#he's an exceptional artists in my opinion

[momo-de-avis]

LISBON, July 28 (Reuters) - Portugal's famed street artist, Bordalo II, has broken into a Lisbon venue where Pope Francis will celebrate a mass next week and rolled out a huge carpet of oversized banknotes to criticise how much the state has spent on the event. Francis will travel to Lisbon from Aug. 2-6 to attend the World Youth Day global gathering of young Catholics, which is expected to bring together hundreds of thousands of pilgrims. Bordalo II, known for his political art pieces often made from garbage, shared pictures and videos of the carpet, featuring humongous 500-euro ($551) notes, being rolled out down the venue's stairs on Thursday in a protest he described as the "walk of shame". "At the time when many people are fighting to keep their homes, their work and their dignity, millions worth of public funds have been invested to sponsor the (papal) tour," the artist, whose real name is Artur Bordalo, wrote on Instagram. Official estimates in January showed the event would cost 161 million euros, to be paid by the government, the Catholic Church, the city council of Lisbon and nearby Loures. A number of public figures and politicians have criticised the Portuguese state for its share of the expenditure, which the government put at 30 million euros in January, as millions of Portuguese face galloping inflation. Earlier this year, heavy criticism forced the Lisbon city council to cut planned spending on an altar for Francis to celebrate a mass to 2.9 million euros from over 5 million euros. Asked about Bordalo II's carpet, Lisbon Mayor Carlos Moedas told reporters the artist used his voice to express his concerns and that such protests were normal for these events.

[sochilll]

A look in Jared Kleinman’s phone

[persephoneflouwers]

Anons ✨

[demolitionloversleftalive]

tom h.iddleston's best work was only lovers left alive. my man killed it so hard he never recovered

[horsefigureoftheday]

Can you explain the "breyer horses are stylised" thing you said a while back? Not because I don't believe you but because I don't know enough about horses to see it (besides the mane and tail)

All artistic representations of a horse will be somewhat stylized. Humans can't help it, they imagine details, even when referencing photos or live animals. A swayed back gets exaggerated, sickle hocks are overlooked, the face becomes more expressive, because to a human who loves a horse, and who expresses their own emotions with their face, the horse's face just feels more expressive.

Take a look at this horse from Peter Paul Rubens' "Wolf and Fox Hunt" (1616) and how it compares to a photo of a horse

The artist was clearly familiar with horses, and most likely referenced off a live horse. And yet its face is much more expressive than a real horse's face - it's neotenous and borderline anthropomorphic, with its huge sorrowful eyes, and the short muzzle that puts the mouth in closer proximity to its eyes (making its expression more readable).

I think a lot of people see what they want to see when they look at a horse, and they reflect that in their art. Is the horse an independent agent or a tool of its rider? Is the horse an unthinking animal or a soulful creature like yourself? Does the artist admire animals, in spite of painting them in terrible war-like scenarios? Does the artist paint animals in these scenarios because he admires them? Is the horse meant to elevate the status of its rider, by being depicted as a soulful creature that nonetheless submits to its rider? (You can probably guess my own opinion from these questions)

Earlier art saw horses almost an afterthought, depicted from memory while their rider was drawn reverently. All those art pieces of emperors and kings on horseback, where the horse looks like a cartoonish oaf, use the horse as a symbol of power, with no regard for the animal itself. Even when the horse is beautifully rendered, it's nothing more than a vehicle to carry its rider. The artist has depicted the horse as expressionless, beastly, and soulless.

Even when you get into portraits of horses in the 17-/1800s, they are still stylized, though now you're just as likely to see a lithe and graceful companion, as you are a muscled working horse or a faithful old friend. Horse breeding really took off around this time, as did theories of animal minds, so adoration of horses-as-individuals became more widespread. Examples are "Lustre" (1762) by George Stubbs, "Mare and Foal in a Stable" (1854) by John Frederick Herring Senior, and "A Grey Horse in a Field" (1873) by Rosa Bonheur.

All this is to say that horses will always be stylized in art. Humans can't not twist the horse the suit their own tastes, and that's fine. I actually think it's kinda beautiful. The way horses are stylized can give you insight into the artist's opinion of horses. An artist with a neotenic, expressive stylization probably has more respect for horses-as-individuals than an artist who depicts them as inexpressive, powerful, willing beasts of burden.

Breyer horses have an airy painterly quality to them. Even the draft horses seem almost weightless. Compare Breyer's "George" with the self-released resin horse "Gustav," both sculpted by Brigitte Eberl.

George has much longer hooves and smoother curves in his legs - you could draw a near perfect curve from his hind knee to his toe -, giving him a flowing appearance with very little weight behind it. Gustav, on the other hand, has sharp edges and corners. He feels heavy. I'm a big fan of wrinkles and muscle on model horses, but the muscles on George seem like he's been through a rock tumbler. They're smooth and soft-looking, except for the extremely deep crevices between them, which are probably there to better catch paint and enhance the shading (an effect that's especially noticeable on George's thigh). Gustav, on the other hand, has very subtle muscling and virtually no wrinkles (he deserves neck wrinkles, give my boy neck wrinkles!!). He looks like a working horse with a solid layer of fat over his muscles. George's stylization is, for lack of a better word, smooth. Flawless. A bit too perfect for my liking. George is like the platonic ideal of a visually appealing draft horse. A horse like him can't exist.

I think resin horses by master craftsmen are the closest we'll get to depicting horses exactly as they are in life. The stylistic choices are extremely subtle, and seem more like a consequence of the medium than a deliberate goal on the artist's part (e.g., you can't make a realistic mane out of resin, so you have to compromise).

I love both the stylistic trappings that humans fall into when depicting horses and the endless quest for the perfect artistic representation of the horse. Both are beautiful. All horse art is beautiful.

(Obligatory disclaimer that I'm not an art historian or anthropologist, I literally studied bugs at university, so if you think I'm talking out of my ass you are MORE than welcome to add to this post!)

[dailyrothko]

No, the Popularity of Abstract Art is Not the Result of a CIA PsyOp

If you are unlucky enough to move around the internet these days and talk about art, you’ll find that many “First commenters” will hit you with what they see as some hard truth about your taste in art. Comments usually start with how modern art is “money laundering” always comically misunderstanding what that means. What they are saying is that, of course, rich people use investments as tax shelters and things like expensive antiques and art appraised at high prices to increase their net worth. Oh my god, I’ve been red-pilled. The rich getting richer? I have never heard of such a thing.

What is conveniently left out of this type of comment is that the same valuation and financial shenanigans occur with baseball cards, wine, vacation homes, guitars, and dozens of other things. It does indeed happen with art, but even the kind that the most conservative internet curator can appreciate. After all, Rembrandts are worth money too, you just don’t see many because he’s not making any more of them. The only appropriate response to these people who are, almost inevitably themselves, the worst artists you have ever seen, is silence. It would cruel to ask about their own art because there’s a danger they might actually enjoy such a truly novel experience.

When you are done shaking your head that you just subjected yourself to an argument about the venality of poor artists plotting to make their work valuable after they died, you can certainly then enjoy the accompanying felicity of the revelation they have saved to knock you off your feet: “Abstract art is a CIA PsyOp”

Here one must get ready either to type a lot or to simply say “Except factually” and go along your merry, abstract-art-loving way. But what are the facts? Unsurprisingly with things involving US government covert operations, the facts are not so clear.

Like everything on the internet, you are unlikely to find factual roots to the arguments about government conspiracies and modern art. The mere idea of it is enough to bring blossom for the “I’m not a sheep” crowd, some of whom believe that a gold toilet owning former president is a morally good, honest hard-working man of the people.

The roots of this contention come from a 1973 article in Artforum magazine, where art critic Max Kozloff wrote about post-war American painting in the context of the Cold War, centering around Irving Sandler’s book, The Triumph of American Painting (1970). Kozloff takes on more than just abstract expressionism in his article but condemns the “Self-congratulatory mood”of Sandler’s book and goes on to suggest the rise of abstract expressionism was a “Benevolent form of propaganda”. Kozoloff treads a difficult line here, asserting that abstraction was genuinely important to American art but that its luminaries, “have acquired their present blue-chip status partly through elements in their work that affirm our most recognizable norms and mores.”

While there were rumblings of agreements around Kozloff’s article of broad concerns, it did not give birth to an actual conspiracy theory at the time. The real public apprehension of this idea seems to mostly come from articles written by historian Frances Stonor Saunders in support of her book, “The Cultural Cold War: The CIA and the World of Arts and Letters” (New York, New Press, 2000). (I have not read this 525 page book, only excerpts).

The gist of Ms. Saunders argument is a tantalizing, but mostly unsupported, labyrinthine maze of back door funding and novelistic cloak and dagger deals. According to Saunders, the Congress for Cultural Freedom (CCF), an anti-communist cultural organization founded in 1950, was behind the promotion of Abstract art as part of their effort to be opinion makers in the war against communism. In 1966 it was revealed that the CCF was funded by the CIA. Saunders says that the CCF financed a litany of art exhibitions including “The New American Painting” which toured Europe in the late 1950s. Some of this is true, but it’s difficult, if not impossible, to know the specifics.

Noted expert in abstract-expressionism, David Anfam said CIA presence was real. It was “a well-documented fact” that the CIA co-opted Abstract Expressionism in their propaganda war against Russia. “Even The New American Painting [exhibition] had some CIA funding behind it,” he says. But the reasons for this are not quite what the abstract art detractors might be looking for. After all, the CCF also funded the travel expenses for the Boston Symphony Orchestra and promoted Fodor’s travel guides. More than trying to pull the wool over anyone’s eyes, it was meant to showcase the freedom artists in the US. enjoyed. Or as Anfam goes on to say, “It’s a very shrewd and cynical strategy, because it showed that you could do whatever you liked in America.”

For what it’s worth, Saunders’s book was eviscerated in the Summer 2000 issue of Art Forum at the time of its publication. Robert Simon wrote:

“Saunders draws extensively on primary and secondary sources, focusing on the convoluted money trail as it twists through dummy corporations, front men, anonymous donors, and phony fund-raising events aimed at filling the CCF’s coffers. She makes lengthy forays into such topics as McCarthyism, the formation and operation of the CIA, the propaganda work of the Hollywood film industry, and New York cultural politics—from Partisan Review to MoMA to Abstract Expressionism. Yet what seems strangely absent from Saunders’s panoramic history, as if it were a minor detail or something too obvious to require discussion, is the cultural object itself: The complex specifics of the texts, exhibitions, intellectual gatherings, paintings, and performances of the culture war are largely left out of the story.”

Another problem with the book seems to be that Saunders is an historian but not an art historian. For me, I sensed an overtone of superiority in the tale she’s spinning and most assuredly from those that repeat its conclusion. The thinly veiled message of some is that if it were “Real art” it would not have had be part of this government subterfuge. The reality is very different. For one thing, most of us know it is simply not true that you can make people devoted to a type of art for 100 years that they would sensibly hate otherwise. Another issue is that it’s quite obvious none of the artists actually knew about any government interference if there was any. Pollock, Rothko, Gottlieb and Newmann were all either communists or anarchists. Hardly the group one would recruit the help the US government free the world of communism. Additionally, this narrow cold war timeline ignores a huge amount of abstract art that Jackson Pollock haters also revile and consider part of the same hijacking of high (Frankly, Greek, Roman, or Renaissance) culture. If you look at the highly abstract signature work of Piet Mondrian and observe the dates they were painted, you’ll see 1908, 1914, 1916. This is some of the art denigrated as a CIA PsyOP, 35 years before the CIA even thought about it. Modern art didn’t come from nowhere as many would have you believe to discredit its rise. There was Surrealism, Dada, Bauhaus, Russian futurism and a host of other movements that fueled it.

Generally, people like to argue. On the internet, “I don’t like this” is a weak statement that always must be replaced by “This is garbage” or my favorite, “This is fake.”

It’s hardly surprising that the more conservative factions of our society look for any government involvement in our lives to explain why things are not exactly as they wish them to be, given the (highly ironic) conservative government-blaming that blew up after Reagan. In addition, modern fascists have always had a love affair with the classical fantasy of Greece and Rome. Both Mussolini and Hitler used Greece and Rome as “Distant models” to address their uncertain national identity. The Nazis confiscated more than 5,000 works in German museums, presenting 650 of them in the Entartete Kunst (Degenerate Art, 1937) show to demonstrate the perverted nature of modern art. It featured artists including Marc Chagall, Max Ernst, Wassily Kandinsky, and Paul Klee, among others. The fear of art was real. It was the fear of ideas.

To a lot of people on the internet just the mentioning a “CIA program” is enough to get the cogs turning, but as with many things, the reality of CIA programs and government plots is often less than evidence of well planned coup.

The CIA reportedly spent 20 millions dollars on Operation Acoustic Kitty which intended to use cats to spy on the Kremlin and Soviet embassies. Microphones were planted on cats and plans were set in motion to get the cats to surreptitiously record important conversations. However, the CIA soon discovered that they were cats and not agreeable to any kind of regulation of their behavior.

As part of Operation Mongoose the CIA planned to undermine Castro's public image by putting thallium salts in his shoes, which would cause his beard to fall out, while he was on a trip outside Cuba. He was expected to leave his shoes outside his hotel room to be polished, at which point the salts would be administered. The plan was abandoned because Castro canceled the trip.

Regardless of your feelings on this subject or how much you believe abstract art benefited from government dollars, Saunders herself quotes in her book a CIA officer apparently involved in these “Long leash” influence operations. He says, “We wanted to unite all the people who were writers, who were musicians, who were artists, to demonstrate that the West and the United States was devoted to freedom of expression and to intellectual achievement, without any rigid barriers as to what you must write, and what you must say, and what you must do.” Hardly the Illuminati plot we were promised.

In 2016, Irving Sandler, author of the book that started Kozloff tirading in 1973, told Alastair Sooke of The Daily Telegraph, “There was absolutely no involvement of any government agency. I haven’t seen a single fact that indicates there was this kind of collusion. Surely, by now, something – anything – would have emerged. And isn’t it interesting that the federal government at the time considered Abstract Expressionism a Communist plot to undermine American society?”

This blog post contains information and quotes sourced from The Piper Played to Us All: Orchestrating the Cultural Cold War in the USA, Europe, and Latin America, Russell H. Bartley International Journal of Politics, Culture, and Society, Vol. 14, No. 3 (Spring, 2001), pp. 571-619 (49 pages) https://www.bbc.com/culture/article/20161004-was-modern-art-a-weapon-of-the-cia https://brill.com/view/journals/fasc/8/2/article-p127_127.xml?language=en https://www.guggenheim-bilbao.eus/en/learn/schools/teachers-guides/the-dark-side-of-classicism https://www.artforum.com/features/american-painting-during-the-cold-war-212902/ https://www.independent.co.uk/news/world/modern-art-was-cia-weapon-1578808.html https://www.artforum.com/columns/frances-stonor-saunders-162391/ https://www.artforum.com/features/abstract-expressionism-weapon-of-the-cold-war-214234/ Mark Rothko and the Development of American Modernism 1938-1948 Jonathan Harris, Oxford Art Journal, Vol. 11, No. 1 (1988), pp. 40-50 (11 pages)

[ohnoitstbskyen]

What are your thoughts and the same-face-syndrome Oda has going on with Nami, Vivi, Rebecca, and Shirahoshi?

Oda is kind of a frustrating artist in this regard, as he is in many regards.

Because on the one hand he demonstrates, to a greater extent than almost any of his peers, the ability to design interesting, varied, creative, compelling and fun characters, with a huge variety in presentation and body type, and without the dehumanizing distancing that a lot of artists employ when depicting non-normative bodies.

Charlotte Lola for example, one of my favourites, is a character who is extremely caricatured, and depicted as stocky, broad, and rough around the edges, with a missing tooth and odd proportions. But the story consistently treats her interiority with respect and depicts her as complex and interesting beyond her sillier surface traits.

... and then up AGAINST that you have the Infinite Leggy Busty Beauty Brigade, which includes Nami, Robin, Carrot, Pudding, Doll, Domino, Boa Hancock, Vivi, Kalifa, Shakuyaku, Alivda, and on and on and on and on.

And it's this frustrating binary where Oda seems to know exactly ONE way to visually present feminine beauty: thin, curvy, busty, with long legs and a round face, and he repeats it over and over and over again like his only two modes of design are either Copy Paste Pin-Up or Crazy Caricature.

The same face syndrome comes out of that, I think. Because the gamut of what A Beautiful Woman™ can look like in One Piece is so narrow and has so few traits available to it, repetition becomes inevitable.

And idk if this is just Oda's personal indulgence, maybe he just draws the kinds of women he's attracted to, and fair enough I guess, people have the right to be self-indulgent in their art, but it is consistently one of his biggest weaknesses as an artist and designer that he just can't seem to stop reproducing the same hot babe design over and over again.

I will say that Oda is not noticeably any worse in this regard than most anime and manga - copy pasted normative bodies with same-face syndrome is the norm, not the exception, especially for female characters. And that doesn't make it not a flaw in Oda's work, just a flaw that should be understood and assessed within its context, where Oda's repetitive babes are (at least in my opinion) still more distinct and interesting than how most of the industry treats its Hot Babe characters visually.

Still wish he would incorporate, like, ONE new idea for what a beautiful woman can look like, though.

[leewonkyeom]

 light a flame | jeon wonwoo | masterlist

☆ synopsis

when your roommate quits his job at the coffee shop you frequent you never imagined the new guy would be hot or even your type. to make matters worse you both study law at the same university.

your friends to try to convince you to get together with him. you try to convince them you just find him really nice... but are you able to convince yourself?

☆ pairing: jeon wonwoo x fem!reader

☆ genre:  smau, university au, coffee shop au

☆ warnings: swearing, drinking, implied 18+ content

☆ status: ongoing, updates every thursday and sunday

☆ started: 07.09.23

☆ ended: 21.03.24

main masterlist

☆ fill out this form to be added to the taglist

profiles: 1 | 2

chapters:

001: stop thirsting on main

002: i’m not a fucking rat

003: please yn it was for the vine

004: not asking for a friend, i’m asking for me

005: you’re forced to come even if minghao drops of the face of the earth

006: HE’S TALL AND HE GOT A NICE ANGLE SHUT UP

007: you can’t recognize drip even if it’s staring right in your face

008: are you trying to limit my artistic expression?

009: step aside! if anyone’s playing wingman it’s me

010: like slaying monsters?

011: “me as a baby”

012: you obviously know the worth of cancelling

013: is that seungcheol photoshopped as aang from avatar?

014: playing league of legends does not qualify as “having a life”

015: he made me stand outside the coffee shop with a “free hugs” sign

016: good luck, daredevil

017: well, i honestly think you’re both in the wrong

018: then i say spider-man is within the realms of possibility

019: i just wanted the public opinion

020: digital footprint

021: i have faith in the tiger

022: last selfie before we die and i didn’t even look good

023: vernon’s sock drawer isn’t a good hiding place

024: i’m thinking of hanging it in our shared bathroom so seungkwan can be reminded of his good deed

025: oh don’t bring judy into this!

026: staging a storm just so someone can experience the forced proximity trope

027: entering private property in 3... 2... 1

028: i’m not helping a traitor

029: all of my midnight entertainment... gone in seconds

030: yes i will be sharing... / the juices?!

031: uh oh / the ominous period

032: i will go just to prove i’m right

033: oh my god... that woman

034: it means you’re annoying /next

035: i know i’m giving zero context here, but bear with me

036: that guy only has feelings for his right arm

037: how can i dump someone i never even dated?

038: joshua says you can come if you take 10 penalty shots and do a strip tease

039: i can never look any of them in the eyes again... well, except johnny

040: ohh so he’s your super smart study buddy?

041: i didn’t know we had chan’s biggest fan right here

042:i didn’t know you were sending all that, chan. sorry.

043: just a peck

044: as real as spider-man

045: so arguably, it wasn’t even my fault

046: shut up and make out with wonwoo instead

047: special deal only for my boyfriend

048: i’m literally throwing rocks at your window as we speak

049: i’m just training you to be wonwoo’s little pet

050: i’m not having a dog ruin the ambiance

051: epilogue

bonus chapter

[gatorbites-imagines]

Hobie x deadpool reader or spider reader

Hobie Brown x Deadpool male reader

Headcanons

I love Deadpool, who doesn’t love Deadpool? I tried to think of what Deadpool would be like in Hobies’ earth, and I just feel like he would kinda just be the same as always, except maybe with a metal aesthetic. And any chance to work my favorite music into stuff? I’m taking it.

You were Deadpool, and had been Deadpool for a long time. In the beginning it had just been your musician and artist name. Much of your music was different types of metal, with lyrics focused on judging the system and pointing fingers at its corruption.

Of course, a lot of people hated your music, but there was also those who loved it. One of them being Hobie Brown. Even before he became spiderman, hed always been a very righteous person with strong opinions about corruption and capitalism, so finding an artist who shared his views was great.

That was until you got a little too popular and stepped on the wrong people’s toes with your music and art. When you started pointing fingers at Osborn and his wild corruption, those against you grew more and more violent.

And at one of your biggest concerts to date, one that offered all the proceeds to those in need, you were assassinated right on stage. Theories would go around saying it was Osborn wanting to get rid of you, and telling everyone what would happen if they crossed him.

Panic consumed the arena after you were shot right on stage, and in the panic your body was whisked away. Deadpool became an icon in the anarchist circle, as one of the first to stand up against suppression and never back down no matter what.

Time would pass, Hobie would become Spiderman, and he would fight people like Osborn, even killing the guy with his guitar in the end.

But even after killing Osborn, the world was still in disarray, meaning a lot of work had to be done. So, when someone who went by Deadpool started popping up in stories and rumors, it caught people’s attention.

It was assumed you were just a fan, who wanted to use the legendary name of Deadpool to spread your message, or maybe the honor the original Deadpool. That was until people met you though.

You had the same clothes, only now wearing a mask. Your boots, your jacket, your spikes, and patches, even your guitar, you had it all. And on closer inspection, true fans could see it was the real thing.

You were almost like a ghost of the past, stories would go around that you were the angered spirit of the musician Deadpool, having crawled out of hell to wreak havoc on the upper class and tear out the roots of capitalism.

Hobie would want to meet you of course, you were like his hero and biggest inspiration. The first time you two would meet would be during a fight of some sort, and you’d chuck your guitar across the battlefield to nail a corrupt cop in the head before they could get a lucky shot at Hobie.

After that you two became close like two peas in a pod. Hobie would never treat you like you were someone above him, even though he had admired you for years, because he doesn’t believe in treating celebrities like gods.

Soon Deadpool and Spiderman being spotted together was a common sight, and so was seeing spiderman swing around with Deadpool in his arms or hanging on his back like a koala.

You never really take off your mask in the beginning, but when you do Hobie learns why you keep it on. You have a large scar taking up part of your head where the bullet had blown your head apart all that time ago.

You had apparently always been a mutant with a light healing factor, which had kept you alive, but you had been whisked away from Osborn researchers who wanted to use your healing factor. But in the end, they’d simply boosted your powers and you became pretty much unkillable.

This leads to you taking most of the hits during battle, since you can easily take it, anything you lose will just grow back. That doesn’t stop Hobie from worrying though, because seeing someone get their arm sliced off is pretty extreme.

Your first kiss is something you’d only have with a version of Deadpool. Hobie would be carrying your head after it’s been sliced off, and you would be asking him for a kiss and blowing him kisses from where hes carrying your head.

Now, anyone normal wouldn’t do what Hobie does, but Hobie doesn’t like to fit the mold. So, he would lift your severed but still living head and kiss you on the lips. Cue a make out until your body stumbles over and you can get your head back on.

You two never actually put a label to what you are, because that’s not the type of person you two are. But you two are pretty much dating now. You move into an apartment together, and sleep in the same bed at night, and kiss whenever you want.

Spiderman and Deadpool pretty much become icons in your community, for standing up towards oppression, and also being two hot guys who hold concerts after fights.

[thelastairsimblr]

Family Pack #4

I’m happy to share some sims with you all today! In this post, you’ll find 12 households (40 sims total), each with their own stories and biographies. All of these sims have additional Everyday outfits, skills, bonus traits, Likes and Dislikes, sexual orientations, pronouns, family dynamics, and Lifestyles. You can find them all on the gallery under my Origin ID: TheLastAirSimmer or in the tray files linked under the cut! As always, feel free to tag me if you end up using them.

Abreu

A respected food critic, Maria’s opinion is highly valued by all as the towns’ baked good connoisseur. Her husband Joaquin, a renowned pianist, is no exception; he worships the ground she walks on. Together, they project their creative outlooks onto their sons. Santiago, the eldest and a romantic, has the full support of his parents and wants to become a professional wedding photographer. Even though young Rémy feels he didn’t inherit his parents’ imagination, he still wants to make them proud.

Naval

Aparna owned her own restaurant while raising her two girls alone. Hema was able to help out when she was old enough, allowing Aparna to find success and receive critical acclaim by publishing her own cookbook. Today, Hema is focusing on her engineering studies while trying to find love; she’s very smart and sincere, but a bit naive. Ridhi is chasing a riskier path; she wants to be a famous musician. And while Aparna hopes that this is just a phase, she supports her youngest daughter anyway.

Monaghan

As young parents, Stefan and Marianne sacrificed a lot. Stefan became a cop to support his family, but still gets caught up trying to relive his youth from time to time. Marianne longs for the day that she can quit her job at the local diner and become a singer. Soren feels pressure to please his parents, but really just want to play videogames all day while Tatum and Aria constantly bicker, not at all concerned with their parents’ feelings or the wellbeing of Hunter, who just wants attention.

Larson

Quite the jazz singer in his day, Clive is desperate to find ways to stay relevant in the ever-changing music scene. Fiona, longing for the authentic soul who serenaded her years ago, knows she can inspire him again; she’s stood by him through a lot. But until then, you can find the melancholy art critic drinking to yesteryear at the bar. Jade dropped out of college to pursue a career in social media (much to Fiona’s discontent) while Candice is following the artistic path her parents paved.

Agawa

Ever the class clown, Yuto knew that he had a knack for entertaining people. This was only confirmed after he went viral on Social Bunny for the first time! When he told his parents that he wanted to pursue a life in the public eye, they saw it as further evidence that he couldn’t take anything seriously. He makes a decent living streaming video games and his eccentric personality is pure internet gold. Though to be fair, he should probably be a bit cautious with what he says and does online.

Hollifield

As a teen, Whitney’s future looked bright. But she forfeited a lot of opportunities to pursue a whirlwind romance with a boy who had a dangerous edge. They were happy for a time, but it didn’t last and the only thing she kept from that relationship was her daughter Emma. She now works a lowly job in fast food while taking classes at Britechester, hoping to find a career in social media. Her days are busier as a working single mom, but Emma keeps herself entertained by befriending her neighbors.

Catton

Following the loss of her son to avoidable circumstances, Dottie found herself in the care of his two children. Filled with regret for not doing more for her son, the college professor watches the kids like a hawk! She’s keen on using her connections to better their lives. Temperamental Owen does well to make her proud with his grades, but he has an artsy side that he only shares with those closest to him. His little sister Bonnie would rather spend time making friends than studying though.

Qian

After founding a groundbreaking app, Shirong found a place among the company of the rich and powerful. His charming wife Meifing, quite the schmoozer at elite parties, is constantly looking for funding for her next big venture (while also being the go-to-girl for all the neighborhood gossip). Nuo chose to move home after grad school to save money, but is ready to leave and start her own law firm. Her younger brother Haoyu adds to her restlessness by barraging her with his antics.

Sullivan

Atticus’ dad Clifford, a retired veteran, supported his sons’ musical dreams fully, having raised him alone after his wife died. While roaming the world, Atticus met Elisa; a fashion guru with a fiery disposition. The pair had three children and Clifford moved in to help with the newborn. Like her dad, Lydia also wants to be an artist (whether if it’s for her love for acting or a desire to be in the spotlight remains to be seen) while Malicia, afraid of being unseen, finds relief in her friends.

Kingsley-Ramirez

Jaime and Paxton met/moved in together before they could actually get to know each other, both having been new to the city at the time with zero connections. They found themselves compatible not only as roommates, but eventually boyfriends as well! Jaime always puts others before himself; it shows in the passion he has for social justice causes he advocates for. Meanwhile, Pax works a parttime job at a small coffee shop, but is intent on putting himself through school to become a veterinarian.

Tanaka-Murdock

Nigel and Shannon met at Foxbury and developed feelings for each other during study sessions. Though Nigel was the only one to graduate, he admires Shannon for making the decision that was right for her. He enjoys being the breadwinner while Shannon follows her artistic instincts, though he wishes he had his wife’s free spirit. Shannon is quite hard on herself and works tirelessly until she makes something she’s proud of while their son Kason, while a quick learner, really just wants to play.

Miyake

Even if he’s never been the most social person, Kenzo is a loyal and fierce friend to those lucky enough to make it into his circle. A patron of the sciences, he cares deeply about precision and perfection. However, when it comes to raising his son Akira, he wants the boy to follow his own path, even if it’s not exactly the one he would choose for himself. Akira seems to be doing just that; far more sociable than his father, he never fails to leave a lasting impression on anyone he meets.

[80rosequartz08]

Vivziepop Can't Write LGBT People (In General) PT. 1

It seems, just like many other artists, Vivziepop seems to think: More representation = Good representation. When honestly, in execution, it ends up being the exact opposite.

LESBIAN (Valkyrie, Sally May)

Valkyrie: Her and Charlie's relationship is unbelievably underdeveloped, they hardly act like a couple, with Valkyrie occasionally coming off more like Charlie's babysitter. While the male characters get to be obnoxiously vulgar, the only sexual implications with Charlie/Valkyrie are made by other (usually male) characters like Adam/Valentino. Not to mention her name being an obnoxious, misogynistic, lesbiphobic, disgusting "joke" about female g*n*talia, because Vivziepop is afraid of female sexuality unless she can turn it into some sick joke (again, just look at 1/4 of Adam's lines).

Sally May: As far as I've seen, Sally May has yet to actually show any attraction to women.

GAY (MLM) (Angel Dust, Stolas, Fizzarolli, Andrealphus)

Angel Dust: Constantly making sexual comments, even to characters who didn't ask for it/have already told him to lay off. His character also feels like a bad joke character from an edgy 2000's movie, which doesn't help.

Stolas: Exploits his "love interest" by forcing him have relations with him in order for Blitz's business to stay afloat. Constantly manipulates Blitz and changes his mind on what he wants their relationship to be every 5 seconds (says he wants a romantic relationship with Blitz one second; harassing Blitz and fetishizing him when he never asked for it the next second). This would be fine if Stolas was treated like the villain he is, but unfortunately, he isn't. He also feels like a poor caricature of an actual gay man, just like Angel.

Fizzarolli: He's actually the first character who isn't terrible as representation! He's honestly pretty alright, my one issue with him just comes from how infantilized he occasionally seems in the recent episodes.

Andrealphus: Again, he feels like the typical "sassy gay friend" trope. Except it's even worse, considering he hardly even comes off as a gay man! Where is his attraction to men at? Cause honestly it seems like Vivziepop was thinking of his gayness as less of an actual sexuality and more like an aesthetic he could fit with his fashion and sassy personality...

BISEXUAL

Charlie: Has so far only explicitly shown attraction to women (her girlfriend Valkyrie) but she's not terrible representation? Idk, bisexuals, your opinions are greatly requested.

Cherri Bomb/Sir Pentious/Millie: The representation is non-existent. Feels like Vivzie made these characters bi for brownie points/an aesthetic rather than actually trying to represent her community.

Moxie: Again, not terrible. Sucks that his male ex is such a garbage character (God, that episode is so stupid).

Vox: No. That's all I'll say for that.

Loona: Again, I'll ask: WHERE IS THE ACTUAL REPRESENTATION, VIVZIE.

Ending Note: If you are going to make a lesbian, gay, bi, etc. character, make sure to show they are actually attracted to the group their sexuality is based around!

[jonathan-cranes-mistress-of-fear]

An Honest Opinion on Cillian Murphy and his role as Jonathan Crane

This is gonna be long, so buckle up hroo hraas

Cillian Muprhy was the actor who played Jonathan Crane in the Nolanverse Trilogy. For many fans, if it wasn't btas, it was Nolanverse that introduced them to Scarecrow. Unfortunately, it's a pretty poor introduction.

Don't get me wrong, he's a good actor, but is is NO Jonathan Crane. He actually wanted to be Batman but those in charge saw his pretty blue eyes, became obsessed and basically threw away any previous idea of who their Scarecrow should be so Cillian could act in the movie.

The director goes on to host multiple interviews in which he fawns over Cillian's eyes. This is literally the only thing he has to say about Scarecrow. This is also one of the reasons you see them focused o so much in certain clips, Cillian was actually instructed to take off his glasses as much as possible.

Now, whats the problem? Well, Cillian is first and foremost way too traditionally handsome to be playing such a character, a character that was literally bullied for his looks in ever comic released prior. (and I do realize that handsome men can be bullied for their looks, but the comics only ever describe Crane as gangly and nerdy. Unlikable. Queer Fellow. Etc. And I honestly don't expect that kind of nuance when he was hired for his PRETTY EYES ) I don't even think the movie comments on his looks. Anyhow.

His roles in the movies, for me, are largely forgettable. The only iconic comment is "Would you like to see my mask" That's literally all anyone remembers. Oh and maybe the flaming horse, but that's never talked about by fans. So, it wasn't impactful

I doubt Cillian has even touched a comic book tbh. If he did, he's at least TRY to be scary. His costume---which largely isn't his choice--was uninspired and uncreative. A suit and a burlap mask with some maggots for some reason??? Boring. (Note: even the gotham actor read the comics. It's not hard to do some research into who you'll be acting as)

Compare that to comics out at the time, Year One, Batman Adventures, Batman Annual 19, even Long Halloween predated this movie! They had PLENTY to reference.

And what's worse? the fandom. Oh god the fandom. While I'm grateful many current fans got their start with the Nolan trilogy, they all largely have moved on to bigger and better canons. They're not who I have beef with. It's the Cillian Murphy fangirls. Not Jonathan Crane. Cillian. The tag is largely infested with them, and they often tag any and every photo of the man as Jonathan Crane. This does nothing for me, except annoy. I've blocked dozens of blogs for this. It's petty, sure, but I can guarantee you that tagging your Cillian pictures as every character he's acted as ever, does not mean you'll get more interaction. You'll get the opposite actually.

Do note, fanart and illustrated portrayals of Cillian are the one exception. Artists have taken his very boring interpretation and turned it into something awesome. Y'all keep doing you. You rock.

Cillian is not a bad actor, but he's a bad Crane.

-mic drop-

[seungsuki]

station cafe - romance between a soccer player and a webtoon artist (gn! reader)

warning: boring tbh (+ too many words)

note: wrote this during while my professor was yapping so hopefully it's okay

itoshi rin hated whenever his practice games were played for too long. he’d like to blame it on his teammates who couldn’t stop goofing around every minute. 

“last train for station 2 is leaving”, the loud speakers announced 

rin froze thinking he must have misheard the announcement but when it repeated again, his legs began moving without him even thinking. speed walking through the busy salespeople and students, he nearly made it to the train. he could see the gates of the train and he wanted to yell for it to not close but he didn’t. he stopped and slowed down as he watched the gates shut tight. 

the train had left for station 2

the last train 

he fished out for his phone to check the train schedule. he wasn’t too familiar with the train routes other than the one he usually took. lucky for rin, the next train for station 2 is set for 5 pm

“5 pm?”, rin mumbled to himself seeing that it was only 3:07 pm 

what was he supposed to do with all this freetime? he never gave himself that much time. he used every second to practise soccer and to be on top. to defeat his no good of an excuse brother and win the world cup. now what? it’s not like he had any friends nearby 

that’s how the younger itoshi wandered into a random cafe near the station. opening the door, he could smell the coffee bean aroma filling the room. he walked to the counter and was greeted by the cashier, who in his opinion, was overly energetic for no reason.

ordering his favourite tea and bread, rin settled at a seat beside the window of the cafe. there weren't a lot of people except for you, seated at the next table. while rin normally didn’t act like a busybody, he was curious as to what you were doing. he could see a lot of papers scattered around the table. they looked like… character designs? are you an avid fan of a series he’s never seen before?

he couldn’t help but notice how absorbed you were on your computer with a drawing tablet attached to it. oh so you’re marking papers? you did look rather young to be a teacher. well it was none of his business. he brushed away any lingering questions and silently enjoyed his tea. tuning into the latest soccer clip between bastard münchen and manshine city, rin booed both parties since he didn’t support any of them and took the time to criticise their play style 

he was watching the so-called ‘hat trick’ when a paper flew directly on his face, blocking the match. almost instantly, he heard a small worried yell and a hand reached to remove the paper that didn’t allow him to see anything. why did this remind him of a heavily scripted shojo manga? 

“i’m so so sorry! are you okay?”, a voice asked and rin looked up to see the you in front of him this time

“i’m fine”, rin replied short not wanting to engage in the conversation 

“they turned on the stand fan so my papers flew everywhere!”, you groaned 

that’s when rin looked away from his phone and looked up to you. or more specifically, the paper dancing loosely between your fingers. it definitely looked like a detailed study of a character. just how much of an avid fan are you? then again he couldn't say much himself as he was in his own obsession over soccer. seeing how hard he was staring at the paper, you moved it behind you, allowing your skirt to hide the paper 

“i’m a webtoon artist. i have a lot of papers because i came back from a small meeting”, you said taking a seat at the empty chair in front of him

“im [name]! i think i've seen you somewhere haven’t i?”, you asked going through the train of thoughts 

“i play soccer”, another short reply followed by a tsk 

“oh yeah!! aren’t you the captain for the eleven team against the national team? i watched your match on tv, you were pretty awesome”, you remembered 

even though rin didn’t want to engage in the one-sided conversation, he couldn’t help but hear more than the commentary of his discarded phone (which was turned off later on). 

itoshi rin picked up a new habit. after his everyday practice, he’d make his way to the cafe near the station. he would order his favourite tea and bread but this time, an extra iced chocolate for you. he sits in his usual seat beside the window and waits. not long he’d see the door open to see you enter. today was rather chilly so it made sense for you to wear your favourite red sweater with white stripes. scanning the room, your eyes lit up seeing a particular teal eyes locking contact with you. a comfortable walk accompanied with a small wave, you made it to your designated seat, in front of him. time would fly as the duo exchange conversations about random topics

rin never realised how he fell for you. maybe it’s the way his heart skips a beat when he sees you? or how he’s obviously less mean to you. in his eyes, you aren’t too bad. you definitely weren’t some lukewarm npc that took up his time. you was someone who he enjoyed talking too. the people around him (or more particularly his teammates) couldn’t help but wonder what made the striker less grumpy 

“someone’s in a good mood~”, a singsong shidou said slinging his arm around rin 

“right? leaving practice so soon? have a date planned?”, karasu joined in on the teasing 

“yeah i do” 

that one sentence froze the soccer players. itoshi rin going on.. date? sounded impossible to his teammates. they were dumbfounded at how rin even got a date. a familiar ringtone caught the attention of rin and he peeked his phone to see your text. he kept your ringtone different from the rest of his usual notifications. grabbing his duffle bag, itoshi rin left his obviously curious teammates to go see you at your usual spots

the cafe beside the station

© seungsuki 2024-25 -- do not repost, translate, alter, etc on any platform without permission. Any characters used in my work do not belong to me, they are created by their original creator

[vividraft]

I love you and all your colors...

⇢ ˗ˏˋ gn!artist!reader x childe / modern-ish au? /angst little to no comfort

⇢ ˗ˏˋ summary: Childe had fought hard to make you love your talent for painting, but during just one argument, it all slipped away

⇢ ˗ˏˋ important notes: this is a repost from my old account (@/rainstops), and the ending is like,, really rushed

⇢ ˗ˏˋ a/n: if people ask for it, i might write a part two or so...

old post masterlist tba !

you had these scars on your hands, and you hated them. no one knew where they came from except for your boyfriend, childe. he has caressed your hands so many times, and told you before, that he doesn't mind the crescent shaped marks on your hand. 

he knew you used to press your nails into your palm so hard, that they started to bleed. you’re an artist, and always wanted to do something with your talent, yet your parents were more than just unsupportive of your dreams. they started suggesting that you put your free time in something other than your ‘little doodles’. 

yet their words grew harsher and harsher over the years you lived. 

Whenever you were once again told that you're useless, and that your paintings don't look any different from those compared to a five year old, your hands would start bleeding again. 

maybe you would've given it all up, if it wasn't for your, at that time, friend childe. he was your rock, your support in all of this. 

How many times had you texted him late in the evening and asked him if you could stay over at his place? How many times had he cleaned out the wounds on your palms? 

He helped you move out of your parents house, into your current shared apartment, and helped you be comfortable drawing again. 

Yet even with all of his support, you grew protective of your work. you barely told anyone about what you did, and was afraid of taking criticism. 

one person you were not afraid of though. you were never too afraid to ask childe for his opinion on your recent piece. you were never too afraid to turn around the canvas, and show him what you had done with your time. 

and everytime again, he was proud of you. He peppered your face with kisses, and told you what he especially liked. 

and over the years, even your so much hated scars started to fade. 

Apparently his job has started to take a lot more from his energy though. 

he never said that, but you just assume that that is the reason for his lack of response to your proudly painted canvas.

nowadays you never got more from him, other than a simple ‘i like it’, or even just a hum of approval. 

and it got you thinking, if you would stop showing him what you had done, would he care enough to ask? 

so that's what you did. 

The next day when he came home from work, you didn't ask if you could show him what you had painted. you simply greeted him with a warm dinner, and a kiss on the lips. you hadn't mentioned your art for the whole day. 

but still, while lying in bed, your thoughts told you that he was probably just exhausted, and that he might have forgotten, but tomorrow he will surely ask you about it!

he never asked you about anything. 

Was he really that forgetful? a week had passed, and you just wanted to show him one piece, that took you significantly long. 

“babe, i have something to show you!”, the excitement not fading even though childe had forgotten what you spent the majority of your time with. 

“Sure what is it?”, your boyfriend didn't even look up from his dinner, but that was okay! He was probably just really hungry. 

"I'll get it!”

you quickly ran to your room, and grabbed the beautifully painted canvas. 

yet childes reaction was as little as the hope you had left for any sign that you two were not drifting apart. 

“oh, that's cool babe”

thats cool?

you felt your heart clench, when you realized that's all he had to say. Still, you weren't ready to give up yet. 

“what do you like about it?”, what were you even trying. 

childe took another look at the painting, and then at you. 

“I don't know, it looks pretty though”, you quietly looked away. 

“Okay, thanks for your feedback, I’ll be heading to sleep now”, you smiled, but the hole in your heart was growing by the second.

“alright good night babe”

The bed felt cold. you hugged your own body, trying to keep yourself warm, yet the cold sheets you were lying between made you shiver. 

you could no longer blame childes dismissive act on his work, and him being so exhausted. What could have changed your boyfriend so much, that he was no longer the person that made you feel so safe? A tear rolled down your cheek, onto your pillow. 

When you woke up that morning, childe was not there. you assumed he must have headed to work earlier than usually. 

you forced yourself out of bed, ignoring how heavy your body felt on your legs. That was when a specific thought came to mind. maybe you should start showing your boyfriend your drawings without him having to ask. and maybe, just maybe, he would start being excited to see them again. 

you don't remember what made you come to this conclusion. maybe desperation for the love you used to feel everyday, which had now left your life as quick as it had appeared. 

so that's what you did. everyday you had proudly presented your boyfriend your drawings which you had put minute after minute and hour after hour of your days into. longing for his love and attention back you were ready to do anything. 

probably if you had told anyone how you felt, and what you were doing, they would have called you desperate. 

but no one could expect from you to give up the love that had saved you over and over again. no one could expect that you would give up the only person who was there for you in your hardest and happiest times. 

so youre not giving up yet. 

even though childes lack of enthusiasm remained the same, you were glad he was at least not shaming you for your hobby like your parents used to. you don't know how you would react if he were to act that way, but it was childe you were talking about. 

you were convinced he could never even act that way. 

but how long could you still continue this? everyday where you presented your work to him, and he would just react with a disinterested ‘nice’, felt like a weakening punch in the gut. 

this wasn’t working. maybe you should just talk to him about his lack of a reaction to your hobby and your work. the work which he used to love so much. 

so maybe that was the right thing to do.

when he came home from that specific day at work, you had shown him a drawing which was especially big. you had put so much work into it, you barely took a break the whole day to make sure it was finished before he came home. 

maybe you were going to get a bigger reaction out of him this time. 

“looks great babe”

he didn’t even look at it. 

What were you doing wrong? 

“childe, you didn’t even look at it”, maybe you really needed to talk to him. 

“huh?”, seriously? did he even care? has he never even listened to you?

“childe you don’t even care about my drawings like you used to, do you?”, suddenly he got up from his chair. and you put down your drawing, leaning it against the wall. 

childe rubbed his face.

“you know [name], I’m really tired, can we discuss this some other time?”, you had told yourself for so long that he was just tired, but was that even true?

“childe you’ve been tired for months now. don’t get me wrong, i can't even begin to imagine how exhausting your job must be, but I don’t even really feel like you acknowledge me, other than eating the food i cook for you”

you had to try really hard for this to not turn into an argument. emphasis on tried, because childe was not willing to listen to you. it felt like he was never going to be listening to you, and you needed to get that out of your system. maybe this wouldn't be the best time to tell him, but was it ever going to be the best time?

“I understand that you might be tired, but just tell me what happened? why are you being like this?”, your tone remained calm, yet your muscles tensed up.

“All I am asking of you is the attention that you used to give me. i understand that you can be tired when coming home from work, that's not something i'm denying, but-”

“Look, [name], do you really want to know?”, his tone was a lot harsher than yours, and it made a shiver travel up your spine. 

you took a second, but nodded and gave him a hum. 

“you know that while i am going out to work, and let you stay here all day, all you do is paint and draw. you know that there are so many things that you could spend your time with, but instead you waste your day just holding a paintbrush all day”, childe words were absolutely taking you apart. whether that was his intention or not, that's what he had achieved. 

When you two first moved into the apartment, you had told him that you would go find a job, but he insisted that you should stay home. if he had anything to say, or if he had wished for you to get a job, he could have said so, couldn't he? 

“childe if you had wanted me to get a job, you could have said so. i would have started looking for someth-”

“you're missing the point! I am saying that you keep wasting all your time, and then expect me to praise you for it! your stupid drawings are just a huge waste of your days! Every single day I come home and you remind me of how much you waste your time! Do you seriously think that I could be proud of you for that?!” 

Maybe trying to confront him today wasn't such a good idea, yet this felt like it was a really long time coming. 

when you blinked, you found little tears collected in the corners of your eyes. Yet even when they fell childe didn't notice. He kept ranting on and on about things he had already said. 

while he kept talking and talking, your nails had found your palms once again. an old habit you had wished to finally be rid off. 

the memories came flooding back of your parents shouting at you for the same thing, your boyfriend was shouting at you right now. the same boyfriend that first safed you of the mental torture your parents put you through. the same boyfriend who would cut your nails for you, so the wounds wouldn't be so bad. the same boyfriend who had praised you for your talent. 

the stupid thing about this was that childe isn't actually mad about you wasting your day. he wasn't even able to put an exact finger on it. you could blame it on him being exhausted from work, and needing to take out his exhaustion somewhere, or maybe he was mad about not spending enough time with you. maybe he was mad at himself for not giving you enough attention, but the hurtful things have been said, and there was nothing he could do to take them back. 

when childe finally looked at you after ranting for a good minute, his heart dropped to his stomach and maybe even further. 

there you were standing, sniffling, looking down at your feet while your nails were digging into the soft flesh of your palms. your face was wet from your tears, and your hand only reached up to wipe them away, and then to return into a tight fist. 

“i understand, I hic i will draw less, and find better things to do”

childe often found himself wishing to be able to turn back the time, but never had he prayed so hard for being able to take back his words. 

“w-wait, [name] i-”, childe felt like all the words and apologies he could have given you were knocked out of his brain in an instant, and he panicked when you wanted to walk past him to leave the room. 

although the worst thing was that you were pressing your nails so hard into your palms again, to a point where you were bleeding from the amount of pressure you were releasing. childe felt as if he had been punched in the stomach. the habit of yours that he was fighting so hard to get rid off, had returned. it had returned because of him. 

“[name] please i don't know why i said that, i was just- maybe i was just tired from work, although i cant blame it on that-”, childe frantically took your hands into his, yet your nails already had your blood on them.

childe felt like a world in front of his eyes fell apart. the bad habit of yours that he tried fighting for so long, was close to returning. He was the one who tore your scars back open, and there was nothing he could do about it. 

“[name], [name] please- I didn't mean to say these things, please”, all childe could do was beg and repeat your name over and over as he felt his eyes water. 

he frantically held your hands, and let you to a chair, to sit down. tears were still repeatedly staining your face, and childe had rushed off to get some bandages for your hands. 

childe rushed back and almost fell down onto his knees in front of you. 

“please just let me-”, childe proceeded to clean your wounds a little, and then bandage up your hand. while he was handling your hand, you didn't move or talk one bit. other than quiet sniffles, you just let childe do what he needed to do. in the meantime, your head hung low and your eyes haven't stopped staring at that one spot on your leg. 

you didn't know how to feel. How could you? the one person you believed you could turn to, whenever your parents were rude to you, has done the same thing you were so afraid of happening again. and why? because of stress at work? because he had a bad day? 

“[name] i know you're mad, just please- please say anything”, childe pleaded with you. 

“I’m not mad”, you replied and your voice broke. you weren't even sure if that was true. you were more hurt than angry, but then again you were also just confused. 

“it's late… Can I go to bed?”, why were you asking him? 

“of course- anything you want, I’ll sleep on the couch for tonight”, you were both crying and overwhelmed by emotions. 

you nodded and headed up the stairs to the room you and childe usually shared. a million thoughts flooded your mind, but for some reason your chest felt so empty. 

the person you usually relied on when you felt this way, was now the cause of your feelings. Who were you supposed to turn to? 

then another thought filled your head. What if your parents were right all along? maybe you should have done anything else but waste your life painting stupid pictures. 

you cried yourself to sleep that night. 

and even after you woke up, you could feel the daggers that were sent through your heart. 

you opened the door to your room. “childe?”, you called out, your voice being utterly shaky. 

was he at work? 

when you opened the door to your art room, you didn't expect childe to be sitting in the middle of your paintings. you couldn't read the expression which was resting on his face. 

what childe hadn't realized was that these paintings were small pieces of your soul. every single one of the paintings were thoughts and feelings that you couldnt find the words for, so instead you found the colors for your unspoken feelings. childe has never wished for anything as much as he has wished that he paid more attention to you.

“childe…?”, your voice pulled him out of his thoughts, and his head shot towards the door. 

“oh- sorry i was just… well uh, do you need anything?”, childe stammered, getting up from his sitting position. 

“I was just looking for you… why are you here?”, your voice remained quiet and shaky. 

“i was just… looking at all your work that i had missed… and all the time… well uh- if you want me to leave i'll go-”

“its… it's okay i just wanted to see where you were” with those words you turned around, about to leave the room. 

“wait-! [name] I… I’m sorry, I don't know what to say to let you know how bad i feel-”

“childe i know”, his face was met with the sight of a sad smile on your face. 

“w-what can I do to make you feel better? I’ll do anything- please”

“I don't know, honestly…”, a shaky sigh escaped your lungs. 

“please… know that i love you [name], more than anything”

“i… love you too”

[cryinginmyroomsposts]

Svt as specific tropes cuz I am in a writer's block

a/n: these are purely personal opinions/ imagines. not proofread!

Scoups: enemies to lovers (I'm talking dagger to the throat enemies to "who hurt you" pipeline. scoups and his competitive petty ass would be perfect with an equally competitive and hot-headed oc. I'm talking sizzling chemistry, extreme frustration to tooth-rotting fluff)

Jeonghan: Frenemies to angst to friends to lovers (light-hearted frenemies until one day Jeonghan takes the joke a little too far which leads to angst and years of no-contact. A chance encounter during lowest times leading to a soft adult friendship evolving to a soft and chaotic lovers pipeline)

Joshua: strangers to comfort person to lover (he gives me a feel-good coming of age feels so I'll take a storyline with the heartbroken or worn down oc finding comfort in Shua who could be a stranger or a kind colleague. a full "we helped heal each other" and then moving away due to circumstances only to realise that you need your comfort person)

Jun: holiday romance (nana tour Jun vibes. two strangers in a random city who decide to spend a week having the utmost fun and never meet again... but of course fate brings them together and the angst of reality to eventually finding a balance in the paradise of their holiday whirlwind and reality... it's giving romcom)

Woozi: Best Friends pining for decades (A very soulmate-ish friendship. Woozi and oc are so extremely obvious about their feelings but are oblivious to the reciprocation- it's also obvious to everyone around them. The angst of "what-ifs", and ofcourse songs written abt the feelings, to angry confessions and happy endings. this one includes a lotttt of angst and dozens of bangers mixed with peak domestic behaviour and two ppl so attuned to each other like old married couples)

Hoshi: Accidental dance partners Hoshi and oc (might sound basic but I'm a dancer and it's a very indulgent trope... so yeah! I'm thinking college team dancers in competing teams are forced to pair up for a competition. Out-of-the-world chemistry- can't keep eyes and hands off each other, late night talks, "non-date" date nights and ofc anger issues(performers, duh!). Lots of parties, angst and eventually confessing. She falls first but he falls harder)

Wonwoo: second-chance romance (I think Wonwoo, I think angst(sorry wonu) and second chance. oc and wonu having whirlwind honeymoon phase until oc pushes him away. lots and lots of angst- confused wonu not knowing how to help oc. both of them miserable without the other... until Wonwoo can't take it anymore and makes oc lean on him for support. very gray and grounded in reality romance)

Dokyeom: Small-town romance (sunshine Lee Seokmin as a charming small-town business owner helping big-city-return troubled oc deal with life and falling in love? sign me up for the hallmark movie! Seokmin and his golden best boy smile healing hearts as always)

Mingyu: Arranged Marriage Trope (once again, a very self-indulgent imagination...Oc who doesn't believe in love after a heartbreak, Mingyu who accepted his destiny and never loved anyone. A very practical arranged marriage with both consenting parties. An agreement to stay "partners" and "friends" because they "Can't force feelings". Domestic life leads them to break every rule- written and unwritten... angst rising due to pasts and insecurity... oc's fear of abandonment, Mingyu's fear of attachment... a minor separation and major realisation... their very own happy ending at last! Mingyu Best Husband Agenda forever)

Minghao: Rival Artists with secret identities dating each other (Minghao dates the pretty stranger on a dating app, agree to keep things casual but lo behold they are falling fast and hard... all is well except both have secret identities as artists who are rivals. they love each other but hate the other's alter-ego... ofc this leads to miscommunication and angst, lost ways and breakups. but this is my imagination so they end up together after everything and conquer the art world)

Seungkwan: Celebrity Fake dating trope (Seungkwan would eat that shit up! Two A-list celebs: Seungkwan and oc, who appear together in a show and fans go crazy for their chemistry but they don't pay head. oc gets caught in a false accusation, needs a distraction- agencies make oc and Seungkwan fake date... on-camera they r perfect but off-cam it's all awkward... planned appearances to becoming friends, trauma bonding... sexual tension rises, life gets complicated, lots of angst later they end up dating happily)

Vernon: Falling without meeting each other (two online friends, fake names but authentic friendship across continents fall for each other without ever meeting other. against all odds they end up seeing each other eventually and staying together... this gives me old cinema vibes but in modern times, Vernon is so Vernon that only he'd be fitting)

Dino: High school fake dating (imagine Dino as Peter Kavinsky from To All The Boys I've Loved Before... a popular softie boy agreeing to fake date the silent girl, the only twist is Dino has been in love with her since middle school, he fell first and harder- a full simp! Very romcom coded angst and happy endings ofc- i just know Dino will make a perfect romcom male lead)

[bunny-lily]

Lift a Pen and Rewrite the Ending

Fluff for our broken fluffed-out hearts Dedicated to @bunny584 because ow. I promised fluff, so I’m delivering fluff

Pairing: Satoru x piano teacher!fem!reader

CW: just some fluff, man. We all need some happy, sappy moments in our lives with our beloved dumbass boy. 

You taught piano. Plain, simple, easy. At least, you thought so, before meeting an enigmatic man as your newest student. He played a little too well for a beginner, and seemed a little too familiar.

AN: I chose to post this on my side acc since this one was technically made for the exact purpose of writing JJK fics (same with the Ao3 acc (milk_bunny/chimeric-dreams for that one)). So, cheers to the first fic on this blog!

This was honestly scribbled down in a single sitting between 1-5 am. Please don’t judge any mistakes too harshly, I wanted to post it ASAP and not subject it to my endless course of corrections and re-writing.

This is also very short (lmao 6.7k words) for how my work is normally. Again, I just wanted to get it out as fast as I could ;w;

smol update: this has been (minorly) edited! nothing big, I mostly just went in and fixed up a couple mistakes + summoned my dearly beloved thesaurus. Otherwise, it's basically 98% the same as before!

Music sheets laid scattered around you, annotated in messy scribbles in various colors, fonts, and sizes. A scratched out row of bars here, corrected or adjusted notes there, mindless rambles stuffed into the margins as you tried desperately to figure out which key to put your song into so that it matched the exact tone you were going for.

Not like you were some well renowned artist whose career rode on their sole ability to create magical orchestrations. No, you had barely any presence at all. The videos of your songs you posted on YouTube hardly scratched a couple hundred viewers at most, with the occasional comment from a bot or scammer getting your hopes up, only for them to go crashing back down. 

You weren’t some notable figure in the music industry, you were just a white-collar worker that taught piano from your tiny home part-time.

It suited you, you supposed, as bitter as you could feel at times. You were just a normie, a casual passerby who liked having your fingers spring and jump across the keys of your instrument. It was one you inherited from your grandmother. She was the one that taught you how to play when you were little, while your parents were busy working and couldn’t sit and entertain you all day like she could.

She taught you some essentials, too, like how to tune the spinet – ‘It’ll save you big bucks, bunny,’ she insisted – and how to detect even the slightest issue it might have. She was correct about it saving you big bucks.

As shabby as the thing looked, with peeling white paint and floral designs chipping off the sides, the cover scraped to hell and back, and the brassy pedals having long lost their glossy sheen, it was in perfect shape.

In your expert opinion, anyway. You were biased, so what? You had every right to be.

Granny had left the world a while ago, her ashes situated on the short mantel of your tiny fireplace. You lit the candles every day, rested two softly smoking incense sticks on the shallow bowl to catch their cinders, and gave her a swift good-morning before you raced out your door, inevitably arriving at work with only minutes to spare.

In the evenings, you’d teach, then ramble to her about your day, wish her a loving goodnight, and go pass the fuck out. Rinse and repeat, except weekends, where you were teaching all day.

It was tiring, working two jobs like this, especially when some of the kids you taught were insufferable, but music was your passion. At the end of the day, you viewed it as worth every minute spent doing something you loved.

You liked to think she would have been proud of you.

A light tapping sound, a knuckle rapping against the wood of your open front door, caught your attention. It was a warm day, one that was too good to spend with the doors and windows closed. Natural light flooded in, casting the figure standing at the entrance in a brilliant glow that hid their features from you.

You glanced at the clock on the wall to your left, then leapt up from the floor in front of your coffee table, hurriedly and messily stuffing your music sheets into a folder. “Oh, shoot, sorry! I didn’t see the time, I’m so sorry about that. Are you the two o’clock?”

Today was a surprisingly free day for you. You only had one appointment, with a new student, if you remembered correctly. You must have gotten so ingrained in your rapid-fire notations that you lost track of time.

While you weren’t expecting an adult, since the email sounded like it was from a teenager, it wasn’t uncommon. You had students of all varying ages, anyways. It was a nice change, too; you found that adults tended to listen better than children.

A smooth laugh greeted your ears, the sound impossibly pleasant to your ears. “It’s fine,” the man said as he stepped into your home, breaking from the prison of light holding him. His stark-white hair caught you off guard first, followed by his height, and then the round shades resting low on the bridge of his nose. “That’s me.”

Eyes as blue as the most vivid summer sky peered straight through yours and into your soul, his hues almost appearing to shine in the tranquil environment of your living room, without the help of the overhead lamp you had turned off. His lips curled into a sparkling grin, giving him this sort of youthful luminance that had your heart skipping beats.

You swallowed and looked away before his gleaming smile blinded you, striding over to your upright eighty-eight, using it as an excuse to busy yourself and avoid eye contact with him before he made you stop breathing just by fluttering his lashes.

“Come on in,” you responded stiffly, clearing your throat to ease off the tenseness in your muscles. Why were you getting so worked up over him? Sure, he was pretty, but you’d barely spoken two sentences to him. How had he managed to get you in such a tizzy so easily, where your tongue felt tied and your pulse raced in your wrists? “How much do you know about piano?”

“Uhh,” he set down his briefcase against the wall beside your door, slipped off his shoes, and met you next to the instrument. “I know a bit.”

“Alright,” you nodded and patted the bench, then paused to think if it would be too low for him. What intensely long legs. “Do you need me to get a different stool?”

He shook his head, sliding into the seat like it was second nature to him. “Nope, this is just fine.”

“Great,” you smiled at him and tucked your skirt under your hands as you sat down on the other end. “Let’s get started, then! Are you familiar with the different notes?”

His hands took place over the ivories and he slowly pressed each one down as he labeled them. “C, D, E, F, G, A, B, C.”

“Excellent, that’s awesome! You’re already a few steps ahead of other beginners,” you nodded approvingly and retrieved the thin booklet you had laid on top of the upper panel. You opened it and sifted through a few of the jingle options, picking out something a bit more intermediate for him.

It was still simple, but definitely more advanced than nursery rhymes. You found teens and adults had a more enjoyable time learning when they didn’t feel like they were being patronized. Teens especially, fickle little creatures, those ones.

“Let’s start with this one, then,” you said as you set it against the music rack in front of him. “It’s pretty easy, I think you’ll pick it up quickly.”

The piece consisted of quarter-note half steps that ignored the sharp and flat keys for now. You had placed a piece of tape over the tempo indicator, finding that it put your students under too much pressure and made them stumble in their rush to follow the pacing they thought was right when they didn’t know what tempo was to begin with.

The man took a few seconds to study the sheet, then placed his fingers on the corresponding keys and began playing. 

He was a bit slow, holding some notes too long and others not long enough, but you were correct in thinking he’d get the hang of it fast. After a few runs, he was playing it decently well, and confidently, too.

“Perfect! I knew you’d get it like that,” you snapped your fingers, then picked up the booklet again, flipping the pages in search of something a little more challenging. You probably wouldn’t find it in a kiddie book like this one, so you placed it down and got up, grabbing a more advanced one from the side table nearby. “What got you wanting to learn how to play?”

“Ah,” he scratched the back of his head. “My dad always wanted me to learn as a kid. I finally caved in, if only to make him stop yapping in my ear during family dinners. I’m just twenty years late to the party.”

You burst into giggles as you returned to your place on the bench, placing the new song you had chosen out for him where the previous one had been. “Not the first time I’ve heard that. You’d be surprised how many later bloomers there are.”

He chuckled along with you. “Well, that’s a relief. Had me fearing I was the only fully grown student you’d see in your life.”

“Far from it,” you shook your head. “I teach a grandfather that wants to play for his grandson at his graduation next year. It’s never too late to learn.”

When you looked up at him, you found him already peering at you with those intensely cerulean irises, his sunglasses folded neatly into the collar of his shirt. You twitched, startled by his stare. He had you locked in his gaze, captivated as he observed you and you observed him.

You noticed with wonder and fascination that his lashes were as milky white as the tresses on his head.

He really was beautiful. Those same lashes were long and soft, brushing his high cheeks whenever he blinked. His lips were plush and pink, seemingly always curled up into a permanent smile regardless of size. Life and boyish playfulness darted in those mesmerizing oases that refused to shake their hold on you, and you wouldn’t wish them to.

They were the breath of fresh air you never knew you were deprived of, the nectar of life that was water to your parched throat, the flickering mirage that came to life before your very being.

You felt drawn to him, inexplicably. There was something so… familiar about him, though you couldn’t pinpoint exactly what. Like you’d seen him before, across the metro platform, or walking into the store you were just leaving, or someone walking the opposite direction as you on the crosswalk.

Where have I seen you before?

You blinked yourself out of the illusion, your lips parting, closing, then parting again before you finally managed to find your voice. “I-I’m sorry. I forgot your name, could…could you remind me?”

“Ah,” he shook his head, forgiving your forgetfulness. “Just call me Satoru.”

Just Satoru? Is that really okay?

It doesn’t sound like a name I’ve heard before.

“Alright,” you agreed regardless. “Satoru it is. It’s a pleasure to meet you,” you murmured your own name in return, dipping your head down in a mini bow. You returned your attention to the music sheet, lightly tapping the back of his hand with your pointer finger. “Let’s continue, shall we?”

You noted how much bigger his hands were compared to yours. It was hard not to see it, your index finger would likely barely reach the topmost joint of his if you pressed your palms together.

Your hands tingled at the thought. You quickly shoved it aside, focusing on being a good instructor. 

Satoru continued to surprise and impress you as he mastered the tunes you chose for him after trying them out a few times. Each time he made a mistake, he listened attentively as you corrected it, laying your hands over his as you adjusted the positioning of his fingers.

“Your hands are so much bigger than mine,” you snickered. “I’m a bit jealous. It’s hard for me to reach those far keys sometimes.”

“Oh, yeah,” he grinned cockily, flashing you a sultry glance between chords. “They can reach a lot of things very easily.”

Heat rose to your cheeks and you stuttered, whipping your head away and acting as if he hadn’t completely flustered you.

Truthfully, the session was only supposed to last an hour and a half, but when you looked up at the clock, you were shocked to see you were nearing an hour longer than expected. It didn’t feel like much time had passed at all, maybe thirty minutes at maximum. Had it really been that long?

You pushed yourself up, stretching your legs as you felt pins and needles spark up in them. “Seems I got distracted twice today. I’ve kept you for an hour longer than I intended, I’m sorry,” you laughed meekly. “Don’t worry, I won’t charge extra for that, that’s on me.”

“It’s no worry,” Satoru reassured you as he got to his feet as well, delicately closing the fallboard with a careful hand. “Are you sure, though? I don’t mind paying for it, I did take up your time.”

He made something warm form in your chest.

“It’s fine, I love teaching. It’s not my main job, anyway, don’t stress,” you brushed away his concern. “You’re a prodigy, y’know,” you told him as you walked him to the still open door. “It’s no wonder your dad wanted you to learn how to play. I’m sure he’s proud.”

He let out a chuckle that sounded maybe a little forced. “Yeah, hope so,” he responded as he eased his shoes back on and bent down to grab his briefcase. “You’re a great teacher.”

“Thank you,” you brushed your hair behind your ear, blushing. “Ah– when would you want to see me again? I-If you do, I mean.”

The odd firmness he had a moment ago melted away, once more replaced by that handsome smirk of his. “Same time next week? Ah, hang on, why don’t I get your number, just in case? I have a bit of an unpredictable schedule.”

“Oh, sure, no problem,” you assented, taking his phone after he unlocked it and passed it to you. “You don’t like using email?”

He shook his head, watching you punch in your number into a new contact, add your name, then hand it back. “Nah, texting is easier for me. I’ll message you later tonight, yeah?”

“Alright,” you acquiesced.

“Oh, right, how much do I owe you?”

You blinked a few times before recalling that it was technically a paid session, though it didn’t feel like that to you. You murmured out the cost, and he gave you an odd look for a brief second. He pulled out his wallet, counted out a few bills, and folded them in half neatly before passing them off to you.

“Thanks for the lesson,” he grinned and waved goodbye, promising to text you later as he headed down your walkway, turned the corner, and vanished from sight.

You closed the door with a quiet poompf, staring blankly at your piano as you tried to remember how to function again. You glanced down at the bundle of money in your hand when you thought it felt a little too thick, brow furrowing as you unfolded it and counted and holy shit that’s way too fucking much–

You rushed out of your house, down the pathway to the sidewalk, and looked for him, though you knew it was futile. He was already gone.

You tried to think of how you were going to slip the excess money back into his pocket next time you saw him, but as soon as you were inside, you raced to the folder you left on your coffee table, practically ripping it apart as you pulled out all the papers, aggressively uncapped a pen, and got to writing at light speed.

That man, whoever he was, infected you with a painful shot of inspiration that you needed to get off your chest right then and there. Your hand flew across the pages, revising entire sections you had been stuck on for weeks in the blink of an eye. Messy verses were refined, the missing notes floated into place, and by the time the moon had risen high and the timid breeze had turned cold, you had finished your song.

You looked it over one last time, a disbelieving giggle escaping you. You finished it. You finished it. This damned piece had been giving you restless nights, a broken loop in your brain that kept skipping over the unwritten parts, but one session with Satoru had seemingly given you the one push you were missing all along.

Your phone buzzed.

You opened it and tapped on the messages icon to find a text from an unknown number.

Unknown, 9:17 PM Hey! Sorry for texting so late. It’s Satoru. Does next week still work for you, same time?

What divine timing on his end. Right as he entered your thoughts, he slid into your DMs. 

Your fingers practically trembled with giddy excitement as you texted back instantly to confirm the time, uncaring of what kind of impression that was making on him. You were elated, feeling like you could exhale in peace at last. You gave a little victory cheer as you went about closing and locking all the windows and doors, pulling the curtains shut with so much energy, you questioned if you’d be able to sleep.

The answer was yes. After you had gotten all ready, having pampered yourself as a small reward for yourself, you fell onto your bed and passed out mere minutes later. For once, everything seemed to be going right.

─────•(-•ʚɞ•-)•─────

“How’d you learn how to play?” He asked one day as he sipped at the tea you prepared for him. He was right about his schedule being hectic at times, but he somehow managed to fit himself into having lessons with you a few times a week, rather than just the standard one.

It surprised you, but pleasantly so. He was eager to learn and improve, and you were more than happy to teach him. He made for fantastic company, too, and you found you enjoyed spending time chatting lazily with him just as much as you did instructing him.

“My grandma taught me,” you told him with a smile. “She passed away a while ago, but I like to think I’m keeping her legacy alive like this, by teaching others, and keeping that old lil’ thing alive.”

Satoru nodded in understanding. “You’re amazing at playing,” he complimented sweetly. “She did a great job.”

“Thank you,” you answered bashfully, hiding your blush behind your own mug of tea.

“What was she like, if you don’t mind me asking?”

His smile felt like the sun kissing the apples of your cheeks on a perfect spring day. Him wanting to know more about you had your heartbeat picking up in speed, chirping a new, happy melody like a canary.

You deliberated before replying. “She was a very shrewd woman, stern in her teaching, but very gentle at the same time. She was the kind of granny that snuck me pieces of candy when my parents weren’t looking. She let me stay up late playing music whenever I was staying at her place. I probably bugged my parents to let me stay there every weekend, just so I could play it and learn from her.”

“So you got into music young?”

You bobbed your head. “I fell in love the first time I heard her playing when I was a toddler. I had woken up from a nap one day, somehow escaped my crib, and crawled to the living room to watch her play for…man, I don’t even know how long. I was just…hypnotized.”

“She sounds like she was a maestro,” he snickered airily, though you knew he meant it.

You grinned widely, resting your chin on the curved cup of your palm. “She really was. I can show you some videos of her playing sometime, if you’d like to see,” you offered.

“I’d love to.”

─────•(-•ʚɞ•-)•─────

Satoru had been your student for a while now. 

He zoomed through the intermediate pieces into the advanced-amateur category easily, though seemed to plateau around there. Despite this, he was a wonderful student, always trying to improve himself and his skill. You knew he had it in him, he was only missing a little something he needed to tip him to the next level.

At one point, you had joked that he must have been purposefully holding himself back just so he could keep studying under you.

He laughed, and said nothing more.

By now, he reached a point where he would come in with a pep in his step, claiming he had perfected a lullaby he wanted to play for you before you started the session. You’d find yourself (politely) seated on your couch nearby, and would watch with a fond expression you didn’t know was there as he treated your piano with a touch more tender than even your own.

And you’d listen. He’d choose some of the prettiest, albeit not complicated, arrangements to play for you, and you’d find yourself slipping into a state of blissful peace. All your thoughts would drift away, and you’d absorb yourself in the music he played. 

A few sessions had been spent just like that, with him as your personal musician, and you couldn’t figure out why you felt so…happy.

You liked the emotion a lot, though, and found yourself looking forward to his every visit, anticipating the full body chills you’d get whenever he lulled you into that state of delighted serenity. You didn’t remember when you stopped charging him, and when you let him come in without knocking anymore. 

You also didn’t remember when having tea after each session became tradition, but you were grateful for the joy he brought you with his presence alone.

In fact, you decided to get him a small gift as thanks. For what exactly? His company? Patience? Entertainment? Whatever it was didn’t matter. It wasn’t anything big, either. It was a record you stumbled across while visiting a thrift shop recently.

You picked it up for two reasons. First, he divulged he had a hobby of collecting old vinyls. Second, he mentioned he had been searching for that specific record for a few years with no luck, saying it was the last one he needed to complete his collection from that particular brand. The moment you spotted it, you grabbed it and practically bolted to the cashier, uncaring of the price.

There was no way you were leaving it there for someone else to nab it before he could. It was the most reasonable option.

Which was why you were extra giddy to see him again.

You opened the door in the middle of him reaching for the handle, stunning him for a second. That bewilderment was quickly wiped away by an excited grin that surely matched your own.

“If I knew you’d be this enthusiastic to see me, I would have worn something better,” he quipped.

You snorted and waved your hand, stepping back so he could come in. “Am I not allowed to be happy to see my favorite student? You look good no matter what you’re wearing, anyway.”

“Favorite, eh?” He teased as he closed the door behind him, leaning down to give you a quick hug. “Now I really feel like I should have worn something fancy.”

“Oh, come on, it’s not that big of a deal,” you giggled, leading him to the usual spot.

“I dunno,” he hummed, a sly expression crossing his face. “Pretty big deal to hear that from my favorite teacher,” You rolled your eyes, smacking his chest weakly, to which he laughed openly. “Ready to get started, teach?”

What a gorgeous sound his laughter was.

“Actually,” you said, “I got something for you. Wait here a moment, lemme go grab it.”

He raised a brow but didn’t raise any objections as he sat down and tugged his tie to loosen it a few inches, saying that he’d be right there.

You had to resist the urge to skip to your room to locate the record and retrieve it from the drawer you had safely stored it in. It was your sock drawer, actually. You wanted to keep it somewhere protected while it tarried for its new owner. You sang the melody of your newest single quietly as you picked it up, inspecting the album cover for any indication that it had been touched since you last put it in there.

Pristine. Obviously aged, but in flawless condition otherwise.

Sounds from your living room brought pause to your actions right as you closed the drawer after dumping all your socks back into it.

…Was that music?

Frowning, you picked up the record and crept towards the source of the noise. You recognized it instantly – it was the most notable piece written by the notorious Gojo Saichi. It was considered the most difficult composition created within the last century or so. You’d listened to it on repeat occasionally, attempted it dozens of times, though you always fell short before the second movement started, which came early on.

Was Satoru watching a video? No, the melody was too clear and full to sound like it was coming out of a phone speaker.

Then…

You froze in the entrance to the hallway, stuck in place as you watched Satoru play the oeuvre flawlessly. From where you were standing, at an angle, you could see his precise actions and motions. Every note came to him as naturally as air, each shift in tempo as easy as blinking, down to the fragile, silk-like contrast that made the instrument sound as if it was a weeping widow, sitting on a window sill as she descanted to the moon, alone. 

His digits knew exactly where to go, when, how deeply to press, how to shift between fierce and floaty as if he was born to do exactly this.

As your eyes flickered from his hands to his face, you saw that his eyes were closed. He was doing what some musicians could only ever dream of achieving in their careers; he was uniting with the music, playing as one, letting it fill his heart, then pour out with every throb like the very blood in his veins.

The most complicated, difficult, astronomical concerto known to man in the modern age, and he was playing it like it was nothing.

Satoru must have sensed your burning gaping as his hues flickered open and his hands stilled over the claviature. He looked over towards you, his mien morphing into something resembling embarrassment.

You staggered closer. “That…that’s…that piece was…written by Gojo Saichi…” You mumbled, barely able to get the words out. You set down the record onto the coffee table, already having forgotten about it.

You were flabbergasted, rattled as you came to a stop at the side of the piano. He…how could he have played that so well? Wasn’t he barely in the advanced category? That was…that was professional, grade A, genius level music he played.

“Yeah,” he grinned, and you would have believed his show of being sheepish if the gleam in his eyes didn’t give him away. “He’s my dad.”

You sluggishly dropped onto your spot on the bench, peering at the keys but seeing nothing as you unpacked the bombardment of information you witnessed.

“That’s…the– that’s the hardest piece…even I can’t…”

“I know,” he rubbed his nape. “He basically forced me to stay up day and night playing it until I got it right.”

“But…how?” You tilted your head, peering up at him from the corner of your eye.

Satoru shrugged like he hadn’t just dropped a fucking bombshell on you. “I asked him to teach me when I was a teen,” You heard him say. “I’m sorry for deceiving you,” he apologized, not sounding very sorry at all.

“I…” You labored to find the right words. “Why didn’t you tell me?”

“Honestly?” He asked. You nodded, and he let out a heavy sigh. 

Instead of answering immediately, he stood up and pulled you to your feet as well, pulling you into the kitchen, where he filled your kettle with water and put it to heat up.

You desperately wanted to know what exactly was going on, but couldn’t find it in yourself to rush him. He went about methodically picking out both your mugs from your cupboard, tossing a bag of tea into both, grabbing the bowl of sugar on the counter, and setting it all down on the table while he waited for the kettle to whistle. He seemed lost in thought, while you had many and none at all at the same time.

You could only observe him as he picked his words carefully.

He finally began when the shrill noise of boiling water filled the room. “I don’t know if you remember – probably not, since you didn’t recognize me – but we actually did meet a while ago. I was a lot different back then,” he said as he poured the water into both mugs, afterwards placing it back on the stove and holding his hand sideways at roughly chest level. “Maybe this high, scrawny, kind of a douchebag,” he admitted with a chuckle.

You were still in shock over the whole situation. All you could do was silently urge him to continue by leaning closer, accepting the cup when he passed it to you. Heat spread through your fingertips, easing away the frosty feeling you didn’t notice set in.

“You were playing the piano in the music room at the school we went to together. It was…honestly, beautiful. I grew up with a famous pianist for a dad, but even he can’t make music sound as alluring and gentle as you can,” he continued, awkwardly holding his own mug. “So, when I saw you again a few months ago, I couldn’t believe it was you. I always wanted to ask you to play something for me when we were younger, but could never get the nerve to.”

As he spoke, the memories were beginning to filter in through the thick haze in your brain. 

You were so focused on writing music and learning to be a great musician like your grandmother that you never really paid attention to your surroundings or the people around you if they weren’t your granny, parents, direct friends, or music teacher.

From what you did remember, Satoru was always a confident, cocky boy, shameless and loud. To hear he was…shy about asking you to play for him was hard to believe.

“So, I finally let my dad start teaching me,” he rambled on when you didn’t respond. “I’ve tried so many times to replicate the song you played, but I could never get it right. I know it’s probably a long shot, but you don’t happen to remember what song that was, do you?”

You thought back, scraping the dust off your highschool recollections. There was one piece you had hyperfocused on perfecting during the last year there, determined to play it exactly as your grandmother had.

You never did manage to master it.

You set down the tea you had only sipped at twice and walked past him into the living room, heading to your piano in a sort of trance. You slid onto the bench, and set your fingers on the keys. Muscle memory took over, the gentle tune coming to life in…how long had it been since you last played this?

You let the music flow through you, gave it access to your heart, allowed it to peer into the deepest parts of your soul, and simply followed the path it created.

“Was it this one?” You asked quietly.

When you looked up at him, his eyes were wide, lips parted as he stared at you with nothing less than amazement. “That– that’s the one. Which– what’s it called?”

“It’s a piece my grandma wrote for my parent’s wedding,” you answered. “She didn’t tell me what it’s called. I’m not sure if it has a name to begin with. She played it for me once, and I,” you huffed out a short, choked chuckle, “I became obsessed. I spent every day as a senior trying to get it right, to play it like she did, but…”

Your fingers slowed into a stop as you looked at them blankly, recalling your attempts, and the disappointment that followed each failure. You memorized it after playing it just twice, but it didn’t help you reach your goal in the end.

You startled when his hand rested lightly atop of yours, his body partially leaned over your shoulder so he could look you directly in the eye. This close, you felt his light breaths as they brushed your cheek. You could see the exact shade and hue of the teal composing his striking irises, match the exact pace of his heartbeat to a sonata, hear him swallow nervously.

“Keep playing,” he rasped, sounding almost desperate. “Please.”

You obliged. How could you say no to him when he looked at you like that? When he requested it so feebly in a trembling voice that was close to cracking? How could you say no when you saw and felt firsthand how his body relaxed when you filled the room with the lilting melody once again?

The music hopped and glided, playful in some parts, somber and tranquil in others. He stayed right where he was, the heat of his stomach resting against your upper back, thawing the tension in your shoulders as his hands held them gently, thumbs rubbing circles into your tight trapezius.

In every way, the ballad reminded you of your grandma, of your parents, of your childhood spent trying to reach a point where you were truly happy with how you played each note.

But, if that was the case…

How come you saw Satoru’s eyes when you closed yours and listened to your own hands dance across the keys? 

Why did his smile, his laugh, his touch, his voice, his everything, come to mind when you picked apart every stanza and bar? If you put together all the notes a specific way and decoded them, you swore they’d spell his name.

Your hands drifted and halted as you reached the end of the lilt.

Or, rather, the end as you knew it.

There was a brief pause, then he mumbled, barely above a hum, “is that it?”

“Grandma never showed me how it ended,” you told him morosely. “She said she’d tell me ‘when the time is right’, but…she died before she could.”

He sat beside you and took your right hand into his. His fingers massaged meaningless shapes into the creases of your palm and the smooth plane of the dorsum. Neither of you dared break the silence, mulling in your own worlds.

Satoru was the one to cautiously cross the line of quiet, doing his best to not disturb it. He wrapped his left arm around your back, pulling you into his side while continuing to toy with your dainty digits.

“We’ll find it together,” he whispered.

─────•(-•ʚɞ•-)•─────

Truth be told, you never imagined you’d find yourself in this kind of place before – especially not in this position. 

Your hand hovered over your brow, shading your eyes from the brilliant sun as it shined low in the sky, kissing the horizon. Though it was setting, the approaching night was warm as ever. A pleasant breeze ruffled the fabric of your dress and caught the strands of your hair that managed to slip loose from the style your mother put them in. 

Stars were already beginning to dot the expanse above, glittering and so, so crystalline when you were this far outside the city. You never thought you’d get to see them so clearly, enough to point out individual constellations, and even identify Jupiter and Venus. 

You never had a reason to leave the bounds of the city before, so all this was a distant dream you might have had once when you were a teenager. 

But here you were, outside a lovely villa, surrounded by friends, family, and loved ones, miles away from where light pollution would dare to touch. The buzzing, lively chatter of dozens of guests filled the air; the clinks of glasses, the clacks of forks and knives on plates, all of it was so animated. You felt like you were in a sort of daze, overwhelmed with happiness to the point that it almost didn’t feel real.

A pair of soft lips pressed against your temple, drawing your attention to radiant, minty-ocean hues.

Satoru gazed at you with nothing short of pure, raw, true adoration. Like every fiber in his body, each and every singular cell, was dedicated to loving you.

“I have one more present left for you,” he murmured against your lips, giving you a chaste kiss right after before he stood up and raised his glass. He tapped the back of his knife gently on the side, creating a chiming noise that settled the ongoing conversations with ease.

Once all the attention was on him, he set both objects down and began speaking.

“I know we’ve already said it a lot, but I wanted to thank you all again for coming here to celebrate this day with us,” he said, turning his gaze to you. “This is truly the happiest day of my life – so far,” he added cheekily, earning him a laugh from the crowd. “So, before all the festivities end tonight, I wanted to do one last thing, if you’d all be so kind as to grant me this moment.”

Of course they would. Satoru was just that type of person. Charisma poured off him in waterfalls, charming anyone he spoke to without effort – you included.

He pushed back his chair, moving to leave. Confused, you grasped his arm and called his name.

There was a glint of something in his eyes, something you couldn’t identify, not with the light tingle of wine sitting in the back of your mind and the overstimulation of the grand day.

“Just listen, baby,” he whispered to you, then he was weaving through the guests, snaking his way to the grand piano situated off to the side of where everyone was situated. “This is a little song I heard many, many years ago, and fell in love with from the first few notes. I’d like to dedicate it to my mother-in-law, father-in-law, their late mother, and I would like to especially dedicate it to my lovely wife.”

Your mother gasped, grabbing your arm as soon as Satoru began playing the familiar melody of the diapason you had been taught ages in the past. It was the one your grandmother played for you, just once. It was the one she played for your mother and father for their wedding. It was the one you played for Satoru, once unknowingly, and every time after that intentionally.

The one he was playing for you now.

Your mother teared up faster than you did, reaching for a clean napkin to dab her eyes with while she waved her free hand at her face, trying to stave off the tears so that they didn’t smear her mascara, though she wasn’t succeeding. Your father was gently shushing her, rubbing her shoulder while he looked between you and Satoru with pride, and you…

You recalled the first time you heard him play the composition his father had written, when you still believed he was just an advanced player. Back then, you felt entranced.

Now, you felt completely spellbound.

You lifted yourself, carefully making your way between the enchanted spectators. Some clutched and squeezed your hand as you passed, and a few others breathed out little congratulations to you, not risking breaking the delicate atmosphere. 

By the time you made it to him, your vision was blurry, and he was playing the last line of bars.

The arrangement floated into the placid, halcyon evening, each individual note rising like a star to join the thousands that looked on with bated breath, protecting this little moment of clement apotheosis.

His hands swept across the final few steps, barely touching the keys at all. The concluding tone resounded, fragile and silk-like, followed by a second of calm silence before the crowd erupted with cheers, hoots, and deafening applause.

Satoru rose from the bench, encircling your waist with his arms and pulling you in for a deep kiss. It echoed in you, the sweetest lullaby, the happiest composition that could never be written down identically. It was one only the two of you could hear and feel, one only the two of you could dance, live, cry, laugh, breathe, and love to.

Of all the endings you ever tried to give that precious lullaby your grandmother had written so long ago, the one Satoru created was perfect.

Because you created it together.

─────•(-•ʚɞ•-)•─────

banner by cafekitsune ♥