#giving away his great works

[undercat-overdog]

I plod along, not making any progress, on my post-canon fic where Celebrimbor is a main character, and really wish I were able to fit in more about Celebrimbor and the Feanorians. It’s really not appropriate for the fic - Celebrimbor isn’t defined by them and is well past spending time and emotional energy thinking about them (it’s several thousand years later and C has relationships with other people) - and yet I have thoughts that I would like to work out in fic.

So here’s one of them, a snippet that won’t be published otherwise:

“The histories say we did not find the strength to unmake the Three, Galadriel and I.” Celebrimbor’s hand went to Narya on its necklace, hidden under his undershirt. “It is… perhaps it is that. Feanor’s fault come again, to refuse to destroy the work of my hands. But I do not think so.”

Sauron reached out and caught Celebrimbor’s hand, caressed it gently. Celebrimbor cast his face down but looked up at him from under his eyelashes; Sauron caught the sight and carefully set it in his memory to treasure. Celebrimbor was a thing of flesh and bone, theoretically not unique, and yet…

“There is one fault of Feanor’s I do not have,” said Celebrimbor. “I treasured my creations and gave them away; I did not keep them and hold them to myself in secret. I am not Feanor: I did not destroy them, as he destroyed the Swan Ships. They were of my own make, yes, as the Swan Ships were not Feanor’s, but they were not mine. I had always planned Nenya for Galadriel and Narya to Lindon, only Vilya for Eregion.”

He drew a breath. “And it was not just the Three that I died for, but the well-being of their bearers and the Eldar you sought to control. It was not my life I valued more either.”

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[feroluce]

So I went to the wiki page for the henghill Bullet & Brain mission of 2.2 looking for some dialogue I had missed and

a) I found something incredibly tasty that slotted into some other thoughts I'd been having, more on that on another day, and

b) I saw this super fun little trivia at the bottom, which!

I knew Penacony characters like Boothill took a lot of inspirations from old movies, but I didn't realize it was even in his and Dan Heng's relationship, that's so cool!!

It fits them very well, it's such a fun reference. "Butch Cassidy and the Sundance Kid" was an old buddy Western film (from 1969- nice) about a pair of outlaws. Butch Cassidy was the leader of a gang, and described as clever, affable, and talkative. Meanwhile, his closest companion, the Sundance Kid, was known as a man of few words.

Cassidy's original birth name was much more plain, but similar to Boothill, he took on a new moniker when he became an outlaw. "Cassidy" had been the last name of his beloved mentor, who taught him how to shoot and ride. And Sundance Kid was known as he was because Sundance was the name of his hometown, and it was the only place that had ever managed to catch and jail him, back when he'd been younger (also similar to Dan Heng, but ouch).

These two stick together like glue throughout the length of the film- through Cassidy's leadership of the gang being challenged, through a train robbery gone wrong, through being pursued by mercenaries, and even through fleeing to Bolivia and trying to start over together.

I don't want to say too much more, since the mission title is referencing one specific movie that I've never seen. I kinda wanna watch it now, though, just to see the inspiration that went into Boothill and Dan Heng and how they get along. I just think it's really sweet that these two were literally made to be the best of bros, how lovely is that. 💕

[ratwithhands]

Since I finished the manga a few days back, I wanted to revisit my two demon slayer OCs I made last year. Here's Yoshi and Syougo ^^

Syougo and Yoshiaki are childhood friends who both ended joining the Demon Slayer corps after being separated earlier in life. Yoshi spent his years training under his retired slayer father before passing the final examination, while Syougo ended up having to figure his own methods out after his first teacher made it so he couldn't use a true breathing technique again.

As an overview of the techniques they use:

Field Breathing is a technique Yoshi's father came up with over his career in the corps. When he retired, he continued to polish the forms and taught them to Yoshi. Both the name and the forms it utilizes are based on the flora around the rice fields he was raised and later retired to. The technique emphasizes speed, flexibility, and applying pressure to the opponent as much as possible. It's fluidity and aggressiveness leads Yoshi to be quick in handling threats since he pushes opponents around

Spirit Breathing (or if you're using archaic kanji, Vengeful Spirit Breathing) is a breathing technique Syougo made as a way to regulate his body and state of mind after losing the lung capacity to use Total Concentration or other methods. It's based around his base breathing rate so he doesn't overexert himself, which means to an extent he is always using it. In combat it's intended to psych out opponents and help highlight their weak points. Since it's mostly a distraction/intimidation technique, Syougo uses a secondary weapon to get the jump on opponents when they're not focused.

For some bonus design notes, here's some details for how they dress:

Yoshiaki's samue is based on what he'd wear when working at the rice fields with his family. The light green colour comes from being dyed with wisteria leaves, a precaution his mother took hoping it would protect him

Having nostalgia from weaving baskets with his mom when he was younger, Yoshi tends to use dry reeds for securing things. He ties his hair with it, decorates his equipment with it, and though his legs aren't visible, he ties reeds in a crossed pattern over his kyahan

The brown cotton sageo and tsuba he uses are handed down from his father. The scar on his cheek is also there for the same reason, his father had one and Yoshi decided to cut his cheek to look cool and match 💀

Syougo's haori has kogin-zashi embroidery across the sleeves and shoulders. He sewed it himself in between his training as a way to decompress and slow down. His kyahan have a matching stripe across the front

Syougo's tsuba was gifted to him by his current mentor who thought he would enjoy the oblique patterning to match his outerwear. His current mentor also requested a nichirin style tanto for him to use for his secondary fighting technique

The ragged look of Syougo's hair comes from him prioritizing training over all else, even appearance. The only instance where he will fully comb and dress his hair is for important meetings and ceremonies. He does maintain the part of his hair though, modelled after his mentor's (much shorter) hair. This is one doodle with clean hair

I'd write more about their character but this is getting long as it is 💀

I have a piece with Syougo that I'm going to put up soon, and at my sister's request I'll try doing a matching one for Yoshi

Hope you guys like these fellas ^^ I'll see you later

[iknowwhereyousleepatnight]

confinement arc where L tortures light with more hands-on methods......

[acoraxia]

I think people misunderstood my macaque post

Ah well you win some you lose some

[waywardsalt]

with my phantom hourglass replay, there are two things i noticed;

a possible theme you could glean from the game is action vs inaction, and i think it's especially prevalent before you even leave mercay the first time, with oshus frequently urging link to not go after the ghost ship, then to just wait until the broken bridge is fixed, and seems reluctant at every turn while link and ciela are more than eager to go and do something about this problem, and the people of mercay in general talking about things and their problems but never seeming to act on their fears or desires, as well as the mention that due to the ghost ship, very very few people are still sailing around, while linebeck is one of the only people we see in the game actively going after the ghost ship and still sailing around. i might make a longer post just talking more about the action vs inaction in phantom hourglass but i just noticed it a bit and thought it was a bit of an interesting sort of theme you could find in the game.

linebeck moves so fucking much. i think he moves more than any npc in the rest of the game. not just in his intro cutscene where he is very animated, just in how much he moves when just standing in his little idle post, it's damn near distracting when the camera is focused on him, he moves a lot. i don't think i've really acknowledged how much he moves, and it really gives the impression that he's antsy or eager to get going, both of which fit him pretty well with how he acts.

[homochihuahua]

Love jaydick and how they love each other.

They'll never have joy over a joined kill...

Jason will take pride in doing the right thing.

While Dick will suffer the misery of doing what needs to be done.

Dick loves Jason in spite of his violence. He acknowledges his lack of understanding of Jason's need to enact such form of justice, and he wouldn't necessary join Jason in his methods. But Dick's love for Jason is so strong he is willing to tolerate, for Jason only.

[poetryqueer]

the absence of horatios in hamlet adaptations somehow feels gayer than their presence

[good-to-drive]

Advice from E.B White (yes, the author of Charlotte's Web) to a 17-year-old Conan O'Brien. Conan realized just as he was sharing the anecdote that he hadn't taken the advice....

[magentagalaxies]

vent incoming:

got my grades back for my courses last semester and most of it was to be expected, mostly A's, maybe an A-, etc. but i honestly can't get over the fact that my independent study (the buddy cole documentary) was for some reason given a B. like sure getting a B isn't bad per se, I usually get at least one B every semester and i honestly don't really care about what my exact gpa is as long as i can graduate, but come on. this school put me through months of psychological torment over this project and didn't even have the nerve to give me a B+??? i'm still coping with the self-doubt they forced on me and this bullshit is not helping!!

[sysig]

Giving nicknames, testing boundaries (Patreon)

[xbomboi]

i know there’s a case to be made for daring suffering some character flanderization in his later appearances, but i like to think the break up with lizzie was just THAT bad.

[quirkle2]

oh nooo that's quite a bummer :( but i'm very glad that i helped brightening up your day :") tbh your writing brightens up my day too (⁠≧⁠▽⁠≦⁠)

AND WAIT I'VE BEEN ACTUALLY QUITE THINKING ABOUT WHETHER ZOMBIE MOB HAS FOUGHT OFF A ZOMBIE WHEN I ASKED IF HE HAS EVER BITTEN SOMEONE and since you brought it up, well, would be okay to ask about the details of how it went 👁️👁️ (also him fighting off a fellow zombie to protect tome got me sobbing)

- 🪻

aww im glad my silly little words brighten ur day!! ur so sweet :]

and yes, it went horribly <3! tome prolly wasn't paying attention as closely as she should've been and got herself surrounded by a crowd. to be clear, that's not Always dangerous, since zombies arent like,, after ur brains in this constantly. but these zombies did look quite hungry, and human or not, she looked like a good meal,,

she had wandered off a bit from mob n ritsu, but mob heard the commotion first. tome has a big fucking baseball bat in this au that she likes to swing around, but a baseball bat can only get u so far in terms of self defense. she thins the horde but there's simply too many of them

mob lets exactly One zombie grab her and yank her toward them before he goes ballistic

watching zombies fight is a lot closer to watching wild animals fight than anything else, and it gets quite horrid sometimes. since their bites aren't rly "dangerous" to each other beyond the typical Oh No a Chunk of Flesh is Gone (not even painful for them, since their nerves r.. less than functional), the fight is a lot more close up and gruesome than a fight against a zombie and a human would be. humans usually back away from zombies immediately and try not to touch them at all in fear of getting bitten; zombies don't need to care abt that

most of the horde realizes that this meal isn't going to be easy and they wander off, but a few more hungry, more desperate ones try to rip into mob's throat at the first sign of defiance. it's not exactly a fair fight; it's like 1 against 4, so he's sorta bound to lose

thankfully ritsu shows up and shoots two of them down (he's Terrified of shooting mob by accident, but either way he'll probably die, so) and tome gets the last one with a good swing to the head. ritsu rushes to mob and is horrified by the amount of blood dripping from his neck and his arm; tome is equally as shocked, but she's mostly thinking, "ive Never seen a zombie defend a human before"

mob's neck is thankfully mostly just scraped up and clawed, but there Is some gruesome punctures where canines sank in and tugged. it's a lot worse along his arm that's bitten and gouged beyond belief. he loses a lot of blood here, but the whole nerves-no-longer-work thing is a blessing in disguise atm; he'd be in a lot of pain otherwise. while ritsu and tome are patching him up w shaky hands he simply glares beyond their shoulders like he thinks he's still in danger, even when they tighten the bandages. it's like he barely notices what they’re doing

his strangely alert behavior makes them think abt the possibility that maybe mob Knows he could've easily been shredded apart there, and he's a little scared and worked up abt it. the only reason he managed to fight as long as he did without dying is prolly bc the other zombies weren't as well-fed as mob—they were kinda weak and shaky from days of no food, but mob has humans taking care of him and keeping him fed 24/7

they're all shaken up by it pretty good.. tome is still reeling from the fact that mob defended her so valiantly, and ritsu is quietly horrified by the idea of another zombie killing mob instead of a human. he doesn't know which is worse

[edens-pen]

I GET ITTT 🙂‍↕️🙂‍↕️

DO YOU HEAR IT!!!!!

[sunflowerdigs]

Me and my Lokius-obsessed self watching the 24-hour daycare debate thinking: Don would have used the hell out of a 24-hour daycare