#good lord. please click for quality

[leavingautumn13]

they're like if baja blast was a pokémon

[lolathepeacocklord]

It’s legally mandatory that the more I get obsessed with a character I have to make them a little bit fatter

[the-merry-otter]

If you’re on mobile, you may have to click on the images for better quality!

Plain text version with image descriptions is under the cut.

Please note that the image descriptions will be reflecting what I am trying to convey with the photo, rather than the total look of the photo itself. For example if I am trying to describe a dress, the hair colour of the person wearing it will be ignored. This is to reduce the total word count of the descriptions, because I have a lot of images to describe. On this note, I have also streamlined the information as much as possible.

[Plain text description:]

First slide: Mariota’s Guide to 14th Century (Medieval) Women’s Clothing

This slideshow is brought to you by @the-merry-otter on tumblr

ALRIGHT LISTEN UP MOTHERS AND FUCKERS. I’m bored, so today we’re going to be talking about medieval clothing. Specifically fourteenth century English clothing because that’s what I’m good at. (Source: trust me bro I’m a reenacter). Also this is all female stuff - sorry masc leaning folks, I’ll get to you someday!

Disclaimer: this is not completely comprehensive or nuanced in the slightest, it’s just a quick overview guide. Do your own research xoxo.

[Image ID: to the left is a picture of a woman in a light blue dress and a pink hood gazing out at a lake. The hood has a skirt that falls over her shoulders, and there is along thin pipe attached to the back of the hood that dangles to her knees. The edges of the hood are decorated with burgundy crochet. The picture is captioned “beautiful, stunning, gorgeous, literal goals.” End ID]

[Image ID: To the right is a picture of a typical renn faire outfit. It has a white poofy underdress, a black corset, and a brown skirt. There is a red cross drawn over the image. It is captioned “very pretty, but definitely not medieval sorry!” End ID]

Second slide: Underwear (ooh la la)

Now with nasty pocketses

[Image ID: a picture of gollum, from lord of the rings, snarling in disgust. There is a line in The Hobbit where he asks Bilbo what he has in his nasty little pocketses, which is what I am referencing. End ID]

So, corsets, stays, and shapewear in general kind of wasn’t a thing yet. So your underwear was a shift, which was awesome because it was also your pajamas. They were usually made of linen, though some might have been made of cotton is you were rich.

[Image ID: A plain white linen garment laid out flat on the floor. It is a dress that hangs to about knee length, with elbow length sleeves. An arrow points to it with text reading “this is a shift”. End ID]

There is evidence for supportive shifts for busy support, like this one from the fourteenth century!

[Image ID: a second shift, worn by a female presenting person. It is laced up the front, and is a lot tighter and more fitted, especially around the bust. It has straps instead of sleeves. End ID]

There’s also this bra like fragment found in Austria, but that is a whole debate so.

[Image ID: A bra-like garment fitted to a mannequin. It seems to be made out of white linen, coloured with time. The left cup is damaged, and overall the garment looks incomplete. End ID]

Then, over the shift, yet under your main dress went your pockets, which tied on at the waist. Your dresses had slits do that you could get at your stuff without flashing everyone lol.

[Image ID: A picture of medieval pockets. They are upside down teardrop shaped, but the point is flat and is part of the waist ties. There are slits in the side up the top to access the inside. They are cream coloured with bright floral embroidery. The caption reads “these bad boys can fit so many cool pebbles.” End ID]

[Image ID: A young female-presenting person wearing medieval clothing. She has her hands in the pocket slits of her dress. They are just below hip height. End ID]

Third slide: your dress, or the cotehardie. (Pronounced coat hardy)

Over the shift you put your dress, sometimes referred to as either a kirtle or cotehardie. 14th century people started actually form-fitting their clothes more than previous centuries. These needed fastenings, which were mostly lacings (spiral lacings specifically), or buttons made of either metal or cloth, used at the front of the dress from neckline to waist, and on the sleeves from elbow to wrist, with exceptions of course.

(Sidenote: fuck sleeves, all my homies hate sleeves)

[Image ID: a woman in a warm yellow dress to the left of the text. The dress is constructed simply, with a single piece of fabric used for the length of the body so there is no waist seam. The skirt is widened by inserting four triangles, one each at the front and back, and one on each side. The front has buttons made of the same fabric as the dress, that go down to the belt at the waist. The sleeves have similar buttons from wrist to elbow, on the outside of the arm. The woman is also wearing a liripipe hood. End ID]

Dresses seemed to be mostly wool, though I often use linen for mine because I live in Australia and it’s hot in summer and I don’t want to die. Most often they weren’t lined (that is what the underwear was for).

[Image ID: in the top left of the slide is a woman wearing a green woollen dress. It is constructed the same as the previous image, except it has spiral lacing on the front instead of buttons. The sleeves are fastened by three small buttons. She is wearing a simple and veil. End ID]

[Image ID: the top right of the slide shows a woman in a teal coloured dress, similar to the one before. This one has metal buttons at the sleeves and down the front. She wears a veil only. End ID]

The neckline of these dresses was usually round or an oval shape, and some manuscripts have it so wide that it falls off the shoulders slightly.

[Image ID: A photo of a medieval manuscript, depicting six medieval ladies in a row holding hands. The neckline of their dresses is wide enough that the tops of their shoulders are visible. The image is captioned “me and the girls on a Friday night”. End ID]

Clothing was a lot more colourful than the movies would have us believe lol.

[Image ID: Three women, each in dresses similar to the ones before. To the left is a forest green, the middle one is bright saffron yellow, and the one to the right is a vibrant tomato red. End ID].

Fourth slide: Dress two; electric boogaloo

[Image ID: Merry and Pippin from lord of the rings. Above them, meme text reads “we’ve had one, yes”, and then continues below with “but what about second dress?”. End ID]

You could also wear an overdress, which was usually of a contrasting colour and had shorter sleeves.

As well as fashion, they would have been used for extra warmth, and so were usually made of wool.

[Image ID: a woman in a maroon coloured dress like the ones on the previous slide. The sleeves stop just above her elbow, revealing a blue dress underneath. End ID].

Common people would have only owned a couple of different outfits, as fabric was super expensive.

[Image ID: various pictures of women with examples of an overdress. They are all constructed the same as the overdress, but with shorter sleeves that reveal a second sleeve of a different colour underneath. End ID]

A common late thirteenth to mid fourteenth century overdress was the ladies surcoat, which had big holes instead of sleeves.

Belts would have been worn underneath the surcoat.

[Image ID: three photos of women wearing surcoats. They are normal dresses, except there is a large D shape cut out of either side, leaving a large hole from the shoulder to below the hip. They have no buttons down the front. One of the surcoats is made of red brocade, and obviously belongs to an upper-class impression. End ID].

Fifth slide: Hair and headwear

Hair was worn braided and pinned up, with a coif (cap) and either a wimple or veil, or both. The wimple and/or veil were usually pinned to the coif, or secured on a band of fabric around the head.

Veils would be either oval, or a D shape. Wimples were rectangular. A wimple goes under the chin and a veil goes over your head.

[Image ID: a close up of a woman wearing a wimple. It is made of a light fabric, likely silk. The wimple wraps under her chin and is secured at the back of her head. A narrow band of fabric or possibly leather circles her brow, which would have been used to secure the wimple. End ID.]

[Image ID: A picture of YouTuber Morgan Donner wearing a wimple and veil. The wimple wraps under her chin, and the veil is placed on top of her head, draping down past her shoulders. It does not cover her face. Loops of hair are visible either side of her face. End ID]

All the headwear would be made of linen, thin wool, or silk, depending on class. The veils could also be made really fancy by ruffling the front edge or by attaching pearls.

[Image ID: a woman in a wimple and half-circle veil. The edge of the veil that frames her face is elaborately ruffled. The edge of a coif is visible under the veil. End ID]

I ride the bus in my medieval gear a lot because of events, and way too many people think I’m Amish because of my veil. It’s honestly just funny at this point. I should keep a tally.

[Image ID: a woman wearing a St Birgitta’s coif, pinning a wimple at the back of her head. The coif is a simple white linen cap that encloses the head, with a line of lace down the centre of the head. It is secured with a loop of linen around the head. End ID].

[Image ID: a picture of someone with plaits that have been pinned around the head like a crown. It is captioned “you could also pin your hair up like this”. End ID]

Working women might have just wrapped their head in a scarf instead, fuck this fancy shit right?

[Image ID: a woman in a headscarf that has been twisted and then looped around the front of her head. It is captioned #girlboss. End ID].

Fake braids were a thing! Blonde hair in particular was very fashionable, and bleaching or fake braids were sometimes used to achieve that.

[Image ID: two fake braids made of a coarse fibre. They are blonde in colour, and are looped like a hairstyle seen on many of the reenactors. They have white ribbons attached to the top end to help secure them to the head. End ID]

Sixth slide: Cloaks and hoods

These would have actually been two seperate garments! Integrated hoods on cloaks didn’t actually become a thing until the … seventeenth century or so? (Citation needed).

Cloaks were a lot simpler than the typical cloak we think of nowadays. Often they were just a rectangle of wool, or by the fourteenth century, sometimes a half circle.

They were almost always wool as far as I know, and were generally fastened by a cloak pin or buttons.

[Image ID: a metal cloak pin. It is a circle with a small opening at one point. A long pin is attached via a loop, allowing it to slide along the pin. It can fit through the opening in the circle. To use one, you would gather the fabric on the pin, and then slot the circle over the pin and then turn it, so the fabric is trapped between circle and pin. This is much easier to demonstrate than describe. The picture is captioned “these bad boys are the real MVP’s though”. End ID].

[Image ID: a diagram showing the construction of the bocksten man cloak. It is a half circle pieced together by laying strips of fabric together. In the centre of the flat side, a half circle is cut out for the neck. End ID]

[Image ID: a reconstruction of the bocksten man cloak. It is orange wool, and lined with an off-white linen. It is fastened on the right shoulder by three fabric buttons. It would fall to just above the wearers knees. End ID].

Women’s hoods could be short and open, or with a longer skirt and closed with buttons. Liripipe (pronounced leery-pipe) hoods were named for the tube of fabric that dangled off the back of your hood, varying in length. As well as a fashion statement, it could also be wrapped around the neck like a scarf if it got cold.

Hoods were nearly always wool I’m pretty sure, though they were often lined with linen, silk, or cotton.

[General description: a short liripipe hood would be open, with the bottom only reaching your shoulders. They were made from a single piece of fabric that would wrap over your head, with the seam down the centre back of your head. It was flared at the bottom by inserting triangular gores. At the front edge near your face there would be a strip jutting out that went from one side of your chin, over your head, and down to the other side. This would usually be folded back, revealing the lining colour. The bottom of the hood could either just reach the base of your neck, or reach down to just past your shoulders. The former would usually be open at the front, with fastenings optional. The latter option with the longer skirt was almost always able to be fastened up the front with fabric buttons. The liripipe itself was a thin flat tube of fabric fastened at the centre top back of the hood. End ID]

Fun fact, 90% of why I decided to reenact the fourteenth century specifically was because of liripipe hoods.

Seventh slide: Feet (not in a weird way)

Hose were used to keep your legs warm. For women they were usually knee height, and fastened just underneath it with a garter or tie.

[Image ID: a single light yellow hose, belted beneath the knee with a leather garter. The seam is down the centre back of the leg going all the way to your toes, and then around the top of the foot in front of where it connects to your leg. End ID]

Hose usually would have been made from wool, and were cut on the diagonal (bias) of the fabric to get the maximum stretch possible from the fabric. They still were looser than modern tights are though!

Knitted socks were also a thing I’m pretty sure, but I don’t know enough about them. Sorry!

Shoes were simple, usually referred to as turnshoes because of how they were made. Fun fact: the lack of foot support means that turnshoes are similar to going barefoot in terms of how you walk. Some reenactors love it, some hate it, and some are indifferent lol.

[Image ID: a pair of turnshoes made of dark leather. They have a strap that would fasten around the front of the ankle, similar to some modern shoes. The toes are pointed, and it is captioned “pointy toes were fashionable, especially for men”. End ID].

Because shoes were really hard to waterproof, (ask me how I know), and didn’t have solid soles, wooden pattens (pronounced pat-tens) were worn to keep you off the ground while outside.

[Image ID: a person wearing a pair of wooden pattens over their shoes, standing on a drenched cobblestone street. They are wooden platforms with an archway on the bottom, and are attached to the foot with leather straps around the toe, ankle, and around the back of the heel, similar to modern sandals. The image is captioned “ye old crocs”. End ID].

[Image ID: a woman’s leg with the skirts drawn back, revealing the bright yellow hose underneath. It is fastened below the knee with a strip of fabric. She wears a turnshoe with a buckled strap. End ID]

Eighth slide: Accessories

These are a few other items that might have made up a working woman’s outfit.

Aprons would definitely have been used while working. One were just a large rectangle of cloth tucked into the belt, some were smocked to draw in the fabric. They generally stopped at the waist.

[Image ID: a woman in a red dress, with a very light brown apron. It is smocked at the top, and is attached around the waist with a string. End ID].

Pretty broaches and other jewellery existed! There was cheaper stuff made of pewter for the lower classes.

[Image ID: five gold brooches, studded with different jewels and pearls. End ID].

They had a funny sense of humour as well… and they weren’t all prudes.

[Image ID: a pewter broach of a cat carrying a dick and balls in its mouth. It is captioned “you can actually buy these. I know a website.” End ID].

Eating knives were worn on the belt, though it is debated whether women would have carried one. I do because I’m a modern fourteenth century woman.

[Image ID: a small knife with a wooden handle, laying on top of a leather sheath that has been dyed red. End ID]

Belts are a curiously debated topic. Some people reckon that women would have definitely worn them, others say they they weren’t used by women much at all. As far as I know there are depictions of both, so choose what you’d prefer. They are great for hanging stuff on I gotta say.

[Image ID: a coiled up brown leather belt. The buckle and tip are a gold metal, and it has decorative flower studs along its length in the same metal. End ID]

Pretty little purses would have probably been worn. I don’t know enough about them to say anything else though.

[Image ID: two different pictures of reenactors wearing purses. One is brocade and the other a red fabric. They are in the shape of an upright triangle, and both have five tassels hanging from the bottom edge. They hang off the belt with long drawstrings. Unrelated to the purses, one of the women is wearing a gorgeous orange liripipe hood, that is embroidered and dagged on the bottom skirt edge. End ID]

Ninth slide: Fancy Shmancy

There is a lot I haven’t covered, especially in the realm of the upper classes. Here is some of what has been missed. (Buckle up because this section is very image heavy. I will be as concise as possible).

Heraldic dresses! If you are interested, go check out Morgan Donners video on YouTube.

[Image ID: a picture of Morgan Donner in her heraldic dress. One half of the dress is red, and the other is green, except for where it has been cut out by white with an ermine pattern on it. Her hair is unbound and uncovered, except by a small flower crown. It is captioned “Morgan bestie do your hair properly :(“. End ID]

[Image ID: a drawing of two women in heraldic dresses. The first has a blue right half with a yellow printed design. The top left of the dress is yellow with a blue fish, and the bottom left is red with a white fish. Her train is held by the second lady, who’s dress is blue on the right, and white with green birds on the left. End ID].

Fancy headpieces for rich bitches only.

[Image ID: a reenactor doing a high class impression. Her hair is bound up in Pearl studded hair nets on either side of her head like modern earmuffs, with a spiked coronet around her brow. She has a sheer silk wimple on. End ID]

Fancy dagged edged on hoods, sleeves, dresses, etc.

[Dagging description: where the edge has been cut away to make decorative dangly bits. One hood has red leaves around the bottom edge for example, and another just has a pretty geometric pattern. End description].

Brocade gowns! So pretty!

[Image ID: several different pictures of high class ladies wearing brocade gowns of different colours. These are similar to the wool dresses we were looking at earlier, but with longer trains, and often long draping sleeves. There is even a brocade surcoat. End ID]

Fancy sleeves!

[Image ID: examples of different long sleeves. On some, the sleeve is normal until the elbow, and then it falls away to a long strip of fabric that dangles to the ground. Not mentioned on the slide itself is tippets, which was a band of (usually white) fabric just above your elbow, with a thin strip of the same fabric that draped down to the floor. End ID].

Dresses that were two different colours.

[Image ID: examples of dresses that are exactly like the earlier wool dresses, except they are literally half one colour and half another. The manuscript example is a blue and red overdress with fancy sleeves, and the reenactor example is a yellow and green underdress with a red hood. End ID]

And of course, some of the funky fun fabric choices.

[Image ID: a manuscript depiction of a woman carrying a dead bird. Her hood is red and white striped horizontally, and her dress is dark and light blue striped, also horizontally. End ID].

[Image ID: a manuscript depicting a woman talking to a second lady in a chair. The dress on the first has horizontal stripes of white, red, yellow, and blue, repeated, and the second has horizontal stripes of white, pink, and light blue. Interestingly enough the latter colours are very similar to the transgender flag which would make a very cool dress project. Hmm. End ID].

Tenth (and final) slide: In summery

(Small red text below title reads “I hope you have enjoyed” with a drawn smiling face).

Dis you notice all the “usually” “commonly” and “often’s” in there? That’s because I cannot possibly illustrate everything that we know of the time in only ten slides, nor do I know everything, so I have just tried to show what seems to be the most depicted.

Note: I probably even got some stuff wrong by the way.

If you’re interested in this stuff, I really recommend doing your own research now! Hopefully I have given you a good overview of what a fourteenth century womens outfit might have looked like, so now you can go fourth and know what you’re looking for.

If you have any questions about costuming, reenactment, or anything else, feel free to contact me!! I respond on Timblr decently fast ☺️

[Image ID: a reenactor sitting on a log, staring into the distance with a slight smile. She is wearing a grey-blue dress, belted at the waist with a small purse dangling from it. She has a dark blue cape and a light blue hood, that has fallen back to show a ruffled white veil. There is a pewter broach on her hood. A leather turnshoe peeks out from beneath the hem of her dress. End ID]

A list of helpful YouTubers:

Elin Abrahamsson

Morgan Donner

Opus Elenae

Miss Joss (her instagram is more active).

Now go hydrate!!

[Image ID: a woman in fourteenth century garb drinking from a jug. End ID]

[py-dreamer]

The hero and the warrior were like the sun and the mo-

@cats-and-confusion, @leesbian42

Ayo, back with some shenanigans in space, WOO!

Obviously inspired by macaques gay play tm

Its actually a redraw of this:

Also done by me, just a while back

I was quite conflicted if I should colour in Wukong and Mac like in the bapc pic or just go with the simpler shadowplay aesthetic

And honestly? Quite pleased with how it came out

But I still wonder what it'd look like in a different style so you MIGHT see another version sooon!

I will admit, the trees look much better this time. Less like big broccolis and more like trees

And that's cause I used a reference this time, I based them off of peach trees and used the peach/memory flower I designed in my earlier designs for the space outlaw gang only in the shadowplay style

And praise the Lord for copy paste!

It would've taken FOREVER to draw all those itty bitty flowers, although keeping track of the copies in the layers and merging them was a nightmare.

Planets are the same as the first pic, no big deal

I gave mihou white fur cause its a popular headcanon and it looked pretty, I would assume in intimate moments like this, he'd be able to let down the glamor

Also sadly couldn't do the same for wukong cause I couldn't find a shade that looked good (I'm so sorry, wukong (T^T))

The purple clouds are inspired by the swirly purple clouds Mac uses in his shadow play.

And that's about everything

Reblogs > likes

(Click pic for less sh!tty quality)

[yeetus-feetus]

WIP Wednesday

Tumblr prompt: Tim is the first to find out the Red Hood’s identity and from then on sticks to Jason during patrol like glue (much to Jason’s chagrin, dammit, it would feel wrong to beat up Robin when he’s that starry eyed…) Cue: panic from the rest of the batfamily who still think Hood is a 40-something year old crime lord and now assume they’re dating.

@ghost-bxrd

Jason sighs, looking up at the sky dramatically. “Robin, I know you’re following me”, he calls out into the darkness, and there’s shuffling behind him.

He turns around to see Robin step out of the shadows, letting his cape fall apart and reveal bright red and green spandex and kevlar. “I wish the outside of my cape was black, I was running around like a sparkling traffic light”, he pouts under the helmet.

“Mm, maybe you should’ve taken some initiative. I designed my Robin suit all by myself, you took whatever B gave you”, Tim replies teasingly.

Jason chuckles. “Mmm, and maybe you should try humbling yourself every once and a while”. He removes his helmet and quirks an eyebrow from under his domino mask. “Hard to believe Batman never noticed you following him, I noticed you 10 yards back.”

Tim grins, holding his camera up and Jason sticks his tongue out as he takes a photo. “That’s funny, Hood, considering I started following you 50 yards ago. I got bored and started wondering how long it would take you to notice me if I started being less careful.” he explains, looking down at the screen to check the quality of the photo he just took.

“Oh, that right huh?” Jason asks sarcastically, not really believing him.

Tim’s grin widens mischievously and he waves the camera in front of his face. “Want proof, big guy?” he asks.

Jason laughs and snatches the small device, clicking through the recently taken photos. After a moment he groans defeatedly. “Yeah okay, I should've known you’d do something like that you little weirdo. so, how’d I hold up to your little test?”

Tim shrugs. “I wouldn’t call it a test, more of a game to entertain myself really”. But Jason raises his eyebrows up at him, making him sigh. “Yeah okay, you lost the game or failed or whatever. But you did fare better than Big Blue, so there’s that.”

“Oh yeah?” Jason smirks, still clicking through photos.

“Yup”, Tim says, popping the ‘p’. And hoists himself up onto the brick parapet, back facing the city as his feet dangle about an inch off the concrete roof. He tilts his head at Jason when he doesn’t move from where he’s standing, low glow of the open camera screen illuminating his face.

“These are actually really good”, Jason finally says, looking up at him. “Like really clear and in focus. It’s impressive”. He walks over and hands the camera back, leaning against the brick.

“Thanks”, Tim smiles. “I’ve always been really into photography, y'know? It’s like capturing a moment in time and immortalising it, so it will exist forever, even when I'm gone. I really like that aspect of it”.

Jason hums in response. “Never took you as someone sentimental”, he comments.

Tim is quiet, but it’s obvious he’s thinking. And then he hums back. “I didn’t realise I was either”.

This time Jason is the one observing, watching Tim rub his thumb over the side of his camera, and wonders if Tim felt the same way about his photos from before he died, if he looked at the the same way he’s looking at these photos now… if he kept jason alive in still frames while he was gone.

Then he decides he’s making it too deep and pulls out a cigarette, lighting it as Tim turns his head towards him and scrunches up his nose. “Gross, dude.”

“What?” Jason asks, mildly offended.

“I hate the smell of cigarettes”, Tim states. “I don’t care if you smoke them just, not around me, please”, he says, nose still scrunched as he shimmies away, keeping his hands braced on the brick so he doesn’t fall backwards.

Normally, Jason would roll his eyes and take a deep inhale, maybe blow the smoke back out into the other person's face just to spite them. But Tim isn’t telling him not to smoke, he’s asking him not to smoke around him. And, maybe Tim’s scrunched up nose is kinda cute.

So he snubs the cigarette out and puts it back in its box to save for later. “Fine, but I’m getting something to eat then”, Jason complains.

“Cool, I know a really good burrito place not far from here”, Tim smiles, and then he’s throwing himself backwards off the roof, laughing loudly when Jason rushes up to look over the edge.

“You little fucker!” Jason shouts out as he watches Robin shoot his grappling line and swing from a lower roof across the way. “Oh, I’m gonna get that little shit!”, he grumbles to himself, taking a breath to calm the sudden spike of worried adrenaline Tim caused before chasing after him.

Tim pays for their burritos and a tub of Mexican rice before Jason even has the chance to get out his wallet, and they end up eating them on a roof together a block away.

“Ohh yeah, this is good stuff”, Jason moans around a mouthful, and Tim giggles around his plastic spoon. “Okay, you’re forgiven for scaring the shit out of me earlier”, he mumbles, taking another bite of his burrito.

Tim sits the rice aside to take a picture of Jason with food on his face, cheeks stuffed like a chipmunk. Then another photo of Jason sticking the finger up at him. “Lol thats gold, I might make that my laptop’s screensaver”, Tim laughs.

“The laptop you keep all your creepy stalker folders on?” Jason asks, mouth still half-full, leaning over to try and get a look at the camera screen. “oh my god I look so stupid, please don’t!” he laughs.

“Oh gross Jason!” Tim squeals, brushing little bits of burrito off his suit. “Stop talking with your mouth full, you’re getting food everywhere!” but Jason only laughs harder, and ends up choking.

Tim rubs his back as he chokes and sputters over the edge of the roof, and laughs at his expense. “Here, have some of my water.”

Jason ends up chugging all of Tim’s water, so Tim steals his Soda in retaliation. It ends up as a game of rooftop tag until they’re both out of breath and decide to head to their separate ways to get some rest.

And that becomes a frequent occurrence on quiet nights after that. Sometimes even working together on a few cases. It’s honestly quite a lot of fun for both of them, a nice change of pace from the usual doom and gloom of Gotham’s streets.

⧫

Tim is tinkering away with some sort of gadget in the Batcave one afternoon when Alfred stops by with some snacks on a silver platter. “Everything alright with you young sir?” he asks politely.

“Yeah Alf, everything's great actually”, Tim replies cheerfully. But Alfred loiters by him for a few moments too long, making Tim lift his head to look at him questioningly. “What’s up?”

Alfred frowns. “Nothing, Master Timothy. Just, do know that you can come to talk to me about anything if you need, absolutely anything”. He pats Tim on the shoulder in some kind of gesture of comfort before leaving Tim confused at his desk.

What was that about?

But Tim is even more confused later on patrol with Batman. Which was already odd actually, usually they don’t patrol together unless they’re working on a case together, or on a mission, or just something important– there’s nothing important happening tonight. B just told him that they were patrolling Midtown and to get in the batmobile.

And so there they were, driving around in dead silence.

“So… Tim, how’ve you been lately?” B asks, voice gruff and tone awkward.

That makes Tim turn around in his seat to face the older man with his whole body, confusion and worry on his face. “I’m good… why the sudden interest?” he asks cautiously. “Is there something up that I should be worried about?”

Bruce grunts and spares a glance at him before looking back at the road. “I was just asking.” and then, after a few beats of quiet: “You’ve been spending an awful amount of time around the Narrows and Crime Alley”, he states. Oh. That’s Jason’s territory.

Oh.

“Are you worried about Red Hood or something?” Tim asks. Well, this is… complicated.

Bruce grunts again. “Or something.” he turns the car around a sharp corner and Tim braces himself against the seat at the sudden change of route.

He thinks whatever that conversation is over, but a few moments later Batman speaks up again. “Just stay away from him. He’s bad news Robin.” Tim turns to give him a look. “I’m serious. No more patrolling Uptown”.

“What!?” Tim asks. “Are you banning me or something??”

“Yes.” And Tim knows his word is final. Batman’s word is law after all.

He huffs and sits back in his seat, crossing his arms like a petulant child.

Fine, he won’t patrol in Uptown. He’ll just have to figure out a way to convince Jason to meet with him in Midtown somehow. No, that won’t work. Red Hood won’t leave his turf unattended to.

Buut. there is a loophole here that he can take advantage of…

[multidimensionalguidance]

Where does your spouse come from? Part 2

This is the continuation of Part 1 where I've mentioned where the 7th house lord can move and how this can give us insights of the country where they might come from (if they are foreigners), and a lot of other details in regards to our romantic partnerships. I've already covered from Aries/1H to Virgo/6H, and will continue with the rest.

Remember to take a look at where your 7th house lord is moving. Where is the planet that rules that sign sitting, and what are other planetary aspects is it receiving as well. Is it in a friendly sign or not? Is the house beneficial or not?

Note: I use sidereal calculations, so for the most accurate results on this it would be preferred for calculations to be adjusted.

First of all, it is always good to start with intuitively choosing the countries you’ve always been curious or lured towards. Cultures you’d like to get to understand and explore! Click this link to look at the dates of independence or incorporation dates of those countries to see if it matches the lord of your 7th house.

Second, please pay EXTRA attention to this descriptions the most if your 7th house lord is in the 9th house or 12th house. Look for the planet or sign that resides there in order to get an even more accurate prediction.

Lastly, even if your 7th house lord falls in any other house, these descriptions will still aid you towards understanding your protentional romantic, business, or any other type of close relationships.

Libra/7H: Turkey, Poland, Amsterdam, Berlin, Panama, Antigua and Barbuda, and Austria all have Sun in Libra. These are some of the countries your spouse might be from or related to through family. They will be very social or at the very least aware of how social dynamics function. They care about their appearance and will feel uncomfortable not presenting themselves within their preferred aesthetics. They will enjoy art or be quite creative themselves, so do expect dates that revolve this sort of activities. Communicating with others in a non-conflictive way is a very big thing, and perhaps it is the way their environment encouraged them to be as well. They will be smooth talkers, and express themselves in a politically correct manner. You might meet them in a place that feels harmonious, in the sense of following a certain aesthetic. Other people might introduce them to you or they might be a small push required from others (or even you) to make them feel comfortable enough with approaching you full force. They could come from places that are pleasing visually, and where people enjoy fine arts. There's a sort of "poshness" to their surroundings that promotes elegance in general, so that will influence them as well. They will enjoy windy weathers and food that looks and taste good (emphasis on the first than the latter). They will have a very good appearance or at the very least maintain a "clean" look. Most of their features will be somewhat softer, and it will be noticeable in their gaze. They use their eyes to attract others, knowingly or not. They'll probably identify the wifey qualities within you quite fast, and will make it known the way they feel. If this house or planet is not heavily afflicted, then finding a business or marriage partner should not be too difficult to achieve at all.

Scorpio/8H: Lebanon, Thailand, Finland, Iceland, Albania, United Arab Emirates, Monaco, Kenya, and Barbados, could be one of the countries that your spouse might be from or enjoy a lot. They will have a secretive/reserved nature which makes them quite alluring. They will come from an environment that encouraged a lot of chaotic changes, and forced them to develop defensive mechanisms that relay on control tactics. Their weather could be as well quite changing in nature or experience many chaotic natural events. You will meet them in private places or within a small gathering. As simple as a small group of friends visiting a beach or river. It could also be after one or both of you just experienced really difficult situations. After some sort of transformation occurred where one or both had to mentally set themselves to heal/grow. You might engage in secret or very close conversations that will allow feelings to develop quickly and intensely. They might enjoy risky situations that drive adrenaline through the roof. Spicy food or heavily relied on meat/protein could be a big part of their diet. You and your partner are prone to being obsessive and desire to control each others feelings to a certain degree, just for the sake of creating a false sense of comfort. This connections will be karmic by nature and sometimes necessary for our growth, so be aware of the difficulties and learn when to let go for your own sake. They might have sharp features, a very intense gaze, and an aura that is felt by others. They are also more prone to having dark hair or eyes. There will also be material growth or a focus towards each others resources, but be mindful to not allow others to use you entirely for financial gains nor attempt to do the same yourself. All of your connections will naturally have darker and taboo themes sitting on the surface to be explored. You will enjoy or have some fixation for each others body, specifically the sexual zones. Chemistry is not the same as connection, so be mindful of that since not everyone is a fit for serious relationships simply because the sexual aspects are very positive.

Sagittarius/9H: UK, Haiti, Brunei, Bulgaria, Qatar, Cuba, Sudan, Slovenia, and Kazakhstan are some of the countries where they might be from or strongly feel connected to for some way. They are adventurous, restless, optimistic, funny, well cultured, and spiritual in some way. They might come from environments that are very traditionally tied to religion or spiritual institutions, temples, etc. They might be used to being perceived or surrounded by foreigners as well, which allows them to adapt easily to others and be familiar with different languages. You'll meet in an airport, temples, university or education areas, ceremonies (like a wedding), legal departments, at a bank, etc. They'll enjoy going to different places, be it doing sports, trying new cuisines, and overall just staying busy. You both will most likely travel together, or there might be some distance between the two of you at some point. This is a connection that will broaden your horizons and allow you both to evolve spiritually. Their appearance will be different from your native country, so they will definitely be a foreigner with looks that make them stand out. Expect them to be tall, possibly have green eyes and/or to be fit. They might love horses or learned how to ride horses when they were young. You might become more spiritual or devoted to a religion after meeting them or after marriage. Your partner/spouse will definitely be traditional, even if they have an open mind and avoid placing judgement on situations they are unfamiliar with. They will pay extra attention to your thighs and butt, so don't be surprise if they stare too hard or mention it directly. You are both going to push each other to achieve a higher awareness or consciousness. The laughs and jokes will also be plenty as well, and that will help a lot when dealing with any difficulties in the relationship, but just make sure to not sweep things under the rug.

Capricorn/10H: Buenos Aires, Singapore, Romania, New Zealand, Grenada, and Nauru might be some of the countries your partner/spouse might be from or have a connection with. They are responsible, career oriented, structured, service oriented, grounded, and the type to show their love by actions rather than words. They might come from environments that were rough or challenging to be around, in the sense that the weather or people could be harsh to deal with. People might think they're older than his actual age, and not necessarily due to appearance but the way they think, speak, move, and behave. They simply have a very mature personality and this is mainly because they had to grow up fast and their parents were probably very demanding or not as present as they should have. Expect them to be around people that have authority or coworkers. You might meet them in governmental institutions or spaces, abandoned places, a city hall, at work, at the chiropractors, and overall in any public space. They probably prefer to eat the same type of food with little variety, but they like high quality places that feel and look luxurious. Your connection will be karmic by nature and initially might feel too serious or difficult. Now, it does promise longevity and growth towards your career, profession, and status. Your partner/spouse will enjoy his work a lot and socializing with people as well, but despite the fame or notoriety they might have they'll enjoy being alone with you the most. They will be the type to externally seem very outgoing, yet actually prefer being introverted or away from the public, an this happens due to the excessive time that they invest in working with others. In terms of appearance, they might be medium in heigh, have a sharp gaze, strong legs, and brown/dark colored eyes. There's a good chance they'll be older than you, if not in age, then definitely in their way of thinking or seeing life. You might end up meeting their parents soon in the relationship as well. The both of you will have to put some necessary efforts to make the relationship work, as there will be challenges in the way. The relationship will be very public or known by others even if you both try to be lowkey about it, so be careful to not allow others to get in the way.

Aquarius/11H: Lithuania, Saint Lucia, Ghana, Dominican Republic, Wales, Estonia and Kuwait are some of the countries they might be from or associated to in some way. They'll be independent, creative, innovative, cunning, friendly yet introverted, and have many niche interest. Their environment might have random and unexpected weather changes, which fits their own nature as well. It's likely their surroundings taught them to be flexible, open minded, and comfortable with being themselves. They will be very experimental with their food, and might even have a bit of an odd yet interesting taste. Their preference in music will be *chef's kiss* so you'll be adding their playlist to your favorites and sharing music often. You might meet them through your friends, the internet, social media, networking circle, NGO's, charities, inside an airplane, at a tech facility, or at any big events. They'll be popular and probably well known by others, be it because of their impressive skills or simply for who they are. They are the type to be very close to their friends and alliances because thanks to them they are able to progress through life. You will learn the value of being part of a community and planning long term towards your future investments. You will both pursue your dreams and long term goals together. They might be the type to give you many gifts in all shapes and form. Surprising you and putting a smile on your face with their quirks will always be a goal for them. In terms of appearance they might look different, but not in a bad way, rather that there is something about them that makes them look like they do not belong to this world. One of the main themes of your relationships will be about independence and freedom. Your partner/spouse does not like to feel restricted or boxed in, so if you're the clingy type then the more negative aspects might show up with them pulling away or putting some distance. Communication is essential in all relationships, but with your partner it will be even more so. They will prefer you to be straight forward and blunt, even if it might seem rude, but do no worry because they are experts at listening, understanding, and finding a solution.

Pisces/12H: Hungary, Ireland, Iran, Greece, Denmark, and Pakistan are some of the countries that they might be related or connected to in some way. They'll be dreamy, artistic, inspirational, bubbly, and very physic. Their environment might have been uprooted in spiritual or religious beliefs, similarly to Sagittarius/9H, but the difference is that they are more likely to follow those traditions to such depths that it might lead them to "lose" themselves or develop escapist intentions behind it. They might have visited temples or churches growing up, so they are usually very accepting of others. In terms of the physical surroundings they might have grown around big sources of water (lakes, beaches, ponds, etc) or visited them often. If they are not allergic to any sea food, then they will eat it a lot. They enjoy their privacy and despite their ability to camouflage in different groups they will only confide the most in themselves or you. You might meet them a church, temple, a club, close to large bodies of water, foreign lands, hospital, asylum, or even places where they legally sell recreational dr*gs. There will be a sense of mystery or unknown in the relationship, where you or your partner feel as if you're unsure where the connection is leading which might be confusing. They might have a history of using substances or doing things that are not seen well by the law. You will feel like despite their past and background it is easy for you to look past it all and be very understanding with them. There's a need for being careful of not allowing the relationship to become a vicious cycle where you encourage each others bad habits, insecurities, etc. In terms of appearance, they will have eyes that almost look half asleep in some way and that makes them seem seductive in a way. They might be tall or medium height, fit or slender, have curly hair, and use glasses. You will both feel like the connection is fated or destined in some way. There might also be a distance between the two of you at some point, be it because you both live in different places, a loss in the relationship, meaning going separate ways to eventually get back together, or to stay separated. Either way, if there is no harsh affliction or malefices then despite everything you will both become very spiritual and psychic together. You will feel like communicating telepathically is very much real, and it will be common for you both to dream often of each other. This is the type of connection that you don't ever forget about and that teaches you a lot about the parts of yourself that you might not see. The connection will show you both the good, bad, and wonderful that exists within each other.

[nerocoin]

FINISHED THE LINEUP i can die now. ok not really now i have a comic to make

PLEASE click and zoom in! this canvas is almost 6000 px long the quality is awful from afar

separates and my rambling under the cut

i started this in late march while also making a different oc lineup and worked on and off on this one for 3 months. good lord. the artstyle is simplified to how i will most likely be drawing them in the comic so i dont go insane from the details. as long as it doesnt change again like it did here. my bestie said everyone here looks like theyre drawn by a different person IDK WHAT HAPPENED curse of my artstyle.

also info for new people here [hi] everyone here is my version of historical figures aside from felix he is a full on original character. its an alternative timeline where britannicus lives and both he and nero are co-emperors

[doodle17]

Woe AU be upon ye (PLEASE click for better quality good lord)

Uhm ehm based off this goofy

[vlovann]

BEHOLD! A sneak peek of the WIP ModernAU! Senshi piece the last poll was about! (Click for better quality)

“Senshi and his usual bare-chestedness + an apron” Won by 53.9%! Thank you to everyone who voted!

Now, for the apron quote!

* Something else will be a 3rd poll if it is the popular vote and enough people comment a good variety.

Yes, there will be a bunch of Easter eggs in the BG!

Carry on and stay tuned >:3

[demonicrhythms]

Good lord please click to get the proper quality.

The big man's office.

[kit-williams]

Happy Baby

Hey... who wants more angst? In the Husbandry tag?

Zharth Erenor looked around the warband as he was hearing a baby cry. "Slax." His brother in question looked to him and hummed, "Is there a Night Lord with us?"

"No brother Zharth... Shall you go collect it or I?" Slax said boredly as the two looked to the now empty drug den as in the distance were screaming humans or their bodies laid littered at their feet.

"I'll go collect it. Or kill it... who knows?" He said as they both laughed at the whimsy in which Zharth said it.

He looked around as he walked up the steps and heading to a back room seeing a body looking quite blue most likely dead before they even arrived. The screaming infant was in here as they cried for a dead mother. Probably would be more merciful to put it out of its misery but this would be a fine sac-

Zharth blinked as he looked down at the baby and something inside of him shifted. His thoughts stopped and changed from how the baby would be a good offering to the dark gods to... why was his charge cold... Zharth didn't even register what had happened as he delicately picked up the small human and looked around. Slax would be outside...

"Zharth?" The Black Legionary called inside now worried. He moved with slow steps heading up the stairs and looked at Zharth's back as he could hear Zharth's unmodified voice trying to soothe the human baby. "Not you..." Slax said with his shoulders slumping.

It felt like losing a brother to the zombie plague... it just happened sometime but Zharth and Slax had been together since they were Sons of Horus. Zharth spun around bolter drawn. "Slax..."

Slax looked at Zharth and there was a strange look in his eyes a sudden ferocity... a feral like quality to them... a madness blessed by Khorne almost... a tenderness brought on by Nurgle... he had Bonded as the Prophet was calling the madness. "Brother... give me the mortal." He said softly holding out his hand.

Zharth backed away holding the baby close, having half wrapped the fur cloak around the infant. "Brother... leave me be."

"I can't do that Zharth... give me the mortal." He pleaded before Zharth fled smashing through the wall with ease and rushing out into the snowy night. Slax got on his vox to the rest of the warband, "It's Zharth! He bonded! Please try not to kill him!" Slax ordered pushing his weight around with the warband.

------

It was a long night for Zharth as he limped along the side of the road as black blood dripped onto the concrete below him. He had already snarled and postured himself enough but he was getting tired and he had no idea where he was going just he needed to keep his charge safe.

"Brother." A voice behind him bellowed and he looked over his shoulder at the approaching Black Legionary, "You look like you've seen better days." The unknown Legionary said as he was wary having heard a feral was suddenly in his territory. "Don't you know whose territory you are trespassing on? Which Warband holds these lands?" He approached with a click of his tongue until the infant started to scream again. Zharth snarled getting aggressive again but the other held up his hand. "Come with me brother my charge will know what to do."

Zharth followed the other coming to a home as some woman came out and she looked to Zharth concerned till his charge was pointed at and she rushed over and Zharth's instinct was to grab his bolter but the unknown Legionary stopped him. "My charge is a human medic. Your charge looks unhealthy and must be cold... tiny ones do not survive long... you don't want to lose your charge?"

Zharth was in such a daze as he shook his head and turned over his charge to the woman. Zharth was in such a daze he didn't notice how he was being guided after his charge by two apothecaries and the warlord was prying information from the dazed brother.

Zharth lifted his head, "My battle brother Slax... do not kill him."

"Hmmm?" The warlord tilted his head, "What makes you-"

"Do not play a Slannshi's game with me." Zharth hissed as his black and bronze armor was taken off of him.

The Warlord sighed, "Fine I shall retrieve your brother for you. Rest brother and pray to the dark gods your charge survives the coming days. The Apothecaries will take care of you."

[pardi-real]

Main Story Ep. 2 / Part 3 / Chapter 9 - The Usual Crew

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[Devil's Palace, Hallway]

Haures: "Well then... I guess it's time to finally take a bath."

Ammon: “Ah! Mr. Haures! I've been looking for you!"

Haures: "Hm? What's up, Ammon?"

Ammon: “Please come here for a sec!"

Haures: "I-I was just about to take a bath..."

Ammon: “Come on! It's okay! Hurry up! Mr. Lucas brought some whiskey for us."

[Second Floor, Butler's Room]

Lucas: “Haures, you like whiskey, right?"

Haures: "Y-yes… That's true..."

Lucas: “By chance, I got this as a gift. A high-quality single malt ♪ I don't drink much, so... you guys can have it."

Ammon: “Thank you! This is a famous brand!"

Lucas: “Alright then... I'll be going..."

Click

Fennesz: “Well, time to open it!"

Haures: "I-I'll pass on it this time..."

Ammon: “C’mon! It's okay!"

Fennesz: “That's right! Haures!"

Haures: "F-Fennesz..."

Boschi: “Hurry up..."

Haures: "Sigh... I get it. Just a little..."

~ After a while ~

Boschi: “I'm stronger! You can't keep up with my speed!"

Haures: "No, I'm stronger. Overall, I'm superior."

Boschi: “Alright, shall we settle this now?"

Haures: "Sure... I've been looking forward to it."

Ammon: “Sigh... It always ends up like this, huh?"

Fennesz: “Yeah, it does..."

Ammon: “But… Mr. Haures feels like the usual today, kinda."

Fennesz: “Yeah... I might feel a bit relieved."

Knock... Knock... Knock...

Click

Flure: "U-um…!"

Lato: "Excuse me."

Fennesz: “Flure? Lato? What is it?"

Flure: "E-err... By chance, we got some delicious banana muffins...! We thought we'd share them with you all! Uh, I believe Mr. Haures likes them, right? Oh well~! It's really just a coincidence~!"

Ammon: (F-Flure… That's so obvious...)

Fennesz: (He seems nervous.)

Lato: "Earlier, Professor Miyaji bought them for us. But apparently... It's for Mr. Haures…"

Flure: "Woah! Lato! Don't!"

Haures: "Hm? What's wrong?"

Flure: "Uh, well… Lato was trying to sneak a bite! Ehehe..."

Lato: “Oh, well? I'm only interested in parsley, you know? Why would you tell such a lie, Flure?"

Flure: "Oh, come on...! Be quiet! Lato! A-anyway, here are the banana muffins! Mr. Haures and the others can have them, okay? Well then, excuse me!"

Haures: "Flure... I see... Thank you."

Lato: "Hmph... I don't really understand... But... I'll take my leave too."

Click

Ammon: “We got quite lucky today ♪, getting all this stuff, huh?"

Fennesz: “Yeah, it seems so."

Boschi: “This whiskey is good too."

Haures: "...Indeed."

Ammon: “Oh! These banana muffins are very popular in town these days!"

Fennesz: “It’s true!"

Haures: "Is that so?"

Fennesz: “They say it's so delicious that there are long queues for it."

Ammon: “It's like an imaginary item, always sold out."

Haures: "I see... If it's that delicious, I'd like the lord to try it."

Ammon: “Uhm, well... That's a good idea, but..."

Fennesz: “Well, um..."

Boschi: “Geez... It's already late at night. The lord is probably asleep, right? You can't eat muffins when you're asleep.”

Haures: "R-right..."

Boschi: “Quit hesitating… if you get it already, let's eat right away."

Fennesz: “Yup... That's right."

Ammon: “OK ♪"

Haures: "Yeah... right."

Ammon: “Then, let's dig in ♪ Mmm! Delicious!"

Fennesz: “It really is! Delicious!"

Boschi: “Not bad..."

Haures: “Indeed… it's delicious."

Fennesz: “This goes well with whiskey."

Ammon: “Aight! Then, let's drink all the remaining whiskey!"

Boschi: “Oh... Sounds good."

Fennesz: “Yeah!"

Haures: “Hm..."

~ After a while ~

Boschi: “Snore… snore…”

Ammon: “Snore…”

Fennesz: “Snore… snore…”

Haures: (Everyone fell asleep… probably tired from consecutive tough training... They must be exhausted.)

Flutter

Haures: “Oh, something fell out of Ammon's pocket… A piece of paper...? There's something written on it.

'A surprise to relax Haures.  Cheer Haures up with his favorite food!'

This is... the lord's handwriting...? The extremely spicy hot pot too... My lord…  Hm... I've troubled them. I wonder if they're already sleeping?"

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[themoonweaversden]

Messeges that were found so far: OCCURREMUS ITERUM (spoilers)

This is just to collect all the codes that you can type in in thisisnotawebsitedotcom.com and their effects only (please click images for better quality)

Masterpost with all messeges / codes

Transcript:

"THE "SCREAMING TUBE" WILL SCREAM FOR WEEKS! "NONE SHALL QUELL THESE SCREAMS FROM HELL"

THE TUBE OF CONSTANT SCREAMS Never dissapoints where "screams"are concerned! Where do the screams come from? Why are they so blood-curdling? Are they the screams of man or the screams of beasts? You and your party will never think to answer such questions, as all thoughts will be drowned out by the wailing, agonizing screams this quality machine never ceases to produce!

WITH ONE CRANK A violent shriek will begin to eminate from within the bowels of the tube! And the harder the crank, the more violent the screams become, occasonally peppered with a "please, god help me, help me die, why was I made to suffer so?" peppered amongst the wails for variety and good measure! You might think that stopping the crank will end the screams, but nothing short of an act of god can make this tube cease, and even the lord himself may be powerless in the face of this amazing device!

WANT TO GIVE IT A WHIRL YOURSELF?

Simply send 1,000 tollars to THE CURSED HOME OF THE DAMNABLE SCREAMING TUBE, 333WRETCHED DRIVE, SORROW, KANSAS, and the marvelous device will be yours forever. But don't take our word for it! We'll let the "Screaming Tube" speak for itself: AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA"

[magog83]

Link to Radio Times article

Can't believe Capps and Co are still out here making me feel rage in the year of our lord 2023. Anyway, some extracts under the cut if you don't fancy clicking through...

(Also HOW has it been 15 years??? Can we get a Fandom Retrospective instead please??)

Bradley James was first choice to play Prince Arthur, having previously worked with Capps and Murphy on the 2008 BBC TV movie Dis/Connected. "He had all the qualities that we wanted in Arthur – Brad is a fantastic actor, but also he's brilliant at comedy, and we wanted a Jeeves and Wooster feel, where Arthur is 'a hero', but he's not really the hero, the hero is the underdog, Merlin.

Colin Morgan – a relative newcomer who'd memorably guest-starred in the Doctor Who episode Midnight – was hired to play Merlin, with Angel Coulby cast as Guinevere ("Gwen" to her friends) and Katie McGrath rounding out the regular cast as Morgana.

Matt Smith, two years prior to his Doctor Who debut, was also "hugely high up" the list of potential names to play the show's title character, while his future companion Karen Gillan was in the running to play Guinevere. "We met lots of actors – and lots of them are doing unbelievably well now," says Capps.

"Colin and Bradley had fantastic on-screen chemistry – they just lit the screen up with their fun and their humour and their brotherly love for each other, so that made us able to write really intense emotional stories between the two of them, as the characters got older and as the stakes of the story got higher in each season. Because they were so good, we could write much richer stories for them."

Fans latched on to the close bond between Merlin and Arthur, with some calling for the relationship to evolve and go down a romantic route – with the benefit of hindsight, knowing the strength of the reaction to the pairing, does Capps think the series should have explored that dynamic?

"No, I don't think so. It was a beautiful friendship and there was a huge amount of love with them, but I don't think you'd want to take that any further. I think there's something very beautiful about a really intense friendship between two people that is non-sexual – that to us was the beauty of it, this extraordinary friendship."

The series hinged on Arthur remaining oblivious to Merlin's magic – though other characters would learn the young wizard's secret across the span of the series, the now-King Arthur would not learn the truth about his friend until the very final episode and there was never any discussion about an earlier reveal.

"As soon as Arthur knows that Merlin has magic, we felt the format of the show was over," Capps explains. "Because the format of the show was that he had to hide it. It's the end of the story – or the end of this version of the story."

The show's final scenes see a surprise leap into the present day, with an immortal Merlin still waiting for the Once and Future King to rise again.

"We'd run out of legend, so you couldn't really take it any further," Capps says of the show's final arc. "It just kind of came to us – there was just something really lovely about... he's waiting for the next incarnation of Arthur, there's something sort of sadly beautiful about that."

There were, however, "quite advanced talks" about a series of Merlin movies, planned to be produced after the drama had wrapped but to feature stories set within the timeline of the television show. "But it all got a bit complicated and then, you know, with these things, they fall apart, but we did very seriously talk about it.

"The idea was to have a trilogy of movies, and the movies were going to happen in-between the series – that was the idea, in those kinds of timelines. It would have been really good fun to do them."

[bananasofthorns]

I'm meant to find the place where all good things begin - Lord Huron, "La Belle Fleur Sauvage"

[click images for better quality! if you use any, please give credit <3]

[doodle17]

(Good lord please click for better quality)

Just thought I'd show off a new way of how I may draw Raz from now on, including some Headcanons! One of those being that when Raz and Lili get older, Lili wants to be a tattoo artist so she practices some designs on Raz.

If you look closely I based some of his tattoos off his adventures!