#gonna try to post more here too!

[lavenderorchard]

happy 2025! hope this year goes better for all of us

guy on the left belongs to @greatestcoworker !

[collophora]

Do yourself a favor and go read the entire fanfic work of @fanfoolishness

(In order: Under sun and shade, Blind Side, and Breathless (patching up is one of my fav too, I just had no cool sketch idea for it)

[marigraphia]

I've had this pose ref saved for a while and the Superman set photos just gave off the same energy 👉🏻👈🏻

The reference is this photo of Katharine Hepburn as Antiope and Colin Keith-Johnston as Theseus in the 1932 play 'The Warrior's Husband' (and I'd love for people to turn into a draw your otp meme pls pls pls this pose is so good)

And also, of course, the Superman (2025) set photos

[kakyogay]

more shadow because the silly

[^context for that^] been reading a whole lotta post-movie fics and making up my own in my head. The regulator rings (if that's what they are idk I'm new to all this) are wrecked and chaos energy is just pouring outa the fella, making wounds worse and ruining any progress his accelerated healing could do (BECAUSE ANGST YOU FOOL).

oh and also a wee bit of a doodle for the fic I'll Be There With Lavenders by XenoCG because twas very cute and saw the outfit collage they posted (I already tagged them on insta I don't want to bother them again ouuuuhgh)

[surreal-duck]

some business to take care of

[notherpuppet]

Any tips on drawing faster/more efficiently? I like your art and i notice you post pretty frequently and im very slow lol

okay so an important thing to note is that it's currently winter recess from my school, so i don't have to worry about schoolwork. and the job i have is really easy for me and i slack off like crazy. (that job is really low paying tho, so eventually i need to get something else going or i'm so screwed financially lol. i'm like on the edge of ruin 😜) i think it's important to mention those things because otherwise, i really wouldn't have the time to make as much shit as i do and post as much as i do. before i started drawing hazbin fanart, i was pretty addicted to a mobile game that i would play all the time to just kill the time at work. but now i draw hazbin fanart instead! it's been really amazing to draw again. i keep thinking "hey is this fun or what?" every time i'm working on a drawing. and so long as the answer is 'yes' then i continue.

i really don't know if that's helpful, but that's just what i'm experiencing! i'm sure as life changes, the dynamic of how frequently i post will change too. i'm just going with the flow.

[deoidesign]

One of my first digital pieces (2010) versus one of my recent ones (2024)

We all start somewhere!

[candyje11yfish]

slight redesign. love her🩻🩸

[scryillo]

playing too sweet by hozier on loop and they got summoned

[cozylittleartblog]

diversity win your spam emails are queer

[maskedchip]

hope they are slaying in these roleswap designs i drew for funsies

AND i compiled a bunch of roleswap au art/doodles from last year! not much thought was put into it, i just wanted to play dress up but i still think about it from time to time (doodles below!)

[ch1zzie]

The original in the bottom

Plus the picture I mainly drew but decided to draw the rest for funny

[neuvlett]

“Farewell, Neuvillette. I hope you’ve enjoyed the part you played these five hundred years.” (x)

[instantpansies]

STRANGE NOISES FROM THE HOLE IN THE WALL HEADCANONS/INTERPRETATIONS UHHH OBVIOUS SPOILERS. CLARISSA CENTRIC CAUSE. HOLY SHIT

clarissa is to locomotion as clara is to the nutcracker. she's the kid who dreamed him into existence hundreds of years ago. i know he says he's older than the devil - i think that's still plausible, he's existed since thought but wasn't attached to the Silver Line or brought into physical existence until clarissa, lonely or in danger or just bored, imagined a world where she could escape from her everyday life and live as a grown-up(? maybe? since benjamin/timothy/billy seemed to age up as soon as he went through the portal?), with freedom and whimsy and eventually a relationship with the friendly driver.

why do i say this? because otherwise im really fucking confused lmao, that first scene where clarissa and loco are introduced is strange in the context of the end of the play. they seem to have known each other for a good while before they get on the train. they act like a young couple who's stumbled upon the silver line as an escape from danger and now they're excited for their new life in a new, safe world. except that loco also says he's been driving the train for years.

(looking back, that very much feels like a scenario from a child's imagination - or perhaps a dream - where of course he's been doing this for years, that's his job, but of course they're glad they've found the train together, this is a new experience for her so it's just an extension of her perspective)

but clara is, she says, a child when she gets on the train. idk how old "little girl" is, but if we run with this headcanon and also assume that the timeline is both linear and literal, she's imagining herself in some form of a sexual relationship with loco at a pretty young age.

i posit that this can be reconciled in several ways (some more disturbing or inappropriate than others), but one thing that could be considered is that the first scene where loco and clarissa are introduced is symbolic of their relationship over the course of the train's history. depending on how old clarissa was when she first dreamt the world into existence, she might not have even been very aware of loco, and spent her time just enjoying the escapism or whatever. after a few years or however long, she starts to get older and decides to learn how she's actually done this, maybe spends a long time trying to understand exactly what's going on. maybe her research leads her to a relationship with loco, i don't know. they do get on the train together, maybe, when they're both young (or, well, relatively speaking) and new to the world, and loco eventually has been driving the train for years and years and clarissa makes it a bit more tolerable with some companionship after a long lonely time. but those things don't happen simultaneously, because i think those things don't really work simultaneously. that scene is a sort of speedrun/amalgamation of how the two of them have interacted over the years. and yeah i guess that means they fucked at one point in there

(im going to be transparent, some of that is a bit of cope/rationalization. i think loco and the conductor are very exes/begrudging coworkers vibes, but i do like clarissa and loco together as well - unsettlingly powerful girl x eldritch being with a soft spot is a very good trope. and im trying to make it work out okay? give me a break lol. you don't have to agree with me on this, but once i see a luke and tom couple with a fun and compelling dynamic i will not let them go even if the ethics get a bit hard to explain later on. sorry, anyways moving on)

additionally, and i probably should have said this earlier, a reason i think this whole nutcracker theory holds up is because clarissa holds a sort of unique power in the world. she's been on the silver line for hundreds of real-years, who knows how many train-years, and still remembers her name and something of her old life. loco isn't hostile to her, even confirming her memory of her name and reminding her of her birthdate. with everyone else (ex. benjamin), he actively discourages them from remembering their lives. despite seemingly being one of the oldest passengers, she doesn't transform for hundreds of years. she obviously has some significance.

you know how that ties in? if this is clarissa's world, if her mind is what created the whole thing, then i think it makes sense to assume it's tied to her. as she begins to question her surroundings, then panic as she realizes she can't leave, her emotional and/or mental state becomes less stable, less utopic, less perfect. the dream begins to turn into a nightmare. and it becomes. well. an ouroboros. the snake eats its own tail and the train goes in circles and the escapist fantasy clarissa once loved becomes a prison of her own design. trapped in the very thing that was supposed to save her.

maybe that's why anthony and benjamin can get out when they do - as clarissa's world decays, as she finally begins to become part of the nightmare, as she melds with the train, the world has to shift a bit. it's reaching the point of no return - once clarissa has been fully sucked in, the train will never stop again. falling into an infinite nothing. but in that moment, there's one final chance for the conductor to stall locomotion, one final leap that could at last pull benjamin and anthony and everyone who's been sucked in by clarissa's black hole of a nightmare out of the portal and back into the real world.

and now, clarissa has lost three hundred years of a life that should never have lasted so long. gained perhaps thousands of years of memories of joy and connection and despair and panic and forever forever forever. and she is once again trapped in a vessel of her own making - her body is that of the child she has not been for lifetimes. her world is dead and gone - not just the world she created, but the world she escaped from as well. what of locomotion, that brief flash of connection? does he even exist anymore? who is she, now? who was she? where can she possibly go from here?

shoutout delirium_undead on discord for going along with the nutcracker theory and helping me flesh this out. your ideas are so galaxy brained and i am forever in your debt

[cobaltfluff]

happy crossover christmas to me !!! left: crossover / right: AU :3c

[dragonroar64]

im finally back with another pvpciv headcanon. I live my brain is finally having more thoughts than just a single sentence. good luck there's more angst ahead

okay so! in the most recent episode, y'know how Evbo goes and gets the other diamond swords to pay for things? that seems perfectly normal, right? wrong. Evbo can respawn. he could've just passed his sword off to whoever had the least amount of durability left and then came back down to buy things himself. but he didn't. he asked others for help(side note:I love the silly little found family going on here it brings me joy. look at them!!!).

my personal theory for why he'd ask the other diamond swords to buy these things for him is because he doesn't want to have to respawn ever again, or more accurately: he doesn't want to die ever again. I imagine if you'd died dozens if not hundreds of times you'd never want to do so again. not even on your own terms, not even when you're going to come back to people who care about you, not even if you wouldn't have to do it again any time soon. Evbo probably doesn't want to experience dying again, probably doesn't want to wake up in his room on the wooden sword level holding a weapon made of the weakest material around, much more vulnerable than he is anyways. do you think being there bothers him? do you think traveling down through the layers makes old memories and old pains flair up?

do you think that the other diamond swords know about this and try to help Evbo avoid going through it again? do you think that's why they help him pay for things without suggesting a respawn? do you think they're reluctant to send him out to the other civilizations? do you think they feel like he's a sort of annoying little brother to them, but still a brother and therefore someone they care about?

anyways I just think this found family thing going on w/the diamond swords should be explored more. like what if they saw how much he devolved on every trip to the golden sword level and just assumed his deterioration was caused just by the golden level itself and only learned later about what exactly happened on the iron sword level? they probably weren't watching all of his video journal updates. he probably didn't make one after every death. what if they didn't find out until just a little while before Evbo made it to the diamond swords level. or what if they didn't find out until after he made it back after Tabi killed him. what if he'd managed to stay strong up until he realized his closest friend didn't actually care about him and after the fact he just spilled his guts out about it to the diamond swords. what if they help him buy stuff because they don't want him to ever have to go through a respawn again

tldr what if the diamond swords help Evbo buy things in the newest episode because they know respawning is a horrible experience for him