#have this very very bad guilt complex

[ilkkawhat]

turns out i'm incapable of making a mistake and coping with it like a mature adult

[spectral-phases]

The Night Blüdhaven Exploded

I don't see enough people talking about what the Chemo attack on Blüdhaven must have done, as just everything was going wrong for Bruce and his boys that night.

For starters, Bruce is already fighting his dead/ressurected son who came back as a crime-lord villain who has been blowing up so, so many goons/criminals in Gotham for a while.

Then he sees Blüdhaven explode in front of his very eyes, and Jason then taunts Bruce, saying that Dick must be dead and insists on forcing Bruce to choose between killing Jason and killing the Joker not 2 minutes later. Bruce, as we all know, refuses to allow either, and stops Jason with a Batarang to the neck/shoulder, depending on your angst factor (or possibly aiming for Joker, but Joker moves and gets it to hit Jason on purpose/by accident ymmv).

(Batman 1940 #650)

And then, after all of that, the Joker sets off some explosives, surely killing Jason/the Joker (This makes the second explosion the Joker is going to no-clip his way out of, and Jason's learned that skill this time as well)

(Batman 1940 #650)

But wait! There's more! I know in the Batman comic they only mention Bruce being concerned for Dick, but Tim was living in Blüdhaven at the time too! Tim was fresh off of his father/girlfriend dying and didn't want to be adopted by Bruce, so he invented a fake Uncle Eddie (hiring an actor to play the role) and moved to Blüdhaven, where his comatose step-mother was being treated. Tim is only out of the city at the time of the explosion because the Titans came and said something was wrong with Conner, so they needed to leave to help save him. On their way out of the city in their jet, they only get far enough to avoid the blast, but not far enough that they avoid the resulting shockwaves as it renders their navigational systems offline, and likely their comms too. So not far enough that Bruce, who has been chasing Jason and Black Mask all night, could reasonably be aware of this fact.

(Robin 1993 #147)

So Dick and Tim very well could have been in that explosion and then Jason gets exploded! Amazing! That's 3 for 3 remaining Robins possibly killed in an explosion in one single hour.

We have no idea where Jason gets to, but we'll assume that he is unable to find the body because of the new no-clipping into the backrooms skill Jason must have (Jason was meant to die here, again. In another explosion set off by the Joker, so Bruce will have to assume Jason is dead even if he turns up alive later. How? Who the fuck knows).

Speaking of ol' Richard "Dick" Grayson, aka Nightwing, how is old boy wonder doing? Well, he's been having a rough go of it the past six months, between Blockbuster targeting him and destroying everything he cares about, Tarantula killing Blockbuster after successfully convincing him to just let her kill Blockbuster (while he walks away and has a panic attack...and...other things happen...TW: SA if you look it up), and then basically playing "suicide by cop" through the job following that and being a double agent of the group that just nuked Blüdhaven, uh...he is straight-up not having a good time by the time Chemo blows up Blüdhaven, and he's only getting worse. He tries to go to the center of the explosion, and Superman, fortunately, arrives on the scene to save Nightwing and put him up on the shelf to avoid dying (I love how Superman keeps trying to save Nightwing from himself in this era and Nightwing is just...no, thank you).

(Nightwing 1996 #116)

Unfortunately, this is the "Flying Grayson" himself, so no shelf is high enough to prevent Dick from going in there, and his mental state is so bad that certain death while saving others is probably more tempting to him at the moment than a deterrent. He "Duly Noted"s his way back into Blüdhaven, helps get the police to control the panicking crowds of survivors towards an escape route, saves the few remaining friends Blockbuster didn't kill recently, and goes directly into the most radioactive area of Blüdhaven to try and save some rouge who might have been there. We see Superman fighting Chemo's core in the background throughout his rescue attempts, so Dick's close the entire time to this heavy radiation. Dick notes that this is the first time he's able to breathe easy in months, saving people from the ruins. He's eventually taken out as a door explodes with the Chemo green gasses while trying to locate the rogue while reflecting on his recent failures.

(Nightwing 1996 #116)

I do think the appearance of Batman as Dick passes out isn't real, Bruce was in Gotham, either reeling from the explosion or looking for Jason or something. There's no way he got to Blüdhaven already, and the legs of Batman are hazy, blending into the smoke.

I also think after Chemo is stopped that Bruce probably still hasn't heard anything about Nightwing, because I don't imagine he took the time and resources to call the Veteran in a communications blackout (who has been historically trying to poach Batman's Robins, and nearly got Tim killed trying to convince Tim to leave Batman and join up his forces. Batman and the Veteran are not on good terms, is what I'm saying) just for Tim's step-mother and fake uncle.

(Robin 1993 #147)

By this time, he is talking about Tim as if he's alive, so he's probably gotten something from the Titans base confirming that Tim's alright, so he's gotta be taking the time and effort to call the Veteran for Dick.

Bruce, being Bruce, gets into a fight with Dick as soon as Dick is brought back to the Batcave and wakes up, while Dick is being treated for severe radiation poisoning/burns. I am willing to forgive this because he's had a time of it, even if he's being hostile and pissy and unsupportive. Definitely not winning the Father of the Year award for this, I'm afraid (Worst Father of the Year award is going to Deathstroke, for embedding a known radioactive carcingenic material into his daughter's eye, but Bruce is in the running for this and Jason).

(Nightwing 1996 #117)

I am awarding this to Bruce for trying to reassure Dick.

But. Anyway. Yeah.

Rough night for everyone involved. Absolutely everything going wrong all at once.

[sammygender]

i’ve never been as angry on behalf of a character as i am for sam winchester

[zebratimw]

I still love you (Song: Still in Love with You by Deeps)

[transmascutena]

thinking about how akio sees his younger self in utena and wondering if there's any fondness there. doesn't change the horror of what he does to her obviously but i do wonder

[stuck-in-the-ghost-zone]

preemptively sorry for how fucking long this is it is YOUR FAULTT THOUGH!!!! large bowl of seeds for u. it is almost 2am sorry.

SO. there are. two ways to assign the prime defenders powers etc. the first way is just, like, categorize their existing powersets within the prt framework, & the second is to give them entirely new abilities based on the way worm works. delightfully, all the powers they Do have work really well for the most part, so even that doesn't require a ton of shuffling.

categorizing their pre-existing powers:

wiwi-- breaker w/ a shaker subclass. neither of them rated very high, but that's already a rare and versatile enough combination!!

dakota-- brute babeeeey!!! brute/mover its so straightforward. hell yeah babey. i don't know what he'll end up looking like post-heart removal & stuff but my guess is that'll end up looking more like a mover/striker.

vyncent-- now THIS one gave me trouble. i... hm. to say this without talking about stuff that i don't think has come up much already, (hey!! you're at that clockblocker pov! directly related to what flechette says!) i'd call him a grab-bag cape, irt the greats at least. post-greats-- again, i don't know what his powerset will look like after this arc! but if he's going all in w/ the fire magic, that would for sure be some striker shit! :]]]

giving them new powers... man i'm reining myself in so hard from five more paragraphs on Why exactly i'm saying all this.

wiwi still breaker for sure, maybe breaker-master, maybe master-stranger. yknow. powers are fluid, the prt categories are pretty rigid. i... don't know. enough about his situation yet to be clearer than that vague idea yet-- i really like the idea of him just. ditching his body & using a noncorporeal form but he still has to keep an eye on his body i think that's great. the noncorporeal form would b able to change its visibility but still b limited by proximity to the body. & fluctuating energy shit powered by fluctuating amounts of recent-death in the area, maybe probably also limited in that it's only accessible in his breaker form.... also i think u will appreciate this style note from the [UNNAMED PARAHUMANS TTRPG] i'm referencing a lot here.

dakota--in this situation he probably would not. have that mechanical heart and shit. he' would still be a mover/thinker-- thinker rating is for faster mental processing + senses imminent pain for the people in his immediate vicinity. not danger, just pain; it immediately registers ambiently & can be generally traced back to whoever it is. no he can't turn it off ever, it manifests as feeling a similar level of pain, yes it works on himself. + mover-- he can fucking fly. no super strength, just very fast flight & the general "won't splat himself flying into something" capabilities, which meshes well w/ the faster processing & reflexes. i'm split on how exactly this would work mechanically but i will NOT go into that now. i am also not going into the 15k discussion in my brain on why dakota 'notoriously bad at thinking about things' cole would be a thinker but u gotta trust the process ok??

vyncent-- trump!!!! somehow this is the only straightforward one to me? he can copy powers at the full strength or ability level of the original for an unspecified amount of time that's usually 1-30 minutes by touching the cape. crucially, he doesn't have any edge on how to use these powers + can easily misuse or become extremely overwhelmed by them. he's easily the most powerful out of the three of them <33

ashe-- ashe is NOT HERE currently and also it's 1:30 am so i gotta go fucking sleep soon BUT they would be a master. easy. :o) they can make some lil guys n do stuff with them!!!!

in general these are pretty fucking cracked abilities, all of them would b oosely above a seven or so in a number rating once they're really settled in their powers-- this is mostly because i'm assuming that they would still be heirs-apparent to the prime force equivalent, which would b the triumvirate :]] anyway. good lord. this is like the cliff notes edition of what i've been thinking and scribbling in the notes app for the past several hours. sorry if it's fucking incomprehensible. gn!!! <333

AAAAAH FUCK YESSSSSS OKAY OKAY OKAY my response is probably going to be equally as long. so it's fine. oooouh buddy.

I KNOW WHAT BREAKER MEANS NOW !!! I dontttt think ive learned shaker yet. breaker is like.... breaking the laws of physics/shifting planes or whatever. PERFECT for william hell yes. for putting them actually in worm world ... ughhhh breaker/master william is REALLY cool. I havwnt learned stranger yet but i think he would develop a complex over being classified as stranger <3 (like how weld doesn't like that he's classified as a brute even though that's not exactly what it means, he just doesn't like the word) . GODDDD just thinking abt putting pd boys in worm is fucking me up haven't they been through enough. I want to see them all in a fit of despair. william ditching his body is SO good I miss when he would do that, also the powers being limited by how far away he is AND THE AMOUNT OF RECENT DEATH IN THE AREA. holy shit. that's so fucking good . im sure he would not overthink at all the fact that he is stronger when more people around him have died . I'm sure he'd do awesome in the leviathan fight for sure for sure .

DAKOTA BRUTE <3 DAKOTA BRUTE/MOVER I LOVE THIS A LOTTTTTT hellbyes. awesome. it's so perfect for him <3 worm world I'm SURPRISED u didn't stick with brute for him. eyes emoji. I trust your judgement but now i am Thinking... Hmm..... YOU BRING INTO QUESTION something I have been thinking about. and I'm going to probably get derailed a little here but stay with me. how the way powers manifest directly relate to the trigger event. because for a WHILE before we learned taylors I was like "OH i bet the powers are going to be directly related to what traumatic thing happened to them" and then we learn about taylor and grue and a couple more and I kind of lost that theory because while you can. technically draw relations between their powers and their events it seemed like too much of a stretch to do . HOWEVER now my thinking has changed AGAIN and I think the powers ARE related to specific trigger events but it's not as straightforward as "oh something scary happened to you with bugs so now you have bug powers" I think it's gonna be more complicated than that. WHICH. THE WAY THIS RELATES. BACK ON TOPIC NOW. to DAKOTA . assuming his trigger event is still he and katori falling off the building I think it's AWESOME that his powers would manifest as FLIGHT for one. and the fucking. pain sense thing. fuck me up. dakota extreme hero complex cole would be so fucked up by a power where he ambiently senses pain from the people around him at all times and cannot turn it off. I'm sure he would feel so normal about being around william chronic pain wisp 24/7. also I can SO CLEARLY imagine how this power specifically would lead to him getting super overwhelmed in chaotic situations like he does in canon. and just fucking. bolt out of there because it's too much. again. he'd have such a wonderful time in the leviathan fight

I AM AT CLOCKBLOCKER POV !!!! actually technically I'm on kid win pov now but I haven't finished his chapter yet. vyncent grab bag cape..... yeah... I think it would be EXTREMELY funny imagining the PRT in pd world trying 2 classify vyncent like. what the fuck does this kid do . what do we do with him. hes got other guys in his head that give him powers. is he a master??? no he can't fucking control them. is he a striker??? only SOMETIMES. is he a blaster?? AGAIN ONLY SOMETIMES. cannot classify him bitch!!!!!!!! giving him worm powers though.. UGH. being able to touch someone and COMPLETELY copy their powers but only for a short period of time???? I fucking love that a lot. he WOULD be the most powerful out of them!!! I can hear taylors inner analysis dialogue about him now and it's very similar to the clockblocker "DONT LET HIM.TOUCH YOU" panic. loooove imagining this playing off of the rest of pd,,, i know there was AT LEAST one time where he had william sort of transfer some of his ghost powers for a minute? I think it was during the lich fight in the theatre but i just remember vycnent floating and going intangible and NOT KNOWING how to control it or anything. loveeee that. in world dynamics I feel like vyncent would be a late addition to their team (instead of coming from another world maybe he just. had his trigger event happen way later than the other two..or something.) and not trusting them as much at first/being REALLY shaky using either of their powers but after a while being really comfortable in a fight with using either Williams or dakotas powers in a fight. Just like. imagining the fluidity of how they'd work together in a tense situation assuming they're not being complete dumbasses <3333 UGH it's really good

AAAASHE ASHE ASHE IM SOOO SO GLAD YOU INCLUDED ASHE IN THIS I miss him.so much every day. from what I know so far master involves having/making/controlling some sort of minion (cannot think of a better word than that rn) AND I THINK THATS REALLYYYY perfect for ashe. i assume he would actually work pretty closely to canon in that his limitation would be the book? or if he doesn't have the book maybe his limitation would be a) having only a few different types of things he could summon (the big hand, the water fairy, duck etc) and/or b) only being able to control them.for a short amount of time after they're summoned so he has to be quick about dismissing them. can't keep the demon hand around for too long or it might start picking things up and throwing them at random. putting teammates in danger bc he can't control it anymore etc etc. alsooooooo in clockblocker pov they VERY briefly mentioned the possibility of having secondary trigger events (?!!!!?!?!) and you know I locked onto that SO FUCKING HARD. ashe being born with powers and then his secondary trigger event being his mom's death <3 im.NOT even going to attempt to talk about how the trickster would work in worm world/if it would even exist in this setting bc i don't know enough about the types of powers and things yet..but just know. I am keeping this in the back of my mind "this is a fun surprise tool that will help us later" style

[insidejupiter]

jingliu is a perfect example of "if this female character was male, shed be universally loved instead of heavily criticized"

[some-stars]

writing on my various Awful Nasty wips has been going SO well, so of course i'm having an anxiety attack about how difficult the (sweet, loving, happy ending) phone sex fic is going to be to write when i ever get back to it. like it's just so many balls in the air at once, and i know how it goes--i know the next couple sections in detail, and then the general outline of the middle, and then the climax in detail also. and it's just. so much. there's two intertwined A-plots and a B-plot. i have to create an OC. i have to write multiple scenes with three or more people in them. it's going to have chapters. and i have to do it, no one else is going to do it, the first scene is already so fucking good and the potential is incredible if i can just. do it. and i don't know if i can :(

[gilverrwrites]

Your neighbour; Jason, he's built like a brick shithouse and has a resting scowl that could put Death on edge. That is until you get him talking. Then he smiles, and even with all that grit and grime he's a sight for sore eyes.

He's a mechanic, he fixes up your old clunker every few weeks for dirt cheap, if not for free. When you push him on it, feeling bad for letting him put in all those extra unpaid hours for you he says it's just cause Gothamites gotta stick together, especially people from your mutual neck of the woods. Besides, if you didn't bring him guilt muffins every time you brought your banger in, then he'd never eat breakfast.

But really it's cause he'd have to be a totally new breed of ass if he charged you for having your car sabotaged. Every time you leave him alone he throws an extra bolts in your engine or tweaks your wires. Never anything that could cause real damage, or put you in danger. He's not trying to kill you, he just thinks you're the single most beautiful thing he's ever laid eyes on and has no idea how to say that to you without the very real possibility of throwing up.

It’s the same reason you just so happen to always do laundry on the same night every week, and why he so often appears to bump into you during your weekly grocery shop. You should really change up your routine.

Thinking about his actions later; they definitely seems worse than they do in the moment. He just likes to spend time with you and hasn't figured out the right way to go about it yet. It’s not like he can just knock on your door out of the blue. That would be weird, right?

So, every few weeks you bring your car to the shop, and Jason tries not to ogle you the whole time he's pretending to check on your suspension, or whatever else. Often, you bring it by after work, and he tells you he won't have time to look at it before closing so that he can drive you back to your apartment complex in near silence but for you complimenting his CD collection and him asking how the rest of your day was. Then he walks you to your door and with pink cheeks and darting eyes he asks if you have any plans for the weekend. Whatever your answer he always replies the same; “Cool. So… Well, goodnight.”

And then he rushes to his own apartment where he’ll eventually fall asleep remembering the enthralling sound of your laughter at one of his jokes earlier, your jeans and the way they hugged your thighs just right, your eyes glinting under the florescent light of his shop sign. How your skin would feel under his hard, oil-stained fingers. Whether he’d have the nerve to finally ask you out when he drops your keys off for the 100th time tomorrow.

[motheyes]

therapy …. hasn’t rlly been going great

[hoshigray]

Hi hi LOVEEE YOUR WORKK

The way you write kinda touches my heart, and tingles my brain a little too

Especially your jjk fics!!!

Do you mind if I request a kind of angst smut fic of reader leaving home to blow off some steam after having a heated argument with any JJK man and he comes out to find her and resolve 😼😼🤭 it in the car?

Thank you for reading thisss 🫶

𝐚. 𝐧𝐨𝐭𝐞: awww, ty for liking my stuff!! i was supposed to release a sugu fic today (but didn't, yikes, lmao), so imma make this sugu~

⊹ 𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬: Geto x afab/fem! reader - explicit content; minors DNI - angst + reconciliation - sex in a public area; car out in the neighborhood - fingering (f! receiving) - clitoral play (swiping and licking) - feedbag position - oral (f! receiving) - pet names (angel, baby, pretty thing, my love, pumpkin, sweetheart) - implied insertion at the end - mention of spit.

⊹ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 2.2k

“…”

“Y/n, what are you doing?.”

“You can’t see I’m taking a walk?”

“Please just get inside the car.”

“Leave me alone, Geto!”

Geto winces at the use of his family name. Oh fuck, they really are mad at me…

You were walking on the pavement, your anger exhibited through your feet, stomping as you traveled down the concrete floor in the supposed quiet neighborhood. Unfortunately, you weren’t alone; your boyfriend drove slowly to match your speed and speak with you. 

Why were you angry? Why don’t you ask the fucking asshat following you in that car of his? The two of you had a terrible argument not too long ago, and you’re sure the neighbors of your complex must’ve heard the audible insults and blows you two threw at each other for almost an hour. You hadn’t expected things to be blown out of proportion – it’s not unusual for people in relationships to argue. However, if your partner insidiously says something that he knows will tip you off the scales, are you not inclined to exit the apartment to blow off some steam before you choke him to death and have a murder charge on your record?

“Baby, c’mon, you can’t just keep walking on the sidewalk like this.”

So here you are, out for an evening stroll meant to calm you down, yet it’s doing the opposite since a certain someone is trailing alongside you. 

You suck your teeth, “Geto, go home! Why are you even following me?”

The tall black-haired man ducks down for you to see him from the driver’s window. “Because I feel bad!”

“Good!” You bark. “Good that you feel bad; feel nothing but bad, so just leave me be.”

“You know I can’t do that; look how dark out it’s getting!” It was around nine in the evening. The sun had just finished setting, so its shine was dwindling, and the twilight was mere minutes away from transitioning to dusk. “You can’t be walking out alone; just get in the car.”

“Hmph, absolutely not,” you can feel the crease of your furrowed brows worsening. “I’m heading to get homemade ice cream from that place I like; it’s the only thing that can put my mind at ease right now, and seeing your face and hearing your voice isn’t doing anything good for my mood right now.” 

The flat line of Geto’s lips is pressed harder, guilt swelling in the pitch of his gut like no other. “…I’ll take you to the place. Just hop in.”

“I’d rather get shot.” Apparently, your boyfriend doesn’t get the ‘don’t want to hear or see you’ part you stressed about literally seconds ago.

“That’s what I don’t want! Do you have any idea how long the walk is?”

You rolled your eyes. “I’m very aware, and you’re slowing me down with all this chat.”

“Yeah, but you won’t get to that place until around ten o’clock,” he argues. And then that’s another hour and a half walking back; you’d probably be back home by midnight!” 

You couldn’t lie; hearing him be so concerned about you and your safety made you feel a little warm from the early summer breeze touching the exposed skin of the halter top. However, a part of your stubbornness refused to stand down. And yet the more you looked towards you, the further it felt like you’d reach your destination. He’s right; you wouldn’t make it home in time. Plus, it’s getting darker by the second, the comforting blue hue of the sky being absorbed by the bright, dominant moon. 

Once you come to an abrupt stop, Geto nearly forgets to hit the brakes, and your figure stands motionless and silent. Then, you move towards the door behind the driver’s side, opening the door to sit in the backseat. You beat Geto to the punch, breaking the silence, “Don’t talk, just drive.”

A soft, relieved sigh leaves the onyx-headed man, but he notices you avoiding the rearview mirror, where purple eyes flicker to try to see you. “…Is this really necessary?”

“What is?”

“You sitting in the backseat?” 

“What does it matter to you? I’m in the car, aren’t I?”

“What the hell am I, you Uber? Get in the front.”

“No. You said you’d drive me, so do that, and don’t make me angrier than I already am.” 

You thought you won the round when you didn’t hear a remark from your companion. Yet, that wasn’t the case because the man opened and closed his door, walked around the car to open the door to the other side of the backseat, and it takes everything in your power not to pop a vessel when he takes a seat. “You cannot be serious.”

“I’m very serious,” he closes the door. 

“Are you deaf? I said I don’t wanna talk to you.”

“And are you blind; can’t you see me trying to make this work—“

“Work?” Oh, how you wanted to burn this car up. “You should’ve thought about that when you said what you said back there.” You didn’t know if it was right to say that—That sounded mean, was it mean?—yet it came from a place of hurt that he caused.

Your words strike deep into Geto, but he still speaks his mind. “Y/n, please…Can you at least look at me?” You don’t move a muscle. “I’m your boyfriend, so can you at least look at my face and not push me—“

“Yeah, you are my boyfriend,” malice in your tone. “And you’re doing a pretty terrible job as of today.”

“Y/n—“

“God!” Now, you finally turn to him with vexation scorching your pupils. “I just want to be left alone–away from you, alright! What part of that don’t you get?! Why can’t you leave me alone?”

“Because I’m sorry!”

Your lips nearly quiver at the snap of those three words, eyes on the brink of shedding tears. Nonetheless, your face returns to the front. “Bullshit…H-Hey, let go!”

“I told you, I’m being very serious!” Geto brings you in for an embrace, and your resistance is hushed down as he keeps talking. “Look, I…I’m sorry. What I said back there…I didn’t mean for it to hurt you like it did, baby. You said something before that made me angry and…” his hold on you gets tighter; you notice even if you’re busy hearing every word from his mouth. “I didn’t think what I said would make you leave, and I got scared.” His mellow voice delves into a hushed tone. “So fucking scared…I’m sorry, Y/n. Just…don’t leave me out like that, okay…”

And with that, the remnant of your irritation ceased. The hotness of your blood subsides to a calm flow, your body easing into the hug as his apology repeats in your mind. You couldn’t think about your argument before; you just can’t, not with an apology like this when you can feel and hear him be genuine and vulnerable. You wanted to be angry with him–you tried– but the more you forced the outrage, the more you kept burrowing your head into his chest and your hands wrapped around his slim figure. 

“You’re such a dick, do you know that?” Doing everything you can not to cry since his face is nestled in the crook of your neck. “And…I’m sorry for saying stuff that made you mad at me, too.”

“Guess we’re both dicks, huh.” A joke meant to make you giggle, but he doesn’t sense the jerk of your shoulders. “Hey, I’m sorry. You forgive me?”

“Sure,” you murmur. “After you get me that ice cream.” Your jest made him chuckle instead.

“Mmm, on it,” your breath stops at the kiss on your temple. “But, before that,” he lifts his head, violet eyes examining your expression. “Don’t you think I should also have a little something?”

His question confuses you until you feel the grasp of his hand sneak inside your jeans, and the bare flesh of your ass meets the mild cold of his fingertips. “Suguru, what are you—“

“Compensation,” he kisses your neck, and you gasp at another rough knead on your asscheek. 

“Oh, that’s bull…Mmm.”

“Oh? So you can have ice cream to forgive me, but I can’t have anything?” The hand is then lifted out to move to the front, his gingers pressing on the part of your panties that cover your groin. “Well, aren’t you selfish.”

You couldn’t question his logic with his digits now motioning up and down your concealed cunt, your legs spreading apart as Geto’s forearm pushed them aside for easier access. “Hahhh, Sugu…Mmmnn, not here…”

“Mmm? Why not?” He says with faux shock, gently having you lay on your back as he spreads your legs further. His hand still fingers your underwear, only fueling a wet spot to protrude more and more. “It’s dark out, and no one’s driving around here.”

“That’s not—Mmmm!” A thumb presses down on your clit; how cruel to sneak that attack on you. “Ohh, fuck…”

Geto kisses you, gradually unraveling your erotic senses with every peck he places on your lips with his soft ones. And his lips don’t rest there, laying kisses to your chin, your collarbone, and lifting your shirt to expose your abdomen for him to kiss and suck the skin of your tummy and navel. All the while, his fore and middle fingers keep pushing into your chasm as your hips buck subtly.

Another minute of pleasing you with his hand goes by, your wetness becoming more and more evident as his digits did the work in having you wet for him. “Look at you,” he’d say cooly. “Making a mess, such a dirty, pretty thing you are.”

“Sugu, stop, you’re making me—Oooh…” he slips his middle finger inside your panties to insert you. And then, his thumb dances around your clitoris, evoking the shaky moans to leave you. “Ahhh! Noo, don’t move like…”

A snicker leaves his lips. “What? You like it when I tease you like this, don’t you, pumpkin?” He pushes your underwear out of the way and continues to finger you. “You’re gripping on my finger like crazy.”

“Shhtoop, your fingers,” your hand finds his wrist yet does nothing to stop him. “If you keep going, I-I’ll…Hooohh…”Your eyelids suddenly feel heavy, closing them to conceal your vision. However, that only enhances the use of your other senses, indulging in the sense of touch as Geto plays with your pussy. 

Even if you didn’t finish your sentence, Geto takes the initiative and removes his hand to lick the fingers. “Oh, my love,” he coos while rolling up your underwear to stay on your inner leg after removing your jeans. In the meantime, the man brings your hips up and rests your legs on his shoulders. “That’s exactly what I want from you…”

Your eyes snap open at the contact of something wet yet firm, sliding across your wet folds, your body jolting at the sensation of it nestling between your labia. And the flick of his tongue on your clit nearly has you choke. “Suguu, no, don’t—Ahaann!”

Any attempts to squirm out of his hold don’t seem manageable now that you two are in the backseat of the car; his hands firmly keep you stable and still as his face ventures closer to your genitalia. Tiny moans get louder and louder with every lick of his tongue cleaning your slit of your essence; ironic as more of your fluids seep out as he does so.

Your hand grabs hold of tuffs of his raven hair, but that only eggs him on to keep going. Pushing his tongue into your entrance, he fucks you with the wet muscle and has your body writhe and crying for him. As the space gets hotter, you wouldn’t be surprised to find fog starting to cloud the windows. But that would probably be for the best as you wouldn’t want people on this road to know what you two were doing, nor hear the squelches from the commotion.

“Ohhhshit, shiiiit,” your head pounding like crazy, you couldn’t think straight, and the walls of your cunt keep clamping onto the tongue that swirls around and has you wailing. “Ooooh,hoooh, Sugu’, I’m gonna—It’s coming…! I’m…Aiishhh!”

“Go ahead, angel,” he says before licking your clit erratically, using his middle finger to fuck your release out. “Let it out for me, baby.”

With how fast he’s sucking and licking your delicate bud and his digit rubbing on your velvety texture, how can you not come? You scream aloud at the wave that crashes on your body, your hips jerking on their own as the trembles of your orgasm rock your entire frame.

Geto keeps you steady, taking in your release with his mouth. He groans at the taste of you on his tongue, his fingers kneading your waist as if to relax your body for him as you ride out your high because of him. Quivering legs get less apparent with every buck, and once your breathing returns to an average pace, he places you back down. 

“Good job, sweetie,” he bends to kiss your cheek as he unbuckles his pants to expose his briefs that harbor a tent. “You tasted too good to resist; wanna feel you all on me…”

“You…” you grab for his cheek to pinch. “I better get my ice cream tonight, Geto Suguru.”

Your soft threat has him chuckling. “Will do, baby,” and you succumb to a kiss.

If the windows hadn’t fogged up already, they sure were going to now.

© 𝐇𝐨��𝐡𝐢𝐠𝐫𝐚𝐲2024 – reblogs and comments are appreciated wholeheartedly ✩ dividers by @/benkeibear.

[aperrywilliams]

From Now On (Spencer Reid x Pregnant!Reader)

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Author Masterlist

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Pairing: Spencer Reid x Pregnant!Reader.

Summary: After faking his death for seven months, Spencer is back just to find out you’re eight months pregnant. After the initial commotion and your denial, you both step into the apartment you used to share. Things have changed and you must talk about it.

Word Count: 3.3k

Warnings: Hurt/Comfort. Talking about gunshots, blood, hospitals, faking death, pregnancy symptoms, potential abortion. If I missed something, let me know.

A/N: I’m back! I don't know for how long, but I needed to do something to fight my writer's block. This story can be read independently, but it is the second part of Seven Months.

-----

The cab ride to your apartment is mainly silent. Your head is tucked into Spencer's shoulder as he rubs your back from time to time. His nose is buried in your hair, inhaling your scent. God, he had missed it so much. He had missed you so much.

And he missed so much of your life in the past seven months. And that scares the shit out of him.

How would he fit into your life now? Does he have any right after faking his death and not telling you anything?

Rossi and Morgan told him you would understand eventually. That you would forgive him for doing this to you.

And maybe you are really considering. Maybe that’s why you went for him to Derek’s in the middle of the night.

Spencer wants that more than anything, but he feels like he doesn't deserve your forgiveness.

Now you both are in front of your building complex. The one that used to be his too.

Spencer knows the concrete walls are the same, but they don't feel like they are.

It's a strange feeling. A feeling that gets stronger when you open the apartment door.

Stepping inside, he knows this is where he used to live, but it doesn't look the same.

The shelves are no longer full of his books. Gone is his globe and coins collection that usually laid over the desk. There are just a couple of pictures of him with you on the wall. The decoration is different. Did you paint the place? Spencer is almost sure of that because it looks brighter than he remembered.

He's silent, inspecting everything around him. The walls, the bookshelf, the furniture: all changed.

After you take off your coat and hang it on the rack, your eyes follow him.

You know what’s going on. You have known Spencer for so long. Even if you thought you lost him, you still can read him like a book.

“Hope isn’t look too bad. I needed to, you know, make some changes?” you explain, not sure how to put the last months in words. Spencer turns to look at you, guilt written over his face. He knows what your words imply and remorse eats him alive.

“I - I’m sorry,” he mumbles, sure it's not enough to erase the hell you have been through since he were gone. Since they told you he was dead.

“I know.” Your response is short but not because you don’t have things to say. It's because you don’t know how to start. “Uh. Would you like some tea?”

It's the safest path. The one you both usually have taken the times you had fought and then try to speak it off. It's different this time, though.

Spencer hesitates. In other circumstances, he would agree and sit on the couch to talk. But it's late, the day has been a rollercoaster and you are eight months pregnant. He knows you should be sleeping, or resting at the very least.

“Maybe it's better you go to bed? It's late and you must be tired,” he points, nervously fidgeting with his hands, his gaze shifts between your eyes and belly.

“Honestly? I don't think I could sleep tonight even if I try,” you confess, moving to the kitchen to put the kettle.

”I don't think I could sleep either,” he admits, following to the kitchen. He wants to help, but he doesn’t want to look like an intruder in your space. A space that it’s not his anymore. Noticing Spencer doesn't know what to do with himself, you invited him to take a seat on the barstool.

“It will be ready in no time, don’t worry.”

You are the one who endured months of grief from your fiancee, carrying his child, and you are the one comforting him. Spencer thinks it's not fair.

In silence, he looks with raptor fascination at the way you move around the kitchen. It's delicate and calm. You have a glow that captivates him. You don’t realize his gaze until you turn to put the mugs over the counter.

“What?” you question softly.

“You’re so beautiful,” he says, eyes entranced in you. You laugh, shaking your head.

“Come on, Spencer. I look like a mess. This belly reaches everything minutes before I can. It's huge! I can barely walk decently. Look at my hair! And my skin. It's sticky all the time.”

As you ramble about why isn’t accurate to call you beautiful, Spencer stands from the stool and rounds the kitchen counter to step in front of you. He wants to reach for your hands that you’re waving in the air to emphasize your point, but refrains. He’s still unsure about initiating physical contact. He rests his hands on the counter and clears his throat.

“I can certainly say it's not the way you are used to feeling. But the way I see you right now? I see beauty, power, and life. It's light what I see on you.”

You don’t know when tears started to roll down your cheeks. But hearing the adoration in Spencer’s words only spurs you to let out your emotions.

“You know my hormones have been doing a number on me, right? You’re not helping,” you complain, chuckling. After handing Spencer his tea, you take yours and walk to the living room.

You carefully sit on the couch and reach for the blanket in the back to cover your lower half. Spencer mimics your actions, sitting as well on the couch, but at a safe distance from you.

A silence envelops the room. Your hand plays with the strands at the end of the blanket, and your eyes scrutiny Spencer’s face. He looks tired, with prominent circles under his eyes, and stubble for days of no shaving.

He is analyzing you too. Even if your eyes denote exhaustion, he can see the strength that makes you look put together despite everything that has been going on.

He can see the protectiveness too. Rubbing your belly in soothing motions, shielding your non-born child from the unknown, the uncertain.

How much he would have given to be the one who could have protected you and the baby from the first minute.

“I guess you have questions,” you prompt. “But I have mine too, so if you don’t mind,” you trail off and Spencer understands what you want. He nods, preparing himself to answer whatever question you have. After a pause to collect your thoughts, you start to speak again.

“What really happened in that warehouse? Why you didn't let me go inside with you?”

You are talking about the day Spencer was shot and beaten for the unsub. The day he ended up at the hospital just to be declared dead hours after.

“I thought if we didn't split we could lose him. We were so close so many times. I thought it was our last chance. It never occurred to me it was a trap. That he wanted me there alone. I just didn't see it,” Spencer swallowed hard, remembering that day. You stayed in silence, waiting for him to continue.

“I heard his voice telling me he had you, and I panicked. So I ran to him. I let my guard down. When I realized he was lying it was too late.”

“But you launched at him. Why didn't you try to stall him first?” You asked, leaving your mug on the coffee table, feeling the suddenly urge to protect yourself with your arms around you. You never talked about what really happened with anyone. Not even to Hotch when he questioned you during the FBI investigation of the incident.

The way Spencer reacted with the unsub is something you never understood. The profile said the unsub was a guy who liked to show off, so trying to incite him to do that while waiting for backup would have been reasonable.

“The way he laughed. Maybe sounds stupid, but- I saw the resolve of an end game, and not like the typical bragging-end game, it was an evil-end game. He had the upper hand and he knew it. If I didn't do something first, he would have gone after you. And I couldn't let that happen. I didn't count on the hidden gun, though. Another mistake,” he breaths out.

You remember like it was yesterday rushing to the warehouse after hearing two gunshots. Once inside you saw Spencer lying on the floor, in a pool of blood.

“You were there and I didn't know what to do,” you recount your side of the story. “It was the worst nightmare. I screamed for help and it felt like an eternity before someone came to us. And your eyes-” You stop for a second, tears pricking the corner of your eyes. “You - you were saying goodbye and I wasn’t ready.”

Your resolve from earlier seems to crumble as you revisit what happened in that warehouse. Tears are now rolling down your cheeks, and you bite your bottom lip to stop their quivering.

Spencer wants to hold you, but he’s afraid of how you would react, so tentatively rests his hand on your knee. You are shaking and he’s worried this conversation could do more harm than good.

“We can stop. You are not feeling okay,” he points out. But despite Spencer's apprehensions, this conversation must happen now.

“I need to get this out of my chest. Please, let me do this. I know you need it too.”

Spencer knows you are right. You both need this.

“Do you remember anything after the shots?” you ask, and Spencer thinks for a moment.

“I remember being there, the sharp pain in the chest and my ribs. But most of it is a blur. I remember seeing you there. Crying. God. I hated seeing you cry. I think you held my hand?”

You nodded. “I was so scared, but with you there, I wasn’t anymore. The last thing I remember it’s the guilt of not saying I love you for the last time. I really thought it was the end for me,” he admits, his own tears blurring his sight.

“It was for me, though,” you mumbled, a sad look in your eyes. “I mean, I still had hopes when you were moved to the hospital, but deep down I knew I shouldn’t have had them. And everything shattered when JJ came to the waiting room and told us you didn't make it.”

A heavy sigh escapes from Spencer’s lips. Neither JJ nor Hotch had told him how they let it know the team he was ‘gone.’

“I can’t even imagine - It was unfair to you. And I know no matter what I say it won’t make it better.”

Your thoughts wander to the moment after you heard JJ saying Spencer was dead.

Disbelief. Pain. Denial.

And then, days of numbness.

“You know. I just shut off. I have some flashbacks. Rossi hugging me; Hotch telling me to take all the time I needed; Morgan crying with me.”

It feels weird to recall those memories as yours, like an alternative universe that turned different at the end.

“Where did you go?” Spencer asks. The thought of you in the apartment alone after that breaks his heart.

“Emily took me to her place because I couldn't put a foot here. I stayed with her for a couple of days. She helped me a lot to get through this,” you recognize. And for that, you will always be grateful to her.

You also tell Spencer about how the whole team helped you to make it through the days. Some kind of relief washes over him knowing you didn't face it alone.

He can’t fathom how difficult it was for you, also knowing you were pregnant. And about that...

“When did you find out?” He asks, eyes darting to your belly. You follow his gaze trajectory and a little smile creps on your face.

“Almost a month later. I was feeling sick all the time. Emily pushed me to get checked. They took blood tests and stuff. When they told me I couldn't believe it. For me, it was a twisted joke,” you admit, hanging your head low.

Spencer dreads asking the next question but you already know what is, so you keep talking.

“Yes. I had thought about it. I didn't feel in a good place to be a mom, Spencer. I barely could make it through the days. And having a baby? Fuck, just thinking about it was too much.”

You tell him about how you cried your eyes out. How lost you felt for days. The doubts about the future, but above everything, the protectiveness that aroused in you once the idea settled. Yeah, you couldn’t keep Spencer safe, but you were determined to save the part of him growing in you.

“And seven months later, here I am. About to give birth to our baby,” you conclude, lovingly rubbing your belly.

“It’s weird, you know?” Spencer begins. “The last time I saw you and now. It feels like I lost time. And I know I lost it. It’s just - I never expected to see things so changed. I don’t know how I fit here. What I’m saying doesn’t make any sense right now-” he trails off, darting his gaze to the fidgeting hands on his lap.

He’s been holding back. You notice. Since you both crossed the threshold he has been afraid of invading your personal space, of touching you. Now it makes sense.

“That's why you have been keeping your distance from me?” you ask. Spencer’s eyes quickly flash to you. Guilt is written on his face.

“What?”

Your gaze soften seeing him so stressed by being caught. It's true the past months have been tough for you, but they have been tough for him too. And to see a before and an after so different probably has him reeling.

“Since we put a foot in this apartment you have kept a safe distance. I’m not judging you, I really don’t. I just want to know what’s on your mind right now,” you explain, shifting on the couch to change your position. With an eight-month belly is difficult to be comfy in any position.

Spencer sighs. There are so many things revolving inside his brain that it’s not easy to put them in words.

“When I woke up in a hospital bed in Bethesda, the first thing I looked for was if you were there. But I was alone. A strange feeling squeezed my chest. For a moment I thought -” he pauses to take a breath. “I thought everything had gone wrong and the unsub had hurt you or the team, or both. I was about to freak out when a marshal came and explained to me what happened.”

Spencer recounts how the agent told him about his new destination and how this assignment was for an undetermined time.

“Since then, not a single day passed without the urge to take a plane and come back. To you. But what if I messed up putting you at risk doing so? It was insane to know I was dead for you and I couldn't do anything to fix it.”

“That's why you wrote the letters?” Spencer nodded. In a notepad, he wrote a letter to you every single day since he landed in Paris. He handed you the notepad at the BAU this afternoon before you stormed out, completely shaken and confused.

“I needed to put in words each day without you. I needed to tell you I was there, even if you never could read it.”

His shaky breath forces him to take some seconds to compose himself. You took that as your cue. Shifting again, you scoot a bit closer to him and reach tentatively for his hand, and he clings to it as if his life depended on it.

“And I’m here right now. And so do you,” you squeeze his hand reassuringly. “I’m as scared as you are, but we need to do something to get through this. If it is something you want to do,” you add. Spencer's glassy eyes find yours.

“It's all I want. Maybe it's hard for me to understand I can’t fix something like this, but I want a chance to make us work again. I know I can’t get back time, but if you let me I want to gain back the place I lost the day I gone.”

Spencer’s free hand flies to your cheek to wipe with his thumb the tears you haven’t noticed are falling.

“We can start with something,” you prompt, reaching for a folder resting at the coffee table. After opening it, you produce a bunch of ultrasound pictures and hand them to him. From the first appointment you had, to the last one from a week ago.

Spencer’s eyes sparkle with excitement, seeing every detail and the way the baby has grown in the past months.

Tears fall freely and there is pure emotion that fills his heart.

So many nights you both spent talking about what it would be like to have a baby. How wonderful it would be to see them grow. About what traits they would inherit from each of you.

You smile at the scene unfolding in front of your eyes. It feels so good to see in him the same excitement you have. You both wanted this. And until today you thought only you would get the chance to experience it.

After inspecting and committing to memory each detail from each pic, Spencer’s eyes find yours again.

“Do you know the baby’s-” he trails off. He’s unsure, maybe you didn't want to know or want him to know.

You have known the baby’s gender for a while now but have not told to anyone. From the same folder, you extract an envelope you offer to him. With trembling hands, Spencer takes it and gets the paper from inside. Scanning the words he realizes it is the information of your baby’s gender.

“It's - it's a girl,” he reads aloud with a cracking voice and more tears in his eyes. You nod, your own tears clouding your vision.

“Yes. Do you remember when we talked about having a baby and you told me you wanted a girl? When I found out the gender, I thought about how happy you would have been,” you sniffle, and Spencer reaches for you, now wrapping you in a loving embrace.

“Thank you. Thank you so much,” he repeats over and over, kissing your temple. You close your eyes, losing yourself in his chest, inhaling his scent.

You stay like this for a moment. Contently in each other arms. Spencer still can’t believe he got the chance to hold you again, and you are still assimilating the day’s events. It's unbelievable how everything changed in less than twenty-four hours.

“I love you,” he mumbles in your hair, a hand moving to rub your belly. “And I love you,” he says now, talking to your baby.

“We love you too, Spencer,” you respond, voice thick with emotion. “I never stopped, and we will never stop.”

Parting from your embrace, you get lost in each other's eyes. Communicating without words what this moment means to both of you. Cupping your face, Spencer leans to find your lips with his in a loving kiss. You kiss him back, pouring all your feelings.

It's a new promise of love.

After breaking the kiss, he presses his forehead to yours.

“Will we be okay?” he asks, almost in a whisper.

“From now on, we will be,” you assure him. It feels like you are telling this to yourself too. Maybe you do. Everything still looks messy right now, but life is giving you a second chance, and neither Spencer nor you is willing to let it go.

-----

Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger

[ooooo-mcyt]

"Scar and Grian make each other worse-" actually they help each other be happier and stronger.

Grian helps Scar realize he doesn't always have to be alone.

Scar tends to end up isolated. Sure, he's friendly and charismatic, but oftentimes he ends up alone. Sometimes because of pure fate, but also, even though he desires company, often he ends up establishing himself as an independent isolated entity on the server, and he can really get it into his head (whether its true or not) that nobody else can be relied on long term (which can also lead to him being flighty and dishonest at times).

Grian has a way of shaking that up. In Thirdlife when he was the only ally Scar couldn't betray, in Doublelife when he went and got Scar and insisted on basing together, in Secretlife when Scar spent a day alone and stressed and Grian showed up to understand exactly what was wrong and offer him company ("why don't you come with me?")

(grian was there at the end of secretlife too. scar standing confused and alone. "she's dead, scar, you won". it's not much, but no other winner can say they had the luxury of hearing any voice other than their own after dealing that final blow. even in the isolation of being the only man left alive, scar doesn't have to be alone.)

It goes the other way too. Scar helps Grian realize he doesn't always have to overthink so much.

Grian has always had a massive guilt complex. He's usually no more mischievous, selfish, or ruthless than some of the other players on the server, and yet Grian is disproportionately likely to overthink and beat himself up over things. Swearing himself into servitude after accidentally killing Scar, apologizing again and again for many of the fights he does take and scolding himself for his weakness when he doesn't take a fight, (incorrectly) convincing himself he's personally responsible for the server hating them in Double Life.

Scar is good at putting a stop to the overthinking. He'll give Grian excuses, absolution if that's what Grian needs. You can say Scar egging Grian on to commit chaos is a bad thing, but I think it's undoubtedly a positive when Scar gets Grian to stop lingering over things so much. This is a death game, sometimes you kill someone, sometimes you burn something, sometimes you make a mistake. Grian can't control everything, nor is it always his fault when something goes wrong, and Scar is very good at encouraging Grian when he's uncertain and distracting Grian when he feels bad.

You can say they "make each other worse", but I think they make each other happier and help each other stop lingering on their doubts and self destructive tendencies so much when they're together.

[amazinglyashy]

Hi hello!!! I saw tons of your work and I'm very impressed with your skill! If I may, may I request the LaDS Men with Reader who sometimes stare at kids who are having fun with their parents or spending time with each other because Reader doesn't have a good relationship with her family and felt envy to those kids who got to spend time with their parents.

I wanted to know how would they react and do! If my words are confusing, feel free to DM me! Thank you for your time!!

Everyone keeps yelling at me in the tags about me personally attacking them with some of my posts, yet YALL ARE ATTACKING ME WITH PROMPTS AS WELL, POT MEET KETTLE! Thank you so much for this prompt <3 I felt this one personally :'D So I had fun writing it!

LaDS men when you get emotional in public seeing parents and their kids in public

Zayne -

It's… difficult for Zayne to watch.

He knew you when you were both younger, but old enough to know that what was happening to you was… not good. But still too young to do anything about it himself.

It hurts to see you look at families and know exactly what's going through your mind in that moment, but he does his best to quell his own emotions and keep them in check. You don't need to be worried or feeling any kind of guilt for making him feel hurt on your behalf. He wants you to express things in a way that'll help you, without being conscious about how he might be feeling.

Zayne stays quiet though. Sometimes it's good to get you away from the bad thoughts wracking through your mind, he knows that. But other times? You have to process it. You have to get through the painful and the ugly in order to start healing, and you have to do the fighting on your own. Inside your head, where he can't help you.

But out here?

He'll do anything for you.

Anything you ask, anywhere you want to go after you snap out of your envy and thoughts, you can consider it done.

He might not be able to help you- might not be able to stop those feelings of envy and sadness from even entering your mind before they make a home there, even if for a little while-

But he'll help you in any other way he can.

Sylus -

"The people closest to you might be the ones who want to kill you the most."

Sylus keeps so many tabs on you, even prior to your eventful meeting, that he knows good and well what the relationship with your family looks like. And there's more than one reason to why he said this to you, gun in your hand and legs straddling his lap. He may not believe they want to kill you, or may be he does depending on the circumstances, but what he does know is that you're safe with him regardless.

That doesn't solve the whole 'emotions' aspect of it, however.

He'll place a hand on the small of your back, ushering you forward. It's not that he doesn't want you to watch the family, it's just he can see the clouds forming in your eyes, and he'd rather you get emotional somewhere more private, for your own sake. He didn't need you feeling humiliated for getting misty-eyed in public on top of the already complex emotions you were already feeling.

Even if you're not close to tears, it's still better to him to get you away. He wants you to feel safe enough to do so, if your feelings bubbled up unexpectedly and you suddenly needed to cry, he wanted you to be somewhere you could.

And he knows you know you're already with someone you could cry around, as well.

Sometimes, he'll ask about it, just to allow you the space to vent. Oftentimes, he just keeps quiet, letting you process the thoughts going through your mind.

He's right there though, no matter what you may need.

Xavier -

"That looks good, would you like one too?" He'll ask, referencing the ice cream cone the kid is holding, knowing fully well why you're staring.

He has his own generous share of family and parental issues, so he knows how you feel. And after hearing some of your childhood memories, whether they were about your feelings or if he just gathered that information from in between the lines- he can relate to you well.

But... he'd rather not let you dwell too long, if he can help it.

The way he sees it, is you already spent a long time in pain. Years upon years of it, wondering if you would ever get the approval- love, care- from your family that was never going to come. Your own forever waiting and hoping and trying to make a relationship work that was always destined to fail, because the deciding factor on it's success or failure was not on you. It was never on you.

And he doesn't want you to waste more time feeling sorrow over something you've already dug a knife into your gut over, so many times already.

But if you need to- feel what you're feeling, be a little wistful, or even cry- he's here for you. He's here for you no matter what you need.

A shoulder to cry on, a big hug, a favorite movie on the couch later that still reminds you of a time where you chased after affections that were sadly never meant for you- but the happy parts that made you laugh alone in a room raised on a television-

He's got you.

Rafayel -

Rafayel's heard the stories.

Whether it's about your babied little sibling getting a bike after asking once when you spent years begging and saving to buy your own, being treated to the bare minimum of care by your parents, or something more insidious-

Rafayel has heard all of the stories from you by now.

So when he sees you looking abnormally long at a family, when nothing particularly funny is happening- the kid isn't saying something insane, the parents aren't trolling the kid, etc- and he sees your far-away expression, it's like he's pulled up a chair in the recesses of your mind to join you in your melancholy.

It's better than you suffering alone.

"Hey cutie. How's it going?"

He'll ask you after a while, having been with you the whole time, so he knows exactly how it's going. But his words are less out of concern for you and more to snap you out of the daze you're in. He doesn't mind if you feel sad, he's here for you no matter what, but he just doesn't want you to start and spiral.

He knows there's not really anything he can do. It's just a part of you now, the pain of the relationship you'll never get to have, that's nearly there but just an inch away from your fingertips every time you reach for it, no matter how much you try and strain yourself to grasp it. And he knows he can't exactly fill that hole.

But damn if he's not going to be with you throughout every bad thought, bad day, bad experience.

You're stuck with him, and he'll love you through it all.

[stardustizuku]

Unfortunately I came across a very strange and misinformed video about Black Butler.

It’s not good. Don’t watch it. Unless you wanna ruin your day, in which case have fun.

Despite it all, I watched it. What left me wondering, however, was how off the mark the person who made the video was on, well, everything.

From their insistence that the Book of Circus Arc theme or point is non existent, to reading Ciel’s character so badly they genuinely thought the Green Witch Arc did nothing for his character development.

While baffled, it also made me think on how someone could read Black Butler so badly.

Sure, you can say that there’s no real way to read or interpret something “in the wrong way” but interpreting The Hunger Games as a pure battle-royale action story would make you believe it’s bad.

“Why are we focusing so much on how the capitol preps them?” Or “Why isn’t Katniss winning everything?” Or “I wanna know more about the rebellion” All questions that miss the actual point of the story - which is criticizing (not solving or ignoring) the way that media distracts us from violence via spectacle.

The same thing applies here. While there is no “right” way to consume media, there’s things that the author makes clear they wanna focus when creating a story. Things that, if you understand, make the story you’re reading actually make sense.

And in Black Butler there’s three things that you have to understand to properly get what Yana is saying.

Sebastian is the protagonist

Ciel and Sebastian’s relationship IS the story.

And that relationship is, fundamentally, a positive one.

A quicker version of it would be:

Black Butler is a love story from the POV of Sebastian, and you have to ship it to get it

- but that’s not entirely true.

You can still look at it as a complex but ultimately positive rship and get in broad strokes of what it’s conveying. It doesn’t have to be romantic. Although, it helps much more than a platonic framing.

(That said, interpreting their rship as father and son, still isn’t the best way to go about it. Mostly because by its very nature of “soul consuming” their relationship is extremely sexually charged. And hey, if you’re into that I don’t judge. However, if you’re desperately trying to interpret their rship as NOT romantic to the point you fall back on heteronormative patriarchal ideals of nuclear familiar as framing device, I don’t think this interpretation bodes with you)

Now, having all that ground work:

Why do I say these are the key components to understand BB?

Okay so, first,

1. Sebastian is the Main Character. The protagonist.

There’s a lot of people who wanna argue against it, claiming he’s either the villain or the antagonist. Both wrong.

He does not function as an antagonist. Even if, and an emphasis on if, you consider Ciel to the protagonist, Sebastian isn’t a narrative antagonist.

If you wanna go back to Creative Writing 101, be my guest. An antagonist is directly defined by the protagonist. It’s the opposing force. If the protagonist wants A, the antagonist wants to stop them from getting A.

Sebastian’s catchphrase is “Yes, my Lord”. He never opposes Ciel, in fact quite the contrary. By the mere fact they’ve created contract, it means that they’ve both agreed in the inevitable outcome.

People want to frame Sebastian as the villain, because Ciel having his soul taken by a demon, would be a BAD END in the context of their moral compass. They see Ciel as a frail victim of abuse, who’s being tricked by Sebastian, who wants Ciel’s soul.

Which is an. Interpretation. A bad one. But still one.

The narrative (and whether the narrative fits your personal moral compass and lack of critical thinking is irrelevant) treats Ciel as an agent in his own destiny. The abuse he suffered was the moment in which he had no control. It’s only after he meets Sebastian that he can rid of both his guilt and his despair, and do what he wants.

In this case though, it’s revenge.

The famous “Asthma” scene shows this. If Ciel is taken back to his past, he becomes helpless. Swarmed with pain and memories that make it so that he can’t even react. Sebastian is his saving grace. If Ciel didn’t have him, and the power he wields to rebuilt what’s broken, he would crumble once more.

If Ciel has a panic attack, because of all the pain he has, Sebastian picks him up and says “you are not a helpless child anymore, you are not a victim anymore, you have the power to do anything. So, what do you wanna do?”

Ciel’s answer is to kill them.

A proper analogy would be to say that, if Sebastian offers a gun, Ciel pulls the trigger. They are both at fault. Sebastian, strictly speaking, is not here to directly cause Ciel’s downfall, but as a tool Ciel uses to plunge into the abyss.

If, again if, you were to frame Ciel as a protagonist, Sebastian falls closer to the “Voice of reason” character. Not a literal voice of reason, but a literary one. If you have a protagonist and an antagonist exchanging ideals, the Voice of Reason serves to engage with the protagonist on their own ideals.

That said, Ciel isn’t the protagonist. The story quickly falls apart if you interpret it as such.

Things such as Ciel’s character arc being…shall I say odd?

It’s not that his character arc isn’t there, but it’s never lineal. His goals stay the same, the only thing that happens is that we start to peel back the “why”s of his goals. Throughout the series it’s never about Ciel understanding himself better, he knows who he is, he knows what he wants, he knows why he wants it. He doesn’t ever need to uncover these, but simply remember them. Because it’s always about the audience understanding Ciel.

He knows he wants revenge.

In the Circus Arc: He knows that he needs Sebastian because without him, the pain of the abuse he suffered would be too much to bear. But WE are introduced to it.

In the Book of Atlantis: He knows that with this new lease he does not want happiness and peace, he wants revenge. The one being told this is the audience.

In Green Witch Arc: He knows that their revenge isn’t for his family, the real Ciel or guilt. It’s because he wants it. He’s angry, he’s upset, and this is entirely for him. The one being told this is the audience.

Except. Not really. The one either discovering or remembering these key moments - is always Sebastian.

Sebastian is the one who reassures him that he now holds the power of a demon to override the pain. Sebastian is the one who remembers that to override that pain, Ciel wants revenge. And Sebastian is the one who discovers that that revenge isn’t built out of grief or guilt, but for himself.

We are witnessing it all, through the eyes of Sebastian.

This is why we have an extremely vague idea of who Ciel is, Sebastian does not have the whole picture.

If you haven’t been reading this manga with your eyes closed, you’ll realize we have a better grasp at Sebastian’s character than that of Ciel. We get a lot of insight on how he thinks and what he values through light hearted dialogue he has with the servants. You even see the character development in these little interactions.

Think about how when he first arrived to the mansion he magically created food with no regards to taste, but when he meets Bard he states that food is created to see whoever will eat it, smile.

That is character development, more than you will be able to see from Ciel.

Because Ciel’s character, while not static, doesn’t go from point A to point B. Mostly, cause it doesn’t need to. He went through that when he lost the real Ciel and got Sebastian. Everything we are watching is the falling out.

Now, given the fact that I’ve told you that it makes more sense for Sebastian to be the protagonist/main character, and that he 100% isn’t either a villain or antagonist in ANY of the interpretations you can get:

Do you believe me?

If you don’t, you’ll probably believe Yana herself.

This is from the first Volume, where Yana herself describes the process of making Black Butler. The primary idea behind the creation of BB was a butler as a “hero”.

If you go back to the introductory chapter, you notice that Ciel is barely mentioned. He’s simply the one to give Sebastian impossible tasks and standards that Sebastian must find how to overcome.

Ciel is properly introduced until the NEXT chapter. The second chapter has this formula too, introducing Lizzie as a problem to overcome. Although, to Sebastian the best way to “get rid of the problem” is simply to indulge her.

The issue here being that the problem isn’t as simple as a business meeting but something directly tied to Ciel and Ciel’s past. Each time that Sebastian has to solve a problem, it chips away at Ciel. While with Lizzie he shows a persona, once he’s alone with Sebastian he acknowledges the toll it took on him. It serves to build Ciel as Sebastian’s master, and how some problems aren’t as simple as discarding a tablecloth.

The third and the fourth, are a unified narrative, with a similar premise to the first chapter. Ciel gets kidnapped and Sebastian must find a way to retrieve him without raising suspicions.

If the first chapter is to set up what Sebastian must do as a butler, the third and the fourth serve to set up what he must do as a demon.

The entirety of the volume, and up to Book of Circus Arc, is about how Sebastian tries to follow the increasingly absurd orders that Ciel has - it is not about Ciel trying to solve them.

That’s how they work, we follow Sebastian for the most part, because he’s the one having to come up with the solutions.

If anything, in early Kuro, where the emphasis was more on a slice of life conflict, Ciel is the antagonist. He’s the one creating problems for Sebastian to solve.

What’s more, in the second volume, the very first chapter is one from Sebastian’s POV. So far, we hadn’t gotten an entire chapter from Ciel’s POV. In fact, I would find it hard to point to a single chapter where Ciel is the POV throughout. The reveal of real Ciel and the flashback is the closest contender.

But once we move past early Kuro, and into Book of Circus, this set up changes.

It’s fairly easy to assume that Ciel is the main character, because from this point on the conflict of the plot sorta surrounded him. We spend a lot of time with him and with his story. The enemies start being people directly tied to Ciel and Ciel’s trauma. Rarely, if at all, we get to see Sebastian before he met Ciel.The framing device for the story, is Ciel.

This is where point 2 gets intertwined.

2.- Sebastian and Ciel’s relationship IS the story.

The story begins at the point where Sebastian and Ciel met. Who Ciel was before he met Sebastian, informs why he’s the way he is when he does. You have to know all he went through to understand why he’s a brat, why he lashes out. However Sebastian’s past doesn’t matter…because Sebastian himself doesn’t care much for who he was, before he was “Sebastian”. That’s also part of the narrative.

Unlike Ciel, he doesn’t seem opposed to revealing information from before the contract. He talks about how pets from where he is from are gross, he talks about how he knows how to dance because of other places he’s been to, and alludes to the life he's lived before.

Just that, to him, they're footnotes.

He makes allusions to a very bland, uninteresting life, up to the point he meets Ciel.

That’s why we don’t know more about his past.

As for why we focus on Ciel’s story…okay maybe we need Creative Writing lessons 102

I studied Dramaturgy for about 3 to 4 years. And something you notice is how play-writing is the quintessential story telling. It’s making it work with the bare bones of a story.

Some other mediums have more finesse, more depth, or more spectacle - all amazing things that work for whatever they’re created for. But understanding a play, how and why it works, helps understand the fundamentals of any derivative story telling medium.

Particularly, conflict.

Conflict is dialogue and dialogue can take many forms. A story, in its essence, is a dialogue between two opposing ideas.

Take Batman, for example, who embodies the ideas of justice and order. On his own, he’s not a well rounded character.

If you ONLY present him, in a vaccum with nothing else, you don’t have a character. You have a list of characteristics that you’re supposed to know.

You only know who he is when you have dialogue with another character.

I say Dialogue, but it doesn’t necessarily mean spoken language at one another. Dialogue can mean fist fighting, playing tabletop games, talking to other people about the other, or even just a competition. The idea is to simply to compare and contrast both ideas.

If you want an example on how tabletop games serve as dialogue, watch the video “Well, Someone Had to Explain the Liar’s Dice Scene” by Lord Ravecraft

Another example, were we to retake Batman, you have him fight Joker. Who’s the embodiment of chaos and randomness.

In the following picture, you get far more information than the one previously shown. While the Joke fights with daggers and fake guns, Batman only uses his fists. He doesn’t use the tricks that Joker does. His serious demeanor, contrasted with Joker’s glee at the dangerous situation. The fact that Batman has a deathly grip on Joker’s shirt, while the Joker doesn’t, which shows a desperation to catch him.

You are being shown, through a dialogue, who Batman is.

It’s so much easier and much more effective to explore a character through another character.

This is the reason why Shonen has a tendency to make incredibly good gay ships. If you want to explore Naruto’s personality, and his feelings of inferiority, you HAVE to have him interact with Sasuke.

If you wanna understand Hinata’s passion for volleyball, you have him enjoy himself the most with the only other crazy motherfucker who’s as obsessed with volleyball - Kageyama.

And I think that originally, Yana had this problem.

Sebastian was the protagonist, but she had little room to develop him as a character in the confines of the manor, dealing with random enemies.

She likely tried to create Grell as someone of the same stature as Sebastian. Someone who could be this other person to engage dialogue with and show or allude to his past a bit more.

The problem being that Sebastian didn’t care for his past. Or really, engaging with anyone. He sees everyone as below him, but when confronted with Grell who isn’t below him, he doesn’t wanna talk to her.

So you’re stuck in conundrum.

How do you have dialogue with a character, that as a character trait, doesn’t really wanna have dialogue?

Well, Grell also solves the problem. Because only the moment she gets him to start any semblance of a dialogue - is questioning why he’s serving Ciel.

And this is the moment when it’s perfectly cemented that the focus of the story is their relationship.

Why is Sebastian here? Why does he stay? What did he see in Ciel that made him want this extremely convoluted contract?

THATS the dialogue.

THATS the conversation we’re having in Black Butler.

We need to know Ciel because understanding who he is, let’s us know WHY /Sebastian/ is here.

Then slowly, with the introduction with the Undertaker, we find out Sebastian’s conflict.

Which is…

He’s scared of losing Ciel. It becomes apparent with the constant imagery of the Undertaker taking away Ciel and at some point even obtaining r!Ciel’s body, that he’s worried it might happen.

But he can only be worried that Ciel might be taken away if he wants to stay near Ciel.

And that’s his character arc.

Realizing that he actually likes Ciel, cares for him and the role he plays a butler that he doesn’t want this to end.

In the first chapters, he doesn’t feel a need to protect Ciel anymore than what’s strictly necessary. Just don’t die, that’s about as deep as his involvement in chapter 4 gets.

But by the Green Witch Arc, he feels a need to protect Ciel from ANY harm.

This is why I also said

3.- Their relationship is fundamentally a positive one.

In broad strokes, Sebastian to Ciel is the person who allows him to survive. He’s not worried about giving up his soul since he’s already dead. While Ciel to Sebastian, is someone who’s making him have fun. He’s slowly becoming more and more attached to Ciel and the life he has with Ciel.

Their relationship is not that of just a predator and prey, but also of master and pet.

In the terms that Black Butler itself would call: Sebastian is a wild wolf acting like a collared dog.

Ciel is aware that the wild beast will eat him at the end of the day, but if he clings hard to leash for now, he might just be able to have Sebastian maul his abusers.

Sebastian as a dog, currently finds that he enjoys being a chained dog.

(This is demonstrated in the Green Witch arc where he quite literally says, he doesn’t wanna be a wild beast and prefers to be a butler)

And much like the actual DOG Sebastian, Ciel constantly interprets his attempts to get close and protect him, as an act of aggression.

This push and pull of Ciel’s perception of Sebastian and Sebastian’s true motives is what feeds the story.

And the briefs interludes were that isn’t the case (what other people call the “plot”, but I would refer to as the connective tissue) such as Sullivan and Wolfram, the other servant’s past, the grim reapers and the like, serve as a parallel to Ciel and Sebastian relationship. Either to signify how they care for each other, highlight their weaknesses or fears, or explore how they feel.

It’s no surprise that Sullivan and Wolfram are parallels to Ciel and Sebastian. A sheltered sickly child who seeks the protection of a cold hearted machine that only knew how to kill, but who eventually found he cared for her genuinely.

Undertaker and Claudia’s relationship being heavily paralleled with them, even though we aren’t 109% sure what they had but heavily implied it was a romantic attraction from the undead supernatural creature and a Phantomhive.

Everything is a parallel.

That’s why, like the approach of the terrible original video, is flawed.

Trying to interpret Black Butler as action scene after action scene, with mystery after mystery with the only connective tissue being the mystery of who burned down the mansion - is missing the trees for the forest.

That’s not the point.

And if you’re too much of a prude to engage with gothic horror in its gothic horror game, I see little point as to why you even bother to engage with it at all.

A lot of people, including the person who create the video, simply refuse to acknowledge Black Butler IS the story of Sebastian and Ciel as a close and positive relationship, romantically and sexually charged. The reason for it being that they’re “put off” by it.

Part of me wonders how much that is genuinely true, and how much is just performative outrage. It’s like ignoring the fact that Cersei and Jami are in an incestous relationship and try to frame it as “platonic love”, because the idea of it is THAT off putting.

But regardless of that, if you don’t like the fact that it’s as canon as canon can get, I would reccomend you don’t engage with the story at all.

As I’ve explained, the entirety of the series is about them. If you refuse to see Sebastian and Ciel as, at the very least, a duo that cares deeply for the other - you aren’t reading Black Butler.

I have no idea what you’re reading.Perhaps your own biases and subconscious stigma with British aesthetic. At that point, watch the fucking British Royalty Gossip Magazine. You’d find more substance there.

Just don’t be like the person in the video, please? Don’t play dumb. Don’t ignore the fact that Yana is a Shotacon, don’t ignore the fact Sebastian is a hero, don’t ignore the fact that the entirety of the story is based on Sebastian and Ciel’s dynamic.

Because if you do, you are ashamed. You are ashamed of what this story is about. You don’t wanna engage with the text, you want to engage with yourself. You wanna project into Ciel whatever traumas and experiences you have, for the sake a vanity project, where you come out as the morally superior.

You don’t wanna talk about Black Butler, you wanna talk about how good YOU are. How you “don’t sin” by watching it “without all the gross unholy stuff”.

Which is the exact opposite of what BB is about.

So, if you don’t want to, save us all the humiliation fetish and leave.

[elodieunderglass]

I'm not as familiar with LOTR as you are, so I wondered if you could tell me if my wild theory is completely off-base.

No one knows where the Hobbits came from, except that at some point they diverged from the line of men. No one knows much about the Entwives' appearance, but we do know that they fucked off a long time ago.

Could the Entwives have been dryad-ish and hooked up with the hobbits' ancestors and so be the foremothers of the hobbits?

Ah I think I saw that post! The concept has a lot of charm, and when the Tolkien estate loses its corpse-grip on the property in 2050 or so, I think you should write it and sell it 😤 I’ve definitely read some good takes on entwives in fanfiction that both leaned into canon and moved away, and I think that sounds like good fun to explore. A common theme in the fandom is playing with Yavanna, the Green Lady, being the mother or patron of hobbits. This isn’t canonical, but she’s a “green goddess” archetype and is married to Mahal/Aulë, the father of dwarves, which shippers often leverage to their advantage. You could do something quite charming there with Yavanna if you wanted to. We also know that Entwives loved gardens and orchards rather than forests.

Some things I would explore with this include:

what is going on with all these consistent ideas of people, races, women disappearing. We know that a lot of it is how Tolkien processed an almost OCD-like Catholic framing of “the fallen world is getting worse and can never be repaired”, war experiences, romanticism and other stuff stewing in his old man head. What are some ways you could show what’s stewing in your head? What does “people disappearing” mean to you? and why is it especially healing that they disappeared in order to make new families?

I think “they disappeared from their old kin and made new kin” is an interesting and weird thing worth wondering about!

- this would possibly make hobbits a more recent race than is implied. What does that mean to you?

- why are hobbits teeny tiny?

A very good starting point, that Terry Pratchett used a lot, is taking some grand statement in fantasy fiction, and making it reflect a different political reality. “Most dwarves are girls actually.” “Wizards parody academia, but, like, FOR REAL.”

I personally have a different take because of my own political feelings and framings! I have a lot of complex feelings about Tolkien chickening out of hobbits. For various political reasons I personally have to take the stance that they are fully human, fully indigenous, and have their own native language. and that their disappearance is less “teehee we lost them” or “O, the Catholic guilt of the Fallen World, how far we have fallen from the light of the two trees God’s sinless light” and a lot more “oh yeah I’ve seen THAT pattern before.”

If you have a political sort of lens on, someone telling you “yeah… hobbits came from nowhere 🤭 and then disappeared 🤷‍♀️ sad!” is a story that can also invite the response of “OHhhhh you wanted their LAND real bad, huh.” Like, we know what that means, right.

It’s a political stance for me. Hobbits have to be close enough to us to touch, and we have to be able to face that, and the fact that 5,000 media properties will chew on tolkienelves and sell them to you before even admitting to the 🤭 just makes it even more of a 🤨. To me.

…But I have literally just been elbow deep in my own demented fanfic thing that involves inventing a language just to swear in, to enable my standing on a box shouting HOBBITS OUGHT TO RESIST GOING EXTINCT ACTUALLY, based entirely on, I think, spite. Why do multiple authors publish orc football games (Terry Pratchett) and orc coffeeshops (Legends and Lattes guy) and do every damned thing with every bit of Tolkien’s corpse but refuse to look directly at hobbits. I am feral over this and wrote 59k words so far to damage and harm my friends

In conclusion I see a great story shape there about kindred and I think you should explore it and it should be about evolutionary biology and women and divorce and nobody being wrong.

And if anyone argues you with some podcast boy “well actually”, just bite them and do more character work and sit on their heads