#hence why DR is peak

[nyaskitten]

Looking back at the 11-minute era, it really feels like they were going for certain social themes/topics but not actually digging very far into that exploration...

With season 12 you have the "robots are people too" stuff with Pixal and Dyer, with season 13 you have the whole slavery aspect (but they say the slavery was unique to only ONE ruler which makes things a bit odd cus why is slavery all of a sudden just Necessary for Shintaro,) with The Island they TRIED to do a subversion of the "Evil Islanders" trope but they still had the Keepers attempt to sacrifice people to appease an angry god which is ... not very smart on the writers behalf??? And then in season 14 there was Kalmaar's whole "humans are worthless shitbags who don't deserve this world" stuff.

Idk I feel like looking at all these seasons and whatnot it truly does feel like for a random period of time they decided "yeah we'll get a bit political with it" but then did not. Do much if at all ?

[simplyender]

You previously mentioned that Johnathon probably had a less than ideal childhood. If you are still in the mood for headcanons, would you mind sharing your thoughts on his upbringing/childhood/adolscence? The good, the bad, whatever comes to your mind. Thank you! (I wonder if he was still roommates with Quentin Beck in the movieverse)

Thank you so much for asking!!!! Sorry about taking so long to respond, work has been exhausting for me, and I really want to give my best answer, hence why I stew over asks quite a bit, lol

ANYWAY,

• Apparently, The Spot from the comics is originally from Spokane. Yeah, I'll incorporate that one in to my personal beliefs.

• He reads to me as having come from an upper-middle-ish class family.

• Only child, but his parents were frequently busy with their jobs, and when they were around, they didn't exactly have or bother to make the time for him.

• Pretty judgemental parents in general.

• Despite that, he still spent a fair amount of time trying to prove himself worthy of their attention, a difficult task with...Mixed results, mostly leaning towards failure.

• One of my friends was once like "There was definitely a time where he wanted to show them something he made and got snapped at for bothering them.", and yeah I totally agree with that.

• Over time he became more reclusive, spent more time in his room than anywhere else. He preferred reading, learning to code, and working on his own little projects over socializing, something he wasn't all too skilled at. It wasn't like there was much to socialize with at home, anyways, considering he would either be ignored or treated like a nuisance a solid 90% of the time.

• This was a double edged sword, though, since he'd also been yelled at for "being in his room all the time" a few times.

• Was used as a scapegoat quite often.

• After a certain point he moved on to trying to get his validation through other means. High grades, impressive science projects, plans to become a scientist and making the biggest damn breakthrough ever seen, do something that will change the world forever. Because then nobody could ignore him or treat him like he's less if he managed that.

• But obviously they're not the worst in his mind because they helped pay for college, so,,,,,,

edit: actually thought about this some more and he probably got a scholarship. oops lol idk high academics.

• Saw the 1933 Invisible man at a young age and absolutely loved it, he spent a short period of time trying to figure out how to make himself invisible, and kind of wished that dr. Jack Griffin was his real dad and that also maybe he'd kill his parents, healthy and not worrying thoughts from a probably 8 year old. It's been around 25+ years since then, but he'd still get seriously embarrassed if somebody brought up his old attempts.

• Had a massive growth spurt in his early teenage years, which automatically put a target on his back for even more bullying.

• Started experimenting with his fashion and putting some more work in to his appearance close to the end of high school. Still sucked at keeping up with haircuts and remembering to shave, though.

• Was probably at his peak in college, honestly. Nicest place he's been in. Least bullying he's experienced. He even made a friend or two!

• IMO he was totally roommates with Quentin in this universe too, they were on different tracks, but all in all, they got along pretty well! John was happy to help him with with whatever he was working on, although, John mostly kept his personal stuff to himself (still appreciated the extra hand with carrying things...), or at least tried to. Whether he was listened to or not is another matter entirely. When they collaborated, they were a real dream team. Unfortunately, they kinda fell out of contact after college, so it was a pretty big surprise to John when Mysterio got caught and it was released that his old college roommate had become a supervillain.

....Which only further entrench him in the "I'm meant to be Spider-Man's nemesis" mindset, by the way.

[bleedingc4ctus]

For the comic nerds:

I have a working theory for something I’m a bit obsessed with, and am hoping there are enough eyes and ears still here to hear me

So, one of my all-time favorite comic book characters is Ghost Rider. Johnny, Danny, Alejandra, not so much Robbie just because the source of his powers is weak af but that muscle car is untouchable, so whatever.

And you can’t beat the look - a flaming skeleton, dressed head to toe in pure, vintage-metal-esque spiked leather, riding a flaming motorcycle. It makes sense that the comics only survived on visuals and not story.

Then there’s that nonsense of GR’s story, and the origin of its powers. In the original line he had made a deal with Satan, which was later retconned to Mephisto, Marvel’s cheap, domesticated knockoff. And at their peak, GR was strong enough to take on any and all of the Avengers single handed, including Hulk; the only thing stopping Hulk from being incinerated being GR’s code - only persecute the guilty, protect the innocent. Given that Hulk was attacking guilty parties, GR backed out from lack of interest but that’s a whole other story.

My point, now, is as rumors are going around about The Rider finally joining the MCU - yeah, Robbie (and possibly Johnny) in Agents of Shield is a thing, but also, no - how does a character that sources its powers from the Judeo-Christian pantheon fit into this world?

This world that already includes mythical characters from Norse (Thor, Loki, etc.), Egyptian (Black Panther/Bast, Moon Knight/Khonsu), Chinese (Fenghuang, Hundun), and Greek mythology (Zeus, Hercules, versions of The Immortals), but the only mentioning of Christianity (that I remember) is that one line from the first Avengers film - also notably pre-Disney - when Cap says “there’s only one god.” One might also consider nods from Dr. Strange mentioning the Keys of Solomon, which take inspiration from Judaism, Roman Pagan, and early Christian beliefs.

My theory is that they cannot introduce Ghost Rider straight from the comics to the MCU for a few reasons: maybe it’s the Superman problem, where the character is too strong to give a fitting challenge; or, my personal favorite, they don’t want to put Christianity on the same level and Norse mythology, or Greek, or Egyptian because maybe, for a big company like Disney, it’s fine to make a story about those religions because they’re just stories, but they consider Abrahamic religions as truth, and therefore feel less comfortable putting that into works of fiction.

This may be part of why Blade is taking so long too, since vampires are abominations and cannot walk into the light of “God.”

I guess this is more of a rant that a question. I really want to enjoy when Ghost Rider joins the fray, but I have consistently been let down by Disney Marvel as of late, and have little to no hope for their future. I mean, how can a character that literally killed “capital-G” God in the comics, who is stronger than Thor and Hulk, immune to the powers of Strange, fit into this world?

P.S., was Christian God retconned in the comics to The One Above All?

TLDR: Disney is kinda Christian, Ghost Rider is loosely based from Christianity. Does including him in the MCU make Judeo-Christian mythology equal to fiction in the eyes of Disney, hence their hesitance to include it?

[ottiliere]

what are your go-to resources for phantom blood fashion historical accuracy...... ...

ok I'm glad you asked this because I've been writing up a whole other post on dio's fashion sense and i wasn't sure how much of the period's fashion trends to explain since I didn't want to make an assumption that nobody knows anything about late victorian fashion. this will be a good reference post for me...and you... and anyone else who wants to use it.

regardless; I hate to say it but the best way to start drawing period clothing is to do a little reading on the fundamentals of [late] victorian dress because it will seriously assist you in the long run, e.g., you won't have to scratch your head and spend time wondering why you keep coming across two different lapel types on tailcoat fashion plates if you're aware that both peak tips and shawl collars were in vogue in the late 1880s and the '90s.

I'll put some basic information that I've collected for myself here so you don't have to go looking for it; I'm going to write this assuming you're a newborn baby deer poking your nose into the victorian era for the first time in your life fully unaware of the customs.

reference links for the wayfarer so you don't have to scroll all the way to the bottom:

Etiquette books. Look for anything written in the 80s/90s; again, period trends change. There's usually always a section on how men should be dressing on different occasions (weddings, funerals, daily casual travel, etc.) in these. In an ideal world one would only have to reference books written/published in London, however I've found that there are many more from US. This is fine though IMO, there was a lot of cross-talk between countries due to the implementation of the telegraph and hence a lot of etiquette standards are "universal" (it's why fashion between EU/US/AU can look pretty similar at the same time--they were all talking to each other). If there's a difference between the "New York" way of doing things and the "London" way of doing things, the authors usually point this out. kind of funny. I love reading these, they're also very good for understanding the general quirks of late Victorian society and how the standards at the time characterize their behavior.

The National Portrait Gallery (link is an advanced search; you can change the dates. I set the results to be located in "london")

Victoria & Albert museum online gallery

The Met museum online gallery (in general for clothes on mannequins, but they also list an archive of fashion plates here, separated by year. A lot of them are misfiled though so be wary of that)

Alamy website. genuinely one of the most all-encompassing resources I've used, I use it for everything and especially when I'm into period pieces. "boy 188*" "man 1880s portrait" "man 188* suit" etc. you find a lot of illustrations from the time period this way too. it fucking rules. my computer is on the brink of crashing 24/7 because I keep too many alamy tabs open at all times. A lot of really good Vanity Fair illustrations are on here too, just plug it in with a year and see what pops up.

Sites like this (Gentleman's Gazette) with little articles giving a run-down of period clothing can be helpful...... to an extent. idk. I don't really trust them. GG is solid for the most part and so is The Black Tie Blog and Victorian Web, but I've spotted too many errors on other sites to trust anything they say wholesale. Fashion Institute of Technology is worth mentioning as well, though, despite their coverage on men's fashion being pretty brief. Goes by decade, though, with a lot of information on women/children's fashion, too (it's very interesting! I linked their 1880s fashion rundown, highly recommend going through it, especially the Aestheticism segment). TL;DR: My advice when it comes to website hopping is "stick with primary sources".

How to Read a Suit (A Guide to Changing Men’s Fashion from the 17th to the 20th Century) by Lydia Edwards. Look this up on libgen. It's broken down into chunks of decades; REAAALLLYY recommend reading the introduction to "Chapter 4: 1860-1899". Probably the most historically informative consolidation of relevant fashion information in one place. Very interesting writing, pretty short too. If you're gonna read one thing out of this whole list, make it this.

The Dictionary of Fashion History by Valerie Cumming. look this up on libgen. for when you don't understand what some article or book is talking about and google will not give you answers. as it is it wont to do. (could not wrap my head around top frocks until this point; the wikipedia article for it is quite frankly embarrassing.)

here's my google drive of fashion for this time period, I had just been keeping these on local folders but I think drive would be better so I started transferring them here... compiled myself. this is a "work in progress" and will be updated.

I am going to write a bit about men's fashion at the time period under the cut because I think it's important to understand, if you don't know much about the victorian period, that the dress decorum was heavily emphasized and if you wore the wrong ensemble in the wrong setting everyone WOULD think you were ill-bred and would not invite you back into their home again. because just seeing you exist like that was impolite and quite frankly very embarrassing to witness. these resources are great but not if you don't know where and when these guys would be wearing these things... for instance i know the fashion plate archive there are some drawings of men in livery and you may be tempted to put dio in something like this because WOW! they do look kind of cool. with the big brass buttons... but I think he would more readily batter another human being physically than dress up like a butler at a dinner party and get mistaken for a butler. it's the little things.

first thing: you were expected to dress differently for different times of day. This consists of: morning dress, afternoon dress (semi-formal; not really "mandatory" except at special events, like weddings, at least for men), and evening dress (anything past 6 o'clock or "by candle light" is the general rule).

here are overview excerpts from Modern Etiquette in Public and Private published by Frederick Warne and Co. in 1887:

and excerpts from The Complete Bachelor: Manners for Men by Walter Germain, written in 1896:

Cecil B. Hartley states in his Book of Etiquette and Manual of Politeness (1860) that "by dress we show our respect for society at large, or the persons with whom we are to mingle".

He advised men that there were “shades of being ‘dressed;’ and a man is called ‘little dressed,’ ‘well dressed,’ and ‘much dressed,’ not according to the quantity but the quality of his coverings.”

Black was "the" color. As Lydia Edwards writes in How to Read a Suit (2020), "while it is unrealistic to imagine that all men everywhere only wore black, the acceptable color palette was certainly more limited at this point than it had been for the first half of the century. The rising professional middle classes seemed to embrace a centuries-old association with black for certain professions, which perhaps made this an inevitable choice for the evolving and expanding world of work in the nineteenth century."

I'm going to add illustrations now; humbly request you ignore how terrible the paint canvases i threw things in. Things to note moving forward:

there were three different types of shirt collars in vogue at the time: stiff, high stand collars that hugged your neck, wing-tip collars, and one that's closer to the "regular" collars you typically see nowadays (banker collar). don't really see the last one in any of the fashion plates but you do see it in portraits.

Do note that walking sticks were commonplace and in fact expected to be touted around, hence why they (in addition to umbrellas) keep reappearing in the illustrations;

(1890)

Frock coats were the most "formal" of the daywear. When going through the National Portrait Gallery website you'll notice that most men are wearing either a morning coat or frock coat; the lounge coat was still too informal to be considered for how much money you'd spend to get a photograph taken. Don't you want to look nice?

Lounge suits, again, were the ultimate "informal"; they were viewed with distain by the frock-coat. (here's a good thread on this, actually; i love this fucking guy lol). really, really don't think Dio would be wearing one that often. maybe a double-breasted one? i really think he's too much of a snob to wear what he sees as filthy poor people rags. appearance is everything, etc.

~~~

waistcoats you have a lot of freedom/liberty with, at least in regard to design (except for evening waistcoats). different lapel shapes, no lapels... unfortunately shifting into the later decades of the 19th century it was pretty much expected that the fabric of your waistcoat match the fabric of your suit (along with your trousers; called a "ditto suit"). jonathan would conform to this mode IMO, i don't think it stops dio. he has a vision & his waistcoats are likely very extensively detailed. actually I just remembered that we do see one as depicted by araki's tenuous grasp of historical fashion and it is. awesome. i, too, love to wear cravats directly underneath my shirt

(1891 / 1892)

~~~

Evening dress is (comparatively) much more simple & men had much less artistic freedom in their choice of dress: black tailcoat, white gloves, white tie, waistcoat in either black or white, black button boots. Regardless, it was its own beast in the fact that this was something that you really weren't supposed to dick around with. (Dio would've found a way, but that's a discussion for a post that isn't crashing every 3 minutes.) From A Gentleman by Maurice Francis Egan (1893):

If a young man is invited to a dinner or to a great assembly in any large city, he must wear a black coat. A gray or colored coat worn after six o’clock in the evening, at any assembly where there are ladies, would imply either disrespect or ignorance on the part of the wearer. In most cities he is expected to wear the regulation evening dress, the “swallow-tail” coat of our grandfathers, and, of course, black trousers and a white tie. In London or New York or Chicago a man must follow this last custom or stay at home. He has his choice. The “swallow-tail” coat is worn after six o’clock in the evening, never earlier, in all English-speaking countries.

(1885 (misfiled) / 1888 / 1888 / 1890)

MET evening suit ca. 1888; different aspects of the ensemble displayed solo at this link.

In the 80s the "dinner jacket" ("tuxedo" in US) was introduced. It was used for more informal occasions.

final evening dress "tips":

~~~

Outerwear was pretty varied… you can get a pretty wide dynamic of form depending on choice of coat, so keep that in mind. chesterfields tended to be pretty formless, top frocks a bit more fitted. Length/density would change depending on season, too.

~~~

Children's fashion:

end notes:

everyone would be wearing suspenders, not belts; belts were pretty much only worn with military uniform at this time (except in america)

sweater vests were really only considered sportswear until the first few decades of the 1900s. they would not be wearing these casually under jackets, they'd be wearing waistcoats

button boots were buttoned using a special button hook. video demonstration

NOTE: trousers being "creased" began to be more in vogue in the 90s; this is because they finally invented the trouser press. read article for more information--you sometimes see creases in the 80s, really not before then though. look at how they bunch at the knee (c.1880s)!

When it comes to gloves, different colors denoted different occasions to wear them. In the text screenshots provided in previous sections, it usually states which colors are appropriate for whichever situation. The paragraph I am about to end this on is relatively useless, but I thought I'd include it anyway:

[danganronpasurvivoraskblog]

Seiko Kimura VS The Lizard [Danganronpa Survivor VS Spider-Man/Marvel Comics]

Hifumi: Dr. Seiko Kimura; the Ultimate Pharmacist!

Leona: Dr. Curtis Connors; The Lizard!

Hifumi: Part-human...Part-monster...ALL SAVAGE!

Leona: But when their backs are against the wall who's the most savage of them all!? He's Hifumi and I'm Leona!

Hifumi: And it's our job to analyze their weapons, talents and skills, to see who will win a DEATH BATTLE!

Leona: So for our combatant in Mikan Vs Fluttershy, we talked about a medical girl who's life just fucking sucked. THIS TIME however, we're going to talk about a medical girl who's life just fucking sucked! ...Wait a second.

Hifumi: We've talked many times already about the Biggest, Most Awful, Most Tragic Event in Human History. Also known simply as the Tragedy, it's origins lied in Hope's Peak Academy; a coed, private, city center high school with boarding facilities that was approved by the government and established several decades before the events that are known to us.

Leona: Before it was known as that though, it all started as The Tragedy of Hope's Peak Academy, the chronologically first mutual killing game to occur in our world, despite it's brevity. 

Hifumi: Many have characterized the Tragedy as a remarkable instance of social unrest that swiftly descended into meaningless chaos, violence, and fatalities. What began as the "anti-talent" movement quickly spread throughout the world and became more violent by the day, with the Masterminds, Junko Enoshima and the Ultimate Despair, working to fan the flames of unrest. Soon, chaos and death became the norm in society, and the initial reasons for the protests were forgotten. Before long, the majority of people had descended into chaos and hopelessness, and a significant global phenomenon had emerged.

Leona: But when things were at their bleakest, that was when a certain organization slotted themselves in to quell the Despair and return the world to how it always has been - The FUTURE FOUNDATION! Wow...We're 10 episodes in and only now we're really going into the history of the Foundation? I mean, it's basically our job.

Hifumi: That's simply because it hasn't been COMPLETELY relevant to our other combatants backstories thus far. For this particular character, it's quite an integral part of her tale. Alumni of Hope's Peak Academy founded the Future Foundation at some point during or after The Tragedy drove the world to the verge of destruction in an effort to defeat Ultimate Despair and repair the harm their actions had caused to the world. While initially founded by Kyosuke Munakata and Kazuo Tengan, it's unclear when they started operating, but they were clearly well-established during the events of the first killing game because they were able to support the Hope's Peak Academy survivors after they defeated Junko Enoshima and Monokuma.

Leona: And one of the founding members of this organization was a very interesting individual who served as a lead medical expert and the Branch Chief of the Fourth Division...Dr. Seiko Kimura.

Hifumi: Technically speaking, Seiko Kimura didn't OFFICIALLY get her doctorate until AFTER the events of the Tragedy and the Final Killing Game, and there's a rather tragic reason as to why. Not an awful lot is known about her backstory or her family life as a child, but what we DO know is that even as a youth, she had a terribly sick complexion and a chronic illness, hence her pale skin and grey hair. In order to stay alive, she had to submit to taking the same sample of medicine every single day of her life, otherwise, she could potentially die.

Leona: Because of her weak constitution, she didn't have many friends, except for two rather notable childhood companions in two other eventual Foundation leaders: Ruruka Ando and Sonosuke Izayoi. Though she hated being closed off, Seiko naturally learned a lot about the medication she was taking and the happenings of the medical industry. And it was thanks to this that she decided to make use of her pitiful life and do some good with it.

Hifumi: Though a younger Dr. Kimura had a tendency to undergo emotional spikes and snap at people for minor inconviniences, she was naturally quite humble and compassionate, and realized that there were many people in the world who were suffering like her, perhaps even moreso, because of sicknesses and illness beyond their control. 

Leona: So she studied hard to become a doctor, and went on to develop her own brand of special medicines with never before seen special effects, some of which she made when she was in Elementary School! 

Hifumi: This was what initially drew Ando and Izayoi to her. When Dr. Kimura was unable to save a dog from a car accident, the three of them first got together. They were surprised by how effective her medication was, and Ando warmed up to her, giving her some of her best-made candies. 

Leona: Sadly, Seiko was unable to eat them because of the harmful side effects that sugar has when combined with her medication; otherwise, she might not survive. 

Hifumi: Ando called Kimura a friend as a result, and Kimura promised to assist Ando in any other way she could to make up for this slight. She had gone to the same school as Ando and Izayoi all through elementary, middle, and high school, and eventually, all three of them got accepted into Hope's Peak Academy. Izayoi as the Ultimate Blacksmith, Ando as the Ultimate Confectioner, and Kimura as the Ultimate Pharmacist. Unfortunately, there was one other thing about Ruruka Ando that we need to mention...

Leona: She's a bitch! ~♪

Hifumi: I would not have put it so aptly but...Yeah, I suppose we can say that...

Leona: Though she kind of is so naturally, Ruruka Ando is probably the most toxic as fuck best friend you could ever hate to have, and I'm friends with Maya Canzanilla, so you know I mean that! Most of her relationships, ESPECIALLY the one she had with Seiko, was manipulative at it's core, with a "Get them to love you, and they'll do anything for you." kind of mindset. Mainly when it came to their practical exams at Hope's Peak, she made Seiko create sweet tasting drugs to put in her food to kind of...cheat-code her way through the exams.

Hifumi: And this HEAVILY came back to bite her in their second year. All thanks to the actions of one particular individual - Nagito Komaeda: the Ultimate Lucky Student of Class 77

Leona: Ugh THIS GUY again...!

Hifumi: After witnessing his classmates' depressing behavior all day due to the loss of Hiyori Sato and Natsumi Kuzuryu, Komaeda felt compelled to take action. He devised a plan after failing to get the exams postponed and went to see Dr. Kimura in her research lab. His plan was to lace laxatives in the judge's food, and should that fail, set off a bomb underneath the exam hall to disrupt the proceedings.

Leona: The fuck is wrong with this guy!? Ahem...Anyway, it's a pretty long and stupid story, but basically this led to a whole bunch of mixups, like Nagito swapping around similarly named medicines and then accidentally swapping bags with Seiko, that led to the judges ended up eating Ruruka's pastries laced with laxative, and Seiko accidentally switching on the bomb along with Ruruka.

Hifumi: Due to the mixup, Ando believed Kimura had purposefully given her the incorrect medication, which was why she failed her exams. Ruruka's comments hurt Seiko as well, and the two of them lashed out, releasing years' worth of pent-up resentment. Furthermore, the bomb incident resulted in the expulsion of all three of them, including Izayoi, whilst Komaeda, thanks to his talent, got off with a suspension. Due to these incidents, Seiko and Ruruka developed a deep dislike and mistrust for one another and thought the other was a traitor.

Leona: But to be branded a failure by Hope's Peak is to be branded a failure by ALL of Japanese Society. Seiko had NOTHING LEFT, and was implied to have been homeless and without a place to go when Munakata, Chisa Yukizome, and Juzo Sakakura stepped in to offer her help. Thus she became one of the Future Foundation's first members, and currently it's longest running.

Hifumi: Dr. Kimura's pharmalogical skills earn her the natural envy of even the most potent medical practitioners in the Danganronpa universe, like Mikan Tsumiki and Kanata Inori. As the Ultimate Pharmacist, the medical industry took a keen interest in Dr. Kimura due to her ability to discover novel applications for pre-existing medications in addition to developing her own. Many pharmaceutical companies had approached her, vying for her talent, saying they wanted to offer her their full support, but she took only minimal assistance with her research.

Leona: Seiko can create just about any kind of medicine, even with little resources, ranging from something common like laxatives and cold medication to more ludicrous concoctions such as strength enhancers and super-healing medication. Like the Doping Corn Soup that Akane Owari uses in some her battles that we covered in her episode.

Hifumi: Or the healing fluids that Mikan Tsumiki employed in hers. The Future Foundation trusted her to provide medication to the Tragedy victims, and she delivered. And Dr. Kimura carries a supply of these medicines on her person so that she's always ready to heal herself or her companions. The healing medicine she carries is so potent, it can regenerate even broken bones in a matter of seconds.

Leona: Though she unfortunately still suffers from her own affliction, she's been able to cure, repress and counter some of the most powerful afflictions and illnesses. She repressed Nagito Komaeda's cancer and frontemporal dementia, cured Nekomaru Nidai's heart virus, and balanced out Kuripa Kurafto's CIPA's disease by creating a drug that through ingestion, speeds up his already naturally slow healing process...Though this does have some nasty side effects if a person who DOESN'T have CIPA's takes it...As seen with Kaede.

Leona: And these medicines have helped herself and her friends survive the most powerful afflictions and adversaries they've ever come across, especially when she, Ruruka and the other Foundation leaders would be swept up in the Final Killing Game, secretly hosted and created by Kazuo Tengan as a weird as fuck attempt to save the world. For real though, I don't GET ANYTHING with that plan!

Hifumi: Don't think about it then. It's not worth your stress. But this came in clutch in the Final Killing Game, even after meeting her very unfortunate demise. Instead of executions, the Final Killing Game employed NG Code Poisoning in their place. The Monokuma bangles strapped to the participants wrists recognizes when a player transgresses their NG Code or Forbidden Action and instantly injects a deadly poison into their bloodstream, which almost claimed the lives of Daisaku Bandai, Koichi Kizakura and Kyoko Kirigiri.

Leona: Emphasis on that ALMOST. You have a deadly poison! WE have a Seiko!

Hifumi: Though it was only thanks to her research and Mikan Tsumiki's equal medical knowledge, Seiko Kimura developed a COUNTER-MEDICINE to the NG poisoning. A person would go into a comatose state rather than pass away from the poison injection if they took the medication prior to the bracelet activating. Taking the drug before her NG Code activated allowed Kyoko Kirigiri to survive. Even though she looked dead to her friends, the physical effects were significantly less severe, and after Mikan Tsumiki revived her, she had no lasting side effects. And she achieved this UNDER FOUR HOURS after Daisaku Bandai was first induced with it.

Leona: That's not even mentioning that she eventually developed a CURE! Even though she confirmed Bandai's almost instant death with the NG Code Poison, she was able to resuscitate both him and Koichi Kizakura hours after everyone believed they had died. But I know what you're all wondering. "MeH, thiS is A DeAth BaTTlE, HOw's she gUnNA uSe tHIs To FIGHT, mEh!?" Which is fair, since what's the point of being so smart if she can't hit hard? Fortunately, she can, with her most powerful and notable drug...

Hifumi: Dr Kimura was developing a "Reanimator" just before she was expelled from Hope's Peak, which had the added benefit of enhancing the user's physical condition. No matter how worn out someone was, she claimed that one ingestion of the pill she was developing would revitalize them completely when it was believed to have been added to Ando's confections. A small dog that was consuming some of the reanimator during Komaeda's antics soon transformed into a GIANT, which enabled it to completely breach a wall.

Leona: In the Final Killing Game era, it takes the form of these little green pills that Seiko takes by popping a handful of them in her mouth. And taking these little babies transforms Seiko into her BEAST MODEtm!

Hifumi: Dr. Kimura specifically enters a berserk-like state, exhibiting glowing purple eyes, longer hair, claw-like fingernails, and a more muscular body. When she was attacked by Ando and Izayoi, she used this transformation, and as soon as she transformed, Izayoi threw a knife at her, which she caught in her mouth and broke with her teeth!

Leona: The transformation gave Seiko the strength and immunity to power through all of the traps that Ando and Izayoi set for her. Given that Izayoi has previously shown to be on a similar fighting level as Remnants Akane and Nekomaru, Seiko being able to wrangle with him shows just how powerful she really is.

Hifumi: And it's not just Izayoi that Kimura was able to "wrangle" with. She also took Juzo Sakakura, the Ultimate Boxer, head on, and even fought and almost beat Kanade Otonokoji, who was able to defeat Kuripa Kurafto by catching him off-guard.

Leona: Not to mention that at the time they fought, Kanade was coked up herself! On HOPE SERUM! The same drug that was developed to gift Ayumu Fujimori and Nagito Komaeda the Ultimate Hope powers that Hajime Hinata recieved through the Kamukura Project, becoming an unstoppable being who's existence is talent and power itself.

Hifumi: ...Sort of. When Kanade Otonokoji took the Hope Serum, her body was not pre-prepared for it's effects. So instead of giving her Ultimate levels of capability, it instead boosted her strength by a fair margin, but not as much as it would have done if she had the right body type for it. Even still, with how ferocious she fights, it's still impressive that Dr. Kimura was able to fight with her on an equal level. It implies the effects of her drugs have the potential to keep up with Fujimori and Komaeda if they're developed further.

Leona: Seiko also broke down several metal doors and structures with relative ease, jumped great distances through and up into the air, and was even able to smell the scent of Ruruka while she was a great distance away, even through solid glass, giving her bloodhound-like senses. And this isn't even the full power that the form can reach!

Hifumi: The number of Reanimators that Dr. Kimura consumes at once determines how her form changes; consuming more of them lengthens the transformation and boosts her power. During her transformation into the advanced state, she bent a metal rail, sent Sakakura skidding away with a single blow, repeatedly punched through reinforced glass, leaped around a large room breaking lights along the walls, and then embedded her feet in a wall above the window of an observation booth, and tanked several missiles fired at her by Miaya Gekkogahara, causing a massive explosion.

Leona: But one interesting thing about her berserk state, is that even though her senses and bloodlust rise exponentially, it seems that her intelligence and consciousness remains...mostly intact.

Hifumi: Indeed. While she does undoubtedly go crazy in this form, she has always demonstrated that she is still capable of thinking when she uses it, as evidenced by the suggestion that she wanted to mend Aoi Asahina's injured arm or the fact that she was still capable of taunting communication during her fight with Otonokoji. And even though she is a beast, she still knows how to use her medical knowledge and equipment, like how she used her medicine to heal her arm when Izayoi damaged it.

Leona: Alas, as incredible as she is, she is far from indestructible. As a regular human without the use of the medicine enhancers, Seiko is just a normal human with normal human weaknesses.

Hifumi: And even though she poses a serious threat as a monster, her metamorphosis is only temporary and ends when the effects of the drugs wear off. And sadly, even the beastial form did not save Seiko Kimura from her demise in the Final Killing Game. In her last moments as her transformation started to wear off, she began to reflect on how all she really wanted was to be friends with Ando once more. She was also sorry that she was unable to stop her allies from dying. She fell asleep for the last time when the timer on her bracelet rang. She was brainwashed into taking her own life while she was asleep.

Leona: Until the Future Foundation's resurrections devices brought her back to life! Which by the way, she was kind of in on all THAT stuff as well!

Hifumi: Well, she didn't MAKE the machines, but she helped to study and improve them, which led to the ones who died in the first killing game, including yours truly, to be brought back to life. I really owe her a lot now that I think about it...I should show my appreciation more often...

Leona: Just get her some valentines chocolates or something.

Hifumi: I would if I didn't risk invoking Mr Komaeda's wrath. During the same time as her resurrection, the Remnant's of Despair, now reformed and back to their old selves, were beginning to work with the Future Foundation, and came initially under Dr Kimura's care; something that she personally did not like at first. Though this also had to do with her past experiences of being manipulated and not wanting to increase her social circle too much. But still, when she discovered that the prior terrorists had changed their tune, she changed hers, and went on to help them with lots of their long-standing issues and by this point in time, basically became one of them.

Leona: So you're telling me that after he got her and her friends expelled, ruined her life, became a Remnant, destroyed the world and then betrayed the Future Foundation for the sake of petty revenge, she hooked up with that weirdo? I'd judge her standards, but I'm about the same.

Hifumi: Well, Mr Komaeda became a very different person following the events of the Jabberwock Island Killing Game, and it's mainly thanks to Dr. Kimura. Though remaining an idealist, Komaeda was eternally grateful for the things that Seiko had done for him in spite of their rough history, and regretted what he had inadvertedly done to her and her friends. He committed a lot of his time to helping her out and getting whatever she needed for her, eventually falling in love with her. Genuine affection, that is.

Leona: I.e. NOT the creepy hope obsession affection that he usually displays. but yeah, Nagito's care for her allowed Seiko to keep going even when Zetsubou kidnapped her and forced her to develop their powerful Hope Serum, and boy did she style on them once she got her edge back. 

Hifumi: Seiko Kimura will always remain despite all that she has endured and witnessed, and will regretfully always be confronted with from her traumatic past. And among the many powerhouses of our universe, she will continue to be among the most astute and formidable women in history.

Leona: Ok, but seriously though, are there any medical people in our universe who's lives DIDN'T fucking suck?

Hifumi: Um...Dr. Inori?

Leona: Lost her parents in a car crash

Hifumi: Your friend Mr Ito?

Leona: Struggled with transphobia when he was a kid.

Hifumi: Mr Porosen?

Leona: Barely counts and you know full well how damaged that baby boy is.

Hifumi: Fair...

Leona and Hifumi continue their back and forth

Leona: The strange case of Curt Connors is one of the most tragic in Spider-man's career. Over the years, he has watched helplessly as his close friend has slowly devolved from human into animal. But the road to reptilian hell was once paved with good intentions.

Hifumi: Dr. Curtis Connors, known by his family and peers as Curt, started out life as a very good man. Born in Coral Gables, Florida, he studied a doctorate and became a gifted and talented surgeon, eventually joining the US Army as a combat medic, operating on injured soldiers in combat emergencies. He had many friends despite his introverted nature, and was a family man with a loving wife, Martha, and son, Billy.

Leona: Why does every superhero comic have a loving wife named Martha...Ahem, never mind! But then one day, tragedy struck...His arm went KABOOM!

Hifumi: While serving the force, Connors was caught in an horrific explosion that, miraculously, he survived, but his right arm was damaged beyond repair, and he had no choice but to have it amputated. Unable to serve the force anymore, Connors was discharged and went back to civilian life as a research technologist. His medical and scientific wisdom landed him a job at Oscorp, or S.H.I.E.L.D depending on the iteration.

Leona: However, coping with the loss of his arm turned out to be a NIGHTMARE for Curt, and he struggled to live with his lack of it. Using his wealth of knowledge and research, he and a few close friends set out to try and find a cure, or a way to help him regrow his lost limb. But his path towards a solution came from a rather interesting place...Herpetology! Wait...he got his solution from HERPES!?

Hifumi: NO! Ugh...Herpetology refers to the area of zoology which is dedicated to the study of reptiles and amphibians. What Connors was specifically interested in was a reptiles unique genetic "recipe," that provided creatures like axolotls or lizards their enhanced regenerative abilities of musculoskeletal tissues, 

Leona: ...Come again?

Uchui [off-screen]: They can regrow their limbs!

Leona: Ooooh! Ok, so by understanding the secret of how lizards regenerate their limbs, Connors set out to develop a potential way to simulate the regeneration of limbs in humans, helping them regrow amputated or damaged limbs. Not just for himself, bare in mind, but he figured if he could use his medication on himself, he could use it to provide revolutionary healthcare to the rest of humanity who were suffering like he was. What a SWELL GUY!

Hifumi: And it honestly wasn't that far-fetched of an idea, at least not on paper! Despite being cold-blooded reptiles, lizards essentially have the same genetic toolkit as mammals. In fact, lizards are the most closely-related animals to humans that can regenerate entire appendages. Researchers have found that in particular areas of a regenerating limb, such as the tail, they activate at least 326 genes, including those involved in wound healing, hormonal signaling response, and embryonic development.

Leona: Curt became obsessed with learning about reptilian limb regeneration. He finally developed an experimental serum derived from reptilian DNA while working from his home in the Florida Everglades with the assistance of war buddy, Ted Sallis, and in a few iterations, the one and only Peter Parker, the son of Richard Parker, an old friend of Curt's who attempted to help him before he mysteeeeeriously disappeeeaaared~

Hifumi: As it turns out, the experiment worked out pretty well at first! Connors put this serum to the test on an amputated rabbit, and it worked! To take this experiment to the next level, he discovered an even better test subject: Himself.

Leona: Despite his wife's desperate pleas, Curt used himself as a Guinee Pig and ingested his own experimental serum. Thus "Experiment-that-can-only-go-wrong No.342" occurred...Le sigh...THIS is why we LISTEN to our wives, people!

Hifumi: Once Connors took his serum, his amputated arm regrew within MINUTES, something that reptile regeneration actually doesn't do, since it takes a lot more time than that. The results of his experiment were frankly miraculous, and for a brief time, the Doctor believed he had revolutionized modern medicine...But then reptilian green scales started to spread over his body, and he spouted a long, lizard-like tail...!

Leona: Similar to a letter-day Jekyll and Hyde, Dr. Curt Connors had gone from being a mild-mannered scientist into a BLOODTHIRSTY villain...! The LIZARD! Because superhero comics...HATE DOCTORS!

Hifumi: When Connors is the Lizard, his altruistic personality takes a backseat to the reptilian rampagers brutal behavior. He is unable to control his transformations very well, and he is constantly in a state of rage and fury. Warranting him an unmatched destructive power, as well as MULTIPLE encounters with the web-slinging hero; even the X-Men at times.

Leona: Lizard is a ruthless beast who possesses incredible strength and inhuman powers. While he may walk like a man...sometimes...and is even capable of speech...sometimes...his behavior is anything BUT civilized. And he has only one goal and desire...to WIPE HUMANITY THE FUCK OUT!

Hifumi: To put it another way, his goal is to eradicate all mammal life from the planet. To his animalistic mind, the only way to restore reptiles to their rightful place as the planet's masters is to wipe out all warm-blooded species, including humans. Despite the fact that Dr. Conners and Spider-Man have grown dependent on one another over time, the Lizard despises the webslinger for impeding his efforts to wage war on humanity. And with his own unique powers, as well as how he can handle Spider-Man multiple times and quite easily at that, it's all the more important for Spidey that he needs to be stopped.

Leona: Let's talk stats. To start with, Lizzie's leg muscles are so powerful that he can leap nearly 12 feet into the air, and cover an average distance of about 18 feet with a single bound, which more than helps him keep up with Spider-Man, even though he's not as fast AS the hero. He's also used his incredible speed to keep up with characters like Morbius and Doctor Octopus.

Hifumi: He can whip his tail at speeds of up to 70 mph, and his top running speed is close to at least 45 mph. That's comparable to a Greyhound's speed. And thanks to the Lizard's natural ability to regenerate from wounds and fatigue, his stamina is almost immeasurable. The bio-regenerative serum gave him an enhanced, hybrid physiology that allows him to fight almost endlessly without fear of fatigue. He can withstand severe bleeding and brutal wounds thanks to his healing factor, and he has lost limbs several times without so much as blinking.

Leona: So he's got speed and stamina in the bag, but what about power? Well, if the big-ass teeth, fuck-off claws and hulking beastbody don't sell it...Yeah, yeah, he's REALLY strong.

Hifumi: The Lizard has fought and matched Morbius the Living Vampire in battle, who in Spider-Man's own words, "hits like an h-bomb," and while this is obviously exaggeration, Morbius' actual attack potency is indeed above and beyond that of most Marvel heroes, much more than Spider-Man's. 

Leona: And over the years that Lizzie and Spidey have been fighting, he's just gotten more powerful every time. Kind of like if Goku was a large angry reptile and also very evil! Evidence of the Lizard's passing is "a steel door torn off its hinges like it was cardboard," and he often causes mass environmental damage. In Insomniac's Spider-Man 2, Spider-Man's fight with Lizard infamously took them across most of New York, and whatever infrastructure the two came across was basically totalled.

Hifumi: Spider-Man even claims in the comics that unlike most of his recurring foes, Lizard is one that he can't afford to pull his punches with as he usually does. Though many forget it, Spider-Man's punches are ordinarily LETHAL in potency; especially since he's able to one-shot Tombstone, who can't ordinarily feel pain, and halt the charge of the Rhino with a single kick. If he struggles to fight Connors without holding back, that's certainly saying something!

Leona: But there's MORE to it! A few times in their early fights, Spider-Man outright states that the Lizard's reptilian skin is so thick and hard that's what she said...that he almost FRACTURED HIS KNUCKLE just punching him! And this is coming from the same guy during one of their fights, punched through a three-inch thick steel door!

Hifumi: This would take about 150 tons, or 300,000 pounds of force, for a mild steel door. The force for a HARDENED steel door could increase significantly but would likely remain below 1,000 tons, particularly if the door is composed of an exotic alloy like maraging steel. Either way, to know that the Lizard's skin is somehow DENSER than that makes you wonder how Peter is even able to HURT the Lizard in the first place.

Leona: Sometimes it feels like he CAN'T! Lizard's skin HAS proven to be bulletproof and explosionproof, and even when Spider-Man goes all out, it's very hard to keep the beast down! He's also taken hits from Stregon, another reptilian villain who put his fist directly through concrete with a punch, and he's taken hits from opponents that are just as strong, if not stronger than that, including, but not limited to, Wolverine, White Tiger, Man-Thing and the Last Son of Kraven.

Hifumi: It's a little bit complicated in lore terms, but the Last Son is a Kraven clone raised on an accelerated life cycle and trained from birth, who went on to hunt and kill 86 other Kraven clones raised in the same manner. Additionally, Kraven's Last Son has the ability to punch Kraven through walls while he is wearing the black Spider-Man suit, and Connors was hit repeatedly by the Last Son even when unable to retaliate because of an adamantium inhibitor chip in the back of his neck.

Leona: Even aside from his natural strength, durability and speed feats, the Lizard is more than just some movie monster. He's got some weird, wacky and FUCKING TERRIFYING powers under his scaly belt! Like Hifumi already said, for one, he can easily regenerate.

Hifumi: As I already said, ACTUAL reptile regeneration is not a quick process. The injured stump where the lost body part was originally located forms a "blastema" in reptiles with the ability to regenerate body parts, such as newts and salamanders. This is a mass of cells that will regenerate the damaged body part, including stem cells. The genetic program that initially formed the body part before birth or hatching will be activated by the blastema. If the creature LIVES for that long, this process could take a month or up to fifteen months.

Leona: Ok, I get it, it's slow, stop using big words!

Hifumi: But the Lizard on the other hand has a regeneration process that is just inhuman or...in-reptile I suppose; not just because it's much faster, but because it's far greater than just regenerating limbs. Not only has his tail and arms grown back, but so have his eyeballs. He has quickly healed from multiple gunshot wounds and made a full recovery from impalement. He swiftly healed his broken neck, avoided having the Man-Thing burn his head, healed after receiving a knife wound to the head and regurgitated his spinal cord after it was severed!

Leona: He ALSO adopts characteristics from other reptiles like Alligators, and by which I mean those bastards stealth skills. Though he as the power to tear down buildings at his leisure, Lizard typically relies on catching his prey by surprise, and he's damn good at it despite his large size and beastly aura. He uses his stealth skills to stalk his prey at the night, and is perfectly capable of causing distractions, like how he was able to sneak under a couple's car without them noticing. Wait, how the fuck does he fit under there!? He's like 3 times the size of me!

Hifumi: Lizard's hands and feet are also covered with tiny claws that create adhesive pads, like those of a gecko. The pads allow him to scale and slither even sheer surfaces, with naturally faster speed than a real lizard and ever greater ability than Spider-Man himself.

Leona: But among Curt's many abilities, what to me is his most interesting one is his telepathy. Yeah, among all the other insane bullshit, this guy can CONTROL MINDS! WOOOOO!

Hifumi: Well, sort of. As long as they're close by, Lizard's special ability allows him to control and manipulate the minds of all other ranges of reptiles, including snakes, crocodiles, and lizards. When it comes to Spider-Man, Lizard is more than happy to use the reptiles as his foot soldiers. This power is robust as well. He's even used it to control the mind of Man-Thing, and once, he summoned an entire swamp of creatures to attack Ben Reilly Spider-Man.

Leona: But surprise surprise, he can use this power on HUMANS too. Spider-Man explained that the telepathy is like an aura around Lizard that "makes the Id take over the Superego". What that fucking means, I don't know, but based on the dialogue I'm going to assume it means it makes everyone around him stupid. Considering it made Doc Ock act like an animal who talks like the Lizard, I'm gonna assume I'm right.

Hifumi: Sorry to hit you with more science and calculations, but the way the Lizard does this relates to the Triune Brain structure; a hypothesis put forth in the 1960s by American physician and neuroscientist Paul D. MacLean regarding the evolution of the vertebrate forebrain and behavior. One aspect of the diagram is the Reptilian Complex, or R-Complex. The word comes from the belief held by comparative neuroanatomists that these structures dominated the forebrains of birds and reptiles. According to MacLean, instinctive behaviors typical of a species such as aggression, dominance, territoriality, and ritualistic displays are caused by the reptilian complex.

Leona: So in summary, it's LITERALLY every man's inner beast. In order to employ this, Lizard's body gives off a noxious fume that can fuck with someone's mind in a DEVASTATING way if it's inhaled. He forces the animal instinct to be released, and to make human beings act mindlessly and destructively, which he's employed against and ON Spider-Man, employing the web-slingers lizard brain to induce fear in him and make him run away in terror.

Hifumi: As for any other abilities he might have, it has also been demonstrated that he has poisonous clawtips that cause excruciating pain, disorientation, and sensory impairment to those who are slashed by them. Additionally, he's resistant to heat and diseases. He was unaffected by boiling water, merely startled by a Bunsen Burner's flame, and had no trouble biting into flaming objects. 

Leona: Damn...We sure covered a lot of crazy as fuck feats. And I bet you all thought he was just some big green scaly monster. So the question is this...if the Lizard is such a terrifying foe, how is Spidey able to beat him?

Hifumi: For one thing, Lizard has a rather potent weakness to the cold. The main thing that separates reptiles from mammals is the formers cold blood, and in the case of Connors, severe cold severely impairs him and may even stop him entirely. It also drives him, on occasion, into hibernation.

Leona: Plus, as I said before, Lizard is only KIND of able to communicate and strategize beyond that of his animal instinct. The longer Curt Connors remains AS the Lizard, the more his abilities to talk and think slip away, and his hunger for violence and destruction only grows. 

Hifumi: When they first clashed, using Connors' notes, Spider-Man created an antidote to return the Lizard to his human form and mentality. The family man was back, and even though his mentality regressed over time due to the battle with the beast inside him, he went on to remain one of the webslingers most trustworthy allies, even going as far as to save May Parker's life when she was accidentally exposed to Peter's radioactive DNA.

Leona: But how long do you think THAT'S gonna last?

Hifumi: Good question. And the truth is I can't tell you for sure. It later became clear that the success of Connors' apparent cure from the Lizard persona was short-lived. A cycle began of Connors' transformation into the Lizard continually caused by stress or a chemical reaction; Spider-Man fighting him, forcing him to swallow the antidote to stop the transformation until the next time, rinse and repeat

Leona: At any time, be it due to reactions with chemicals or overexertion of stress, Dr. Curt Connors can at any point relapse into the reptilian beast. Until the day comes that someone finds a true cure for the monster, The Lizard will stay one deadly predator and one of Spider-Man strongest and deadliest rogues.

Hifumi: Alright, the combatants are set! We've run the data through all possibilities!

Leona: IT'S TIME FOR A DEEAAATH BAAATTLLLLLLEEE!

The scene opens to a dark, damp and grimy sewer, as Dr. Seiko Kimura, the Ultimate Pharmacist, carefully trudges through the sewage. With a worried look on her face, she sees multiple slash marks and the traces of what appear to be mutilated animal corpses lying in the grime. Her goal is to track down the perpetrator.

*hisss...!*

Seiko: ...!?

She suddenly senses a presence nearby, and barely spots a shadow as it lurks around a corner. Instinctively, she grabs a bottle of pills and equips a bag full of medicines to her side.

Seiko: Doctor Connors? If you're trying to scare me...It's working...!

Seiko suddenly breaks out into a run as the pressure gets to her. With her feet splashing along the damp pavement of the sewer, the Lizard finally crawls out from it's hiding place and scales the ceiling to catch up to her. It pounces and knocks both of them down a large drop where the sewage water falls.

Seiko cries out and very quickly shoves a handful of green pills in her mouth, as she and her reptilian adversary splash down into a pool of dirty water, with Lizard being the first to emerge by swimming through the 

Lizard: Hrrrgh...!?

To the reptilian ravagers surprise though, Seiko Kimura's hand, now more beastly and with claw-like fingernails, bursts out of the murky water. It slams on the concrete, cracking it, as she hoists herself out. The rest of her body then rises, with her hair now longer, her eyes a bright glowing purple like the Lizard's glowing green pupils, and her fangs as sharp as a staple remover. The Lizard however, is not threatened.

Lizard: You...think you can sssstop the LIZARD!?

Seiko: Whether I have to currree you orrr kill you...! One way or anotherrr...I'm taking you down!

With a growl, Seiko charges the creature that used to be Doctor Connors, but the Lizard's reflexes are quick, and he smacks her back with his powerful tail.

Seiko rebounds swiftly from the severe blow, and the Ultimate Pharmacist attempts another claw slash, but her opponent shrugs off the attack, lands a kick, then a second blow with the tail and finally a claw swipe.

Seiko: GRRAAARRRGH!

Lizard: GAAGGH!? RRAAGH!

Seiko scrapes the sewer's concrete wall, chipping away at a sizable portion of it before slamming Connors back into his obstruction. 

Lizard: HYAAAARRGGGGH!!!

Seiko: USE YOURRR WORRRRDS CONORRRS! With SYLLABLLLES!

Without any delay, she grabs the head of the reptile and violently bashes it against the sewer wall. Even though the Lizard doesn't seem to be affected much by this, the attacks are so strong that they indent and eventually shatter the wall, sending the two Devasting Doctors flying through it.

Seiko tosses her battered opponent to the ground below as they find themselves in a new, open area with rushing water behind them. The Lizard lands hard, but Connors rolls over onto all fours, his victims' blood streaming from his mouth as he snarls.

The vicious Pharmacist lunges in at full speed and runs along the ground to intensify her attack. In return, Connors roars and rushes in her direction.

Seiko: GRRAAARRRGH!

*BANG!* *BASH!*

Lizard: YOU'RE SSSSSOO PITIFFFUL!

*SHUNK!* *SMASH!* *BAM!*

Because of her agility and smaller stature, Seiko gains the upper hand and tackles Connors, hitting him twice with outright vicious punches. Connors then returns fire, cutting Seiko with his claws and hitting her again just as hard.

When the lizard tries to bite his opponent, she dodges and then tries to bite back, which gives the monster the opportunity to whip her severely with his tail.

After being knocked back, Seiko uses her claws to climb the adjacent wall and escape Connors's follow-up bite. Connors however, does the same, scaling the wall with the tiny claws on the pads of his hands.

Lizard: RRRRAAGGH!

*CHOMP!*

Seiko: GRRRAAGGGH!

*CRAASSH!*

As the two monstrous scientists grapple against the wall, the Lizard is able to bite Seiko and launch himself off, driving her into the ground in a manner akin to a German suplex, except with his mouth. Lizard keeps a tight hold of Seiko's arm, which starts bleeding profusely.

Lizard: You're ssssoo weak...! You're not even worttthh keeping alive in my empire...!

Seiko: You arrren't the scarrrriest thing I've seen...! RRRGH! Good luck getting out of these sewerrrrs ALIVE!

Lizard: HYAAUUGH!

Seiko bounces back swiftly from the hard landing, using her superpowers to deliver a vicious uppercut to the Lizard's jaw that tears it apart and frees him from her. She hurriedly digs through her medicine bag for a green syringe, sticks it in her arm, and instantly seals the wound on the her arm, quickly wiping it of blood.

Lizard: Hisss...That'ssss MY ssscchchtick!

With a growl of frustration, Lizard watches as Seiko tends to her wound before roaring and rushing back at her. In an attempt to evade the attack, Seiko leaps multiple feet into the air and bounces off the wall to get some distance. However, the Lizard simply makes an equally high jump, sending their fight into the air, at least 14 feet above the ground.

With the lack of footing, Seiko finds herself at the initial disadvantage, thanks to the Lizard's autonomous tail, but eventually she seizes an opening by grabbing the tail and jumping on the Lizard's back!

*SSSHUUNK!* *CRAACK!*

Lizard: REEEEEEEEAGGH!

Lizard cries out in pain as Seiko suddenly takes the syringe that her healing serum was in earlier and stabs him in the eye with the needle! Not only that, but while the pain shoots through his face, Seiko grabs both sides of his jaw and pries it open as they crash back down to the ground!

The Lizard's body breaks Seiko's fall, but Connors bears the full force. Even though he throws Seiko off of him by grabbing her with his tail, the Lizard breaks his jaw when he lands face-first on his pried-open mouth.

However, this does not have the long-lasting effect that Seiko aims for. Though in immense pain from the impact, the Lizard's jaw muscles and bones naturally regenerate very quickly, and within seconds, it's like the injury never happened.

Lizard: I'm not about to losssee my mouth when I sssstill have yet to feasssst on you...!

Seiko: You'rrre not eating me today, Connorrrrs...!

Lizard: Don't missssunderssstand...! Mealsssss are meant to be SSSSHAAARED!

To Seiko's horror, the scaley scientist summons several sharp-toothed reptiles to attack her, and they suddenly emerge from the sewer's dark crevices. She struggles to fend them off as they start jumping her and trying to sink their fangs into her, not helped when the Lizard makes follow up attacks with his own powerful claws.

However, Seiko is still able to fling the reptiles off of her with a powerful spin, and quickly starts pulling medicines out of her pouch. She quickly kicks Connors in the face to get him to back off, then starts combining medicines on the fly while avoiding his reptile minions.

Once she's created a concoction, Seiko bottles it up and smashes it on the floor in front of her, clouding the sewers with a pungent aroma that repels the reptiles from her, including the Lizard, to an extent.

However, something then happens that she doesn't expect. Lizard starts releasing his OWN gas from his body that overpowers hers. Not powerful enough to bring back his reptile army, but enough to allow him to push back towards Seiko, who is not taking to his fumes well.

Seiko: What...arrrre...you...doing...to...me...!?

Lizard: HRRRAASASSAAAGGGH!

Connors however, has given in to the beast, and cannot respond with words anymore. However, his scent starts to activate the R-complex in her brain, and what little sanity and stability she has left starts to slip away...!

Seiko: GGRRAAAAAAAAAAAAAAGGGHH!!!

Seiko also succumbs to her feral inclinations, roaring and spilling some of the contents of her medicine pouch onto the wet floor as she drops it. With each punch, slash, chomp and smack, the two ravenous monsters continue to pour blood as they trade several lethal blows.

Seiko's technique, though now sloppier thanks to giving into her monstrous instincts, is still potent enough to overwhelm Connors quickly, and the Lizard counters by pushing her back with several powerful whips of his tail!

Before Seiko can react, Lizard suddenly wraps his tail around her neck and starts to strangle her, but Seiko is able to pry herself free. Seeing this, Connors instead opts to send her crashing into the wall, which she is cratered into. He himself, needing to take a second to catch his breath, pauses, clutching his head as he feels his human side try and retake control.

Seiko: Haaagh...Ngh...gagh...

But then, in the brief moment of silence, Seiko Kimura starts to slip into unconsciousness...The effects of her enhancing medication start to wear off, and with the R-complex in her brain still active, she feels overwhelming exhaustion in what little senses she still has left.

Lizard: CONNORSSSSS ISSSSS DEAD! AND SSSSSSO ARE YOOOOOOOUUUU!!

With his sanity only barely intact, Lizard is just able to choke out these words before the Reptile consumes all! The Lizard lunges forward, slashing his claws at the now-defenseless Seiko, then bites into her leg, tossing her around like a rag doll until her leg is severed from her body, and her corpse once again impacts the wall!

In a desperate attempt to escape despite the loss of limb, Seiko claws at the wet ground, her vision blurring and her consciousness slipping. However, the Lizard pulls her back and, in an instant, slams his big mouth down on her head and bites it off, utterly DECAPITATING her.

With his opponents dead body at his feet and an army of small reptiles surrounding him. The Lizard lets out one last roar...A roar of victory...!

Leona: HOOOOOOOOOOOOOLLLLYYYYYYY SHIIIIIIIIIIIIIIT! That was...! I think that was our most brutal death yet! That was fucking awesome and yet...yet I can't help but feel really sick that it had to be such a kind girl who suffered it!

Hifumi: Although Seiko Kimura was an undoubtedly fierce opponent, the Lizard had most things going for him in this bloody brawl of jaws and claws.

Leona: Which is not to say that this was completely one sided. In fact, there are quite a few aspects that Seiko actually outclasses the Lizard in. First of all, considering Seiko was able to keep up with the likes of Izayoi, who has contended with the likes of the supersonic Akane Owari, and Lizard has managed to tag Spider-Man several times, it's safe to say that they tie when it comes to speed. And their transformations gave them very similar abilities, like their heightened senses and incredible strength.

Hifumi: And both are potentially as athletic and acrobatic as the other. Lizard is able to fight in midair, jump over buildings, execute drop kicks, and break falls by clinging to a ledge in quick succession, and he has also been known to backflip to avoid Spider-Man's attack and slap him with his tail in the process. Additionally, Dr. Kimura has caught knives with her teeth, and jumped across a sizable room, shattering lights along the walls, before sinking her feet into a wall and remaining perched there.

Leona: But the BIG ADVANTAGE Seiko has over Doc Connors is bleedingly obvious. Her INTELLIGENCE.

Hifumi: Neither Kimura nor Connors are fighters, and they rely on their animal instinct more than anything to win their fights in their beastly forms. But as regular humans, it's pretty clear to tell who the smarter one is. Connors studied enough to the point where he was on the verge of revolutionizing medicine, but Seiko Kimura has been doing that since she was SIX! Creating extremely powerful healing medicines and concoctions with varying helpful effects and basically NO side effects! Much less turning you into a giant green scaly monster.

Leona: So, here's a question I bet some of us are wondering. We talked extensively about Seiko's knowledge with medicine, so is it at all possible that she could fashion up her own brand of the lizard antiserum, use it on Connors to repress the Lizard, and then kill him in his weakened human state? Well, the answer to that is...Yes!

Hifumi: Within the span of four hours after seeing Daisaku Bandai's "death", Seiko Kimura was easily able to create a counter medicine that saved Kyoko Kirigiri's life, and then made a structure for a cure that saved Daisaku Bandai and Koichi Kizakura. It isn't THAT hard to assume that with her genius level knowledge as a pharmacist, that she could quite quickly fashion a cure for the Lizard Serum and turn Connors back into a human.

Leona: It's helped a lot by the fact that unlike Connors, Seiko actually retains her sanity throughout her transformation. Connors mind is basically turned to mush, but Seiko is still aware enough to avoid and counter traps, administer her serum and retain her empathy and humanity. So...what's the problem?

Hifumi: The PROBLEM is how she's going to actually ADMINISTER a potential serum. In order to properly apply the medication to Connors, she'd first have to either overpower him, or somehow incapacitate or restrain him. Neither of which was possible for her.

Leona: Curt has rather effortlessly torn through Spider-Man's webs, which have been stated to be as strong as steel. Curt has also easily broken through ACTUAL steel, and is generally shown to be much stronger and beastlier than Seiko. He'd overpower her pretty easily in a wrestling match, even if his opponent can outsmart and outmaneuver him in many ways.

Hifumi: Dr. Kimura didn't really have anything she could use to trap Connors either; no notable tools or anything that would really work. In addition to this, while she IS more aware and less of a mindless beast than Connors, the Lizard could easily reprimand this by taking hold of her R-complex, taking away what little insight she has left and turning her into a TRUE beast!

Leona: When it comes to that, Seiko's one big strength over Curt is just GONE, and she's basically at a complete disadvantage. But wait...Sonosuke Izayoi fought the likes of Akane and Nekomaru, who are SUPER strong. And Seiko was able to fight him and opponents beyond his level, like Sakakura and Otonokoji. With scaling, doesn't that mean that Seiko is technically the stronger one here?

Hifumi: That's actually not a bad assumption to make. Both Dr. Connors and Dr. Kimura have ripped through hard substances like steel like they're toilet paper, so even if the latter isn't STRONGER, she's at least on a similar, if not equal level. However, Spider-Man implied that Morbius' punch was tantamount to that of a Hydrogen Bomb. And the Lizard is just as strong as he is, so if we take this literally, his damage output is tantamount to at least 1000 Kilotons of TNT.

Leona: And we estimated in a previous video that Nekomaru Nidai's strongest attacking feats, like his superpowered shit, is tantamount to about 94 Tons. Ah, I getcha. That would realistically make the Lizard at least over 10,000 times stronger than Seiko.

Hifumi: Well, Spider-Man was obviously gravely exaggerating Morbius' power, even if the living vampires strength warranted such a comparison. But even in the case that it is, it doesn't really matter. Regardless of how strong she actually is, Dr. Kimura didn't have the attack potency to breach the Lizard's thick hide. Spider-Man is far stronger than she is, there's no doubt about that, and the web-slinging hero himself stated that punching the Lizard almost fractured his knuckles due to how hard his reptilian skin is.

Leona: So basically, if Seiko tried swiping at the Lizard with her claws, she'd chip a nail and then some. And even assuming that she somehow WAS able to get through his hide and damage him...what does it even matter? Connors can just regenerate the damage in seconds!

Hifumi: Both doctors possess healing and regenerative powers as part of their arsenal, but the difference is that the Lizard's is a NATURAL healing factor due to his reptilian genes, while Dr. Kimura's is provided to her by her medicine; a resource that is FINITE. If this were a battle of attrition, Dr. Connors would come out on top every single time.

Leona: Speaking of things that are finite, the same is true for Seiko's transformation. It only lasts a limited amount of time, and she turns back to her basic, measly strength when the effects of the medicine wear off. Meanwhile, Connors can retain his reptilian form basically indefinitely, and even if he regresses back into his human form through means like the serum, even the most minor interaction with a stressful situation or medical reaction can bring it back out in no time.

Hifumi: Lizard's regeneration factor also provided him almost unlimited stamina, so even if Dr. Kimura had enough pills to keep her transformation up, Lizard could still wear her down before she had the chance to do the same to him. Although, it's more likely he'd casually rip her to shreds before then, since her defensive capabilities are NOTHING compared to his.

Leona: Seiko has tanked missiles from the robotic Miaya Gekkogahara, but Connors has done the same thing against Gray Garrison, AKA Warrant; a bounty-hunter who first surfaced when he was hired to capture, or kill him. Lizard took a missile fired straight at him by Warrant, which knocked him back, but did not injure him even slightly. And that's without mentioning that Seiko's defense feats are wholly inconsistent. Despite the missile feat, when compelled to commit suicide, she repeatedly hit a concrete wall to embed herself in it, which ultimately killed her.

Hifumi: Seiko Kimura was relentless and vicious, but the Lizard had the strength, the skills, and the overwhelming bestiality to win brutally against her.

Leona: Such a shame that Seiko couldn't get through to him. She could have really helped Connors with his "a reptile dysfunction~"

THE WINNER IS DR. CURT CONNORS! THE LIZARD!

Next Time...

The masses need a savior when the world is in danger. In a society that consistently held them back, these incredible heroes began life with nothing and developed the charm, fortitude, compassion, and drive to defend the people they care about. However, which one of them will prevail when everything is on the line?

[okthatsgreat]

So how would your OCs fare in a different killing game setting than the game they're a part of, sure the killing game is the killing game no matter what, but a DR 1 style enclosed building is completely different from a DR 2 style sunny and beautiful island. I'm not exactly asking to put them in those specific killing games, just sort of putting them in different vibes.

OOOOOOOOOOOOO INTERESTING and yknow what im realising that i never really disclosed where dr:50 happens either so YIPPEEEEEE I GET TO TALK EVEN MORE !!!

for the 50th season of danganronpa they realllyyyyy wanted to hone in on the nostalgia, which means the location takes a lot of influence from the very first season!!!!!!! the group has been locked inside what THEY assume is some sort of weird boarding school/odd storage unit that has been boarded up to all hell with ZERO sunlight that isnt artificial. similar to thh areas continue to get unlocked as the killing game continues, but overall it is meant to invoke the same claustrophobic atmosphere as the first game, which REALLY influences quite a few of these people lol. not to mention that about halfway through the season (probably late chapter 3/early chapter 4, bc it definitely influences pippy to do what she does lmao) it's revealed they are WAYYYY underground in a survival bunker that has been abandoned and forgotten about (hence why everything is dusty as hell). catastrophe struck and the class is mostly presumed dead down there. also there is a single elevator but they are NOT getting to it unless they kill somebody

HOW THEY WOULD REACT TO A TOTAL SWITCH UP (FROM LEAST INFLUENCED TO MOST)

yoshito: i think regardless of location he would have the same attitude going into it!!! would it be NICE to send that man on an island vacation where he can run around at the beach with his friends? yes. but would it ultimately influence his "i can fix everybody" mentality? likely not

ryobe: similar to yoshito i think this guy gets fucked up regardless of where he's kept lmao!!!!!!!!!!!! the claustrophobia of the bunker ABSOLUTELYYY has some influence, it'll definitely get to ANYBODY after a while, but ryobe is very stubborn in his own escapism that i find it difficult to imagine he acts super differently in a sunny resort lol. he'd definitely be a lot more annoying with a water gun but he would still refuse to acknowledge reality and spiral regardless if he's sunburned or not

mika: i reckon there is a SLIGHTT difference with how she acts here!! not enough to drastically change her character arc, but i honestly think throwing her in a beach would make her a bit more friendly to start off with. when season 50 begins and they all meet each other, she is the FIRST to assume that they are at a hopes peak boarding school, meaning she has already boxed herself in as this ultimate lucky student with no talent in comparison to all of these talented people. a lot of the reason she is so standoffish originally comes from that immediate insecurity. i reckon if they met in a more relaxed setting where ultimate talents arent IMMEDIATELY relevant she'd be a little more open!!! of course there is no denying how they are all ultimates in some way or another but surely they arent here just to work on that right??? its VACATION TIME!!!!!!

erin: DEPENDSSS depends. she's going to act like pippy no matter where she is because like ryobe she is relentless. but that feeling of total claustrophobia in the bunker and complete isolation absolutely lent itself as motive for her. this is a girl whose entire life is dedicated to her work, and the bunker setting REALLY emphasizes just how completely separated from it she is!! it further tells her that HEY, EVERYBODY FORGOT ABOUT YOU IN THERE, and regardless of what her actual motive to kill ended up being that feeling absolutely contributed to the mania that led up to the murder in the first place. rp!pippy is a whole different story BUT HONESTLY it's a pretty good indicator that in a more open/less claustrophobic setting (since the rp took place at a camp, and while it WAS abandoned there was still the SUGGESTION of other people somewhere), plus with some close friends lol, erin could have reasonably survived!! throwing erin in a setting like that OR an sdr2 beach setting could help her quite a bit because it feels much less isolating if that makes sense. looking at the sky at least gives you a bit of hope that somebody else is looking up at the sky also. looking up at a bunker ceiling for weeks is going to make you irrational

rie: same with erin the idea of being completely isolated absolutely contributed to her entire facade crumbling in the later chapters. she misses her dad!!!!! and shes the primary caretaker for him so being locked away from him presumably forever hurts!!!!!!!!!! the bunker makes her feel completely alone and absolutely helpless, and is a big part as to why nobody trusts her in that final trial. trusting rie was IMPORTANTTT too, because if they had listened to her a bit more or even attempted to calm her down enough to get an alibi together they actually might have been able to get through chapter 5 lol, instead all of them had fallen into a rush of mania and exhaustion that led them to distrusting her wayyyy too easily. throw her on a beach and she'll be a litttleeee more chill i think, still VERY upset about her dad but maybe jusssttttttt calm enough to rationally talk things through. the isolation of the bunker is really good at making all of them feel very alone, which is why finding somebody to confide in was a tricky task (and then when she did find somebody to confide in they accused her of murder. lol). the beach might be a better setting at making friends!!!! maybe!!!!!!!!!

billie: the entire location billie was in was a constant and walking reminder of her father LMFAOOO, it was LITERALLY his own creation that she had been constantly testing for him. and BECAUSE she had done that so many times, she was immediately quite standoffish and awkward to the others, just because it felt very repetitive at that point. BUT ALSO i do think a big point of her character during the one and only chapter she survived was that she WANTED to help, mostly because she felt GUILTY. she felt that this simulation going haywire was partially her fault, because she recognized signs of malfunction and didnt run to stop it in time. in another location where she is less familiar of her surroundings and doesn't feel immediate responsibility, i reckon she'd be a lot less helpful LMAO. this is still billie so she is still going to be very easily influenced, but she'd be a lot less inclined to help and honestly might just hide away for a lonnggggg while. she would NOT fall for the note the way she had in the rp, which means lets give it up for wilhelmina "billie" lane for making it past chapter 1 WAHOO!!!!!!!!!!!!!!!

sae: GET HER OUT OF THEREEEEEEE SHE NEEDS FRESH AIR SHE NEEDS THE OCEANNNNN. NO MORE CHLORINE-FILLED POOL NO MORE WEIRD HOTEL SMELL AND BLEACH. this resort she is currently in (in the rp!!) is kind of a mix of the bunker setting and the beach setting in that it is still isolated BUT she can at least SEE the outside. she can put her hand out there. its more taunting than anything but it COULD be so much worse

naomi: honestly she might be the most immediately and gravely affected by the location LMAO. this is a girl who is used to have places to RUNNN, and this bunker is allowing her NONE of that. she CAN not run away from these people, and the most she can do is hide, even though the entire cast knows that she is in her room. it is very very easy for her to grow extremely helpless in that location, because so much of her survival instincts is rooted in packing up and leaving!!! setting her in a beach gives her farrrr more freedom, and while that DOES mean we probably wont be seeing her until chapter 2 lmfao she is going to feel a lot more comfortable. it is still a very isolated island dont get me wrong, but it is a HUGE island, and naomi would feel far more inclined to meekly join in with the others now that she knows she has a surefire means of fucking off to the other side of the island should anything go absolutely haywire. HONESTLY would stop her from doing anything too rash. she is still remarkably paranoid but it is slightlyyyy easier to find lucidity on a beautiful island with a lot of open space rather than a dusty old bunker where everybody is cranky and the only enemies that know you are alive are currently trapped underground with you

andi: specifically made for the new waters retreat, would not exist in any other location

THANK YOUUUUUUUU SM AGAIN MWAH MWAH <3

[adultswim2021]

The Venture Bros. #29: “Shadowman 9: In the Cradle Of Destiny” | June 1, 2008 - 11:30PM | S03E01

The Venture Brothers are back! And we only had to wait over a year and a half between seasons. 

I personally like to consider seasons 1-4 to be “classic” Venture, with "Operation: P.R.O.M." being the series' peak. This season is maybe my least favorite out of those four seasons. Maybe that’s because this is the first season I ever actually anticipated. I didn’t really get into the show until season two was midway through, so this season was doomed to let me down for that reason. 

I do believe the show started getting too far up it’s own ass beginning with this season. The main story of this episode is about the Monarch and Dr. Girlfriend being interrogated by the Council of 13 as a pretense to give us a shitload of flashbacks, many of which revolve around previous episode references. A real “for the fans” affair. I thought the show was really strong during the first two seasons, which had a nice balance of episodic stories while dipping into lore-laden character story arcs.

I don’t really want to go beat-by-beat with the plot here, but I’ll try to sum it up in a way that makes sense. This one picks up where the last one leaves off. Dr. Girlfriend has revealed something to the Monarch. The writing fails the show a little bit here, because the reveal I guess is she said something to the effect of “I’ve applied ourselves for duoship with the Guild of Calamitous Intent” which isn’t exactly punchy. I remember re-watching that episode and thinking that what she told him was somehow still a mystery; it’s not super clear that what’s happening in this episode is an answer to that mystery.

Primarily what’s happening in this one is, The Monarch and Dr. Girlfriend have been violently taken from their honeymoon and brought to the Council of 13, who hold the newlyweds captive (separately, at first). They go through The Monarch and Dr. Girlfriend’s pasts; showing how they met, and examining whether or not they are worthy of being made “official” in the eyes of the Guild. We learn that the Monarch has been operating outside the system, and that he began his life of villainy without going through the proper channels. 

We also see a little bit of how those proper channels operate. We see Dr. Girlfriend, then known as Lady Au Pair, get assigned to Phantom Limb, after being presented with several manufactured and pre-packaged backstories and character themes. This stuff can be reasonably funny and world-buildy, but the whole bureaucracy aspect of the Guild is one of the more joyless aspects of the show. It’s meant to be a source of conflict for The Monarch, who doesn’t like playing by the rules, so I accept it. But it’s essentially the same comedic take an SNL sketch would use, and that comparison makes me uneasy. 

We learn that The Monarch was once a henchman for Phantom Limb, that Henchman 24 was actually also a henchman with The Monarch. The Monarch was Shadowman #9, hence the title. The Monarch falls for the future Dr. Girlfriend, but she’s creeped out by him. Shadowman #9 becomes the Monarch to fast track his rising in the ranks in the world of super villainy, but also to win the heart of the future Dr. Girlfriend and steal her away from Phantom Limb. He didn’t clear any of this with the guild, which is a no-no.

We also learn some other things, like the Monarch being the one who blew up the science lab when Dr. Venture was in college. This is the explosion that blew off Baron Underbheit’s jaw. We also expand on a brief flashback from “I know why the Caged Bird Kills”, where we see Myra beating the shit out of The Monarch after a failed ambush on Venture compound.

The B-story is the Moppets have taken over The Monarch’s henchmen. They rebel because of the Moppet’s uncouth nature, but they prove to be impossibly tough and hard to best in a physical confrontation. Their leadership is ultimately constructive, as he gets the henchmen and others to rebuild the Monarch’s cocoon. 24 gets knifed by the Moppets after dumping a cooler of Gatorade on them. In the coming episodes we see him recuperating. Most of the promos should have included clips of him recuperating. COMING UP ON THE NEXT VENTURE BROS: 24 RECUPERATES. Why didn't they do that?

The Monarch and Dr. Girlfriend are granted their duoship. In a post-credits scene, we see a current-day Phantom Limb kill a retired Mighty Manotaur, getting revenge based on a lie the Monarch tells. So, Phantom Limb survived the previous season, now with a mechanical arm. The Manotaur is said to be MIA in a later episode, and here's why. "Nobody retires from the Phantom Limb's shit list" is a great line. Hopefully you're watching this on blu-ray, which is uncensored. I don't know what I would do if there was some kind of barrier between me and some cuss words on a cartoon show.

This episode revels in lore while giving the show more stuff to speculate about. The Council of 13 are all portrayed in shadow, offering a potential for some kind of big reveal. The commentary track reveals that they’re all just the silhouettes of pre-existing characters with extra modifications. They aren’t meant to be identified as those characters, though; it was just a way to quickly “design” new characters. There’s also a scene where the Monarch charms the future Dr. Girlfriend at a Phantom Limb party by telling her a story about Captain Sunshine’s weapon malfunctioning, causing the good Captain to believe that The Monarch is invulnerable. This serves as the explanation for a scene a full season later when they confront one another on screen.

A lot of the humor in this one feels like an afterthought. The scenes with the Council of 13 especially feel like they’re just adding splashes of humor to an info dump. The character stuff is on point, though, and there are a few laughs. Henchman 21 suggesting that the Moppets might go double-Villechaize is a dark, funny reference to Hervé Villechaize’s real-life suicide. The jokes about what the Council do and don’t have video footage of is fun, especially the reveal that they had to change the music coming out of the Monarch’s stereo when he gets it on with the future Dr. Girlfriend (it’s heavily implied that it was supposed to be a Sugarcubes song). 

The commentary track, which was recorded before season four, reveals that the title of the episode is Jackson and Doc’s favorite so-far. The original title included the phrase “Rise of the Usurper”. There’s also a lot of Eiger Sanction discussion. They also concede that this episode is especially pieced-together, “but it works”. I agree that overall this works, but it does suffer. Doc Hammer gleefully spoils the end of the season for those stupid enough to watch the commentary before finishing the whole season, which is rude!

I think a smarter thing to do would have been to either make this an hour-long episode by sandwiching the lore-dumps between scenes of an actual fun and more typical adventure story. Or, they should have played two episodes back-to-back on premiere night. I remember feeling like this was less of a season premiere. It feels like they're setting the table, and the actual meal hasn't started yet. Eventually Adult Swim started producing little videos that summed up the important story beats from previous seasons before the premiere of the next, and this episode most resembles one of those videos. It’s all technically stuff we’ve never seen before, but you can’t help feel the clip-showiness of it all. But it’s still Venture Brothers, and that’s nice.

MAIL BAG

Dear Adult Swim 2021, I hope this letter finds you well. I am writing to inform you that I have initiated legal proceedings against you, and this letter serves as formal notice of the lawsuit filed against you. Enclosed with this letter are the necessary documents related to the case. Please review them carefully.

WHAT!? Why!?? What did I ever fucking do to you??? Tell me at once.

[opbackgrounds]

Idrk what “buffer is suffering” is but i hope ur okay and well always!!! Ty for this blog i read it like a mornings newspaper everyday its so fun lol. Bc i feel like it would be more fun to analyze the media i consume I wanted to ask how you analyze things in stories, do some things just naturally peak ur interest so you try and pick at them? Or do you actively try and find quirks about certain characters and worlds ? Ty again i really do appreciate ur blog

I usually have a queue that’s 1-3 chapters ahead of what you see. Right now I have 3 posts left, hence the suffering buffer.

As for the analysis, I guess it’s something I have life long practice with. My mom was a teacher who paid a penny a page for reading books, and then would always ask me what I thought the author was trying to tell me with their story. Imagine a middle schooler trying to put into words why I thought the last Lemony Snicket book was the both the most profound and frustrating thing I’d ever read.

So I guess that’s always my starting question: What is the author trying to communicate? What is Oda trying to say when he has panels of Usopp and Luffy facing opposite directions? Why did he put that panel of the Straw Hat’s flag there? What does all these masks have to do with the story being told? What was Oda trying to say? Was he successful, and if so, why? If not, why?

(Incidentally, I’m not a big fan of Death of the Author. I think there are reader interpretations that are objectively, factually, wrong.)

Fast forward a couple years and I stumbled across a wonderful little Twilight hate blog @reasoningwithvampires that sadly never made it completely through the series but nevertheless absolutely dismantled the first 2 1/2 books almost sentence by sentence. It cannot be overstated how much that blog helped me as someone who was just starting to write fanfic, both on a grammatical and story level.

Seriously, I never took any English classes in college, but my exit score for English were 15 points higher than my entrance score because of this blog. If you want to know how commas work, go check it out.

It also taught me the real value of that sort of comprehensive analysis of a work, even the reason that analysis existed was hate. Around that time I started writing up my own, more topical, meta posts, and it was when doing research for one of those posts I really noticed for the first time all the cool details Oda put into Dr. Kureha’s castle in Drum. That sparked the question: What other cool details had Oda put into the series?

And thus, opbackgrounds was born.

I maintain that anyone can do this kind of analysis, but it does take time and practice. Then again, I’m also the kind of person who likes listening to 12 hour YouTube videos analyzing a video game Ive never played, so maybe I’m just wired that way.

In any case, I’m familiar enough with One Piece that I already know a lot of the important themes and moments ahead of time. Once you know the big picture, it frees you up to look for the paint strokes that make up that picture. It’s seeing the whole, and then dismantling it to its individual parts.

You read a thing once to enjoy it, and twice to understand it. This blog is me trying to understand One Piece

[veveisveryuncool]

OKOK SMALL MOMENT I WANNA PICK APART HERE, SCENE FROM LAIR GAMES

THIS LITTLE MANIPULATING FUCKER FEELS NOTHING. HE HAS NO GUILT, REMORSE, OR EMPATHY FOR DONNIE WHATSOEVER. HOw do i know? bc me and my siblings are close enough in age that we have this exact demon child response whenever one of us gets hurt.

His face is contorted into a panic ridden grimace, something I myself as a sibling have worn many a time, but this is but for show. He’s on camera, for pete’s sake! God forbid he actually take the blame by looking smug or spiteful! In an attempt to “comfort” his brother (which, ok, fine, he is a little sorry for him), he puts his hands in a non-threatening manner, unsure where to place them because heaven knows if he gets too close Donnie will BITE his fingers off. 

“Donnie, Donnie are you okay?” Good one, another panicked half-assed attempt to look sincere, his words are repetitive, trying to get Donnie to focus on him, to give him a solid response to his desperate try of reconciliation-- because god forbid it, the ABSolute SCARIEST thing is if he starts to cry. All hell will break loose, and none will be the wiser than Leo if he gets blamed, and scarier yet, be tasked with making Donnie stop crying. This act also explains his vehement denial and deflection of “the incident.”

Donnie knows EXACTLY what’s going on, and in turn releases an overdramatic reiteration of the event, pulling out all the stops (which might just be his personality but also peak sibling moment here), crying, dramatic poses, that devilish inhale sound that still haunts my dreams. 

He WANTS people to feel sorry for him, for Leo to get in trouble, but alas, he is disqualified. 

anyways whether intentional or not, when i saw this scene i knew immediately what leo and donnie were doing because there is no way they weren’t doing that awkward sibling comforting thing, another reason why this show rocks

TL;DR? Leo’s a little bitch who plays the part of a concerned brother but is actually scared for his own well-being if he gets blamed, hence the innocent “are you okay???” act which is actually just him trying to diffuse the situation as quickly as possible so Donnie doesn’t start crying or making a scene.

[threequeensss]

why taka’s ultimate isn’t useless

spoiler warning for trigger happy havoc and taka’s free time events!

HIHI SORRY FOR THE LONG INTRO SKIP TO THE SECOND PARAGRAPH IF YOU DON’T WANT TO READ IT ,, ok lol so i only make an original post like maybe once a year AT BEST so here we go,, anyway, i’ve seen a lot of posts on tiktok, instagram, etc. saying that taka’s ultimate makes the least sense or that it’s a “useless” ultimate. maybe it’s because he’s my favorite DR character overall (which may be surprising if you don’t know me considering how barren my blog is of taka content), but after thinking about it a lot, i personally disagree with that and here’s why. (side note: i know the original translation of his ultimate is shsl public morals committee member, this is an analysis of his ultimate overall, not just the way the english dub titles it, so it can be applied to any translation :) )

most criticisms i’ve seen surrounding his ultimate is that it’s not a real ultimate or that it doesn’t have any practical use. a moral compass one’s means of distinguishing right from wrong and to follow the morally “right” path. taka is the ultimate moral compass, meaning he quite literally acts as a moral compass, guiding his peers. on the surface level, we see this through him scolding the other students for having dyed hair (leon), heavy makeup (mukuro presenting as junko), or for students sharing a room (aoi and sakura). sure, at first glance, this may seem like a silly or pointless ultimate, but if you talk to taka during free time, it quickly becomes apparent that it’s so much more than monitoring halls and scolding his classmates for acting like teenagers.

let’s talk about why taka behaves the way he does and why his ultimate is, in my opinion, perfect for his character. we can trace this back to his grandfather, a disgraced prime minister of japan and a “genius.” his grandfather abandoned his morals as one of the most influential people in the world, effectively shaming the ishimaru name and sending the family into enormous debt that would haunt them even after the former prime ministers’ death. through the way taka explains it and how upset he gets when a well-meaning makoto calls him a genius, unwittingly implying that taka and his grandfather are similar, it becomes abundantly clear that his grandfather’s scandal tears him up inside every day. he’s ashamed to be related to such a morally questionable individual and wants nothing more than to repair his family’s reputation, to step out of the enormous shadow his grandfather cast. 

taka’s way of doing this is for everything about him to be inherently “good,” so that the ishimaru name is no longer associated with scandals and disgrace. this is why he sacrifices any sort of self-indulgence (only wearing his uniform, staying away from popular media, etc.), to remain as seemingly “good” and unquestionably “morally upright” as possible. being a model student and leading the public morals committee are the most immediately accessible ways for him to begin repairing his family’s reputation, alongside guiding his classmates (whether they asked for it or not). this isn’t meant to be a commentary or judgment of the way he interacts with others, but he’s definitely not critical of others just for the sake of it. he genuinely wants to make the world a better place due to his trauma and his own ambitions, which i’m about to delve into next. 

ok so. now that i’ve dumped enough info that hopefully explains his personality and motivations, i’m going to talk about why i believe his ultimate is useful and deserves to be recognized as a legitimate ultimate by the fandom. the most obvious cases are when he takes on a self-appointed leadership role at the beginning of the killing game. if i remember correctly (i haven’t played thh in a hot minute), it was taka who had the idea of the morning breakfast meetings, and he was also the first to suggest that everyone announce their secrets at the beginning of chapter 2 to undermine monokuma’s motive. the latter example was unsuccessful given the events that proceeded, but it was him using his ultimate and position as a leader to the best of his ability. 

i understand that this next part is debatable as to whether or not it applies to his ultimate since it’s his untapped potential more than anything, but i personally believe it’s a central part of it so,, here we go! i feel like it’s pretty much agreed that despite being “super high school level,” an ultimate shouldn’t be a skill that someone can just drop after graduation. it should be able to be applied to the real world and society as a whole, hence why they’re at hope’s peak academy. it may seem like taka’s ultimate doesn’t hold up in the real world, since he’s the president of a high school club, but that couldn’t be farther from the truth. taka already plans to use his ultimate after graduation to become prime minister and establish a meritocracy. 

taka has a vision of a society where it’s an equal playing field for everyone so that individuals can build their lives through their own effort, so the history pertaining to his grandfather can’t repeat itself. (this part is meant to analyze taka’s ambitions and the reasoning behind them, not meritocracies as a whole!) he has been so badly burned by immorality and the concept of geniuses (side note. his disdain for geniuses and ambition to create a society without them reminds me SO MUCH of edelgard’s ambitions from fire emblem. anyway sorry abt that) that he has chosen to take it upon himself to one day reinvent society. he wants to use his experiences and sense of justice, or moral compass, to better the lives of other people. if he has proven to effectively use his ultimate within whatever situation he’s in and has a dream pertaining to his ultimate that will take him far beyond his high school years, then i don’t think it’s fair to call it “impractical” or “useless.” 

taka’s ultimate title may not have the same immediate wow-factor as the ultimate programmer or ultimate pop sensation, but it’s not meant to, taka regards himself to be an average man ! he acts as a guide for those around him and truly wants to make the world a better place. all of these examples can be traced back to his ultimate, which in my opinion, is SUCH an interesting concept and has too much potential to be called useless. 

if you’ve made it this far, tysm and i’m sorry. if anyone has any thoughts at all, please don’t hesitate to share!! i’m the only taka stan i know lol

[revchainsaw]

The Crow (1994)

Alright Cult of Cult. Do I really need to introduce this one? Let's get all 90s and gothy and maybe brace ourselves for a bit of cringe, but like in a fun way. It's the Holy Grail of Hot Topic, 1994's the Crow Starring Brandon Lee.

Sermon

Apparently before the auto industry totally crashed Detroit was already a total fucked to death pile of burning shit, or at least that's what the crow would have you believe. Sorry Bruce Campbell, and other people from Detroit, but mostly Bruce Campbell. According to the Crow the city of Detroit is the kind of place where gangs of warlock anarchist arsonists will bomb buildings, and murder and rape whoever they feel like and then walk around bragging about it the next day with absolutely zero consequences. Funny then that if Detroit was so bad they had to go to film this movie in Wilmington North Carolina which is definitely a fucked to death pile of burning shit. I can say that, I'm from there and I got the fuck out. My brother is going to kill me if he ever reads this. (It's okay, these are all jokes people). Did you know they also filmed the Super Mario Bros movie there ... also cuz they needed a really shitty looking distopia. Moving on ...

The ludicrous criminality of the Crow's Detroit is particularly on display on Halloween. In Detroit (apparently) Halloween is known as Devils Night and it's legitimately just a night of pure lawlessness and chaos and kids aren't even safe to get candy, except later when we do see trick or treaters. Eric Draven, hunky goth rocker who sort of looks like he could be Bruce Lee's Kid and his fiance are murdered by a gang of vicious criminals. One year hence, Eric is resurrected by a mystical crow (that is actually a Raven), to exact his revenge on the gang that murdered him.

He paints his face like sad Alice Cooper and refuses to listen to Joy Division, just covers. He murders Tin Tin (a knife guy) just for his long gothy duster, he murders Fun Boy and forcibly ejects heroine from her arms and tells her "Go be a good mom now" which actually works. (have I told you about our Lord and Savior Sting? He gave me the strength to get off drugs), he blows T Bird up dick first, and then comes for Skab? Scraap? Scooby? in a meeting of all of Detroits villains and just about kills them all.

He is supported by the most 90s little girl to have ever graced the screen, and I am here for it, and Officer Albrecht, who's played by Ernie Hudson but I like to call him Zeddemore: The Most Underrated Ghostbuster. The leader of the bad guys, who I cannot beleive wasn't played by Brad Dourif or Tom Waits, is pretty interested in the occult. He keeps his witchy girlfriend around and she makes him fun dishes like smoked eyeballs, and her main use is that she knows that the Crow is the Crows weakness. They set Tony Fucking Todd on the bird, and I guess you just have to hurt the bird and not kill it, and Eric loses his healing factor and other macabre undead powers.

The Crow, Jimmy the Raven, pecks out Dr. Girlfriends eyeballs, I honestly forget how Tony Todd gets offed, and Top Dollar gets Gargoyled (that is impaled on a gargoyle). Funnily enough that is more Gargoyle related impaling on screen then in the actual movie Gargoyle: Wings of Darkness where a Gargoyle is supposed to have impaled a guy.

The Benediction

Best Feature: Injustice League

In the Crow we have not only a set of super memorable villains but they are played by the bad guy all stars. John Polito as the most lowly of the bad guys as a kind of sleazy pawn shop owner who buys ill gotten gains. Tony Todd, who's size is really on display here, the freaking Candy Man is in this movie. T Bird is the head of Top Dollars goons and is played by David Patrick Kelly, you might know as the "Warriors Come Out and Play!!" bottle guy from the Warriors, or as Jimmy Horne from Twin Peaks, and of course Top Dollar himself is played by Michael Wincott. Wincott is not a particularly celebrated actor but has played villains effectively in Robin Hood, the Three Musketeers, and Dead Man.

Best Set Piece: Detroit Style Hot Dogs

The Set design of the Crow is perhaps one of it's most fantastic features. It's very moody and ethereal. It's just real enough to not take you out of the film, but fantastic enough to set mood and theme above realism. From Eric Draven's apartment, to the church where the final battle occurs they are all fantastic. I think that's why I really wanted to shine the spot light on a very minor set piece that would get nary a mention but just as effectively represents the qualities I was just talking about and that is the Maxi Doggs Hot Dog Stand, where a lot of the films exposition for audience surrogates takes place.

Worst Effect: Freeze Frame

At a few points in the movie the film makers made a strange decision to do these freeze frame transitions. I only noticed it twice in the movie where it was particularly stupid. I'm sure the film makers at the time thought it was a moody and atmospheric choice that highlighted the suffering that Eric Draven was going through, but it didn't age well. If you don't have the sensibilities of a goth girl from 1994 then it's very very hard not to laugh at just how self involved the movie is about it's super sadness.

Worst Feature: Tragic Accident

Solely based on the film itself, it is that very gothic and dated sensibility that hurts the Crow. The little sarcastic dance he does when he flees the police, quoting Edgar Allen Poe, and bowing to Albrecht. These affected behaviors that I'm sure seemed snarky and right on to the target audience only serve to make Eric Draven seem like an unbearable neck beard edgelord and not the troubled dark soul he's supposed to be. I'm sure at the time it seemed unique and gothy but that shit went out of style for good reason, people could see through it. It's a shame that the Crow himself was some of the cringiest parts of this movie now that I'm seeing it as an adult and not a 13 year old middle class boy with no real problems.

This however is not the low point of the movie. It's not news now and if you're reading some dudes review of The Crow on Tumblr then you probably already know the story. The worst thing about The Crow is that Brandon Lee was horrifically killed on set while filming this movie due to some negligible prop malfunctions. A series of unfortunate events that lead to the actor spending 6 hours in surgery fighting for his life before eventually passing. It was not a quick or painless death and it's really impossible to watch the movie without an appreciation for the fact that this kind of fun dark adventure was going to be a vehicle for Brandon Lee's career wound up taking his life. He was 28. I really wish I could have just bitched about the goofy goth stuff and moved on, but that's not the world we live in.

Best Effect: The Gargoyling

Maybe I should have called this best kill. But I'm not sure which it is. The slaying of Top Dollar at the Climax of the film was just super effective. The pointed wings impaling his chest and that horn coming out of his mouth, it was morbid and excellent and just fit the tone of the movie perfectly. I mean how many other movies can you say Cause of Death: Impaled on a Gargoyle.

Best Bird: The Raven

I tried very hard to look up the name of the bird that primarily performed in this movie and could not find anything. There was a Raven once upon a time called Jimmy the Raven, but that was in the 50s and I don't think birds live that long. There was a team of Ravens performing as the crow, they were chosen over crows for their larger size, and more imposing silhouettes. I just think it's so wonderful to see these often maligned birds get a chance to show off their talents. Corvids of all kinds are incredibly intelligent creatures. Im a sucker for animals, if you haven't already figured that out. I really liked seeing the ravens hit their marks, particularly the one whos job it was to drop the wedding ring into Sarah's hand at the end of the film. You can see that greedy little bastard do his trick and then look of camera at his trainer like "treat please!". It's very cute.

Best Actor: Top Dollar Performance

I'd love to take this opportunity to just put praise upon Brandon Lee, he truly gave everything for this role, but unfortunately with what was put to film we actually have very few character moments with Eric Draven. Stuff happens to him, and he does killings and fights. There's definitely some personality, but I felt like I walked away knowing almost nothing about who Eric Draven was. He was clearly a good dude but that and a few hobbies and a relationship and you don't really have a character yet. He's unfortunately not given a lot of acting to do, instead just relegated to stunts and action sequences. That were notably cool.

The bad guys in the Crow have a lot more character and among this who's who of character actors, Michael Wincott takes the cake. Hell he was standing next to Candyman himself, Tony Todd and still stealing the scenes.

Best Character: A Few Good Apples

Is the best character in The Crow really going to be the cop? The commissioner Gordon stand in? yeah, it is. Not to be political, but I don't like cops, but I guess in a world with magical birds and eyeball smoking I can suspend my disbelief and let Ernie Hudson be #1 cop dad. His character is really the heart of the film, since all Eric can do is brood and fight, we have to care about someone in this movie.

Best Sequence: Halloween Party

The best sequence of the movie is of course the scene where Eric Draven busts in on the Devil's Night party planning commission. I think Top Dollar brought Scrappy Doo there just so he could lure out the crow, knowing the baddest assholes in all of Detroit would be gathered it was likely that somebody was going to kill the beast, or if they couldn't at least Top Dollar could get a feel for his enemy. It's a bullet flying action sequence with a ton of weight. I can't put my finger on this all to common weightless third act problem that big budget super hero and action flicks have nowadays, but whatever that issue is, the Crow does not have that issue. From this point on the Climax feels earned and I am invested. For that reason, The Crow is honestly better in spite of its awkwardness, than many of the super hero movies out today.

Worst Sequence: My Guitar Gently Weeps

Speaking of brooding or fighting. The best sequence was fighting, the worst is brooding. I get that Eric was in a band or something, but didn't he have shit to do. It seemed like it was a cool idea for a shot, but for like a whole seen, watching somebody play an 80s guitar solo, that stood out so brazenly from the choices of music in the rest of the movie was extra corny. It felt like someone's( dad trying to relate to their kid. Oh you like Music. The Dresden Dolls eh? Oh man, then you're going to love Slash's Snake Pit!

Summary

The Crow is dated. It is iconic but I wonder how many of the people that hang that poster on the wall have watched that movie since they were kids. It's interesting how what i've liked and disliked about this film have changed so much sense I was a kid. It's a cheeseball fiesta. If you have matured at all beyond thinking that being sad is the same as being deep then you're going to like it a little less than you did when you were younger, but it is still solid. There's not much to hate on. I'd watch it over and over again. I was really afraid it would not hold up at all, but returning to The Crow was a completely positive experience.

Overall Grade: B

[magiefish]

hhhhhhhhhh guess who drew all the batim characters in prep for the comic they’re making!

yeah so it took like 4 days to draw all these guys, and it was actually pretty fun figuring out colours and designs and stuff!

(also, update on the Reveries Twisted comic, I have a plan for the first chapter but i have like, 7 tests next week and I haven’t started drawing it yet so it’s definitely not going to be coming out anytime soon sdfgsdfsj but i am still working on it!)

anyway, i felt like writing little descriptions for every character, so feel free to read these below the ‘keep reading’ line if you feel like it! My ask box is also always open, so if u have any questions feel free to ask

Bertrum Piedmont-he/him, gay/ace

-Started working as a mechanic at about 15 and worked his way up from there -Everyone in the studio @ him: why are u british -His big ego often gets in the way of things, but at his core he's a good person (doing bad shit but ultimately having good intentions is common among these guys shdgfs) -Wlw & mlm solidarity w/ Lacie, who is his most trusted confidant and friend -Actually treats his employees well, even when they do basically nothing all day, so he does a lot of work himself most of the time Linda Stein-she/her, straight as a ruler -Parents immigrated from Spain -She's very catholic and very into 'traditional family values' and that sort of stuff -She is sweet, but her strict morals and black and white ethics often make her do unintentional harm -She is also pretty oblivious to most things Jack Fain-he/him & they/them, pan/ace, OCD -Mother immigrated from China to France, and then he moved to America, it's confusing -Can play the violin really well, but is terrible at composing his own pieces -Peak friend material -Short and round and soft with a love of a good espresso -Kind and quiet but ultimately ineffective and happy to watch from the sidelines Daniel 'Buddy' Lewek-he/him, aro/ace, autistic, jewish -He is curious and observant, but very very naive -He finds it hard to pick up on social cues, and tends to daydream a lot -Never really had a father figure, and unfortunately kind of half sees Joey as one (baaaad choice), but his mother is great -Loves drawing and tends to chew on pens (and most objects really) -Too young Susie Campbell-she/her, demi -Her parents were Russian and she picked up their accent, but taught herself how to cover it up. She is now excellent at voice acting. -Has a birthmark most theatres turned her away for. But luckily voice acting gave her another chance at performance, and the music department really does not care about it. -Her dad was a butcher, so she now knows a concerning amount about how to cut up and dissect meat. -She gets easily attached to things emotionally, and has a whole pile of random bits and bops she keeps on her person because she can't throw them away. -Naive, but smart enough to know how to read and deceive people if needed. Ms Abigail Lambert-she/her, lesbian -A very gifted artist, who is quite frustrated with the business aspect of animation. -Picked up quite a few things about engineering from Lacie. -Stern, but kind. Motherly, if she likes you and you squint hard enough. -Used to fighting for things. -Giving her food is a pretty good way to get her to like you. Being an artist, she forgets to eat at the correct times a lot, so a meals always appreciated. Norman Polk-he/him, gay, albino -Knows how to fix things, knows how to fight, knows how to hide -General cool uncle vibes -He watches people a lot, and gives off some creepy vibes, but he does genuinely care about people -Knows something is up and is determined to find out what (even if he dies trying) -Fought in WW1, then worked at a cinema for a bit. Emma Lamont-she/her, heteroflexible -Keep dancing even when everything goes wrong -Bit of a 'i'm better than these fools' mentality going on -But she's pretty chill, and willing to act when needed -Basically every woman in the studio knows her on the basis that she chills in the girls bathroom. -Hates Joey, but knows those who stir up a bit too much trouble usually 'resign' Sammy Lawrence-he/him, (vocal-romantic) bi/ace, ADD -His dad sucked, so he ran away. He's also the reason he's largely abandoned his faith, but he still holds hope that there is some kind of god out there. -He and Jack are basically brothers, they've known each other for a long time. -He can compose music in his head, but can play basically every instrument. -Tall and thin and sharp with a love of black coffee. -He's actually pretty chill and nice, but the conditions of the studio (workload, noises, dreams) have left him quick to snap and a stressed out mess. -He's pretty oblivious to his own feelings and spends basically all his time thinking about music, so he usually only realises that he has a crush on someone if he hears them singing (hence the vocal-romantic joke) Johnny Hart-he/him (she/her), gay (trans), heart condition -A nervous wreck who avoids everything and everyone -Trans but doesn't realise it, he thinks this level of discomfort has something to do with his heart condition or something like that. -Speaking of which, if he gets genuinely terrified or panicked he could have a heart attack. -Hence why he's a recluse who remains in the organ room and interacts w/ literally no one. -Except Dot and Buddy (who forgets he exists and who he also has a crush on). Wally Franks-he/him, pan -Friends with literally everyone who isn't one of the older folks (and thomas) -Honorary member of the music department because he can play a harmonica and vibes with everyone there. -Tries to put a positive spin on everything, often beyond the point of reason -A mischevous, mildly selfish prankster with a heart of gold -Gossip pals with Susie and Norman The Violinist-she/her, nobody knows -Has literally never expressed an emotion ever -Seems to know things are going to happen before they happen -Just generally pretty weird -She isn't friends with Dot, they're both just vaguely interested in what the others doing -She looks a lot like Allison, but the two have never spoken and nobody knows if they're sisters Thomas Connor-they/them, gynephilia -He is just. So tired. -An actual mechanical genius who gets his work used for the wrong purposes. -Is very of the 'when you're on a path stick to it' mentality -Cold and hard exterior that vertually no one except Allison has ever managed to get through. -He can and will beat you up. Henry Stein-he/him, gay, vitiligo -Nice and hardworking. -Doesn't have many emotions other than to draw. -He's in fucking narnia he's so deep in the closest. -Feels emotions, but buries them deep down and doesn't express them too clearly. -Has difficulty setting healthy boundaries with people and represses himself far too much. Joey Drew-he/him, homoromantic/pansexual, bipolar disorder, alcohol and cigarette addictions -Chaotic, feral, short little man who lies to everyone -Charismatic as hell, but also a terrible friend and person in general -He doesn't blink enough, does not know the meaning of personal space, and hasn't aged for about 4 years, which are all very bad signs. -Doesn't understand how to run a business but does so anyway. Doesn't understand how to interact with people but does so anyway. Doesn't understand how to create life but does so anyway- -He isn't pure evil, he just gets into very bad mindsets and makes poor decisions that lead him down the wrongest way to go. -Does some self evaluation and goes 'maybe this wasn't the right way chief :/' just a bit too late Audrey Dempsey-she/her, lesbian, Borderline Personality Disorder -Feral conspiracy theorist -May or may not be related to multiple studio members -Everyone's called her crazy for years and made her feel like a burden, and she is hellbent on proving everyone wrong -Quite socially awkward, and rather sarcastic with a dark sense of humour -Works for Archgate Allison Pendle-she/her & they/them, androphilic/ace -Is forever lost in a vintage clothing store -Most people say she seems nice, but everyone just kind of subconciously registers that there is something up with her -Knows a lot about the supernatural -The person closest to Joey, which doesn't necessarily mean they're friends -Nobody has ever seen the right side of her face Dot Acciaci-she/her, pan -Her parents are Italian, and she speaks a little herself, usually using it to encrypt her private notes -Mischevious & curious, but ultimately kind -She will find out your secrets, and is very good at reading people -Great storyteller -Struggles with loneliness a lot Dr Eleanor Hackenbush-she/her, aro/ace -Science knows no bounds -Doesn't care what your motivation is, as long as you give her some cash and some experiments -Filled with nothing but utter spite Ms Reina Rodriguez-they/them, demi -Tired of everything -Although she puts up a calm exterior, Rodriguez is very attached to the studio and views it as her 'new family', having a terrible relationship with her old one -Her family drama connects to the fact they're very catholic, but she nobody knows what this drama is other than Joey Tessa Arch-she/her, straight -An absolute bitch -Trusts her husband far too much -Not very smart, but compensates for this for being good looking and rich Shawn Flynn-he/him (intersex), pan -Jovial, but gets angry quickly -Willing to do 'wrong' things if it helps someone else out, kind of like Robin Hood or something -His mother taught him how to sew and he helped her make clothes when he was younger -Found it hard to get a job because he's Irish, so despite being tired of all the bullshit of JDS, he is reluctant to look elsewhere -Friends with Lacie and Grant because they appreciate his humour Lacie Benton-She/her, lesbian, trans -Tougher than the toughies -wlw & mlm solidarity w/ Bertrum, who she views as one of the only genuinely smart people in JDS and who she has worked for for basically all of her life -Feels like something is up, but doesn't notice much if it doesn't connect to her work -Has automatophobia -Friend with Shawn and Grant because she respects their dedication to their work Grant Cohen-He/him, bi, depression, jewish -Absolute madlad at maths -Acts like he doesn't care what you think, cares far too much about what you think -Everyone wants him to just get therapy already -Doesn't have many friends, but has a weird 'we're both horribly overworked' kinship with Sammy, so they usually just chill and smoke together -Friends with Shawn and Lacie because they're actually mentally stable and he needs some rocks Nathan Arch-He/him, straight -You should hate him -You should hate him a lot -Super rich and doesn't pay his workers enough -Silver tongued -Basically a spider. Creates webs of manipulation and lies, sees a lot, and knows plenty about waiting for his prey to come to him.

[tothestarsandbackmoved]

Rant about interstellar

i have before but ill do it again!

interstellar touches me for many many reasons.

first off, the entire premise and setting and the world building in it. the dust storms, the failing crops. the protagonist does say at one point- "humanity was born on earth. they were never meant to stay here" and that just,,, hits me you know? presently we've seen the emergence of no human exploration besides the probes and the ISS. there are plans but the same curiosity just seems dead. interstellar stretches that and shows us what would happen when human curiosity and the desire to explore would die. we'd kill everyone on the planet and soon starve ourselves. the blights- the illnesses- the dead medicare- that's a very bleak future, but a very real one. the movie does both its part about scaring the viewer about it- as well as giving us hope about wormholes and quantum data and singularities and how we'd save ourselves. you can see that the old generation is talking about their days and how better or worse it would be. in the end, on the cooper satellites, you see the interviews being played- and it really breaks me. that was a generation that thought it was the end. the end of human life. the final descent and that was it. and then they see the five dimensions and getting lifted and their lives are essentially turned around. this isn't just the older people though. we see that the gen z then, like cooper's son have also mostly been brought up to *live*. we see that he tries to get into school and actually get into uni and find a job in one of the remaining sectors of the world which still offer something other than farm corn- raise family. You see that the teachers also say this? they teach them to fight blights and sustain crops because they’re losing more and more to disease each year. Humanity’s slowly being packed up and demolished and they aren’t seeing it coming. at all.

then there’s the quote which is recurring throughout the movie:

“do not go gentle into the good night”

the professor says this all the time. as they’re leaving- his last few dying words- as they’re preparing. and you know what? i’ll say it. this is where the next important theme comes in. Desperation. When he initially sends them out- he hasn’t solved gravity yet, and he knows he never will. Not without the quantum data from a black hole- something again, he can never get. Which is why he implies that there’s a Plan B and cooper can see murphy again (this is also very important- scroll down for this). He breaks all their trust- and he knows he’ll die before seeing the end of the mission- and you can’t die with guilt, not really. He knows that he can’t be held accountable because he’s dead. He’s well aware that his plan is a hail mary- and it wouldn’t have worked anyways. He’s counting on Plan B, and that’s all there is to it. He uses the quote as a reminder to himself- because he’s torn too. He isn’t inherently evil, at all. He’s the precarious thread the entire mission dangles by- but he’s willing to risk that too. He’ll be long, long dead before humanity dies- or moves- and this is his last try.

Now for the second part of this quote. As I talked about before- the quote feels more like a reminder to himself- and not actually something that inspires hope in the crewmates. But ironically, it ends up becoming what guides murph. As the professor is dying, she tells him “you’ve been doing this with both your arms tied behind your back”- that’s actually when she finds out about his whole plan. This is the failure of the professor- but at the same time, it becomes the moment he passes the torch to murph. The professor died, knowingly sending his own daughter into the reaches of space. He prioritized his need to save humanity over the love for his own daughter. But, murph isn’t like that. When she finds out about this, she remembers the promise her dad made to her.

“I’ll be back when you’re the age I am now”

and now, she knows he’s lied. But he hasn’t done it on purpose. and she understands that. She makes it HER goal that they don’t go gentle into the good night. She knows that this is probably futile, but she’s going to try. and she’s not going to try thinking that she’ll probably fail- like the professor did (in resignation for plan B)- she’s going to try to bring cooper back.

Third, coming back to desperation. A bold, bold act of desperation is what dr mann did. (I have some qualms about the actor playing estranged astronauts- anyways). Him sending out that sensor- knowing that it will bring humans back to him, while simultaneously jeopardizing the entire mission, and possibly the fate of humanity. He knows what he has done- but he has gone insane alone- and he’d betray his entire cause to see a human face again. This movie really says something about what humans are willing to do. On one hand, you have a woman who singlehandedly saves them all- for human love, and on the other, a man who is willing to commit genocide (that’s what i think it is, dont ask) to see someone else. He messes up everything, deliberately, and goes from “the greatest and bravest man to walk the earth” to a “cold and desperate villain”. This theme has a lot to do with what is happening right now too. Forgive the activism, but we do have people who knowingly exploit and burn and ravage the earth, for their own good- and they’re insane to the point that they genuinely can’t see right from wrong. Sure, you could argue that he was motivated by the need to preserve your own life. But if you give his cause *any* context, you see how wrong he is. This is flailing human desperation, pure and simple.

Now, approaching the themes that actually make it as good as it is. Dr Brand is easily my favourite character in the movie. We get to see her as a brilliant scientist initially, and her arc- is perfect, honestly. For example, take the wormhole handshake- as their going through interdimensional space- where time isn’t linear and your brain gets fried if you try to comprehend it- she recognizes a *being* in that space. If you recall that scene, she reaches out, and meets *them*- someone she knows is otherworldly and entirely above humans (we later learn it is Cooper in the matrix- and i have things to say about that too) and makes contact. She suggests, as both a human- and a scientist- that it may be love that transcends dimensions. She makes first contact with beings that may be their salvation- or destruction- and i think that is definitely the peak of human existence.

She argues that love may be what connected the crew to higher dimensions, and I'll dare to say that she’s right. Love is what made Cooper try to contact murph. Love is what made them dare to save humans. Love was what got her there. She tells them to go to Edmund's planet- not just because she loves him, but because she also makes relevant points AND her gut. It might be stretching it to say that was why she was right- but it is worth introspection. Dr Brand represents the best of humanity and she does carry it, doesn’t she? She settles on the planet for ‘the long nap’ in the end. She tries to save everyone- like on the mountain planet- and she loves. She hopes and she trusts and is unwaveringly honest and courageous. This could become a Dr Brand stan blog for all I care.

Moving on

We have the ‘them’. These are the mysterious threads that tie all parts of the movie together. A black hole to a little girl’s bookshelf. Worlds galaxies apart. A very important thing to note here is that the characters recognize that this is humanity, just very, very far out. And most importantly, wise. This is a civilization who has surpassed the ordinary dimensions, and *mortal* time. They could’ve easily saved all of humanity and given them the planet they were looking for. But their entire ineffable plan, and only putting things where they were needed- was what made them greater than just someone who helps others. Only being able to get binary signals through an intergalactic wormhole, building bookshelves that become a huge metaphor for humanity trying to claw at knowledge- and actually slowly pushing the books forward. The ‘them’ weren’t ordinary humans at all. They definitely hinted and gave me a brief, fickle glance beyond what humans could be- raw possibilities.

Then, we have cooper. This makes it hard to write for him- and do his character justice- but I will try. His character, essentially, is brought down to selflessness, love, a brutal, brutal sense of humour- and the courage- the heavy, heavy courage to sacrifice himself. He’s also the polar opposite of what Dr mann stands for. 

His first important point- in my opinion- is when the movie is starting. I didn’t walk in expecting this from him, not really. You see a dying earth- and this man is (alone in his fight, NASA doesn’t count yet) fighting the system alone. He fights for his son, tries for his father in law, and then the most important relationship- his daughter. He’s seeing an earth where not even *children* are curious, or willing, or interested in anything greater. He sees this in his daughter, though. Hence, the bookshelf- the gravity, and the plain curiosity. 

I’ll dare to say that at this point, humanity’s a dying, dying flame. And what he sees in his daughter, what we see in his daughter, is a rebirth of potential. She has the human spark, so to speak. He sees that, and he makes promises, and is willing to bring the world to its knees to protect her. And he knows he might not be there when Murph burns strong, and bright, and becomes the saviour of humanity- but he hopes.  An important element is the promise, which I mentioned earlier, but it defines their relationship. The promise that he’ll be back when they’re the same age. They both know that it’s not true. They can see the lie, but that promise also empowers them to do what they did when their paths diverge.

Cooper goes to Mann's planet with the vague hope that he’ll be back in time. Murph does most of what she does because she thinks that it’ll bring her father back. Even towards the end, when Cooper willingly jumps into gargantua, a supermassive black hole- which is the literal heart of darkness, he does it in the attempt to save his daughter, and hopes she can get the quantum data at the cost of his life. 

About Murph, we mostly see her through the eyes of Cooper in the beginning. A curious and lovable and stubborn tween who just wants to grow up with her dad and do their science experiments. Her perseverance is phenomenal- she loses her dad despite her warnings and asking- and realizes that her loss is something undefinable, but there. In a way, she grows to understand both her responsibility and her part to play, and why her father did what he did. The ‘ghost’ is another plot device- a mysterious figure who messes with the gravity and knocks her books down. And she sees a message there. She tells him about ‘don’t go’ and i can’t begin to describe how beautifully poetic and heartbreaking it is that they realize the significance of that at the same time, and how it ties together. It is hard for me to fathom that scene really- cooper is in an interdimensional matrix, inside a supermassive black hole, and he tries to tell his daughter two things. (a) trying to stop himself from going out and on the mission, which he knows is deemed to fail and (b) sending the quantum data, because that is what mattered in the end, anyways. The ghost comes full circle- and also says what he had to say, when it was most important. And for those who’ve seen the movie, i just really have to put this quote out there:

‘It was you. It was always you. You were my ghost, dad’

And in that, the movie completes itself. It talks about unfailing love, the peak and fall of humanity, and the potential of curiosity.

In this essay I will...

[charlietheepicwriter7]

I’m remembering that you like NDRV3 now, which assumably means you also like DR in general??? Hence what I like to refer to as- The Three Hopes AU! Because I don’t have a better name, and we were shafted when they didn’t let Kaede be a protagonist and get called a symbol of Hope (yes I’m still bitter). Also this gets kinda dark- Which is fair, I think, it’s DR- But it’s probably coming dangerously close to that Yandere Mariharem AU of yours.

So! Here, the casts of DR1, SDR2, and NDRV3 are combined in one Killing Game, turning them into a 48 person group and therefore upping the amount of killings in that timespan- Assumably, the NDRV3 group becomes another class that attends Hope’s Peak. Like in canon, however, everyone has their memories wiped, so they don’t actually remember being classmates or friends.

Since so many people are participating in the Killing Game, there are some modified rules and patterns- There are more trials (anywhere from 9 to 15, depending on how you’d like to play things), and the number of survivors would also escalate, though it still feels like very few in comparison to how many people started (again, anywhere from 9 to 15, probably- They’re solid numbers, I can’t help it).

Also as a result of so many people, three groups end up forming- Initially, they were formed before the Killing Game was announced, and each faction would be headed by one of the protagonists (Makoto, Hajime, and Kaede). There’d be sixteen people per group, just to keep it even, and different people from each class would be in different groups. I’m still torn on why the factions would form, though- Either they’re formed by the students themselves, just to keep track of everyone, and Monokuma just rolls with it, or maybe the Mastermind splits them up? Either way, it’s against the rules to attack people in your faction, because that just seems like something Monokuma would do to get more despair.

Here’s where it gets... Darker. See, I feel like the large groups, and the splits, when combined with the isolation and the motives and the fact that some of the people there aren’t exactly stable, would... Ah. Become a bit fanatical, when it comes to what they might come to see as a figurehead for their group. It isn’t an immediate things, to be clear- It’s brought about through a lot of stress and desperation and the need to cling to something, more than anything.

Which. Basically makes Kaede, Hajime, and Makoto the targets of a bunch of platonic and/or romantic yanderes, I suppose- Depending on what you ship, or just what you think is interesting. Whoops? Either way, Monokuma isn’t above using them for motives (IE- Someone kill someone else or your leaders will all die).

Moving on, though- Here’s what I have for the factions so far! I have reasons for each person, if you’re interested, though a lot of them I haven’t sorted yet.

Kaede’s Faction

From the Class of 79

— Kaede Akamatsu, the Super High School Level Pianist (Leader)

— Shūichi Saihara, the Super High School Level Detective

— Kokichi Ōma, the Super High School Level Supreme Leader

— Rantarō Amami, the Super High School Level Survivor

— ???

From the Class of 78

— Nagito Komaeda, the Super High School Level Good Luck

— ???

From the Class of 77

— Tōko Fukawa | Genocide Jack, the Super High School Level Writer | Serial Killer

— Kiyotaka Ishimaru, the Super High School Level Moral Compass

— ???

Makoto’s Faction

From the Class of 78

— Makoto Naegi, the Super High School Level Good Luck (Leader)

— Kyoko Kirigiri, the Super High School Level Detective

— Sayaka Maizono, the Super High School Level Idol

— Junko Enoshima, the Super High School Level Fashionista | Analyst

— Mukuro Ikusaba, the Super High School Level Soldier

— ???

From the Class of 79

— Kirumi Tōjō, the Super High School Level Maid

— ???

From the Class of 77

— Mahiru Koizumi, the Super High School Level Photographer

— [Redacted], the Super High School Level Imposter

— ???

Hajime’s Faction

From the Class of 77

— Hajime Hinata, the Super High School Level ??? (Leader)

— Nanami Chiaki, the Super High School Level Gamer

— ???

From the Class of 78

— Leon Kuwata, the Super High School Level Baseball Player

— Yasuhiro Hagakure, the Super High School Level Fortune Teller

— ???

From the Class of 79

— Korekiyo Shingūji, the Super High School Level Anthropologist

— Tsumugi Shirogane, the Super High School Level Cosplayer

— Anjī Yonaga, the Super High School Level Artist

— ???

Unsorted

— Celeste Ludenburg, the Super High School Level Gambler

— Hifumi Yamada, the Super High School Level Doujin Author

— Byakuya Togami, the Super High School Level Heir

— Chihiro Fujisaki, the Super High School Level Programmer

— Aoi Asahina, the Super High School Level Swimming Pro

— Mondo Ōwada, the Super High School Level Gang Leader

— Sakura Ōgami, the Super High School Level Martial Artist

— Gundham Tanaka, the Super High School Level Animal Breeder

— Sonia Nevermind, the Super High School Level Princess

— Kazuichi Souda, the Super High School Level Mechanic

— Hiyoko Saionji, the Super High School Level Traditional Dancer

— Teruteru Hanamura, the Super High School Level Cook

— Peko Pekoyama, the Super High School Level Swordswoman

— Fuyuhiko Kuzuryū, the Super High School Level Yakuza

— Akane Owari, the Super High School Level Gymnast

— Nekomaru Nidai, the Super High School Level Coach

— Mikan Tsumiki, the Super High School Level Nurse

— Ibuki Mioda, the Super High School Level Musician

— Maki Harukawa, the Super High School Level Child Caretaker | Assassin

— Kaito Momota, the Super High School Level Astronaut

— Miu Iruma, the Super High School Level Inventor

— K1-B0, the Super High School Level Robot

— Tenko Chabashira, the Super High School Level Aikido Master

— Ryōma Hoshi, the Super High School Level Tennis Player

— Himiko Yumeno, the Super High School Level Magician

— Gonta Gokuhara, the Super High School Level Entomologist

... This got long. I am so, so sorry- Super interested in hearing your opinion, though, so I couldn’t help it. Thanks for responding, if you decide to!!!

This sounds like a really cool idea. We love the yanderes and dark here!

The first thing that kinda worries me is the large cast. This is 48 characters to develop and, with three protagonists, you’d be constantly be switching between point’s of view. Of course, protagonists don’t have to be the same as point of view characters, so you could switch the PoV each chapter? Just to give each character some screen time. 

I’m curious about why factions exist rather than how they’re formed. It’s really weird that there are three separate leaders when everyone should be unified by the goal of escaping. Perhaps the mastermind chose them? Maybe only the group leaders can officially vote at trials; like, the group will decide who they want to vote for and the leader is supposed to choose what the majority wants?

(I think the game Zero Time Dilemma does something similar to this? Three groups that have a leader and the leader needs to choose to kill another team or not). 

How long a would this killing game last? assuming there’s a trial every 5 days, that’s 45 to 75 days! 

What’s the motive behind the killing game? is it the same as DR1, where someone just wants the world to witness Hope’s Peak suffer? 

Team opinion time:

A bit curious who the mastermind is if Junko is on Makoto’s team.

I was a bit confused as to why you put Komaeda on Kaede’s team, but thinking about it, it makes sense. She is the only protag with a real talent after all, since Hajime doesn’t know his. 

Put Byakuya on either Kaede or Hajime’s team--he’s the type to try and overthrow the leader, and those too would actually stand up against Togami (which would make for a great “falling into yandere” moment for him). 

Assuming members choose their teams,  Fuyuhiko could go to Kaede’s team bc she looks kinda like his sister and that makes him want to protect her.

You could do a star crossed lovers thing, where two members of a canon-ish couple are on two different teams. This forces them to confront the feelings they have for their partner and their leader. 

Mikan should be on Makoto’s team. He’s really nice and caring, which would bring out her obsessiveness quickly. 

***************

Anyway, this sounds really cool! Tag me when you write it? ;)

[my-happy-little-bean]

The Bookkeeper – Chapter 12

Chapter 12: Epilogue

pairings: logan/patton (logicality), roman/virgil (prinxiety) words: 1540 chapter warnings: none :) chapter summary: ...and they all lived happily ever after.

[read on ao3] [masterlist]

< previous chapter

—

The sound of polite applause echoed throughout the room. The buzzing of young students faded with each step across the stage. 

Steady hands shuffled paper on the podium. A deep breath. 

Logan Fray looked up at his audience: a group of people whose minds and souls were only beginning to blossom into a compass.

He looked down at his speech, pushed his glasses up, and cleared his throat.

“Here is what I know...” 

—

Logan was never one for happy endings. Happy endings always seemed too close-minded for his taste. Though this, perhaps, was ironic given what he now knows. 

After visiting The Midnight Forest, Logan’s hand seemingly never left the paper. He wrote through the night and throughout the next day. Patton and Roman were admittedly concerned at first, but grew too understand what was happening — Logan wasn’t writing, but searching. 

As all artists tend to do. 

He finished his speech a bit more last-minute than he had hoped, but knew it was perfect the second he dotted the end of the last sentence. He went out to a bar the night he finished, Patton by his side and even Roman, hidden yet curiously peering out of his shirt pocket. Logan vaguely remembered the blurry lights cascading across his vision, the cheers, the laughter, and the warmth that filled his bed not too long after. 

The days that followed were filled with practicing his speech, revising it, and everything in between. Logan felt himself bouncing across the walls of Fray and Far Fables. Despite his efforts that he was fine— truly fine—Patton had convinced Logan to let him help out. And, of course, everything was better because of it. 

As for him and Roman, they grew as inseparable as Logan was to his own magic. Roman would give him notes each time he practiced and, in secret, Logan would take The Midnight Forest with him on another project he pursued. 

On the quiet days—the days when the rain would slowly fall onto the roads outside—Logan would sit down in the armchair next to his window with a cup of tea, and would always feel a small presence resting on his shoulder, watching alongside him. 

The shop was quiet, but it was home; something that Logan hadn’t felt in years. In every corner he’d turn to, there was someone he could live for; someone he found purpose in. 

And he glowed; oh, how he glowed. 

The night before his speech came before he knew it. Patton helped Logan close up as Roman departed for some “beauty sleep” before his trip out into the real world. Logan ran through his speech a bit more before Patton eventually pried it from his hands, leading him upstairs to the bedroom instead. Logan begrudgingly, but gratefully, followed. 

“And just like that, the day is done!” Patton flopped onto the bed with a sigh as Logan changed into his pajamas. “Time flies, huh?” 

“It does, perhaps too quickly.” He joined Patton in bed, letting himself melt into Patton’s embrace. “I can’t believe it’s tomorrow.”

“You’ll be amazing, Lo. You always are.” 

Logan smiled, curling up in Patton’s arms. They laid there in silence for a few moments, letting the moon float towards the peak of the sky. His eyelids grew heavier and heavier, and Logan quietly thanked each and every star for bringing him to where he now was. 

“Hey, Lo?” Patton’s sleepy voice buzzed against Logan’s chest. 

“Mhm?” 

“I...I love you. I love you so so much. And whatever happens out there and whatever’s beyond it, I...I’m going to keep loving you.” 

A beat of silence. Logan cleared his throat.

“There is simultaneously everything and nothing in life, dear. There is pandemonium and solace in every corner, all at once. And...and there was a time where I had to navigate those truths alone. But now, there is a light guiding me in my pursuit, regardless of where I turn.” 

Logan held Patton a bit tighter as sleep closed in on him. 

“You make me stronger and more resilient each day, Patton,” he murmured in the crook of Patton’s neck, “which is to say, I love you too.” 

…

Early next morning, just as Patton left the shop with Roman on his shoulder, Logan placed a few papers besides the copy of The Midnight Forest on the front counter with a smile. 

— 

“So all this being said, I present to you, once more, my question: If life has no inherent meaning under the lens of nihilism, why are humans so eager to escape and create art if they are simply creating something out of nothing? What, then, do you suppose is the answer?”

Logan looked up at the hungry and curious eyes that met him, and smiled. 

“The answer lies beneath the former of the statement, ‘creating something out of nothing’. With every bit of nothing that could ever follow us in this life, there is something. There will always be something.

“Art is, hence, cyclic in nature. It takes the nothing and creates within it, something. And within that something are arms that will always reach out and beg others to do the same. There is a hidden fascination within us all to fill the void with purpose, with passion.

“Someone once told me that in a life with very little meaning, art worms its way into the spaces that it can fit. And with the help of others, art– and everything it represents– is made bigger than the spaces of life they initially occupy. Within those spaces is the possibility to grow, to foster bonds — to know, truly know, every corner of this life. 

“You are young and are now bouldered with a responsibility that may seem unshakeable. But you are also artists, searching for answers you may need to make yourselves.” 

Logan caught sight of Patton in the audience with a teary smile. And, hidden in his shirt pocket, a warm glow of red. Logan’s smile grew. 

“So continue searching,” Logan finished. Behind the podium, his hands glowed a reassuring blue. “Continue your pursuit of creation, of knowledge, of growth; for your questions will spark answers that spark questions again. And I promise you, such a cycle will allow yourself to grow bigger than the spaces of life you initially occupy.”

 —

Later that night, Roman found himself alone in the shop. Logan had met some important scholars (Roman had scoffed when he told him) who dragged him out for drinks to talk about prospective research. Patton had tagged along after some gentle reassurance from Roman that he would alright on his own. 

So Roman took it upon himself to clean each shelf and each book of Fray and Far Fables, weaving himself through stories and letting each one breathe, if for a little while longer. 

He eventually found his way to the shelves behind the front counter, frowning at a small gap between one of the books. He narrowed his eyes. There was a book missing. 

He descended onto the front counter, pursuing his lips and trying to figure out where the book could have gone, until he nearly tripped on his answer. 

Roman looked down. His face softened. Right at his feet was a copy of The Midnight Forest , resting neatly and soaking in moonlight from outside. 

He carefully walked onto the cover and laid down on it, trailing his hand across the title. 

Suddenly, he caught sight of a few papers next to the book. Roman frowned, standing back up and floating up to read the whole papers. His eyes widened at a few selected words. 

‘Riptide Publishing Co.’

‘Upcoming dates...sign here…’ 

‘Possible release date for…’

Roman saw an image plastered on one of the papers. 

‘The Midnight Forest by Virgil Aries: With a new foreword by: Dr. Logan Fray’

Roman felt himself glow brighter than he had ever had before. His glow illuminated a small sticky note on the paper. 

‘To my dearest friend,

Here’s to the new stories the world will finally get to hear. Here’s to light, here’s to love, and here’s to hope.’

Roman grinned. He immediately flew onto the cover of The Midnight Forest and placed his hand on it. Red rippled across the whole shop as Roman tumbled through the front cover.

As soon as he opened his eyes, Roman dove into the forest, weaving through trees, searching and searching and hoping…

And then, everything around him froze.

Hovering in the centre of the forest clearing was a faint outline of a small silhouette, only a little taller than Roman, basked in moonlight. It stood still for a moment, as if looking right back at Roman. 

The silhouette then pulsed with a soft, familiar, purple glow. 

Roman grinned, tears running down his face as he flew towards the silhouette. He reached a careful hand towards it, worried that if he moved too fast, it’d all disappear. 

But when the purple silhouette just outstretched a hand, Roman knew it was going to stay; after years of waiting, Virgil would finally stay. 

Roman took the silhouette’s hand and swept him into a waltz; one that took them high above the forest clearing; one that brought them even just a bit closer to the stars.

—

a/n — thank you for reading <3

[read more of my works here!]

[alipeeps]

New tag game: Post pictures of your first ever (fictional/celeb) crush to the latest one and tag five others to continue the game

Thanks to @minmoyu for tagging me and ooof, are you sure you’re ready for this?!! :D I have been around/in fandom for a loooooong time and at first I thought, okay, no way I can list all my crushes, there have been SO many and we’ll be here all day but then as I started compiling a list I found I was having fun reminiscing and decided, what the heck, yeah, let’s do em all... or at least all I can remember! :D

There have absolutely for sure been other more minor crushes and passing fancies along the way, but these are the big ones that I remember (and that, in more recent years, I can track by going through my posted fanfics on AO3 and even *shudder* FFNET and seeing which shows I was into enough to want to write fic about the characters).

[Quick note: with rare exceptions, for actors I am listing them by the character they played rather than just the actor. Whilst there are actors that I like in multiple roles (and conversely, characters who on paper I would normally be into but are played by actors who do nothing for me, and hence the character generally does nothing for me either), for the most part it is the character I really have the crush on.]

I’m going to put this under a readmore cos it has gotten ridiculously long:

So... without further ado:

1. MORTEN HARKET from a-ha - OKay so, dating myself badly here but... I had the *biggest* crush on Morten Harket when I was a teenager. Pretty much the entirety of my side of the bedroom I shared with my sister was covered in posters of a-ha, and Morten in particular. I even had a heart-shaped Morten Harket pillow! :D I loved a-ha’s music (still do!) and I wanted to go see them in concert when I was 14 but my parents wouldn’t let me (*sob*). I did finally get to see them in concert in the early 2000s and they were BRILLIANT live (and Morten was still very very pretty)! 

2. RICHARD DEAN ANDERSON as MACGYVER - MacGyver is the first tv character I remember being really into and having a crush on, to the extent that I would record episodes of the show off the tv (onto VHS tape - yes, I am *that* old!) so that I could rewatch them (especially the ones where he got hurt - yeah, I was a whumper even then! :D)

3. KEIFER SUTHERLAND - One of my rare exceptions. I think I first saw him in Lost Boys (and loved him in that film) but it was his role as Doc Scurlock in Young Guns that really made me fall for both the character and him. I definitely remember seeking out any and all films he was in and buying any magazine he was interviewed in (and knowing far more facts about him than was probably healthy! :D) and even drawing a fanart portrait of him. :)

4. KYLE MACLACHLAN as SPECIAL AGENT DALE COOPER - I remember hearing about Twin Peaks before it started airing in the UK and it sounded so different and interesting... I watched it from the very first episode and very quickly developed a crush on Coop.  

5. BRENT SPINER as DATA - I think ST: TNG had been airing for a while before I stumbled across it but I quickly became hooked and Data was my favourite character right from the start. I definitely remember at one point buying an (unofficial) episode guide book so that I could look up which episodes were good Data-focused ones (especially ones where he got hurt! :D) so I could go out and buy the videos that had those episodes on (at the time the show was available to buy on VHS-tape with 2 episodes on each tape).

6. DAVID DUCHOVNY as FOX MULDER - Another show that I heard the buzz about and started watching right from the start and, like so many others, I immediately developed a crush on the snarky, enigmatic, troubled FBI agent with the weird name. The X-Files was the first show I ever tried writing (one, never-finished) fanfic for.

7. PAUL GROSS as BENTON FRASER - Man, Due South was such a good show! It was so quirky and clever and funny and Benton Fraser, with his huge heart and his serious demeanour and his gorgeous blue eyes, was just so darn attractive! He also got whumped a fair bit too! :D Due South was also the show that introduced me to the music of Sarah McLachlan (I was enough of a fan that I bought the show soundtrack on CD).

8. HUGH LAURIE as DR GREGORY HOUSE - This was a bit of an odd one for me because I had grown up knowing Hugh Laurie solely as a comedian/comic actor, known mostly for playing buffoons and genial idiots. And suddenly here he was with stubble, an American accent, and a limp, and he was hawt AF! :D It caused quite the feedback loop in my brain for a while which pretty much went “Wow, House is hot.... but it’s Hugh Laurie... but he’s hot... but it’s HUGH LAURIE!!1!”

I *loved* House (the first few seasons, at least) and oof a character with persistent pain (and a self-destructive streak a mile wide!) was a whumper’s dream. House was the first show for which I wrote - and published online - completed fanfics.

8. JOE FLANIGAN as JOHN SHEPPARD - Stargate Atlantis was my first proper online fandom, the first show I prolifically and repeatedly wrote fanfic for, and the first time I ever met in person an actor I was a big fan of (and while the show was still airing, to boot!). It was also my first introduction to the online community of whumpers! A bunch of us from the Shep Whump thread on Gateworld heard that Joe was going to be at a convention in London and we decided to book hotel rooms and meet up and go to the convention together and it was AWESOME! I can still remember seeing Joe *in person* for the first time and just,,,, struggling to believe he was actually here, in person, in front of me! He was super super lovely and humble too and took time to chat to everyone at the signing table and I clearly remember my brain just pretty much fritzing out during the photo session and being intensely aware of the sensation of Joe’s hand on my shoulder....

It was also super lovely to meet fellow fans, and online friends, in person for the first time and we had so much fun, and it kickstarted me going to lots of other conventions, including specific Stargate/SGA ones where I got to know lots of other lovely fans and online friends. I’ve met Joe about 4 or 5 times in total now and he’s been lovely every time.

9. PAUL BLACKTHORNE as HARRY DRESDEN - Gosh I loved the shortlived tv adaptation of The Dresden Files. I loved the fantasy aspect, the stories, the humour, and I especially loved Harry Dresden and how often he got whumped! :D 

10. DAVID TENNANT as THE 10TH DOCTOR - I had watched the Christopher Ecclestone revival of Doctor Who and enjoyed it well enough but I can clearly remember watching David Tennant’s first episode as The Doctor - on Christmas Day, at my brother-in-law’s house - and being aware, as I watched it that... ooookay, yes, I’m in trouble here... I like him... I like him a lot... :D I mean, I’m sure the fact that he got whumped so thoroughly in his very first episode had nothing to do with how quickly I fell for him... right? :)

11. ALEX O’LAUGHLIN as MICK ST JOHN - Another show that ended far too soon and just as it was getting *seriously* good. But also a prime example of my point about having a crush on the character not the actor. I looooooved Alex as Mick St John... and yet in Hawaii 5.0 he pretty much does nothing for me (the character is too stoic and the whump often too unrealistically glossed over). Anyway, in Moonlight he was my favourite kind of character - angsty, brooding, dangerous AF when he needed to be... and essentially immortal so you could whump the heck out of him and he’d recover so you could whump him again! :D

12. SIMON BAKER as PATRICK JANE - There is so much to love about Patrick Jane... his smarts, his sass, his angst... and Simon is a rare “against type” blonde crush for me (you may have noticed by now that most of my crushes follow a similar physical aesthetic - tall, slim/wiry, and dark-haired) and again here I think my crush is almost all to do with the character rather than the actor.

12. BENEDICT CUMBERBATCH as SHERLOCK HOLMES - I’m almost ashamed to admit it, given the clusterfuck that both the show and its fandom became, but in the earlier seasons I had quite the crush on Benedict’s Sherlock (and okay, a little bit on Benedict himself - I did definitely enjoy some of his other roles too). It helps that I was already a huge fan of the Sherlock Holmes character (I’ve read all the stories and novels multiple times and was a big fan of the Granada adaptation starring Jeremy Brett - whose Holmes would definitely count as one of my more minor/passing crushes) already. Benedict is another crush that I have met in person, at a (actually, the first!) Sherlock convention and he was lovely in person - very genuine, very articulate and thoughtful.

13. TOM MISON as ICHABOD CRANE - I was excited for Sleepy Hollow as soon as I heard about it and I was SUCH a fan for the first couple of seasons (before TPTB completely destroyed it and it inevitably got cancelled (I didn’t even watch the last season and a half)) and Tom’s Ichabod (and his amazing chemistry with Nicole’s Abbie) was a large part of why. I also quickly became a big fan of Tom himself as he came across as so witty and self-deprecating and *fun* in all the behind the scenes/convention clips etc. I was lucky enough to also meet Tom at a convention and he genuinely is that witty and charming and lovely.

14. TOM WISDOM as ARCHANGEL MICHAEL - I think Dominion was possibly the first show that I got sucked into by seeing whumpy gifsets on tumblr! :D It was such a great show and also to date the most immersive, welcoming, cast-and-crew-interactive fandom I have ever been in. The cast and crew regularly live-tweeted the episodes, and interacted with fans on Twitter, and it was SO much fun. And Tom’s Michael was my favourite character right from the start - seemingly aloof but so much going on under the surface... and some really nice whump, especially in season 2! I was heartbroken when it was cancelled after only 2 seasons (and just as the plot was getting *really* interesting).

15. OLIVER JACKSON-COHEN as LUCAS - I was hooked on Emerald City right from the first episode. It was visually stunning, so atmospheric, and really intruiging. I love love loved Adria Arjona’s Dorothy (ngl, I had a bit of a crush on her too) and she and Lucas together were just... *chef’s kiss*. I mean... what an introduction to a character... she finds him crucified, bleeding, his wrists tied with barbed wire, and amnesiac.... and the whump only gets better and better from there on in! Like the entire first two episodes are just... Lucas whump! :D And his devotion to her... Emerald City was honestly the first show where I really got into a ship. I was *invested* in Dorcas, dammit! Aaaand sadly another excellent show that never made it past its first season.

16. JASON RALPH as QUENTIN COLDWATER - Another show that I watched right from the start, was heavily invested in.... and that the writers absolutely tanked and destroyed in later seasons. *cries* Quentin was such a brilliant viewpoint character for the show and I loved his awkwardness, and his angst, and his enthusiasm, and his adorable floppy hair... and how often he got whumped! 

17. COLIN MORGAN - I fell for Colin in Merlin (which I stumbled upon late, long after it had finished airing, and hence was able to binge-watch the entire 5 seasons!) and liked him enough to seek out his other works, such as The Fall, and Humans, and The Living and the Dead, and he was brilliant (and very pretty) in all of them... and his characters also seem to get whumped quite a lot! :D 

18. MATT LANTER as WYATT LOGAN - Wyatt was another of my favourite archetypes... absolutely badass and competent... but also tortured and angsty and capable of intense devotion. Another show that I watched because of whumpy gifs on tumblr and the second ever show where I actually got invested in a ship - Lyatt all the way, baby!! :D - aaaaaand yet another show cancelled before its time.

19. NOCTIS LUCIS CAELUM from FINAL FANTASY XV - my very first video game crush! I was recommended to play FFXV by fellow whumpers on the whumpshire discord because it was whumpy... and they were not wrong and I loved the game and I absolutely adored Noctis. FFXV is one of very very VERY few video games that I have actually played right through to the end. And possibly the only video game that has ever affected me to such an extent... I became so invested in the characters and their world and I actually found the last couple of chapters really hard to play because it was actually upsetting me emotionally. I had to take a break for a couple of weeks before I could go back and finish it!

20. CONNOR from DETROIT BECOME HUMAN - and from there I jumped straight into another video game crush! DBH was another game recommended to me for its whump potential and I, and many others, immediately fell in love with the quirky, sassy, self-sacrificing (if you play the game right!) “android sent by Cyberlife”. The game itself is really good too... although, I have tried to play through all the different endings to the story but have never yet managed to make myself play the machine Connor storyline.... I want to complete all the story branches... but I also just want Hank and Connor to be friends and to be happy! :D

21. ZHU YILONG - Ahhh... the beginning of the asian drama arc of my fandom life! I first came across Zhu Yilong after getting sucked into watching Guardian because of pretty (and whumpy) gifs on tumblr... and I’ve never looked back. He is one of the rare entries where I am pretty much guaranteed to like him in pretty much anything he does and my crush extends beyond Shen Wei, or his other characters, and into reblogging his fashion shoot photos, and keeping up with news of his work in general. He’s just... so darn pretty! And also so... blur! :D And the behind the scenes stuff and interviews of him with Bai Yu, during the Guardian era, just made me fall for him all the more. He’s also ridiculously talented - not only a fantastic actor, but a really good singer (I love his singing voice), he plays guitar and piano, and he can paint too!!

He’s also pretty much what made me start learning Chinese... because after Guardian I went seeking his other dramas to watch... only to find that many of them are only partially, or not at all, subbed. So I thought... why not try learning Chinese and then I’ll be able to watch his other shows? :D

21. JI CHANG WOOK - My first kdrama crush, and what a good one to start with! Healer was the first drama I ever watched and can you blame me for falling for JCW... especially when I followed up Healer with The K2?! I’ve liked him in pretty much everything I’ve watched him in. Although I do wish he would go back to doing more action-based shows as he is sooo good at them... but he seems to prefer the romcom genre these days, which is something I am nottt always a fan of tbh.

22. JAKE HSU as MENG SHAO FEI - Yet another show that I got sucked into by tumblr - and also one with a great, fun fandom through which I met lots of lovely people who I still follow/am mutuals with to this day. I just *adored* Jake’s character in History and I also loved the ship - Tang Fan and Meng Shaofei were awesome and adorable together and I was totally invested in both the ship and the gangster/cop/what happened years ago story happening alongside the ship. And Jake is just all kinds of cute.

23. XIAO ZHAN - Aaaand we are pretty much up to current day now... where The Untamed took over my life in the summer of 2019 and has yet to let me go. Xiao Zhan is another disgustingly talented human being - a fantastic singer and a really good actor, and also an artist - and he also just comes across as a genuinely sweet and charming person, and a very thoughful and earnest one too. And lbr he is ridiculously pretty, and his smile is just pure sunshine. 

24. LEE DONG WOOK as LEE YEON - The most recent entry to the charts.... a Korean actor I was aware of but whose work I hadn’t watched and whose looks didn’t particularly seem to grab me... until I watched Tale of the Nine Tailed and fell head over heels for Lee Yeon (and daaayum does red hair suit LDW!!) and very quickly began to find LDW’s looks very appealing (and oh my, does Lee Yeon whump well!!). And yes, I have now started watching Goblin. :D

Phew! Aaaand we are done! I’ll admit, I did think of a few more as I was compiling this list but I decided to categorise them as more “minor” crushes and not include them... otherwise we really could be here all day!!

I’m going to tag: @sarah-yyy​, @arlothia​, @howdydowdy​, @thepromiseweheldforlife​ and @the-wandering-whumper​!