#get to see more interactions its fun

[satorugojoswiife]

wait.... why aren't any of the kyoto students playable 😭

[lemongogo]

they should get to kill each other at least twice .i think

[lucksea]

havent decided how i want the introduction to go yet but i imagine it would roughly be one of these two

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[hylianane]

OPLA Sanji and Zoro fighting for Luffy’s affections is very good to me, because for Sanji its just a fun and flirty little game, he likes Luffy and Zoro is handsome if uncouth, so how things turn out doesn’t really matter, they’re all just getting to know each other and getting along. But for Zoro the stakes could not be higher. If Sanji keeps insinuating that he cant take care of Luffy alone he’ll bite off his dick swear to god

[lynxalon]

i've seen a fair bit of... pessimism about dorym lately, esp with the ep107, for example wondering if dorian's opposing views on the gods making orym fall out of love, and i have to say. i very highly doubt it, ur fr talking about the man who has held on to will for so long, holding onto will's family and affectionately calling this *his* family too because that didn't stop when will died. i dont think falling out of love is an option or even a thought to orym.

that said, we know that orym has contingencies for if anyone in bells hells crosses the line into being a version of themselves they would despise, for anyone who jeopardizes their mission. his mission. i think, for the first time since knowing dorian, orym finally has a contingency for him. the longer dorian is back, the more orym sees how scarred he is by what's happened (understandable so) and knows that dorian is with bells hells all the way. but if he isn't...

[arsenicflame]

steddyhands modern au inspired by this post:

(1828 words, themes of kink but nothing explicit, established blackhands & gentlebeard-centric. Happy Pride!)

Stede picks up leatherworking in the wake of his divorce. He's not exactly sure how it ended up being such an important hobby for him, only that he had always admired the intricate designs on his horse's best bridles, and with little else to do with his time, he decides to give it a go.

It's rocky going at first, but he's having fun working with his hands for the first time in his life, and there's a sense of satisfaction in seeing the design come to life as he works. With practice, his skills improve, and he learns how to make things that are truly one of a kind.

He starts off posting his pieces online, as a way to reach fellow enthusiasts, but quickly finds himself with a rather large audience. Stede’s style is unique, and, after many requests from his followers, Lucius encourages him to make some more basic pieces he can sell. It's not about making money for Stede, but another way to meet new people who share his interests- as Lucius keeps telling him, it's sad that his personal assistant is the main person he talks to these days. 

So Stede sets out on a new adventure, and has quite the time designing a new range of patterns for the market. He makes purses, belts, bracelets, and, most importantly, dog collars- all still with his unique designs embossed into them, of course. He rents a booth at his towns monthly craft fair, and very quickly finds himself with a new group of friends in the other regulars- Pete, his usual neighbour, who sells an array of wooden figures he carves, Roach, who runs a stand for his bakery, and Frenchie, who isn't actually a stallholder, but is almost always busking near his friend Wee John’s stand of knitted goods, bringing life to the market even in the pouring rain. There's also Buttons, another regular at the market. Nobody is exactly sure what he does there- he doesn't sell things, or seem to buy anything either, but rain or shine, he's there with the birds.

Stede’s been doing this a few months by the time June rolls around. As he's setting up his stand, he notices that the area is much busier than it’d normally be at this time of morning. Lucius, who got roped into helping run Stede’s stall somewhere down the line (despite his protests that this is not what personal assistant means… But hey, he got a boyfriend out of it, at least), reminds him that there's the parade today, too- not realising that Stede had no clue there was a parade today, and especially not that it was pride. Stede immediately jumps to fretting about the amount of stock he’s brought, and Lucius takes the cue to escape, saying he’ll go and grab them coffee (but really, he's off to flirt with Pete)

Lucius is still missing when Ed stumbles across the little leather stall. Stede’s just ran back to his car to fetch his last boxes of inventory, and by the time he returns, Ed’s already begun to narrow down his choices. Stede greets him, starting to tell him that they're not actually open yet, but before he gets more than a couple of words out, Ed’s exclaiming “You're a Kiwi!!!”

The two of them smile at the shared recognition, and Stede says he’ll make an exception, just for Ed, and asks him what exactly he was interested in. Ed tells him that he's looking for a collar “for his boy”, and points out the particular design he was looking at. It happens to be one of Stede’s favourites from this latest run of work, a fact he mentions to Ed. It leads them into a discussion about Stede’s craft, and Ed’s Izzy, and then everything in between. Ed’s listening intently to the things Stede’s telling him, completely drawn in by the process, and by Stede himself. He watches as Stede stamps Izzy's name into the collar, and Stede even lets him have a go at one of the stamps. 

Lucius reappears sometime in the middle of this- only to immediately retreat again, seeing Stede engrossed with Ed. He sets up camp at Pete's booth opposite, watching this man flirt intensely with his boss- and Stede flirt back just as hard. Does Stede even realise he’s doing it? Lucius had known Stede was gay since before Stede even admitted it to himself, but this is on a whole other level.

The pair stand there so long that Izzy comes to look for Ed- the two of them are manning a float on the parade with their crew, and it's past time for them to get geared up. He's already worked up, frustrated to have been left to set up everything alone, when Ed had just gone to see if he could get them both coffee. So maybe he's a bit of a prick, approaching with a brash “where the fuck have you been, Edward”, to which Stede brings the same energy, giving a bitchy “Ed! Do you know this guy?” Izzy tenses, ready to snap, but then Ed cuts in, excitedly telling Stede that this is “his Izzy!” Which confuses the hell out of Stede. 

Forgetting his earlier attitude, he asks Ed if he “really named his dog after his friend”, only to be met with confusion right back from Ed at where the hell Stede got the idea he had a dog from. Stede gestures at the bag with the collar in it, to which Ed has to tell him, “oh, no, that's for him.” Ed tells Stede that they're here to run a float for their local leather society, and while Stede is certainly shocked by what Ed’s saying, he's not finding himself… uninterested. It's simply that he’s never even considered any of this before, especially not that people would use the things that he made for this, but Ed sounds so enthusiastic about it all. He tells him about how his friends would love to see Stede’s work, about how classic leather gear is always so fucking boring- but not Stede’s stuff, no, Stede’s stuff is “fresh” and “fascinating” and unlike anything Ed’s ever seen before. 

Ed's enthusiasm is incredibly infectious, so when he invites Stede to come back to see their float, he readily agrees. It’s a concept Izzy’s less than enthusiastic about. He doesn’t really want to bring this man who’s dressed like he just walked out of a HOA board meeting to their kinky little corner of the world, but he is having a lot of fun watching Stede squirm, so decides not to raise a protest. He does demand he gets his long-overdue coffee first, though (Stede pays for it- as “compensation for him distracting Ed from his job”, he says, not giving Izzy a second to process before he's tapping his card)

By the time they return to the float, Fang, Ivan & Jim are waiting for them, all already geared up. Stede is stunned silent at the sight for about 5 seconds, before he starts actually looking at the quality of Jim’s harness, and proceeds to go off about the poor quality of the craftsmanship, about how the hardware is tacky and completely the wrong choice with this leather, how his “ten year old daughter could do a better job!!!” 

There's complete silence from the group, until Izzy, of all people, bursts into laughter at Stede’s audacity (and, the fact he was staring at Jim's tits completely unabashedly, like he hadn't even noticed them in the first place). Izzy's laughter sets Ed off as he tells the group about Stede’s misunderstanding- “you didn't say he was a person!” “I mean, he's my dog”- and soon everyone's having a friendly giggle at Stede’s mistake.

It's somewhere in the middle of the retelling that Ed remembers that this whole thing happened because he was buying Izzy a gift. After a moments fumbling, he presents Izzy with the collar-  It's a rich, deep black, embossed with a rolling pattern that resembles waves. It’s made from a firm enough leather to take the tooling, and to remind Izzy that he’s owned while he’s wearing it, yet still soft enough for long term comfort. Izzy's eyes immediately lock on to it, an unreadable expression coming over his face, and Ed turns it; first so he can really see the design and Izzy’s name embossed into it, and then so he can see the small “Ed ♥” on the inside of the collar, right over his swallow tattoo. 

“I did the heart,” Ed says to him softly, intended only for Izzy’s ears. Izzy's eyes flick up to Ed’s, and he raises his chin to give Ed the room to put it on. Ed buckles the collar around his neck almost reverently, a test of the tightness turning into a caress of Izzy's neck. It's a perfect fit.

It's as though something comes over Izzy; so twitchy and abrasive earlier, now silent, staring at Ed with a look akin to worship in his eyes. He obediently tilts his head for a kiss as Ed's fingers move to his chin- It's a sight to behold, and one that has Stede intrigued. He wants to know more about this lifestyle, and these men in particular. He wants to be the one to put that expression on Izzy's face.

The moment breaks as Ed and Izzy pull apart, and Ed calls for the crew to finish the last bits of set up. Izzy shakes himself a little before running off to bark orders again, but even still, there remains a softness to him that wasn't there before. 

Ed turns back to Stede with an apologetic smile, already obvious that he has to get going. Before he can speak, however, Stede jumps in -“My business numbers on the card in the box… I'll be around all day”- Ed’s smile turns more genuine at that, promising to stop by if he gets a moment, and that he’ll send his friend's Stede’s way- “if he wants that kind of business.” Stede says that he does, actually- that he's seen a whole new world already today, and, while he was a little taken aback at first, he can feel the passion Ed and his friends have for this life. If there's one thing that's ever mattered to Stede, it's other people's enthusiasm. Maybe he doesn't completely understand yet, but he would like to try.

One year later, Stede’s back at the market on pride weekend again, far better stocked for the crowds this time around. Lucius is finally free to spend the day flirting with Fang & Pete to his heart's content, now that Stede’s roped his own boyfriends into helping him run the stall- and into modelling the merchandise. Ed loves that part, while Izzy needs a lot more convincing, but the puppy eyes Stede & Ed weaponise against him make a very good argument.

[good-beanswrites]

I talked about my Milgram actors theory earlier, but @amugoffandoms reminded me I also have a little emotional support au version of the idea I’ve been meaning to chat about! It's actually not a typical actors au -- the canon events still happen, but are staged by the in-universe Milgram organization.

(Edit, now with a fic!)

Just like in canon, the organization has a mysterious/supernatural ability to identify and track down ten specific people at their breaking point. In this au, though, it's ten people who could have committed crimes soon. They discreetly reach out to these individuals, requesting for them to be actors in their experiment. They say there will be someone playing a prison guard, and explain the premise. With a bit of coaxing or bribing for a few, they all accept.

Milgram ensures these newfound “prisoners” don’t need to change many details about their lives – the less lies to keep track of, the easier it would be for these ordinary people to pull off such an extensive con. 

Some of them are exactly as they were right before their murders, such as Yuno, Fuuta, Muu, and Kotoko. Haruka, his sister, and Amane did go through traumatic abuse, but it was Milgram that pulled them out of the situation before they resorted to murder. Mikoto is/has been aware of his alters for a while at this point.

Some of the others are taken from their lives after things that could have ended fatally turned out alright: Shidou’s family got into an accident but all recovered; Milgram picked up on his private realization that he would have done anything to save them, were the damage worse. Mahiru and Kazui’s partners attempted/considered suicide, but did not succeed. In Mahiru’s case, they reached a friendship despite breaking up. I still don’t know enough about Kazui’s wife, but I like to think they’re pretty separate now. 

The ten prisoners weren’t allowed to meet beforehand, but they individually collaborated with the Milgram team to write the lyrics for their t1 songs and film their videos. I'll mention more about the other actors later, but the filming process is a lot of fun. Though the topics confront them with some unsavory thoughts about themselves, it's a good time singing and acting and getting the giggles on set and everything.

Milgram pulls Es from wherever they were for whatever reason, wipes their memory, and drops them into the prison. The prisoners are unaware that Es didn't come willingly, as they all did.

Once the experiment begins, everyone’s interactions that we’ve seen to this point are genuine. The prisoners get to know each other, while they come to terms with the fact that themselves and these others all had murderous potential. Their personalities, behaviors, and stories from their lives are all true. In the interrogations, they speak honestly to Es about their values and choices. The only faked things are the actual references to the murders, and the “invisible force” that they pretend to hit when acting in violence. Mikoto is instructed to use a bit of violence during his interrogation, though Kotoko sneaking in wasn’t scripted – she genuinely had her concerns about his character and acted accordingly. 

While Es sleeps after T1, the prisoners are treated the same regardless of verdict. They provide the team with their genuine thoughts about one another to decide what the staged incidents should be. Kotoko doesn’t actually hate the guilty prisoners, but she recognizes she would’ve wanted to take justice into her own hands in a real situation. Amane is very upset but Es' verdict, but the team helps her dramatize her transformation a bit. Haruka and Muu genuinely get that close. Yuno does wish to be left alone.

They film their second trial videos, now allowed to be around the other prisoners as they do so. They also invite people in their life to come in and play their victims. Yes, it’s just as awkward as it sounds. This is where the prisoners do their real reflection – they think about Es’ verdict for them and what they could have been capable of. There’s a bit of relief from both parties knowing that things will turn out alright now that Milgram intervened (ironic, I know, but this is my fix-it hehe). Shidou’s kids are excited to be filmed, not really understanding the context. Haruka once again works with an actor playing his younger self, a bit put off by how similar they look and the memories he bring back. Haruka’s mother, Rei, and Amane’s cult members (if they appear) are some of the only characters played by strangers, though they do look strikingly similar to the real people. Fuuta’s victim is also played by a stranger. Things are still tense with Hinako, but she agrees to appear. 

The team helps the prisoners fake injuries with lots bandages and slings. Then they wake Es. The same is repeated for T2/T3.

Now, I’ve played out a few different paths depending on my angst tolerance at the moment – sometimes Es goes through with the third trial verdicts and is forced to watch the executions (not realizing they're cleverly staged). Sometimes they refuse, finding a way to stop the whole experiment. Sometimes the prisoners realize that Es has been an unwilling participant, and bring the experiment to a stop themselves. Sometimes someone jams a wrench in the mv machine and try to blow it up in order for everything to end before final verdicts.

Because of limited details, the ending can play out however one wants. But my go-to is that Es wake up sometime afterwards in a clean facility filled with scientists. They’re brought to an interrogation room – this time on the other side of the questioning. They’re asked about their motivations, actions, emotions, choices, verdicts (or the reason they rebelled at the very end). A few doors down, the prisoners are being asked similar questions of self-reflection and morality. 

Es demands to know what’s going on, while the team tries to assure them that the prisoners are all fine. Es doesn’t buy this, though. They know what kind of mind games the experiment has tried to pull, and can’t tell what’s truth or lie anymore. Things get heated as they demand to see the prisoners. Meanwhile, the prisoners are getting worked up asking about Es. If they haven't already, this is when they learn that Es was an actual prisoner there the whole time. The last time they were together the situation was very intense, and they’re all incredibly worried about them. 

In the end, they manage to break out of their rooms and reunite in the middle of the facility, and Es is shocked. All ten are alive and well, even those they may have seen die. No eyes or limbs are missing. They’re all laughing and getting along, no matter what kinds of fights they got into between trials. Even more shocking is when the victims join them later – also all alive and happy. 

The ending has a bit of unavoidable angst since Es would be pretty fucked up by the whole experiment. They’d struggle with trust issues and knowing what’s reality. However, it’s still an overwhelmingly happy ending. They get to befriend the prisoners and their families outside of the painful context they met in. Regretting their ignorance of the situation, the prisoners decide to make up for lost time and spend a lot of positive, quality time with Es. The kids are finally allowed to play, and the they finally let the adults act a bit protective over them. This is when the found family completely kicks in lol. Es gets to sleep easy knowing they are all alive and happy, they receive all their memories again, and they get to return home to their own family.

I added it to a reblog but editing with @/qrevo's tags because this is what I was looking for but couldn't quite pin down to make it healing for Es too:

[turtletoria]

a little game I like to play called "block all popular ship tags" that makes tags for any big show become unusable :)

[daisybell-on-a-carousel]

The Delusions of Alfred Pennyworth short story from Batman: Gotham Knights #34 my most beloved ghost jaybin story

[whomeidontknowthem]

Eyes on me – an interactive whump story. Part 5.

Previous part. Masterpost.

Content: institutionalized slavery, imprisonment, dehumanizing language, it/its for an inhuman whumpee, pet whump, whipping, blood, physical abuse, withholding of food, training, torture, intimate whumper, carewhumper, mentioned pet death, tell me if i missed something

Lord Teelo didn’t strike. 

He lowered his arm, eyes never straying from holding the creature’s terrified gaze. The room reeked of blood, now streaming down the lord’s fingers in a warm waterfall. He worked hard on pushing his fury back, taking it under control as many times before. He was in control. He would show it, careful and persistent and levelheaded. He would make sure it remembered the lesson forever. The crop was not meant for punishments, it was too short, too soft – he hadn’t meant to punish it. He was going to be a kind and gracious owner. It had left him no choice!

He opened the door, finding the redheaded guard still in the corridor.

“Get a proper whip,” he ordered. “More chains – gods damned handcuffs, whichever idiot thought of leaving it like this?! And a knife, scissors – or whatever, something to file its atrocious claws.”

The guard stared at him, not in the face – at his arm. Lord Teelo felt it – the consistent drip-drip-drip of his blood. He didn’t feel the ache yet. Nothing but the quiet, cold fury he couldn’t wait to unleash at the world. Haltingly, the guard started, “Should I bring someone to take a look at–”

“I have told you what you should do,” his voice came out as a hiss.

“Yes, my lord,” the guard saluted and hesitated only a moment before running down the corridor. 

Lord Teelo closed the door with a loud crash. He paced inside, steps echoing around the room, as the pain slowly started to radiate out. He hated it. Oh how he wished he could slice the thing’s skin just this moment, not waiting for anything and anyone. He picked up the crop once more, stoped before the creature – it cowered to the very corner between the wall and its cage, never letting its eyes away from him. Oh, now it was looking. It dared to look! 

“You think yourself smart?” the lord hissed. “Think you did something good for yourself? Oh, no, you’re gonna regret this. You’re gonna regret this so much.”

The pain seeped into his consciousness with every heartbeat, radiant and nauseatingly familiar. He held a handkerchief to the cuts until it filled with deep red. He threw it away – it landed in a wet disgusting lump on the table, by the bowl of wet disgusting meat. Oh how the lord had tried to be a nice host, how he had tried to accommodate this, this– 

“Damned, ungrateful, hateful beast!” Lord Teelo roared. The glass of the bowl nearly slipped from his bloodied fingers when he grabbed it, and then shattered to thousands pieces to the side of the creature’s head. Its dinner fell onto the floor, useless. Oh, it wouldn’t get any, it would have to work, to beg for any crumb from then on – it would regret, regret it so much!..

The door slid open soundlessly after a short knock, letting in the heavy footsteps and the clanging of metal. The lord turned on his heels, facing the guard. “And why in the world have you not brought a damned healer!” he hissed. “Can’t you see I’m bleeding out!”

The guard blinked. “But you have–” 

“YOU DARE ARGUE WITH ME?!” 

He was struggling to breathe, chest heaving with effort. The blood was still warm down his arm, still bright on the broken glass and light wood of his floors. How could the idiot not understand!

There were chains in the guard’s arms and a leathery length of the whip. Lord Teelo snatched it and demanded, “Chain it up!” The guard hesitated, opened his mouth. “NOW!” 

He did. The lord watched as he came to the beast, careful with his steps, cautious of it. It squeezed itself deeper into the corner. Lord Teelo could see it shaking. He was delighted to see it shaking. The guard reached out, the first cuff prepared, and Lord Teelo watched from a step away as it lifted its hands up, close to its chest. Its teeth were bared, pupils wide and eyes wider. It tried saying something, but what came out was only a mess of sounds with no meaning. 

The guard squeezed its arm even as it tried to avoid it. It whined and fought back, tried getting out of the grasp, tried pushing him away, tried and fought and struggled as he cursed under his nose. Its claws went through the skin of his palm ripping out a sharp hiss. It managed to raise its hind leg as the cuff clicked around its wrist, its claws scratching against the metal in an effort that only delayed the inevitable. 

Lord Teelo had little patience left. He stepped forward, connecting his heel with the middle of the creature’s tail. It yelped, flinched backwards – its head connected with the wall, and before it could regroup the second handcuff was in place. After that, restraining its legs was only a matter of time.

“Turn it around,” the lord ordered. Chains clang as it fought in an ever increasing panic. “To the wall, yes… yes, just like that.” The locks rattled, forced closed. The guard let the key fall onto the ground, forcing the creature to kneel. It hid its tail between its legs, whining as its head was pressed into the wall. “Is the chain short enough? Will it be able to move?”

“I don’t think so, my lord,” the guard answered. 

Lord Teelo played with the whip, trying it out. “Good. Go fetch the healer– wait. I need – something sharp, something – to secure on its tail. See how it hides it? I need something it can’t hide from.”

The guard looked puzzled. He eased his hold in a test, and the creature threw its whole weight backwards, fighting the chains. They held. Kneeling, with its tail hidden and only back visible, it looked strikingly like a human. “Perhaps clothespins, my lord?” It wasn’t what he had in mind. What he wanted – it wasn’t that. Not this easy, tame solution.

“It would work,” he drew out. He would go to the smith when he had time. He had an idea, oh, that would be a genius idea. “Just this once."

He flexed his left arm and rubbed his right. It hurt as all deaths, but it had stopped bleeding. He failed to crack the whip the first time but managed it the second, inches from the creature’s back. The guard bowed, taking it as a sign to leave. 

The creature mumbled and mumbled more, sounds a meaningless mush falling from its tongue. If Lord Teelo was generous, he could see it as an apology; he would not even entertain the possibility of giving in to it, of course. 

The second crack was right by its ear. It flinched and curled up further but couldn't hide.

It wailed when the whip connected with its back – so loud, so quickly, taken by surprise. Lord Teelo bared his teeth in a smile and struck again, violent purple already flowering on the gray of its skin, and struck again without waiting – three, four, six, twelve hits in a row, as it flinched and writhed and cried out.

He paused afterwards, and saw as it tensed, first, its whole body shaking with the effort of breathing, hiccupping in what sounded almost like sobs. He waited, watching how it trembled more and more. He let it marinate in the anticipation, the fear coiling and coiling with no release, the stinging of its sore back growing as its patience ran thin. 

When it raised its head, just barely, as if to look, the whip snapped through the air again. 

It screamed out. He didn’t give it time to recover. 

The lord hit it with no pattern, pausing and continuing at his leisure, until his arm grew heavy with pain and the creature nearly silent. Lord Teelo could only hear its labored breathing, air forced out of its body with every strike. Its back bloomed with purple that gave way to red when the skin opened, the new lines covering the rainbow pattern in an unstructured, repulsive mess.

Oh, he nearly pitied it, trembling pathetically in the corner. Then he rubbed his arm and the sharp pain was enough to remember why he didn’t. 

He struck for the last time, lazily, with his left, and then a few more for a good measure. When a polite knock announced the guard’s return, he felt pleasantly tired, like after a good work out. He called out for the man to enter. 

The guard did and the healer, an old woman the lord knew for most of his life, followed in. She looked the room over with stony, unreadable expression, and Lord Teelo met her gaze with a nice enough smile. “You’ve got your toy,” she stated and that was all the attention the creature got from her. 

She made a quick enough work of the wounds: cleaned and bandaged them up after applying that miraculous numbing cream the lord appreciated since early childhood. The creature would appreciate it even more, he thought, glancing at the pathetic thing. It had shifted at some point, stretching its legs just a bit but keeping its head hidden. Its body shook violently, trembling so much it in itself looked tiring. 

“Should I look it over?” the healer suggested, all business. 

The lord huffed, “What would the point of a punishment be then?” 

The woman looked him over with that annoying, unreadable gaze. “Call me whenever you change your mind,” she bowed and left when he dismissed her. 

Lord Teelo tried the clothespins with interest, forcing the spring to coil and then letting it go softly around his finger, just a tad, until it started hurting. “Good enough,” he concluded finally and got up. 

The creature flinched when his boots stopped by its form but didn’t try anything. “Poor thing,” he drew out and crouched, ran his fingers along its back lightly, brushing fingertips over the painful ridges of future bruises. Its breaths hitched, but it didn’t make a sound. “And all you needed was to not act like a brainless brat to avoid all this. You have no one but yourself to blame, silly thing,” he told it. It didn’t answer, shivering under his touch but not attempting anything stupid. 

“But maybe you can learn,” he hummed and moved his hand down to where its tail started. It tensed even further, if it was possible at all. “Let’s just make sure the lesson sticks, huh?” It curled up even further as he tagged on its tail, releasing from under the creature’s body. He flickered it back and forth and rubbed between his fingers and was satisfied when it sobbed and shuddered but remained motionless otherwise. 

“Like this, yes,” he muttered. With the softest touch of his second hand, he stoked its head. “But look at me now. Eyes on me,” It didn’t understand. He caught a fistful of its fur and tagged. “Eyes on me.”

Too drained to resist, it lifted its head as he guided it. “Eyes on me,” he demanded again, and it either guessed or truly learned – its gaze settled on him, focusing to the best of its ability – and, oh, what a pathetic mess it looked, eyes bloodshot and wet in ways he’d thought only a human's could be, dark lines from where it pressed into the floorboards marking its cheeks. There was something red around its mouth – did it bite itself, the poor thing? 

Lord Teelo clicked his tongue, smiled softly and released its fur. It settled back instantly, curling up again. Its tail remained in his hands. 

He picked up the first pin. 

It must have assumed at first that he was just playing like he had been, – at least, it didn’t seem to tense up too much, nor expect the sharp pain when he released the spring around its tail. It shuddered, head whipping up, staring at him once again. He smiled. Picked up the second clothespin. 

It tried to get its tail free – oh, it tried as much as it could without hurting him, but he tightened the grasp and played with the pins as it couldn’t help a new whimper, and hushed it and urged it to sit still. “That’s for you to remember the lesson better,” he told it pleasantly. It must have cried, body shaking again, and tried to kick just once, the movement stopped halfway through by a short chain. 

Lord Teelo wondered how many pins would be good for it – should he go with the whole set the guard had brought? He settled on five, at the end, a nice even number not even halfway through what he had. He was feeling rather merciful and forgiving, and it sounded just so pathetic. 

He called the guard in to urge it into the cage when it was done. It didn’t even try fighting, following the man's tagging and pushing until it was inside, drawing its limbs close and curling up to fully fit. Nearly immediately, its fingers itched towards the pins, human-like thumbs ready to work on the problem. Lord Teelo snapped his fingers to get its attention.

“No,” he said, words dripping with finality. He reached through the bars and tagged its tail outside. “The clothespins stay here for the night,” he told it. It probably didn’t understand – there was so little thought in its eyes. He let go of it hoped for its sake it understood what he meant. He didn’t want to have to punish it so soon for their lack of common language. 

When he went to sleep, the shaky breaths and the rare clanging when it tried to settle more comfortable sounded like a lullaby to his ears.

In the morning, his arm stung mercilessly and unendingly, and no melodies of birds and gentle sunrays could make his mood better. He turned lazily, letting his eyes fall onto the cage. The creature was curled inside of it, eyes shut tight and ears flickering restlessly. Its tail fluttered too, freed at some point from the pins, one of its hands curling around it protectively. 

Lord Teelo felt stuck between endearment and irritation. He moved and the cuts on his arm ached, and irritation won. 

“Hey… you,” he called and realized he hadn’t come up with a name. He should think about it as some point, he decided grimly, and banished the thought of the last pet he’d named, back in childhood. That was a just a cat, a stupid spoilt creature with too much attitude. The lord remembered the way it looked, painted red and unmoving, after crossing one too many lines. 

The creature didn’t move at his call, either. He picked up an extinguished candle from his bedside table and threw it towards the cage. “Hey!” 

There was no reaction. With an undignified groan, he forced himself on his feet and towards the cage. He rattled the key across the bars, the way that always seemed to get the creature’s attention.

It didn’t react. It was outright ignoring him! 

Had it learned nothing?!

He reached through the bars and tagged on its tail, finally getting some response in return – it flinched weakly and grimaced. Slowly, its eyes fluttered open, but didn’t settle on the lord. They looked as if through him, unfocused and dizzy, and a pang of worry cut through the just rage when they closed back and its chest heaved, struggling for breath. 

Something was wrong.

He reached through the bars and towards its forehead, forgetting for a second it wasn’t a human. The skin under his fingers was blasting hot and sickly wet. It moved closer to his fingers, all but nuzzling against him. 

Something was terribly, terribly wrong.

Updates every 7-10 days (depending on how much time I have and how obvious the poll result is) (unless something goes wrong and it takes me too weeks to get myself to write something. I'm so very sorry about the delay!)

@isikedmyself878, @fraugustends, @otterfrost, @fuchstastisch, @3-2-whump,

@the-lone-youth, @will-o-the-wips, @catnykit, @granny-aaravos, @mj-or-say10

Tell me to be tagged in the new parts!

[toxooz]

I know the answer might be no but still!

Are you ever going to make or add your characters into character ai?

I think it'll be really cool to be able to talk to Ollie, or just talk to the whole gang!!

Also lots of love to your art and comic, I found this comic when I was at my lowest and it really helped me out when I was really sad in depressed! Thank you for making this comic and for doing all of this amazing work that you have put in to your characters and storyline!!!

look 🙏 i do see the possible appeal in that i aint gunna lie one bit and as the creator of these characters the idea of being able to seemingly talk to them sounds pretty cool! BUT i simply cant jump on the AI train to Any extent it just wouldn't sit right with me. I feel like it would unnerve me after a while plus the idea of my OCs being 'off' or having out of character dialogue that's out of my control kinda gives me the willies. It seems like one of those things that are simply too good to be true in a practical sense so any possibility of it happening just goes into uncanny valley like do i wish i could take my ocs out of my brain and talk to them HELL yes ( if i dont get killed first) but that should be an impossible thing to do unless im dreaming or hallucinating or some shit. It's like the AI images ie. i Could just type in a bunch of prompts and shit out like 30000 images of my ocs so that i could look at them but where would the yearning be after that??? The loving sculpting of them in my brain while im trying to capture their essence with my hands into a drawing??? One of the main reasons for my ocs to exist is so that its something for my brain to toy around with and wallow in like a cat in catnip, so the idea of being able to just 'lay everything out' so easily just ruins the whole ' i have mysterious little dudes in my head that i mold around everyday to try and figure them out' aspect if that makes any sense??? PLUS im pretty sure the chat ai basically takes paragraphs from writers so for me to be so abhorrently against ai images yet being on board with chat ai when its ~surprise~ stealing from real writers feels like the most hypocritical ass shit i could do sO long old head 'robots evil' rant short: its a no from me dawg

BUT THAT ASIDE im glad to hear u like wheel bitten!! That means so much to hear and may your life continue to improve and thrive!✨🌟

[thedrotter]

Re:Kinder Fun Facts of the day☺️!!! Have you ever wondered who talks the most from the main cast in Re:Kinder?? Well, I did😊. Today I'll be answering this question with some graphs and as a bonus telling you what words each character uses the most! I will warn you, this will be a bit long and I don't know how to be less verbose so, yeah!!!

First, I've made some basic rules as to what I counted regarding how much the characters speak. Not all lines really count as speaking, after all.

Any of the incoherent screaming lines don't count. There's a lot of screaming since the characters die a lot (as expected for a horror RPG game), but I don't really count that as speaking unless they're saying proper words. In that same vein, I didn't really count any of the panting or sniffing and such that are conveyed through words. Again, I don't really see that as a character actively speaking their thoughts!

If I cannot tell who a line belongs to, I will not give it to anyone. This happens for certain lines, so I felt this rule was important.

I won't be counting repetitions of the same line if it's on a variation of the same scene. This may sound a bit strange, but when a character dies, the game goes on to the same next scene it would regardless (unless the scene that follows it is an ending), with variations and new lines here and there to account for the dead character, but a lot will be reused and placed in the exact same beats it normally would have been in originally. So, this rule is here for that. Oh, and also the scenes with bits of Yuuichi's backstory that appear in Shunsuke's head won't be counted twice, because some appear twice line by line.

Of course, the "..." lines won't count. I am so sorry Aya!!!!😞

Now that the ground rules have been set, there's just one thing I want to mention. Though I will count all the total lines for Takumi and Yuuichi like any other character, I just want to mention that first I will have two separate counts for them! Takumi | Takumiel and Yuuichi | Yuuichi's Heart respectively.

Takumiel is separate because I was curious about how much Takumi spoke as an archangel compared to when he was alive. Yuuichi's Heart is because he speaks so much he feels notable enough to be given his own division, even if he and Yuuichi at the end of the day are one person

(I count the silly mind telepathy where Shunsuke is being directly spoken to [and being told things normal Yuu would avoid saying at that point] and the comical theater as Yuuichi's Heart. I clarify in case one assumes he only starts being counted the moment he's directly labelled as Yuuichi's Heart. Any line that can't be distinguished between Yuuichi's Heart and Yuuichi will be given to Yuuichi by default.)

With nothing else to be clarified let's get to the numbers!!!😊😊

First, the line counts with Takumiel and Yuuichi's Heart counted individually!! Here are the rankings:

Shunsuke (With a lead of 535 lines over second place!!)

Yuuichi

Rei

Yuuichi's Heart

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

You may be thinking— woah, does Shunsuke really speak that much?! You could say that, for a good chunk of those lines are from how he describes interactable points around the map and his inner thoughts, so they aren't all exactly said out loud. The benefit of being the protagonist, I suppose ww

Funny enough, Yuuichi's Heart has almost as many lines as Yuuichi does for not having that much time in the game, being on the higher end between the characters that don't get the benefit of being a protagonist (lol)!

Admittedly I had expected for Rei and Hiroto to have a more similar amount of lines given their nearly equal amount of presence, but for what it is Rei surpassed Hiroto by 51 lines! I also had expected for Takumiel to speak a little bit more than Takumi but turns out the opposite is true.

While the lack of lines of Takumi and Takumiel are to be expected due to their short time on the game, what stands out is Aya not even reaching triple digits between her other peers who are in there for most of the game. This is because a good chunk of Aya's lines in game are silence!^^" And thus weren't counted. If ellipses were a word, she surely would have reached triple digits, but unfortunately they're not.

Now the line count with combined sums of Takumi | Takumiel and Yuuichi | Yuuichi's Heart!!!

In here, the ranking isn't affected, with Yuuichi remaining second place and Takumi being last place. But the disparity of everyone's numbers compared to Takumi's feels a bit more clear to see when Takumiel isn't individually counted.

With Yuuichi's line counts combined, Shunsuke remains 318 lines ahead of him, but it also means Yuuichi has a 59% the amount of Shunsuke's lines; and impressive feat for someone who doesn't get the benefit of being the point of view for everything you press... Although he does also have an upper hand over everyone by essentially being the plot of this game ww

But maybe line counts do not suffice to tell how much a character speaks. Yes, Shunsuke has a bunch of lines from everything he interacts with, but is it really reliable to say he speaks all that much in all those lines? A good chunk of those could easily have 3 words each! So with this in mind, let's do a word count.

Even in a word count, Shunsuke has the lead, having a lead of 2,247 words over second place. But we'll see about that when we combine Yuuichi's numbers. Anyway, here's the ranking!

Shunsuke

Yuuichi's Heart

Yuuichi

Rei

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

This time, Yuuichi's Heart is the one at second place!!! It's pretty funny that he speaks more than his physical counterpart ww. I genuinely didnt think he'd out yap himself that way when I chose to count for him individually 😭!!! He has a lead of 63 words over himself, but a lead nonetheless.

In here, Rei and Hiroto are more even than in the line counts, with the difference seeming more minimal when put into words. But it also showcases that despite Rei having more lines than Yuuichi's Heart in the line count, those only get to have a bit over half of the amount of words he talks (To be fair he does get to infodump a lot in his section of the game).

And here's the combined word count!!! Suddenly Shunsuke's lead is only by a mere 55 words! So Yuuichi speaks about as much as he does with 318 less lines.

I must admit that I genuinely did not expect it to be that close. When I chose to count the lines for when you interact with things for Shunsuke, I thought he was granted to speak an absurd amount more than anyone else. But turns out that Yuuichi speaks about the same amount out loud when most of Shunsuke's are his own thoughts ww. But it does make sense! He is still the plot of this game.

So, after all those charts, here's the average/middle point of lines and words for characters to have, because why not, it's fun.

Average Line Count (YH and Takumiel counted individually): 197 lines

Average Line Count (When combined): 247 lines

Average Word Count (YH and Takumiel counted individually): 1,333 words

Average Word Count (When combined): 1,666 words

So there it is. That's how much the characters in Re:Kinder speak!

But wait!!! I am not done. I will share with you an additional fun fact... Did you ever want to know what word each of these characters said the most?! This one will be quicker, I do promise.

When it came to counting these words I did not count stop words, that being common words that are used all the time by everyone in English. "I, you, me, the, to, a, my, your, yes, no"... Words like that! Otherwise everyone would have one of those as their most said word and it'd be rather boring to look at. With that said, here are the words these characters say the most!

Shunsuke: Yuuichi - said 40 times! (this genuinely confused me so much im sorry he uses interjections so much I had expected it to be something like "huh" or "um" but no i dont know how this passed by me as i was rounding up all the lines he says or proofreading or writing all of those lines WHAT?!?! its been two days and it still takes me out)

Ryou: Shunsuke - Said 14 times

Sayaka: Murderer - Said 7 times (All in one sentence!)

Takumi | Takumiel (counted in one for how little he speaks.): Takumiel - Said 3 times (That name is so important, he said it thrice.)

Aya: Sorry - Said 5 times

Rei: Hell, gonna, look, Yuuchi - said 8 times (Most of the repeated words she says are stop words for she doesn't tend to speak about the same things repeatedly.)

Hiroto: Shunsuke - Said 17 times

Yuuichi (separate from YH): Problem - Said 17 times

Yuuichi's Heart: Mama - Said 24 times

Yuuichi (Overall): Mama - Said 31 times

So that is finally it. That is the fun fact of today.😊😊 Use this to woe your friends at parties!!!

I am aware Mami speaks about enough to be counted in, but this is pretty time consuming to do and I'm not sure anyone is invested on her enough to count her in. But if there's enough curiosity regarding that, I'll try counting her in. But for now this suffices.☺️ Thanks for reading!

[themissingnumbers]

[just as a quick little starry update for those i have interacts going on with- im going to prioritize finishing the current part of Descent i have going before i put my next replies out!

i do apologize to the two of you that like Just answered my asks- we will get to it though!! i just dont wanna bury Green n Descent completely under four diff rp chains,, but i do have answers drafted up for almost everything- its just delayed cus i wanna add images too but i need to focus all in on the current thing im doing for descent ^^']

[asexualbookbird]

April's gone already? Wow, really flew on by huh! I finished a bunch of Secret Projects which I'll be able to share soon! Played a lot of Project Sekai, too much maybe, do not ask for numbers I do not wish to know, and read some books. Not a lot, but some. I've not been very good at the book part of book blogging, but that's okay! Started a knitted hat for my mom, and made progress on the Never Ending Blanket.

Emily Wilde's Encyclopedia of Faeries by Heather Fawcett ⭐⭐ - I was very disappointed in this. If I had writerly abilities and disciplines, I'd rewrite it because the bones are there! It has potential! Until then, I will hold on to what I've read of Lady Trent.

Midnight Riot by Ben Aaronovitch ⭐⭐⭐⭐- Fun! Silly! Exciting! I've been successfully bullied into reading Rivers of London! There were some bits that lagged, but it's a good start to a series and I've already checked out book two from the library so that tells you all you need to know.

Locklands by Robert Jackson Bennet ⭐⭐⭐- Not my favorite of the trilogy, but LOOK AT ME FINISHING A SERIES! This actually made me Hate Clef, and there wasn't a whole lot of scriving going on which is what I really enjoyed about the first two. Still, a decent enough ending to the series, though the epilogue kept me from hating it outright.

Reading goals for May are read and annotate a book for a friend (in progress), Moon over Soho, and System Collapse. I am behind on my bullet journal so I'd like to catch up on that too. I have a few sewing projects to attend to, and a few long term crocheting projects to work on as well. Birthday was lowkey and fun, friends have sent me lovely gifts! And of course, at some point, I will start BG3 and liveblog the progress. Yall will not be spared. Happy May! <3

[1am-s0-veryt1red]

"nothingburger ship" man who give a fuck let people ship who they want