#freelancer incorporated

[freelancer-team-2]

Hello?

Hello??

Is this working..

Augh..

Ok yeah we're all good.

This is what? I don't remember the stardate anymore. The cryo test pods worked, I think. But I think the dates on them malfunctioned... Unless?

No.. they wouldn't.

Th

They didnt

They-

No

no

No

No

No

GOD FUCKING DAMI- [BZZT]

Hello? Hello!? Your breaking up what is your status?

[octo-valley-national-park]

intro post

hello? is this thing on? it is? great, Hi, I'm Ahato, and the person currently staring into the Horizon in the watch tower is Minn Эй, where did we even get this much spruce I uh... I think the park owner stole it? oh. yeah. well, at least it gave us a job? good point. but yeah! we're a bit... confused about things, but we're currently out here, working for the national park service?

ask rules 1. no nsfw 2. no racism, sexism, or the like 3. some asks might get lost, please be advised 4. m!a [Magic Anon] allowed

[this is a side-blog for the Nsedgehammer smp, a server I'm on. for lore reasons. this is a side-blog/au blog for @freelancer-team-2 and as such, nothing here is directly canon to the freelancer lore. it isn't the Minn that is already known. this is a different one. I guess.]

[catalystdubai]

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[odinsblog]

Patrick Braxton became the first Black mayor of Newbern, Alabama, when he was elected in 2020, but since then he has fought with the previous administration to actually serve in office. (Aallyah Wright/Capital B)

NEWBERN, Ala. — There’s a power struggle in Newbern, Alabama, and the rural town’s first Black mayor is at war with the previous administration who he says locked him out of Town Hall.

After years of racist harassment and intimidation, Patrick Braxton is fed up, and in a federal civil rights lawsuit he is accusing town officials of conspiring to deny his civil rights and his position because of his race.

“When I first became mayor, [a white woman told me] the town was not ready for a Black mayor,” Braxton recalls.

The town is 85% Black, and 29% of Black people here live below the poverty line.

“What did she mean by the town wasn’t ready for a Black mayor? They, meaning white people?” Capital B asked.

“Yes. No change,” Braxton says.

Decades removed from a seemingly Jim Crow South, white people continue to thwart Black political progress by refusing to allow them to govern themselves or participate in the country’s democracy, several residents told Capital B. While litigation may take months or years to resolve, Braxton and community members are working to organize voter education, registration, and transportation ahead of the 2024 general election.

But the tension has been brewing for years.

Two years ago, Braxton says he was the only volunteer firefighter in his department to respond to a tree fire near a Black person’s home in the town of 275 people. As Braxton, 57, actively worked to put out the fire, he says, one of his white colleagues tried to take the keys to his fire truck to keep him from using it.

In another incident, Braxton, who was off duty at the time, overheard an emergency dispatch call for a Black woman experiencing a heart attack. He drove to the fire station to retrieve the automated external defibrillator, or AED machine, but the locks were changed, so he couldn’t get into the facility. He raced back to his house, grabbed his personal machine, and drove over to the house, but he didn’t make it in time to save her. Braxton wasn’t able to gain access to the building or equipment until the Hale County Emergency Management Agency director intervened, the lawsuit said.

“I have been on several house fires by myself,” Braxton says. “They hear the radio and wouldn’t come. I know they hear it because I called dispatch, and dispatch set the tone call three or four times for Newbern because we got a certain tone.”

This has become the new norm for Braxton ever since he became the first Black mayor of his hometown in 2020. For the past three years, he’s been fighting to serve and hold on to the title of mayor, first reported by Lee Hedgepeth, a freelance journalist based in Alabama.

Incorporated in 1854, Newbern, Alabama, today has a population of 275 people — 85% of whom are Black. (Aallyah Wright/Capital B)

Not only has he been locked out of the town hall and fought fires alone, but he’s been followed by a drone and unable to retrieve the town’s mail and financial accounts, he says. Rather than concede, Haywood “Woody” Stokes III, the former white mayor, along with his council members, reappointed themselves to their positions after ordering a special election that no one knew about.

Braxton is suing them, the People’s Bank of Greensboro, and the postmaster at the U.S. Post Office.

For at least 60 years, there’s never been an election in the town. Instead, the mantle has been treated as a “hand me down” by the small percentage of white residents, according to several residents Capital B interviewed. After being the only one to submit qualifying paperwork and statement of economic interests, Braxton became the mayor.

(continue reading)

[freelancer-team-2]

honestly, one of these days, I want to gather up some buddies, and fuckin enter a esports tournament, or try to. like, one of my Yankee friends, she takes comp games pretty serious and the yell of anguish when she found out I sent the smp application form to her mcyt faves, can you fucking IMAGINE the reaction if we got our shit STOMPED in a tournament where MONEY is involved? priceless. granted this is functionally impossible if some of the team can't manage time. of course, I'm not naming any names. *cough cough, FOX* [@eldritchdemonfox] but honestly, do i blame 'Em? fuck no! most of the yankees I know live in the earthquake+wildfire capitol of the U.S, I ain't gonna bitch at y'all over that, but again. in that golden moment of opertunity where it could theoretically happen, would be a big 'ol barrel of laughs. and lead.

[freelancer-team-2]

*cyan blood pools on the carpet. And the sound of a chainsword filled the air*

hmmm

[jinbugs]

VIVERE

“Do you think you deserve it? To be punished?” “I think so, yes.”

A Pathfinder 2e Campaign Introduction Post!

MEET THE PARTY:

REVUN (@dovelydraws)

26 years old

he/they/she

A duel-wielding tiefling fighter. Easy-going freelance mercenary from Alephia, looking for a job that pays well and a little company.

FERRA (@artpepkin)

87 years old

she/her

A beastkin elven rogue from Chiei Thya. Playful vagabond who finds herself wherever the wind takes her. She's maybe gotten herself in a little over her head.

POLITES (@mossy-garden)

17 years old

he/him

A tiefling champion. Proud kingdom guard of Crimyria under the goddess Vildeas, who is willing and anxious to prove himself.

KWAN (@jinbugs)

39 years old

he/they/she

A human investigator. Cunning Po Lian scholar-official informant who is in pursuit of a dangerous secret, the centurion pearl. At any cost.

Glitch (@eternalglitch), our game master, weaves all our loose threads into one coherent story.

One fun rule we’ve incorporated into this campaign: players CANNOT share their character backstories with each other outside of gameplay.

It gives more mystery fun! It’s also driving us insane. Pray for us.

(Map created by @dovelydraws, summary also written by Dove)

A lot has gone into the cultures and politics of each of the countries our characters come from. Enough so that it doesn't make sense to get into all of it on an introductory post! But perhaps later in a reblog.

THE STORY SO FAR…

As of the writing of this post, we have now played 5 sessions of the campaign.

Our party all met each other in the small seaside town of Plumeport, Crimyria. We were all brought together in pursuit of the same thing: a legendary man-eating boar, said to hold the power of immortality.

It is believed that consuming the flesh of this boar would grant eternal life, and even just a bit of its fur or blood can extend a person's life, for a time. The King of Crimyria himself has offered whoever can take down this boar a large sum of wealth and a small offering of its blood for personal consumption. He wants the job to be done in time for the Crimyrian Festival of Flight, in a couple months time.

The bounty on the boar's head has drawn adventurers from all over the continent, but none so far have been able to take it down. Many have lost their lives. While each of our party members have their own reasons for wanting to take on this job, Kwan has a very personal stake in their success.

He has, reluctantly, revealed that he once knew the boar before it obtained the power it has today. He has reason to believe it has swallowed something once known as a centurion pearl: a powerful artifact that caused the fall of a once great kingdom, and threw the continent into tumultuous conflict. Kwan is adamant that this power should not be handed over to any king. Once it is killed, they want to extract the pearl from its body to make sure it can never fall into the wrong hands.

So far, Kwan has only revealed this to Revun. Polites, meanwhile, works directly under the king and wants to succeed on this mission to make him proud. Ferra seems to only be interested in the money and adventure. Revun has also said they were in this for the money, but vaguely admitted to Kwan that they also had their own personal reasons to go after the boar, and if he truly believes its power is too dangerous, they will follow his lead.

Once faced with the boar, however, the party was unprepared and outmatched. It was massive, its eyes as large as their heads, emanating a golden glow. It moved unlike a normal animal, and seemingly bore a higher level of intelligence than it should.

After a deceptively strong start, Polites went down in battle, and they were all forced to run to ensure everyone's survival. Before retreating though, Kwan shot the boar with a strange arrow, claiming they would be able to track it again later.

The party camped outside of the marsh, unable to sleep while waiting for Polites to wake up. They discussed next steps- going back to the city to regroup, get proper healing, and perhaps find a sponsor to help them in their next try. They still have a few weeks to get things figured out.

And that's all, so far! We're all pretty stoked and making tons of art and written works, so keep a look out, we might publish a zine when the sessions start wrapping up. Bye-bye, for now!

[mirai-e-jump]

TV Life, 9/20/2024 Issue ft. Kamen Rider Gavv Cast Members (translation below)

Publication: September 4, 2024

Chinen Hidekazu x Hino Yusuke x Miyabe Nozomi

"What were your thoughts when you read the script?"

Chinen: I finished reading it in an instant due to how interesting it was. The more I read, the more I was drawn into the world of this show, and my excitement grew so much that I couldn't wait to play the role.

Hino: Me too. I was so curious about future developments, that every time I read the script, I couldn't wait to get the next one (laughs). Every character that appears is full of personality and intricately intertwined, making this a show that I think children, as well as adults will enjoy.

Miyabe: Naturally, the dialogue is interesting and fun to watch, but each and every character actually has their own problems and insecurities. I thought that the depiction of them growing while confronting these issues was wonderful and gives a human feel to the story. I'm personally encouraged by Shouma and the other's hard work and dedication, so I'd like to do my best to deliver the feelings I have to the viewers as well.

"How do you personally view the roles you play?"

Chinen: Shouma's a cheerful and energetic boy who loves to eat. He's usually innocent, adorable, and incredibly charming, but he's also a very mysterious character from another world. I think his clumsy side and his ability to work as hard as he can in everything he does is what'll make the viewers want to cheer for him, so I'd like to keep that in mind as I perform from now on.

Hino: I play the role of Hanto, a young man who works as a freelance writer, and who's pursuing info on the enemy Granutes. One of the unique characteristics of Hanto is that his feelings towards the Granutes are stronger compared to the others, so I'm always conscious of how to express that in my performance. Going forward, I hope you'll also make sure to pay attention to the development that causes him to transform and become Kamen Rider Valen.

Miyabe: Sachika's the gyaru president of the general store "Hapipare." She's really upbeat and energetic, and she's the kind of person who could just go up to the cool and difficult to approach Hanto and say, "Hey there!" I have no gyaru qualities in my everyday life (laughs), so to prepare for the role, I looked at works in which gyarus appeared and incorporated them into Sachika.

"So, to reference the theme of sweets, how would you compare each other to sweets?"

Hino: Because Hide looks so cute and has some fluffy vibes, I guess he'd be a marshmallow. He's perfectly white and pure just like a marshmallow. Truthfully however, because he also has a strong and unshakable core, he'd be candy filled marshmallows!

Chinen: Those exist?! (laughs). Still, being told I have a strong core makes me happy. Nozomi-san would be yokan.

Miyabe: Yokan?! How surprising (laughs).

Chinen: In contrast to the role she plays, Nozomi-san's usually a very refined person, so when I thought, "What elegant sweets are there?," I came up with yokan.

Miyabe: Thank you. Hino-kun is……

Hino: Huh? You seem stuck (laughs). There's tons of variety and something for everyone, isn't there?!

Miyabe: Since he's always positive when communicating with us and the staff, he's a friendly person, so I guess he'd be dagashi. The fact that he's loved by all ages, genders and generations is also appealing.

Hino: I'm relieved you gave a good answer (laughs).

"And, TV Life will start running your "Relay Series" beginning with this issue."

All: Alright! (clapping).

Chinen: Our seniors had also decided on their title. What should we do?

Miyabe: It should include "Gavv."

Hino: Definitely! I'd prefer it to be catchy and easy to remember, but…

Miyabe: I think serializations are a place where each person's individuality can come out, so how about "GavvPare!," which would be a lineup that reflects the essence of Gavv? (from "onparedo" = lineup)

Chinen & Hino: Oh~! Sounds good!

Miyabe: It'd be great if people could get to know the show and us throughout the series.

Chinen: Yeah. The first one will be mine. Once again, we look forward to your support over the coming year! _

GavvPare! Vol.1 (Chinen Hidekazu)

Q. Tell us your memories of sweets!

A. When I was a child, there was a rule in the Chinen house where sweets were only allowed on weekends, and so that in itself lead to a strong desire to eat sweets. Naturally, I didn't take eating them for granted, so I was really happy to spend time on the weekends choosing and eating my favorite sweets. By the way, when I had a craving for something sweet on a weekday, I'd chew on sugar cane as a substitute for sweets. (laughs).

[genericpuff]

Webtoons Is Making Moves - So Should You.

We all saw it coming ages ago and now it's finally here. There's no more beating around the bush or doubting if anyone is "reading into it too much", Webtoons' use of AI in its more recent webtoons is not an accident, not an oversight, but by design, it always has been. And I guaran-fucking-tee you that the work that already exists on the platform won't be safe from Webtoons' upcoming AI integration through scraping and data mining. Sure, they can say they're not gonna replace human creators, but that doesn't change the fact that AI tools, in their current form, can't feasibly exist without stealing from pre-existing content.

Plus, as someone who's tested their AI coloring tools specifically... they're a long, LONG way away from actually being useful. Like, good luck using them for any comic style that isn't Korean manwha featuring predominantly white characters with small heads and comically long legs. And if they do manage to get their AI tools to incorporate more art styles and wider ranges of character identities... again, what do you think it's been trained on?

Also, as an added bit that I found very funny:

Um, I'm sorry, what fucking year is it? Because platforms like WT and Tapas have both been saying this for years but we're obviously seeing them backpedal on that now with the implementation of in-house publishing programs like Unscrolled which have reinvented the wheel of taking digital webtoons and going gasp physical! It's almost like the platform has learned that there's no sustainable profit to be had in digital comics alone without the help of supplementary streams of income and is now trying to act like they've invented physical book publishing!

"The future of comic publishing, including manga, will be digital"??? My brother in christ, Shonen Jump has been exclusively digital since 2012! What rock have the WT's staff been living under that they're trying to sell digital comics as the "future" to North Americans as if we haven't already been living in that future for over ten years now?? We've had an entire generation of children raised on that same digital media since then! This isn't the selling point you think it is LMAO If anything, the digital media market here in NA is dying thanks to the enshittification of digital content platorms like Netflix, Disney+, and mainstream social media platforms! That "future" is not only already both the past and present, but is swiftly on its way out! Pack it up and go home, you missed the bus!

Literally so much of WT's IPO pitch is just a deadass grift full of corporate buzzwords and empty promises. They're trying so hard to convince people that their business model is infinitely profitable... but if it were, why do they need the public's money? And where are all those profits for the creators who are being exploited day after day to fill their platform with content? Why are so many creators still struggling to pay their bills if the company has this much potential for profit?

Ultimately even their promised AI tools don't ensure profit, they ensure cutting expenses. The extra money they hope to make isn't gonna come from their content generating income, it's gonna come from normal people forking over their money in the hopes that it'll be turned around, and from Webtoons cheapening the medium even further until it's nothing but conveyer belt gruel. Sure, "making more than you spend" is the base definition of "profit", but can we really call it that when it's through the means of gutting features, retiring support programs, letting go editing staff, and limiting resources for their own hired freelancers who are the only reason they even have content to begin with? That's not sustainable profit or growth, that's fighting the tide which can and will carry them away at any moment.

I'm low key calling it now, a year or two from today we're gonna be seeing massive lawsuits and calls to action from the people who invested their money into WT and subsequently lost it into the black hole that is WT's "business model". This is a company that's been operating in the red for years, what about becoming an IPO is gonna make them "profitable"? Let alone profitable enough to pay back their investors in the spades they're expecting? The platform and its app are already shit and they're about to become even worse, we are literally watching this company circle the drain in the modern day's ever-ongoing race to the bottom, enshittification in motion, but they're trying to convince us all the same that they're "innovating".

Webtoons doesn't want to invest in its creators. We as creators need to stop investing in them.

[freelancer-team-2]

1.] GladOS or Kat-B320

2.] purple or that mint-cyan colour

3.] my immortal.

4.] half decent ration pack

5.] Lions??????? no preference idk

6.] GladOS or Wheatly. or maybe Octavio

7.] "ha. cripple."

8.] I mean, if it's halo or splatoon then by most accounts I'm dead before any of the actual story events happen. BUT in the case of Halo, yeah no I'm fine. ain't in Brittan, Africa, or space. I'll live. in the case of splatoon, if I end up as an inkfish, good for me, I'll be vibing, if I'm still human then I'm going DIRECTLY into whatever research center is picked.

9.] Nein.

10.] yes!

11.] all my Fellas [pose for the camera] [breakcore] = Calf1sh in my head idk.

12.] Finale

tagging @mercury-lurks @hydrasango @thetality @valentines-lace @fyerluna-the-roller-propagandist @montereybayaquarium @splatoonusna

My own get to know you game:

Who was your first fictional crush?:

What’s the first colour you think of when I tell you to think of a colour?:

Which fanfiction emotionally scarred you and still makes you shudder to this day?:

I’m coming to your house for dinner, non-negotiable, what are you making me?:

Do you prefer lions or kangaroos?:

Which fictional villain do you brush past the glaringly obvious issues for because you really like them?:

What would accompany your picture in the Burn Book in Mean Girls?:

How many days would you last in the universe of your favourite fandom?:

Have you heard of Mischief Theatre?:

Do you feel sorry for Medusa?:

Which song makes you think of your OTP?:

Which song makes you disassociate and daydream the fastest?:

Tags: @weltato, @snarky-wallflower, @feathertru, @barclaysangel, @fanficwriter284, @silvershewolf247, @shadowbrightshine, @luxury-nightmare and anyone else who wants to have a go, feel free!

[astroismypassion]

✨PART OF FORTUNE IN SIGNS AND HOUSES SERIES: 7TH HOUSE✨

Credit: Tumblr blog @astroismypassion

ARIES PART OF FORTUNE IN THE 7TH HOUSE

You feel the most abundant when you have Aries and Libra Sun people in your life. You make money via project management, team leadership, startup environment, via creating and managing marketing campaigns in collaboration with other businesses or influencers. You feel abundant when you take on responsibilities where you can direct and inspire others, focusing on building strong, dynamic partnerships.

TAURUS PART OF FORTUNE IN THE 7TH HOUSE

You feel the most abundant when you have Taurus and Libra Sun people in your life. You make money via selling luxury items, such as high-end jewellery, fashion or home décor, via message therapy, work in fields related to nutrition and fitness, where you can help others achieve and maintain a healthy and stable lifestyle. You feel abundant when you incorporate aesthetics and a sense of beauty into your work.

GEMINI PART OF FORTUNE IN THE 7TH HOUSE

You feel the most abundant when you have Gemini and Libra Sun people in your life. You make money via using your persuasive communication skills to excel in sales, marketing or advertising roles. You find abundance in work in public relations, via entering a business partnership where you can complement your partner’s skills. You have an excellent ability to communicate and negotiate with others. You find wealth when you work closely with clients on a one-on-one basis.

CANCER PART OF FORTUNE IN THE 7TH HOUSE

You feel the most abundant when you have Cancer and Libra Sun people in your life. You make money via offering babysitting, nannying or after-school care. You may also find abundance in selling handmade items (candles, home decor or personalized gifts). You feel abundant when you work in nursing, patient care, daycare, work in hospitality industry. You feel abundant when you pay attention to your gut feelings when making decisions.

LEO PART OF FORTUNE IN THE 7TH HOUSE

You feel the most abundant when you have Leo and Libra Sun people in your life. You make money via becoming a motivational speaker or event host. You may also earn money via being a stylist for others, personal stylist, personal shopper or providing makeup artist services for people that go to events. You may also do really pretty nails.

VIRGO PART OF FORTUNE IN THE 7TH HOUSE

You feel the most abundant when you have Virgo and Libra Sun people in your life. You make money via working as a freelance writer, editor or proofreader. You may also offer consulting services in area of business strategy, health, wellness, nutrition and financial planning. Offer tutoring services in subjects you are knowledgeable about.

LIBRA PART OF FORTUNE IN THE 7TH HOUSE

You feel the most abundant when you have Libra Sun people in your life. You make money via teaching an instrument or vocal lessons if you have musical skills. Share your knowledge in painting, drawing and crafts. You can start a TikTok account focused on topics of fashion, DIY, lifestyle, make up, clothing, sharing your recipes.

SCORPIO PART OF FORTUNE IN THE 7TH HOUSE

You feel the most abundant when you have Scorpio and Libra Sun people in your life. You make money via joint ventures, such as turnaround projects or startups in emerging industries or engaging in joint venture that involves a profound change or transformation, via family law, criminal law, forensic science, via work in crisis management or trauma recovery, investment banking or wealth management, work as a financial analyst or alternative healing methods (reiki, acupuncture, hypnotherapy).

SAGITTARIUS PART OF FORTUNE IN THE 7TH HOUSE

You feel the most abundant when you have Sagittarius and Libra Sun people in your life. You make money via writing books, articles, blogs on philosophical topics, travel experiences or cultural insights. You feel the most abundant when you are optimistic, enthusiastic and when you have direct and honest communication. You could find wealth through work in journalism, especially in roles that involve travel or reporting on cultural events and global news, work in diplomacy or international relations.

CAPRICORN PART OF FORTUNE IN THE 7TH HOUSE

You feel the most abundant when you have Capricorn and Libra Sun people in your life. You make money via investment banking, financial planning, property management, real estate development, specializing in corporate law, contract law or real estate law. You could also make money as a mediator or arbitrator, helping to resolve disputes and negotiate contracts. You feel most abundant when you define clear, achievable goals, when you are being focused with persistent effort.

AQUARIUS PART OF FORTUNE IN THE 7TH HOUSE

You feel the most abundant when you have Aquarius and Libra Sun people in your life. You make money via holistic therapy, energy healing, managing public relations for progressive companies or causes, via co-authoring books, developing new products. You feel abundant when you continuously seek out and embrace new ideas, technologies, ways of thinking, when you are being innovative and when you utilize technology to enhance your work and when you stay up-to-date with the latest technology.

PISCES PART OF FORTUNE IN THE 7TH HOUSE

You feel the most abundant when you have Pisces and Libra Sun people in your life. You make money via creative problem-solving abilities, running a boutique hotel, bed and breakfast or wellness retreat, nutritional coaching, meditation coaching, organizing cultural events, such as art exhibitions, music festivals or theatre productions or visual arts.

Credit: Tumblr blog @astroismypassion

[artistalley]

Mye Bi (@myebi)

Mye is a freelance illustrator, comic artist, and character designer from Paris, France. As an avid appreciator of birds, eerie fantasy, and love in all its forms, she likes incorporating these elements into her work—sometimes all at once. She enjoys product designing for an online shop and raising money for charity through fanzine projects. Free time is well spent, given that her main hobby is writing indulgent yet complex stories with the characters she considers her forever friends.

Isn't this nice? Follow @myebi for more lovely original art.

[snowonebutyou]

bellas inc. - a summary

moodboards - 01, 02, 03, 04, 05, 06, 07, 08 - their origin story - asks 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29 - sylvie tag - other links - more

bellas inc. was originally sylvie’s idea that i never truly let go. so much so that i even attempted to write a little something for it myself:

Freelance investigative journalist wanted. Must work well in groups. Special skills required. Can’t be afraid of the paranormal. Contact info’s below.

Beca frowned as she looked over the ad on the paper. At first, she thought it was a joke. Can’t be afraid of the paranormal? It sounded ridiculous. 

But she was pressed for cash, her dad’s money came with too many strings attached and she needed to break out. The pay announced in the ad was good and she did some googling, everything looked legit. She couldn’t be picky about it, so Beca found herself calling the agency anyway.

“Bellas Incorporated Detective Agency, Aubrey Posen speaking. How may I help you?”

“Uh,” Beca was thrown off by how official-sounding this Aubrey person was. “My name’s Beca. I saw your ad in Atlanta Press, about the freelance job? I’m interested.”

A loud bang followed by a string of very inventive curses was heard, and then Aubrey cleared her throat.

“Can you drop by the agency for an interview?”

“Uh, sure,” Beca hustled some papers around to find a pen to write everything down. “When?”

“Tomorrow morning works for you?”

It wasn’t like Beca had anything better to do. “Yeah.”

“Great. I’ll see you tomorrow at 8 AM, Beca.”

Aubrey hung up before Beca had a chance to protest. She groaned; she was already regretting her choices. Her phone buzzed and it was a message from the agency with the time and address of Beca’s interview.

Well, it was too late to back out now.

[freelancer-team-2]

Why do I get the feeling you’ve had this image since 2019

german dedf1sh is real

not the powerwolf fan we wanted but the powerwolf fan we needed

[kawaiichibiart]

Warera Pegasus Tankentai! Headcanons:

They're an idol group that runs an online bakery on the side.

In this universe, Minori meets Tsukasa after they both failed an audition. They stumbled into each other and got to talking. It ended with the two deciding to help each other and realizing they were a good duo.

Toya gets invited into their group by Tsukasa after he opens up about wanting to quit classical music. Tsukasa suggested he try joining him and his friend, Minori, while they practiced for their shows. Toya ends up enjoying himself and Warera Pegasus Tankentai! became a trio.

Much like MMJ in the OG universe, WPT is also a freelance idol group.

Because they're freelance, they needed a way to make money. While Toya and Tsukasa both could have funded their group, Toya was certain his family wouldn't support them, and Minori just felt bad asking either of their families to pay for what they need. And thus, their side gig (the online bakery) opened :D

Toya had to get baking lessons. He pushed himself through his lessons and is proud of what he can do now. His favorite thing to bake are cookies. Minori's favorite thing to bake are cupcakes and Tsukasa's favorite thing to bake is cakes.

Their SEKAI is the Bakery SEKAI. While they are an idol group, they find they have the most fun baking (something they later incorporate to their music).

The arrival of the other VS goes as follows (don't ask why, I have no reason): Rin, MEIKO, KAITO, Len and Luka.

To get a bit more into the above ↑: Rin appears during a Minori event, MEIKO during a Toya event, KAITO during a Tsukasa event, Len during a mixed event featuring Toya and Minori (Minori focus), and Luka during a Tsukasa event.

Songs I they'd cover: Sweet Magic, Booo! (obviously), We Are POP☆CANDY, Candy Candy, Drop Pop Candy, Happy Halloween, Dreaming ChuChu, Electric Angel, Shake It, Coward Mont Blanc, Packaged and The Sweet and Charming Flower Blooming Group.

[tarysande]

Hi! I’m considering becoming an editor but I’m not sure if it’s the right fit for me. If you don’t mind answering, what was your path like for becoming an editor, and what does the job mostly consist of for you?

Additionally, while I really do like helping other people’s work become better, I get too in my head to release a lot of my own work. Does editing require you to also be a writer most of the time, or could I get by mostly just editing?

Thanks!

Hi, anonymous friend!

These are really good questions for a potential editor to ask.

To (sort-of) answer your question, the amount of writing involved depends on the type of editing, honestly. So, first you have to decide what kind of editor you want to be.

Roughly, editing breaks down into three-to-four types: developmental/substantive, line/stylistic, copy editing, and proofreading. These terms are mixed up and interchanged ... often. Increasingly, line editing includes or incorporates copy editing, which is why I say "three-to-four."

Developmental is the big picture stuff, including manuscript critiques. Books of all kinds usually undergo some kind of developmental editing--by editorial agents, acquisitions editors, freelance developmental editors, etc. In my experience, this is also the kind of editing that requires the most writing and/or the most author/editor interaction.

Stylistic/line editing tends to be editing at the sentence level, looking at diction, structure, clarity, consistency, etc. Copy editing, on the other hand, is what many people think of when they think of editing--it's the mechanics of writing, like spelling, grammar, punctuation.

Proofreading is the rather specialized skill of editing proofs. They're the final eyes on a pre-published piece; they're looking for typos and errors rather than anything that will involve significant authorial changes because a proof page has already been "set" (as it were).

All of these kinds of editing can be applied to many different areas of communication, and the editors who perform them can be self-employed (like me) or work for an employer (i.e., as a more traditional employee). Employee editors might work in-house at a publisher (of books, magazines, academic journals, etc.), or they might have any number of editing-focused roles in business, government, education, etc. Self-employed editors may also end up working as contractors for other companies; this is pretty normal.

Many book publishers, including the Big Five, farm out a lot of their editing these days, by the way. Especially the copy editing and proofreading. So, those particular jobs are dwindling as in-house options. Publishers can pay freelancers less ... and avoid paying benefits. (#capitalism)

I will also say that, especially in jobs with anything to do with marketing or advertising, there's a lot of annoying scope creep where "copy editor" is often expected to be a copy writer, too. Again, it's a symptom of employers wanting to pay fewer people to do more jobs (and it's really annoying).

My path has mostly involved trying as many things as possible and slowly weeding out the ones I don't like. I've pretty much always been self-employed because the personal benefits (setting my own schedule, rates, deadlines) works better for me. That said, I'm Canadian (so I don't have to worry about employer-covered healthcare), and I have a partner whose salary is regular and whose benefits cover me, so I don't have some of the worries a freelancer in the US or a single-income household might have. I'm increasingly working on the development side of things because big-picture storytelling, including writing and editor/author interaction, is my jam. But I have also done a ton of line/copy editing on fiction, non-fiction, academic work, etc.

Without knowing what kind of editing you're looking to get into, it's harder for me to offer suggestions for next steps, but generally, I'd say it's important to get SOME training--whether through a school, a certificate program, or the various workshops and professional development offered by editing associations (Editors Canada, the CIEP, ACES, the EFA, ...there's an Australian one whose acronym has slipped my mind). Researching the flavor of editing you're interested in will probably offer up avenues for study, too. For example, most US publishers/authors use iterations of the Chicago Manual of Style. Most UK publishers/authors use Hart's Rules/Oxford. Academic journals/schools/students have different style guides (APA, AMA, MLA, Harvard, Vancouver). Law uses the Blue Book. It's good to have working knowledge of a few style guides--and then you have to keep up with the changes (Chicago's 18th edition is coming out this year, and I hear some significant changes are afoot--such as fully embracing the singular they!).

The tl;dr here is that yes, there are a lot of writer-editors. But there are also a lot of editors who aren't writers at all, or who have no interest in becoming writers, or who don't want their writing and editing to overlap, or who edit because they like helping people and they value clarity. At the end of the day, editing and writing are two very different hats, and you don't necessarily need to wear both.

...this is already a bit long, but if you have other questions or want me to get more specific about something, please ask!