#found it funny so yeah

[fl00mie]

Can you please draw swap sans pranking Papyrus with some incorrect quotes?

Swap sans: WHAT’S YOUR TYPE

Swap Papyrus: Anything, honestly, but nerds especially

Swap sans, desperately, as Swap Papyrus bleeds out: YOUR BLOOD TYPE

Swap Papyrus: Oh! B positive.

Swap sans: DONT TRY TO CHEER ME UP JUST TELL ME YOUR BLOOD TYPE

*Swap Papyrus stares at swap sans*

the sillies

[strandedtoodeep]

wade before meeting logan 'worst' wolverine

wade after meeting logan 'worst' wolverine

(original image from Doodlepool – Infinity Comic 001 (2024))

[bucketsofgiggles]

i am absolutely l o s i n g it at Tommy "Desert Storm Vet and Texan in 2003 When the World Ended" Miller realizing he's now a communist, like look at this:

this man's whole worldview got Rocked

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[jay-wasstuff]

So no one was going to tell me Logan calls Wade daddy instead of bub/ba in the spanish dub?

[kaeyachi]

Kaeya, despite being a sickly and gentle child, was his own kind of nightmare for Crepus and the other Dawn Winery staff.

See, Diluc is prone to mischief and chaos, dragging along his younger brother and a couple of other children into his plots and messes.

But Kaeya? Kaeya is the type to end up in the most random, and I do mean most random, of places. He would vanish for several hours, only to be found in an unexpected location such as, oh let's say that one time, he was found eating fruit with some friendly hilichurls...IN LIYUE.

He was such a curious soul that would easily get distracted by the wonders of Teyvat, but since he is so silent in both words and movements, whoever is watching over him would lose sight of him just as quickly.

He has caused several search parties in his youth, only for people to find out he was following a seelie to a treasure chest or napping with a young wolf cub in Wolvendom.

Crepus swears that Kaeya and Diluc are competing on who can give him gray hairs the fastest (so far, Diluc is winning, but Kaeya sure is catching up with every scream of panic from a designated babysitter and Diluc)

[cultofthepigeon]

also

[invinciblerodent]

[A subtitle saying "Taash: Doesn't matter how sad you are about doing evil crap if you keep doing it."]

Man, the literal kind isn't the only kind of fire that Taash spits. That's probably the most succinct summary of how I feel about Solas that any character has ever given in this story yet.

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[vonvuuu]

Bob’s tumblr posts…

[miscellaneoustofu]

Basketball bad boys, anyone?

Yeah, so these are my Kirisaki Daiichi redesigns. The uncrowned kings and their respective squads have all the fun potential and I intend to use it.

Kirisaki Daiichi and Hanamiya being the most slept on team for character design of them all because you can’t make a canonical “bad boy” team and not have them be emo, goth, and punk for the funsies. For the visual “pen egg chest qua” (je ne sais quoi). For the fun, stereotypical edgelord flair we all deserve to indulge in every now and then.

Makoto’s og design simply didn’t scream spider enough for me and I was tired of so many key characters having this longish, same shade of black hair (him, Himuro, Mibuchi, etc). Like, I know giving the black and brown a colored tint can subtract from the uniqueness of the GOM, but not even a little? So, yeah, fuck allat, I’m using desaturated colors every now and then.

I also loved drawing Makoto in some casual clothes and much needed drip. Villains are required to serve most. I wanted to draw the rest of them in some casual outfits because trust Kojiro and honestly all of them dress immaculately but life and time restraints. Maybe later.

Story wise, each player and Makoto maybe have their own reasons for turning to hurting others through basketball and I hope you catch some of the story threads I threw in. Whether or not they deserve or have the capacity to change is entirely up to you all with Makoto having the most potential to be entirely complex or cartoonishly evil (I like both). I’m a sucker for a bit of character complexity and things that leave room for interpretation.

Sometimes knb can be very black and white in its themes…

Well, let me know what you all think! Thank you, for everyone’s kind words and support. See ya!

[trixytheunicorn]

Siffrin in the bathroom on the third floor be like

Lore accurate below the cut

[lightbulb-warning]

I survived Danganronpa and all I got was this hoodie...

he got one (1): hoodie and one (1): unimaginable amount of survivior's guilt.

[electrozeistyking]

You can't automatically assume one tiny character in a "tiny AU" would be the same level of smallness as another character in a different "tiny AU."

Hi, there! For folks who don't know me, I'm the individual behind the "Tiny N AU," which is basically N from Murder Drones but make him tiny. Pretty self explanatory stuff. He's small now and we love him.

@megbanned is the individual behind the Mini Uzi AU. Same principle as Tiny N, but with Uzi instead and done drastically different. And most certainly a lot more often, I'd say.

We weren't aware of each other upon making our respective AUs, but from one individual with this kind of AU to another, I think it's fun! :D

That being said, I very recently got an ask on what would happen if Tiny N and Mini Uzi were to meet. And I was like, "Great! Yeah, this should be fun! I'll draw that at some point."

However, I'm also me. I wanted to do this other AU justice - so that meant I definitely looked through some things and did some "height comparisons." By which I mean I just looked at how tall Tiny N and Mini Uzi are compared to other characters.

Upon doing that, I realized something.

I have drawn Tiny N being held a bunch. Excluding the very first piece I did that technically started the AU, he's usually being held like this:

The second and third one are probably especially interesting, because you can get a very clear look at how small Tiny N is compared to V and Uzi. I try to make sure he stays roughly that size, though consistency is a pain.

But then I went to check how small Mini Uzi is.

The answer? MUCH SMALLER THAN TINY N.

I'm not going to put any of megbanned's drawings here because I don't want to do so without permission (and because you should totally just go check them out on your own time :3), but turns out Mini Uzi is much smaller than I realized.

Apparently it just? Never occurred to me she was that small until now?? Like, hello? One of the earliest pieces of this AU features her floating on a rubber duck in a mug of some kind! Mini Uzi fits in your palm, guys! You can shoot her out of a cardboard tube! You can't do that stuff with Tiny N!

Basically what I'm saying is we're pitting a rat against a hamster. Thanks for coming to my TEDTalk. Go follow megbanned.

[dartalias]

What i love about Kyoshi in compare to some other fantasy books/protagonists it that she has no patience AT ALL

shes always so done with everyone shit at all times and i think thats amazing

And good for her for find a girlfriend that match the energy

As in: Kyoshi have no patience with anyone but Rangi and Rangi have “patience” with everyone but Kyoshi

(Because Rangi was taught to respect anyone she serves and dont show any behavior flinch but she feels confortable enough to be emotional with Kyoshi, who contantly likes to strike her nerves)

[a-dauntless-daffodil]

charlie brings a certain air of "i COULD care that my gay gf did so many crimes, bi I don't~" to the show that i really love