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afewfantasies · 8 months ago

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🗡️ꜰᴇʏᴅ'ꜱ ʙʟᴀᴅᴇ 🗡️ - I - Nightmares

MASTERLIST

ᴡᴏʀᴅ ᴄᴏᴜɴᴛ: 2.8K

ᴘᴀɪʀɪɴɢ: Feyd-Rautha X Reader

ᴘʟᴏᴛ: "Feyd-Rautha he's psychotic", at least thats what people say. Only, people forgot to add that your father's decided you were to marry. It's been over a decade and Feyd's committed to have the marriage and you with him as he ascends as heir and na-Baron of Geidi Prime.

ᴡᴀʀɴɪɴɢꜱ: abduction, masterbation, voyeurism

🗡️ꜰᴇʏᴅ'ꜱ ʙʟᴀᴅᴇ 🗡️

“Another one?” Your best friend and fellow Bene Gesserit sister asks as you wake in another cold sweat. Nodding you sit up in bed blinking through the darkness. Leia lights the lamp and a yellow glow shines into both of your faces. The first vision was a decade ago, you had been sleeping under the stars. Pale skin and a bald head. A large brute of a ban killed another. Then there was a boy clearly terrified but shaking with anger too. Black eyes, black teeth, pale skin, a temper. Year after year the visions became angrier, more psychopathic. Handing you materials Leia climbs into bed beside you and you begin your account of the vision.

“Will you tell the reverend mother?” She asks.

“Not yet” you confess ordering your thoughts and placing the coded message on the scroll. Leia watches in silence. This vision was in a black room probably on Geidi Prime. You were asleep on a larger black bed with four posts. You were asleep only to wake up to the black eyes looking down at you. He’d never spoken before but he’d said two words in the strangest grittiest words before. “You’re mine” unlike all the other dreams you felt him in the bed, felt the friction of him coming closer, felt his breath on your skin, the heat coming from his body.

“Are you alright?” Leia asks, handing me a glass of water.

“No” you confess as the two words haunt you. There’ve been all kinds of visions. Brutal murders, sick torture, murderous games with concubines, moments of tyrannical rage and now. Now he’d come for you. Stepping out of the bed you find solace in the coolness of the stone on your feet. Leia follows and you search your things for the herbs that dull your senses. It’s a necessity for sleep and reprieve. Since childhood you’d been careful not to share but as you’ve grown it’s only become clearer and clearer the subject of your dreams. He was tall, strong, angry, well off, psychotic and some would say handsome. Feyd-Rautha Harkonnen, the na-Baron and your original betrothed.

“What is it?” Leia asks.

“He’s coming for me mother must teach me the way” you say against your training with fear and foreboding.

——-

Feyd’s earliest memories were of you, he’d been with his father on your home planet looking into your cradle. Your mother was beautiful and your father kind. You were peaceful and little and he’d held you in his arms. He felt protective and during the commitment ceremony he’d meant every word. As a second son your world was promised to him. Even as a child the differences between your two cultures were glaring to him. The freedom to play and be a child, the kindness of the people and you was something to look forward to. But then Rabanne had murdered his father, and his mother had been indifferent and after a few years it enraged him to no end. In a fit of anger he’d killed her. Even with all of his concubines he’d never felt as peaceful as he had with you in his arms as a child. He’d stopped a genocide in your home world looking for you only to find your mother’s kind eyes fearing for her life. He’d done right by sending her to a peaceful planet instead of taking her life. He learned you had been taken by the Bene Gesserit sisters which meant you could be anywhere. No matter where, he intended to find you.His heart felt like a displaced magnet. Angrier still was the fact that he imagined you living a full life without him. Unbothered, not tortured by the distance as he was, happy and serene. Still he could not disclose his search to anyone in fear for your life. He would have to move carefully to keep his commitment to you.

Another planet, stepping off the ship he’s given respect by the procession awaiting his arrival. His heart races; he knows your close. Sticking earplugs into his ears he applies the fasteners having his guards to the same. No one would use the voice on him today. He moves quickly spilling no blood. He can feel you. He’s getting warmer. He can feel it. Moving quickly he heads down into the belly of the academy moving quickly through the bunkers. His heart pulls as he passes an entryway stopping when he has a familiar sensation. Heart racing violently against his chest he stops Turing to face the steel door, he stops breathing allowing the violence of his heartbeat to reverberate through him like a war drum. Feyd-Rautha signals for his men to wait outside. Using the code scrambler he gets into the door. Hiding you hold your breath ducking down into the thick of your clothes, the sound of the alarms system’s failure are blaring. Fear racks through you as you try to keep calm remembering the Bene Gesserit mantras. Fear is the mind killer. The noise stops and you relax a little waiting for an announcement. Heavy boots hit the floor forcing you to freeze, the steps come closer stopping in front of the closet. Leis screeches and its muffled, trembling you contemplate your next move. The steps come closer and you see the door open, light filters in. You cover your mouth hoping for safety until a black eye meets yours. Familiarity and horror paralyze you. Pale skin and a bald head. The face from your nightmares. Feed-Rautha Harkonnen. Pinching yourself you discover he’s finally free’d himself from your dreams and is now material. He steps in separating the close from around you leaving you crouched against the wall with no cover before sitting on your bed and watching you like he has all the time in the world.. His smirk is unsettling and it takes a moment before you stand feeling silly and all too vulnerable crouched in the deep closet.

“Get dressed” he croaks but you’re shaking like a leaf. Snarling he procures robes from the closet placing one over your head. The trembling intensifies. And he steps back feeling rejected. Leaving he has his men pack up your things and then there’s a barrage of people asking you all sorts of questions from what you like to wear and eat and do and it’s all so much. You’re loaded onto a Harkonnen ship and placed in a room alone. Looking through the window you gaze into space. When a few hours have passed you hear the door open and know it’s him before it closes. He takes a seat in his leather robes. You turn to face the man who moves like a snake. He’s more terrifying in person than in your dreams. His eyes watch your every move drinking you in. Parting his lips and showing his black teeth.

“Are you comfortable?” His words come as a surprise. It’s the thing you’ve least expected. It takes a moment before you nod, trying not to be rude as you look around the room.

“Yes, thank you” you respond.

“We are heading to my home world. I understand you have different needs. The Mentats are sourcing food and clothes if there’s anything you need let them know” he explains sanely.

“Ok” you respond, your hands begin to shake again. You sit on them trying to hide the true fear you feel. House Harkonnen is known for many atrocities.

“I’m sorry” you apologize, terrified and embarrassed.

“Do you know who I am?” He asks.

“A Harkonnen” you confess and his snake-like eyes look displeased.

“Do you know who I am to you?” He asks, forcing you to frown.

“Nothing” you respond only to regret it instantly. Feyd-Rautha takes a breath inflating his chest as he trembles with rage, the paleness of his skin flushing as searing anger bubbles to the forefront. He stands stepping back from you in fear of hurting you.

“My father and yours promised us to each other” his fierce voice cracks as he struggles for control. His terrifying blackened teeth make your eyes shut. He’d done terrible things to people, slight and then slash that's how it went. He was one with his knives and happy to use them. You wait for life to end, your breath to hutch and everything to fade into darkness but it doesn't happen. You hear boots hit the floor three times. Bravery, curiosity? Perhaps it was so quick and painless that this is purgatory? You open your eyes and see Feyd has given you more distance. He’s recalled his anger and he stands stoic, fierce and regal.

“Do you not remember?” He asks because that day had been so monumental to him.

“I had heard heard whispers but …” you trail considering the realities and the odds. Your visions, how you’ve been in hiding. Out of all the things they call him; liar isn’t one of them.You consider the possibilities and it comes to you. Your heart begins to race, you feel stinging in your thumb, like a pinprick. A commitment ceremony was held. The realization is dizzying. “You wish to be married?” You ask and he nods. “To me?” You specify and he nods again. “But I’m nobody from an extinct world. I’m not even a high ranking member of my order” you declare in truth.

“No, you will be na-Baroness Harkonnen” Feyd says, taking a step in your direction. He watches you try to make sense of it. He’d never considered your reaction to being found, he hadn't expected fear or reluctance. He expected your inherent trust in him for you to cling to him for support and comfort as you once did, for you to relish his touch and be most comfortable in his arms.

“na-Baroness” you whisper, looking up at him. Pride fills Feyd at the sound of the words coming from your lips, utter perfection.

“My wife” he rasps and somehow your fear seems unfounded. “I made a vow that I do not intend to break” Feyd says recalling you in his arms as a babe. Your eyes looking up at him without fear in your swaddling helpless, innocent, true and his. A knock at the door causes him to withdraw, he turns standing in front of you. The guard tries looking around to you until Feyd stomps a foot. The man averts his gaze telling Feyd your landing is imminent. Nodding he straightens his gown as he stands tall. Feyd-Rautha holds out a hand. You take it with a deep breath and it seems to amuse him. The heat of him feels familiar. “There will be a crowd, I will send you along in a pod”

“With who?” You ask standing with him.

“My men” he specifies and it's unsatisfactory. Grabbing your head dress you place it on your head and move forward that way. You hold his hand he secures yours warmly walking at your side. You keep up with him and as the door descends you start to tremble. He stands in front of you as you try to overcome your fear. His eyes are reassuring, his strong hands gripping yours in solidarity. There's no weakness in him. He’s all strength, cunning, volatility, rage and psychopathy. His eyes urge you to get a grip but the roar of the welcome party is unnerving. Your fathers reign ended to a crowd. Soldiers came and there was shouting, there was cheering and you had no time to say goodbye before your mother put you into an escape pod with a scroll. You arrived at an outer planet to find out your father had been beheaded. It’s why you hate crowds to this day.

“Not today” he whispers motioning for someone to come get you. The roaring is violent and you follow them into a pod lighting up at the sight of Leia. The two of you embrace each other warmly. In moments you’ve deemed each other okay. The guards watch the two of you closely. Sitting beside her you take a moment to check the beauty mark on the inside of your thumb. It had been there as long as you could remember. You should be terrified by your current predicament, inadequate training, no preparation, playing a part of an unsanctioned plot of sisterhood, at the mercy of perhaps the galaxy’s most unbalanced man. But he’d been nothing but reasonable thus far outside of your abduction.

The cheers from the people are thunderous, they celebrate his return with conviction. Once outside the pods you become acquainted with the sprawling palace halls. Uneasiness fills you and your hand clasps Leia’s for comfort, something your guards eyes settle on. Saying nothing you follow behind him seeing a Mentat among your escort. You’re brought into a grand hall with a stately black stone table. Fresh colourful food is on one side while rare organic meat is on another, the sight of the bloody dishes and iron rich aroma sickens you and Leia.

“I wish to retire, I am exhausted” you declare unable to sit. The silent guard turns to you nodding. He motions for a Mentat to guide you and Leia to your quarters. You're separated from her after a long hug. Your room is far grander than your quarters at the academy. It has a familiar quality of the ones from your home world. The colours are less sterile, the hues less grey. Pulling open the drawers you find lush vibrant fabrics, the sort of robes you remember your mother wearing before the fall of your house. It's a strange thing. Turning you lean against the dresser puzzled by the days events and not nearly as scared as you should be.

Finished and energized by his warm reception Feyd-Rautha heads to the dining hall. He waits against the door when he hears no chatter. Bracing himself for anything he pushes open the doors to find the room empty with the exception of the Mentat and a few guards charged with your care.

“She wished to retire” the Mentat explains.

“Did she eat?” Fey’d asks.

“No” The Mentat responds. Feyd’s mood sours, settling into a rage, if it were anyone else he would have dragged them back out of the room, placed a collar around her neck and forced her to do as he pleased but it wasn't anyone, it was you.

“Set the table in my quarters” he demands heading into his rooms. Undressing he removes his armour until all he has on are slacks and a tunic. Feyd dismisses his staff sitting at the table and pressing a button. A screen emerges from the wall with a wide panoramic view of your quarters on display. He watches you as he eats, watches you let your hair down from the ornate style of the Bene Gesserit sisterhood. He watches the sway of your hips as you go from room to room. He watches you admire the artwork that's been placed there. Feyd-Rautha watches you with pride and admiration, you weren't trying to run as far as he could see. He watches as you return to the sleeping chambers. He feels himself stiffen as he watches you undress, standing he drops the rare meat drawn to the screen with a crooked grin as you make your way to the cleansing chambers. The bounce of your breast, the softness of your skin, everything has him solid as stone. He watches you step in and the misting of water commence, the beads of water glisten on your skin, he zooms in to get a better view of you unguarded. The surprise in your expression as the automatic system goes through the washing ritual.

His thoughts are heinous and depraved, his need for dominance, ownership, acceptance and submission are more than he can take. Releasing his manhood from his plants he begins stroking it roughly. For the first time he doesn’t call his concubines to satisfy him. They would all fail miserably, no one but you would ever again, but this night he would have to do. He needed you so bad he felt desperate. Stroking himself faster he’s practically salivating as the chamber begins drying you, the way your hair blows, the surprise in your eyes, the suppleness of your skin. It takes everything in him to contain his hunger for you, control his passion, his need. He wanted to be inside you marking you, claiming you with his seed. Watching your expressions change as he takes you further and further into the pleasures of passion. You would be his wife soon enough. His hands would never leave your warm flesh. He would keep his manhood sheathed inside you training you well. Coming hard from his own fantasies Fed’s shallow breaths bring him to a stark realization. He would do anything to have you stop trembling at the sight of him, he’d try to be as patient as possible. He needed your submission, your acceptance of him, and he needed it to be real, to want to share his bed. Looking up at the screen he watches you dress in sheer bed robes. Climbing into the large bed he watches you find comfort in it.

“You’re mine” he says to the screen as a promise.

🖤

Thank you so much for reading 🩶 let me know if you enjoyed, want to be added to the taglist or anything else on your mind 🩶 comment, like & reblog for more Feyd. xx

TAGS: @elf-punk @dvmb4ssbiatch @thegabbyh @fanfiction-addict22

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aria-ashryver · 3 months ago

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💛 This is a signal boost for the Alanqar family! 💛

I never know what to feel when I check Tumblr these days. On the one hand, I am filled with rage, fear, and helplessness when I check in on the families I have come to know and love and I see what hell they are going through. I can't even begin to imagine the terror that they must feel, every second of the day, simply trying to survive.

I see my friend Ahmed | @abuyaminfamily / @ahmedabuyamin | posting pictures of the bullets that ripped through the tent where he and his family are sheltering. The bullet barely missed him. He could have died. He has young children. He is the father to a newborn baby.

And yet, as horrific as it is, I still thank all the stars in the sky that I got to read that post at all. I am thankful that he is able to keep posting. I am thankful that he and his wife and children are still here. Because I don't want to face the insurmountable dread of the idea that one morning, I might wake up to hear nothing from them at all.

In Ahmed's words:

Do we have to die in silence for someone to notice us? Every day we live as if it might be the last. Is there anyone who hears our cries? Does anyone care that we are struggling just to stay alive? We are not asking for the impossible; we are just asking for life. 🙏

✨✨ [DONATE to their vetted GFM here!!] ✨✨

I went to re-read something in my DMs from him and my heart stopped in my chest because I couldn't find the messages. Because his account had been terminated, AGAIN. I have lost count of how many times (five times now? six?!) that he has had to make a new account, and painstakingly rebuild his following, because tumblr keeps silencing the voices speaking up about these atrocities.

I have seen a number of posts lately expressing a sense of defeat, asking, "What's the point? There are so many families who need help, I can't make a difference."

Helplessness is an insidious beast. It is yet another weapon those committing this genocide are wielding: when we are crushed by the feeling that nothing we do can makes a difference, we lose the will to act and we stop fighting.

DO NOT STOP. YOU CANNOT LET HELPLESSNESS WIN.

NOW IS NOT THE TIME TO LOSE HOPE.

I am pleading with you to push back against the feelings overwhelming you -> I know you can't help everyone, but can you hold out your hand to one person?

Find a family asking for help, and lend them as much of it as you can. Maybe all you can do is follow them, send an occasional message of compassion in their DMs, reblog their posts to make sure their campaigns stay afloat. Maybe you can afford to donate. If so, great! Please be generous! If you can't afford to donate, maybe you know someone IRL who can donate in your stead?

No, you don't have the power to change the world at large. But you might be able to change the world for one family. Maybe Ahmed's family is the place you start? You can donate to their vetted GFM campaign below!!

vetted by 90-ghost here vetted by nabulsi here vetted by northgazaupdates here vetted by sar-soor here

#free palestine #signal boost #go fund me #go fund them #please donate if you can #gaza #free gaza #fundraisers #vetted #verified #gaza genocide #ahmed alanqar #ahmedabuyamin #abuyaminfamily #abuadamfamily

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metamorphesque · 2 months ago

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I saw you mentioned being a theatre lover as well. What are the best plays you've seen? (I'm also into theater I hope to do it at uni)

At first, I told myself I’d mention only one play… but that one play led to another… and then it became three. So, here are three of my favorite plays. All of them were performed at the Drama Theater named after H. Ghaplanyan.

“Great Silence” («Մեծ լռություն») – written by P. Zeytuntsyan (one of Armenia's most influential modern dramatists), directed by A. Khandikyan.

This play explores the lives and tragic fates of the Armenian poets Daniel Varujan and Ruben Sevak, both of whom were victims of the Armenian Genocide in 1915. It’s a deeply moving and heartbreaking piece, and the phenomenal performances of the actors elevate it into an emotionally and intellectually profound experience for the audience. I particularly want to highlight Artashes Mkhitaryan, who portrays Daniel Varujan. His subtle expressions—a flicker of hope, quiet despair in his eyes or the strength he conveys in silence—serve as windows into Varujan’s internal struggle. Varujan’s words in the play are not merely lines; they are the voice of an Armenian poet whose heart bled for his homeland. The entire play is performed in Western Armenian, as both Daniel and Ruben were Western Armenian writers. Artashes’ mastery of the language and his delivery of Varujan’s poetry are especially moving. His recitations make each word feel deliberate, delivered with the weight it deserves. His ability to bring poetry to life on stage shows his deep understanding of the significance behind each letter, word and pause.

It brings me great joy to think that I will see this play again at the end of September.

2. “The Parisian Verdict” («Փարիզյան դատավճիռ») – written by P. Zeytuntsyan, directed by A. Khandikyan.

A truly heartbreaking piece! The play revolves around the trial of four ASALA (Armenian Secret Army for the Liberation of Armenia) members who participated in the Van Operation in 1981. During this incident, ASALA members occupied the Turkish consulate in Paris to draw attention to the Armenian cause and Turkey’s continued denial of the Armenian Genocide. The four demanded recognition of the genocide and the release of Armenian political prisoners. This operation thrust the issue of the Armenian Genocide into the international spotlight. (I promise to tell you more about ASALA in the near future.)

What makes this play even more special is that two of the Van Operation members actually live in Armenia. After each performance, they go on stage and stand alongside the actors. I’ve had the opportunity (and mustered the courage) to approach them, express my admiration for their sacrifice and exchange a few words. I can’t even begin to describe what it feels like to shake hands and speak with someone who has been your hero since childhood.

3. “Eternal Return” («Անվերջ Վերադարձ») – a theatrical fantasy based on Paruyr Sevak’s poetry, directed by A. Khandikyan.

Every phrase, every word in this play feels so relevant and relatable that it’s as if it were written yesterday. The story centers on the poet’s struggle against falsehood, time and the world. It’s one of those pieces you need to watch multiple times to fully grasp its depth. Perfectly written and perfectly performed—absolutely marvelous!

PS. Good luck with your acting classes!

#asks #literature #theatre #armenia #armenian culture #drama theatre

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elianaroselight · 5 months ago

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So I have fallen into the CotL world and came across an awesome AU called the Heartstring AU by @bleeding-seraphic. I loved this post about Leshy meeting his soulmate (again) and had to write about it.

TW : talks of sacrificing another and mentions of genocide

How did he end up in this predicament? This was the thought running through Leshy's mind as he listened to the lamb that had somehow managed to make him mortal. “-welcome to your new forever home, you genocidal freak.” Ah. Still was quite the spitfire it seems. Even after all these years. “If you need anything, man up and deal with it on your own. Oh. And if you try anything, I'll break both your knees and sacrifice you to your brother. Bye now!” Well, that was quite the whiplash of a threat.

Leshy listens to the sound of feet walking away, used to his dark world forcing him to rely on sound to orient and understand his surroundings. The worm sighs when the coast is clear, reaching down to scratch an itch on his pinky. ‘Damned beast.’ He thinks before being startled by the feeling of something on his finger. He feels it quietly. It was.. A thread? A string of some sort. Thin but strong. Almost like spider silk. It didn't seem to be touching the ground, meaning it was floating or tied to something else. Now he was curious. Where did this strange thread lead to?

He loosely holds it, following where the string directed him to go. A few times, he had to walk around a building or even past some plants. (He was especially careful around those.) As he walked, he could hear someone working in the dirt before standing up. He seemed to be nearing this person and planned to walk right on by, until he realized the string he was following wasn't going around them. It was leading him to them. He feels his hand touch theirs and feels a gaze upon his face. The gentle sparks and warmth he felt where they touched was oddly welcoming if confusing.

They sat in silence for a moment before the other screamed, startling the god. Leshy flinched back, trying to figure out why they were yelling but before they could do anything, the sound of hurried footsteps caught his attention and he stepped back a bit more. “Okay. Okay. What is going on?” The lamb calls out to them. Before Leshy could speak, the other begins to yell at the lamb. “WHY IS THE GOD OF DARKWOOD HERE?!” He's been recognized?

“You must have recognized him wrong, Mel. He is but a rescue from Darkwood.” They say as the lamb tried to calm the other. So Mel is the name of the one his string is tied to? Leshy quickly makes note of that information as he listens on. “My lamb, I think I'd recognize the god who tried to sacrifice me! And even if I didn't, our strings were the same the first time we met and-and they still are!” A sacrifice? There was only one sacrifice that had managed to get away from him. A silent yellow cat who had been set free after he was creeped out. So this ‘Mel’ was the yellow cat he set free? Huh.

The annoying sheep pauses for a moment before speaking with a bit of an uncertain tone. “Are you sure your strings are attached?” “Yes! I've known since I saw it connect while I was at his altar to be sacrificed!” “I see. Well, he won't be able to harm anyone here so I'm giving him another chance. Why don't you take the rest of the day off, Mel. We can talk this over more when things settle down again.”

Leshy hears the cat near him sigh. “Yeah okay.” They say before walking off. Leshy can feel the glare from the lamb on him, but ignores it to process this information. So this string was attached to Mel, a yellow cat he had set free a while back. The only thing left to answer was: what is this string and why is it attaching them?

#cotl #leshy x yellow cat #Heartstring au

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workersolidarity · 5 months ago

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🇵🇸 🚨

HAMAS DELIVERS A MESSAGE TO THE PALESTINIAN PEOPLE, THE PEOPLE OF GAZA, AND THE WOMEN OF PALESTINE

Hamas delivered a statement today to the Palestinian people, and reported on by Al-Mayadeen News.

The statement begins by addressing the Palestinian people generally, but the people of Gaza in particular, delivers it's sincere message.

According to Al-Mayadeen, "The Palestinian Resistance movement expressed honor and pride in the Palestinian people in Gaza who have endured what no other nation could bear."

The statement then emphasizes the resilience of the Palestinian people of Gaza, "teaching the world meaning of patience, patriotism, and sacrifice for the sake of the dignity of their homeland, despite abandonment and silence that left them to face this brutal war on their own."

The Hamas resistance movement goes on to point to the Gazan people's support for the Resistance, "affirming that this Resistance emerged from these people's suffering and sacrifices and fought with honor and bravery."

"We behold you crafting your own victory," the Resistance is quoted by Al-Mayadeen as saying.

Hamas says that it is working on many levels, and fighting on all fronts along with other Palestinian factions, striving to "offer a little for the people of Gaza" and "correcting the paths to avoid missteps and errors caused by the ongoing Israeli genocide."

The Resistance movement goes on underline its efforts through emergency committees to "correct governmental, relief, humanitarian, security and economic actions, acknowledging its successes and mistakes and exhibiting commitment to pursuing work to this end."

Next, the Hamas movement addresses the women of Palestine, describing them as "the best among women on this earth, and the symbol of victory," and further expressed gratitude, appreciation and respect for them.

The Resistance goes on to declare that Operation Al-Aqsa Flood represents a strategic shift at a critical historical juncture for the Palestinian cause.

The Resistance says its leadership in Gaza decided in this moment, under siege, to excercise its right to resist occupation and respond to the occupation's crimes in the West Bank, dividing the occupied territory and building settlements.

Occupation Al-Aqsa Flood was also a response to the "Judaization and division of the Al-Aqsa Mosque" and "complete control over occupied Al-Quds (Jersusalem), its Mosques, and its Churches," the Hamas movement added.

The Resistance goes on to affirm that the battle was a reaction to the occupation's "discriminatory practices against Palestinians in the 1948 occupied territories," along with the "continuous aggression against detainees," and the Israeli occupation's expansion and presence in the region.

Hamas also emphasized that the Israeli occupation "showed it's true colors to the entire world with its Nazi-like behavior and exposed the true nature of criminality and terrorism of its diminishing entity, which the [Hamas] movement would not have been able to do even if it tried for many years."

Lastly, the Resistance group turns its attention to the Israeli occupation itself, asking the occupation, "Can you just stand there for one moment in your occupation sites or continue your ground operations safely? Can you build fortifications to protect you from our resistance or live a moment of safety in our country?"

Hamas concludes by saying, "we will not answer you, as our answer will be delivered via our actions and not mere words."

#source

@WorkerSolidarityNews

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fireheartwraith · 1 year ago

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Please, take a minute to talk about what’s happening in Palestine

Since the beginning of october, more than 7 thousand palestinians have been killed, 3 thousand of them were children. And that was when the world was watching.

Today, Israel cut off Gaza from the world by cutting their access to the internet and cellphone services and is bombarding them non-stop. They can't even call an ambulance to help the injured. Hospitals don't have electricity.

This is a massacre. They are trying to erradicate a people. They are trying to silence Gaza, so be their voice. Post about, tweet about, post about, call your representatives, even just retweeting/reblogging helps. Or will you look back in five years and remember that you were too busy talking about minecraft while a genocide happened?

I know it feels daunting and scary and triggering, but this is not about us. Our lives continue tomorrow. Theirs might not

#qsmp #palestine #free palestine #stop gaza genocide #israel #gaza bombing #from the river to the sea palestine will be free #jujutsu kaisen #mcyt #five nights at freddy's #taylor swift #1989 taylor's version

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gael-garcia · 1 year ago

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Writers Against the War on Gaza (WAWOG) is an ad hoc coalition committed to solidarity and the horizon of liberation for the Palestinian people. Drawing together writers, editors, and other culture workers, WAWOG hopes to provide ongoing infrastructure for cultural organizing in response to the war. This project is modeled on American Writers Against the War in Vietnam, an organization founded in 1965.

Statement of Solidarity

October 26, 2023

Israel’s war against Gaza is an attempt to conduct genocide against the Palestinian people. This war did not begin on October 7th. However, in the last 19 days, the Israeli military has killed over 6,500 Palestinians, including more than 2,500 children, and wounded over 17,000. Gaza is the world’s largest open-air prison: its 2 million residents—a majority of whom are refugees, descendants of those whose land was stolen in 1948—have been deprived of basic human rights since the blockade in 2006. We share the assertions of human rights groups, scholars, and, above all, everyday Palestinians: Israel is an apartheid state, designed to privilege Jewish citizens at the expense of Palestinians, heedless of the many Jewish people, both in Israel and across the diaspora, who oppose their own conscription in an ethno-nationalist project.

We come together as writers, journalists, academics, artists, and other culture workers to express our solidarity with the people of Palestine. We stand with their anticolonial struggle for freedom and for self-determination, and with their right to resist occupation. We stand firmly by Gaza’s people, victims of a genocidal war the United States government continues to fund and arm with military aid—a crisis compounded by the illegal settlement and dispossession of the West Bank and the subjugation of Palestinians within the state of Israel.

We stand in opposition to the silencing of dissent and to racist and revisionist media cycles, further perpetuated by Israel’s attempts to bar reporting in Gaza, where journalists have been both denied entry and targeted by Israeli forces. At least 24 journalists in Gaza have now been killed. Internationally, writers and cultural workers have faced severe harassment, workplace retribution, and job loss for expressing solidarity with Palestine, whether by stating facts about their continued occupation, or for amplifying the voices of others. These are instances that mark severe incursions against supposed speech protections. Specious charges of antisemitism are leveled against Zionism’s critics; political repression has been particularly aggressive against the free speech of Muslim, Arab, and Black people living in the US and across the globe. As was the case following the September 11th attacks, Islamophobic political fervor and the widespread circulation of unsubstantiated claims has galvanized a US-led coalition of military support for a brutal campaign of violence.

What can we do to intervene against Israel’s eliminationist assault on the Palestinian people? Words alone cannot stop the onslaught of devastation of Palestinian homes and lives, backed shamelessly and without hesitation by the entire axis of Western power. At the same time, we must reckon with the role words and images play in the war on Gaza and the ferocious support they have engendered: Israel’s defense minister announced the siege as a fight against “human animals”; even as we learned that Israel had rained bombs down on densely populated urban neighborhoods and deployed white phosphorus in Gaza City, the New York Times editorial board wrote that “what Israel is fighting to defend is a society that values human life and the rule of law”; establishment media outlets continue to describe Hamas’s attack on Israel as “unprovoked.” Writers Against the War on Gaza rejects this perversion of meaning, wherein a nuclear state can declare itself a victim in perpetuity while openly enacting genocide. We condemn those in our industries who continue to enable apartheid and genocide. We cannot write a free Palestine into existence, buttogether we must do all we possibly can to reject narratives that soothe Western complicity in ethnic cleansing.

We act alongside other writers, scholars, and artists who have expressed solidarity with the Palestinian cause, drawing inspiration from the Palestinian spirit of sumud, steadfastness, and resistance. Since 2004, the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) has advocated for organizations to join a boycott of institutions representing the Israeli state or cultural institutions complicit with its apartheid regime. We call on all our colleagues working in cultural institutions to endorse that boycott. And we invite writers, editors, journalists, scholars, artists, musicians, actors, and anyone in creative and academic work to sign this statement. Join us in building a new cultural front for a free Palestine.

Signed,

WAWOG Interim Organizing Committee

Hannah Black

Ari Brostoff (Senior Editor, Jewish Currents)

Elena Comay del Junco

Kyle Dacuyan (Executive Director, Poetry Project)

Kay Gabriel (Editorial Director, Poetry Project)

Kaleem Hawa

E. Tammy Kim

Shiv Kotecha

Wendy Lotterman (Associate Editor, Parapraxis)

Muna Mire

Perwana Nazif

Brendan O'Connor

Alex Press (Staff Writer, Jacobin)

Sarah Nicole Prickett

Dylan Saba

Zoé Samudzi (Associate Editor, Parapraxis)

Jasmine Sanders

Claire Schwartz (Culture Editor, Jewish Currents)

Janique Vigier

Harron Walker

Chloe Watlington

Gabriel Winant (Department of History, University of Chicago)

Audrey Wollen

Hannah Zeavin (Founding Editor, Parapraxis)

Signed, In Solidarity

Fatimah Warner (Noname)

Saul Williams

Susan Sarandon

Janeane Garofalo

Gael García Bernal

Danez Smith

Ocean Vuong

Aria Aber

Saidiya Hartman

China Miéville

+ full list here

#writers against the war on gaza #wawog #free palestine #this letter is the one #you know how i encountered this when you see one of the people who signed #text #noname #susan sarandon #saul williams #gael garcia bernal #ocean vuong #joel kim booster #what a pleasant surprise #patti harrison #fariha roisin #zoe samudzi

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thefirelookout · 4 months ago

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Dead silence

This post is an attempt to share or let out some of my complex feelings about the situation in Bangladesh.

We went to our city's protest yesterday. It was a silent, peaceful protest. The Bangladeshi student community here in Kingston stood in a human chain with placards. "Save Bangladesh student", yes grammatically wrong, yes, it assumes that young revolutionaries need saving, so on and so forth. The protest started and ended quietly. My non-Bangladeshi friends were a bit confused, since they're used to chanty protests for Palestine, or union picket lines with cars passing by, honking in support. There was more noise even for the Iranian protests, Zan Zendegi Azadi. The silence of a graveyard in this one, though.

Who cares about little old Bangladesh? I sometimes wonder. We're not in the eye of the middle eastern storm like Syria, Lebanon or Palestine are. We're not strategically important, we don't even have many natural resources like Sudan or Congo do. The Prime Minister visited China recently to ask for an aid or a loan, and came back pretty much empty handed. China isn't very interested in us. India has gotten what it needed to get, and can milk more out of us, but they can do the same with Nepal or Bhutan too. We're never in the headlines, the US or the West in general isn't interested in us at all. And Pakistan denies that the 1971 genocide ever happened.

Which is why, the world isn't missing our voices due to the internet blackout.

The voices were all over my Facebook newsfeed. Aunties and apus on Facebook live selling sarees, jewelry, crafts, elderly boomers sharing gardening tips, quick fixes or herbal remedies that they swear by, people sharing posts about cricket or which cricketer's wife wore what, food bloggers calling every possible dish juicy (be it a burger or the meat in biriyani), celebrity drama, political drama to the extent of what was allowed back home. That sort of thing.

Now, again, there's the silence of a graveyard over here. And I feel like screaming till I snap my vocal cords. Can you all please come back? Please? The silence is unbearable! Please! I won't judge you if you sell your wares! Please! I won't judge if you think turmeric water can act as a miracle detox! Please, please I won't say a word if your post about your stupid cricket match! Just something, please say something! I haven't seen a single one of you online. Please don't die, please stay safe. When the internet comes back, please, post about your vacations and your pets. Not the dead, please, don't post about the bodies. I can take a bit of silence but not more bodies please!

Speaking of bodies. There was an armoured vehicle, painted navy blue in the colours of the police (fuck them). And there was a body on top of it. Dead, obviously, very dead, because it flopped down with the slightest nudge, and was left on the streets. Before that happened, the vehicle drove about as if parading its spoils of war, with the body on top. Sending a message. This will happen to you if you raise your voice.

That image has been haunting me for two nights now. So yeah, I'm not man enough to get some incisive political analysis out. I have no either or predictions for what happens if the regime falls or doesn't fall. My body feels numb, I've been binge eating because I still have food in the house and I won't be gunned down if I go out to get groceries now. My non-Bangladeshi friends, bless their first world hearts, have never had to live under fascism. Bless their hearts, have never had to stifle their voices to the extent that we've had to. Bless their beautiful hearts, could hardly pronounce Bangladesh. But they still showed up to that docile little protest because they care about my spouse and I. I can't even begin to thank them.

My insides are tearing up. I'm sitting with a poker face typing all this word vomit, but my insides are nothing but a scream. No clever realpolitik comes out of a heart that's screaming, because our mouths are sewn shut.

#bangladesh #student protests #quota movement #all eyes on bangladesh

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fiercynn · 7 months ago

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palestinian poets: yahya ashour

yahya ashour is a touring poet and an awarded author.

ashour was born on april 22nd, 1998 in gaza, where he grew up and continuously resided until september 2023, when he came to the united states to participate in a festival, and wasn't able to go back home since the beginning of the genocide in gaza. he is currently staying in saline, michigan.

ashour was a 2022 university of iowa fellow and is a current 2024 mizna fellow. he has been published in numerous outlets around the world in arabic and in translation, and his first two books were the 2018 poetry collection لهذا ريان يمشي هكذا and the 2021 children's book لهذا ريان يمشي هكذا. he has also taught creative writing and literacy skills to both children and adults at various community organizations in gaza.

on march 29, 2024, ashour released A Gaza of Siege & Genocide: excerpts, a poetry book in english written and illustrated by him and published by mizna. all proceeds from this collection go to helping ashour's nineteen family members escape genocide, so please, please, please purchase this e-book before you read his other poetry, and give generously if you can.

since fall 2023, he has been reading poetry and talking across the united states about the genocide in gaza. his poetry reading is called: “What the World’s Silence Says: A Reading With Gazan Poet Yahya Ashour”. his current tour schedule and and ways to contact him are all listed at his website. he is also looking to be connected with any university, speaking organization, or media outlet around the world that might be interested in having him speak in-person or online about the book, so please get him touch with him if you have any leads.

IF YOU READ JUST ONE POEM BY YAHYA ASHOUR, MAKE IT THIS ONE

OTHER WRITING ONLINE I LOVE BY YAHYA ASHOUR

so the war would know i'm here, short film directed by andrew burgess of ashour reading aloud two poems translated into english

Gaza Under Siege (translated from arabic to english by atef alshaer) at poetry translation centre

From loss to solitude and not the other way around!, an essay in 28 magazine's special issue "coronaphone"

Enjoy the Rain at iowa writers' program

you can find the full list of poets featured in this series here!

#yahya ashour #free palestine #poetry #short film #palestinian poets series

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septembriseur · 3 months ago

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‘The second reigning sentiment – or rather lack of sentiment – is the flipside of the first. It is the utter inability of Israeli society today to feel any empathy for the population of Gaza. The majority, it seems, do not even want to know what is happening in Gaza, and this desire is reflected in TV coverage. Israeli television news these days usually begins with reports on the funerals of soldiers, invariably described as heroes, fallen in the fighting in Gaza, followed by estimates of how many Hamas fighters were “liquidated”. References to Palestinian civilian deaths are rare and normally presented as part of enemy propaganda or as a cause for unwelcome international pressure. In the face of so much death, this deafening silence now seems like its own form of vengefulness.

‘Of course, the Israeli public long ago became inured to the brutal occupation that has characterised the country for 57 out of the 76 years of its existence. But the scale of what is being perpetrated in Gaza right now by the IDF is as unprecedented as the complete indifference of most Israelis to what is being done in their name. In 1982, hundreds of thousands of Israelis protested against the massacre of the Palestinian population in the refugee camps Sabra and Shatila in western Beirut by Maronite Christian militias, facilitated by the IDF. Today, this kind of response is inconceivable. The way people’s eyes glaze over whenever one mentions the suffering of Palestinian civilians, and the deaths of thousands of children and women and elderly people, is deeply unsettling.

‘…Unlike the majority of Israelis, these young people had seen the destruction of Gaza with their own eyes. It seemed to me that they had not only internalised a particular view that has become commonplace in Israel – namely, that the destruction of Gaza as such was a legitimate response to 7 October – but had also developed a way of thinking that I had observed many years ago when studying the conduct, worldview and self-perception of German army soldiers in the second world war. Having internalised certain views of the enemy – the Bolsheviks as Untermenschen; Hamas as human animals – and of the wider population as less than human and undeserving of rights, soldiers observing or perpetrating atrocities tend to ascribe them not to their own military, or to themselves, but to the enemy.

‘…By the time I travelled to Israel, I had become convinced that at least since the attack by the IDF on Rafah on 6 May 2024, it was no longer possible to deny that Israel was engaged in systematic war crimes, crimes against humanity and genocidal actions. It was not just that this attack against the last concentration of Gazans – most of them displaced already several times by the IDF, which now once again pushed them to a so-called safe zone – demonstrated a total disregard of any humanitarian standards. It also clearly indicated that the ultimate goal of this entire undertaking from the very beginning had been to make the entire Gaza Strip uninhabitable, and to debilitate its population to such a degree that it would either die out or seek all possible options to flee the territory. In other words, the rhetoric spouted by Israeli leaders since 7 October was now being translated into reality – namely, as the 1948 UN Genocide Convention puts it, that Israel was acting “with intent to destroy, in whole or in part”, the Palestinian population in Gaza, “as such, by killing, causing serious harm, or inflicting conditions of life meant to bring about the group’s destruction”.’

#long post #some of you might knee-jerk reject this article #but it is very interesting and valuable

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loaksky · 9 months ago

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hi, everyone. i want to be very candid for a moment...

while i still do write for tlou, and plan to officially resume posting at the beginning of march, i’ve pumped the breaks a lot on posting in general because the internet has grown to be quite overwhelming for me.

truthfully, i don’t typically post in response to current events because i’m the kind of person who begins catastrophizing and feeling extremely helpless in light of what is going on in the world, but i think it’s important to hold myself accountable in recognizing that it is such a disgustingly implicit privilege to be able to log off and disconnect once i do get overwhelmed.

palestinian people do not have the privilege to log off and disconnect. and as someone who has an albeit small following in comparison to my peers, even a single person i can urge to take the smallest of actions is one step closer to change.

i've reblogged a few posts about gaza and the genocide going on, but i haven’t made a full or direct statement in hopes of keeping it light-hearted on this blog as i know that often times people use the internet and fanfiction as an escape. but it’d be a disservice not to.

understandably not everyone can donate, but please don’t succumb to the silence. palestine is relying on us to be loud so that they can be heard. share important links, show solidarity by supporting organizations dedicated to helping those in need, have those difficult conversations even if it makes you uncomfortable. do what you can. humanity shouldn’t be circumstantial.

here are a few links to get started:

a carrd compilation curated by other collective of relevant links | click to help palestine

and finally, i know that some of you will part ways with me and this blog after this. any disrespectful comments or asks won’t be entertained and will be deleted. similarly, while i have zero issues losing followers, especially over something as important as this, i do genuinely implore those of you on your way out to truly mull over the state of the world and find it in your hearts to show even a shred of sympathy and compassion to palestinian families, men, women, children, the elderly.

they only seek to live peacefully like the rest of the world does.

#neng's brain ִ ࣪𖤐

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religion-is-a-mental-illness · 7 months ago

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Dr. Phil: There are some things that are just fundamental human decency, and when I ask you if what happened on October 7th is something you condemn, and you say, "Well, you have to look at that by looking at hundreds of years of conflict," no you don't. No, you don't. That's either right or it's wrong, and it was wrong, and I don't need a hundred years of conflict to know it was wrong.

Activist: The fact of the matter of is that Hamas, yes did take innocent life. Why did Hamas take away Hamas innocent life? Why was Hamas platformed, why was Hamas funded, why was Hamas empowered to take away innocent life?

Dr. Phil: Let me tell you something, let me tell you something. When somebody comes over a fence and goes into someone's house and burns their infant in their crib, I don't give a damn why they did it. It's wrong.

Dr. Phil: I've read it that the charter of Hamas is to eliminate the Jewish race. Beginning with Israel, but not stopping with Israel, wiping them off the face of the Earth. Is that true?

Mosab Yousef: This is true. But it does not end there. Now we have the problem of the pro-Palestine who are actually giving Hamas cover. They're participants in the crime.

In fact, since October 7, I personally don't differentiate between Hamas and what's so-called Palestinians. Cause actually there is no Palestinians. There are tribes, there is the tribe of Hamas and the tribe of the Islamic Jihad and there is the tribe of Al Khalil and there is the tribe of Nablus. And each one has different interests and all of them are conflicted. If they did not have Israel as the common enemy, they would kill each other. This is the reality of what's so-called Palestine.

Activist: You realize that's common colonial rhetoric? 🤦‍♂️🤦‍♀️

Yousef: You don't know what Palestine is. Actually, in fact, the keffiyeh that you are wearing, this is just a statement to show that you really lack the authenticity to represent the kids. And what's so-called "the cause," this is a human problem. The cause must die. I think enough is enough. And now it's proven, and you are helping Hamas to prove it to the world. That Palestine depends on the destruction of the State of Israel. And this is not acceptable, and we are not going to agree to it.

And I tell you something. For the next 10 or 20 years, the Palestinian people will pay the bill Hamas has cost today. And most likely in blood.

Activist: To you, Hamas and Palestinians are the same, they're one and the same.

Yousef: After October 7, yes. There is no difference.

Activist: Really?

Yousef: The vast majority of the Palestinian people support Hamas.

Activist: Really?

Yousef: This is a fact. This is proven by statistics and your silence now. You are not even, you cannot even condemn Hamas and say that what they did on October 7 was an act of a savage group. You don't have that power.

On what authority do you speak? You only speak on the authority of Hamas propaganda.

Activist: No, I'm -- why do you say that I'm speaking on the authority of Hamas propaganda?

Yousef: Because if you were a decent human being, you can say that the thousands who were killed on October 7, that was a crime against humanity, it was a genocide.

When a stupid, stupid little girl playing activist, finds out she's an ignorant idiot regurgitating buzzwords and being used to provide cover for terrorism by a fanatical far-right supremacist cult.

I've been saying it for months. They CANNOT, WILL NOT condemn Hamas. Not one of them will do it. Because they support it. They support "the cause": eradicating the Jews from the face of the Earth.

Pro-Palestine is pro-Hamas. They are the same. There is no difference. They support terrorists. We need to treat these fanatics as terrorists. No, I'm not kidding or exaggerating.

BTW, now you know why Egypt won't take them - they're savage tribes who would just as soon murder each other.

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allamericansbitch · 5 months ago

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How do you reason if taylor doesnt speak up about palestine in the near future? Because there’s an air of finality in her silence about this cause. Especially now that we know an israeli supporter (capital one) sponsored her US leg of tour, even her eras tour seems dirty. She is so quick to release new versions of ttpd (31 versions as of now), after billie indirectly called her out.

(Sidebar— yes billie may be a hypocrite to talk about wasteful variants of albums to be produced one after another to supplement chart topping. BUT she wasn’t wrong and not only was taylor in a position to set an example of reducing waste in music industry because of her titan status, she used that position to punch down further on billie’s release week, despite it not affecting ttpd’s #1 rank. Talk about stepping on her gown and taking her crown. Olivia creating a distance from taylor since the royalties incident has left a bad taste in my mouth.)

Also, its not helpful that she dated and defended a racist last year, wrote an album about him.

small tangent before i get to the main point: i've said this before billie isn't a hypocrite for the vinyl thing. i think y'all really need to start looking into the actual articles instead of just reading headlines or hearing out-of-context quotes. the entire article with billie was about sustainability and how she works hard to make her variants out of 100% recycled material so they're less wasteful. she wasn't saying she was against all vinyl variants in general, she was saying she's against people who make a bunch of variants and not put the effort in to make sure it's not wasteful like she does. she was just asking people to be more sustainable with their variants.

now to the main point: i've already made peace a long time ago that she's not a good person. when she doubled down on dating a vocal bigot who says slurs for fun and gets off to black women getting brutalized and tried to make it look empowering for her, releasing a song about anyone who doesn't like bigotry as 'vipers dressed in empath's clothing', and just becoming the embodiment of true white feminism and being a huge hypocrite, fully abandoning her activism and regressing to the generic apolitical 'remember to register to vote' posts that she made before she promised to do more, all that plus she's also been openly ableist with parts of ttpd in terms of using problematic displays of mental hospitals/breakdowns and using them as an 'aesthetic', mocking/invalidating other peoples addiction/depression but then asking for empathy with her own mental issues, working with and befriending multiple abusers, zionists, etc all while remaining silent on a genocide that is dependent on gaining traction and attention so people can raise money to help (also releasing the eras tour movie in Israel actively during the genocide, then later selling it to disney+ which is on the boycott list) but making sure she's still the biggest star in the world, maintaining her platform but never using it for anything important or good, asking for more money for herself and fully showing that charts are more important to her than injustice or helping fellow humans, and showing all the causes she once said she cared about don't really matter to her.

i've fully accepted that she's not gonna talk about the genocide she can easily help. and if by a shocking turn of events she does, we'll all know it's because she was losing fans not because she actually cares (which i know isn't the point, it's not about her, and her speaking up will help the cause so much so she still should; but i'm speaking in terms of how it reflects on her and her intentions). none of this should be surprising, i've seen a lot of people say this might be their last straw with her and that's completely valid, but my last straw was used up about a year ago. none of her new behavior is causing frustration to me because i was already frustrated to begin with. i don't need to reason with it because i did a long time ago.

#answered #anonymous

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