#he's been going through so much

[morganski-19]

Chills Right to the Marrow Part 40

ao3 link| part 1 . . . part 37, part 38, part 39

Steve’s not at work today. Dustin went to Family Video to see if there was anything new, the rest of his friends at the arcade down the block. But Steve isn’t here. Robin is, but he isn’t.

“Where’s Steve,” he asks. Urgency in his voice.

“Called out today, something came up.” There’s only confusion in Robin’s voice. Like Steve not being here is something normal. “Why?”

“Is he ok?”

Steve doesn’t call out for no reason. Dustin’s seen him be here slipping pain killers under his sleeve while he has a migraine. Turn the lights off in between customers and close the blinds. But he was still here.

It’s only been three weeks since “the big one.” Another one couldn’t have happened this soon. Nancy would have told him if he had one. She promised him that she would. Unless she doesn’t know about it either.

How much does Steve hide things when it goes wrong? How many layers does Dustin have to search just to find answers? How long will Steve have to be in pain for him to realize that it hurts other people too?

“Yeah, he’s fine. Like I said, something just came up.”

Dustin doesn’t believe him. Fine means nothing. Fine could mean blood draining out of his face and falling on the floor. Fine could mean trapped in bed because moving seems impossible. Could be stuck in a loop of panic that won’t stop, no matter how hard he tries.

Fine with Steve almost never means fine. Dustin knows that.

He turns on his heel and heads out of the store. He walks down the street to the arcade, to his bike that’s chained up outside.

The wind almost knocks his hat off, but he doesn’t care. He doesn’t care when his walkie crackles in his backpack. A faint voice asking where he went. It doesn’t matter right now.

All that matters is the spiral in his mind. The belief that if he can’t see it, then he can’t know it didn’t happen. Faces of death molding together into one. All warning him of what could happen. Of what did happen. Of what should have happened if the luck ran out.

A tear catches on his lip. The saltiness the only reason he knows that he’s crying. Vision blurring as Steve’s house comes into view. As he drops his bike onto the grass and struggles to find his key. Hand shaking so much, he has to steady it with his other just to get it in the lock.

“Steve,” he yells when the door opens. Running upstairs, not bothering with taking off his shoes. “Steve.”

His bedroom is empty. A made bed with nothing else. He isn’t here. He isn’t stuck there.

“Steve,” he calls out again. Hearing his voice bounce off the walls, echoing. Drawing out his cries for a seconds longer than it should. Emptiness surrounding him.

He runs back down the stairs, calling out again. Nothing again.

A list forms in his mind, and he checks it off. Steve’s car was in the driveway. His shoes are by the door. His keys are on the table. His bed it made. There are dishes in the drying rack.

He has to be fine. He has to be ok. He has to be.

“Dustin?”

There Steve was. The final check off his list. Standing straight, looking like he slept. Put together. Alive. He was alive.

Dustin crumbles. The panicked sob breaking out of his chest. Steve rushes forward. Holds Dustin upright as his knees start to bend. Push the hair out of his face and ask him if everything was alright. If he was hurt. What happened.

“You.” Dustin can’t voice himself properly right now. He means to say, you���re ok. Or maybe something else. Maybe place the blame on him for making Dustin like this. For making him come all this way.

He gets brought to the living room and forced to sit. Until the breath evens out, actually fills his lungs. Until the tears dry on his cheek. Until he’s calm again.

A cold glass gets pressed into his hands. He drinks the water. Returns to normal.

Steve is sitting next to him. Alive. Perfectly fine. Nothing is wrong.

“Your radio was going off like crazy,” Steve fills the silence. “I told them that you were alright, where you were. You scared the shit out of them.”

Bold words coming from him, Dustin would say. If he could. If his mouth would cooperate with him.

“Do you want to tell me why you biked here?”

Dustin takes a deep breath. Feels the stretch in his chest. The relief as he releases it slowly.

“Why weren’t you at work?”

“That’s what this is about?” Steve doesn’t mean for it to come out the way that it does. The apology of his face says that. “I called out. Eddie has his physical therapy appointment today and Wayne has to go to work right after. He can’t move that much after therapy, so I took off to help him.”

“Oh.”

It was so normal. It was so normal, and he blew it out of proportion. He just panicked. Saw something that wasn’t right and immediately went to the worst. Right back into that hospital room. To all those times before.

Steve turns to him. Face full of concern. Full of worry. “Dustin, talk to me. What’s going on?”

“No one tells me anything,” he exclaims. “I have to find out everything from someone else, or days, or weeks later. I never get told anything by the person themselves. I’m always the last to know.”

“Dustin-.”

“No. I’m tired of the excuses. I’m tired of you saying that it’s not my thing to worry about. Because I do. No matter how hard you think you shield me from it, I worry about it. Every day I wake up and wonder if your head is killing you. If when I see you later, you’re going be how you were before, or a ghost of yourself. If I’m going to look at you push yourself for my betterment. When I know that you’re in pain.”

Steve looks at him like he doesn’t know what to say. Even if he did, Dustin wouldn’t give him the chance to. He’s not done.

There’s so much he needed to say.

“You’re like a brother to me, Steve. You’re family. I don’t know why you think you can just get away with hiding this from me, but you can’t. Because I love you and all I’m asking is to know what is going on with you. Is that such a big thing to ask?”

Before Dustin can take a breath, Steve hugs him. Holds him close, sniffling. “I’m sorry.” He takes a shaky breath. “I’m so sorry. I didn’t know.”

“Sucks, right?”

Steve snorts. Pulling back. “I’ll be back in a second.”

He leaves the living room, going up stairs and returning with a small book. A planner. He hands it to Dustin, motions for him to flip through it. Its pages are filled with notes. Some days are blank, some are overflowing. There’s a mix of different hand writings.

“Every time I get a migraine, I write it down. The severity, if I had to take any pills. If I called out from work, if I went home early. On days when it gets really bad, Robin fills it in. She writes down what I eat and when. If I was nauseous, if I left my bed at all. Everything.”

Dustin lands on three weeks ago. To the day after Eddie came home. That day was marked at an eight. The next day a nine. The one after that, also a nine. Then an eight. Then it went down slowly over the next day.

“It started after Starcourt, when I got them more frequently. The doctor suggested I keep a journal for a few months, to make sure nothing else was going on. That it wasn’t getting worse. I’ve kept one ever since.”

“This,” he points at the date. “This was the big one?”

Steve nods. “It’s the most painful, lasts a few days. I get then about once a month. They average at three days, building in the days before and then being really bad, before going down again. The bad days is what we dub ‘the big one.’ I don’t really count the build up to it, because it’s normal. Until it isn’t.”

None of this was normal. To most people, this wasn’t normal. But it was to Steve. He walked through life like this. Where he can’t go a week without a migraine. Or even just a small headache. This was his normal.

“I can’t promise I’ll always tell you when they happen. When it gets bad, I can barely open my eyes, let alone want to speak. But, if you really want to know, I keep this on my desk. You can look at it anytime.”

It’s everything he wanted, right here in his hands. Worse than he was thinking, but he knows.

“Thank you.”

Steve nods. “I’m sorry it took me this long to tell you. I really didn’t want you to worry about it. And I didn’t know how much it was affecting you. I would have told you if I knew sooner.”

The front door opens, Wayne calling out that they were back. There’s shuffling in the hallway. A muffled argument. A slammed door.

Steve sighs. “Give me a minute. Then I can drive you home, ok.”

Dustin nods. Closing the book and running his fingers around the corners. They were all going to be ok, he tells himself. They were all going to be ok.

tag list (closed): @the-they-who-nerded, @insteviewetrust, @croatoan-like-its-hot, @jettestar,

@tinyplanet95, @steddie-as-they-go, @slv-333, @littlecelestialmoth, @thatonebadideapanda,

@fandomsanddeath, @marismorar, @wonderland-girl143-blog, @glass-bottle03, @gutterflower77,

@here4thetrama, @goodolefashionedloverboi, @jaytriesstuff, @cryptid-system, @manda-panda-monium,

@resident-gay-bitch, @anaibis, @xxsutherlandxx, @forevermineliv, @mugloversonly,

@gregre369, @n0-1-important, @different-tale-student, @spectrum-spectre, @tartarusknight,

@devondespresso, @swimmingbirdrunningrock, @cheertain, @anti-ozzie, @autumncrocusandladybug,

@greeniebean911, @cr0w-culture, @stillfullofshit, @connected-dots, @daisynotquake,

@morgannotlefay, @a-little-unsteddie, @dolphincliffs, @maskofmirrors, @me-and-my-sloth,

@papergrenade, @waelkyring, @sweetheartprincess28, @katouasobj, @astercomoasflores

[keets-writing-corner]

Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

[poorly-drawn-mdzs]

Who is this sassy lost child?

[First] Prev <–-> Next

[songthursh]

Alright, I will start with this one then - everything starts with the glorious revolution and everything starts with the night watch 🌸

[aroaceleovaldez]

Nico referring to his mom as "Mama" implies he most likely at least used to refer to Hades as "Papa" and i 100% headcanon he still does but mostly in the manner of him having the entire Underworld wrapped around his finger for being the baby of the family

[padfootastic]

can’t help but think of how, if we choose to go by sirius’ characterisation as a private, arrogant teen who only lets a select few into his circle, sirius’ post-azkaban life just have been such an utterly humiliating experience for him.

especially OoTP. when he has all these near strangers in his childhood house, that he hated and loved and ran away from and couldn’t ever escape. if he spent his entire pre-azkaban existence building a cold and aloof persona, not letting people know what his home life had been like, then to have all of these people get a front row seat to it because of kreacher and portrait walburga’s shenanigans must have been near unbearable. to have the entire order, including snape whom he disliked and mistrusted, hear the kinds of names he’s being called.

not only does he have to deal with the retraumatisation of his childhood, but also the fact that he’s flayed open for everyone to see. it’s not only his freedom, innocence, dignity that has been snatched from him but his privacy also. it’s such a cruel thing to experience, on top of everything else.

to have literal children, his godson who he has been kept away from all this while, whom he presumably wants to be able to look up to him, to have him see into the deepest parts of his soul. to have to be so weak in front of him. not only is he subjected to such vileness but he also cannot do anything about it.

sirius has not had a moment of peace in all the time we knew him. it is indignity upon indignity that is heaped onto him. every other character has gotten a moment of respite but him. it fully breaks my heart.

[vaguely-concerned]

can you even imagine what a fucking horror show the early game is from spite's perspective, though. not only is this funky forcibly severed little slip of the fade having to deal with the reverse cosmic horror of physical reality as perceived by a spirit and being trapped in it against its will -- existentially confused and disoriented and hurting and nothing makes any kind of sense, at the mercy of human cruelty at its most deliberately sadistic. and then the one source of comfort and compassion and some kind of safety and clarity that lucanis surely must have been to him in the ossuary despite everything just goes and shuts himself in his room inside with a seemingly passive aggressive number of locks between them and no explanation and won't speak to him and they're STILL in the fucking ossuary. rook came and found them and they could be free now (rook is here!) and still lucanis keeps them in the ossuary even though he PROMISED he promised they'd get out of there together!!! what the fuck DO you think at that point? like did he trick me that whole time??? he wasn't like zara before, so why is he doing this to me now? why isn't he saying anything? 'he won't move. I can't reach him'. at least in the ossuary they had a deal, a goal, a hope -- each other. at least he wasn't entirely alone, before.

this poor poor poor little spite spirit really was ferried into the real world like 'hey welcome to reality! as your first introduction to it you're first getting horrifically tortured and then getting to vicariously experience one of THE most distressing and harrowing psychological conditions the human brain can cook up for itself (a fully fledged and deeply entrenched freeze response flaring up with catastrophic severity due to an unbroken ongoing and unlikely to let up any time soon chain of Unfortunately... Recent Events). I think spite is being extremely reasonable and patient about the whole thing, when you put it into perspective. I'm not saying let him eat the self-lighting candles or anything, but he's got some extremely valid points along the way lol. spite is not only child-like, the metaphor work going on is a lot more pleasingly flexible and complex than that, but he is also helplessly existentially dependent on lucanis in a way that, if anything, is a heightened version of the way a child (or child part) has to depend on a parent to navigate the world and survive.

tl;dr: we truly don't give enough sympathy to spite for having to live in the head of lucanis dellamorte. a place even lucanis dellamorte would prefer not to be. to be fair to him I think lucanis would be the first person to agree with this lol

[benevolenterrancy]

(Unseen Academicals, Terry Pratchett) I think Shang Qinghua and Ponder Stibbons should have tea and compare notes about somehow accumulating so much behind-the-scenes power by doing menial jobs no one else wants that they could basically run the show if they wanted...

meanwhile we have Shen "meh good enough" Qingqiu

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what

[egophiliac]

GREAT GOOGLY MOOGLY, THE NEXT BOOK 7 UPDATE FOR THE JP SERVER IS SET FOR MARCH 1ST.

HOW WE FEELIN LADS!?!?!

AHHHHHHHH NOOO I'M NOT READY, I thought we'd be getting the fourth anniversary first and then Sebek's birthday and then maybe some more episode 7, I didn't -- I didn't think it'd be Friday --

oh god and they're rerunning the story cards, they didn't say this was the final part but it feels like...maybe the penultimate chapter? could the end of episode 7 finally be looming in the distance?! WHAT AM I GOING TO DO

[secriden]

This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.

It's a direct reference to this moment earlier in the episode:

At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:

Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.

In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:

Style: What do I have to do to gain your complete trust?

Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.

I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:

Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.

Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.

Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.

And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.

Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.

Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.

I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.

I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.

And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.

Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.

It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.

So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.

He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.

And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).

So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.

What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.

Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.

When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:

Style: One day, I'll be your 100%.

This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.

I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.

But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.

And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.

Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.

Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.

And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.

[moeblob]

Gavin mentally: wait... that doesn't add up........

[poorly-drawn-mdzs]

I *need* to get pregnant by him.

[First] Prev <–-> Next

[potato-lord-but-not]

hey at the very least harlan basically gave up custody of what the letter says. it can say whatever now. we have that at least

it just had this in the bottom corner of the page

[domsaysstuff]

Okay so this idea has been rocking around my empty skull for some time now just we know that Eddie can be a pretty mean DM and a shithead and I've been thinking abt romances in D&D and how it would work in Hellfire

And I had this thought that Eddie would like be "no romances!!" to the Corroded Coffin group (before the kids joined) and they're like why? and Eddie just to tease them says that he doesn't want to pretend to fall for their smelly ugly faces

Which just motivates them to try and seduce like every character that Eddie introduces for a fucking month and it leads to the creation of the rule: Every romance/seduction directed roll must be rolled above 15 to succeed AND if Eddie decides that the attempt is particularly bad the roll is with disadvantage

The Corroed Coffin boys are obviously teasingly like ohhh so we get an advantage if it's good?

"Doubt that would happen boys, but sure, if you make me, Eddie fucking Munson, to blush like a fair maiden then you'll get the advantage on the roll"

They try, they really do, but all the CC boys succeed in doing is killing off all of their party in three sessions and Gareth who is a little shit is actually rolling his third character (because the consequences of a failure are fucking brutal) by the time Jeff and [unnamed freak] give up

After that they know better (except Gareth who still sometimes does that just to annoy Eddie and be a little shit) to try and then the kids join Hellfire and Eddie has even less of an desire to flirt with fucking Wheeler, Henderson and Sinclair (they're baby children!!)

But the kids are a little shits too and they see Gareth being a little shit so they copy

It ends badly for them, they gripe about Eddie being unfair because like "all three of us have girlfriends Eddie and you don't so we clearly know more about romance then you do" Dustin not only gets a flick on the head for that but his character might have ended up being put into situations™ throughout the session that are "totally unfair!"

But fair to say all of Hellfire knows the rules and all of hellfire knows that no matter how well they try and how smooth they are (they really aren't ever smooth) Eddie will not blush or even consider they attempts as "good", the best they got was "tolerable" (Lucas got it and he's still very proud of it, as he deserves okay?), Eddie is impossible to fluster and so it's just is this fun thing they sometimes do when they feel particularly like little shits

And that's it about it

Until Vecna and all the upside down shit and the surprising friendship of Eddie and Steve happens

And suddenly Steve Harrington is not only sitting but playing D&D

Everything is going actually pretty good and Dustin practically vibrates out of his chair at how proud he is of Steve for how well he is doing so far and then

And then Steve tries to flirt with a pretty bard

Dustin deflates, he is ready for the absolute disaster that is going to fall upon Steve, he makes eye contact with Lucas - both of them ready with "it was actually a pretty good line tho!" at the tip of their tongues to defend Steve's decisions, he doesn't know Eddie's special rules after all and it would be funny to see Steve fail, sure, but it's Steve's first game and the kids wanted it to be good for Steve so convincing him to play again would be easier

But now Eddie is going to absolutely rip into him and Steve will never want to play again and-

"Roll with advantage" Dustin gasps, audibly, loudly, the room is silent, except for Steve who's very unaware of the chaos he just created and just rolls the dices, his usual confidence in place

And if someone looked closely - and all of the hellfire is fucking looking - Eddie Munson has indeed a light blush on his face

[o3o-lapd-o3o]

(part ???? of this ongoing thread/universe/au?) (part 2 & part 3 & part 4 & part 5 & part 6 & part 7 & part 8 to this!)

there's a masterlist now!

(will be two parts as my brain wouldn't stop coming up with more nonsense as per usual) (future/present me: it was not just two parts)

*not long after telemachus met his dad's enemy 'friend', the god of the seas poseidon, for the first time*

*poseidon has fled (gods don't flee they briskly walk away) left to go back to the sea*

*odysseus, penelope & telemachus are having dinner*

telemachus: *smiling while retelling the meeting to penelope* -and he was so nice! father is so lucky to have him as his friend-

odysseus: *slightly chokes on his food at poseidon still being referred to as his friend*

telemachus: *looks at odysseus* -father are you ok?

penelope: *who knows odysseus' real relationship with poseidon*

penelope: *hasn't had much entertainment in 20 years*

penelope: *wants to stir the pot some more* ignore your father my dear, please continue telling me all about his friend

odysseus: *looking at penelope*

odysseus: *under his breath* penelope why?

*dinner continues with poseidon being the subject much to odysseus' dismay*

telemachus: *enjoying the family dinner*

telemachus: *gasps*

odysseus & penelope: ???

telemachus: we should have a big family dinner! father you can invite lord poseidon! i'll invite athena!

telemachus: *happy with himself for thinking of such an idea*

odysseus: *doesn't want to shoot down his son's idea, but also DOES NOT WANT TO SPEND ANY MORE TIME WITH POSEIDON*

odysseus: *scrambling for an excuse* son, he's a god and surely is very busy an-

penelope: *with a devilish grin* -and i'm sure will make time for his friend! what a wonderful idea telemachus! i'll let the palace cooks know!

penelope: off you go dear husband~ go and let your friend know~

odysseus: it's evening-

penelope: first thing tomorrow then!

odysseus: *sighs in resignment* yes my love

telemachus: great! i can't wait to tell athena-

*athena appearing out of nowhere*

athena: i heard my name and came.

odysseus: athena?!

telemachus: athena!!

penelope: oh lady athena!

athena: *smiling whilst looking at telemachus* what would you like to ask me telemachus?

telemachus: oh yeah! we're going to have a big family dinner! father just needs to invite his god friend-

athena: *confused as she's odysseus' god friend* but i-

odysseus: *panicked* wait-

telemachus: -lord poseidon!

athena: *wide-eyed in shock*

athena: *slow blinking* did you say odysseus' friend is p-po- my uncle?!

telemachus: *nods and smiles* yeah, i thought you knew!

odysseus: *wondering how he'll explain this whole situation to athena*

odysseus: *under his breath* well now she knows...

penelope: *laughs to herself*

(to be continued!)

(okay i know i said in the reply to the ask i'd post the dinner scene, but my brain wouldn't stop throwing stuff for me to add in the run up to dinner. so there WILL be the dinner scene, but that will be in another post... tomorrow? -depending on how my work day goes-) (future/present me: it was not just one more part, nor did i upload it the next day)