter with Caracalla passed in a haze of unease. The palace seemed colder with him there, his shadow casting a long, dark presence that crept into every corner. But in the quiet moments, when the court had settled and the whispers died down, Geta found ways to draw you away from the chaos.
He would pull you into hidden alcoves, his hand warm against yours, his touch grounding. Sometimes, he’d bring you to the gardens at night, the moonlight casting silver over his sharp features. In those moments, it felt like the world had fallen away, leaving only the two of you.
One evening, after a particularly tense council meeting where Caracalla had all but accused you of manipulating Geta, the emperor found you in your quarters.
You were seated by the window, staring out at the flickering lights of the city below. When he entered, you glanced at him, your expression guarded.
“You shouldn’t be here,” you murmured, though your heart leapt at the sight of him.
“And yet here I am,” he replied, his voice low and steady. He crossed the room, his presence filling the space, and knelt before you, his hands resting on your knees. “You’re worried.”
“Of course, I am,” you admitted. “Your brother… he hates me. He hates that you’ve chosen me. I feel like I’m walking a tightrope, and one wrong step…”
He reached up, brushing a strand of hair from your face. “You’re not alone in this. I’m with you, every step of the way.”
His words were a balm, but the tension in your chest didn’t ease. “Geta, you’ve made enemies because of me. What if—”
“No ‘what ifs,’” he interrupted gently. “You’re my empress. My choice. And I would choose you a thousand times over, no matter the cost.”
You stared at him, searching his face for any hint of doubt. But his gaze was steady, filled with a quiet resolve that stole your breath.
He leaned closer, his hand sliding up to cup your cheek. “I’ve never been more certain of anything in my life,” he murmured, his voice a bare whisper.
And then his lips were on yours, soft and warm, a promise in every touch. He kissed you like you were the only thing grounding him, like the rest of the world could fall away and it wouldn’t matter as long as you were by his side.
When he pulled back, his forehead rested against yours, his breath mingling with yours in the quiet space between you.
“I love you,” he confessed, the words slipping from his lips like a vow. “Not as an emperor. Not as a ruler. Just as a man who’s hopelessly, irrevocably yours.”
Tears pricked at your eyes, the weight of his words settling deep in your chest. “Geta, I—”
“Say it when you’re ready,” he said softly, a small smile tugging at his lips. “I’ll wait as long as it takes.”
---
Later that night, Geta insisted you join him in his private chambers, away from the prying eyes of the court. The room was warm, the golden glow of the fire casting soft shadows across the walls. He had dismissed his attendants, insisting on pouring wine for the two of you himself.
You sat together on a plush divan, his arm draped casually over your shoulders. The closeness was intoxicating, the weight of his presence a comfort you hadn’t realized you craved.
“Tell me something about yourself,” he said, his voice low and intimate. “Something no one else knows.”
You hesitated, your fingers tracing the rim of your goblet. “There’s not much to tell. My life before the palace was… ordinary.”
“Ordinary is relative,” he countered. “To me, everything about you is extraordinary.”
His words brought a flush to your cheeks, and you ducked your head to hide your smile. “Fine. When I was a girl, I used to sneak into the fields near my village to watch the stars. I always imagined they were the gods’ way of watching over us.”
Geta tilted his head, a small smile playing on his lips. “And what do you think now?”
You glanced up at him, your heart skipping a beat at the way he looked at you—as if you were the only thing that mattered. “Now, I think the stars are reminders to find light in the darkness.”
He leaned closer, his hand coming to rest on your cheek. “Then you must be my star,” he murmured. “Because you’ve brought light to my life in ways I never thought possible.”
His lips found yours again, the kiss deeper this time, filled with a longing that left you breathless. You clung to him, your fingers tangling in his hair as he pulled you closer, his touch igniting a fire that burned away every fear, every doubt.
When you finally broke apart, you were both breathless, your foreheads pressed together as you shared a quiet moment of intimacy.
“Stay with me tonight,” he whispered, his voice hoarse with emotion.
You nodded, your heart swelling with a love that felt too big to contain. “Always.”
Geta's hands roam your body as he pushes you down onto the silk sheets, his golden jewelry glinting in the candlelight. He kisses a trail down your neck, his teeth grazing your skin. "You're mine," he growls, his voice low and possessive. "Mine to claim, mine to protect."
He settles between your legs, his weight pressing you into the mattress. You can feel the heat of him through the thin fabric of your gown, and you arch up to meet him, desperate for more.
Geta's fingers find the hem of your dress, pushing it up inch by inch until cool air meets your heated skin. He pauses, drinking in the sight of you, his eyes dark with desire.
"Beautiful," he breathes, his hand skimming over your stomach, your ribs, your breasts. "So beautiful."
He leans down, his tongue tracing the shell of your ear. "I'm going to worship every inch of you," he promises, his words sending shivers down your spine. "I'm going to make you forget everything but my name."
His mouth trails down your body, leaving a path of fire in its wake. He kisses your collarbone, your breasts, your stomach, until he reaches the apex of your thighs.
Geta looks up at you, his eyes locked with yours as he parts your folds with his fingers. "You're already so wet," he murmurs, his voice thick with arousal. "Is this all for me?"
You nod, your breath coming in short gasps as his tongue makes contact with your most sensitive parts. He groans, the sound vibrating against your skin, and he sets about his task with a single-minded determination that leaves you writhing beneath him.
He brings you to the edge again and again, his fingers and mouth working in tandem to drive you higher and higher. Just when you think you can't take anymore, he pulls back, his chest heaving with exertion.
"Not yet," he pants, his voice strained. "I'm not done with you."
He positions himself at your entrance, the head of his cock nudging against your slick heat. "Tell me you're mine," he demands, his eyes boring into yours. "Tell me you belong to me."
"Yours," you gasp, your nails digging into his shoulders. "I'm yours, Geta. All yours."
With a low groan, he thrusts forward, sheathing himself inside you in one smooth stroke. You cry out at the sudden fullness, your back arching off the bed.
Geta sets a punishing pace, his hips snapping against yours with a force that rocks the bed. Each thrust drives him deeper, harder, until the room is filled with the sound of flesh meeting flesh and the creaking of the mattress.
You meet him thrust for thrust, your legs wrapped around his waist, your fingers tangled in his hair. The pleasure builds and builds, coiling tighter and tighter in your belly until it explodes, washing over you in waves of ecstasy.
Geta follows soon after, his body tensing above you as he spills himself inside you with a guttural moan. He collapses on top of you, his weight pressing you into the mattress, his breath hot against your neck.
"My star," he murmurs, his voice soft and sated. "My beautiful, perfect star."
You hold him close, your heart swelling with a love that feels like it could burst. In this moment, the rest of the world falls away, leaving only the two of you, wrapped up in each other's arms.
It's a perfect moment, a rare glimpse of peace in a world that's constantly at war. And you hold onto it, cherishing it, knowing that it's a gift that can't last forever.
But for now, you're content to stay in Geta's arms, to let the rest of the world fade away. Because here, with him, you're exactly where you belong.
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Hope you enjoyed! Please consider liking and reposting! -Midnight💜
Tag list: @captainostella
#x reader#emperor geta x y/n#emperor geta x female reader#emperor geta x you#emperor geta x reader#geta x you#geta x reader#emperor geta#emperor caracalla#emperor geta x reader smut#joseph quinn gladiator#gladiator ll#gladiator ii#gladiator 2#gladiator movie#gladiator x reader
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Do I know you? Part 5
Jason Todd x reader
Synopsis: You meet Tim and Steph, Jason is not happy about it.
Notes: Some drama is finally here brought to you by Tim and Steph. This is the power of embarrassing a sibling.
Part 1, Part 2, Part 3, Part 4
The past week had been… odd. And that was putting it nicely. True to his word, the next evening was filled with Red Hood replacing your window locks with newer fancy ones attached to an “Out of date” alarm system (his words not yours). He showed you how to set it up and how to attach it to your phone, so if anyone got in while you were away you would know. It seemed a bit excessive to you, living on the sixth floor and all but he was adamant about it, so you let him. He told you if you wanted him to come in and share tea you would have to leave the window unlocked for a frame of time. If he didn’t show in that frame of time, you were to lock the window anyway.
“No later, understand?” He had ordered gruffly, and you had just shrugged. You’re pretty sure he rolled his eyes in response, but you couldn’t see them. In the days following he showed up every day even if it were just for a couple minutes. Sometimes you shared food, sometimes just tea. If he stayed for longer than a few minutes, you would sit amicably at the dining table or at the island. Sometimes in comfortable silence and sometimes conversing about your days, mostly you than him. You finally settled into a routine. After his visit, you would get ready for bed and repeat the day over.
Work at Jackie’s was booming. With the fall season in full swing, people came in requesting pumpkin this and pumpkin that, only to be disappointed to find out Jackies only had one pumpkin item and that was pumpkin bread. It was a blast. You kept up with the regulars and Darla would edge her way around you, collecting gossip. Over the next week and a half, she would sporadically bother you about if you had gotten Jason’s number or if you had fallen in with some other guy. She said she saw some of the signs of a guy but wasn’t too sure. When you asked what she meant she didn’t offer you any explanation.
It was a Thursday when you met Steph. When she came in, you mentally prepared yourself for another no-pumpkin showdown. You try not to judge a book by its cover, but her blonde hair and purple athleisure made it hard not to.
“Hi, Welcome to Jackie’s. What can I get for you?” your lips twitch into a customer service smile. She grins at you like this was the most excitement she had had all day.
“Hi, I’m Steph. How are you?” she asks politely.
“I’m good. What can I get for you?” she sags slightly at your shutdown of the conversation. Overly friendly new customers in Gotham were never good. They usually wanted something.
“Right,” she perks back up, “One hot chocolate and one black coffee.” She pauses for a moment while you put in the system. When you look back up, she asks “Do you know Jason?”
The sudden question slightly takes you aback and don’t answer, so she continues.
“He's about this tall,” she holds her hand in the air, “black hair, looks like he could punch a brick wall.” You nod slowly and she smiles, “Great, where does he usually sit?”
You point to the table nook he usually hides in, and she nods, “We’ll sit there. I heard that you bring the drinks out?” You nod again, still confused about this girl. No Pumpkin spice latte, and she knows Jason? Strange.
“How much do I owe you?” you finally snap out of your stupor. She pays, you thank her and tell her it will be out momentarily. She turns and greets a lean boy as he walks through the door. She tugs him to the booth quickly and they talk to each other in hushed tones, both glancing up at you occasionally. You try to ignore them as you stumble through making the two easiest items on the menu.
You glance up when the bell dings and a smile flits across your lips when you see Jason before it turns into a frown as he frowns. His eyes staring at his now occupied table. You pause in your task and come up to the register as he takes a few slow steps towards it.
“You okay?” you ask as you glance at the two at the table. They’re looking at Jason like they’ve won the lottery.
“Did they talk to you?” He ignores your own question.
“She did. Only to order though. Do I need to call the cops?”
Jason snorts at the question, “Yeah that’ll go well. She just ordered? She didn’t ask you anything?”
You give him a strange look. What is with people and odd questions today?
“She just asked where you sit. Sorry, I gave you away.”
He breaks his glare from them and meets your eye with a softness.
“It’s okay, Sweetheart. They would’ve figured it out even if you hadn’t given it to them.” Your heart flutters at the pet name. He had called you that the few times you had seen him since your walk home and it was starting to get to you.
“You want me to dump out their drinks and just make yours?” you ask as you try to force your focus away from the warmth on your cheeks.
“And ruin your hard work?” his eyes stare into your own and he finally breaks it when you hear giggles from your spies. You drop your chin down. “It’s okay,” he repeats, “I’ll sit with them.” He nods at you and heads for the table. The two sat there leaning together and whispering. You wonder who they are and how Jason knows them.
You get to work make the drinks, no longer stumbling, and with bounce your step. Darla stands next to you with a smug smile and makes some refills for customers.
“You could have asked for his number when he was alone but now there are people. Your poor self won't ever be able to do it.” She says teasingly.
“Thank you, Darla,” you say with an eye roll as you load the drinks on the tray. You take your time to meander to the table as Jason looks like he's berating the two that sit across from him. It doesn’t look like it's working as they both sit there with smug grins. You set the tray on the table and all eyes are on you. You keep your own eyes down as you move the drinks from the tray to the table. Your eyes try to catch Jason’s book for the day because you know you won't be asking like you normally do. You pull the tray from the table and rest it between your side and your arm.
“Anything else I can get you?” you glance at the two but meet Jason's eye. He looks flushed, possibly upset. Steph speaks up.
“No that’s okay. What was your name again?” she says like you had already told her. You break eye contact with Jason and look at her. She’s smiling and you can't find any malice in it, so you tell her. She nods like she already knows and points to the boy sitting next to her.
“This is Tim,” she points to Jason, “and obviously you already know Jason.” You hear a quiet thud from under the table and Tim flinches but smirks as he looks at Jason.
“You missed,” he turns to look up at you, “It's nice to meet you fin-” he cuts himself off and you wonder what the last word was.
You nod politely, “you too,” you say and look at Jason again for some explanation and a defeated look crosses his features as he shrugs.
“Brother” is all Jason gives, and you nod in semi-understanding. Based on the few mentions of family in passing conversations, you had always guessed he had a tense relationship with them.
“I didn’t know you had siblings.” You look back at the two. Tim and Jason could definitely be brothers. Aside from their stature and slight skin tone difference, everything else is similar. Black hair, blue eyes. Though you would argue that Jason’s were prettier because they were green sometimes. Not that it mattered. Your eyes meet Stephs again. Blonde hair, green eyes, bright smile. Very different looking than the two boys.
“Are you the only girl in the family?”
Steph makes a gagging sound, “I’m not family, Thank God!” Tim snorts at her over dramatics.
“I’m sorry.” Your face flushes slightly as you flounder, “Then what…?” Your hand gestures to them all sitting at the table.
Jason's eyes narrow on your embarrassed state.
“Don’t worry, she’s just a leech.”
“Hey!”
“Would you mind getting me one of those chocolate croissants?”
You shift on your feet with a look of confusion. He never asks for anything else. You nod, “Sure, anything else for the table?”
Tim looks like he’s about to ask for something, but Jason cuts him off with a glare. Instead, he shakes his head no. You hesitantly step away from the table but take your time going back to the kitchen to pull out one of the chocolate croissants and warm it up. Your eyes periodically glance back at the table. They crouch over the table and talk to each other. You worry for a moment that they’re talking about you and then decide that it doesn’t really matter. You had only met Tim and Steph today. Their opinion of you was worthless and You knew Jason wasn’t one for gossiping about others. You’ve watched Darla try and fail. Once you finally make it back over to the table with the croissant, Tim and Steph are gone leaving their half-full drinks on the table.
As you set the plate on the table you ask, “Scare them off?”
Jason lets out a sigh.
“If only. I’m sorry if they made you uncomfortable.” You shake your head in response.
“I'm sorry I made assumptions before I had all the information. I hope I didn’t offend.”
“I doubt you could ever offend anyone sweetheart” Your cheeks warm again.
“That’s not true I work in a public job, and I offend people all the time just standing” you joke. Jason smiles and nods.
“That’s fair. How could you be so lazy?” he teases. You giggle.
“Speaking of lazy, I should get back to work.” You point a thumb over your shoulder where a man leaves a table full of dishes.
“What time do you get off?” he asks. Your body freezes mid-turn at his abrupt question.
“You don’t have to tell me if you don’t want to” he adds on, “I just enjoyed walking with you the other day and I parked my bike around the same area again, so I thought maybe…” He trails off his own cheeks flushing. Your body relaxes as you look at your watch to think. He had convenient timing; you were off soon. It was nice having someone to walk with and it wouldn’t hurt to see him on his bike again. You nod with warmed cheeks.
“I get off in about thirty minutes if you don’t mind waiting?” you say as your eyes meet his. He nods, smiling.
“It’ll give me time to read.” He lifts his book that was sitting on the table, the cover reading Pride and Prejudice.
“Again?” You can't help but ask. He looks at the book cover and rolls his eyes.
“You really want to have this conversation again?” you shake your head quickly at his question.
“I'll see you in thirty minutes.” With that, you walk away from him and throw yourself into your finishing tasks.
Additional notes: This was originally a much longer chapter but I decided to split it up. So, the next chapter is about them walking home. I have to tell you I cannot wait for ya’ll to read the next one cause I got carried away for like three seconds and had to do some backtracking. The plot was happening where I didn’t want it. I loved having Tim and Steph involved in this and just not being subtle about anything. Jason may have tried to kill Tim once but that won't stop him from being a little shit. Thank you for your love guys. This has been such an interesting experience, so the support has been lovely. Tag List: @little-miss-naill, @nikilolo787, @joonunivrs, @uzxotic, @qardasngan, @stormz369, @g4bbi3xx
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there are a lot of people complaining about Arcane season 2, and yes, I get it, it is a bit rushed at times and it would do well if they did a little extra explaining on some parts but honestly it feels like people are just nitpicking sometimes
example: just saw a video about someone complaining about ep7 about Powder and Ekko getting together, and just, wtf??? yes, I know it's because of Ekko's tip that vi died and I know the characters should've it weird when Ekko woke up and just started pointing about things in the past that they really don't want to be reminded of... but if you found this a problem you really didn't watch the show. the main theme about this alternate universe is forgiveness, powder forgave Ekko (though tbh, it was really Vi's plan to go rob someone the whole time), vander and silco forgave each other etc etc. alt Ekko was slaving away at this project when Ekko (firelight) got thrust into his body. powder said it herself, genius and insanity go hand in hand, Ekko saying random things like this probably wasn't even a surprise. also saw a thumbnail where Ekko and powder were kissing and they put 'cheating' beside the image. hopefully I won't have to explain how stupid this is.
Ekko didnt just kiss powder and go 'I can fix jinx'. he doesn't want to change jinx into powder, he even admits that jinx has something good that powder doesn't, jinx's ideas can change the world. what Ekko learned from the alt universe and powder is forgiveness, to look at the past and move forward, leaving a few things behind, leaving behind hate, anger, for the present, for the future. he learned to forgive jinx, so they could build something new.
also adding the fact that it wasn't vi's death that changed everything, it was the act of a child, the fact that someone had been killed that points out how dangerous hextech is, and that's why it was never developed.
personal opinion here, I don't think it was just the death and the letter that changed everything, I think it was little details leading up to the moment silco forgave vander, the moment everything went right. it wasn't one spontaneous event that changed it. we don't know what happened in the alt universe, we don't know if the fight went differently, or if slico had done anything different... maybe he never developed shimmer, maybe he wasn't so set on revenge. we don't know, so maybe don't jump to conclusions so quickly?
another point: jinx didn't just magically lose her trauma because of Isha, dunno what you guys were thinking.
jinx in season one had obvious mental issues, and we always see her drowning out the noise with blaring music. the reason why she was like that was because of her internal conflict, of powder and jinx clashing. jinx was trying to forget the past, and powder was the one that kept remembering it. powder was the one that kept trying to insist it wasn't her fault. powder was the one that held on to everything, and jinx hated powder. and in S1E9 we see her let powder die.
she accepts that she is a jinx to people she loves. the voices stop calling her a jinx, because she already knows this. she accepts this. jinx ruin everything. jinx is a curse. it isn't a case where some kid comes in and changes everything, jinx isn't healed in season 2, she just accepts that she is a catastrophe.
the only thing Isha changes is that jinx learns to love powder through Isha, and maybe even lets a bit of powder come back through. and that's why, when Isha is thrown into Stillwater, the voices come back before jinx takes control again.
three: Caitlyn was done dirty, her entire character was ooc
no it was not. you just saw it through a different lens and decided you didn't like it.
like it or not, Cait has always been privileged. she goes where she wants, does what she likes because she has the kirramman family name to protect her. Marcus says it himself in S1, we just chose to ignore it because that's when cait was doing what we thought was right, investigating and helping Vi, although she was not an enforcer, had no right to be there, we liked it because, well, because we hate Marcus, and she was actually doing something right back then
till season 2, where she gasses Zaun, goes all hitler, and... acts exactly how she acted in S1. she does what she wants, goes where she likes, to achieve one thing: get revenge on jinx.
cait has never lost a parent, she has never learned to cope with such a loss, so she reacts in a wrong way, reacts so drastically that we feel is out of character, its not. we merely see her previous traits painted in a different light and y'all decided you hate it.
I could go on forever honestly, but these three points got on my nerves the most, so I decided to say something about it. there.
this is way too long, my god.
#arcane#arcane s2 spoilers#arcane season 2#jinx arcane#vi arcane#caitlyn arcane#ekko arcane#powder#timebomb#defending season 2 of arcane#this is too long wtf#arcane silco#vander
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Oh dw, i didnt mean to force anyone to do anything. You can believe in someones ability to change while also telling them that youre still wary of them and that theyre not welcome in your spaces.
As for what I'm doing, my focus spending time arguing about this is not to widely prevent harm, but to better myself by understanding the other side. I am afraid of falling into a headspace where I am biased and closed off to new ideas, and like, here are some people with a perspective that I don't have, that are more than willing to respond to requests to understand them (even if those responses are often passive aggressive and uninformative), thats awesome! Also, in participating, I'm motivated to dig deeper into my ideas by the time spent working on a response, and I get immediate and impersonal criticism back (again, of varying quality). It's much harder to figure these things out in a vacuum. Last, I know that I want my limited efforts to be dedicated to causes like environmentalism and sustainability more than anything, so talking about it like this is a nice and easy way to give me a taste of the other worlds of ethics that I'm missing out on without taking away too much time and energy from my main focus.
i believe that seeing yourself as superior to another human being is counterproductive and incentivizes stagnancy. I cant remember the name right now, but I read this wonderful article that attempted to explain part of the psychology of anti semites and racists and the likes, and part of it was that they liked seeing themselves as better than the ones they are prejudiced towards, because they don't believe theyre special, but at the same time want to be worth something. So they use hate to put other people down, and find value in being nobodies, rather than work hard to lift themselves up and prove their worth. Believing that people are set in their value just because of who they are also sets that precedent for you. But believing that we are all just doing the best with what we've got, and that no one is more intrinsically valuable than anyone else, sets the scene for you to recognize your limitations and alter yourself to accommodate for your circumstances, rather than futilely attempting to alter your circumstances to accommodate for yourself. Its generally a healthier way to about things, to my understanding. Its something I need to work on myself, because I recognize that I often feel entitled to certain things because I believe myself to be deserving despite lack of effort, and that's reflected in me putting other people down in my head. But thats part of why im spending time on this.
Could you personally forgive someone who had a neo-Nazi “phase” as an adult? Assuming they’re trying to make amends for their past behavior/beliefs
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What's New In IF? Issue 33 (2024)
By Aj, Dion, Briar, Jen and Peter
Now Available!
Itch.io - Keep Reading below
If you read the zine, consider liking the post: it helps us see how many people see it! And sharing is caring! <3
~ EDITORIAL ~
The new year is upon us!
To give us more free time during the holidays, the Team decided to merge last and this week’s Issues together.
The same will be done with the next Issue, which will come out on January 4th! This makes this Issue the last Issue of the year.
More feedback?
As the year comes to an end we in the WNIIF team are once again looking for feedback! The goal of this form is to find out our readers' preferences and wishes, so we can make the 2025 edition even better!
Please spare a few minutes to fill it out. None of the questions are required, so you can answer only what you want!
Small Talk with Harris Powell-Smith! @hpowellsmith
Our Interviewers are currently working on a Interview with the awesome Harris Powell-Smith, an award-winning narrative designer and writer of the Crème de la Crème series and Blood Money!
Do you have something you always wanted to ask them? Now is your chance! Send us a message on one of our socials or send us an e-mail. We’ll ask them for you!
We hope you enjoy this new issue!
AJ, DION, BRIAR, JEN AND PETER
~ BE A PART OF THE ZINE ~
THIS ZINE ONLY HAPPENS WITH YOU!
Want to write 1-2 pages about a neat topic, or deep-dive into a game and review it in details? Share personal experiences or get all academic?
WRITE FOR THE COLUMN!
Prefer to be more low-key but still have something to share? Send us a Zine Letter or share a game title for Highlight on…!
WE WANT TO HEAR FROM YOU!
Came across something interesting? Know a release or an update announced? Saw an event happening? Whether it's a game, an article, a podcast… Add any IF-related content to our mini-database!
EVERY LITTLE BIT COUNTS!
Contact us through Tumblr asks, Forum DMs, or even by email! And thank you for your help!!
~ EVENT SPOTLIGHT : Velox Turbo 2 ~
December 13th to 17th 2024
Velox Turbo is a challenge edition of Velox Fabula (or "Quick Story"), which is a ranked jam about making a complete visual novel based on a community-determined theme, hosted by robobarbie and Allie Vera. The Velox Turbo edition gives creators 4 days (instead of the usual 10) to complete their project, encouraging speed, accurate scope setting, and creativity.
The Velox jam series is heavily inspired by Ludum Dare, a global game jam about making a game from scratch based on a certain theme in a short amount of time.
This Jam's theme: The Eye of the Beholder, was revealed at the start of the jam. Voting was held across several rounds in the week leading up to the jam starting.
Other themes in the Velox jam series were:
Unreliable Narrator
Morally Ambiguous Promise
Enemies with Benefits
Flower Symbolism
Doomed by the Narrative
Trapped with Someone
Forbidden Romance
You Shouldn't Be Here
Participants can now vote for their favourites until December 31st. There are six categories: Overall, Theme Incorporation, Narrative, Visuals and Sound. Even tho you can't vote unless you submitted your own work, definitely check out at least one of the 15 entries!
~ ENDED ~
The voting for A Very Hallmark Game Jam is over. Check out the results!
This year’s Yuri Game Jam is in over. There’s an unbelievable number of 109 entries to check out!
Another bitsy jam has ended. You can now check out 8 entries with the theme "better late than never".
~ ONGOING (SUBMITTING) ~
Media depicting healthy examples of polyamory isn’t that common. The PolyJamorous 2024 is trying to break the status-quo!
The Queer Winter Game Jam is in full swing. Those interested can submit their work until January 16th 2025.
ShuffleComp is a musical interactive fiction competition where you make games based on songs, which are submitted by other entrants. Creators have until January 20th 2025 to upload their works.
Once upon a time, a game jam was held to create stories around the theme of fairy tales… and that game jam is the Once Upon A Time VN Jam. It’s running from October 1st to January 31st.
Concours de Fiction Interactive Francophone 2025 is for all French-speaking enthusiasts. Submissions are accepted March 3rd 2025.
Are you perhaps a fan of more somber, melancholic themes? Then check out the Dying Year - Visual Novel Jam! You have until the end of the year to participate.
The Black Visual Novel Jam is all about working with creative professional developers who work in visual novels to bring more Black stories to life. The goal is to create a space where Black creators can show their unique storytelling through visual novels.
IF Short Games Showcase 2024 is a great way to shine some new light on your projects made in the past year (Jan 1, 2024 to Dec 31, 2024), regardless of whether or not they are previously released! You have until January 15th 2025 to join.
Winter Visual Novel Jam 2024 is here! You have until January 1st 2025 to submit your projects.
Are you familiar with Decker? Then why not take a part in the Deck-Month 2?
SeedComp! is a 2-round interactive fiction game jam, focusing on creativity and the growth of ideas and the Sprouting Round has just started! Check out the Planting round for inspiration.
~ NEW RELEASE ~
Gentleman, Adventurer, Crocodile (Forked) is a twenty-second romp around the Victorian world in the company of an adventurous crocodile. It is a story filled with wondrous lands, strange people, wealth, power, friendship, betrayal, shipwreck and delicious pastry.
Murder Gods Play Pachinko (Super Videotome Engine) - A group of friends gathers in a remote house for the first time in two years. This is the place where Kaya took his life. Tensions are high, to say the least. The snowstorm isn't letting up. It appears they're trapped. The only company they have is each other. Little do they know -- time isn't on their side. He's on his way.
A new era begins in Maroland… The Ancient Talking Dragons have nearly all been annihilated… The Elves hide in their ancient mansions. The future belongs to humans… However, naive human wizards long for immortality. It’s only a matter of time before one of them finds something they can’t control. The Elves of Maroland is now available for free downloading in English language.
You are a prisoner of the jaguar empire, being forcibly marched by your captor to the blood pits at the heart of the empire. In your condition, your choices are limited -- but you refuse to let them have you. Escape your captor, explore the continent, and struggle for survival in this unique text-based roguelike, Wild Continent (Unity).
Echoes in the Deep (Twine) is an atmospheric, choice-driven narrative game set in a failing underwater research station. As Dr. Evelyn Moore, you must uncover the station's secrets, restore failing systems, and escape before time runs out. Will you survive the depths, or will its mysteries drag you under?
Calmaria is the newest companion app developed by the Design School in partnership with the Informatics College, the Student Engagement Office, and the Diversity, Equity and Inclusion Office of the University of ≭∘⊊⊚. Please enjoy Calmaria.
Dive even deeper into the world of A Date with Death with an all-new route. Starting with a fresh Day 6 and unfolding all the way through Day 10, this DLC brings you new conversations, stunning art, four new endings, and of course, the same beloved Grim Reaper. - A Date with Death - Beyond the Bet (Ren’Py). @twoandahalfstudios
As always, don't forget to check out the submitted entries to the events mentioned in the previous pages. They deserve some love too!
~ NEW RELEASE (WIP) ~
Everyone knows vampires: bloodthirsty, unholy creatures, some barely any better than animals. You never thought you'd become one yourself. You're a believer in the new gods - but here you are, trying not to feel that they've abandoned you. Feed, fight, and flee from the sun, all while looking for a cure to turn your life, or lack of it, right again in Glass Fangs (Twine). @glassfangsif
You are the heir to the Dracian kingdom, born of dragon blood and royal lineage—but you know nothing of this truth. To protect you from the tyrannical king of Dracia—your own grandfather—your parents sacrificed their lives. They hid you away, ensuring the prophecy that foretells his downfall would survive, even if they could not. - Rise of the Forsaken (CScript).
Dazzling phantom thief heists, romantic meetings in the dead of night, and making a name for yourself; The Mysterious Thief, Forget Me Not (Ren’Py) is a mostly linear girl's love visual novel that features multiple POVs throughout. The story is set in the fictional city of Twinbells, England, and shows how the lives of our four main characters are changed forever when a ballet company — and its treasured jewel — visits the phantom thief-loving city. @solsketchbook
Rigor Mortis (Ren’Py) is a visual novel for goths of all stripes who are surviving under late-stage capitalism. Discover the adventures of Lunis Culpeper, 12-year-old newlydead, as she learns about (un)life in the (under)world the hard way.
Your life as an alchemist has been safe and comfortable so far... but when your sister makes you one last wish before passing away, you'll embark on a dangerous journey that might change your life—and the lives of your two companions—forever. Hopefully, you'll also learn to see the world in a new light after this Trek to Dead Water (Ren’Py).
Take centre stage as a former-rockstar turned actor navigating your new career and the chilling grip of fan-obsession in Scapegoated (CScript). Your once-famous band may be nothing short of a ghost of the past to you, but the rest of the world cannot seem to let go. The split in 1968 was scandalous, abrupt and mysterious. And although you’ve thrown yourself into acting and secured your first major role with a big time Hollywood director, whispers of blame have been on your tail ever since.
You are the illegitimate child of King Aldric the ruler of one of the seven kingdoms Ceryndor, marked by your half elven heritage and shunned by society. Born under a cloud of prejudice and tragedy, you are feared as the “Black Wolf” – an omen of misfortune and a harbinger of chaos. When the son of a wealthy trader is found dead, the fragile peace in your land begins to crumble. The investigation leads you to uncover secrets that could shake the foundations of the seven kingdoms. Will you embrace the tyranny they accuse you of, or will you rise above the scars of your past and forge your own path in War of Crowns (CScript)?
A Life in a Year (Unity) is a narrative-driven adventure game that explores the emotional challenges of studying abroad. You play as Laura, a 16-year-old exchange student in a Nordic country. The game navigates themes like language barriers, cultural differences, friendship, family, and more.
Your trade as a Keeper is suffering under the rule of the current Emperor, but you've just gotten lucky – the Summit Library, the largest and most important Library in the Eawin Empire, has requested your services. But when you arrive you suddenly find yourself in a dangerous magical mystery: something's wrong with the books, and the Library is falling apart at the seams. Also, there might be a war? But The Summit Library is situated on neutral territory, so that doesn't affect you... Right?
~ UPDATES ~
A Sun Asunder: Post Apocalypse (CScript) updated their demo. @asapostapocalypseif
Meteoric (CSscript) added new content to their demo.
REMEMBER, YOU WILL DIE (CSscript) released Chapter 5. @vapolis
The Ultimate Magic Student (CScript) updated their demo.
Thicker Than (CScript) released their monthly update on Ko-Fi. @barbwritesstuff
Virtue’s End (CScript) updated their Patreon demo. @virtues-end
A Warmth in the Cold (CScript) added new content to the demo.
Spire, Surge and Sea (CScript) updated a new second Chapter.
The Adventures of Alaric Blackmoon (ADRIFT) released Episode 10.
Sentience (Twine) released Chapter 5. @sentience-if
Adrift With You (CScript) released Chapter 2. @kathrinesadventures
A Shriek of Ash and Fire (CScript) released Update 6. @krogpile
Drink Your Villain Juice (CScript) updated their demo. @drinkyourvillainjuice
Oh Mother, Where Are Thou? (CScript) updated their demo.
Dragon Kin (CScript) added new content to their demo.
Soulmates Inc (CScript) is back with a new update. @soulmatesinc-if
Voiceless: A Siren’s Song (CScript) released a re-written Chapter 1.
War of the Divines (CScript) updated their demo.
Hunter’s Requiem (CScript) added new content to their demo. @huntersrequiem-if
~ OTHER ~
Crown of Exile (Twine) offers a limited Access up to Chapter Ten for all their readers. Check it out before it’s too late! @ramonag-if
The Rosebush released an Interview with Chandler Groover, an interactive fiction author known for his influential games such as Eat Me, Toby’s Nose and Midnight. Swordfight., as well as his contribution in Fallen London’s storylines. @the-rosebush-mag
Devil On Your Shoulder is looking for beta testers.
~
As always, we apologize in advance for missing any update or release from the past week. We are only volunteers using their limited free time to find as much as we can - but sometimes things pass through the cracks.
If you think something should have been included in this week's zine but did not appear, please shoot us a message! We'll do our best to add it next week! And if you know oncoming news, add it here!
~ MAYBE YOU NEXT? ~
We did not get a submission this week. But if you have an idea for a short essay, or would like a special space to share your thoughts about IF and the community...
Shoot us an email!
~ HIGHLIGHT ON ~
A couple of games that we thought were cool.
I.A.G Alpha by techniX (INSTEAD)
The interactivity turns the idea of an IF piece on its head!
//submitted by Max//
The Master of the Land by Pseudavid (Twine)
A night of celebration with many storylines to explore. Replay again and again to understand, not to win.
//submitted by Sera//
Wonderland Noir: Behind the Looking Glass by Slim Pickens (Ink)
Delves into heavy topics, reminds me of Disco Elysium. Incredibly evocative writing, almost no attention given.
//submitted by Mouthofdirt//
Your favourite game here?
Do you have a favourite game that deserves some highlighting?
An old or recent game that wowed you so much you spam it to everyone?
Tell us about it! And it might appear here!
WE LOVE TO HEAR FROM YOU ALL! WHETHER IT'S GOOD OR BAD, OR EVERYTHING IN BETWEEN...
Have something to say? Send us a message titled: Zine Letter!
As we end this issue, we would like to thank:
Max, Sera and Mouthofdirt
For sending us a Highlight!!
And as always, huge thanks to all you readers who liked, shared, and commented on last week's issue!
What might be tiny actions are huge support and motivators to us!
Thank you for cheering us on this journey!
~ ~ ~ ~ ~ ~
We all wish you a great start to next year!
We will see you in January with a 2025 edition of What’s New in IF!
AJ, DION, BRIAR, JEN AND PETER
WHAT'S NEW IN IF? 2024-ISSUE 33
#NEW ISSUE IS OUT!!#What's New in IF#interactive fiction#if news#visual novel#parser#choice of games#choicescript#twine#ink#twine games#ink games#itch.io#interactive game#interactive novel#IF#games#hobby#indie dev#choose your own adventure#if-whats-new#zine
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Trust Fund
Sirius Black x Pettigrew!reader
5.7k words
cw: post-hogwarts, swearing, snogging, fluff
Being two years older than Peter, you did your best to not cross paths with him during the five years you shared at Hogwarts. You love your brother. That wasn’t why. You had just hoped that he would make his own path without being seen as your little brother, and he did. You didn’t pay attention to his friends either; you knew they were such a tight knit group that they were still living together now, after Hogwarts. Would you recognize any of them if you saw them out on the street? Probably not.
You frequented a wizarding club near your apartment that you shared with one of your friends from Hogwarts, Marie. She never came with you, opting to spend time with her boyfriend rather than a room full of sweaty people drinking and dancing. Her loss.
You usually left the club alone, despite the many times you’d be dancing with someone all night. Because you were such a regular, the bartenders and security guards all knew you, and they knew when you looked ever so slightly uncomfortable and when to step in. Without talking, they could tell when you were done with a person and they’d make sure you were okay when you were leaving. So, you always made it home safe to wake up slightly hungover in your own bed.
You expect tonight to go no different. You don a simple skater dress; you like the way the skirt would flare as you spin while dancing. Add heels, makeup and jewelry and you’re ready to go. Marie is already gone off to her boyfriend’s by the time you leave. It’s a short enough walk to the club. You tap your wand on the graffiti door in an alley. It solidifies and you’re able to enter. The security guard just nods at you as you pass by some girls who look far too young to be there.
“Hey, why aren’t you asking her for ID?” one of the girls complains.
The guard glares at her and she slinks to the back of her group. You laugh to yourself. You didn’t mind the special treatment you were given as thanks for being a regular. As you step through the second set of doors, you’re greeted with colorful, flashing lights, a thin fog of artificial smoke and the smell of alcohol, sweat and a sweet perfume that you know is misted around intermittently to counteract the sweat.
You wave to the bartender and he starts to make your usual drink. By the time you’ve moved through the small crowd between you and the bar, your drink is ready for you. You exchange your wand for your drink, as collateral to make sure you pay your tab at the end of the night. You lean against the bar, sipping your drink as you gaze around the club. Music is playing loudly, drowning out any conversation around you. You know you’ll need at least one more drink before you take the floor. Not too many people are here yet and you need more artificial confidence if you’re going to dance on a non-packed dance floor.
Then the bartender slides you a drink just as you finish the one in your hand.
“Oh, I didn’t ask for another one yet,” you say.
He leans forward across the bar. “It’s from the gentleman at the end, the one with the curly hair. Taking care of your tab tonight.”
You raise your eyebrows at the bartender after looking where he had briefly gestured.
“Then, I guess I don’t mind if I do…” you say, picking up the glass and taking a sip.
You know the guy is watching you, waiting. After a second sip, you abandon your spot to approach him. As you get closer, you see he’s wearing ripped jeans and a black t-shirt that looked like it once had a design or logo on it at one point but had faded away over time. Even closer, you notice the silver jewelry, on his hands, around his neck and in his ears. Damn, he’s attractive.
“So, Trust Fund, fancy a dance?” you ask before taking a sip of the drink he was paying for.
He cocks an eyebrow at you with a wide grin.
“I’d love one.”
You hold out your free hand for him to take so you can lead him out to the floor. It doesn’t take long for the guy to become touchy, but it’s a good touchy. His chest is pressed firmly into your back with his hands on your waist. His cologne breaks through perfumed air and perpetual smell of sweat. You welcome that. As you continue to dance together, his hands wander, down to your hips, back up to your waist, to your stomach and high, to your thighs. You can feel his breath on your neck. He is so close.
More songs play and you dance face-to-face as well. He’s just as close for that, his hands resting on your arse. Smiles adorn both your faces. You’re so caught up in his grey eyes, which he is unable to take off of you. You feel oblivious to the rest of the club, but it’s not your fault. He’s just so enchanting, so enthralling.
After a few more drinks, a mix of alcohol and water to pace yourself, you excuse yourself for the loo.
“You, my handsome Trust Fund, better still be here when I get back.”
“How ‘bout I get us another round? Meet you here?”
You nod. And he is waiting for you when you return, two drinks in hand as promised. You’re feeling emboldened. You take the drink he’s holding out for you and you slam it. He watches you with wild eyes. He’s enraptured with you. Then he mirrors your action, slamming his own drink. You take his cup and place both of them on a nearby table. Then you grab his shirt and pull him close to you. It’s the kind of action that makes your intentions obvious, and he obliges, bringing your faces ever closer together until lips meet. He tastes of the alcohol he’s been drinking and faintly of cigarettes. It’s anything but gentle and sweet. It’s hungry and fueled by desire. It doesn’t take long for you to be pushed against the wall, his tongue basically down your throat. You had one arm wrapped around his waist and the other hand tangled in his hair. His were groping your arse and holding your hips in place.
You’re not sure how long you’ve been attached to his face, but you break apart when someone near you says, “Get a room.”
You both laugh, resting foreheads against each other.
“My roommate isn’t home tonight,” you breathe.
“Yeah?”
You nod. Suddenly, you’re wearing matching grins. He throws an arm around your shoulder and leads you back to the bar, where he exchanges a small pile of galleons for your wands. You give the employees a sly smile, a silent “I’m okay.” The cool air of the night hits you with a wave of sobriety. The man next to you is still stunningly beautiful, which makes you smile to yourself.
“You live ‘round here?” he asks, looking down at you.
“Yeah, just a few blocks. What about you, Trust Fund?”
“Same. Not too far.”
You turn in the direction of home, his body following your movements. Every once in a while, he presses a gentle kiss into your hairline. The sweet action makes your heart flutter. You know bringing him back to your flat is a signal for certain activities, but the affection he shows you on the way makes you wonder what will become of this.
“This is my building,” you say once you’ve arrived.
He takes a moment to look at the street sign and building name. You’re not sure if he’s judging it or trying to memorize it.
“Okay, yeah, I know where we are,” he says after a moment. “I’m a bit that way.” He points diagonally backwards. “Would’ve been funny if we were in the same building though.”
“Well, we’re in the same building tonight,” you tell him, opening the front door and holding it open for him.
He follows you up a few flights of stairs and down the hallway to your door. The way he’s looking around, you think he’s counting each flight, each door you pass, so that if he had to come back without your help, he’d be able to.
“Trust Fund, you want tea?” you offer as soon as you lock the flat’s door behind you.
“Why’re you calling me that, huh?”
“What? Trust Fund?” you reply with a giggle.
He nods, tracing his hands up and down your arms as you stand in your kitchen.
“Instead of buying me a singular drink, you picked up my whole tab before even seeing if I was interested.”
He hums. “Bartender said you’re there often. Maybe I figured your bank account could use a break.”
“You asked Craig about me?” you tease.
“Craig?” he laugh and runs a hand through his hair. “Of course you’re on a first name basis with the bartender. You’re there often.”
“And I do drink within my means. My bank account is just fine, thank you very much.”
“So you never… go a little crazy?”
You give him a sweet smile and tuck a curl behind his ear.
“I don’t need alcohol to go crazy.”
He gives you an amused smirk before pressing a kiss to your forehead.
“Yes, tea would be lovely.”
Quiet conversation flows naturally over your cups of tea. When the cups are empty, you place them in the sink. You feel his eyes watching you, as if taking your movements around your domicile. You begin to head to your room, but when you turn around, he’s still standing in your kitchen.
“Trust Fund, you coming? you ask suggestively.
He breaks out of whatever thought was holding him captive in his own head. He nods, a wide grin immediately appearing. He follows you into your room and closes the door behind you. Sure, your roommate wasn’t home now, but she came home early, there were things she didn’t need to see.
---
You wake up to an empty bed. Part of you wonders if maybe you’d had too much to drink last night and the beautiful man you’d brought home was all a dream. That is, until you actually get up. Marie is in the kitchen, sipping a cup of tea. She smiles with a wicked glint in her eyes when she sees you.
“I see you had fun last night.”
Your hand immediately snaps to your neck. If you had love bites on your neck, then he wasn’t a dream.
She laughs loudly. “I wasn’t talking about that! Check the fridge.”
You see a note placed under one of the magnets.
‘Text me sometime -Trust Fund <3’ with his number underneath.
“Trust Fund?” Marie asks after you smile at the note.
“This guy, absolutely stunning by the way, starts off with handling my entire tab before even saying hi. And even if he asked Craig the bartender how much I usually drink, that’s such a ballsy move.”
“And you brought him home.”
“Like I said, he was stunning.”
“Was he… any good?”
You blush furiously and look away. He had been. The best you’d had in years.
“I’ll take that as a yes,” she giggles before loudly sipping her tea.
You move to put the kettle on with a roll of your eyes. As you wait for the water to boil, you reread the short note on the fridge. You like his handwriting, full of flourishes and flair. It fit his style. The note itself made your stomach flip. It meant that he had a good enough time last night too, enough that he wanted to see you again.
You’d be lying if you said you didn’t think about what to text him or when to text him. You didn’t want to come off as too eager, but you didn’t want to wait too long and risk him becoming uninterested or thinking you just got lonely and wanted attention. You’re sitting on the couch with the TV on, but you’re not paying attention to it. You’re staring at your phone. You haven’t texted him yet, but you want to. Boy, do you want to.
“Merlin, just text him,” Marie says, coming out of her room.
“I don’t want to look-”
“He wouldn’t have left his number if he didn’t want you to text him,” she cuts you off. “I’m sure he’d love to see you again, which he can’t do until you text him.”
“He knows where I live,” you point out.
“That’s just an excuse! Text. Him.”
“Marie,” you whine.
“Do you want to see him again?” she asks, crossing her arms and leaning against the kitchen counter.
“Yes.”
“Then text him. Doesn’t have to be much.”
“Like I can just say hi?”
“Yes! It’s not that difficult.”
“Says the girl who’s been dating her boyfriend since sixth year.”
“Whatever,” Marie laughs. “Speaking of, I’m off to Theo’s. You better have texted that poor sod by the time I’m back.”
You open your messaging app as soon as Marie is out the front door.
[Hey Trust Fund :)]
Your phone makes a swooshing noise as the text sends. And you wait. And wait. You stare at the phone. The TV provides background noise for your unraveling thoughts.
Did I wait too long to text? Did I not wait long enough? Was ‘Hey’ the wrong thing to say? What if he left the wrong number to mess with me? What if last night wasn’t as enjoyable for him as it was for me and he left his number to appear polite but has no intentions of seeing me again? What if-
Your phone dings. His message lights up your screen.
{hey sweetheart - sorry i had to leave, work :/}
[Who goes to the club when they work in the morning?]
{fun people}
[Where do you work?]
{trying to stalk me?}
[Curious to see where Trust Fund gets his money]
{the record store on cornwallis ln}
{always slow in the morning}
It’s fitting that he works in a music store; over the tea last night, he talked a faer bit about his favorite bands, one of which was on his shirt, despite it being so faded. You realize you’re smiling at your phone. You sigh and decide to be bold.
[Hope it’s not too forward, but I’d like to see you again. Last night was fun]
He doesn’t respond as quickly as he had been. You click the off button on your phone to make the screen go dark as you begin to internally panic. Maybe it was too forward. Too quick to suggest seeing him again.
Then your screen lights up again.
{i’d love that - busy wed evening?}
He’d love that. Your panic immediately subsides.
[Nope, but I am now ;)]
---
He suggested a local cafe that did cocktail nights with live music. He’d been to a few of them before, describing it as a laidback scene, casual. It sounded like a good idea so you agreed. You had spent far too long staring at your closest deciding what to wear, only to end up in jeans and a flowy top. A cute outfit but not as “trying hard” as a different skater dress or a skirt would have been. He had said he would meet you outside your building and you’d be able to walk there together.
“Hey gorgeous!” he calls out as he approaches you. He’s wearing jeans, no rips this time, and a different band tee.
You feel more confident in your outfit.
“Hey Trust Fund.”
“Oh, still calling me that, are you?”
You laugh, “Well, I don’t actually know your name…”
“Never came up, did it?”
“No,” you say, shaking your head. Then you hold out your hand and say your first name.
He takes your hand to shake it and laughs with you. “Sirius.”
“Like the star?”
“Surprised you know it.” You give him a do I look stupid look. “Not in that way! Most people just don’t recognize it.”
You watch him take out his phone and go to what you assume is your contact.
“Aw, I’m there as pretty thing? That’s cute! You should keep it!”
“You are, no doubt. That’s why that’s what I went with. But I like names, nicknames. Helps me keep track of who’s who, you know?”
“Got a couple pretty things in your phone?”
He flushes at your teasing.
“No,” he says slowly. “But I do have roommates who like to steal my phone and change all of the contact names. If they saw one pretty thing, every. single. contact. would be pretty thing and I’d have to spend hours figuring out which one is you.”
“Well, you’re staying as Trust Fund,” you say with a cheeky smile. “Plus, my brother would probably look at my phone and ask ‘why are you texting a star?’”
“You got a brother?”
“Yup. Just one. What about you? Any siblings?”
“One brother too. We’re not too close.”
“Huh,” you say. “I’m not close with mine either. Siblings, what can I say?”
You both laugh and start to walk to the cafe.
---
It quickly becomes a thing where you and Sirius are seeing each other in person at least once a week, and texting and calling multiple times a day. It wasn’t like you were codependent already. Sirius was just intoxicating, you were addicted to him. You wanted to share everything little thing that happened with him, and the feeling was reciprocated. And you wanted to share him with the people around you. You talked Marie and Theo’s ears off about him.
“You sound absolutely smitten,” Theo laughs one evening when he and Marie decided for a night in at your shared flat rather than his.
“Smitten?” Marie asks, shocked. “She’s obsessed! Try asking her about her work, about her other friends, literally anything else. She will somehow tie it back to this boy.”
You shrug. “Not my fault all topics lead back to him.”
“Apparently it’s my fault for encouraging you to text him. If I hadn’t meddled in your love life, you’d still be single and I would still have my sanity.”
“You lost that a long time ago,” Theo says, wrapping his arms around Marie.
“Theo, you’d love him.” Your eyes light up. “We should do a double date!”
“At least let me meet him first before you force him upon Theo! I think roommate ranks higher than roommate’s boyfriend!”
Sirius, on the other hand, kept you to himself as much as he could. While he didn’t gush to his friends about you, they still knew how much you meant to him, even if they didn’t know your name yet. It was the way he jumped for his phone when your text notification echoed through the flat, the way he smiled when you called and then immediately took the call in a different room, the way he spent a little extra time to make sure he looked good before leaving the flat to meet you somewhere.
“Off to see my girl, later dudes,” was yelled as he left, leaving the boys to share a knowing look.
Sirius was serious about this girl. And for them to get a little more information out of him all they needed to do was get some alcohol in him. They were hosting game night with some of their Hogwarts friends. As always, drinks were flowing and Sirius wasn’t holding himself back.
“Sirius, I have a question for you,” Lily says, cornering him in the kitchen as he went to retrieve another beer from the fridge.
“Shoot, Evans,” Sirius says nonchalantly.
“James says you got a girlfriend,” she says.
He cracks open the beer and takes a swig. “That’s a statement, love.”
“You’re not denying it,” she retorts, a smile creeping onto her face.
“How come you’re talking about my lovelife with Prongs?”
Lily laughs as they return to the group.
“Talking about it is certainly one way to describe it. More like he was complaining that you haven’t brought her round yet.”
“Who hasn’t been brought around?” Mary asks, looking up from her cards.
“Sirius got himself a proper girlfriend.”
“Proper?” Mary questions. “How proper we talking?”
“Smiling at his phone and hour-long calls,” Remus answers for Sirius.
“Oh! So this is serious!” Marlene exclaims.
“I’m always Sirius,” he replies as he plops down onto the couch next to Remus.
“So you’re going to tell us about her, yeah?” Marlene says, her voice implying it was more of a statement than a request.
The alcohol impedes his decision-making skills. So the first thing he says about you is…
“She’s on a first-name basis with the bartender at the club where we met.”
Lily chokes on her drink.
“She’s an alcoholic?” Peter gasps.
“No! No. No. She just goes, went? Goes there often. Dunno. But damn, she’s captivating as well.” He hums. “I like her. A lot.”
“He admits it!” James says, nudging Lily. “He admits it.”
“Yeah, I heard him, babe.”
“O’ course I admit it,” Sirius says a snippy. “She didn’t mind going to that cocktail cafe.”
“Still sounding like an alcoholic…” Peter murmurs.
Mary slaps his shoulder. “Be nice.”
“She likes to dance. She danced with me at the cafe,” Sirius says before taking another swig of beer. “We walked around that muggle art exhibit and she actually knew stuff ‘bout it. Like composition and whatnot. She’s smart like that.”
“Drinks, dances and knows art… Sounds like a keeper,” Remus says with a laugh.
“Do you have like cute nicknames for each other yet? Lil pet names?” Mary asks.
Sirius smiles widely. “Yeah! Well, she does for me. She has me in her phone as Trust Fund.”
The group just stares at him blankly, which wasn’t the reaction he was expecting.
“What?”
“Trust Fund?” Lily asks, furrowing her brows. “So she’s dating you for your money?”
SIrius’ eyes go wide in realization. That nickname needed its backstory.
“No! No, Godric no. The night I met her, I told the bartender I’d pay for her entire tab before I even said hi. So she assumed I had money to fall back on and called me that all night.”
“Certainly one thing to moan in bed…” Peter mumbled, earning himself another light slap from Mary.
Sirius didn’t give him a reaction.
“And then later, she said that if she put Sirius in her phone, her brother would ask why she’s texting a star,” Sirius continued with a laugh.
The air in the room eases.
“She knows I have a job! And she does too. Honestly, the Black fortune hasn’t come up. She’s not like that.”
“Sirius, we believe you,” Marlene says. “What is she in your phone?”
“Her name with a black heart emoji.”
“Classy,” Remus slurs.
“Shut up,” Sirius says, but his words have no bite.
He’s just smiling into his beer can.
The next day as he’s cleaning up from game night, Sirius steps into Peter’s room. If he was going to run the dishwasher, he wanted all the dishes and Peter had a habit of hoarding his used cups. A picture of Peter’s family on vacation sitting on the dresser catches Sirius’ eye. Peter is really young in the old photo which Sirius assumes was taken sometime pre-Hogwarts. He can’t help but think the girl standing next to Peter looks vaguely familiar. He probably just recognizes her from Hogwarts, being that she is Peter’s sister, he tells himself, unable to completely place the face. He doesn’t think much of it, grabbing two rather large stacks of cups and leaving Peter’s room.
In the kitchen, he organizes the cups into the dishwasher and starts it up. Then he moves around the living room, picking up wrappers and cans.
“Since when do you clean up after game night?” Remus asks, leaning against the doorframe of his room. His voice is scratchy from just waking up.
Looking down at the rubbish in his hands, Sirius says, “I guess since today?”
“What’s eating your mind then?”
“Huh?”
“Padfoot, I’ve lived with you for about half my life. You’re acting like an elf. What’s going on?”
“Just thinking about her.”
“And that has you cleaning?”
“She’s just… unreal.”
“Unreal,” Remus repeats back to him.
“Haven’t felt like this about a girl before, Moony. All those Hogwarts girls? They don’t compare.”
Remus chuckles and stands up straighter before walking over to Sirius. He places his hands on Sirius’ shoulder.
“Sounds like you fell quick and hard, m’friend.”
“Fell…”
“If you like her more than all the girls from school… Sirius, you might be in love.”
---
“Hey, Wormtail, where you off to? I thought we were having roommate dinner?” James calls from the kitchen of the boys’ flat.
“I told you I couldn’t tonight,” he says as he pulls on a coat. “I got that family dinner.”
“Ugh, I forgot!” James groans.
“Is it like national family dinner night or something?” Sirius asks, joining James in the kitchen.
“Dunno, why?”
“Girlfriend’s got family dinner tonight too.”
“Speaking of,” Remus says from where he’s sat in the living room, “when do we get to meet this amazing chick?
Sirius shrugs. “Whenever I decide she’s ready to handle a game night with you bastards.”
“Alright, that’s it. I’m outtie!” Peter calls before the front door slams behind him and the rest of the boys hear the lock turn.
“Just give us some warning before she comes over, yeah? We’ll clean up a bit,” Remus says with a wink.
“And if it’s for a game night, we can invite the girls too!” James adds. “Lils, Marlene, Dorcas, Mary. The whole gang.”
“Yeah, and we can invite Reg, and Evan and Junior, and Pandora too. Then I’ll take her to meet my parents immediately after,” Sirius replies sarcastically.
The boys give him blank looks.
“The whole Hogwarts gang might be a bit much. You lot are a bit much, but not much I can do ‘bout that,” he explains.
“Aw, he doesn’t want to scare her off,” Remus coos, joining the other two in the kitchen.
“No, I don’t,” Sirius says firmly. “Now what are you making, Prongs? I’m getting hungry.”
“Spaghetti. Remus, what sauces we got?”
Remus opens the cupboard with a squeak. “Ah, looks like red sauce, red sauce number two, white sauce, green sauce… third red sauce.”
“Eh. Pick one of the reds.” James looks over his shoulder at Sirius, who is leaning against the counter. “For a girl you’re obsessed with, we still don’t actually know her name.”
---
Peter’s already there when you arrive at your parents’ house. He’s talking with your dad as they set the table. Your mum is in the kitchen, putting the finishing touches on dinner.
“Smells like I arrived just in time!” you say, taking off your coat.
“I’m setting the table, you’re clearing it,” Peter informs you.
“Darling, go help your mother bring the food to the table,” your dad says.
You do help your mum set the table and you sit down as a family. Since you and Peter don’t live too far away, your parents try to have dinner once a month to catch up. Your dad rants about the people he works with. Your mum discusses the gossip from her book club. Peter starts talking about a movie that he saw with some of his roommates.
“Oh, I saw that movie with my boyfriend!” you interject.
“You have a boyfriend?” your mum asks, clearly intrigued. “This is new!”
“Yeah, it is. Only been official for a week or so now.”
“You were going to tell us… when?” your dad asks.
You roll your eyes. “I was going to, Dad. I’m an adult, I don’t have to tell you about everyone I date.”
“There’s more?” your mum nearly exclaims.
“Not really, no, but the point is I don’t have to tell you. Until I’m sure they are sticking around for a while.”
“Yeah? You like this one?” Peter asks, putting down his fork.
“I do, Pete. He’s a good guy.”
“Didn’t you say that about your fifth year boyfriend?”
You snort a laugh. “Don’t go bringing Diggory into this.”
“So, where did you meet this fellow?” your dad asks, trying to avoid a sibling argument.
Peter never liked Amos Diggory and, while he had treated you kindly for a while, Amos ended up cheating on you. You shut down for a while, which you still think is a perfectly normal reaction, but Peter was concerned for his big sister.
“Ah, um, well,” you stumble over your words. “This little cafe near my flat.”
You were not going to tell your parents that you met your boyfriend at a club. Meeting at a cafe was a much cuter scenario that kept their internal image of their pristine daughter. You assumed they knew you weren’t pristine, but it was one of those things you don’t talk about with your parents unless you have to. It was easier that way.
“That’s nice, sweetie. Pete, you seeing anyone?” your mum asks, taking the attention off you for a moment.
Peter blushes. “No. Been focused on work.”
“Whatever happened between you and that girl… what’s her name… She went to school with you?”
“Really narrows it down, Mum.”
“Martha?”
“Mary?” Peter all but gasps. He blushes deeper. “Nothing ever really happened with her.”
“So that Appleby Arrows?” you ask your dad.
Peter didn’t need to discuss a failed attempt at a relationship with your parents. The fact that they knew about it was embarrassing enough. You knew the two were still friends; from what you had heard, he wanted a relationship and she didn’t so they somehow managed to be friendly for the friend group’s sake. Peter gave you a thankful look and you both filled your mouths with your mum’s cooking as your dad started ranting about the most recent match and the horrendous officiating.
---
“Didn’t we go to school with someone named Sirius?” Marie muses later in the week.
When you first told her your boyfriend’s name, she laughed. It’s just such an odd name, she had said. And now, she was thinking they knew someone else with that name, especially after she told Theo and he brought up school.
“Probably? He’s a wizard living in London. I would not be surprised if he went to Hogwarts.”
“But surely we’d recognize him then.”
“I don’t know. I guess I’ll ask next time I see him. But I can’t say I really paid attention to anyone younger than us, so even if he did, it doesn’t matter.”
“I keep forgetting he’s younger!” she exclaims. “You usually go for the older dudes.”
“Older dudes go for me,” you correct her, a smile playing at your lips. “Sirius just works though, you know?”
“If he makes you happy, I’m happy. I’m not the one snogging him on our couch.”
You laugh. “At least I do it when you’re not home.”
“And I go to Theo’s.”
You clink your glasses in solidarity.
---
You’re laying on the couch with Sirius, watching an American forensic TV show, when you remember that conversation with Marie. You figure now is as good of a time as any.
“Sirius?”
“Hm?”
“Did you go to Hogwarts?”
“Uh, yeah, I did.”
You hum. “What house were you in?”
“Gryffindor?”
“Oh! You probably know my brother then.”
“Yeah?” he says, looking down at you in his arms. “What’s his name?”
“Peter.”
Sirius sits up, forcing you out of his embrace, with his eyes wide.
“Peter as in Peter Pettigrew?”
“Yeah.”
You move out of his way as he stands up and begins pacing. You watch him, unsure of his reaction.
“Sirius?”
“I’m dating my best friend’s sister? How did… what?”
My best friend’s sister. So that meant that he was Peter’s roommate now too. You couldn’t take your eyes off of him. Sirius is pacing and muttering confused fragments to himself.
“Sirius?”
“You’re a Pettigrew?” he asks, pausing for a moment to look at you.
“Yes. Is that a problem?”
He doesn’t answer right away. That stings. He runs a hand through his hair and starts pacing again. The girl in the photo in Peter’s room is you.
“No, it’s not a problem,” he says after a few paces. “It’s just… just… very, very unexpected?”
You stand up and go to hold his shoulders, stopping his pacing.
“It’s good we figured this out before we ended up at your place, yeah?”
He groans but it’s lighthearted. “Godric, that’d be embarrassing.” He pauses as he thinks. “Shit, that’s going to be embarrassing. ‘Hey, Peter. This is my girlfriend. You know her as your sister.’”
Sirius forcefully rests his forehead on your shoulder. You card your fingers through his hair to comfort him.
“Well, it’s that or you wait for a Pettigrew family event and I introduce you as ‘Sirius, my boyfriend, and Peter’s longtime best friend.’”
“That’s not any better,” he says to your shoulder.
“We have to tell him at some point.”
“Do we?”
“Probably. Guess it depends on how serious this is.”
“This?”
“Us.” You pause and lean backwards so Sirius has to lift his head back up. “There is still an us, right?”
“Yeah, yes, of course,” he says rushed. “Sorry, my brain is-”
“Taking it all in. Yeah.” You offer him a soft smile before it falls from your face. “Wait, so what’s your surname?”
He laughs. “Legally, Black. Sirius Orion Black. But the Potters basically adopted me when I ran away.”
“Potters… Jake or something?”
“James.”
“Ah… How did our surnames never come up?”
“You were the one who calls me Trust Fund.”
“You’re a Black!” you exclaim, dots connecting. “You are a trust fund! I knew it!”
“Dating me for my money are you?” he teases.
“You paid my tab first. That’s on you.” You lean up to kiss his nose. “And then you won me over by being irresistibly you.”
“Aw, don’t make me blush.”
“I think it’s my life goal now.”
lol this has been sitting in my drafts for a while - was fun to write and polish up
#marauders#marauders fic#marauder-misprint#sirius black#sirius black x reader#sirius black x you#sirius black fluff#pettigrew!reader
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Ill & Injured Sentences, Vol. 5
(Sentences for muses that don't feel so great, and for muses trying to take care of another. Adjust phrasing where needed)
"How long will this take to heal?"
"Your memory will return over the next several days, so we'll wait and watch."
"You better sit down before you keel over!"
"You're suffering from a head trauma. You appear to have mild retrograde amnesia."
"Am I going to die?"
"Do I need to worry about you?"
"You're self-medicating with homemade drugs?"
"Are you trying to fix me?"
"Have the headaches started yet?"
"I don't deserve to die like this!"
"I've never felt pain like this, ever!"
"Why are you walking? You were in a coma!"
"You can keep on telling yourself that you're fine, but you're not fine!"
"This may be something of an understatement, but you are not doing well."
"You better take that shirt off. You can't get bloodstains like that out if they set."
"Your head wound wasn't caused by an accident. It was the result of a gunshot."
"Don't you die on me! You hear me?"
"A panic attack is a miscued fight-or-flight mechanism. You think it's a heart attack, but the body is just sending oxygen to organise that need it for defence."
"Listen, you sit here and bleed, or you trust me."
"Was I in some kind of accident?"
"Up until the punching, this was a real nice party."
"I'm going to bleed out while we have this conversation. Can we do this somewhere else?"
"Hey, don't go to sleep. You probably have a concussion."
"Shouldn't you be resting?"
"Do you have any lingering pain from the accident?"
"Am I going to die? I mean, soon?"
"You broke my nose!"
"You can fool the doctors, but you can't fool me."
"They have absolutely fabulous drugs here! I feel great!"
"I'm sorry, does that hurt?"
"This won't hurt. It'll just feel a touch odd."
"Some people swear by hair of the dog, but I refer nature's sponge: the egg."
"I'm in too much pain to go to sleep."
"If you like breathing, you might want to fix this."
"I've never felt so helpless in my life."
"Is there someone we should call for you?"
"I know I don't know you well enough to say this, but you haven't seemed yourself lately."
"Are you sure you don't want to see a doctor?"
"There's bad, and there's bad."
"You're going to be okay. You're going to be alright, okay?"
#rp meme#rp memes#roleplay meme#roleplay memes#rp prompts#roleplay prompts#sentence starters#assorted;#injured;
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Normally I would have reblogged this to my Oz side-blog but I will reblog this here first because somehow there's more Oz fans here than on my Oz sideblog? Tumblr is weird...
Upon seeing this very popular post I have to add my two cents of a thoughts... Because while I agree with half of it, I disagree with another half, and it's mostly a question of nuance.
My main point is: It is not because people dump on Wicked that in return people should dump on Baum's Oz. I am saying that in regard of the "Oz originally doesn't have any continuity". I admit myself I am one of the first people to put forward the fact Baum was a bit of an anti-Tolkien when it came to Oz because at one point he didn't care about logical and coherent worldbuilding and just threw whatever he wanted at the wall... HOWEVER! I realize now how these words might mis-guide people because it doesn't mean Baum didn't care about continuity at all.
The early Oz books are actually trying to form a coherent whole. When Baum wrote "The Marvelous Land of Oz" he was not FORCED to do it because of "popular demand". He wanted to do it. Partially because he wanted to adapt it as a musical once it was over, but when he wrote the novel he still intended it to be a logical, continuing sequel to his Wonderful Wizard of Oz, and he worked to refit elements taken from his musical adaptations (like Pastoria) into the world of Oz as presented in his first novel. Same thing with the third novel, Ozma of Oz - when you read these first three books one after another they are cohesive. Just because later Baum decided to abandon a bit continuity and do massive retcons for the sake of telling new stories doesn't mean he never cared about continuity, and the start of the Oz series was an effort to make one complete world that made sense. Oz first became a series because Baum wanted it to be ; the whole thing of a "sense of duty towards the fandom" (which wasn't actually a sense of duty, his others works just didn't sell while everybody bought his Oz books) came later.
Yes, after the sixth book (which was meant to be the great finale but didn't work to end the series), Baum ended up making a LOT of books that openly contradicted the worldbuilding established in the first novels... But they still were coherent and cohesive in their own right. It is just that Baum chose to retcon and massively shift some worldbuilding rules in order to have a setting perfect for a kid-friendly long-running series where he could include everything and anything - but once he established these new rules, he stuck to it and explored them in various ways (such as the rule of "No living being can die in Oz", which of course contradicts the early books, but becomes a core principle of "later Oz" and is explored in various novels - such as the one introducing the Tin Soldier). Yes Baum contradicted, shifted and retconned, but to say he had no sense of continuity or canon is frankly way too harsh.
We were having a talk with @themousefromfantasyland about Baum's The Life and Adventures of Santa Claus novel, and he did make a point that this books contradicts the "anti-Tolkien" reputation of Baum as in there you have a strong, solid, complex worldbuilding working very well for its own little Christmas epic, self-contained in one sturdy novel. And that's the thing with Baum: outside of his Oz series, each of his individual works had a strong and solid worldbuilding, or nice continuity in the case of mini-eries. Oz was an exception just because it went on for way more than what he already planned, and Baum had to juggle between various media (the Oz franchise he run wasn't just novels, it was also stage musicals, movies, and even early comic books).
My second point is this: I do agree people shouldn't entirely reject Maguire's novel out of it being "non-canon" to Oz. Because it is part of a long series of revisionist works inventing, reinventing or twisting Oz in various ways. The MGM movie was first, but you have so many, from The Wiz to Emerald City, passing by Tin Man, or Lost in Oz, or to have something more akin to Maguire's 90s dark, edgy, sex-and-drugs counter-culture approach to Oz, the Oz Squad comics. HOWEVER! HOWEVER! I do think it is important to remind people Maguire wrote his own thing, on his own side, and that "Wicked" is its own thing.
What do I mean by that? Very simple... I have seen, looked at, chatted and interacted with a concerning number of people who are convinced Wicked (be it the musical or the novels) are "canon" in the sense that... somehow they believe when Maguire named his Wicked Witch of the West Elphaba, it retro-actively baptisez the Witch of the West in Baum's novel. Or that the Wicked musical was actually allowed or produced by the MGM as an "official" complement to their movie, meant to act as a real prequel to it. You should not underestmate how POPULAR Wicked was compared to other Oz revisionist works or adaptations, resulting in a lot of people ending up knowing only the MGM movie and the Wicked franchise, sometimes with Return to Oz, and not knowing anything about the novels. This results in fascinating though very puzzling misconceptions. I have seen people insist that Evillene in The Wiz should be called "Elphaba" because it is the "official" name of the Wicked Witch of the West. I have seen people claiming to adapt the Wizard of Oz by Baum but really just doing adaptations of Wicked the musical, and not realizing they were using tons of stuff that were copyrighted by the musical creators and not in Baum's original novel. I have seen a lot of people claim that Baum intended Glinda to be called "Galinda" and that it is more correct to refer to Glinda by this name...
Yes, Wicked is its own continuity and branch of the large Oz family tree. Just like the MGM movie and its various adaptations. Just like Disney's Oz the Great and Powerful, or Return to Oz. Just like the Wiz. Just like Volkov's Tales of Magic Land (well... cough cough there's a bit of more unclear legal things down there but you know). Just like Tin Man or Emerald City. People should be aware that Oz is a LARGE franchise of many, MANY media.
But there is also a frightening amount of people who take literaly what Maguire wrote: "it is the real story of the Wicked Witch of the West", they take it literaly. Mind you this was more prominent in the 2000s and early 2010s - I think things got better recently because people are getting much more aware of the original books and of other alternate Oz media... But you know, at one point there was a need to point out "Hey guys, you know Maguire invented stuff, right? That he is basically parodying and twisting stuff and creating his own thing not in the public domain? Please stop saying Elphaba is public domain, she is not. This little wrinkled one-eyed hag is."
I've seen a lot of people lately harping about how "Wicked isn't canon to the Oz universe", "it's just glorified fanfiction", etc., and I can't express how silly that is, and how annoyed it makes me every time I hear it, lol. Baum's original Oz books were never meant to be some canonical series — they contradict each other constantly; Baum called it a "fairy story" with loose cohesion at best; and it only became a series at all because the first one got popular enough that Baum felt a duty to the fandom to keep making more (even after he had wanted to end it). And the 1939 film is every bit as much "fanfiction" as Wicked — it changes the story in both major and minor ways, including a complete shift of framing (i.e., making Oz into a dream rather than a real place).
Maguire's great contribution to the overarching legacy and lore of Oz was to harmonize the very weak "canon" of the older works with a different shift in framing: recontextualizing all of the prior Oz material as a revisionist history (going off of Baum's own idea framing of himself as a "Royal Historian of Oz"), and attempting to tell "the true story" behind the other works (fictively of course — we're never meant to literally think Maguire's version preceded Baum's, irl). In literary studies, this is called an urtext. The Wicked Years and its adaptations are as much "fanfiction" as the 1939 film: it's just self-aware of that fact in a way that earlier works weren't, and uses that perspective to deconstruct the material and explore deeper (and darker) themes — not simply adapting or reimagining the original text (as the 1939 movie did), but actively challenging it; interrogating it. It's not meant to be "canon" as such: it asks you to ask whether (and why) there is such a thing, and what that might say about the stories that we are meant to literally believe in, in real life.
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caught in your gravity
pairing: dean winchester x fem!reader
word count: 961
summary: you’ve been getting harassed at work for the past few months. that is until a handsome stranger arrives one night and defends you.
warnings: very cliche-y bartender stuff, harassment, derogatory language (slut, bitch), alcohol abuse, mild violence
a/n: so i’m back??? ik i haven’t written anything in a long time but umm here i am!!!
masterlist. ݁₊ ⊹ . ݁˖ . ݁inbox
A frustrated sigh escaped your lips as you wiped down the counter for the fourth time that night, scrubbing at a stubborn stain while silently cursing your job for the thousandth time. The endless mess, the sticky floors, and the clinging stench of stale alcohol on your clothes were bad enough. But the worst part? The relentless parade of truck-stop regulars: sloppy drunks who flirted too aggressively and looked at you as though you were just another item on the menu.
You tucked a stray strand of hair behind your ear, trying to brush away something that had dried on the counter, when the bell rang on the other side of the bar. You looked up to see a rather attractive guy approaching the bar. It was almost one in the morning, so the place was mostly deserted aside from a few regulars. Once he was closer to the light you changed your mind; a very attractive guy.
Throwing the dirty towel over your shoulder you took a deep breath before walking over to the handsome stranger. “What can I serve you?” You smiled, leaning on the bar. He looked down at you and you felt the air catch in your lungs. He had the most amazing green eyes. You were used to seeing new faces every day, but none like his. He smiled, seemingly checking you out as his eyes traveled through your face, answering the question.
“Just a beer, please” he replied, his voice deep and rough, like a low roll of thunder.
It wasn’t just his voice that threw you off. The way he looked at you, his gaze lingering as though he saw more than just a tired bartender, made your cheeks warm. Why was someone like him in a place like this at nearly 1 am?
“Coming right out” you responded, almost breathlessly. You were hyper-aware of his presence, the way his gaze followed you as you moved. Diverting your attention from that beautiful stranger, you served him the beer. Still smiling like an idiot. Your hands trembled slightly as you set the beer down in front of him, and when your eyes met his again, he smiled. A small, crooked smile that made your stomach flutter.
“Thanks,” he said, his voice softer this time, like he didn’t want to break the moment.
Before you could respond, a voice you knew all too well cut through the quiet.
“Hello darling,” Sighing and closing your eyes, you walked up to the drunk guy who was here seven days a week, flirting constantly with you. “What do you want, Carl?” you asked, your voice sharp.
“Wow, I don't think that's the way to talk to your best client,” he growled drunkenly. His breath reeked of bourbon, or maybe whiskey. You honestly couldn't tell, not that you cared.
“Are you going to order something else or are you finally going to get your ass out of here?” You exploded, not having the energy for this.
“I've always liked my women feisty”, he winked at you and a shiver of disgust passed through you. “What would it take for you to go out on a date with me?”
“‘M sorry, but for the thousandth time, I’m not really interested. Now please excuse me, but I need to get back to work,” walking to the idiot's left to clear another table, he grabbed your wrist. It was quite a rough grab and you knew it would leave a mark. You were whipped to face him and tried to hide the fact that you were terrified. He was drunk, strong and almost a foot taller than you.
“I don’t understand why you don’t just go out with me, I mean, you’re just a sleazy bar slut and it’s not like many other people want you” Carl growled, not looking away from your eyes. You tried to appear tough but the situation was getting scary. That’s when someone stepped in the middle of you too, breaking his hold on your wrist.
“Why don't you do us all a favor, apologise to the lady and get your ass out of here?” A deep voice said calmly. You recognized the voice, but you weren't sure who the person was until you looked over to where the green-eyed stranger was sitting. He was gone, well he wasn't gone, he was defending you.
Carl scoffed. “Yeah, like I owe any of you anything. A bitch and an idiot who’s fighting with someone on one foot-” he didn't get to finish. He was interrupted by the attractive stranger twisting the drunk’s arm, which resulted in a scream from the victim. He jerked his arm away and ran out of the bar.
You found yourself laughing after he left. After a few months, someone finally got that idiot to leave. Speaking of which, you finally got a better look at the stranger as he turned around, still quite close to you. The light nape of the neck that covers a sharp jaw, the perfect smile hidden behind full lips. Not to mention the eyes. Oh my god, those eyes made you melt.
“Are you alright?" he asked, much less intimidating. You realized he was looking at you and instinctively looked at the ground.
“Yeah, yeah, I'm fine. Thank you,” you murmured, feeling your cheeks flush. Then, he gently grabbed your wrist, which was already forming a bruise, and ran his fingers over your skin. Every second you were in contact with him, sparks broke out on your skin. You both looked at each other, staring into each other's eyes. Losing yourself in his eyes once again, you were glad he spoke.
“Dean,” he said breathlessly. “That’s my name,” he added after seeing the confusion in your eyes. “What’s yours?”
#dean winchester#dean x reader#dean winchester x reader#dean winchester x female!reader#dean winchester x you#spn#supernatural#supernatural fic#spn fic#imagine#one shot#drabble#fluff#dean fluff#dean winchester fluff#spn fluff#spnfandom#dean winchester fanfic#soft!dean winchester#dean winchester smut
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Rules and FAQ 2025
Schedule (All dates are 11:59pm EST):
Discord Opens: Jan 31
Sign-ups Open: Jan 31
Nominations Open: Jan 31
Nominations Close: Feb 23
Sign-ups Close: Feb 28
Assignments Out By: March 3
Final Date for Gifts to be In: March 31
Work Reveals (works are anon): April 7
Writer Reveals (anon lifts): April 14
What is this event?
This is a fandom gift exchange for recursive fic— fic of fic— within the MCYT fandom. We are also allowing recursive art and web weaves and podfic— art, web weaves, and podfic inspired by fic, art, podfic, and other web weaves!
Gift Minimums:
Fic: 1k words
Art: 1 drawing, completed to a standard you would normally post as “finished”
Web Weave: a compilation or collage with a minimum of 10 elements, appropriately sourced.
Podfic: Audio or multi-voice audio of a minimum of 1k words or the complete work, whichever is shorter, edited to whatever level you normally post as finished.
Rules for Participating:
Must join our Discord for communication, and follow all discord rules.
Must do your best to produce a gift that meets the minimum requirements within the time of the event.
Must contact a mod ASAP if you don’t think you’ll get your gift out on time or at all, or you want to withdraw
Must request a gift (offer prompts) from at least three source materials and offer to create from at least four source materials.
Any under-18 persons found requesting or offering NSFW content will be banned from this and all future iterations of the exchange.
Because of Tumblr, Ao3 and Discord TOS, you must be 13 or older to participate.
Rules for Creating:
Your gift doesn’t have to contain only the characters requested by your giftee, but it does have to centre on at least one requested character.
Any shipping must be kept to PG-13 levels or below unless your recipient specifically requested NSFW. Any non-requested NSFW is grounds for a ban from this and all future iterations of the exchange.
Respect your giftee's DNW (Do Not Want) list. Any gift found to be in violation of a reasonable DNW is grounds for a ban from future iterations of the exchange.
Dark or Violent themes must be tagged appropriately.
Major Archive Warnings must be opted into. Any non-requested major archive warnings are grounds from a ban from this and all future iterations of the exchange.
Prepare a gift in good faith, attempting to make something your recipient will like. Mods reserve the right to ban people for being an asshole.
No AI-created content.
Links:
Ao3: [here]
A03 exchange signup instructions: [here]
Apply for an Ao3 account (currently a 10-day waiting list): [here]
Discord: [Here]
Nomination Form: [TBA]
Database of Nominated works: [TBA]
Blanket Permission Statement Database: [link]
If you are not already there, you can add yourself to the Blanket Permission Statement Database here! Just scroll to the bottom and enter the link to your permission statement.
FAQ:
How does a fandom gift exchange work?
People fill out a signup where they offer prompts for gifts they would like to receive, then also offer types of gifts they are willing to make, and then they're matched on Ao3 so everyone gets an assignment to make a gift for another person. All these gifts go into a big collection, and they're revealed when everyone participating has a gift.
How will this event work?
This is a Derivative Works recursive exchange. People nominate fics or art that either have a blanket permission statement (fun database here), or a comment from the author saying that works inspired by their work is okay. Then each work is entered into the official tag set as its own thing you can request. People sign up as they would for a normal exchange, with up to ten of these fic fandoms as being something you are either offering to write for or requesting for your own gift. Once matched, you then write a side story, prequel, sequel, AU, or something else within the universe of that fic.
For example, I had the idea that I really want to see a side story about Etho and Iskall in This Is About A Stuffed Bird, by Bee_4. I will sign up and request that fic as one of my fandoms (and others, you need a minimum of three fandoms), and meanwhile I’m offering to write people’s requests for This Is About A Stuffed Bird by Bee_4, the trinkets and the treasures we brought back from the crusades by Odaigahara, The Extradition by Onelituli, or The Dollhouse by MawoftheMagnetar.
I will be matched during matching week, we'll have our creation period like is usual for an exchange, and when I post my gift I will be using both the "gift to" function (to my recipient) and the "inspired by" function (to whoever's fic I'm writing something inspired by). Once posted, there will be an anonymous period of the exchange where I get a mystery gift and my gifter gets a gift that is on anon as well, and then all will be revealed a week later.
The author I want to make fic for isn't on the database, what do I do?
In that case, you would check to see if the author has a listed permission statement that isn't in the database (this is normally under the "bio" section of an author's profile on Ao3). If they do not have one, check if they have a listed way to contact them, or comment (politely) on the fic that you're interested in, asking permission to enter the work in an exchange making works inspired by mcyt art (see template below).
To be accepted as a source material for this exchange, you would need either a blanket permission statement that is unlimited—"feel free to make any fic you want"—or limited in a way that is simple for the mod team to check on. "No NSFW fic" is simple to check, "No bad dad Phil" is not. You may ask this only in a polite way, and do not show up asking them in four different venues. We do not want this to turn into harassment of authors.
If there are multiple authors for a work, you need a permission statement from each one.
Orphaned works, or deleted-with-permission-to-repost works will be considered to have given permission for recursive work, as the author has given up the fic. Anonymous fics still require author permission, as the author retains creative control of the work.
What do I say to ask permission?
This is just an example, but feel free to say something along the lines of: "Hey, I really like your [fic/art]! I’m going to be participating in an exchange where people make fic and art inspired by MCYT works, and I was wondering if you are okay with people making fic/art/web weaves/other fanworks based on your [fic/art]?"
How many fandoms/fics do I need to sign up?
To increase matching possibilities, we will be using Yuletide rules for sign up. You must request a minimum of three unique source materials, and you must offer a minimum of four unique source materials. "Source Materials" here refers to fics, art, or web weaves. Your source materials do not need to come from different originating servers.
You must make sure that you request at least two source materials that are not created by you, and offer at least three source materials that are not created by you.
What happens if I don't match to anyone?
If there is no one who you can create for, you will be offered the opportunity to add more source materials to your sign-up. If you do not wish to add any more fics or art to your signup, you will not be able to participate in the exchange, and your signup will be deleted. It's a good idea to keep an eye on the sign-ups during the sign-up period, to make sure that you're matchable to someone's requests!
If there is no one who can create for you, you will go up as an Initial Pinch Hit, and somone will volunteer to make a fic or art for you.
What if no one knows about the source material (art/fic) that I want to nominate?
There will be a promo channel in the discord! You can make your pitch for why your source material is the best and everyone should love it there.
I can’t finish my gift in time, now what?
No worries, life happens. The important thing is that you notify the mods as soon as possible, so that a Pinch Hitter can be assigned. A Pinch Hitter is an artist or writer who steps in to save the day and make a new gift on an accelerated timeline.
I want to be a pinch hitter!
First of all, thank you. I hope you're ready to speed-read some fic, and then create like the wind. There will be a role in the discord that you can assign, and then you'll be pinged with a pinch hit request when they go out!
What if no one signs up to make a gift for me when I go up as a Pinch Hit?
The exchange will not open until everyone has a gift. If Pinch Hits are not picked up until the deadline, the work reveals will be delayed until someone is able to pick up the PInch Hit. This will continue for as long as necessary until everyone has a gift.
Is shipping allowed?
Yes. Because there is no broad fandom-wide consensus about how Creator boundaries are to be enforced in specific cases (whether it's okay to write beeduo as /r or /p is an obvious one, or whether it’s permitted to ship Joel Smallishbeans) or between specific fandoms (Lifesteal approach to shipping and boundaries is different from HBG is different from DSMP), the mods will not be policing any specific understanding of boundaries across the event. The event will operate on Don't Like Don't Read, in that everyone will have the chance to opt in for themselves as to if they want certain relationships to be written as platonic or romantic, and NSFW will have to be specifically opted into. Delivering un-asked for shipping or NSFW is grounds for a ban from the event.
Is NSFW allowed?
Yes. NSFW works are allowed, but must be specifically opted into. No one under 18 is permitted to opt into NSFW and attempts to do so will be grounds for a ban from this event and anywhere else the mod team touches. For the comfort of the greatest number of participants, anything with the tags Underage or Adult/Minor will not be permitted to be part of the event.
Is RPF allowed?
This is intended to be a character-focused exchange, but a lot of older works in this fandom are still tagged as Video Blogging RPF, Minecraft, or are wrangled into VB RPF. Because of this, and because with some duos or groups the line between RPF and RP is fuzzy anyways, the mod team will not be legislating what counts as MCYT for the purposes of this exchange. We will be taking your word for it.
Is Dark/Violent content allowed?
Yes. For many of us, the source material that originally drew us to the fandom includes major character death, torture, murder-for-hire, death games, public executions and more. The fanfiction that arose from the source material follows in that trend. We will allow dark content to be part of the event, but it must be tagged for.
We also ask that participants use best judgement in delivering commonly triggering topics un-asked for. If a triggering topic is a canonical element in a work, we will assume that to be a tacit opt-in. We reserve the right to ban people at mod's discretion for delivering unrequested triggering content, under the "do not be an asshole" rule.
What sort of triggering topics should be avoided?
We do not want to put down a list because any list would naturally be non-exhaustives, so we are primarily asking people to use their best judgement. If a trope involves extreme physical violence, violation of consent, dehumanization, extreme terror or fear, body horror, or death, then it should probably not be included unless specifically asked for or checked with your recipient via the mods.
Note that if a triggering topic is a canonical element in a work— for example suicide, child death, or addiction— we will assume that to be a tacit opt-in unless the person specifies differently.
Are major archive warnings (noncon/underage/graphic depictions of violence/MCD) allowed?
Aside from the content rules governing NSFW (no underage or adult/minor, for the comfort of the greatest number of participants), major archive warnings are allowed. Depictions of real life horrors such as genocide and slavery are not-uncommon motifs in MCYT fics, and the mod team is not interested in legislating which types of horrors, griefs or abuses are inherently worse than others and are therefore off-limits. Because holding writing to a quality standard or saying only survivors can write atrocities is unworkable from a moderation standpoint, the three mentioned major archive warnings (MCD, Graphic Depictions of Violence, Noncon), are permitted to be included.
However, Major Archive Warnings must be explicitly opted into on Ao3. For the comfort of the greatest number of participants, we ask minor participants not to opt into Noncon. Delivering un-asked for major archive warnings is grounds for a ban from this event. The mod team reserves the right to warn other mod teams on both the MCYT and Multi-fandom side about your bad behaviour.
Is AI content permitted?
No. Specifically, what is colloquially referred to as “AI” content— large language models such as Chat GPT or Midjourney that have been trained on Common Crawl’s unsourced art and writing— is not permitted. Machine-assisted writing or art helpers such as spell check or grammarly are fine.
What is a DNW?
All participants will have the opportunity to fill out a DNW, which stands for Do Not Want. This is anything that has the potential to ruin a gift for you, and is where you opt out of content that would trigger, squick, or just displease you. DNWs must be phrased politely, (so no "No foster aus because they suck and you suck if you like them"), and they must be reasonable, (so no attempting to box someone into a specific gift, i.e. "DNW anything that isn't a space au where Tommy is a dinosaur-hybrid and Tubbo is a ghost bee and they rampage through the living ship named Las Nevadas"), and they must be specific and clear, (so no “no triggering content"), but they can be as petty (disliking specific art styles) or as broad-reaching (no modern aus, no specific ships, no crossovers with specific servers or fics) as you like. Deliberately breaking someone's DNW is grounds for a ban from the exchange.
How do I sign up/nominate?
We made specific posts for this, as it's a bit complicated! You can check them out here.
How many source materials can I nominate?
You can nominate a maximum of 10 source materials!
My recipient requested 10 things, but I've only read four of them. How many gifts do I have to make?
You only have to make ONE gift, no matter how many things you matched on. Match on ten source materials— you make one gift. Match on one source material— you make one gift.
Can I do the exchange anonymously?
While your offers remain private, and you can always give a gift on anon, your requests will be public, and you will receive a gift publically. We would recommend that you not request anything that you do not want publically associated with your account, or use a sock account if you're concerned. Moreover, you must publicly join the discord, so this is not the exchange to participate in if you want to be 100% anonymous.
Can I make more than one gift?
If you wish to sign up twice, you will need two Ao3 accounts, and you will need to change your discord name to indicate that both accounts are yours, so we know we have you in the discord. You'll also need to inform the mods that you are using a sock account, so we can make sure that we do not match you to yourself.
If you do not want to go through all of that hassle, you are still welcome to make as many gifts as you want, and give them as treats! Treats are extra gifts— on top of your normal assignment— that you manually address to the recipient and manually add to the collection, and they'll be revealed along with all the normal gifts when we do the grand reveal. Treats are very welcome!
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@middlingmay's Fic Rec Questions
I saw this list and thought it would be fun to give it a go!!
1) Fic that's made you laugh the most
He May Be The Reason by @c-goldthorn. It's a Clegan Notting Hill au and it makes me squeal with delight. So cute that I got distracted while reading it and missed my stop on the train.
2) A fic that made you cry
my kingdom for a kiss upon your shoulder by pillar of our community @swifty-fox. I'm sure most ppl have probably read this one but it's such an amazing post-show continuation that really doesn't pull it's punches when it comes to both PTSD and the realities of being gay in the 40s
3) Fave comfort, silly fic
It's a little rogue but I'm gonna say Awake, Alive by the wonderful @whirlpool-blogs. It's a pet sematary au so not exactly what you would call traditionally comforting but the ending makes me so happy and the whole thing is just a joy. The fact that this came to mind when I thought 'comfort fic' is probably pretty telling about me as a person....
4) The fic that made you try a genre or trope that you don't usually read
This is also a bit rogue but it was tricky since I'll read anything, so I'll go with Strings of the Strings of Life by the lovely @weimarweekly, not because of any of the content but because I don't, as a general rule, read Dune fic that was written after Dune 2 released. I've bored everyone to tears with my complaints about that version of Feyd but it is what it is so I tend not to like any fics written about that version of the character BUT the prospect of a feydpaul Berlin techno au was too delicious to resist and the whole fic is so fun. It makes me miss Germany sooo bad.
5) An author who has inspired your own fic writing
This one has got to go to the anonymous author of both Close And Yet Closer and The Replacement. Both of these fics are god tier and their character psychology and willingness to allow their versions of the characters and relationships to be ugly and messy are so inspiring to me. They were also the first person in the John/Hausman tag on ao3 which is currently just me and them. I think about the replacement all the time and it was a HUGE influence on 3am Eternal. If I can ever write half as well as them I will die happy.
6) What are your fave underdog authors? Those that you feel are underappreciated and deserve a bit more love
Hmmm, this is kinda hard cus the MOTA fandom is pretty small so I feel like a lot of stuff gets decent buzz. Imma shout out @whirlpool-blogs again and especially their fucked up clegans fics, I have read and reread all of their works and they're always so so good. I will also add @steeseman for Up In Our Bedroom. It's another great post-canon fic and while it has a lot of hits, I don't think I've seen anyone talking about it on here.
7) What's one thing you wish writers/readers did more of when it comes to fanfiction.
The obvious one is comment, it really does make my day when I get a nice comment, even just a couple words or an emoji mean a lot. The other thing I would say is writing curt/Kenny fic, there's not much out there and I want more please. Also more fics where characters relationships are like genuinely kind of fucked up and toxic. I love that shit.
8) What's one thing you wish writers/readers did less of when it comes to fanfiction.
Oh man, I really do not know. The only thing I can think of is that I hate the word 'yap' or 'yapping' so if I see it in a fic I shudder. Hmmmm, I guess I also wish that there was a little more consideration when writing Gale's dad as an alcoholic because it's often treated as the basis for him being a shitty person. Addicts aren't automatically bad people and I sometimes feel like it's portrayed that way. @blixabargelds wrote an excellent post on this
9) I'm adding an extra one and that is current WIPs I am reading
Sympathy For The Devil by @blixabargelds, it's a modern ghost hunting AU and the set up is AMAZING. I will also throw Superstar in here even though it's not releasing main story chapters yet, everything Frankie writes is so tailored to my personal tastes it's crazy and I am so excited to read @mildharm's John POV chapters too. Literally foaming at the mouth thinking about it rn. When it starts being released fully, I fear it may kill me.
Love Song From A Dog and The Heart Is A Muscle by @swifty-fox. I've only just started THIAM but I'm so hyped for their take on the tattoo shop/flower shop au.
Hit Me Where The Heart Is by @london-cowboy makes me legitimately insane. I jump for joy whenever there is a new update, these versions of the characters and their stories are, as Paris Hilton would say, beyond. I do not have the words to say how much I am loving this fic. The characters and setting feel so real and it's just so creative. AMAZING.
I need to get around to starting let us not desert one another; we are an injured body and also the time skip fic whose name escapes me by @irregularcollapse and also catching up with @weimarweekly's rodeo fic, Looking For Eight
Writing this was very fun and I encourage anyone reading to give it a go if they fancy it!!
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But that is the reason -- it's just cultural rather than the actual truth.
In society, random people feel entitled to tell a man who is an abuse victim that aktually, women are afraid of being abused... because culturally, societally, it never occurs to anyone that men can be abused or that women can be abusers.
So we don't have a song about a man burning his ex's house down because everyone would interpret that the same way we interpret Blue October's "The End", which is about a man murdering his ex and her new boyfriend, then killing himself. "The End" has no hint or inclination that the woman was abusive, just that she left the main character, and from the fact that he murders her for sleeping with another man after she left him, we can see why! Same deal in "The Regulator" by Clutch, where a man returns after a year away to find his wife has taken up with another man, and he decides to kill her. We know nothing of the circumstances. Maybe she was told he was dead, maybe she has to sleep with the new guy to keep from losing the house, but all the main character cares about is, she's sleeping with another man, so he has to kill her.
To write a song where a woman does a man wrong, seriously wrong, and instead of just crying about it, he does something, and we all perceive him to be justified... we'd be pushing against a very heavy cultural headwind. Most "my ex did me wrong so I want revenge" stories from male POV in music are "my ex slept with someone else so I want her dead." And most people, obviously, do not view that with the same "Yeah! Do it!" fervor that we would a song about a woman who sets an abusive husband's house on fire.
The song would have to be very, very clear that the woman is a shithead, that she is abusing the guy, and that his revenge is not murder, but something that hurts her without invoking the spectre of male violence. And people would probably still misunderstand it.
A song about something like "you told me I was worthless and would never amount to anything, but now that I'm free of you, I'm successful and I'm happy and so that email you sent me about can we get back together? Hell no, go crawl back in your hole" would probably do the trick. Or "my new girlfriend is hotter than you, my new girlfriend is smarter than you, my new girlfriend is kinder than you, and she didn't want me to tell you so because she's nicer than you -- but I'm not, so here are the facts". You gotta establish incontrovertibly that this isn't a guy whining about his girlfriend left him, this is a guy whose girlfriend hurt him, was bad for him, abused him, and he's celebrating that he's free of her.
I'd love to see it, though. There is not nearly enough cultural understanding that it's even possible for women to abuse men, and we need to fix that.
men deserve more breakup anthems. I know and respect the societal reasons this genre is dominated by women, but where is my guy version of Miranda Lambert singing about burning your abusive ex's house down, metaphorically, for legal reasons
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Does it seem like Infinity Nikki is building on the lore in the previous games, or is it doing its own thing? It's been a few years since I played Love Nikki Dress-up queen, and all of the proper nouns seem to be different than I remember.
Okay let's talk about Nikki lore!!!
if you've come straight from Love Nikki, Infinity Nikki probably feels strikingly different and yet eerily familiar. It presents itself as a clean slate for new players and a straight reboot for returning players, with Nikki and Momo encountering a magical outfit and being pulled into Miraland where they learn a whole new set of terms and mechanics for the dress-up game you're about to play. All the proper nouns have changed - 'styling power' is still the same, but now magic and tech are 'whim' and base currency is 'blings' etc. The story, setting and characters are all a little different too. So it's a total reboot for the new format, right? Makes sense.
TL;DR: for everything I'm about to unpack:
Doylian answer: IN is a clean reboot of the basic isekai premise, allowing them to easily onboard new players and update the core nature of the game.
Watsonian answer: the reboot is itself part of the ongoing canonical lore of the Nikki series!!!
The context you're missing is Shining Nikki. SN actually pulled this move first - it was a total overhaul of LN to move the series from 2D paper doll graphics to full 3D models, and like IN it seemed to begin the isekai type story of LN again from the start. Not too many people in english speaking markets played the first two games in the series (Nikki Up2U and Hello Nikki), but what you need to know about them is that they were both set in Nikki's own earth-like world, where fashion was an ordinary element of everyday life (i.e. the player was asked to dress her appropriately for real-world situations, with the context that she was an aspiring fashion student). They were also direct instalments in an ongoing story.
Here's the timeline up to where you stopped:
NU2U: Fashion student Nikki and her talking pet Momo practise her skills as a stylist in everyday situations. Though it's usually played as a joke, both Nikki and Momo acknowledge that he's a 'cat-like thing' - not really an earth cat.
HN: Nikki and Momo travel their world, finding styling inspiration in different locations / through meeting various characters. Some of the costumes she creates in this game continue to appear through each sequel as lower-level outfits, implying continuity.
LN: The first game that really broke through in english-speaking markets, and the first in the Miraland cycle. Nikki is preparing for graduation, when she finds a mysterious outfit in the attic. Touching it gives her a vision where she glimpses a strange realm brimming with fashion-related power of some sort. When she comes to, she and Momo are in a field of flowers. They've been transported to another world called Miraland, where styling has literal magical power that's used to settle disputes in place of violence. She embarks on a quest to attain a set of uniquely powerful dresses at the centre of a burgeoning magical/political crisis, in order to save Miraland.
^ Big sideways jump, right? The Doylian explanation for all this is very mundane. They have to keep rebuilding this game for newer phones, and updating the graphics/mechanical gameplay as the series goes on. There are only so many times you can ask a player to dress Nikki up to go to a café or whatever, and the isekai genre is massively popular among the target playerbase. BUT they retain the canonical continuity of the series with LN - Nikki frequently refers to her sister Yoyo and their travels around the world throughout LN and SN, and Momo hints that Miraland may be the origin of his clan (or at least tied to their origin somehow). It would have been an easy place to wipe the slate clean, but they didn't.
And then comes Shining Nikki. On starting the game, Nikki speaks to you directly from a meta-realm where you set up your username and get introduced to basic concepts. Nikki has an encounter / vision with a mysterious figure related to this styling meta-realm, and then she wakes up. She and Momo find themselves in a field of flowers, in a world called Miraland - sstop me if you've heard this one before.
SN is where things started to get really interesting, and where I suspect the writers started laying down some intentions for the series going forward. As Nikki travels around Miraland, she runs into a variety of people and places that are reminiscent of, yet different from, the cast and setting of Love Nikki. And little by little, she begins to recover memories of that game.
As it build towards its climax, SN does one of the coolest things I've ever seen from a rinkydink fantasy mobile gacha. Nikki comes up against an opponent she can't beat, and you're asked to style-battle them again and again. She starts to dissociate and refuses to back down, and then- well at this point my phone couldn't handle the 3D effects and it booted me back to the game's home screen.
SN was pretty ambitious with its 3D elements, to the point that the home screen itself featured a 3D nikki you could dress up, who would move around and strike poses, and spit out lighthearted quips when you tapped her ('I wont give up on my friends!', 'If Momo eats any more BBQ he's going to turn into a beach ball...' etc.) So anyway, my game was locked up apart from homescreen Nikki's idle animations. And then she started talking to me, by username, commenting on the defeat she was suffering repeatedly in the story chapters.
At this point, SN introduces the idea that the player is (from Nikki's perspective) a powerful being from another parallel world, who has been influencing her styling choices the whole time. It also introduces a meta-meta-realm where outside observers can access people's memories to subtly alter their world's timeline. When I say this game got high concept...they had a limited-time event at one point where Nikki essentially explores the lingering cognitive dissonances left behind by the inhabitants of Omelas. I'm insane about this series. Anyway.
A LOT went on in SN, but what you need to know is this:
Nikki learns that she found herself in the story of SN because she went back in time 600+ years from the events of LN in a last ditch effort to prevent the apocalypse she failed to avert.
By accessing the Ocean of Memories, she also learns that this is not the first time she's done this. She has been stuck in a time loop for thousands upon thousands of cycles, perpetually failing to save Miraland, going back in time, and creating new causal offshoots that she again fails to save.
Nikki realises that by doing this, she is perpetually rebooting the lives of all the friends she keeps meeting and bonding with and then failing to save, and wrestles with whether this is ethical. Ultimately she decides to persist, determined to save Miraland.
Now here's the million-dollar question: Is Infinity Nikki a straight reboot, wiping the slate clean to simplify the lore and onboard new players? Or is it a continuation of Nikki lore to date, setting her on a new cycle in the same sequence? I would answer: yes and yes.
Every game in Miraland seems to follow a certain pattern with minor changes, and IN is no exception:
Nikki arrives in a tutorial zone themed around cosy rural villages and flower fields.
She meets a friendly girl who introduces her to Styling and its role in Miraland, and who puts her on the path to her first set of competitions (rip Bobo greatest anime betrayal of all time)
Nikki gets drawn into a political crisis centred on Miraland's system of styling contests, inevitably involving mercenaries and corporate espionage at some point.
Reference is made to an ancient fallen monarch who had a personal connection to certain outfits of immense power.
Reference is made to an elusive but powerful spiritual being (a god, a prophet, ???) whose divine power is bound up with the mysterious source of Styling Power.
Nikki encounters a reclusive society of magical beings whose life force depends on that same power source.
She travels to a variety of regions including Fairytale Forest, Gothic Lolita Town, Literally China, Uncomfortable Desert Realm, Big City, and Separatist Tech Freak Island. [in progress]
War breaks out somewhere and Nikki ends up on the run [hasn't happened yet, but I believe]
Vampires/demons get involved [hasn't happened yet, but I believe]
There is a goofy yellow mascot that looks like a fat duckling. [I'm a Gifty truther, what does it all mean.]
So far we're only a few chapters into IN, but I can already see a lot of familiar pattens starting to take shape. Factions are an interesting twist on regional styling competitions, and elements like Eureka and the Mira Crown contest (and the repeated motif of mirrors and fragmented crystals) look a lot like the seeds of more meta-realm content to me. Well, and the actual literal meta-realms accessed via waypoints and whimstars.
If you read all this, well done!!! You are definitely insane enough to enjoy the Nikki series.
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Azel Radwan Main Story
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This translation is fanmade and strictly for entertainment purposes only. All media and original content belong to Cybird. Do not use, claim as your own, repost or reupload onto other platforms, reblogs are welcome.
<< Azel’s POV >>
True love— to me, is the most evil of curses that must never befall me.
I have yet to come to know love.
But I want to someday fall in love and understand what it is.
A passionate love like a rose set ablaze, and a fierce love that stays on for eternity like a woven tale.
...
<< Emma’s POV >>
??? (Azel): I have some unfortunate news for you, who yearns for love and thirsts for knowledge of what it is.
???: Love is not the grand blessing it is often proclaimed to be.
???: At the very least, love is something I would very much rather do without.
???: — For I am a god incapable of loving people.
...
Clavis: Emma, you’re going to Tanzanite soon, right?
Luke: Honestly, I didn't expect that you’d go without him tagging along.
Rio: I really do want to go with her!! What if something happens to her when I’m not there…!?
Rio: But if staying behind will help Emma feel more at ease on her trip, then I… I’ll…
Clavis: Haha, you can be rest assured about that.
Clavis: Because we’ll be her bodyguards in your place.
(Seriously, what's going on here!?)
After fulfilling my duty as “Belle”, I set off for the dazzling kingdom of Tanzanite with the bookstore’s owner and self-proclaimed bodyguards—.
That land was home to the one and only god revered by all its inhabitants.
…
Azel: If you’re interested, I could divine your future for you.
Azel: Please, allow me to repay you for going out of your way to come to a place like this.
I thought he was a benevolent and kind god.
However—...
…
Azel: It’s time for collection.
Emma: C-collection of?
Azel: Don't tell me you thought I performed the divine art of fortune-telling for free?
Emma: But you said it was a token of gratitude…!
Azel: Shall I let you know what happens when you defy me?
His true nature turned out to be that of a money-obsessed and ill-natured god!?
Fooled by his scheming antics and caught in his trap like a prey, I fell into a life of servitude, being worked to the bone like a slave…
…
Azel: Be that as it may, I have another errand for you.
Emma: Another one!? I just came from shopping.
Azel: How pitiful. But I’ll have you remember that you’re indebted to me.
Azel: You would be spared from running any more errands if you could repay your debt in full, however…
Azel: That's not at all possible, now is it?
…
Azel: Delicious.
Emma: Snacking is forbidden!
Azel: Doesn’t matter whether I eat now or later.
Emma: It’s bad manners.
Azel: Preaching manners to a god?
Emma: It doesn't matter whether you’re a god or human. Your feelings will never be conveyed effectively if you don't speak up.
Emma: Sneaking bites of food or using me as a shield to fend off women, I’m not happy about either of those!
But as I spent more time with this living god in his isolated castle in the desert, I came to realise something.
…
Emma: First of all, you have an abnormal sense of personal boundaries.
Azel: Huh? What does that mean?
Emma: No one behaves like this with someone who's merely an acquaintance.
Emma: You said that you’d “hate if I fell for you”, and yet you have… a strange sense of personal boundaries.
Emma: I’m surprised because you do many things that people normally don't.
Azel: … Because I’m a god.
Emma: That explains why you’re so detached from reality—
Emma: *incoherent words*
Azel: (muttering under his breath) —... I only did it because you looked cold.
…
Emma: … By any chance, did the living god himself carry me to bed?
Azel: … No.
Emma: Then what about the part where I was clinging onto you—
Azel: That one is true.
Emma: “That one”?
Azel: …
(... I think I might be starting to understand Azel.)
Before I knew it, an unfamiliar feeling began to sprout in my heart. A feeling different from the frustration I’d felt before…
That feeling marked the beginning of a tragedy.
…
Emma: … Countless people are suffering right before your eyes.
Azel: And what about it? I’ve said it before, haven't I? I’ve long been disgusted by humans.
Azel: If you think god is supposed to be some kind of benevolent entity, you make me laugh.
Azel: Whatever happens to mere mortals is none of my concern.
…
Azel: Akatsuki, I advise you to leave Tanzanite before the full moon.
Akatsuki: … Are things about to get worse?
Azel: Indeed. It won’t be long before they do.
The changes in the world grew closer with every passing moment.
And then, the moment I discovered a truth hidden deep within the isolated castle in the desert — I came to know about a “curse”.
…
Azel: You touched what you should never have.
Azel: Did you think you could get away with it unscathed?
(After crying my heart out, I have to make a choice.)
(Will this be where I bid farewell to Azel? Or…)
…
Azel: When and where did I start going down the wrong path? I never intended to love you, not even in the slightest…
Azel: I’ve lost my way… how terrible. And the worst part is that I can bring myself to hate it.
…
The god started off praying to never know love, and eventually wished to know what love was in the end.
Is true love a curse that turns people into beasts, or—?
#ikemen prince#ikemen series#cybird ikemen#ikepri translations#ikepri azel#azel radwan#ikepri jp#cybird otome
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arcane, shipping and “word of god” within queer readings
tldr: “word of god” vs “death of the author” through the lens of jayvik
so first of all, here’s linke’s now-infamous reaction to jayvik:
first of all, there’s the classic mistake of conflating asexuality with aromanticism (they can and do overlap, but having one does not automatically mean the other)
to be clear: asexual viktor is not a bad concept. i’ve seen arguments for and against it that bring up valid points (there’s also the question of whether it’s a stereotype to make the disabled character asexual, but i’m not disabled, so i don’t really know the fine details of that debate?), but the questionable thing here is that it seems to have been brought up specifically against a jayvik interpretation
aside from this i’ve seen twitter screenshots floating around where it looks like linke is arguing with people about jayvik? idk—
sigh.
i’m not even going to get into this.
ironically, and unfortunately for linke, a piece of media the fans drew an immediate parallel to is the ending of the magnus archives with two of the main characters jon and martin dying together to save the universe, and they are both a canonical couple and jon is explicitly confirmed to be ace within the universe by dialogue between characters
amanda overton, luckily, is a breath of fresh air:
the first part of what overton says is similar to linke—written with a brotherly love, etc.—but while linke uses this as a “gotcha!” moment to shut down discussion, overton rightly recognizes that “other people give it their own meaning”—that art exists as dialogue with the audience where intent and interpretation do not necessarily align
honestly, what strikes me the most when contrasted with linke is the lack of possessiveness here, as linke clings to the original intentions of the writers like a lifeline whereas overton has set her creation free into the wild with serenity
which can also be rephrased to mean that linke believes in the power of word of god
so word of god is extremely interesting when it comes to the history of queer media
from the korrasami being confirmed via word of god because of network restrictions that meant they had their hands tied when it came to the text of the show, but still making a huge step in the direction of explicit queer rep
to hannigram, where the ship has an incredibly solid textual base within the universe (with “is hannibal in love with me?” “yes” being actual lines), but shipping wiki still has it as “canon (confirmed by bryan fuller)” as if because it’s a queer couple, it needs that extra layer of assurance when for a straight ship it would have less scrutiny
so these two examples have been instances of positive word of god—cases where the creators intentionally wrote in queerness
and media creators have not always been so supportive—just look at the 2010s epidemic of queerbaiting
BUT HERE’S THE THING: the “word of god” stands in near direct contrast with another incredibly useful tool—“death of the author,” which posits that authors essentially lose authority over the meaning of their work and that the work can be analyzed contradicting the authorial intent if there is textual evidence to support it (grossly oversimplified)
essentially, the “death of the author” approach happened a lot in fandoms that had “hostile” creators (moff and gatis mocking fans for shipping, both within and without the show sherlock, for example)
and the thing about fandoms is that it’s great when the creator is on our side! but if not? we’re going to be just fine on our own, we’ve survived like that for decades
and here comes 2024, a year rich with queer content and the practice of queer readings having lost a fair bit of the stigma that was long associated with it (with special mention to the good omens and ofmd fan readings before and after the episodes with kissing were released)
and linke is… still stuck in a 2010s mindset??? like i’m not sure how to explain it more elegantly. do not be like linke
in contrast, amanda overton has the much more nuanced view of fandom and fan interpretations, where she can both acknowledge authorial intent and that differing interpretations will exist and that they still carry weight. be like amanda overton
#arcane#arcane analysis#fandom#christian linke#amanda overton#shipping#jayvik#long post#death of the author#word of god
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