There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart.
He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind.
Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole.
Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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Napoleon, who deep down is very insecure, being pretty tipsy and deciding that he wants to get himself hurt by the answer, decides to ask drunk Gaby which one of them (him or Illya), if forced to pick, she would let get killed
Gaby stares at him for a full minute, then proceeds to bite him. Napoleon isn't sure if that means she didn't like the question, or if it was a "I'm going to kill you of my own free will", or if she wasn't listening at all, but he finds it strangely comforting anyway.
Of course, once he manages to get his hands on drunk Illya too, he asks him the same question, who would he choose, him or Gaby?
Illya looks between the two of them a few times, eyes wide, and then he bursts out crying.
Napoleon has regrets. Gaby is probably going to kill him for real now. RIP.
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Leon didn"t know what was happening. Everyone around him was getting older. Just not him. Everyone around him was dying and changing. Just not him.
He was waiting for this. He was really looking forward to this. Maybe it will be calmer on the other side. Maybe on the other side the two people he was used to hating each other so much would call each other names. Maybe on the other side he could be again...idk a happy teenager in Camelot
But no. It didn't come. He didn't know why. He didn't age. He wasn't dying. He tried but to no avail. Years passed, a year, decades and then centuries. He was forced to get used to the changing world around him. He had to constantly work, earn money and learn new things. It was...too much. Sometimes he heard rumors that he wasn't the only one. Merlin. Merlin according to rumors, was alive . But Leon didn't know if he wanted to see him. And so centuries passed. Leon was tired. Really tired. Despite everything, he went to college and set up his own psychology practice. Helping people always gave him satisfaction. He tried the police or the army but ..it was too much for his nerves. Especially after all the wars he took part in.
Dr. Leon Kringen. That's what the sign on the door said.The door openen A tall man with probably a child. He frowned. Well, an old man can forget about an appointment. He glanced at the computer (what a funny invention). The older man forced the teenager to sit down with a sudden movement. Blue-eyed, blonde,a little furious and a little...scared teenager. It was sad to watch this interaction once again. Well, apparently centuries won't change some people
"Hello Mr. Pendragon"
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something about qbad mentioning how much horror he put red team thru every time purgatory gets brought up... something about how proud dapper was of him.
like this is just my late-night read but- it feels like guilt qbad is trying to twist into pride. he keeps needling away at it. “i killed them all, over and over and over again.” “they were hunted by a monster.”
it’s like- reassurance. like a nail he’s trying o beat into his head. he’s had SO much trouble with legitimately hurting his friends, despite making that vow all the way back when the eggs first went missing, despite all the tree talk and the promises to save the kids no matter what. He never faltered with elq, and that protected them. He keeps faltering now. Sometimes he doesnt remember the code, or cucurucho, or skeppy. But that doesnt matter, right? Because he’ll protect the eggs. He’ll be the monster. he is the monster. he can and he will protect them even as his seams start ripping and he keeps breaking further and further apart. even at his worst, he’ll do whatever he needs to protect the eggs.
he’ll be the monster. wont he?
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Persephone captain marvel au. Hear me out.
Associated with duality, reincarnation, resurrection, childhood innocence (and it getting ripped away by adults), and her 'counterpart' Kore, which is her in her returning aspect of spring, youthfulness, new life... Come on. Is that not the closest thing to Billy you've ever seen in ancient Greece? Where he gets his powers?
It all starts with Teth Adam, and his devastation at the death of his son. He finds the old paths, breaks them open, and storms down into the underworld to demand him back. His is not a new story.
But where Persephone might ordinarily be inclined to ease her husband's scorn, give the troubled mourner a chance, she is speaking to the champion of magic, the world's mightiest mortal. The chance of success is too high. The challenge would not be enough. The death was too high profile and would risk too many attempting to follow in his footsteps. The man is too unstable, too powerful, too close to the heart of magic for it to be safe - for any of him - to grant his wish and risk his false hope.
They deny him.
Enraged, implacable, Teth Adam lashes out. The battle is long and drawn out, neither side tiring even as both weaken, but Persephone, in either form, is not one of war, and she is felled as her curses shatter, her furies tossed aside like dolls. The sound of Hades' scream as Adam's surprise leaves him open flattens the rubble of their throne room.
The wounded champion escapes, hounded by cerberus and skeletons instead of his son's shade, as her husband crashes to his knees beside her. She has not a mortal soul, and thus will be going where even Death cannot reach.
But Adam killed the goddess of reincarnation, and Billy has odd dreams. He's pretty sure he needs to ease up on the stress. He's restless in winter and distracted in summer, he can sleep outside in howling storms as long as he's tucked snug in the boughs of a tree, he's had the luck of never tasting a rotten fruit. Sometimes it feels like there's ghosts in his hideouts and the kids at school try and bribe him to curse their enemies.
When he chosen to be Captain Marvel the wizard chokes on his own speech when the smoke clears. They stare at each other.
"Well," says Persephone, "that was unexpected. Hullo."
"Hello," the wizard replies, "I was under the impression..."
"I don't think the laws of interference quite apply until I'm immortal again," he says.
The wizard's relief is palpable. It's understandable, he looks ready to keel over from old age. "Can I ask...?" he gestures at the new body. It takes a second to understand.
"Oh, I'm a boy now. For a while."
And that's that.
Until green lantern is killed in battle.
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