#gotta make a stupid post

[monster-toy]

Bestie wait let me take that load off of ya! *puts your cock in my mouth*

[sforzesco]

some "new" designs for different crassus and pompey, specifically for a side project I've been playing with that's so removed from anything relevant (action/adventure/horror standalone story lmao) that they kind of needed their own thing. this story's pompey has a neck scar from an Incident™, crassus has shorter hair and wears (checks notes) jewelry sometimes.

[aeb-art]

another batch of @ghostlightfic loop sprites 🥰

[writer-room]

Listen when people say they want Percy to go on a villain arc most times I see it as they want him to go dark, want him to start murdering, maiming, going full Luke, etc. And I support that. If anyone deserves to kill people it's this kid.

However, let us be realistic for a moment, because I quite like the other alternative. Villain arc Percy usually entails "he's finally had enough of the Gods bullshit & will do things his own way". Let us think on this. What would Percy most likely do in this situation? Would it really be murder right off the bat?

I think he'd be the pettiest, annoying little shit there is. And because one can't usually threaten the Gods in a way that truly matters, but they can make them sweat really hard.

This goes beyond ignoring their calls and leaving them on read. He refuses to give food offerings unless it's the nastiest shit known to man. Bribes the cyclops into hucking huge objects up Mount Olympus before they all scurry off. Finds the olive tree Athena gave to Athens, and while he wouldn't have the heart to destroy it, he'd for sure rip off a branch & mail it to her (Annabeth nearly had to put them in witness protection).

Eventually it gets to the point he has Nico on speed-dial and offers him a shit ton of fast food & a 'get out of Percy's quest bullshit free' pass if he could hop into the Underworld and yoink up some annoying spirits or dead monsters to piss off the Gods. When the Gods get pissed at him Percy just silently pulls out some safe-for-demigods phone like "hang on I wanna see how many happy meals I owe Nico for bringing Typhon back up". They know he is not bluffing.

Could the Gods counteract him? Yeah, sure, Hera gave him amnesia and it was like 90% effective for a while. However, he kind of went off the rails, everyone else went off the rails, and then they had even more Roman nonsense to deal with. If anything it both solved but also made even more problems. And a much angrier Percy. So, frankly, they're very confident it could work, but they're a little worried about what the aftermath would be.

Ares suggests just killing him. Poseidon takes offense to this. Artemis scoffs and says even Ares couldn't beat him. Everyone stops for a moment. The question is not asked verbally. But it is seen in the darting eyes and shifting seats.

Can they kill Percy Jackson?

Well, sure, they must be able to. He's a powerful kid, no doubt, with powerful allies, but they are Gods. Of course they can kill him. So that's not the real question, they wouldn't dare really entertain such a thing to ever confirm if it was true, but this is rather the layer of frosting hiding the real atrocity of a cake underneath it.

What will they lose trying to kill Percy Jackson?

What will remain standing in the face of some 18-year-old who lived one of the hardest knocks of life, loves so much it makes them sick, is so completely unaware of his own strength not even they know its full extent, and currently has absolutely zero fucks to give about the end of a reign longer than he will ever understand?

They decide to quietly shut the lid on that whole fiasco and let Percy do whatever he wants.

Unfortunately, they can't exactly ignore everyone else. And everyone else is who Percy cares about the most. So, think of it more like leaving a grenade in a locked box in the attic. Just hope and pray you've moved out before something gets curious and starts rummaging around up there.

[venomgaia]

gaslight gatekeep girlboss

[sluckythewizard]

PART OF A BIGGER DOODLE PAGE. WHEN ITS DONE ILL TUCK THE LINK INTO THIS LITTLE X RIGHT HERE ----> [X] I REALLY REALLY LOVE THE TOM N JERRY DYNAMIC W EMIZEL N VEX. IMAGINE BEING SO SO HAUNTED BY A LITTLE GUY THATS JUST SSSSOO FUCKING ANNOYING.

[stopthatfool]

Consistently shocked by the idea that people think Bradley Rooster Bradshaw is chill and laid back. He’s actually shockingly unchill. He is the opposite of chill. He did not inherent any of his parents chillness. He’s a loser who’s too invested in everything.

Like ya hi I’m Bradley "Rooster" Bradshaw and I cut off my remaining family, surrogate father, and support system for 15 years cuz he pulled my naval academy papers because he didn’t want me to die like my biological father and because my mother wanted me to be free of the navy’s confinements and to exist outside of a system that physically uses me for their own power and political gains— gains I will never experience and feel for myself. A system that sees me as no more than a number, a soldier, something easily replaceable, as a body to be sacrificed in a war that i did not start nor will i finish.

“Bradley's chill.” No he’s not. He’s a beast. He’s a 30 something year old man whose entire purpose revolves around holding a grudge and proving his surrogate father wrong. This beast who literally said this to his surrogate father— "No wife. No kids. Nobody to mourn when you burn in." Beastly. Ghastly thing to say. 15 years and he still hates the guy who's been there for him since day one. He’s a guy who refuses to even begin to understand where Mav was coming from or to even think of what his mother wanted. He’s evil. And I love him.

Hi I’m Bradley "Rooster" Bradshaw and when someone brings up a well known, easily accessible fact that my father and surrogate father used to fly together I will try to cause physical harm against them and my friends will have to physically hold me back. I’m Bradley Bradshaw and I was willing to put my entire career on the line (the one in which I put my family aside for) so I can attack and beat this guy up.

I love his big ol’ Bambi eyes… he’s evil and fucked up and he’s not chill. Yes he wears jorts and tropical shirts, but that just means he’s gay and a fucking liar. Just cuz he looks like some surfer dude does not mean that he’s actually laid back like one. He’s lying to himself— trying to convince himself he is something that he is not and never will be. He is unchill. He’s lame. He has undiagnosed anxiety and it physically expresses itself through anger and loserly-ness. He cares so much to the point of self sabotage. He will always be unchill, no matter how much he tries to change that fact.

Y’all ever want to cradle a grown man in your arms? (graphic design is my passion)

[emily-mooon]

Scott Pilgrim Characters as Text Posts but they’re mostly of Stacey and Neil cause I’m obsessed with them :]

[boxofthings]

merry chrysler

psst go read my christmas ghostroach fic

[arsenicflame]

(I am still in love with you, can't admit it yet)

[godsoopsiewoopsie]

POV: Will Wood has an asthma attack while trying to talk about to many things at once and then skadoodles (?)

my mum bugged me into posting this

(it’ll probably rot in my drafts for ages)

(also i’m not sending the live stream to anyone so don’t ask. find it on youtube or tiktok or something idk i bet those guys probably have it somewhere)

[adhd-languages]

Hey do people realise the “bri ish” jokes are really just mocking a predominantly lower class accent for a linguistic feature that has already been mocked for being “lazy speaking” relentlessly in the UK?

[monstermoviedean]

if you have a good vibe/kind thought to spare and could send it my way. i'd really appreciate it.

[drabbles-of-writing]

Love that Terra clearly had the worst possible understanding of Eda and Raine (thinking they wouldn’t team up to fight her as kids, that Raine wasn’t smart enough to lie through their teeth until the Day of Unity, etc) but even SHE knows damn well those two are absolute fucking losers for each other. Can you imagine how insufferable they had to be off-screen for Terra to openly mock it with zero hesitation. What did she have to bear witness to

[kerosene-saint]

I wish people didn't act like dd/lg or abdl were like pedophilia. not even into it and I'm a sfw age regressor (non community due to this problem) but like. ugh. and the problem is my views on it have changed so much over just this year. because guess what. whatever people do in their free time surrounding sex, as long as it is not genuinely illegal, should not fucking matter to you. it is not your fucking business to tell people you think their kink is gross and pedophilic, especially because it's not pedophilia. it is fine. to be uncomfortable with a kink page of a certain kind interacting with you. I get it. and there are some pretty mean people in those communities but guess what? there are mean people in EVERY COMMUNITY. and you do not have to relate that kink to pedophilia to say you'd prefer their kink blogs to not interact with whatever blog you have. but when you say shit like "pedos and also people into ddlg and abdl dni" it's annoying. you could say "ddlg/abdl blogs dni" absolutely fair. but saying don't interact abt an entire group of people of which you do not necessarily have the means of checking everyone for being in that community??? alright then. you have fun in puppy play isn't anything like fucking dogs but ddlg is like fucking children world.

[prosebushpatch]

Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.