#he just keeps making characters that speak to me personally

[whatdidtheydotomygirljinx]

Jinx just never really liked Vander that much.

One of the things that, to me, seemed like a main theme in Jinx's arc in season 1 was the contrast between her two families, and how her switch from Vander's daughter to Silco's drastically changes the way her personality takes shape.

And I hate that the fandom, and now the show, too, has reduced Silco to an unhealthy influence in Jinx's life, pushing her towards her "bad" side (being Jinx) when, for all his flaws... he gives her a better childhood than she ever had with Vander. The first three episodes of the first season, to me, when I watched them, illustrate quite clearly that Powder feels unhappy in her family life. She is the most mal-adjusted of Vander's kids. Her older brother constantly berates her, and it's quite clearly having a big effect on her self-image. She later takes up the Jinx name and persona once she feels like she has become irredeemable as a person. Her other brother never defends her. Vi is the only one who is there for her, and they care for each other, but at the same time you can see there's still a little insecurity in their relationship. Vi is worried that maybe Powder is indeed too weak, and Powder worries that maybe Vi does indeed see her as a Jinx like her brother does.

And when it comes to Vander... he's just not really all that present in her life. And I don't blame him, the man has four kids to take care of, on top of keeping things running in the Undercity. It's clearly not his intention. But it doesn't change the fact that he's not there for Powder, not as much as she needs. To me, when I watched the first season, it seemed like Vander was a figure that felt far away to Powder, someone that she admired but also feared being completely herself around, and someone that she ultimately wished to be closer to than she actually was. It's worth mentioning that Jinx never says his name post time skip, and he is not a hallucination for her, not until Vi brings him up in the finale. Hell, Claggor is somehow a hallucination for her and he never even speaks. Vander was just not an influential figure in Jinx's life.

I always found the scene at the end of ep3 of s1 fascinating, because Powder never once mourns Vander. She never once cries for him and never once says his name. When she sees his dead body, she becomes shocked and starts crying, but it's not actually what breaks her. What breaks her is Vi's rejection. Had it just been that she accidentally caused the deaths of her brothers and adoptive father, she would not have crumbled mentally. It's Vi's rejection that destroys her. Now, of course, a little girl that cares more about her sister's affection towards her than the lives of her family members is kinda messed up, but that's what makes her character interesting. And we can see that that little girl doesn't go anywhere, as Jinx displays the exact same one-mindness about her sister. Because Jinx and Powder were never really that different, after all.

She is quite clearly placed with her back to Vander's body, that she never turns to, barely looks at, only enough to recognize him and see he's dead, and never says the name of. She's turned towards Vi, calling for Vi, crying because of Vi, and no one else. Heck, Vi had just been crying over his body a few moment ago. Vi is clearly distraught over his death. Vi is devastated, she literally punches her sister and curses her in the exact worst possible way she can, in the way she know it will hurt her sister the most. But Powder... she just honestly dgaf.

So to then hear Jinx say this line in season 2...

...is just straight up jarring. I was pulled out of the story when I heard this. This is Jinx saying this to Vi. This kinda makes it seem like it was Jinx who was most attached to Vander, or at least that she was just as attached to him as Vi was. Which is just not how things seemed in the story at literally any point until this one. And then season 2 continues this way, and somehow makes Jinx seem like the closest daughter to Vander. Flipping Warwick literally acts more attached to Jinx than Vander ever did to Powder. Like literally. Season 1 clearly sets up that Vi is the favorite daughter, and then they just... flip it?? Warwick cares more for Jinx and responds better to her than to Vi. It's actually insane. It's true they sanitized Jinx's character to hell and back this season, but this is a straight-up rewrite. I can't wrap my mind around why they did this. Plus, the entirety of act 2 they set up this weird and pointless arc of Jinx rekindling her relationship with Vander or something... and like literally her story was genuinely never about that.

(This COULD have been Vi's story. And that might have actually been cool, and made sense. Maybe Vi is the one who finds him, and she is the one who helps him calm down. And then she brings Jinx, and maybe Jinx is terrified because she was never that close to Vander, and then she literally killed him, so seeing him again is the last thing she wants. Maybe VI is the one who tells Jinx that "he was your dad, too", which would make A LOT more sense, and maybe that's the first time that Jinx thinks that oh, yeah, he was... And then maybe they have a cute moment where Vander forgives her. Or maybe she sees the state he's in right now and loses it completely. Or maybe they look at each other and they both see the monster each of them has become. And then maybe Vi looks down at the enforcer uniform she's wearing, and, privately, sees it too. Idk. The things we could have had.)

Silco was actually a good dad to Jinx, in all the ways that Vander wasn't. He gives her all the attention that she never had before. He not only listens to her, but actively asks for her side of the story. He never insults her, and he defends her against Sevika. He trusts her and gives her opportunities to prove she's capable. She goes from being one of four siblings, and getting lost in the shuffle and often ending up feeling forgotten and alone, to being the most important child, always taken into consideration and almost put on a pedestal by her dad (this, like, has to have cured some inner wounds, i think).

Silco understands Jinx better than any other character in the show, and I'm genuinely sad that we didn't get to see any flashback of Jinx growing up with him. Because their relationship was so unique, and so integral to Jinx's character and to the rest of the story, that the fact that we never get to see any other glimpse into their bond is just...

As a final note, I'd also like to add that I dislike when people say that Silco "groomed" Jinx. I think a much more realistic analysis is that he enabled her. And as for all the times he tells Jinx that Vi "betrayed her", that's just a reflection of his own trauma, and also because he fears that if Jinx knew Vi was alive, she would go back to her and leave him (which, considering what goes down in the s1 finale, not an unfounded fear). It's wrong that he does that, but it's not out of malicious intent (also tbh Jinx never really seems to believe him anyway).

And for all the people who say that Silco "turned Jinx into a terrorist" (dumbest people in this fandom fr, im sorry), that's just straight up not true. Powder was already like that. That is quite literally why Silco adopts her. Because he sees that she's like him. Silco would not have taken Powder in if he thought she was just a cute, innocent kid who was orphaned (to, what, raise her for years so that, MAYBE when she's older, she MIGHT be useful to him? when they meet he doesn't know she's the one that caused the explosion, he just knows that she's been abandoned by Vi). This is the kid who thought playing around with explosives was a fun hobby. This is the kid who giggled at the thought of hurting others. This is the kid who already suffered from explosive emotions. This is the kid who saw her father and her brothers dead, because of her, and all she cared about was whether her sister was mad at her because of it. This is the kid who throws herself at the first person she sees, someone who her sister hates, who is the cause of all this destruction, and with an anger that shocks most viewers, declares that Vi is not her sister anymore. She is livid in that one moment.

Powder already had it in her from the beginning. And it's also ok to like a character (and to write one) even if they are not 100% morally pure in every single way under the sun, cause that is quite literally what stories are for.

[studiogrimm810]

Speak of the Devil

pairings/characters: sam winchester x gn!you, dean is also there

summary: you are taken by lucifer for over a week and sam damn near looses his head. when you are finally rescued, the trauma of what was inflicted on you has left it's mark and it's up to sam and dean to keep you put together

warnings: torture, ptsd, flashbacks, abduction, graphic depictions of said torture

word count: 4,571

A/N: soooo, i had this idea come to me in a dream but also i'm just obsessed with trauma bonding lolol,,i've realized that this idea is too complex (and comforting) to just do once/one part so i think i'm going maybe work on a part 2 or maybe even a part 3 (eventually) for this one as well...okay, thats all, thanks for reading my rambles!!! <3

———————

The nights were the hardest for Sam, everything so still, calm, settled- it made him itch. He ached for you, but there was only so much he could do.

Dean was in auto-pilot, trying his damnedest to get any info on your whereabouts but he always came up short.

All either of them knew was that Lucifer had you and that was enough to make Sam sick to his core. He knew damn-well what the devil was capable of, he spent over a century learning of just that, so to think of the person he loved succumbed to even a fraction of that made him irrational.

It has now been over a week since you were taken and the boys are finally following up on their most helpful lead at the moment, pulling up to an empty hospital in a desolate neighborhood of Denver.

The building was a classically looking rundown hospital- windows shattered, paint chipped, doors broken in. The sight made Sam’s skin crawl. Usually, he wouldn’t be so affected by the sight of an eerie building but to think this is where you’ve been all this time rots his insides.

Sam takes the lead on this one, wasting no time to break through the front doors and let his eyes scan through the halls. Dean doesn’t say a word as he just lets his little brother storm the halls. He does make sure to be extra vigilant, hoping to catch anything Sam might miss on accident.

They make their way through halls and up staircases, ducking into every room for any hint of you.

The maze of halls inevitably makes Sam’s internal compass spin haphazardly as he starts to lose his placing. Standing at the end of one hallway that spans out into two new hallways, he’s frozen. Dean almost bumps into him as Sam stands still, his hands shaking but body stiff.

“Sammy?” Dean tests, trying to peek around him to get a read on Sam’s face. “Hey,” he calls more sternly this time, placing a firm hand on Sam’s shoulder to spin him towards Dean. “Talk to me.”

Sam turns to face his brother, his features melted into complete helplessness and loss.

Dean knows this look all too well.

His baby brother needs him.

“I don’t know where to go- I don’t-,” Sam shakes his head, his glossy eyes darting between Dean’s own. Dean’s features remain stiff as he takes in his brother's pain, clenching his jaw.

“They’re here, they have to be, and we’ll find them,” Dean states, commanding it to be true. Sam’s heartbreaking contort of painful fear makes Dean’s fury build, to think that not only did someone mess with you, but also his baby brother. It was enough to fuel out just enough confidence to not break down for Sam. “C’mon, pull yourself together,” Dean barks after a reassuring squeeze to Sam’s shoulder, his support being physical and not vocal.

Dean now takes the lead, choosing to go to the right. Sam follows close behind, his breaths so shallow that he doesn’t think his lungs are getting the proper amount of oxygen, but it doesn't seem to matter to him right now.

Another series of halls and rooms digs a deeper pit of dread between the brothers, but Dean refuses to quit for his brother.

They make their way to a staircase that leads to the top and final floor of the building. This has to be it.

Dean sneaks up the stairs carefully, looking up the hall to see a beam of light coming from a room on the far end. Dean turns his head to look down the other side to see nothing out of the ordinary. He quietly steps into the hall and motions for Sam to follow and stay quiet and close to the wall.

When Sam sees the beam of cool light his stomach flips with hope. He could almost feel that it was you in that room.

Halfway there, the brothers hear voices and Dean immediately signals for them to stop.

“He’ll kill ya, I’m tellin’ ya,” a masculine voice warned, which was followed by a more feminine groan of annoyance.

“He would never notice,” the second voice counters, seemingly as a whine.

“Just shut up,” the first voice sounds completely annoyed and down with their partner.

Dean inches closer, step by step, until he reaches the doorway and leans in just enough to see two figures that the voices are coming from. One is sitting in a chair in the far right corner and the other is standing next to a bed while fiddling with a small dagger.

That’s when Dean sees you.

You’re neatly tucked into the bed, a clean and tidy hospital bed with icy white sheets draped over most of your body. Your arms are laid out on top of the blanket, one having a drip of some liquid stuck in your arm. Your face is completely peaceful and devoid from any discomfort.

Dean presses back into the wall and looks at Sam, giving him a curt nod and signaling to get ready. Once Dean gets out his demon blade, he checks to make sure Sam is ready and then he attacks. Storming in and grabbing the farther guard, pressing the blade to its throat and scowling up at him.

“Why did you take them? Who are you!?” Dean roars, keeping his face a stone of anger as he seethes. The man with the masculine voice under Dean’s hold just scoffs with a cocky smile.

“I’m just workin’ a job, bitch means nothin’ ta’ me,” he licks his teeth, sizing up Dean.

“Who do you work for?” Dean emphasized with a mocking sneer. Both him and Sam needed confirmation that it was actually Lucifer who took you.

“I’m not at service to tell,” the man exaggerates with a sarcastically snooty eyebrow raise, trying to sound smart and ‘proper’.

“Too fuckin’ bad,” Dean wastes not time stabbing the man deep through his chest and watching as the skeleton underneath flickers like an electric surge of burnt orange and yellow.

Sam is quick to pin the demon he has to his chest so that Dean has a clean shot to her chest as well, killing her in the same fashion.

The body’s slumped to the ground with smoke rolling out of their mouths and eyes as their corpses are now just an empty shell. Neither brother cares to give a second glance since you’re still hooked up to some IV drip and completely unconscious.

“Hey, hey,” Sam coos, gently cupping your face in his hands, already shedding a few free tears. “C’mon, baby, can you hear me?” Dean grabs the bag to examine it but can only tell that it’s a clear liquid with no labels or indicator. Dean reaches down and carefully pulls the needle out of your arm and presses a piece of the blanket underneath you to the small bead of blood that follows.

The most bizzare thing about this whole setup is the lack of physical evidence of anyone hurting you. The only blemish they could see was the small bruise that surrounded the mark of the needle that Dean just removed. Both of them thought that after you had been gone for so long you’d at least be somewhat damaged, but why would someone take you just to keep you asleep in some abandoned hospital?

What was the purpose?

Somehow this was more terrifying to Dean.

Sam still hadn’t really taken the time to look you over or assess your situation, he was too busy with trying to wake you up.

“Sammy, they’ve been drugged, they’re not gonna wake up just yet,” Dean said softly, realizing Sam needs this moment, “we need to get them out of here.”

Sam sniffles and nods softly, not taking his eyes away from your closed lids.

“Can you carry, ‘em?” Dean asks, looking over his shoulder to make sure they’re still alone.

“Yeah,” Sam’s voice comes out hoarse, his shoulders burdened with worry and ache deep in his chest.

“C’mon,” Dean urges, turning to keep a lookout while Sam gets you situated. Thankfully, you’re fully clothed underneath but Dean avoids you both to preserve your privacy.

As Sam peels back the blanket he’s especially relieved that you’re still in the same clothes he last saw you in, somehow you looked even neater though. The shirt you wore had always had a small tear at the bottom hem but you refused to stop wearing it- now that tear was gone. So were the scuff marks on the knees of your jeans and even your hair looks silkier than usual.

He tries to push away any reasoning of why you seemed pristine.

He instead scoops you up and tucks you close to his chest the best he can, placing a soft kiss to your forehead and following Dean out. He murmurs soft reassurances and praises to you even if he knows that you can’t hear him, he still hopes that you can.

“You’re okay now, I’ve got you, sweetheart,” he kisses you again, keeping his eyes ahead of him and darting around to make sure there are no immediate threats to you.

Sam doesn’t let go of you even when they get to the Impala, even when he and Dean settle on making it a straight shot back to the bunker. Sam doesn’t care if he gets uncomfortable or too stiff because he cannot let go of you, even if he wanted to.

He settled in the car to still have you placed in his lap, arm still cradling your back and other drapes over your legs, holding you close and keeping you secure.

Dean steals glances back at his brother, Sam has barely looked up from you. Occasionally, a few tears fall and Sam will start sniffling, but then it fizzles out until he’s completely silent again.

Hours of driving and you’re still not even responsive and that continues to make Sam sick but he shoves those feelings down because he has to focus on getting you back in your bed at the bunker.

That’s his next step, getting you set back up in your own bed.

That’s all that matters right now.

He doesn’t remember falling asleep, but he’ll always remember the way that Dean beckons him awake- his voice softer than Sam has ever heard him before.

And that makes him feel a little worse, if he’s being honest.

Sam settles you back up in his arms and cradles your stiff body out of the Impala. He blindly follows Dean, now keeping his eyes down on you, silently praying that you’ll just wake up already.

Once he gets you completely settled in yours and his shared bed, an overwhelming sense of dread washes over him.

“Please, baby,” his words interrupted by a stifled sob and he reaches a hand up to cover his mouth, “just wake up,” he begs softly, pushing some hair out of your face and running his thumb over your cheekbone.

He would wait by your side until you finally did just that.

———

White hot. A rod of white hot pierced your stomach for what felt like the hundredth time. It twisted, wrapping your intestines up like a fork in spaghetti. You scream out in pure agony, your eyes lolling open to look down at the rusted pipe that’s lodged in your abdomen. You cry out, biting your lip and sobbing at the sight of your blood dripping out of the end of the hollow cylinder.

Your stomach looked like a pile of ground meat, flooded with blood and singed skin, the stench flaring your nostrils.

You see a hand wrapped around the exposed end and you follow it up to see burning red eyes staring back at you with a hungry smile.

Lucifer himself had subjected you to his torture for what felt like weeks and you were starting to give up any hope at being rescued.

He pulls out the pipe and flicks your blood off the pipe with a laugh that ripples up your spine like clawing bites. He spins his other wrist and just like that the pain is gone- your stomach completely patched over with fresh, unharmed skin.

He pulls back the pipe to hover it over an open flame and then he moves it to leave rings of burns along your exposed skin.

The pain- it’s too much, it’s too much.

You tug against your chains, hoping it’ll just come loose and unravel you out of this nightmare.

As you look back into the Devil's eyes, everything seemed to fade around the glowing red, like a light at the end of a tunnel. The eyes merge into one beam and they slowly dissolve into bright white.

The sounds of his laughter echo and the hold of the chains wrapped around you loosens.

You feel heavier.

You feel… awake.

Your head is strictly iron weight, keeping your body pressed into the soft cushion beneath you.

Soft.

It’s actually soft and you could cry.

Warm.

Oh, it’s warm too. Your fingers instinctively curl into the sheets under you, holding on tight so that you don’t float away from this sliver of paradise that Lucifer has seemed to slip you in.

You refused to question his methods because the peace you felt- no, the bliss was definitely something you’d take advantage of.

You hear your name being called and the sound spikes you out of your trance and sends your heart out of your chest.

There’s some rustling sounds and your name is called again and you feel absolutely hopeless. You can’t go back, please- please. You just got here, you just started to feel okay.

A large hand cups your face and you snap your head away with a sharp inhale, pushing past the heavy weight in your bones and letting your adrenaline surge your movement.

“Woah- hey, okay,” the voice says softly but you don’t even entertain it with patience. You get your eyes open and look around the room quickly. Upon realizing your hands are free from chains, you sit up and hold them to your chest, wrapping your wrists with your own fingers to bind them protectively. Your hair falls in front of your eyes and you refuse to move your hands away from where they feel safe so instead you try to flick away the stands so that you can see.

Your heart is racing and ears ringing, disorienting you further. You barely recognize the eyes staring you down- Sam?

Your chest heaves with frantic breaths as you stare up at him, back pressed to the bed frame behind you. You look around and see that you’re in your room at the bunker.

What? Is this real?

Sam freezes at your reaction, holding his hands out trying to reassure you that he’s not a threat.

“H-hey, it’s okay, you’re okay,” Sam nods, keeping his eyes glued to yours. You make no effort to move, this all just feels wrong.

You look around the room to find you’re both alone. Where’s Dean? If this were real, wouldn’t he be here too?

The door creaks open.

Speak of the… too soon.

Dean's head peeks in to check on Sam but he becomes fully alert when seeing the urgency of Sam’s stance.

“You’re awake,” Dean breathes out relieved, wanting to progress further and hug you but as he takes one step too close your back presses further into the wall behind you with a small whimper.

Your whimper cracks away at Sam’s chest.

“What-?” Dean starts to say but he can’t finish the thought.

“Honey, it’s just us, we’re not gonna hurt you,” Sam shakes his head, letting his eyes look over you for any signs of physical distress.

You swallow thickly as you look between them, a lump building in your throat as you try to choke back a sob. You continue to look around, unable to comprehend where you just woke up from, was it all just a dream?

“A-Am I dreaming?,” you breathe out, your voice unsteady and wavering. Sam and Dean share a quick glance but Sam returns back to you with a frim shake of his head.

“No, sweetheart, you’re awake, this is real,” Sam assures, tilting his head down to keep his eyes level with your unsure ones.

“Awake?” You echo, letting your eyes flick down a bit as you try to gather your thoughts. You look back up at him.

Him.

“S-Sam-.”

“Yeah, baby, it’s me,” he nods, wanting to inch further but too afraid that he’s going to scare you further, but the way you break down- slumping against the wall- he can’t help himself. He reaches out for you and wraps his arms around you, pulling you in close.

You unhook your binding hold on your own wrists to wrap around his neck. He just lets you cry as he rubs a free hand up your back.

“You’re okay, sweetheart, you’re okay,” he murmurs into your ear. You pull away to look at him again and let out another sob- this one of pure relief. You smile up at him, barely believing this is real but know that deep down it really is.

“Sam,” you exhale, holding his face in your hands so you can really feel him. “H-how did you find me? Where even was I?” You question, wanting to know why the transition from Lucifer’s torture to this felt like waking up from a bad bad dream. 

“Denver, we found you in Denver,” Sam explained, smoothing down some of your hair and appreciating your waking form with every flicker of his senses. “You were kept in some room and had been given medication to keep you asleep, I don’t know how long you’ve been out but we found you almost 20 hours ago,” Sam’s face saddened at the memories but forced those away to focus on how you’re right in front of him now.

“What? I’ve been here for almost a day?” You ask, brow pinched in confusion. Sam nodded.

It didn’t make any sense, you JUST saw Lucifer.

“What about… Lucifer.?” You ask, almost whispering, “where is he?” You asked, starting to feel on edge. You push away from Sam enough to look behind you and all around.

“Woah- okay, you’re safe. Lucifer isn’t here,” Sam says, startled by your sudden shift.

“N-no, he’s here- he has to be,” you stutter, your hands starting to shake and you instinctively bind your wrists to your palms again.

Sam swallows but keeps a firm hold on you, his own past trauma bubbling back up from its hidden pot that he keeps stashed miles away from his regular train of thought. His mind raced through the thousands of scenarios that the Devil put him through and to think of you experiencing just one of them made his heart ache.

“Hey, no one but us is in this bunker,” Dean steps in, trying to be the face of reason for the two under his care.

“What happened?” Sam asked, not acknowledging Dean but just wanting to hear from you. You look up at him, trying to organize your thoughts.

“No,” you shook your head, backed away and rubbed your forehead with your hands, “No, he- I just saw him, he has to be here-.”

“Honey, I promise you that you’ve been here for almost a day and no one else has come through. It’s just us,” Sam explains, his hands on your thighs as he tries to continue to assure you that you’re safe.

“But I just saw him,” you whisper as if you can’t believe it, your eyes drift as you try to shuffle through your thoughts and memories of the past few weeks.

“You’re okay, I promise,” Sam says, keeping his eyes locked on you, “Are you hungry? Thirsty?” At the mention of food, your stomach growls.

You nod softly and Dean offers to get some food for you three, hoping that giving you two some privacy will help calm you down a bit.

“Thanks, Dean,” Sam nods at his brother, simply sparing him a momentary glance so that he can keep his focus on you. After Dean leaves, closing the door behind him, Sam asks you another question, “what happened during that week?”

Your confusion is evident as you bring your eyes back up to his, “week? Have I been gone only a week?”

“Yeah, well 9 days technically, but we found you without a scratch,” Sam explained. You could see the dormant fear of what the hell happened to you during that time, “the way we found you was as if you were being preserved.”

You shake your head, not completely understanding.

“No, Sam, he’s been torturing me- constantly,” your words tremble and you continue to rub your own wrists to keep yourself grounded. “H-he would hurt me and hurt me until he needed to erase it all to start over again, h-he wouldn’t stop,” you shake your head, your words spewing out like a fire hydrant cracked open by the ram truck of emotions that went at it full force, “a-and it was weeks, Sam, it felt like weeks and he wouldn’t stop,” you choke out, rubbing your wrists raw.

Sam doesn’t know what to say but he’s worried about the burn you’re giving yourself on your wrists so he reaches out to gently hold your forearms, hoping to separate your hands.

“Y-you’re okay, now, baby, you’re safe,” Sam tries to keep his composure, trying to be strong for you.

“Sa-Sam, the things he-,” you couldn’t even get the words out but Sam practically read your mind. He quickly pulled you into a tight hug, keeping his arms around you protectively. His insides tremble with a whirlpool of fear, regret, trauma, pain, love, and god- so much more that he can’t even focus on right now. But his bones refuse to let him shake, keeping a sturdy hold on the love of his life and hoping that it offers some sense of security or comfort.

“I know, baby, I know,” he spans his hands out as wide as he can to cover every possible inch of your back. “You’re okay, he’s not here anymore, you’re safe,” he lets his palm run up and down the top of your back, right over your spine, and usually this would calm you but once he got too close the nape of your neck you recoiled away, tensing up and refusing to let his hand meet the skin.

He has to force bile back down his throat because he immediately knows why you had that reaction. Something that Lucifer would do to Sam in the pit was grabbing the back of his neck and piercing the scruff to a hook in the cage. Lucifer would often tease the method by tickling up Sam’s neck and digging his nails into the skin, just the thought makes Sam dizzy again. Has Lucifer done the same to you? Sam thinks, forcing his hand back down the span of your back to hold the spots where he only felt safe being touched after his time with Lucifer.

“I’m so sorry, baby,” he murmurs, pressing a soft kiss to your head. You continue to shake in his arms, trying to piece together why you and Sam have different explanations for your time missing.

You both stay like this for a while, Sam not wanting to let go and you not wanting him to. You end up tangled together on the bed in a peaceful silence. You really didn’t want to talk about what happened or really even think about why or how it did. You were more than content to be in Sam’s arms again, pressed to his chest.

The sound of the bunker door opening made you flinch, worried that it could be anyone or anything. Sam’s hold on you tightens softly, letting his fingers grip your hip a bit deeper.

“It’s okay, honey, it’s just Dean back with the food,” Sam's voice low and sweet. “Let’s go eat, hmm?” He pulls back his head to look at you better. You’re hesitant to leave the safety of your room but you’re crazy hungry so you nod and sit up. Sam keeps his eyes on you as you push up and go to stand. He feels like he needs to constantly keep an eye on you, afraid of what will trigger you out of nowhere.

The two of you meet Dean in the kitchen, Sam keeping his hand on your lower back to guide you through the halls of the bunker.

“Got you a bacon burger with all its greasy goodness,” Dean smiles, hoping his attitude can help lighten up the tension a bit. The small smile that blesses your lips rewards him of that.

Sam pulls out a chair for you, the side of the table that is closest to the corner of the room so you don’t have too much free space behind you.

Despite the hunger gnawing at your gut, you can only pick at your food. You eat a few fries and tear off pieces of your burger. Sam worries when he sees this, but he understands how difficult it must be for you right now so he doesn’t comment on it.

Dean has just polished off his food and Sam made it halfway through his before calling it quits but you’ve barely made much of a dent. Dean gives Sam a silent question, asking if they need to discuss anything now or if it should wait. Sam doesn’t honestly know, but due to how tired you already seem he thinks he’ll just help you to bed and talk with Dean later. That way they can come up with a course of action and recovery for you.

“Are you tired, honey?” Sam asks after wiping his hands with his napkin and setting everything aside. You nod, pulling your eyes up from where they’ve been planted to your plate while you ate. Your eyes plan to go to him but they land on a messy figure across the room with glowing red eyes and that same awful smile that’s burned into the backs of your eyelids. You jump back, your chair scraping the tile on its way to the wall behind you, you take a quick gasp of air and your fear fuels hot tears to your eyes.

Dean instantly looks back to where your eyes lead and so does Sam, standing to guard you from whatever threat it is you see, but they only see the far end of the kitchen where the stove clock flashes the time and nothing seems out of the ordinary. Sam snaps back to you to see you frozen in fear.

“Baby? What is it?” He asks, crouching down to your level and reaching out for your hands.

“H-he’s here, it’s him,” you stutter, gripping your wrists tightly again. Sam looks back out into the room to see absolutely nothing out of the ordinary.

“Who? Honey, there’s no one there,” Sam shakes his head, scanning over your face for any hint of what’s going on.

No, that can’t be right. You see him. You can actually see him. You drag your shaken eyes to look up over at Sam, mouth slightly agape and tears dripping down your cheeks, “y-you can’t see him?”

———————

thank you so much for reading!! <3

>pictures are not my own, i have the originals linked here (pinterest) >>check out my other works here

[kanyerealdaughter]

#ASS OR BOOBS PT ||

characters | gojo satoru , choso kamo , nanami kento , hiromi higuruma.

sexual content (fem,reader) - part one here.

—————————————————————————

SATORU GOJO - " gojo which one do you prefer more ass or boobs..?"

" huh?" caught off guard by your question, satoru lets out a snort but he pauses, thinking for a moment before speaking.

" both."

" noo you gotta pick one satoruu.."

" you're seriously going to make me pick? hm." an amused hum escapes his throat as he pretends to contemplate over your question.

" why do you even want to know? trying to figure out my type in women?"

" maybe... just pick one..!" you rolled your eyes getting fed up

" damn, you're impatient." satoru lets out a sigh, he pauses for a moment before speaking again.

" ass." he murmurs, finally giving you a clear answer.

—————————————————————————

CHOSO KAMO - " choso do you like ass better or boobs..?"

" uh- what kind of question is that?" he asked, a blush tinging his cheeks as he shifted uncomfortably.

" cho it's okay just pick one.." you giggle quietly as you see him blush.

choso's lips curled into a slight pout, slightly annoyed at your insistence.

" why do i have to pick? i-i mean, it's not like it matters or anything." he muttered, avoiding eye contact with you. but, the more he thought about it, the more curious he became. after a brief moment of silence, he glanced back at you, his cheeks still flushed.

" i don't know...both?"

" only oneee..!"

" fine." he said, his voice reluctant. "if i had to choose... i'd pick boobs.. w-wait.. i don't know..." choso let out a defeated sigh not knowing which one to pick he loves both equally.

—————————————————————————

KENTO NANAMI - " kento...?" you called out to him looking up at him in the same bed.

" yes? is there something troubling you?" his arms remained firmly wrapped around your waist, keeping you in the comforting embrace. nanami's expression softened.

you shook your head no. " no i just have a question..."

" go ahead. you can ask me anything." nanami's voice was gentle yet firm, he gently ran his fingers over your back.

" um do you like ass or boobs more..?"

nanami's face turned a subtle shade of pink at the unexpected question. he had anticipated something more serious to be troubling you. clearing his throat, he collected his composure, trying to maintain his usual calm demeanor.

" well, that's... unexpected." nanami rubbed the back of his neck, contemplating how to response. after a moment, he let out a small chuckle, unable to hide his amusement.

" honestly, i prefer personality."

“ okay so ass..?” you giggle knowing deep down you was right.

—————————————————————————

HIROMI HIGURUMA - " hiromi...?"

" mm..." he mumbles against your, his grip on your waist tightening. " still sleepy, babe." he peppers your shoulder with kisses, pressing his chest against your back. his breath fans against you neck, still a little morning groggy.

" well wake up... i gotta question.." you said trying not to say rudely but this question has been on your mind all night.

he lets out a soft huff, burying his face in your shoulder.

" it's so early..." he whines against your skin, not really wanting to leave the comfort of your arms.

" can you ask later?"

" do you like ass or boobs better.?" you blurted out.

he blinks in surprise, suddenly much more wide awake. he goes still for a moment.

" you're... asking me that now?" he asks, pulling back to look at you.

you nodded waiting for his question

he studies you a moment, his gaze roaming over your face. seeing that you're serious, he lets out a light huff.

" if i answer honestly... will you just laugh at me?"

" noo i won't i promise..!"

he gives her a doubtful look but answers anyway. he's terrible at keeping secrets from you.

" promise you won't make fun of me?" he asks again you nodded slowly.

he lets out a soft hum, his tired gaze watching you tracing his jaw. he turns his head, leaning into your touch as you runs over his skin.

"... i like your hips." he says finally.

𖣂 KANYEREALDAUGHTER SPEAKS - if i missed anyone lmk.. i’m not sukuna tho . *reposted*

words - 0.7k

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copyright ©️. ᴘʀᴏᴅᴜᴄᴛɪᴏɴ . «

[your-unfriendlyghost]

I’ve been seeing a lot of things talking abt how Steve’s dad being an alcoholic and is this confirmed or smth or did we all just become a hive mind on this??? Because it does say in the book that Steve doesn’t have the greatest relationship with his dad but I don’t remember anything about alcoholism? Did I miss something In the text or was this something confirmed outside of the book/movie I don’t know about??

Good question. Instinctually I wanted to say it was canon, because it seems so engraved into his character for me, but yeah no I just re-skimmed the book for it- All it says is that Steve's dad “...told him about once a week to get out and never come back. It kind of bugs Steve, even if his old man does give him five or six bucks the next morning to make up for it." (Pg. 105)

So yeah I guess that's just a headcannon then/mass hallucination lol.

I mean, it is a solid theory, considering alcoholism is something that could easily lead to erratic behavior like that- I mean, kicking your son out at night but feeling guilty(?) enough to give him $5/$6 by morning? (Keep in mind that's roughly $50/$60 in today's money!) It definitely seems like the sort of actions that'd be brought on by angry drunkenness and then regretted* once he's sober, so I can see why folks flocked to it. But uh yeah it's not technically canon! Ig it's just as possible that his dad just has serious rage issues, completely on his own.

*I'm using "regret" loosely here. To me the money is because of regret, but one could argue that it's more just to keep Steve quiet. I'm gonna stick to thinking of it as guilt though, because the messy human-ness of that is more interesting to me personally

Speaking of which, I think a similar mass hallucination is the idea that Steve's mom abandoned him! This one's less extreme as I think more folks know it isn't canon, but it does still feel relevant to the topic lol. This is a headcannon I only go for sometimes, but a lotta us treat it like it’s canon when it really isn’t. She’s never mentioned, for all we know she’s like, mom of the year or whatever. (Well ig not mom of the year considering Steve’s always being kicked out…but that’s another can of worms lol)

[doodler16]

an anonymous asker already said this on chais blog but its worth mentioning again since someone brought it up - what stolas did in apology tour is a technique often used by narcissists called "triangulation". simplypsychology.org states: triangulation in relationships refers to a communication pattern where one person (stolas) avoids direct interaction with another (blitz), instead using a third person (verosika) as an intermediary. this can create misunderstandings and conflicts, often serving as a manipulative strategy to control or gain power. triangulation typically entails a dynamic where the victim (blitz) and persecutor (stolas) engage in conflict while a third party (verosika) assumes the role of the rescuer. (ex; "how you doin', baby? you holding up okay?" "tell us all about your experience with blitzo. that cock sucking motherfucker! c'mon baby, speak from the heart, we all here know how you feel." (they dont know that they dont,) followed by stolas not truthfully going into details and claiming that he thinks "it ("it", being their full moon deal,) didnt mean a thing at all" when yeah, i sure hope your "favors for favors", your "transactional fucking" DIDNT mean a thing romantically, thats a weird and entilted thing for him to think.) this creates a communication triangle, often exacerbating conflicts and misunderstandings, serving to control or divert attention from the core issues. (the full moon deal,) it is problematic because a third person (verosika acting like stolas has been severely wounded by blitz when the reverse is far more true,) becomes intertwined in a situation that should be between the two individuals participating in the conflict. (again, the full moon deal,) it is a strategy emotionally unstable people can use to influence a situation. triangulation is often an attempt for individuals to try and possess control of a situation (stolas being confronted on his behavior by blitz directly and him understandably demanding confrontation because he feels he deserves it after yeah, like he says, everything stolas has put him through in s1, and even s2 tbh,) and seek advantage from it in the form of loyalty or attention from the other parties. (which in this case is literally just the anti blitz party,) it brings difficulties and confusion because too many people (again, anti blitz party,) can get involved, raising the risks for the occurrence of harmful behaviors. (these people festering on their feelings EVERY YEAR on halloween, literally making pinatas, voodoo dolls, an entire cake of blitz they mutilate, which is all portrayed as a rightfully batshit crazy thing to do, but also not towards the end of the episode when they need to make blitz seem like a dick who actually deserves this treatment,) if verosika wouldve been disgusted and been able to relate to feeling used like she felt used by blitz for sex due to the lack of reciprocation, just imagine how an entire party of people who felt used by blitz would feel if they knew about the full moon deal, ESPECIALLY since theyre all imps of some kind. stolas is the real motherfucker here, and that bird wouldve been burned like a goddamn walmart roisterer chicken if at any point blitz had revealed himself on stage at the party, which would be more in character then him letting his self loathing get the better of him when it comes to stolas, and said, "YOU shouldnt even be allowed to be here, bitch! why do you count as an ex when THE ONLY THING we did was FUCK, because YOU MADE ME FUCK YOU?! how the FUCK was i supposed to keep my business afloat without your fucking fancy ass book that let me up to the human world?! THATS why you made me pound your pathetic bird pussy on the full moon every month! and now you wanna act like what we had was actually a RELATIONSHIP?! WELL, FUCK YOU!"

Reading this really makes me want Stolas as a villian that IMP can overcome and kill. Stolas is such a professional victim that it’s not even funny anymore. I really wish Blitz said that instead of watching Stolas, Vortex, and Verosika sing how Blitz is a motherfucker.

[conceptofjoy]

yay the post i said id make about the blood aspect and why every vantas exudes blackness. is this a vantas only thing, or a blood bound thing? let me start by saying, you can make white or white coded characters blood bound, that's not what i'm trying to get across. it's just that blood as an aspect, when put through the lens of race specifically in america is just so fucking black.

redirecting you to the karkat specific, "why do i think he's black" thing :)

i get that the extended zodiac is kinda horoscopey, but like just a refresher on blood as a thematic element. you know how the majority of the exposition about the ancestors hinges around the signless and his civil rights movement? the fact that he tried to change alternia sets up the web of characters and reasons for them meeting in the first place.

you literally only need a rudimentary understanding of american history to know about the civil war and the civil rights movement. its not a secret that people who are oppressed form groups to protest their second class status. its also not a secret that major movement leaders get assassinated by people in power to keep that status quo, and their deaths never mark the end of their message. was hussie trying to do an mlk and malcom x parallel with the signless and summoner? LMFAO PROBABLY. that kinda just cements how inescapable race is when you're making an american centric comic.

i can end the post there lol, but here comes the question about where KANKRI fits into all of this... its tough explaining this really, if i call him one of those talented tenth believers to a black person they would just nod and be like ohh yeah... hm.

ok you know how there r some gay cis men who get away with some crazy misogyny but thinks it cancels out because they're gay? there is still something at the end of the day to be gained because they are men. it doesnt matter if they are seen as lesser than, as long as they can "pass" then they can get a spot at the leopards eating people faces party. FOR NOW. nothing that kankri says does he really mean fully. there's something to be gained by telling a woman why are you raising your voice?? when you mow them down with bullshit and they realistically get upset. he's a hardcore lib with conservative leanings.

actually speaking of, the commodification of unity. alternia's a capitalist and colonialist wheel, every instance of comradery comes in the form of quadrants, or how you serve the queen. karkat wants to be a threshecutioner and form bonds that way because he cannot think of anything different. kankri commodifies his own identity so he can be misogynistic and ablest. the signless breaks free from those preconceived boundaries, and tries to instill change to the system.

i dont rlly have a structure for all this or a note to end this on, here are some prev posts from a few days ago where i was thinking about the subject. 1 2 3

[raven-at-the-writing-desk]

I always repeat it but I truly love the way you write Leona ☹️ you portray not only his personality but also his inner thoughts and how he processes information around him so well... I love all your writings but specially your Leona related works (sorry for being very much biased)

I hold your Leona interpretation so close to my heart 🤲💛 I often see a lot of mischaracterization (and I kind of get it- he's hard to decipher sometimes), so seeing such a good portrayal that I feel encapsulates his whole being is so important to me ☹️☹️

[Not sure if this is feedback in response to a particular writing piece I did, but just in case, this Leona interaction was the most recent one before receiving this ask.]

cbjddbwkkeoqhd Thank you!! I try to do the same thing Yana did when first conceptualizing the Twst characters… I try to put myself in their shoes and wonder what it must be like to be them in a given situation. The example Yana provided in one interview was something along the lines of, The poison apple didn’t want to be poisonous, but the Evil Queen forced it to. How did that make the apple feel? I want to think about not only how someone would speak, but also about their body language, their thoughts, their emotions, previous interactions in similar scenarios, their life experiences, their goals, their strengths and their flaws, how those can color their perception of others and the world--everything that makes up a character! I also aim to make my dialogue distinguishable, even if there's no name attached to it. If you can swap out several other character's names and the dialogue still works, then the intended character's voice isn't coming through strong enough and I rewrite it from scratch. If I write "You've earned my brother's respect," that's not good enough for me. It has to be “Oh, would you look at that. You’ve gone and earned my dear onii-sama’s respect and admiration. How good for you," to properly convey Leona's sarcasm and haughtiness.

The Twst characters are all very complex and multifaceted (particularly those we're given the most detailed backstories about *stares at the OB boys*), and there's also tons of content to comb through between the all the characters, main story, vignettes, events, and additional materials (interviews, art books, mangas, light novel, etc.). As a result, it can be easy to overlook elements of a particular character or to simplify/condense characters--either making them the extreme of being too cruel or the other extreme of being too kind--to make them easier to write. It takes time to nail that characterization, so I encourage my fellow writers to keep trying ^^

To speak a little more about writing Leona! It's honestly hard because you have to balance his arrogance with his lack of motivation and his depression-like beliefs about himself without whiplashing between those components. He's also very intelligent, and those kinds of characters can be difficult to do, especially for inexperienced writers. Leona works in subtle ways to get what he wants, and you have to find a way to communicate that between himself and the reader, but not give away what he's scheming to the other characters involved, who are not in his headspace. Then, of course, there's that whole ongoing debate about whether Leona would treat women significantly "better" than men (which is a topic worthy of a whole separate discussion post; I won't get into that here since it would elongate this post by a ton)... There's several things to consider when writing him. If you enjoy my interpretation of Leona, then that makes me happy ^^ I genuinely do put forth a lot of effort to capture the characters in my writing, so it's nice when those efforts are recognized.

[celtrist]

SLIGHT SPOILERS AHEAD BUT NOTHING TOO OBVIOUS (I would've waited a week but this one is pretty vague spoiler wise so...): I feel like most people might think she was being unfairly harsh in part due to her being a teenager and not understanding things. But I also think that's partially not giving her enough credit. I personally think she's very right in her actions, if not a bit melodramatic. I've said it before, and I'll say it again: It is very clear Stolas LOVES Octavia, but his loving and caring about her does not make him a good father. As viewers, we haven't been given any reason that Octavia should forgive Stolas. She seems kind of absent in his life and we've seen him prioritize things like Blitz over her (they make it a point several times in the show with the Asmodeus song and Lulu Land). They've kind of kept alluding to how Stolas does, in action, love Blitz more and doesn't pay enough attention to Octavia. And the show doesn't put a lot of effort into showing him trying to be better in this. He SAYS he is, but actions speak louder than words (and in a show, it's 9/10 times better to show it, not tell it). There hasn't been a moment in the show that shows Stolas putting in effort to mend his relationship with Octavia when we know it's important to him. And granted, yes, they have only so much time and episodes. But by the same token, there are episodes they could've not done (cherubs and Fizzaroli episodes) that could've put focus on Octavia and Stolas' relationship. Stolas' and Octavia's relationship feels more important than the day in the life of Fizz (and I like Fizz and his forgiving Blitz adds to that story, but we didn't need to see his life with Mammon).

If they want to keep hammering in the issues between Octavia and Stolas, then they also need to show the two mending (or bonding) on screen for it to feel fair for Octavia to forgive and trust him. We can't just say "off-screen stuff" as a resolution when this relationship is consistently shown to be rough and needs work. It's like if a show kept showing a couple being terrible for each other, but they keep mentioning stuff they did off-screen that tells us the relationship is good. That's not good writing! And while I have plenty of critiques for Helluva's and Hazbin's writing, I don't feel like they'd try to pull the "they solved it off-screen" thing. I don't think they'd be SLOW about it, but I think they'd at least show us on-screen stuff with it.

While I do think Stolas was in a difficult situation, you can't deny he's not a very good father (he wasn't even aware of her interests until the Lulu Land episode). Like, he can love her all he wants, but if he's not there for her, he's not there. And we haven't been given many reasons for him NOT to be there for her. You can't really name a lot of things Stolas has done in recent times for her that we've been allowed to see. The only part of their relationship we've seen is that they do care for each other but it needs work. I think it's obvious she's gonna forgive Stolas, just in part because he does genuinely want to do better by her and they DID have a good relationship when she was younger. And I think that's a good route to go with it (especially if they make a parallel of Octavia forgiving and trusting Stolas while Barbie chooses to keep hating Blitz).

I feel like people can be a bit lenient on Stolas because he's depressed and was in a loveless forced marriage with a woman while being gay, but I don't think that's fair for a character like Octavia then to have her feelings brushed off. Like there's certainly wiggle room to be sure, but it shouldn't mean we should ignore his actions and forgive him for everything he does. Stolas did do wrong and it makes me happy to see that there are consequences to his actions (good or bad). We've seen him keep flirting with Blitz over spending time with his daughter. These are things we DO see on screen. I do think Octavia was harsh, it's not like I don't (like with her reaction to the pills), but we as viewers haven't been given much reason for Octavia to forgive Stolas so easily. We haven't seen them have a good relationship really. Hell, we haven't even been shown them having a BAD relationship really. But the times we do get, it often shows the rough, bad side of it. Yes, she's 17 so her emotions are a bit wild and everything, and while I don't think she fully understands all the complexities, I also don't think she's a baby. Like... she's not an idiot. Teenagers have the capability to understand some of these things, she's not 5. Octavia wasn't JUST upset about the pills, she's upset because the man who said would always be there for her kept leaving for the imp he had an affair with. She's upset because he keeps being dishonest with her. Stolas has done far more for Blitz than we have seen him do for Octavia. I think the pills and that he's never told her about them was just the final straw of everything.

I don't think it's fair to say "Octavia doesn't know better" when she's 17. The show has hammered in the point that his actions have not = how he feels for Octavia very well. That, or just neglected to show any good bonding moments between them or anything that didn't involve Octavia having to forgive Stolas (as any Octavia episode had Stolas ignoring her and then saying sorry. Which would maybe be fine if they showed more to their relationship outside of that).

Rambled more than I thought I would for the series I have way less interest in, haha. But I don't really care for the "Stolas did nothing wrong" attitude I see some people have when Stolas has done things wrong. He was in an unfortunate situation to be sure, but he can still do wrong things (by all accounts, him cheating on Stella was wrong on a moral level). I LIKE Stolas' character too btw, and I like how messy he is. But I feel like a lot of people are gonna brush off Octavia's view as "she doesn't know any better" or just that she was being unfair about everything when I don't think that's fair to her. She was harsh, yes. I think the pill thing she doesn't understand entirely, but she's 17 not stupid. And there's more than just the pills that Octavia has reason to be mad about concerning her father that I think people don't wanna acknowledge. Maybe I'm talking nonsense though? I don't know, I really haven't been convinced about some of Stolas' actions, even if again his situation was messy/complicated.

[distinguisheddetectivechild-blog]

I 100% agree !

I think its telling that the audience in 2x07 laughs at Louis when it is mentioned that he doesnt hunt human and Claudia then defends that choice despite not even agreeing with it (it felt like the show was addressing its audience).

I think, regardless of whatever underlying motivations or personal biases led Louis to that decision, it it still a core struggle for his character and one that has stayed with him for decades (even while he deviated from it : 1x06, San Fran 1973) and that he eventually found a way to honor in Dubai (he views not having killed a human since 2000 as an accomplishment).

I also hated that he felt pressured to hunt human in 1x06 just to keep the peace.

I personally cannot read fics that have him killing again just to feed after 2x08 and framing it as a liberation from Armand or as a post 2x08 apology mindset shift (because he thanks Lestat for the gift) because...not killing was a Louis rule that Armand never once factored into, and Louis thanking Lestat for the gift was about thanking him for the gift of "time" in my opinion not the vampirism itself so it doesnt work either. Especially since time is what allowed him to find a viable way to feed enough without killing !!

Obviously this is a show about monsters who crave human blood, so if the writing changes in that regard at any point i wouldnt so much mind because I place Louis on a moral high ground, but it would have to make sense for his character. And to me his refusal to kill senselessly just to feed himself is a core part of his character that sets him apart and also informs how other vampires might react to him. He's very in tune with his guilt, the consequences of his actions, he's also very repressed and craves control over his life and i personally think his ability to control his thirst is important to him and is an extension of his greater desire to have control over himself and his life (one could argue that his withholding from Lestat, his maker/lover is also largely about feeling powerless and needing to maintain a sense or illusion of control, almost like giving that one last inch by saying i love you would make him lose himself).

All this to say, i think Louis' veganism so to speak, especially in the modern day is a much more advanced and logical way for a vampire to live (and it doesnt hurt that he has the means to source his blood safely). And i think it enriches the iwtv discourse and the lore in a 2024 context.

You know I do think that the fandom does at times give Louis a little too much flack for the whole not wanting to kill people thing. Like yeah he can be self righteous, he can be hypocritical, he can sometimes seem more concerned with being perceived as a good person than actually being one. But objectively "oh fuck I wasn't given a full understanding of what exactly it was I was signing up for here and now I have to spend eternity killing people to survive and I don't think I'm actually on board with that so I'm going to try to come up with ways to, like, not have to do that" is kind of an extremely normal and reasonable reaction lol. And also (hopefully) the one the vast majority of us would realistically actually have. Like the sheer amount of "ugh Louis stop being so pretentious and judgy about murder 🙄" takes do sometimes feel a little bit silly

[n0anix]

so i started Curse of Strahdanya and you'll never guess who my favourite so far is

[turtleblogatlast]

Something I like about Leo is that he’s honestly really chill? It’s easy to remember the moments where he’s being obnoxious or excitable but I feel like most of the time he’s incredibly “go with the flow” and has an overall ���affable demeanor.

[hawkfrostandmudclaw]

[theanonymousninja247]

✨ Star Friends ✨

When I found out that @chessman-protocol boy Crit liked Astronomy, let’s just say I was beyond estatic and immediately planned this little comic. Here’s to my boy Vincent doing his best to make friends with folks who share similar interests 😅💙

Funny enough, I didn’t realize I put this in Vincent character’s until I looked at the whole thing, but Vincent very much shares the lack of stranger danger the way I did/ I do to this day. To quote one of my past managers I’m “abnormally friendly” or whatever

I can’t tell you how many times even as a small child (drove my parents nuts) that I saw a cool person with whatever connecting factor and I just straight up walked to them and was like “Ok cool. We’re friends now.” And nobody’s really stopped me? So apparently I have friends now. 😆

Vincent however is just a wholesome baby boy who doesn’t realize he’s actually an intimidating hunk of a turtle and randomly walking up to strangers and not saying anything can be taken the wrong way.

Like I said, he’s trying his best. He wasn’t exactly the most socialized if you can’t tell, but he does love dearly and is certainly a boone of a friend to have once you get past the inevitable social awkwardness. He’s loyal to put because he really doesn’t know better, and I adore him for that. Anyway, dunno if Crit knows any ASL or not, but either way Vincent is just excited to meet somebody else who likes space ✨🌌 💙

[nemesis-is-my-middle-name]

secret third take on The Situation where i'm a yellow apologist but also don't think you can blame arthur for how all that shook out. i think they both did exactly as well as could be expected given the circumstances. by which i mean bad. the circumstances were bad and they did bad.

[skayafair]

The fact that Kayne critically misjudged John's true feelings and how much their relationship with Arthur have progressed, brings me so much joy.

Not that all-knowing and all-powerful anymore, are we?

It'd do him good to be brought down a peg or two.

[spittingspite]

It's always "character who will do anything to protect their loved one, even commit horrific acts of violence, learn kindness and mercy at the request of their loved one" and never "merciful character who hates violence and fighting makes an exception because they love someone so much they will disregard their own morals and values to commit horrific acts of violence if that's what it takes to keep their loved one safe"