#he doesn’t actually /want/ to be a hero

[op-sys-chaos]

Tim responded to Jason’s taunt by giving him the middle finger and trying to kick his ass.

Tim and Jason had a few more confrontations after that, and Jason started getting suspicious why Tim was quiet.

When Jason found out, it was because he came to family dinner. Upon seeing Tim use sign to speak, he asked “Hold on, why are you using sign? I’ve heard you speak before.”

Bruce explains that Jason made Tim mute. Jason’s eyes widen and he immediately apologizes. He wanted to hurt Tim but not permanently, though saying that as an apology does not make anyone feel better.

Jason immediately takes sign classes. He doesn’t tell anyone he’s doing this, he just does it. He makes all of his goons learn sign too (because “it’s useful to communicate silently!” and totally not because he wants his brother to be able to be understood, nope, not at all).

Jason, once he’s fluent in sign, gives Tim a full apology in sign language. And I mean an actually good apology, not one that feels half assed or empty. He genuinely is sorry and he feels bad for hurting Tim at all, much less that badly. He should’ve kept Tim out of it and he knows that now.

Any time Tim’s trying to talk to someone and they don’t understand sign, Jason steps up to translate without being asked. Then he ends the conversation by telling the person to learn sign and handing them a small business card looking thing with resources to learn sign. Yes, he carries these around at all times.

He insists that the rest of Bats get fluent. They’re about 90% fluent on their own but they’re busy people and can’t dedicate enough time to it. Jason sits them down and makes them finish learning it. Then he starts insisting that they all get cameras like Tim’s and use that for comms so that they can communicate silently when needed. Because being able to communicate when you need to be stealthy is an asset (and also it makes Tim feel less alone if they’re all doing it).

Jason ends up teaching ASL to street kids in the alley so that they can communicate with each other and outsiders who don’t know sign won’t understand. It also means that they can talk to Tim if he needs to ask them questions for a case. (Previously he’d been using the same hand-to-speech software for interrogations.)

The city has begun noticing that one of their heroes is mute. They brag to other cities that “not only are our heroes so cool that they can handle things without powers, but they also don’t even have to be able-bodied!” A lot of Gothamites start learning sign too, so that they can communicate with their hero. Within two years, it becomes a common method of communication in Gotham (which Jason has had a large part in pushing, since he and his goons have started offering to teach people and he’s still handing out the online learning resource cards to people in Gotham). Jason also starts a small YouTube channel called “ASL with RH” and he teaches Gothamites name signs so that everyone’s using the same ones. All of the rogues, well-known figures like Commissioner Gordon, other heroes like Superman, and even celebrities like Bruce Wayne all get public name signs that Gothamites who learned sign all know.

Sign becomes a common way to distinguish outsiders and Gothamites. 75% of people in the city know sign and they will use it to talk about commonly known secrets. (Such as “Gordon totally knows who the bats are.” Y’know, shit that’s practically common knowledge in Gotham but outsiders are clueless about.)

Within five years, the whole city knows sign. Tim Drake, who was out of the public eye for a while when the injury happened and later reappeared using sign, doesn’t even have to tell people he’s mute. Gothamites just assume he prefers sign now. (The WE board knows he’s mute and were among the first people to learn sign. WE paid for a professional training course for the entire company to learn sign rather than just recommending them to like YouTube videos or whatever. Everyone in the company learns basic phrases they might need to talk to Tim, and the board learns all of the business language words in sign too, and they can optionally become fluent which they all choose to do because otherwise they have to wait for Tim to type his thoughts out into text to speech and that’s annoying to wait for.) Some Gothamites think Tim is now mute, especially conspiracy theorists who think the Waynes are the bats. Others think he’s just trying to push people to learn sign to support deaf and mute people because the Waynes do love doing charity.

Idk, I just think Gotham would absolutely love and support their mute vigilante

The Titans tower attack and everything plays out the same except Jason hits his throat just slightly differently causing Tim to lose use of his vocal chords and go fully mute

Luckily, sign language was already slowly being learned in the manor due to Cass struggling to speak some days, so he already knew basic phrases

the major issue with his newfound mutism is using the comms

the comms are entirely functioning by voice, and without one, youre kinda screwed

Tim attempts to go out with no comms a couple times which makes Bruce very mad so he has to come up with another solution, he ends up installing a camera and chip into his domino so that the camera can pick up his hands and the chip can interpret them and read rhem out to the comms

one day while tim is out as Robin, he ends up confronting the red hood

tim is obviously silent, but instead of Jason noticing this, he chooses to almost tease Tim about it, not knowing the extent of the damage he caused, “what? too scared to even say anything to me now?”

its not until Jason starts to rejoin the family that he learns what happened to Tim that night

[wonderjanga]

Kill Licenses

Stargirl was excited! Captain Marvel had just offered to let her fight crime with him in Fawcett. The man was like a big brother to everyone. That included her. He was super nice, was normally the person who first stepped up to diffuse a situation, and overall just a big teddy bear of a man. So it was a little bit a of a surprise when she saw him snap a rapist’s neck like a twig.

Marvel: *drops the body, muttering something about paperwork*

Stargirl: *gobsmacked*

Marvel: *looks over to her for a second before doing a double take* “Oh my gods I forgot you were here!” *sounds horrified*

Stargirl: “You just killed a man!”

Marvel: “I know- I know!” *leads her away from the body* “I’m so sorry you had to see that.” *sounds completely ashamed*

Stargirl: “There’s nothing to be sorry about. You killed a rapist. That’s one less evil in the world, but my question is how are you gonna get away with this?! Cap, you’re gonna go to jail!”

Marvel: “Ah… Well, no. I have a license to kill.”

Stargirl: “Wait, you can actually have one of those?”

Marvel: “Yeah, uh me, and most of the other Fawcett heroes have one. We’ve all had them since the sixties and had to get them renewed a while back. It’s not a bad thing to have for situations like this.”

Stargirl: “…Can I have one?”

Marvel: “Yes? No? I don’t know? You should in my opinion. It’s a good safety net for if you accidentally kill a villain. You just fill out some paperwork and you’ll be safe. Do you want one…?”

Stargirl: “Yes.” *immediate answer*

Marvel: “Are you sure? I mean, you’re a teenager, so you might need a parent to sign or something.”

Stargirl: “Well, I don’t have a parent right now, but I do technically have a temporary guardian at the moment.” *eyes him*

Marvel: “No… you’re not seriously suggesting…?”

And that’s how Marvel ended up taking Stargirl to a secret government base so she could get a kill license. Stargirl got a stellar recommendation from the Captain and passed with flying colors.

As they’re leaving the base…

Marvel: “Okay, so we need to lay some ground rules.”

Stargirl: “Ground rules?”

Marvel: “Yeah, ground rules. Now I know you’re not the type of kid to go around killing people all willy-nilly, but I’ll say it just in case, don’t go killing people all willy-nilly.”

Stargirl: “Well, duh, I’m not dumb.”

Marvel: “I know you aren’t. And now onto the actually important rule. Under any circumstances, do not kill around other heroes. That’s how Huntress got kicked out of the Justice League after all.”

Stargirl: “I can’t even do it around you?”

Marvel: “Well, I guess you could. And I guess you could do it around the other Fawcett heroes, but just make sure not to do it around heroes who don’t have a license, okay? I don’t wanna get in trouble, and I doubt you wanna get in trouble too.”

Stargirl: “Gotcha.”

Marvel: “Nice. Now that that’s out of the way, wanna go for victory ice cream since you got your license?”

A solid four months passed after this incident. The two forgot about it. They were chilling. Then, Courtney forgot that her stepdad didn’t know that she could legally kill a villain, fill out some paperwork, and face no repercussions.

S.T.R.I.P.E.: “YOU TOOK MY STEPDAUGHTER OUT TO GET A KILL LICENSE?! WHAT IS WRONG WITH YOU?!”

Marvel: “Nothing! I didn’t think it was a bad thing!”

S.T.R.I.P.E.: “She’s sixteen. She sliced a man’s head off. CLEAN. With practiced precision. She doesn’t even have a drivers license! What in hell would make you think it’s a good idea to give her a kill license?!”

Marvel: “Okay, her slicing off someone’s head isn’t my fault. I didn’t teach her that, and the guys who gave her the license didn’t either.”

S.T.R.I.P.E.: “Then who did??”

Marvel: “I don’t know! Maybe she’s just bloodthirsty?”

Stargirl: “No I’m not?” *sounds slightly offended*

Marvel: *ignores her* “Look, the point is, I’m sorry for not telling you but please, please, pretty please don’t tell Batman.”

S.T.R.I.P.E.: “Why?”

Marvel: “Oh come on. He’s super anti-kill. If you told him he’d have me removed from the Justice League almost instantly.”

S.T.R.I.P.E.: “Maybe you should be removed! You don’t just give a kid the okay to kill someone.”

Marvel: “I’m not giving her an okay to do anything. I only wanted her to have it as a safety net. I promise.”

It took a lot of convincing for Pat not to squeal to Batman, but thankfully, they got it in the end. Though, the man still ended up chewing the two out.

Inspired by @helps-the-writing-brain-go’s repost on my We Thought You Died?! post :) Thanks for the inspo!

[kibblbread]

AK!Jason doesn’t really like anything.. but he really likes spending time with you.

There isn’t much joy in his life, and when he does experience it, it’s pretty hard to tell. Very hard in fact. When Jason is his absolute happiest it’s truly rare that he’s fully conscious or not coming down from a state of extreme distress and panic.

More recent anecdotes of him happily existing involve him waking up or falling asleep alongside you, preventing a loved one from being fatally hurt, or brutalizing soneone that hurts you. Pretty scary, but these aren’t things he wants to acknowledge in the slightest or ever make known to you. External validation is necessary for him to truly feel good at this point in his life, which is something you’re privy to— just not the extent obviously.

When JT is hardly awake or really beginning to fall into what’ll be a comfortable dreamless sleep, he feels safe and secure enough to relax properly. He’s being held, allowed to be perceivably weak in a way that he deems acceptable. He can bury himself deep into the warmth and softness of your body to be protected from the nipping cold of Gotham.

It’s such a special time for him, a sacred moment that he cherishes.

You are his one precious piece of bliss.

Jason doesn’t acknowledge your gentle scalp rubs and lip balm coated kisses outside of a slight tightening of his grasp on your t-shirt. Greedily and lazily claiming his lover and her kind gestures of affection.

This is the most common and most easily detectable example of happiness from Jason. It’s somewhat complex without any explanation but still worth noting to an observant s/o of JT. I think that Jason himself though wouldn’t identify this experience (or lack of) is actually happening beyond him being happy to snuggle every once in a while. Being able to be excited to be touched instead of anxious or irrationally annoyed, it doesn’t occur to himself how often he’s in a nasty mood.

Preventing a loved one from being hurt only gives a small sense of joy that’s usually overshadowed by guilt and anger. The fact that the situation happened in the first place is somehow his own fault in the mind of Jason. But there are times where you’re able to thank him immediately after the fact, those are the times he can feel ego. That pat on the back is always a major surprise to him! Any gratitude he receives in moments so stressful boost his confidence a lot. When you do that he doesn’t have to much time to think about every specific way he fucked up, instead he’s concentrated on rationalizing why you’re complimenting something that in his head could’ve been somehow avoided.

You give him a quick hug and smile up at his faceless red helmet, telling him things could’ve ended terribly if he hadn’t been there. There is a small ping of joy radiate from within his chest. The positive reinforcement of your small affirming touches and verbal encouragement give pause to the harsh self criticisms. While the ultimate core emotions attached to this moment would be some initial surprise and frustration, there will always be a lingering feeling of pride that he got to be your hero.

As for getting a lick-back for your sake, lol, he’s pretty fucked up about it. Whether it be a lowly henchman/gang member or a notorious villain, he doesn’t know when to let up— or if he wants to. Deep down Jason derives a sick sense of joy from maiming people. It’s not his fault, but it’s his responsibility to face this dark and crooked part of himself. He knows it spooks you, it spooks all his loved ones, but he can’t help it can he? He can’t help being the twisted mangled thing Joker forced him to become.

Jason just wants you to feel safe.

He almost never feels safe so this is a favor from him to you of course..

For you to feel safe around a psycho like him.

[kizzer55555]

Alternative idea. They are chasing Danny ‘the betrayer’ down and as they follow the leads and clues and leftovers of where he’s been, they start slowly piecing together the mystery of who Danny is and why he’s doing this. And they find out just how deep the betrayal went. Because it was the Justice league that made the first move.

They finally catch up with him and he’s decoding something and he just snaps at them to leave him alone. He’s cold, not even acknowledging at them, this is nothing like the Danny they knew. They try to talk to him and when that doesn't work it breaks out into a battle. But Danny knows all their moves and weaknesses and they don’t know the first thing about his limits. He’s ruthless and efficient, not showing the barest hint of emotion on his face like this battle against his ‘friends’ means nothing to him. He doesn’t even have to reveal his powers. And once they are all completly immobile he whispers “I never wanted to hurt you.” Someone scoffs. “You have a funny way of showing that.” Danny rolls his eyes. “It’s your own fault. You really should have seen this coming.”

“Oh really?” A hero speaks, venom dripping with every word. “Is it really that easy to betray your friends? To betray the ones you trust?”

Danny just laughs without any emotion behind it. “Trust? Nah, I never trusted you. Let me tell you something, when my home town was invaded, we called the Justice league. But they never came. When we were besieged every. Single. Day. By monsters and demons and entitled government agents that had no regard for casualties, they never came. Do you know what it’s like? To always have to look at the sky in case something comes down a snatch you? To hide behind a trash can or alley wall and pray that skin peeling cyborg will pass you by? To be scared of the very food you eat wondering if it was poisoned or the meat was going to attack you? To wake up realize no one is moving and wonder if your friends and family will ever wake up again? We called over and over but they never came. So we had to find our own way to fight back. We had to build weapons to protect ourselves and our children. We had to fight tooth and nail just to make it to tommorow and finally, finally we figured out a system. We managed to push them back enough to breathe. And it was only then that your people arrived.

You abandoned my town to face their death. You took me from my home. You locked up my family and tortured them.” By now, Danny was screaming and crying. His eyes looked absolutely devastated. “How…can you possibly ask me to trust you after that?”

Danny doesn’t even explain himself and his reasoning. That’s how little he thinks of the heroes. He doesn’t care if what they think he’s doing is right or wrong or if it’s justified. Some think he’s doing some sort of master plan to take over the world rather than just rescuing his parents which makes even more devastating to them when they find out what he’s actually doing.

It’s a race against time and by the end, Waller launches a strike against the heroes and it ends up being Danny that built a counter solution to the anti super weapons. He still doesn’t care about them but he was a protector at heart. He always will be. He just didn’t need someone’s ‘permission’ to do so. When he finally frees his parents (possibly dragging in the help of his classmates for a break out) they stand and Waller says that they’ve lost as they are surrounded, no weapons, and all the heroes/former villains powerless because of machines specifically designed against them. And that’ when Danny looks her right in the eyes and says that there’s one thing he forgot to mention.

He has powers too.

Danny held up a large sign from the background like a man at an airport as thier leader, Robin, gave his report to this "Justice League". The first sign said, "Help! I'm surrounded by daddy issues!" Earning a laugh from someone off camera. He then pulled the next card out from behind the first one.

"Can you send air fresheners? It smells like teen angst in here"

This one got a cackle from someone on the Justice League side of things. Score. No one here really wants to laugh. They're all edgelords and Danny is suffering. He didn't really want to be here, but things in Amity had ended in a way he never expected.

Both he and his parents had been arrested.

Not by his worlds government, mind you, but by the government of another Earth. This Earth that he was currently on to be more accurate. Who knew that so much of the stuff he and his parents had been doing was super illegal and wouldn't ya know it? He was in the middle of doing something really sketchy looking in his parents lab when the feds busted in.

Thankfully, the Justice League presented him with a deal: they take him out of Juvie and the reformation program he was in, and in return, he joins a team of former teen/child villains and anti-heros.

Figuring he had nothing to lose at this point he agreed.

He was not expecting to be surrounded by angry angsty teens. His fault really. He should have known better. Thankfully it seems like nobody knows about Phantom and he'd like to keep it that way.

Psaro was his calm in the storm. The other boy was proud and almost as arrogant as Robin, but he had been proven to be very kind and reliable. If Danny ever needed advice or if Robin was getting a bit too much, he could just knock of Psaros door.

The last time Robin had a fit and was starting a fight with someone, Mr. Pointy ears stepped up and told Robin that his outburst was undignified, especially for someone of a higher class like Robin seems to be presenting himself as. He also said something about there being a big difference between a king and a tyrant, but Danny had been trying to rush Robin's victim to the medway and didn't hear all of the convo.

Psaro was some kind of half demon prince who was also from another world. He didn't have a superhero name yet, but the program was brand new, and to be fair, Danny didn't officially have one either.

Some lady called Raven was supposed to be coming in to help Psaro and convince him to embrace his human half and help him with magic and...something about a curse? What did Danny get himself into???

[2hoothoots]

saw this post in the tag earlier talking about how we never really get a detailed look inside Maligula’s mind, and it got me thinking about the themes of the game again so I’m gonna use it as a jumping-off point. because i agree, it’s very significant that we never get to really see Maligula/Lucrecia as she used to be! but i think that fact actually makes the game much stronger, especially on a thematic level.

Lucrecia’s presence haunts the narrative throughout Psychonauts 2. at first, we can only make her out through her absence. she’s the seventh stump around the campfire, the missing center of a torn photo. we see glimpses of her in the ruined fragments of Ford’s mind. in Helmut’s mind, she’s a looming specter, a shadow of the friend he once knew. in Gristol’s mind, she’s a celebrated war hero. and as the game goes on, we learn that everything in Psychonauts 1 – the Aquatos leaving Grulovia, the family ‘curse’, Raz running away to camp – all of that was set in motion because of her. she’s at the very center of the tragedy that PN2 revolves around.

and she does haunt the narrative, even if Nona is still alive. because the old Lucrecia – the real Lucrecia – we never get to meet her. she’s long gone.

the closest we come to actually interacting with Lucrecia, as she used to be, is in Cassie’s mind. while the rest of the Psychic 7 only have a few lines to share, paper Lucrecia has a full dialogue tree. this is probably one of my favourite moments in the whole game. there’s an awe in Raz’s face, getting to meet her, but also this palpable tension throughout the conversation.

(screenshots taken from here! if you don’t remember this conversation, or just want a refresher, i’d highly recommend going back to watch it.)

this dialogue tree is great. it’s funny, and subtle, and surprisingly moving. Raz is full of questions for Lucrecia, and Lucrecia isn’t giving much away, but we get glimpses of her story here that are so tantalising. it’s a fascinating window into the person she used to be: coy, and playful, and a little aloof.

but – this is also very clearly not Lucy. we hear Cassie’s own thoughts coming out of her mouth (“Cassie told us [hydraulic mining] was very bad for the environment, but nobody listened to her, as usual”), but her dialogue is also steeped in Cassie’s confusion, her struggle to understand what happened (“I don’t really know [why I murdered all those people]. I was the nicest person during my time at Green Needle Gulch”). this is the closest we ever get to seeing Lucrecia, face-to-face, but she’s still heavily filtered through someone else’s perception.

how much of this is the real Lucrecia, and how much of it is just how Cassie sees her? we’ll never know.

i think a crucial part of PN2’s themes is that perception – how you can be someone completely different to different people around you. everyone has their own version of the story to tell. the most obviously propagandistic is Gristol’s retelling, which comes as a shock twist at a climactic moment that throws the whole game on its head. here, we get to see the other side of the story, from someone who only ever knew Lucrecia as a protector, a general, a murderer – and thought she should stay that way.

(screenshots from here)

but as entrenched as he is in his narrative, Gristol doesn’t have all the answers, either. and Ford’s version of events, while probably more factually correct, is still steeped in his own biases. Ford was so dedicated to the memory of the woman he loved that he did terrible things for her; and when he tried to bury that memory, it was so deeply entrenched in his mind that it broke him.

(screenshot from here)

but note the wording, when he talks about using the Astralathe to “neutralise” the “problematic” parts of her mind. My Lucy.

something else that PN2 touches on is how experiences change you. after the battle against Maligula, the remaining members of the Psychic 7 become very different individuals. Cassie withdraws from the world, unable to return to normality after everything that happened; Compton becomes an anxious wreck without his support network. Bob is broken with grief after the loss of his husband, and Ford willingly shattered his mind because it was what he thought he had to do to keep Lucrecia safe. and throughout the game, Raz helps all of them – but he doesn’t fix them. he doesn’t undo everything they went through, because how could he? the things that happened will stay with each of them forever.

and it’s the same with Lucrecia. even after she lets go of the rage and grief and violence that Maligula carried with her, symbolically severing the threads that bind her to her past – she doesn’t just go back to her old self. because she’s someone different now, too. she’s a mother, and a grandmother, and she loves her family so truly and so deeply. she’s patched together a new life for herself. and that’s what she affirms to Raz, in the moments before the final fight.

and he loves her right back. even after everything he’s learned, she’s still his Nona.

i think sometimes a story is more satisfying for not giving you the easy answers. Psychonauts 2 leaves a lot of things unsaid. it gives you pieces of the puzzle, glimpses of Lucrecia’s story through other people’s eyes, and asks you to draw your own conclusions from that. and then it says: this is who she is now. this is what matters. and personally, i think it’s stronger for that.

[seeker-ophelia]

Ophelia’s Review, Part Two: Thedas, The Dragon Age System

Some things I need to get off my chest.

One. This does not feel like a Dragon Age game.

Two. That doesn’t mean I didn’t like it.

Three. I have a lot of feelings right now but I’ll come back when my brain has re-hydrated itself.

(I finished Veilguard at 10PM on Monday, and wrote this the morning after. And its still true, 5 days later.)

TLDR at the bottom

[Read Part 1 Here]

I do miss the heady blend of power, intrigue, danger, and sex that permeates these events games.

[Photo Cred: Dumped, Drunk & Dalish]

Because Veilguard is missing all of that.

Listen, it’s good. Great even. I loved it. Cried. Laughed. Dropped my controller and paced around the room for 5 minutes in anger and angst. Drank a bottle of wine in the bathtub after Solavellan’s happy ending (and my Rooks sad one). But this is not a Dragon Age game.

It is Dragon Age ADJACENT. Similar of course. The backbone is there. The direction, the vector, is there. But the execution…

Dragon Age (Origins through Inquisition) for me, was A Song of Ice and Fire. I love that series.

It was deep. It was harsh. It was MEAN. If offered me hope and then snatched it away. The world-building, the lore crafting, was intense and deep and required attention and critical thought. The characters were nuanced and troubled and real.

Veilguard, for me, is Eragon.

I also loved that series. It is pure and good and takes me on a journey through a fantastical land of dragons and heroes, of good versus evil, of mysteries and magic. But, it is juvenile. Its simple. It doesn’t try to be anything other than it is. Veilguard, is shallow.

The essence is there, beneath the surface Veil, pressing and bursting at the seams to escape, but is being held back by a gentrification of Thedas, the Tranquility of the Dragon Age world, if you would.

The Lore

I don’t want to go into to much about it (its going to be its own post, I think), but I love the lore of Dragon Age. I love learning about it. I love the questions, the pervasive theme that history is only as true as the historians who write it; things get lost, muddled, confused through and over time. And Veilguard, kind of feels like I’m being spoonfed? Like I’m a baby.

I think EA did BioWare a disservice by making this game for new players, instead of assuming that RPG players have the intelligence and wherewithal to comprehend at least a little bit of lore and history, or at the very least, introduce a cannon world state. You can have your cake and eat it to, but, as Veilguard shows, it diminishes the quality of the cake as a whole.

This game is an Action RPG. This is a game about combat. For the record, the first, second, third, 17th time I saw my Rook in their Takedown Animation, I said, out loud, ‘Dragon Age, G.O.T.Y.’ I swore at my inability to time dodges properly, I planned and schemed with primers and detonators and damage types. This is very reminiscent of The Witcher and Assassins Creed, for me (I have not played a ton of games, im sure there are others more like it). It was fun, it was challenging. But. This is not Dragon Age. Its Something Else™.

Dragon Age: Dark Origins

When people say Dragon Age is a dark game, they’re not talking about the gameplay, or the graphics, or the art direction.

Dragon Age deals with dark subject matter. Slavery. Racism. Religion. Politics. Power dynamics. Mages versus Templars. Addiction. Death. War. An unstoppable contagion that deals death indiscriminately. THAT’S what makes Dragon Age Dark.

These stories are deep. They’re hard. And yeah, they weren’t always handled properly (lookin’ at you, Gaider), but doing something wrong… looks like it might actually be better than pretending it doesn’t exist.

As a Sollavellan, I’m unspeakably glad they didn’t yassify Solas. He is still an unlikable character who has committed unspeakable war crimes. And we got a redemption arc that did not end in death. That’s a win for me.

But they kept his darkness at the expense of lightening literally EVERYTHING ELSE in Thedas.

What the fuck happened to Zevran’s Crows? I got the Puss-in-Boots-Found-Family Assassin Agency.

Where are the slaves in Minrathous? Where’s the trip to the upper city, gilded and clean, so we can compare it to the slums of Dock Town (which was not bad at all). Where is the “Rescue the Rabbits” Quest? Tevene Politics boils down to Dorian or Mave, “bad” or “good,” change from within, or power to the people.

The whole Qunari are just Bad™ now? The Antaam warriors turned into… what the fuck is even that? You know the advertising theory where women’s bodies are shown but not their heads or faces? This feels like that. Giant Grey Muscular Powerful Bodies with NoFace. THAT’S the Antaam? The Tamassrins really eliminate every embodiment of individuality from them? They’re just Storm Troopers?

And ‘Thal’enaste, what a lost plot thread to not have Lace and Solas meet in the deep roads, or Kal-Sharok, or fucking anywhere. Instead, you give her one little blurb of “companion banter.” Weak.

Where’s the racism towards the Elves? What happened to that? What happened to Dark Thedas? Oh, its actually all in the South, and thats destroyed now (lets put a pin in that for a minute).

The Companions

I have written and re-written this section 3 times. Its too long. I don’t need to mention them all. How to summarize them.

If you read my part 1, you’ll remember how I fell in love with Dragon Age 2, years after its release (after playing Inquisition, in fact), and how I fucking hard I fell for those very real, very troubled, very nuanced characters.

Anders and his quest for freedom, Fenris and his quest for vengeance. Merrill and her quest for knowledge, Isabella and her quest for… other cultures relics, I guess?

I hated the graphics in 2. It was the characters that carried that game. I don’t know how BioWare wrote them, but they failed to do that in VG.

My favourite character in Inquisition? Surprisingly, its not Solas. Its not even Cole, or the Iron Bull, or Dorian.

Its Cassandra.

I love her. Her story is SO complex. Her devotion to the Seekers, to the Andrastian Faith, is so pure, yet it does not impede her friendship with a Dalish elf who believes in gods that she does not. It does not stop her form forming close bonds with other people from different backgrounds, and although she is fearless in calling out the darkness in her own faith, its sins and its rot, she admits to her Herald that she is envious of the Heralds conviction.

Which character in Veilguard has that nuance?

The necromancer afraid of death? The Elvhen Engineer with ADHD? The literal Demon of Vyantium Puss-In-Boots? The smirking detective? The questioning Qunari? Or the gruff monster daddy?

Listen. I read trash. Smut, romantasy... I read objectively bad literature, for fun, all the time. And, I have a fantastic imagination. It is my own personal fleshing out of theses characters that saved me in this game.

But I should not have had to do that.

The Keep

I cannot explain to you, in words, how important those one-off codices and cameos are.

(Don’tThinkAboutIsabela Don’tThinkAboutIsabela Don’tThinkAboutIsabela).

*Grimaces* Okay.

I can speak no more about this. I am already writing a “Keep” DLC for Veilguard.

I would have rather lived in your world state than this abomination. Which leads me to…

‘The Soft Reboot’

So. The South is Gone. That’s the answer. The Hero of Ferelden. Hawke and their siblings. Everything is wiped clean, just as EA asked. All of the South, turned to the Hissings Wastes and the Anderfels, because of the Blight and the hubris of the Gods. What a tragedy. DA5 looks likes its overseas. Cool.

You know what would have been a better reboot?

Spite, taking over Lucanis’ body, walking through the Ossuary, or the catacombs of Minrathous, explaining to Rook how the heavy emotions of People manifest in the fade. The birth of a spirit. Or a demon.

Taash, meeting a spirit face to face in Arlathan, recoiling in disgust, until they help the spirit on its journey, and Taash begins to question their whole worldview surrounding demons. I- I mean spirits.

Emmerich, taking Rook on a lecture-walk through the fade, meeting spirits, solving puzzles, ‘you know, its not so bad in here, what’s the big deal?’

Bellara, instead of discovering Cyrian only to lose him, meets the demon formed of his death, and how to help him back into a spirit.

Neve, following a trail of wisps in the fade, learning things, memories, feelings, songs. Neve, reveling in the pure beauty of the wisps, until they lead her to Vir Dirthara, and her eyes grow wide, what is this place?

Davrin and Assan, after hard training in the High Anderfels, take a break, and while Rook and Davrin flirt, or joke, Assan finds a long string, and begins to play, the string growing and lengthening and thickening until a soft, feminine whisper fills the air, I Am So Sorry… And Rook and Davrin meet a strange spirit, a perfect combination of protection and regret, and they help her find her way home.

Harding, palms flat on the stone, pushing, working, threading her magic into a titan, tilting her face up to Rook, eyes shining blue, speaking in a thousand voices at once, let me show you what was lost, and for a millisecond, we FEEL Isatunoll.

The Dwarvhen was tranquil’d from their Memories, but the Elvhen were tranquil’d from the Fade.

And when Solas turns from Rook in Minrathous, I am sorry for this final betrayal, he is puzzled at the lack of retaliation, and turns to see the Veilguard, standing behind Rook, eyes locked on the giant eye-shaped rift in the sky.

Why are you not stopping me? He asks the group of misfits.

And Rook answers, I can admit when I was wrong. Tear it the fuck down.

And Solas, battered, bruised, and bloody, smiles, brandishes his ritual dagger with a flashy flip, banishes the blight, and tears down the Veil.

When I learned there were only going to be 3 choices carried over from the rest of the series into Veilguard, I tagged my complaint posts with something.

#You Cannot Dangle A Carrot In Front Of Me For 10 Years And Then Not Be Surprised At My Anger In Discovering It Was A Painted Dowel

Let me reiterate. I enjoyed this game. It was fun for me. I’m in the middle of my second playthrough and am planning a third, and a fourth. But this is NOT a Dragon Age game.

This is an EA game. And its good. But it could have been everything.

Bellanaris.

TLDR;

How torn I feel; lobotomized, rendered tranquil, separated from the memories, lore, and spirits, of the old Dragon Age, while still, like the Veilguard, wanting this world to endure.

Var lath vir suledin, BioWare.

For now.

[cripplecharacters]

Hello! First I want to say how much I appreciate this blog, and how cool it is that so many different people from the disability community have come together to share your perspectives on this blog!

Onto my question!

There are numerous characters existing in books, comics, tv shows and movies that have disabilities. Many of them are well known and beloved characters. But 99.9% of the time their disabilities are used as plot devices, traumatic backstory’s, and forgotten unless their disability is useful to add drama or make a slapstick joke. As a fan fiction writer who sees myself in many of these characters, I want to fix this poor and ableist representation when I write these characters. My question is, how can I do that? I want to maintain what makes these characters who they are, including their disabilities, while still keeping them true their development. I want to add that I have researched all of these disabilities in depth, and the information I’m seeking now is how to include them with proper representation.

For example Steve Rogers’ (Captain America) entire origin story is rooted in the erasure of his disabilities. He goes from being disabled and mocked and bullied because of that, to a super hero, who is strong, fast, has enhanced hearing and sight. He’s ‘magically’ cured. What we love about his character is that his newly acquired super powers don’t change his morals and beliefs. But his disabilities have still been erased.

For this character (and other characters who magically go from disabled to abled) would you recommend finding a halfway point? For example, Steve Rogers still gets tall and buff and gains super strength and stamina, but he still some of his disabilities like scoliosis, hard of hearing, or diabetes? Or keeping him how he looks before his transformation, but still having him have his super powers?

Another example (marvel again, because marvel uses disability and subsequent disability erasure as one of its main plot devices) is Bucky Barnes/The Winter Soldier. He is a forequarter amputee who is given a science fiction prosthetic. This prosthetic required invasive surgery and implants (all of which was non consensual). His prosthetic is very strong, stronger than his right arm (even with super soldier serum that already makes him stronger than other humans). This technology doesn’t exist in real life, and this prosthetic (and prosthetics in other media that has amputee characters) is treated like a fix all: like a new arm but even better so then the character who went through dramatic trauma for the plot doesn’t have to be disabled anymore. Here is my conundrum: the winter soldier has a prosthetic left arm that he can fight with is an important part of his character. To not write him as an amputee erases his disability completely, but to write him without his high tech prosthetic also takes away from other important parts of his character. So my question is, when writing this character (and other amputee characters with similar situations) is it best to find a halfway point? Let this character have his advanced super strong and dexterous prosthetic, but have him actually treat it like a prosthetic (for example, he takes it off, doesn’t sleep with it, and knows how to do tasks without it). Or would it be better to make the prosthetic more realistic? As strong as his other arm, he can’t use it like a battering ram, etc. Or would it be more appropriate to find different ways for characters to do what they do without advanced prosthetics?

I would love to hear specific suggestions for these characters but it would be great too if you had some broad suggestions for repairing disability erasure within any existing work of fiction. Thank you so much for all of the hard work you all put into cripplecharacters!!

Hello,

My time has come.

So Steve Rogers is a product of his time. Back when he was created, living with the disabilities he had was far harder. But nowadays we have medications and treatments his creators would've never thought possible- I mean, this was the time when smoking was the treatment for asthma- so consider incorporating those. For some of them, like what's probably rheumatic heart disease from the scarlet fever, a halfway point would probably be best (more on that in a second.) For other things, modern treatments will do just fine. If Howard Stark can create a flying car, he can create iron supplements and blood sugar monitors. Let's see what he has and how he can be accomodated;

Asthma- the serum can strengthen his lungs and lessen the severity, or you can skip that step and instead look at modern treatments for asthma, which include breathing exercises, slowly increasing exercise to improve the body's tolerance, and a lot of medications. Without knowing the type of asthma he has it's hard to know what his asthma attack plan would be, but considering he has no mentioned allergies, it's probably non-allergic persistent. This can be treated with a combination of long-term control medications, which are taken on a set schedule to help prevent asthma attacks, rescue medications that are used as-needed for asthma attacks, and possibly biologics, which are injected medications for people with severe asthma. These medications are a bit similar to immune suppressants, suppressing the body and immune responses that cause asthma attacks. He can also do breathing exercises to strengthen the lungs and slowly build up exercise tolerance. The bigger lungs due to his bigger body should also help.

Diabetes- there's a massive range of insulin pumps, blood sugar monitors, sugar tablets, and whatever else have you that makes life for diabetics. He'd also benefit from a diet plan, which will take in his level of diabetes, what his pancreas can handle, and potential problem areas to create a diet that works for him and helps him avoid hypoglycaemia and hyperglycaemia.

Astigmatism- contacts, or just some form of glasses or goggles. That's assuming his vision is bad enough to need correction at all, because some people with astigmatism can get by without. He's gotten this far without any form of corrective lense and he's not a long-range fighter, so he might not even need them. Still, they would be useful for him to have in his day-to-day life.

Rheumatic fever- this is one of the biggest problems. Rheumatic fever and scarlet fever mess the body up bad, and I'm willing to bet these are what cause his cardiac arrhythmias (irregular heartbeat.) The serum could strengthen his heart. He can also use a vast range of hypotensives (for the high blood pressure,) any number of heart medications, maybe anticoagulants to reduce risk of blood clots, a pacemaker or other implants, maybe surgery to replace damaged heart valves, and regular check-ups on the health of his heart. If all else fails, a heart transplant might be on the table.

Bone deformity- the treatment is going to depend on which bones, the severity of the deformity, and the cause. They didn't specify, so you can find what you think you'd best be able to work with and go from there. Treatments can include surgery, braces, physical therapy, and some medications that can treat the underlying cause.

Scoliosis- probably can just be left alone, maybe a little physical therapy to help him reduce pain. If you've decided he has a severe case, he can get surgery to straighten his spine. (Personally, I would love to see a character with scoliosis who has rib cage deformity.)

Nervous trouble- probably an anxiety disorder, can be treated through a combination of therapy and medication

These writers didn't live in a time where a soldier could have these disabilities, but now we do. There are treatments available for him that can help him, things the writers never could have imagined back in the thirties. He can still be a super soldier with his disabilities.

As for Bucky, take my opinion with a grain of salt because I am not an amputee. But you're right, him losing his arm and Hydra forcing a replacement on him is a huge part of his story and would be incredibly hard to change. The easiest way about it would probably be to keep it the same, he loses his arm and Hydra gives him a new one, but he gets rid of the arm once he's free.

The arm has failsafes in place to protect his handlers and he has no idea what kind of risks it holds, like if it has a tracking device that could lead them right to him. It's a liability and could put him in danger. He also didn't want the arm in the first place and, based on the scratch-mark scars where the metal meets his shoulder, he has tried to remove it before. Plus, if something goes wrong, he can't fix it. That arm is centuries ahead of modern technology, created by Hydra top scientists, it's a titanium alloy, he has no idea how it works or anything about how it was made, the tools required to fix it are probably hundreds, thousands, even hundreds of thousands of dollars (or tools that only exist because one Hydra guy created them, meaning Bucky can't get them and probably can't recreate them-) look, he has a high school education from a century ago. There's no way he's going to be able to fix or even maintain such an advanced piece of technology. Even if he did somehow know how to do it, he doesn't have the funds to do it. Sooner or later, the arm is going to be a problem. So he would probably get rid of it. Tony Stark would jump at the chance to help him remove it, he would love to get to stick it to Hydra.

Getting rid of the arm can also be a freedom thing. It marks him as the Winter Soldier, it's a symbol of Hydra's control of him. By getting rid of it, he's one step closer to being free of their hold on him. He doesn't need the arm. The movies demonstrated that he's perfectly capable of getting by without it, showing him easily running his little goat farm in Wakanda without his bionic arm or even a realistic prosthetic, just using his remaining arm. (Additionally, did you see the look on his face when they gave him a new one? The exhaustion in his voice as he asked where the coming fight was? He did not want that new arm, he wanted to keep happily existing peacefully on his farm and having the arm meant he couldn't do that. He wouldn't want a new bionic.)

For Bucky, I would recommend letting him ditch the bionic as part of his quest for freedom.

In general, my main recommendation would be accessibility and medicine rather than magic cures. If you have any other specific examples because Marvel very, very rarely did disability representation right, feel free to ask if you need help improving them. It's my passion. You have no idea how excited I was seeing this in the ask box.

Mod Aaron

Hi!

Going from deaf or hard of hearing to having super hearing is a bit tricky. I'd recommend this way of doing both:

The ranges that are affected by his specific hearing loss stay hard to hear (with only very mild improvement if any).

The ranges that aren't affected get amplified, possibly even to a debilitating degree.

For many deaf/hoh people, hearing things, especially if the sound is louder than we expect, is very overwhelming. The solution above somewhat mimics the experience of wearing hearing aids, but since they are his powers they can't be removed the same way. (It would be very interesting to explore that through the lens of paralleling forced oralism...)

Mod Rock

[nov4-rocket5]

You didn’t actually read Watchmen at all if you think that’s the conclusion he “wanted” readers to come to. The final words of it are, “I leave it entirely in your hands.” Literally telling the reader to come to their own conclusions on what happens next, who was right, and what it all meant. The outcome Moore thought would be best and what other readers thought would be best and how they all differ is a feature, not a bug.

He doesn’t even “side” with Veidt. The guy’s Superhero persona is literally named after a poem about all a man’s accomplishments crumbling to dust in the wind. Suppose there might have been a reason Moore picked that name in particular for a character?

Moore may be more blunt in his disliking of Rorschach now, but he’s also the only person who’s really worth liking, and the character who’s mindset and psychology are dug into the most out of Watchmen’s cast. And while Rorschach is indeed a very sympathetic and pitiable character, he’s also heavily flawed. FFS, the dude brushes off his idol sexually assaulting someone as a “moral lapse” because Rorschach projects his need for a strong father figure onto people like The Comedian or President Truman.

Speaking of Truman, Rorschach spends a lot of his journal praising the guy, particularly for dropping the atomic bombs for the greater good. But when Ozymandias makes a big convoluted space squid and drops it on a city for the same reason, Rorschach very quickly changes his tune. When Rorschach’s own logic and morality plays out in front of him and in his city, he can’t stand it and changes his tune.

Now, Truman and Veidt’s actions and circumstances aren’t exactly the same, but the comparison between Ozy and Truman is about the public moral argument from the government that people like Rorshach believes, which is that is was a bad thing that had to be done to prevent even more bloodshed. In the much more intense Cold War of Watchmen, Ozy's logic is exactly the same as Truman's, he killed some to save a lot more. Circumstances are different but the moral argument is the same.

But for all of Rorschach’s flaws and hypocrisy, it just makes him and his actions all the more interesting to dissect compared to the other characters Watchmen follows.

Daniel is a superhero because birds and airplanes are neat. Laurie's there because her mom said so. Jon's there because of the government. Eddie wants to kill minorities for the epic win lolz. Rorschach's there because he has been the victim and no one helped him. It's why he does what he does even when there seems little point and the act is ultimately futile.

And that status as a victim is why he's the only one with the guts to tell Adrian to piss off. Jon, Dan, and Laurie can dismiss the deaths of millions in the name of the greater good, but Walter Kovacs can't, because he is those people.

Consider who dies in the blast. It's the Bernies. The lesbian couple. The shitty part of New York where Walter lives. Mrs. Sharip (who reminded Walter of his mother) and her children are very likely killed by Adrian's actions. These are people that Walter Kovacs saw every single day and now they're dismissed as suitable foundations for Adrian's plans.

And hey, once the Cold War is over and the Russians back off, what's the stop Veidt Industries from going global?

Walter is different from all the other characters because he's not a "hero". He's the victim. Being a working class, illegitimate abuse survivor in instrumental to his every action as Rorschach.

TL;DR: No, Moore didn’t side with Ozymandias or Rorschach, he just told a story and left it up to the readers on what it all meant.

[spoofyleaf]

MK doesn’t want to be a hero to save the world, he just want to have fun and keep his friends safe. In this essay I will-

[theweeklydiscourse]

God forbid you ever criticize the lack of consequences Bakugou experiences in MHA, or suddenly you’ll find dozens of Bakugou stans pouring into your mentions to make a speech about how cruel you are for forcing him to eat cement. They’ll act as though “consequences” inherently involves throwing him into the dungeon or putting him in detention for 100 years and then moan about how him facing consequences would only perpetuate a cycle of abuse/discrimination.

Listen, it’s not really that much of a consequence if the “consequence” in question isn’t directly connected to his current or past bad behaviour. “Oh but his scars!” “When he died that one time!” “His guilt for getting kidnapped” None of those are related to his bullying, and in my opinion, that makes them insufficient as consequences in an arc about changing for the better.

The consequences I would actually like to see could be as simple as: Izuku feels sad/mad because of what he went through, or certain characters reflect on how Bakugou’s past impacts their perception of him. More introspection on the victim’s end is needed, Bakugou doesn’t necessarily need to be pilloried for the arc to be satisfying.

[cologona]

I am just so fundamentally uninterested in the story where Jason is in the wrong and needs to Gain Perspective or whatever. God what a snore. What an absolute waste of my time.

[im-not-buying-it-ether]

Okay but on the topic of Loony Toonsian logic and Billy’s identity, normal people just about never learn it because he shapeshifts in front of him or even care outside his villains or Dudley.

I’m just imagining someone interviewing Cap asking about if he’s Billy and Caps like

Cap: Billy? Why are you talking to me then, I can get him for you if you want to talk to him.

Reporter: Yes, please!

Cap: Shazam!

Billy: Hi, you wanted to talk to me?

Reporter, now utterly confused as to where Cap went and this child came from: Uh, wait. What? Where did Marvel go?

Billy: Now you want to talk to him? I can get him back.

Reporter: Yes I— could you do that son?

Billy: Shazam!

Cap: Yo.

They cannot put the pieces together, the Loony Toons logic doesn’t allow it. There could be an hour long news segment of Billy and Cap changing places again and again and getting more mildly annoyed throughout the whole thing, people could watch and rewatch that segment, and no one puts it together.

If people keep asking Billy stops being so open because he doesn’t want that annoying game to keep happening again and again. The comics that do exist, unfortunately, are old and out of print (like actual Fawcett comics) and get overshadowed by the current hero comics of the time so its people who and the chance to grow up with those comics that maybe know, but with that news segment how are they supposed to take this obvious fiction seriously? Lex didn’t take it seriously, he thought he was having a stroke when he saw Tawny walk down the street.

Clark, who grew up with those comics, is laughing his ass off. Bruce, who has seen much weirder, is just silently having a heart attack watching that news segment.

Every other hero wishes they had the cartoon logic powers Billy and Cap have

Comics

Y'know how in the old comics, the 'Cap is a Comic book character' AU is basically canon?

Ok, so. Imagine that in Fawcett, Toonforce is an actual and reacurring thing. And outside of it's universe, it's not. Meanwhile Gothamites and others would pick up Fawcett comics and be like 'Oh wow, that would never happen!' when a character runs a mile in the air before looking down and actually falling, Fawcitizens will pick up a DC book, look at all the real physics and the like, and go 'Huh. That's weird. Why did they fall down immediatly?'

Bonus points if mythical creatures are extremely rare in the DC universe to the point people don't think they exist, meanwhile in Fawcett's universe it's so commonplace to see a unicorn, dragon, griffin or talking animal that they find it curious that on the DC comics they read, there are never any of the creatures present in Fawcett, like, at all. What do you mean there's no talking Tigers with suits walking around? In Fawcett, everyone knows at least one talking animal! (Mostly Tawny)

Also, how would the 'Hero from a literal comic book' go? Would the comics be banned from any viewing to keep secret identities? Since, well, if Lex knew Billy's identity from the comic someone gave to him, what stops the public at large to also know? Would the League let Billy in, on the accounts he's overpowered due to his cartoonish antics? Would they know his identity at all? I mean, he could be just a really good cosplayer. It's a good identity cover!

Imo it would be also very fun to play around the idea of 'Oh yeah, this is our resident Dimension traveller, we keep up with him through the comic books.'

And if they knew, how funny would it be for an ACTUAL comic book character being in your superhero team? Imagine some villain knocks Cap down, for sure that he's done for, only to look behind them and find Cap being all like 'Sheesh! I'm glad i'm not that guy!' and the hole were Marvel once laid in, very injured, is now nowhere to be seen!

Interviewer: “So, are the rumors true? You have a new mysterious League member?”

Superman: “Yes! His name's Captain Marvel, and he was the one to help us out on the latest major villain attack, as some of us were off-world.”

Interviewer: “..Captain Marvel? Isn't that the name of that one comic book character?”

Superman, smiling sheepishly: “Well, Captain Marvel sure is a common superhero name, is it not?”

[swordmaid]

i am wide awake thinking about that post canon jb au again when I should be sleeping …!!! such is the nature of the jbrainrot…

[theroyalriot]

I thought it was criminal to post the comic strip and not the video I made it for. So here is the tiktok of the Villain Tadashi concept I’ve been obsessed with lately. Some people asked for my headcanons so I put them in the tags!

Design is by me! Concept is from a different tiktok video about a fan altered BH6 ending. I live here now.

[fujii-draws]

OKAY! Chatot rant in tags below! Read at your own discretion.

[anna-pineappel]

Head-canons!

Head-canons!

Head-canons!

Buckle up, I have quite a few headcanons for Hogan’s Heroes and the characters! I also have some Klogan-ship specific headcanons but I’ll focus on the characters. I’m also going to follow @frau-wilhelm-klink’s format. This gets long, sorry not sorry!

I also have specific head-canons for my fics, especially my long ones since there’s a lot happening and it’s too easy to derail and I need something to keep me on track! 😅 I could easily make separate posts for Walk Through Fire and Peace in the Moonlight (including its Prequel, which is now titled Terror in the Shadows)

General:

Either Klink/Burkhalter is Nimrod - it fluctuates depending on the Plot of a fic I’m writing. But I can see arguments of either or. (Why Burkhalter keeps Klink in his post, why he lets Hogan stick around in Klink’s office when he comes around. Why Klink tolerates Hogan’s antics, why he’s so high strung).

The Germans spoke German a lot more (obviously the show was in English for an English-speaking audience). However, Klink and Schultz would often speak English for Hogan and his men’s sake. Hogan and the gang all understand German in varying degrees but are fairly fluent in it.

The POWs definitely formed a found-family situation at Stalag 13. They all need each other and even though a horrible thing brought them together, they wouldn’t have it any other way. Klink and Schultz somehow became part of the found family too. (They are like that uncle that you’re not quite sure about, but turn out to be pretty cool and let you drink beer behind your parents’ backs).

The Germans (the Main 4):

Klink (trying to stay human in an inhumane business):

Is not the complete dummkopf that everyone makes him out to be. If he’s Nimrod, he’s just anxious about anyone else finding out. Burkhalter and Hochstetter also drive him crazy and he just wants to get through the war without freezing to death on the Russian Front.

When passionate/angry, Klink doesn’t remember the English language. Any yelling that happens is most definitely in German. Also, he can get incredibly angry/intimidating when he absolutely needs to.

Feels protective over his prisoners. He has a sense of duty and frankly, doesn’t care for the Nazi’s ideology. He’s grown fond of Hogan (especially; whether platonically or romantically) and his men and wants to makes sure they live through the war.

Schultz (Gentle Giant Teddy Bear):

Got caught up in the Draft, is definitely not a Nazi, nor does he believe in the Regime. Holds a grudge for having his toy factory repossessed for the war effort. Also can’t stand all the violence/fighting that comes with the War and just wants it over.

He knows about Hogan’s men and their operation but since he opposes the Nazi Regime, he implements his ‘I know nothing, I see nothing!’ Policy and plays the fool, but often helps out in any way he can.

He and Klink are actually good friends, bonding over their hatred for the war and what has become of Germany. Klink acts tough towards Schultz but deep down, has a soft spot for him, keeping him in his post.

Burkhalter (Has no time for nonsense and will sass you):

Is 110% done with everyone and their bullshit, especially Hochstetter. He has his own agenda (whether as Nimrod or as a General), and is tired of everyone else getting in his way. He doesn’t necessarily care about people or things; that would get in the way of his Strategy.

Surprisingly, he doesn’t completely hate Klink. He’s also feeling pressure from his superiors and since Stalag 13 is a Model Prison Camp with Zero Escapes, there’s a spot-light on it and Klink. He genuinely wonders how Klink does it.

He is also… fascinated by Hogan (in a ideology/military strategy way). All he knows of America is what the Regime has told him, which is all propaganda bullshit, so he’s genuinely intrigued by Hogan and his homeland.

Hochstetter (my angry smol bean man; I’m deep into this man rn for my WIP):

Definitely has an unhealthy obsession with Hogan (to the point that it is homoerotic in a way/may be due to internalized homophobia) and is desperate to prove that he is the Underground agent Papa Bear to his superiors, who may be getting to the point of dismissing the theory since there’s no evidence.

Like Klink and Burkhalter, he is feeling the pressure from his superiors to prove that Hogan is Papa Bear, and that is why he is wound tighter than a ball of yarn. He usually is a great detective, but is letting his skills/other cases slide with his Hogan Obsession™️

Is insanely jealous of Klink for having Hogan in his custody. A man as dangerous as he claims Hogan to be should be handed over to Gestapo for questioning. Why does KLINK, of all people, get to have Papa Bear?! He also questions if there’s something going on between Klink and Hogan, but like his case for Papa Bear, he has no proof.

The POWs:

Hogan (military mastermind with a mouth that won’t shut up):

Would sacrifice himself in a heartbeat if it meant his men (and Klink and Schultz) would be safe, a bit of a martyr. He sees himself as a father/big brother figure to his men and loves them as if there his own family. He also gets fed up with them, like they’re his own family.

Can sometimes let his emotions get the better of him, and explains why he sometimes seems to be flying off the handle. Seriously, without Kinch to hold him back, Hogan is bit unhinged.

Has gotten roughed up by the Germans (the SS/Gestapo) at least once, and holds a personal grudge against the Nazi Regime. He has his own mental blocks, but his motives are to make sure no one goes through what he did.

(Bonus): Has a certain level of respect for Klink and genuinely thinks they could be friends or more after the war. He loves his men, but enjoys the company of another officer from time to time.

Kinch (Holder of the Brain Cell):

Is the gang’s rationalized thinking. He questions the sanity of himself and those around him on a daily basis, and wonders what he did to be surrounded by these maniacs (that he loves).

With his race, he, along with Hogan, knows how horrible people like the Nazis can be. He would like to go unhinged like many (especially Hogan, Newkirk and Carter), but he takes the high road, to not feed into horrific stereotypes.

Often had to prove himself to others, but not with Hogan. Hogan knew Kinch was brilliant with technology and doesn’t see race, and Kinch appreciates being treated like anyone else.

Newkirk (Lovable Bastard):

He’s been at Stalag 13 the longest, which makes sense given that England/France/Canada joined the war years before the United States. Next of the core gang for longest time at Stalag 13 is Hogan, so the two have a bond over that.

Has a (petty) criminal past, which explains the lock-picking/pick pocking skills. Forced to join the military as an alternative to jail time and he was told he could kill as many Nazis as he’d like. He gladly accepted since… yeah, Nazis suck.

Bonded well with Carter since they both have a love for mayhem and destruction. He only picks on Carter because he is teasing, but knows to stop when he really strikes a chord. Carter brings out a sensitive side to Newkirk that he wouldn’t admit to the others.

Carter (Pyromaniac with a Heart of Gold):

Is neurodivergent (whether it’s on the autism spectrum, ADHD, or a little bit of both), and is happy to be be included, and accepted in the gang, even if he doesn’t understand all the social conventions. He seems a bit dim/naive, but in fact, is one of the smartest people of the bunch.

Has special interests with chemistry and explosions, which is why he can ramble on and on about them. He gets dejected when the rest of the gang dismisses him, but often, Newkirk or Hogan come to him later and let him ramble and show an interest.

Has a close bond with both Hogan and Newkirk, he sees Hogan as an older brother and often forgets they are in the military together. Explains why he often calls him boy vs. Sir because he just… feels like family.

LeBeau (Resident Short King):

Like Hogan, has a personal grudge with the Nazis since they did occupy France after all. He might have also had a run in with the SS/Gestapo, which Hogan knows about. It took him a long time to come around to Klink not being a bad guy; he was instant friends with Schultz after the first batch of strudel.

His one pet peeve with the rest of the guys is that none of them really bothered to learn French. So whenever he’s mad, he just starts muttering in French under his breath and shaking his head. Oddly enough, he found out Klink speaks fluent French and the two of them would often talk in French, much to Hogan’s frustrations (of not understanding what the hell they are talking about).

Has aspirations to be a chef, and maybe was one before the war/occupation. He takes a great joy in cooking which is why he doesn’t mind cooking if Hogan/Klink ask him too. He would rather not cook for Nazi-scum, but he knows that Hogan (and to a lesser extent, Klink) have ulterior motives.

What are your top 3 headcanons for Hogan's Heroes in general?

What are your top 3 headcanons for each character?