#finally some good fucking end of the show

[thewritingrowlet]

The Heart-lifter, ft. Red Velvet Seulgi

tags: blowjob, anal teasing, first time anal

length: 10k

author's note: This fic was built on an idea sent by an anon, and this is a good opportunity to say that even though you can send ideas (complete with a plot or not), I decide whether I'll write it, and if I do end up writing it, I get to decide the way the plot progresses. I hope that won't discourage people from submitting their ideas.

-

Seulgi lowers the bill of her cap as she eyes this convenience store for the perfect opportunity for a quick in-and-out snatch.

“Fuck, am I really doing this?” Different versions of this question have been running amuck in her head, and for a good reason, too: Seulgi used to be standing on stage with bright lights shining on her, but ever since her agency folded, she was forced to do things that she normally wouldn’t (i.e. stealing) just so that she can get her hands on most-needed daily essentials.

Seulgi’s heart races: what if she gets caught? What if the police get involved? What if— “Ah, fuck it, I don’t have any other options.” Her good conscience tries so hard to convince her that there are other options, but no matter how much it’s trying to make Seulgi stop, she simply won’t, and as she’s approaching the shop, she puts on a mask and zips up her jacket to conceal herself better.

Once she’s in, she takes a few laps around the shop and takes mental notes of where the desired items are: soju is in the glass fridge at the back, pads and soaps are on the shelves in a nearby aisle, and finally, makeup are on the shelves across in the same aisle. “Do I want snacks as well?” Seulgi tries to estimate the size of the items she wants since they will all need to fit around her body, inside the jacket that’s not too big to begin with. “Maybe I can fit a pack of Oreo or two,” she thinks.

She stands in front of the big fridge, and the way the glass door is showing her reflection makes her question herself once more. Seulgi’s eyes wander off her target and shift towards her feet. “Fuck, mama would be so sad if she knew about this.”

“Excuse me, miss,” a voice snaps her out of her trance, “I want to grab something, so can you please move a little?” Her first instinct is to say sorry and step back, but she manages to stop herself from speaking just in time. There’s a possibility that this woman might recognize her based on hearing her voice, so she simply nods and moves away from the fridge.

Seulgi takes a momentary shelter in an aisle that’s full of instant noodles. Her eyes happen to land on a pack of instant carbonara ramen that she loves. “I used to be able to afford boxes of this thing at once,” she thinks as she holds one in the air. She hears the fridge’s door closing and guesses that the woman is done grabbing whatever. “Alright, let’s not second-guess this.”

With renewed certainty, she makes her way back to the fridge and, without thinking twice, snatches a bottle of soju. After hiding it inside her jacket, she proceeds to go to another aisle to get some sanitary products. Seulgi has half a dozen items hidden underneath her jacket now, and as tempting as it is to get more stuff, she doesn’t want to risk it even further. “That’s it for now.” Seulgi fast-walks towards the exit, and as luck would have it, a bunch of other people are also about to exit, so if the alarms were to trip, no one would be able to point at her directly.

True enough, the shop’s alarms start blaring as soon as she walks out of the door, but she stays calm so that people won’t be too suspicious. Seulgi immediately makes a left turn into an alley, and that is when she starts running, hugging herself tightly as she does to prevent the stolen items from falling out. “C’mon, Kang Seulgi; you can make it home safely.”

-

“Thank you so much, miss,” you say as you take a cup of hot chocolate and a triangle kimbap from the server. “Of course, sir—come back again soon!” With a smile, you step away from the register and make your way towards the exit.

You take a sip from the paper cup, and your body immediately feels the warmth from the hot chocolate that serves as a salvation on this cold night. “Oh my God, that’s so good.” You set your hot chocolate on the hood of your car so that you can shift your attention to this warm triangle on your other hand.

“Alright, let’s see if their spicy tuna is actually spicy,” you say to yourself as you free the kimbap of its packaging. The taste of the first bite makes you let out a sigh of satisfaction; not only is the tuna filling properly spicy, but it’s also very flavorful. “I’m about to fucking bust from this,” you think.

You pull out your phone and take a picture of the café’s exterior— “Oh, I’m so sorry.” You turn around to see who just hit you. “Are you okay, miss?” You can’t see her face, but she gives you some rapid nods. You’re a little surprised when you see some soaps falling out of her jacket. “Let me grab that for you, miss.”

You bend down and pick up the soaps, but her hands are too busy hugging herself when you’re trying to hand them back. “C-can you put them in my front pockets, please?” You finally hear the woman’s voice. “Sure.” You lift the tabs that are covering her pockets and fill each pocket with a bar of soap.

“Here—" You hear a short static from your earpiece, thus interrupting your speech. “Unit 318, 10-40. 10-20, 102 South Boulevard. 10-21, complainant reports of a theft from the shop they’re working at. 10-12, await further information.” You keep your eyes on the woman as you wait for the rest of the call. “10-35, suspect is a female, wearing a brown jacket and a cap of similar color.”

The call finishes right as the woman begins walking away from you, but you manage to halt her by gripping her shoulder. “Not so fast, miss—wait a moment, please?” You lift the left side of your coat to talk into the radio hidden underneath it. “This is unit 318—10-4, will respond directly to South Boulevard.”

You pull her closer towards your car, and that is when you see that she’s shaking. “Are you cold, miss?” She simply shakes her head to your question, still not making eye contact with you. You’re quite confident that the call was about this woman who’s standing right in front of you, but obviously you can’t just arrest people based on gut feelings alone, so, “Miss, I have some questions for you, so please get in the car.”

With little resistance, the woman enters your car from the back door that you’re opening for her and takes a seat in the back of your police car. Once she’s seated comfortably, you sit on the driver’s seat and lock the doors. “Miss,” your voice is stern as intended, “will you please tell me your business, or do I need to take you back to the station first?” “D-do I not have t-the right to remain silent?” You nod as you turn on your siren. “Well, the station it is.”

You haven’t driven too far from the spot of arrest when the woman cracks. “O-officer,” she calls to you, “I-I give up—look, I-I’ll confess.” You make a quick stop on the side of the road. “Yes?” From the rear-view mirror, you see that the woman lets go of her jacket, and you see the pile of items hidden underneath it.

“I-I took some stuff from a convenience store.” You try to stay focused despite her curves that have been exposed to your eyes. “Those are daily necessities, aren’t they, miss?” She nods. “I-I don’t have money, sir, s-so I took them.” “You’re aware that it’s a crime, aren’t you?” She nods again. “P-please, officer, I-I need these things.” You sigh as you think about—wait, what is there to think about? It’s obvious that she has committed a crime. “Look, let’s get to the station first—we can talk more there.” “No, no, no—officer, please!”

You’re surprised to see that the woman has taken off her cap and mask. “Huh, I’ve seen you somewhere,” you mindlessly comment, “wait, you’re Kang Seulgi—you’re a celebrity, aren’t you?” The woman promptly breaks eye contact. “I-I was, officer; m-my agency went bankrupt.” “So, you had to shoplift to get stuff?” She nods. “I-I’m sorry, I-I should’ve known better.” You palm your forehead, oddly stressed about the fact that a celebrity (formerly, as she claims) has committed theft for such simple items.

“Can you keep a secret, Miss Kang, because I’m about to put my career on the line for you.” You’re a little startled when you feel her wrapping her arms around you from the back seat. “Of course I can, officer; I swear on everything that I’ll keep this between you and me.” You chuckle, and it might have come across as suspicious. “You don’t even know what I’m about to do, do you?” “W-well, that’s true,” she takes a moment to think, “y-you’re not going to rape me, are you, officer?” You’ve never heard something that absurd in your life before, especially in your career in the police force. “No, I’m not—are you out of your mind?”

You turn your head to the side so that you can see her in your peripheral vision. “We’re going to go back to the store and return those items,” you start, “after that, we’re going to go to another store, and I’ll buy you whatever you need.” Seulgi wraps her arms more tightly around you. “Yes, officer—thank you so much!”

You start driving again when Seulgi lets go of the hug. “I’m so fucking cooked,” you think, “can’t believe I’d see a celebrity shoplift.” “Officer,” you hear her say, “c-can I ask what your name is?” You nod. “Kang Hyunwoo, Criminal Investigation,” you briefly introduce yourself, “my family knows me better as Aiden, though; I’m of foreign descent, you see.” “We have the same last name?” You nod again. “That’s how it’s intended for us.”

-

Before long, you arrive at the store Seulgi stole from. “Wait here, okay?” You don’t wait for an answer and hop out of the car with the stolen goods in your hands. “Excuse me, excuse me,” you say as you make your way towards the front of the line. “Hello, my name is Kang Hyunwoo from the Metropolitan Police,” you introduce yourself to the staff, “I’m not too familiar with your system, but I’m here to return the stolen items.” The staff thanks you for your help and tries giving you a shopping voucher, but you politely decline. “Thank you, but that won’t be necessary,” you say.

 You quickly return to your car, and you’re glad to see that Seulgi didn’t drive away with your government-issued car. “You know, officer,” she says, “it was bold of you to leave a criminal alone in a running car—I could’ve driven away.” You chuckle. “I trust you more than I’d like to admit, Seulgi-yah.”

It is when you get in your seat that you realize that you might have been too friendly with her. “Anyway,” you clear your throat, “we still have some business at the station.” Seulgi’s face turns sour. “I-I thought you were going to buy me some stuff?” “Sorry, but that was a bait.” Seulgi gulps to swallow the anxiety that’s stuck in her throat. “C-can you just not let me go?” You shake your head. “I’m afraid not.”

“Daddy, please.”

You immediately turn your head towards her. “What did you just say?” “Please don’t turn me in, daddy,” she puts quite the emphasis on the name, thus making your jaw drop. “What the fuck are you talking about—why are you calling me that?” Seulgi takes off her jacket, thus exposing the tight-fit top that she’s wearing and showing you her perfect curves. “Give me a chance to change your mind, daddy—it’ll be worth your time, I swear.” “You’re not giving up your body to escape the law, are you?” Seulgi leans closer towards you, giving you a peek into her cleavage. “No, daddy; I’m giving up my body for you.”

“Goodness me,” you think. You’re oddly and seriously debating whether you’d turn a blind eye to crime in favor of sleeping with the criminal who happens to be a celebrity. “You’re dangerous, Miss Kang.” Seulgi shakes her head in protest. “Stop talking so formally, daddy; I’m yours for tonight, y’know.” You’re so unfocused that you press the ignition button again and shut off the running car. “Heh, I can tell when a guy is sold on an idea.” With red cheeks, you turn on the car again and immediately start driving. “We’re going to my place, baby.” “Oh, that’s exactly what I want, daddy—you’re going to take me to your place and fuck me until the sun rises again.”

-

“Wear your cap and jacket again, Seulgi-yah,” you’ve dropped the formality with her, “wouldn’t want to be seen running around with a cop, would you?” Seulgi looks at you blankly, making you confused. “Yes?” She shakes her head. “Nothing.” She puts on her identity concealment instruments as you’ve requested and follows you towards your apartment.

Seulgi quickly lets out a wow as she enters your apartment. “What a nice apartment.” You chuckle. “I’m sure a celebrity like you lives in a better place than this.” “I used to—not anymore, though,” she corrects you. “Fallen from grace, huh?” You say it with your back turned around, so you miss the way Seulgi’s face turns sour when she hears your words, only catching it when you look at her again.

You move to stand in front of her. “Sorry, I didn’t mean to say it like that.” Seulgi shows you a pretty smile. “It’s okay; I got what you meant.” She tries to hug you but gets confused when she doesn’t feel the shape of your body, thus tapping your body to figure out what’s wrong. “There’s some equipment underneath my jacket, baby,” you let the name slip out. Seulgi chuckles. “Yeah, should’ve thought about that first.”

You step away from her so that you can take off your jacket, and when it’s off, Seulgi can see your handgun and a pair of handcuffs that you keep on each side of the shoulder holster. “Ah, so those were in the way,” she says, and you simply nod is response. “Let me sort this out first, and then I’ll come back to you, okay?”

You unload your firearm and put it in the safe along with the magazine after making sure there is no bullet in the chamber. After that, you hang your jacket and holster on the wall hooks behind the bedroom door.

“Alright, so, what now?” You invite Seulgi to sit on the sofa. “You’re here right now because you want to escape the law, and to do that, you want to offer your body to me,” you don’t bother sugarcoating your words. “You don’t have to be so crass, though,” she says in a sad tone. You slowly reach for her knee, placing your hand on it. “I’m sorry; I’ve never been good with words.”

Your heart jumps a little when Seulgi places her hand on yours. “I wish we could talk—y’know, about ourselves.” “I mean, we can,” you say, “I’m off-duty right now, so at the moment, this is your safe space, and you’re safe with me.” She lets out a chuckle. “Didn’t you try to arrest me just minutes ago?” You also let out a chuckle. “Well, that was Officer Kang Hyunwoo from the Metropolitan Police—at this moment, I’m just 32-year-old Kang Hyunwoo.” “Oh, you’re 32? My group’s leader is 33,” she says. You laugh. “I know—I mean, your group was famous.”

Joyfulness disappears from Seulgi’s face, and in turn, it disappears from yours as well. “Unnie would be so disappointed if she heard about this.”  “I wish you hadn’t tried all that, and I’m not saying this as a law enforcer.” “What was I supposed to do, though? Should have I just asked someone to buy stuff for me?” “Honestly, I would’ve bought those things for you.”

Your heartrate jumps again when Seulgi puts her head on your shoulder. “Will you date me?” Her question doesn’t help you calm down. “S-sorry?” “I promise I’ll be a good girl for you, oppa,” she pulls out a new endearment for you. You fight the hesitation in your head and wrap an arm around her shoulder. “I have no question that you’re a good girl, but don’t you think you deserve someone better?" “Are you not a good person, oppa?” “I think I’m alright—I’m not perfect, you know.” “We can’t chase perfection in this world, oppa, especially when it comes to falling in love.”

It doesn’t take too much to make up your mind. “So, girlfriend, hey?” Seulgi grins. “I mean, I could be yours if you’d let your guard down and let me enter your heart.” You take a few deep breaths as you get ready to say this sentence that your brain has come up with, and with every second passing, you can feel conviction filling your head rather rapidly.

“I love you.”

You’ve never been so nervous to say such a short sentence before.

“Say it again?”

“I love you, baby—I love you with all my heart.”

Seulgi lifts her head off your shoulder and looks at you in the eyes. “I love you too, oppa, and thank you for the sweet words.”

You hesitantly reach for her chin, hoping that she’ll let you kiss her. “I know what you want, oppa.” She slaps your hand away and comes in quickly for a kiss, and right now, all you can think about is how soft her lips are.

Seulgi finds your hand without looking and guides it towards her tits. “Touch me here,” she softly whispers, and you’re eager to do just that. The cream top she’s wearing is so soft to the touch, and combine that with her perfect-sized tits, it feels like you’re dreaming—never in your life have you ever thought about being able to do this with someone like her.

Having had enough of your lips, Seulgi breaks the tangle. “Oppa,” she calls to you, “promise me this isn’t a one-night thing.” You shake your head, but gesture alone isn’t enough for Seulgi as she demands a verbal answer. “No, baby, it’s not a one-night stand; I want to be with you until you’re sick of me.” She laughs. “I won’t get sick of you ever, oppa, so we’ll stay together forever.” You peck her on the lips. “I like the sound of that, baby.”

Seulgi moves to sit on your lap; her crotch is grinding right against yours but blocked by the pants that each of you are wearing. “You know,” she says, “you’re so fucking hot—so fucking manly.” You laugh internally, because what does she mean you’re “manly.” “You’re so fucking hot too, baby.” “Yeah, oppa?” You’re getting hard as Seulgi grinds her crotch against yours. “Shit, haven’t you looked at yourself in the mirror?” She smirks, satisfied with your answer. “I wonder how you’ll react when I’m naked, oppa.” “Then let’s find out, baby,” you whisper right into her ear.

As horny as you are, you don’t forget to ask for consent if you can take her to the bedroom, and only after she says yes that you lift her by her thighs and make your way there. “Do you sleep with girls often, oppa?” You shake your head. “I haven’t gotten in a relationship in years, actually.” “You must have a huge load for me, huh?” “You know it, baby.”

You take a seat on the edge of the bed with Seulgi on your lap. “Hey, baby,” your tone is relaxed and soft, “look, before we start—” She interrupts you by placing a finger on your lips. “I consent, I want to be with you, and I love you.” You chuckle. “Well, that will do the trick.”

Seulgi lets her jacket fall onto the floor, and only now that you can see her curves properly. “My fucking God,” you exclaim, “fuck, I wish I had the words for this.” “I’m not even naked yet.” “Yeah, well, what are you waiting for?” She slaps your chest lightly. “I’m waiting for you to shut up.”

Your jaw drops when Seulgi takes off her top; her tummy looks so firm, her tits that are covered in black tight bra look so soft and full, and her neck looks like the perfect spot for hickeys. “God damn,” you wipe the drool off your lips, “aren’t you God’s most perfect creation.” She slaps you in the chest again. “Normally, I wouldn’t tolerate someone talking about me like that, but you’re my exception tonight.” Your eyes that have been roaming wildly all over her body shift to meet hers. “Just tonight? I thought we wanted to keep seeing each other?” “Well, actually,” she puts up a finger, “whether we can see each other again will depend on your, erm, performance.”

You have Seulgi sit on the bed so that you can undress. “My performance, huh?” You can see a mix of excitement and nervousness in her face. “I’ll show you.” You quickly get rid of your clothes, thus allowing Seulgi to have a look at the excellent physique you’ve maintained for God-knows-how-long. “Goodness me,” she bites her bottom lip sexily, “so that’s what you’ve been hiding from me.”

Seulgi stands closely in front of you and places her hands on your shoulders. “May I?” You express your consent with a nod, and that is when she begins running her hands all over your torso. “Do these girls know that you’re this sexy, because they’re missing out big time.” You chuckle. “I’m the sole reason that I’m not in a relationship—those women out there have nothing to do with it.” “Yeah, yeah, whatever you say.”

Seulgi’s eyes land on your cock. “Oh, speaking of big,” she reaches for the half-erect, half-limp shaft that’s dangling between your legs. “Say, how many girls have you torn in half with this, oppa, hm?” You laugh as your ego inflates. “You’d be the second.” It’s Seulgi’s turn to laugh. “You’re underestimating me if you think that I won’t be able to take you.”

Your heart beats faster when Seulgi kneels in front of you while her hands are still wrapped around your cock. “Oh, this will be a tight fit,” she comments. Before taking you in her mouth, she stretches her mouth first, making these funny expressions as she does. She catches you grinning and hits you on the thigh. “Don’t.” “I don’t know what you’re talking about.” “I know that face—that’s the I-can’t-wait-to-fuck-this-girl face.” You shrug. “I mean, can you blame me?”

Seulgi doesn’t answer your question with words and instead parts her mouth to let your cock in, and the first contact makes your knees weak. “Oh, God, baby,” you’re running out of breath already. You gasp sharply when more of your shaft enters her mouth, and it’s getting really difficult to stay upright. You feel her soft hands on your thighs as she fights her gag reflex to get as much of your length in her mouth as she can.

The gurgling sound that enters your ears when Seulgi removes you from her mouth is nasty but arousing. “D-did you like that, daddy?” You nod feebly. “You want to fuck my face, or no?” You take a few deep breaths to collect yourself. “No, baby; I don’t want to do it rough on our first date.” Seulgi shows you this gorgeous combination of lip and eye smile that you’re seeing for the first time tonight. “That’s sweet of you.”

You pull her onto her feet and invite her to lie in bed with you. “Can I ask how many guys have been rough with you?” “One,” she says. “I hope it wasn’t on your first date.” She smiles a little. “It was, but not on the first round.” You stay silent as your eyes are locked with hers. “What’s wrong, oppa?” The smile on your face is a gentle one. “I just can’t see myself going hard on you, baby; I feel like you deserve soft sex all the time.”

Seulgi rubs your face gently. “That’s sweet, but you have nothing to worry about; I can take whatever you send my way.” “Vanilla is what I’m sending your way tonight, baby.” Seulgi chuckles, and the way it hits your face makes you shiver. “You’re going to make me cry if you keep talking like that.” You place a hand on her cheek and rub it with your thumb. “I swear on everything I have, baby, that you’ll be crying for all the right reasons with me.”

“I’ll hold you to that, my love.”

With a warm heart, you pull her into a kiss, and you wholeheartedly hope that Seulgi can feel the tender love you have for her.

“Take me, love; make me yours,” she whispers softly. You roll over so that you’re on top of her. “Your pants are in the way,” you crack a little joke, and you’re successful in making her laugh. “Do something about it, please—pretty please?” “Oh, you’re pretty, alright.”

You move backwards a bit until her crotch is right in front of your face. “May I?” “Yes, you may.” You unlatch the metal button of her pants and undo the zipper. You then continue to drag her pants down her legs until they’re properly off. Seulgi also cooperates by taking off her panties—that has a wet spot in the center—herself.

You give her pussy a little peck (thus earning a cute little moan) before returning to your previous position on top of her. “Show me how much you love me.” You peck her on the lips once. “Gladly, baby.”

With your cock in one hand, you guide yourself to enter her warm pussy, and Seulgi immediately lets out a long moan because of the first contact. “You make me feel like this is my first time, oppa.” “With me, this is your first time, and I’ll be your last because you’re not leaving me ever.” “Are you that sure about us?” “Yes, baby, so God help me.”

You see that Seulgi’s dams are threatening to burst, so before it does, you distract her by pushing your cock deep into her. “I’ll be the best girlfriend for you, oppa—no one else deserves me like you do.” You silence her with a soft shush. “Let’s focus on us right now, baby.”

Seulgi holds you tightly, locking you in place close to her but still gives you enough space to keep moving your hips. She wants to express how safe and loved she feels in your arms, but her lips are busy moaning. “I know you can’t hear me, but I love you,” her heart says. “I know you can’t hear me, but I want to be with you for a long, long time.” A particularly deep thrust disrupts her train of thoughts, making her hide her face in the crook of your neck. “I love you, Kang Hyunwoo—I love you so much.”

At one point in her life, Seulgi heard that the heart controls the mind, and the mind controls the body. Right now, all her heart wants is to show you just how much she appreciates you—how much she appreciates this new relationship that she’s building with you. Without too much convincing, her mind agrees with the idea and, in turn, signals to her body that she’s highly enjoying this hot sensuality you’re offering her.

“L-love,” she calls to you, “I-I won’t last long.” “That’s fine, baby.” Your deep voice in which your reply is said sends goosebumps all over her body. “I don’t want you to last too long anyway,” she hears you say. “Y-you don’t?” Seulgi feels a sudden peck on her lips. “You finishing early would mean that you could feel my love, and that’s what I’m aiming for right now.”

Seulgi’s moans become more frequent as she inches closer to the checkered line. “Love me, oppa—love me, love me,” she chants into your ears. She gets ecstatic when the pace of your thrusts grows faster. “Yes, just like that, oppa.”

“Can you feel that?”

"Damn right I can.”

“Then give it to me, oppa; I deserve it.”

“Oh, yes, you do.”

Seulgi is the first one to crack, announcing her orgasm with a scream from the top of her lungs. “Oh, what an amazing girl,” you praise her while petting her head gently. “You’re such an amazing girl, aren’t you, baby?” She keeps squirming around in your arms as she rides the high of orgasm, moaning freely as she does.

You keep whispering sweet words as you wait for her to calm down, and finally, after what felt like forever, she’s now able to speak coherently again. “I-I love you,” she’s out of breath now, “I-I want no one else but you.” You spray kisses all over her sweaty face. “I love you more, baby.” Seulgi giggles a little. “Y-you’ll give me your load if you really love me.” “One second, baby; let’s calm down first.”

Soon, Seulgi signals that she’s ready to help you get to the finish line and asks that you resume your thrusts. “Don’t forget to cum inside, love.” Initially, you hesitate, but she repeats the line, and it’s clear that you have no other option. “As you wish, baby.”

Apparently, you were only a few pumps away from orgasm, thus busting deep into her after a handful of them. “Oh, fuck, that’s so warm.” You hit her cheek very, very gently. “No profanity during vanilla, please.” “S-sorry, b-but you’re so warm in me, love.” You kiss her fleetingly. “That’s just how much I love you.”

-

“The court hereby orders the defendant to pay 200.000 in fine and do 10 hours of community service.” The judge slams her hammer on the round pad repeatedly, thus officially passing the sentence for Seulgi’s crime that thankfully has been deemed as minor after considering the severity of it and her previously clean record. “The officer may escort the defendant out of the courtroom.”

You make your way towards your girlfriend as she stands up and place a hand on her cuffs. “Time to go, miss,” you whisper. Seulgi simply nods and starts walking to wherever you’re taking her.

You see that there’s an empty room on the first floor of the courthouse, so you open the door and enter with Seulgi. You take your hat off and put it on the table while she takes a seat on one of the available chairs. “Love, I can’t pay that,” you can already hear the anxiety and fear in her voice, “shit, had I had money, I wouldn’t have stolen.”

There’s no CCTV in this room, but there are see-through glass panes on the wall to your right, so you can’t touch her no matter how much you want to.

“I have money, baby.” You’re sure that Seulgi understands what you’re talking about.

“B-but I can’t do that.”

“You either take my money or go to jail for failing to pay—the choice is yours.”

It doesn’t take long for Seulgi to make up her mind.

“Erm, I-I’ll take your money; I don’t think I have other options.”

Now that the two of you have come to an agreement, you ask Seulgi to stand up again so that you can take her to the bank to pay her fine. You maintain character from the moment you exit the little meeting room until you’re hidden in the privacy of the police Sonata you’re assigned to.

“So, here’s the game plan, baby,” you start, “I will give you this card, and you’ll withdraw 200.000 and use it to pay the fine.” You don’t see her reaching out a hand, and that is when you remember that her hands are still cuffed behind her back. “Oh, I forgot about that—I’ll let you go when we get to the bank, okay?” Seulgi laughs. “I was starting to think that you had a bondage kink.” You look away to hide your smirk. “Maybe we’ll find out soon.”

-

After a short drive, you arrive at the bank with Seulgi.

You look at her through the rear-view mirror; with her wrists restrained behind her back, you have unrestricted view of her plump tits that you love so much. “I know you’re looking at my tits, you pervert,” she calls you out and sticks out her tongue in playful mockery. “You know I can’t keep my hands off the cookie jar.”

You get out of the car and open Seulgi’s door—wait, why does she look weak?

“You alright?”

She shakes her head, and you can’t help but scratch your head in confusion.

“I need some vitamin D, and I’m not talking about the substance.”

“Then let’s go in there, pay this God damn fine, and go home, hm?”

“I can’t,” she shifts a little to show you her bound wrists, “daddy is tying me down.”

You pinch her on the thigh.

“Let’s not play around too much right now, Miss Kang.”

After freeing Seulgi from the cuffs, you hand her your card and head inside, and you almost forgot that you can’t be seen holding hands with her while you're in uniform.

“Good afternoon,” Seulgi greets the staff member, “my name is Kang Seulgi, and I’m here to pay a fine.” The staff asks Seulgi about some things to confirm her identity and the sum that needs to be paid, and after everything is verified, Seulgi hands your card to the staff so that the payment can be processed. After a brief moment, “The payment has been verified, and this is your receipt.” From where you’re standing, you notice the way Seulgi’s body relaxes as she takes the receipt and card from the staff. “Thank you.”

Seulgi sighs deeply in relief and offers her wrists to be cuffed again, but at this point, it’s no longer necessary—in fact, it hasn’t been necessary since you left the courthouse, but she doesn’t know that. “You’re free to go, Miss Kang,” you say, back in character. “Oh, really? Is that it?” You nod. “Aside from the community service, you are now a free woman.”

Seulgi asks you to follow her outside, and it appears that she wants to get back in the car for some privacy.

“Love,” she calls to you from the back seat, “thank you for everything, seriously.” You smile gently. “Of course, baby; now promise me that you won’t steal again, okay? Come to me whenever you need anything, and I mean anything.”

Your heart is promptly filled with warmth when she hugs you from behind. “Never thought I’d date a cop, but here I am.” You chuckle. “I bet you thought that you’d end up with some rich guy.” “No,” she denies, “those guys are fake; they probably just want my money or my body.” “I mean, you do have a body that guys would kill just to have a chance to lay with you.” “Yeah, well, they’re not getting me ever—I’m yours now, remember?”

-

Usually, you have nothing to be excited about or look forward to when you get home after a shift, but now that you have Seulgi living with you full time, you’re always excited to go home, and it is no different today.

The way your heart is beating with excitement has your finger trembling as you enter the passcode to your apartment, and when you open the door, you’re instantly met with your girlfriend who has the beautiful grin and eye smile that you adore so much.

“Welcome home, love!” Seulgi greets you with open arms, and you waste little time to fill the space between them. “How was your day?” You let out a deep sigh to show how tired you are. “It was pretty exhausting, actually; I had to train shooting and worked out after that.” Seulgi turns her head to the side and gestures at the kitchen. “I may have some food for you.”

Seulgi drags you towards the dining table, thus showing you the table that has two bowls of tteokbokki on it. Based on how it’s presented, you estimate that she must’ve cooked this herself. “Oh my, thanks a lot, baby.” She gets on her tippy toes to peck you on the forehead. “Thank you for coming home—your timing was perfect, by the way.” “I’ve heard that before in my life.”

Seulgi pulls back a chair for you to sit on. “Let’s eat quickly, love, and then we’ll talk.” Your heart rate spikes for a moment. “Am I in trouble?” She shrugs. “I don’t know—are you?” “I don’t think so, but maybe I’ve missed something.”

You stare blankly at the bowl in front of you as you try to figure out if you’ve done anything wrong. Currently, there are two things in your head that might be the reason why she’s unhappy: you forgot to buy some eggs and instant noodles that she had asked for yesterday, and on the following morning, you rejected her offer to do a quick one.

Seulgi saves you from drowning in your own thoughts by placing her hands on yours. “Hey, now,” her voice is so soft, “I was just playing, love; you’re not actually in trouble. “I’ll buy you those eggs after this,” you blurt, and the suddenness of it makes your girlfriend burst out laughing. “Oh, don’t worry about them.”

She picks up a piece of tteokbokki with her chopsticks and invites you to do the same, so you do just that. There’s a bit of unease in the back of your mind that leads you to scratching your nape. “Thank you,” are the first words that leave your lips, and those are enough to make Seulgi smile. “You’re welcome, love,” she replies.

Like a cat, you shake your head rather violently to get rid of unnecessary thoughts in your head, and with renewed focus, you’re ready to take a bite of tteokbokki that you already know will blow your socks off. “Oh, I really like this, baby; this is really good,” you praise the fruit of her work. Seulgi blushes a little. “You always say that to everything I cook for you.” “You know how easy it is to please me—give me anything edible and I’ll say it’s good.” “But not eggplant.” “Anything but eggplant, yes.”

-

Seulgi says she wants to get a shower before going to bed, so after washing dishes with you, she makes her way towards the bathroom. “Join me,” she says as she jogs towards her destination. “Gladly.” You take the chance to undress yourself and put your equipment away while she’s off doing her business in the bathroom.

The door to the bathroom isn’t shut all the way, so you simply push it open, and that is when you see Seulgi standing under the shower, water flowing freely on her curves from top to bottom. After stopping the flow of water, she makes a “come here” gesture at you, and you waste little time to get close to her. “My, aren’t you God’s most perfect creation,” she recites your words from the first meeting. “Is it safe to say that we’re going to completely spend our batteries tonight and wake up late tomorrow?” Seulgi laughs. “You rejected me yesterday, didn’t you, love?” You answer in the form of a nod. “So, this is your chance to make things right with me, and you may start now.”

You take a few steps forward, thus making Seulgi step backwards until she’s pressed against the wall. “Vanilla, baby?” “No, daddy.” The name makes it obvious what she wants from you. “Safe word?” “Teddy.” You reject her choice because it sounds too similar to the kinky name. “Cookie, then.”

After agreeing on the choice of safe word, you quickly lean in for a kiss to kick things off, and as usual, Seulgi places her hands on your shoulders. “Tell me, daddy—what’s in that head of yours?” It’s a habit between the two of you to share each other’s plans before the actual sex to make sure you and her are on the same page. “Tell me your ideas first, baby.” Seulgi puts a finger on her chin. “Hmm, let’s see,” you can see the gears in her head spinning, “what about locking my wrists together, daddy?” You’re immediately sold on the idea. “Let’s do it, then.”

Seulgi gets down on her knees. “First, feed me your cock, daddy.” You hold your cock in one hand. “Choo-choo, the meat train is coming through.” Seulgi, who initially had her mouth open to take your cock, bursts out laughing. “Meat train? Really?” You pout a little. “Just play along, please.” “You’re so funny sometimes, daddy.”

“Only some—oh, God, fuck.”

You let out a profanity when Seulgi suddenly puts your cock in her mouth. “Oh, God, that never gets old.” You try your hardest to breathe at a normal pace as she begins moving her head along your length, and this is where you start regretting your decision to reject her offer to have sex yesterday. “Are you trying to make me pay for saying no, baby?” You grit your teeth in pain when she bites your cock slightly. “I’ll take that as a yes.”

You notice that she’s starting to pick up the pace, so you put a hand on the back of her head to prevent her from hitting the wall. “Relax, baby; you’re going to make me bust if you don’t slow down.” She doesn’t listen to you and keeps the fast pace—at least that’s the case until the tip of your cock hits an odd spot in her throat, thus making her gag. As soon as you pull out of her mouth, Seulgi begins coughing violently. “You’re okay, baby,” you say repeatedly while petting her head softly.

“100 days together and I still can’t take you deep,” she says, seemingly disappointed in herself. “That’s okay; I’m not mad or anything like that,” you assure her, but it appears that she doesn’t want to hear it. “That doesn’t mean that I get to slack off,” she argues. You deny her attempt at taking you in her mouth for the second time by gripping her hair. “No, no, no, let’s have a timeout first.”

You leave Seulgi seated on the bathroom floor to get a towel to dry her body with. “You want to move, don’t you, daddy?” You nod. “You’re my girlfriend, so let me treat you the way you deserve to be treated.” Seulgi rarely blushes, but this is one of those times where she feels like she can’t help it. “Am I lucky to have you, daddy, or are you lucky to have me?” The question sounds like a test, but you still answer properly from the bottom of your heart. “From my perspective, it’s me that’s so lucky to have you. If you think that you’re lucky to have me, then that’s a huge honor for me.”

You sit in the center of the bed with Seulgi still in your arms and are ready to have sex, but it changes when she begins tearing up. “Are you okay, baby?” She fans her face with her hands to get herself together. “Oh, don’t worry; these are tears of joy.” You’re glad that your nails aren’t long because you’re now able to wipe her tears without worrying about scratching her. “I promised you that you’ll be crying for the right reasons, didn’t I, baby?”

“I-I don’t know if I can continue, daddy—I’m sorry,” she’s still unable to stop crying. You chuckle. “Tell me how I’m supposed to be rough with a softie like you, baby, hm?” “Well, y-you’re supposed to be mean and dominant.” “I can’t be mean to you, can I, my love?” The way you say the last two words must’ve triggered something in her heart, because her cries grow louder than before. “Oh, I’m so sorry—look, I’ll get you some ice cream, okay?”

You rush to the kitchen quickly to get a cup of strawberry ice cream for her, and when you return to the bedroom, Seulgi is curled up in the middle of the bed. “Seulgi-yah, my love,” you tap her thigh to get her attention, “do you want some?” “Y-yes.” Once she’s seated, you move to sit behind her and have her lean against your body. “Look at this, baby,” you open the lid for her, “it looks so tasty, don’t you think?” “A-and soft like me,” she adds.

You take a spoonful of ice cream and guide it to her waiting mouth, repeating it a few more times until Seulgi says stop. “You know,” she says, “I remember overhearing a guy talk about how he fantasized about fucking me hard like a cheap slut.” Your brain starts getting filled with anger, because what the fuck kind of fantasy is that. “Really?” She nods. “H-he said he’d tie me down and fuck my ass.” “I don’t mean to prod too much, but have you taken a penis in your ass?” Seulgi shakes her head. “I’m naughty but not that naughty.”

You feed her another spoonful of ice cream as you think about her words. “Can I ask who this guy was and how you overheard him?” “H-he was, erm, a fellow trainee, a-and I happened to be walking past a room he was in when he said it out loud.” You’re very baffled; if he was a fellow trainee, that means that he was around Seulgi’s age, and for someone that young to have that sort of fantasy sounds nasty. “He didn’t debut, did he, because there are many male celebrities from your old label.” Seulgi shakes her head again. “He didn’t make the final debut lineup.” Hearing her answer makes you let out the biggest sigh of relief in your recent memory.

You have a few sentences in your head that you hope will convince Seulgi that you’re not that type of person, but after the first sentence leaves your lips, she won’t let you continue. “I can tell from day one what type of person you are behind your façade.” You scratch your head in confusion. “Am I that easy to read?” She chuckles. “I’ll say that your book was a bit open.”

The ice cream has run out, but thankfully, Seulgi is no longer crying. You put the small wooden spoon in the empty cup and put them on the bedside table. “I hope I helped you feel better,” you say. “I mean, I wasn’t sad necessarily, but you did help a lot.” She moves to sit on your lap after freeing herself from your arms.

“I love you.”

“I love you more.”

Seulgi grins, satisfied with your quick answer. “Are you down to make some promises?” “Let’s do it.”

Seulgi asks you to go first, so you say the first thing that comes up in your head. “Promise me that you won’t leave me when you’ve got back on your feet.” “Excuse me?” You sigh deeply. “You met me when you were in a rough spot, and I sincerely hope that you won’t leave me when… you know, you’re in a better situation—maybe when you get a job or something like that.” She holds your face with her soft hands. “No, I will never do you like that—I’m here right now because of you, love.” “So, you promise?” She nods rapidly to show seriousness, and seeing it warms your heart. “Thank you, baby.”

Seulgi looks away momentarily. “I had something in my head, but you threw me off.” You stay silent to see if she manages to find something for you. “Okay, how about this,” she says, “promise me that you’ll propose to me and make me yours.” Your eyebrows rise involuntarily. “Propose to you? Are you that sure—” “Yes,” she interrupts you before you can finish your sentence. “You’re law enforcement, so what better way is there for us other than to formalize our relationship in the eyes of the law?” The phrasing makes you want to laugh, but your brain manages to stifle you from actually laughing, citing inappropriate timing. With that, your response is, “We’ll work on it, love.”

Seulgi quickly shifts to get on her knees in front of you. “Fuck everyone else; I’m the only one for you, and you’re the only one for me.” You rub her cheek gently. “What are you talking about, love?” Instead of answering your question, she repeats her line. “Love, seriously, what are you talking about?” “My ex,” her answer is a short one. “Why are you thinking about him?” She looks at you dead in the eyes, and you swear there is smoke coming out of her ears. “I’m not—if anything, I wish I could erase him from my memory.”

You don’t know how to react to that aside from saying that he’s completely irrelevant in your and Seulgi’s lives. “Please don’t bring him up again,” you say sternly. “Yes, daddy.”  She must be in the same head space as before when the two of you were in the bathroom. “Oh, you’re saying it again, huh?” She palms your limp cock. “You distracted me with that ice cream, but now I’m ready.” You run a thumb on her cheek. “You were literally in tears and said you couldn’t continue—how could I have ignored that?” “Yeah, well, that’s now in the past,” she deflects, “let’s focus on the here and now, daddy.”

Seulgi crawls backwards until your cock is right in front of her eyes. “Oh, you’re so hard already.” “How can I not when my beautiful wife is naked in front of me like this?” She grins. “I’m your wife?” “Yes, you are—also, it’s not like there’s anyone else in this room, is it?” “There’s no one else in this room aside from the two of us, and there’s no one else in my life aside from you, daddy.”

Without breaking eye contact, Seulgi eases your cock into her mouth, wasting little time to start things off. She then grabs your hand and places it on the back of her head. “Ah, of course, how could I forget?” You start petting her head gently. “You like this, don’t you, baby?”

You make sure the praises keep flowing out of your lips without obstruction as your soon-to-be wife moves her head back and forth along your shaft. “God, you’re amazing at this, baby.” Enticed by your words and the pets on the back of her head, Seulgi picks up the pace, thus filling the bedroom with slurps and other sounds that escape her mouth that only add to your arousal. “I’m starting to think that you like my dick more than that ice cream,” you quip.

Before long, Seulgi removes you from her mouth to come up for air. “You know, I’m curious what it’d be like if I could take your whole dick in my mouth.” You take a rough measurement of your cock with your palm and estimate how far your cock would go. “The tip would be in your throat, baby.” She licks her lips, curious about how that would feel like. “Can I try?” You shake your head. “I don’t want to suffocate you with my penis,” you reason.

You invite Seulgi to sit on your lap after closing your thighs, but instead of simply straddling them like you hoped, she puts your cock in her pussy first before actually sitting on your lap, thus forcing the two of you to moan in reflex. “You like that, daddy?” “How can I not when you’re this tight?” Seulgi rewards your good answer with a fleeting kiss. “At what age do you think we’ll stop having sex, daddy?” You shrug. “I don’t know—60, maybe?” “I doubt it; with your physique, you’d be able to fuck me until we’re 80.”

You want to say something else, but your train of thoughts got derailed when Seulgi starts moving her hips. “I-I’ll stay tight for you, daddy, even if we have a lot of children.” “I don’t doubt it,” you’re getting breathy.

Without command, Seulgi picks up the pace to the maximum that she can do, her sexy moans flying out her lips without rest. It is when you take her tits in your hands that her moans get louder. “S-suck them, p-please.” You do as she asks and put one breast in your mouth while stimulating the other with your hand. “Yes, like that, daddy—suck my tits like our future children would.”

It's not fair for you to only stimulate one breast, so you let go of the first one to make room for the other. You keep sucking until you notice that Seulgi slows down. In retaliation, you lightly bite and pinch her nipples. “Oh, God, don’t do that,” she jolts, “l-look, I-I’ll start again.”

Seulgi eventually pushes you away from her plump breasts and falls backwards onto the bed. “I-I’m tired—y-you’ll need to fuck me this time,” she says between heavy pants. You don’t bother waiting for her to calm down, opting to start again right away to ensure maximum stimulation.

Initially, you’re holding Seulgi by her legs as you’re thrusting into her, but as time goes on, you’re starting to fold her legs over her body. “Fuck me, daddy—fuck me nice and fast,” she eggs you on. You fasten your grip on her ankles as you prepare to give her your absolute everything, and not too long after you’ve started, Seulgi is reduced to moans and screams as her eyes are rolling backwards.

All you can think about right now is how wet and tight— “D-daddy,” she snaps you out of your horny trance, “I, I—c-cum, daddy.” You quickly pull out of her pussy and aggressively rub her clit, thus making her scream. “D-daddy,” her orgasm is getting so close, “I-I’m—your fingers, daddy, fuck!” “Cum, baby; cum for daddy,” you urge her.

With an ear-piercing scream, Seulgi explodes, soaking the bed with her juice. Once she’s done squirting, you drag her around and position her until her legs are dangling off the edge of the bed. “You want to be tied?” Seulgi nods slightly. “Then tied you will be.” You grab a pair of handcuffs from your equipment holster and lock her wrists together with them. “Are you ready to go again, though?” She nods again. “Fuck me, papi.” Hearing the new name makes you chuckle. “One day, we’ll sit down and talk about our kinks, okay?”

Seulgi moans when your shaft enters her again and screams when your palm lands on her butt. “You’re fucking naughty, aren’t you?” “Y-yes, officer.” You spank her once more. “That’s inspector to you, Miss Kang—or papi, like you said yourself.”

You fix your hands on her waist as you fuck her tirelessly from behind, her butt cheeks bouncing around as your hips crash into them. You notice that her small, puckered ring keeps peaking at you every now and then, and an idea enters your mind: what if you put a finger in there?

You coat your thumb with spit to prepare it for a brave adventure to a brand-new world that is her asshole. Seulgi jolts when she feels your thumb in the entrance of her forbidden hole. “D-daddy, gently, please,” she begs, but instead of getting an assurance that you’ll indeed be gentle, she gets a spank on the butt instead. “You’re mine, slut.” You feel a tinge of guilt for calling her with such a pejorative name, but you’re half certain that she’ll understand considering the current situation.

Seulgi grits her teeth as her asshole stretches to accommodate your thumb. “How are we feeling?” “G-good—oh, fuck, fuck, fuck!” She begins squirming around when she feels your thumb moving in and out of her asshole. You don’t give her a chance to breathe as you opt to start fucking her again with your thumb still stuck in her ass.

Amidst her endless moans, a thought enters Seulgi’s mind: should she let you fuck her ass?

“Maybe I should.”

“Fuck, it’ll hurt so bad, though.”

“So what? He’ll be the first and last.”

“But he’ll stretch me like crazy.”

“Let him claim you.”

Her conversation with herself ends when she feels that your thumb is no longer lodged in her ass. She gathers her strength to turn her head towards you to look at you. “D-daddy,” her voice is barely heard.

“Yes, baby?” You couldn’t hear what she just said, so you lean forwards and ask her to say it again. “F-fuck my ass, daddy.”

Your eyes widen in shock; did she just ask to be fucked in the ass?

“You’re a virgin there, though, no?” Your answer is some feeble nods. “I-I couldn’t bleed for you, s-so claim my ass a-and make me yours.”

You pull out of her pussy so that you can address this further. “Baby, you know I have no problem with not being your first.” “J-just do it, daddy—l-let me show you exactly h-how much I love you.” “Are you sure?” “Y-yes,” she answers briefly. You ask once more and get the same answer, so you know that her mind is made up. “Safe word?” “C-cookie,” it appears that she hasn’t forgotten it. “Alright, let’s do it, then.”

It is when you’re back in your previous position that you realize you need something to make it hurt less for Seulgi. An idea pops in your head: “Her pussy will be able to coat me,” you think. You plunge into her pussy again and pump a few times until your cock is shiny because of her juice. For extra measure, you also coat your cock with a lot of spit.

“I’m ready, baby—are you?” She nods. “Claim me,” she repeats. “Stop saying it like that,” you protest. “J-just give it to me, please.”

Seulgi gasps when the tip of your cock touches her puckered ring. “Gently, love—I’m begging you,” she begs, changing the callout name for good measure. She inhales sharply when the tip of your cock stretches her virgin ass. “Please be gentle,” her voice starts to crack, and it’s understandable, too; this is her first time after all.

You push forwards into her pussy every odd second to not hurt her even more. Seulgi turns her head towards you, thus showing you the pooling tears in her eyes. “P-please tell me I’m doing well,” she says. “You are, baby; you’re doing so well right now,” you assure her, your hips still. It hurts your heart seeing your beloved woman be in tears like that, but it was her idea to give her ass to you, her beloved man, with whom she wants to have a life with.

“Love, take me.”

 Using her urge as fuel, you begin moving your hips back and forth, thus properly and officially taking her anal virginity.

“Does it hurt so bad still?” “Y-yes, b-but it’s fine—t-this is what I want,” Seulgi deflects. You take a few deep breaths to focus your mind on the task. “Alright, I’ll try moving now, okay?”

You maintain this relaxed pace as Seulgi’s muscles adapt to your intrusion, and slowly but surely, moans begin streaming out of her lips. “That’s better, love.” You place your hands on her butt cheeks to caress them. “You’re incredibly tight, baby.” “T-that’s—AH!” A particular thrust makes Seulgi scream. “T-that’s your proof that I-I’m a virgin there.” “I never asked for proof, but thank you, my love.”

Your orgasm approaches at an alarming rate with every thrust of your hips. On one hand, you’re happy, because it means that Seulgi won’t have to suffer for too long. On the other, you’re worried that she’ll be disappointed by your performance tonight. There is one way to make sure, and that is to simply ask. “Love, can I cum?” She nods. “S-sooner than later, please, daddy.” “Brace yourself, baby—feel free to tap out, though.”

After delivering a warning, you pick up the speed, fucking her ass fast like it was her pussy, and Seulgi immediately sinks her face into the bed to muffle her voice. You instinctively spank her, thus forcing another scream from her, but regret it right away. “Fuck, sorry, baby; force of habit,” you say, apologetic.

You can feel the way your cock is throbbing in her ass—orgasm must be very close. “Baby, I’m—” “Do it, daddy—f-fill my ass.” “Alright, okay.”

You leave the entirety of your cock lodged in her ass as you blow semen deep into it, thus officially marking the end of this painful first-time. After you’re done filling her, you retreat out of her ass, and after blinking a few times, her asshole properly closes, locking your cum inside.

You grab the cuffs’ key so that you can unlock them, and after she’s free, you flip Seulgi onto her back and pull her into an embrace. “It hurt, didn’t it, love?” “Y-yes, but I’m yours now.” You put on a gentle smile for her. “Thank you so much, love—I love you.”

-

You’re back in bed after a long shower with Seulgi, and what’s left for you to do is to take care of her, which consists of several non-skippable steps.

First, you hold her tightly.

Second, you say, “Love, thank you so much, seriously,�� to express gratitude and appreciation.

Third, you come in for a kiss—one that is passionate to support your words.

“Don’t leave me now, love.” “How can I leave you when I’m so in love with you?” Seulgi lets out a tiny chuckle. “Are you in love with me or my body?” The question offends you a touch. “Surely you don’t think that low of me.”

Seulgi shuffles around rather wildly. “Are you okay?” She huffs in frustration. “You’re not close enough.” You laugh. “Our skin is literally touching, baby.” “No, not enough.”

Seulgi mounts your lap and puts your semi-hard cock in her pussy. “Oh, there we go.” You tease her by thrusting upwards but earn a slap on the chest in response. “Don’t—I’m already so sore.” “Are we sleeping like this, then?” She nods against your cheek. “If you wake up first tomorrow, feel free to fuck me and cum inside.”

You chuckle. “That’d be a crazy way to start the day.”

[rabid-invertibrate]

Um actually Vander isn't fully gone (the complete proof) (HEAVY SPOILERS)

spoilers for the entirety of arcane s2 obviously watch it if you haven't or don't if you care about your mental health

Although we see his memories/emotions get acetoned away in s2e7s final scene, and the following battle with his kids has him attacking them pretty rabidly.

But wait...

Tumblr compressed this image to hell, so you'll just have to trust me.

If you look closely as he lunges at Vi and Jinx, a tear appears in his right eye (not previously seen)

We can see it better after Jinx hits him with her rocket.

After Vik gets Jayced we see these tears on full display. The size of the tears is significantly larger, so we can assume they were spilled as Warwick corrupted the girls with void magic, indicating some amount of awareness.

Of course immediately after the screencap above Warwick attacks Vi, Jinx does a side slam and the father daughter duo barely get caught by Vi's gauntlet

Jinx and Vander plummet to their presumed deaths (they are both alive, but for drama’s sake, let's pretend). Vander/Warwick doesn't attack Jinx despite her being entirely in his grasp.

He could shred her right then and there. A mindless beast would, he doesn't.

Vander holds Jinx gently, he doesn't dig into her flesh, he just holds her and lets Jinx cup his face.

We see a flashback of Vander watching the girls sleep. Since he is the only conscious one in this situation this implies is that it is not Vi's or Jinxes memory, only Vanders.

Reader, you might think, well how the hell does he remember anything didn't he get mind wiped an episode ago. To that I respond I don't fucking know, but arcane is VERY intentional with its details and nothing else makes sense.

Jinx escapes, this isn't even subtle. She does so BEFORE the bomb blows. In no universe would Jinx break Warwicks grip, hell, she's toast if any stronger character grabs her (fe. Ambessas bodyguard). Do you know what that implies??

Since Warwick wasn't incapacitated at that point, HE WILLINGLY LET HER GO. He used the last shreds of humanity to give his daughter a second chance at life.....

I AM NOT OK

Below there's the more speculative part I'm not sure of.

Warwick, unlike Jinx, didn't escape into the air ducts. But we've seen him survive significant explosions in the very same episode, moreover he survived Isha blowing him up with the force of 3 magic orbs, and yet he lived.

This can only imply that Warwick/Vander survived. Of course the previously mentioned flashback shows Vander blowing a candle out which can symbolize his life ending, but I'd say it's more likely a subtle way of showing the destruction of their family unit as it was.

Edit: some people are calling this theory copium I'd agree at first but now that I thought about it more Vanders fate is objectivelly worse than death so i dont know if me being potentially right is a good thing.

(COMPLETE COPIUM BELOW)

I am aware this is complete copium yet maybe Jinx took him wherever the fuck she went on that airship to heal him up while sparing Vi from fighting their unkillable werewolf dad over and over again. Vander is still in there are proved by this long ass post, and I think Jinx knows that. I don't think she could give up on Vander like she wanted Ekko and Vi to give up on her.

□

Cool additional fact pointed out by commenter:

[sapphic-kpop-fics]

Can I request this Prompt: Wrapping their fingers around your wrist and guiding you to where they desperately need you. With Yeji. Thank you.

Needy (Hwang Yeji x Reader)

Smut

Your girlfriend and leader Yeji was by no means an entirely dominant person, she tried being a serious leader when doing group activities and outside viewers would be surprised at the sight of her currently.

In your bed, shirt and underwear off, wearing only a bra and a skirt that was almost flipped completely up to show her bare bottom half. One hand rests on her upper thigh while the other is palming her chest over the lace fabric while your lips left kisses and bites on her neck. Her breath shook and little whines left her lips which she was biting to mute her noises as the members were scattered through your dorm.

“Please.” She whimpered out, her voice barely there.

“What do you want baby?” You smirk into her neck before pulling away to look at her.

“You know what.” She rolls her eyes a bit.

“I want you to say it.”

“Come on.” She whine, frustration and Impatience took over Yeji as you had been making out and teasing her for an hour by now.

“If you keep acting like that I won’t touch you at all.”

“Seriously?” Her attitude less but still there, “please.” She adds looking at you with big pleading brown eyes, a light pout settling on her lips.

“You’re hard to say no to you know.” You push the hair out of her face, looking at her with a mix of adoration and lust.

“Don’t say no then.” A smile replacing the pout as she grabs the hand on her thigh and slowly pulls it to her center, you can feel how wet she was practically dripping onto your hand, “I need you.”

And who are you to deny her when she’s looking at you like that, blown pupils and the way her chest heaved even as you so much as look at her.

Collecting some of her wetness on your fingers you move them up to start making small circles on her clit making her arch slightly into you, her bare chest brushing against you.

“Fuck.” She whispered out, followed by a whimper muted by her teeth bringing her bottom lip between them, an attempt to keep quiet.

“Gonna be good and be quiet for me?”

“Yes.” You push your fingers into her entrance as she answers, the end of her wording ending up a high pitched whine that gets cut off by her own hand covering her mouth.

“You’re so pretty.”

Yeji just moans at your words, too focused on her pleasure and keeping her volume down, her eyes roll back as you speed on the pace of your fingers.

“Please” Your girlfriend finally manages to get out as moves her hand to your back and she hides her face in your neck to muffled the sounds she’s making.

“Please what baby?”

“I-“ you speed up once again, and you can feel her tighten around you a sign she’s close which is not surprising as you teased her for an hour prior, “I need- fuck.” a couple tears leaves Yeji’s eyes as the pleasure overwhelms her, a hint of frustration in her voice at her absolute need to cum but difficulty of verbalizing it. It doesn’t help that you’re leaving kisses down her neck and chest, sucking and biting the skin as it becomes available to you.

“Need to cum, pretty girl?” You ask, helping her get the release she so desperately wanted, and she was your good girl, she knew to wait until told to cum and to always answer verbally during sex so when she just desperately nods her head.

“Words, baby.”

“Y-yes, please, let me cum, please, i need it.” The words tumble out of her mouth quickly, almost unintelligible, a series of “pleases” are also mumbled after she finishes her sentence.

“Cum for me, baby. You’re doing so well.”

She lets a moan that a little too loud, and definitely heard around the dorm room, as she reaches her release. Eyes rolling back as her nails dig into your back, legs shaking and threatening to close but your body blocks them from doing so as she rides out her orgasm.

“Thank you” Yeji moans, who would’ve thought the leader of one of the biggest girl groups would be thanking you for making her cum.

When she finally settles back into her bed, heavily breathing with eyes closed, arms falling from around you and onto the bed.

“Holy shit.” Is what she says when she gains the ability to think again, finally opening her eyes to see you sitting and staring down at her lovingly, “I love you.”

“I-“ as you’re about to answer you hear a knock.

“Can you guys stop fucking, dinner is ready” Ryujin’s too loud voice breaks through.

Yeji looks absolutely mortified with red cheeks and wide eyes, while you’re giggling down at her causing a pillow to be thrown your way.

“Shut up.” Yeji groans.

[cursedextrovert]

People comparing CaitVi dynamic season 1 and 2, are we watching two different shows or y'all just forgot what happened in the middle. There was literally a war going on, Cait's mom fucking died like are they just gonna be lovey dovey with all these politics going on? And then one moment they leave everything to just be with each other in that jail cell you are also mad like wdyw?

Also people who say their sex scene is not necessary and/or a bad representation.

Firstly, JayceMel also got a sex scene in season 1 so its not like they invented sex just for these two lesbians.

Secondly, they didnt just fuck. Vi was beating herself up thinking she made the wrong decision and fucking things up like always and Cait told her that she actually let the guards go so Vi can do that exact thing she wanted. Ultimately saying a) she trusted Vi when she said Jinx has changed and wanted Vi to let the girl out b) she wanted Vi to be happy more than she wanted revenge even tho just some months ago she was the opposite.

Thirdly, we see the detail, Cait hesitates when she sees the bandage where she used to hit Vi. We see Cait taking off her clothes and showing her all, being vulnerable because Vi deserves that much from her.

Fuck. I get it, ok? This is a rare time we got a wlw relationship where both are main characters, and in a big show like this so you want it to be perfect and deprive of all flaws. But wouldnt you rather have two well-written characters where they relationship is tangled with the core of who they are than just a wlw couple with no conflict, no personal development no nothing? Hows that a good representation? Their relationship doesnt solve the conflict between them and their politics but is the reason why they were intertwined in the first place.

And dont come at me about systematic problems as well like Im a poc myself living in a white country and a sociology graduate. I understand Caitlyn did terrible things and is a war criminal herself with how she stands aside letting Ambessa did the thing she did and for gasing Zaun just to seek revenge. But she, just like everyone is a product of her sociocultural surroundings, shes a human affected by their beliefs and emotions. Isnt that the point of the show?

I dont think she got her happy ending just because she lives, I think being alive is her purnishment. She has her whole life to make up for what she did and I believe she will. What other fate you think she deserves? Her death will not undo her crimes, so is prison, they will also prevent her from actually fixing what she caused and ultimately using her priviledge for good(which shes doing, you can read my post about it). And Im not about to start the whole ethic debate on prison. How does one define a purnishment worthy? How do one define what a person deserves?

Finally, you know who else was a war criminal and walked away with what he wanted? Singed. Reality is like that, not black and white. People dont get what we think they deserve, ever.

[darlingshane]

Rocking your f-me pumps

Shane Walsh x F!Reader

Summary: You're out on a Friday night and meet a certain deputy who can't stop flirting with you at the bar.

CW: +18, explicit, smut, pwp, p in v, flirting, dancing, horniness, drinking, semi-public sex, crack, pet names, making out, foreplay, some sort of roleplay.

Word Count: 3,1k

— Links: AO3 // Shane Masterlist

With the impossible mission of not falling on your face in the process, your feet dangerously rush across the uneven concrete sidewalk that takes you from the parking lot to the bar. Maybe you’ve gone too far with your outfit, but it’s Friday night, after all. You’re looking to make an impression, and the dress you’ve picked to go along with the uncomfortable pair of fuck-me pumps you’re rocking for the occasion will definitely take care of that part—you’re sure.

When you cross the door into the bar, it’s as rowdy as usual on a night like this. Loud and crowded— most seats are taken, people are dancing at the back below the glow of a red neon sign, others play pool while waiters haul trays left and right. You find a few heads turning at your passing, as you expected. This is probably the wrong dress for a hole in the wall like this, but you had put it on to cause a reaction of one person in particular.

You glance around one more time to find that special someone who’s sitting at the end of the bar.

Biting your bottom lip, you stare at him like prey, sharpening your teeth and claws before approaching him with caution.

“Mind if I sit here, handsome?” you ask the man, pointing at the empty stool beside him. He’s a deputy from the Sheriff department. He’s wearing his uniform, but his tan shirt is completely unbuttoned, showing a black tee underneath.

“It’s a free country, darlin’,” he says without glancing at you.

The deputy tilts a beer bottle up to his lips, taking a generous gulp of as you study his profile and his rough, defined features. The angle of his jaw is something to admire. He’s clean-shaven, but there’s still a faint shadow of a stubble, matching the thick black of the curls that adorn the top of his well-shaped head.

“Thanks, Deputy,” you carefully take a seat on the bar stool, crossing one leg over the other, and wave at the bartender.

“Call me Shane, I’m off duty, sweetheart.”

“Thanks Deputy Shane.”

He scoffs, and it’s then that his eyes finally turn to the side to gaze at you for a split second before noticing that ridiculous dress you’re wearing.

When his neck swivels again, he darkly stares at you, head to toe, like he wanted to eat you alive. His jaw slacks, almost hitting the counter and if you look closely, you can see his mouth watering taking in the full sight of you. The cleverly exposed skin, the way that dress hugs your figure in all the right places, the sheer fabric of it revealing more than it needs to; more than you're even used to.

“Anything wrong, Deputy?”

“Hm? No. Everything’s perfect,” he drawls before tearing his eyes away from you.

Pleased with his reaction to your outfit, you bat your eyes, glancing over the subtle shrug of one of your shoulders. “That’s what I thought.”

Then, you wave your arm a second time at the new bartender, but he ignores you again. He saw you both times, and he’s not even serving other patrons, he’s just staring at the game playing on mute on the TV.

“Can you believe this fucking asshole?” You slightly bang your fist on the sticky bar counter to express your frustration. “Is this kid new here or what?”

“Hey, buddy!” Shane raises his voice over the music to call his attention. “C’mere and serve the lady.”

The guy barely nods at you to acknowledge your presence or ask what you’re having. You just order an old-fashioned cocktail and hope he doesn’t screw that up. You also order a beer for the deputy as a thank you.

“You didn’t have to do that.”

“It’s fine. Next one it’s one you, Deputy.”

“Thought I said you can call me Shane.”

“I know, but the whole uniform thing is really… imposing. And I’m a good girl. I wouldn’t like to disrespect the authorities. It’s ingrained in me.”

“Good girl?” he scoffs, glancing at you sidelong, using the bottle in his hand to point at your body. “Don’t take this the wrong way, sweetheart, but good girls don’t usually dress like that.”

“Why not?”

“Because,” he remarks that word with a casual shrug, silently implying what you both know, that your full get-up doesn’t scream—I’m about to leave for church. It only says—I’m driving directly to hell to pay for all my sins.

“I don’t like what you’re suggesting, mister,” you mutter as the bartender finally brings your drinks.

“I’m just saying. Look around and check out the sophisticated clientele of this fine establishment.” He says with mockery. “There’s a guy by the slot machines in a greasy, leather vest that’s looking at you like you’re a porterhouse steak. He’s practically drooling all over the floor. He's one minute away from putting his hand in his pants and rubbing one to your name. I’d be careful walking to your car if I were you.”

You can’t help but snort before checking out the guy he’s referring to. The guy in question shifts on his boots and draws a lewd smile at you when you briefly look at him.

“Ugh, you're right.”

“I told ya. Nobody comes into this hellhole looking like you if you weren’t looking for trouble or soliciting, darlin’.”

“Maybe not.” You press your teeth to your bottom lip for a second. “I guess it’s a good thing I’m sitting next to a cop.”

“That's right. As long as you stay by my side, you have nothing to worry about.” Shane locks eyes with you. “You still haven’t told me your name, sweetheart.”

“You can call me whatever you want, darlin’.” Your eye flirts with a cheeky wink.

“Yeah?” He pauses for a second to think. He glances at the cherry adorning your drink and asks, “how about Sherry? Would you like that?”

“Sure, I like that. “You lift the glass in your hand to take a sip. “I’m not soliciting, by the way. Just so we’re clear.”

“Didn’t think you were. Prostitutes don’t usually take that much time and effort to fish for a client.”

“Are you talking from experience?”

“Maybe.” His lips form a downward curve as he scratches his jaw with the tip of his thumb. “So, tell me sweetheart, if you’re not soliciting, what do you do for a living?”

“I’m in a band.”

“A band, huh? Like a rock band?” His eyebrows arch a little higher.

You shake your head. “No, not a rock band. I'm in a concert band.”

“Hm, with saxophones, flutes, and all that shit?”

“Uh-huh,” you take a bigger sip of your glass.

“What instrument do you play?”

“The clarinet.”

“You any good?”

You half shrug. “Let's say I have a natural talent.”

Then, you pick up the cherry from your glass and slowly suck it between your lips as a double-entendre, putting him under a spell as you rip off the stem in one swift motion.

“You’ll have to show me sometime.”

“I’d love to, Deputy.” You grin as he shifts on his seat. “That is, of course, if you have a good instrument. I won't just take the first one that comes around. I like to take my time picking a good one.”

“Oh, sweetheart,” he answers quickly, boasting, “let me assure you I have a fine, tuned instrument. It has never disappointed anyone who's ever got the pleasure to play it.”

“I’ll be the judge of that.” With a quick flick of your tongue on your lip, you gaze shamelessly at his crotch to make an initial assessment. It's hard to tell by the way he is sitting. The folds of his pants makes it harder to see an outline.

“Can I ask you something now, Deputy?”

“Shoot.” He tilts his beer to his lips.

“Let’s say, hypothetically, if I was a prostitute, would you arrest me?”

“Told you I’m off duty.”

“So… If I were to do something illegal right now, would you turn a blind eye? Is that what you’re implying?”

Pausing, Shane puts down the bottle, sending his opposite hand to land in the middle of your thigh as his face leans in closer.

“For you? I’d do anything you want, darlin’. Even turn a blind eye or both. I'd even turn in my badge if you asked me to. I'd kill any guy who'd dare to look at you with so much of a stink eye.”

“Interesting…” You shorten the distance to his face, your nose nudges the tip of his own, “who’s the bad boy now, huh?”

“I never claimed I was a good boy.”

“Hmm, no, I suppose you didn’t.” The tip of your tongue juts out, and you slowly lick his bottom lip before firmly planting your lips against his mouth.

When you can’t hold up the charade any longer, you laugh against his lips and pull back slightly as Shane laughs along with you.

“Hey, baby,” you reach with your hand to cup his jaw, and wipe the spit you left on his lip with your thumb.

“Hey, sweetheart.”

You finally greet each other as usual. You’ve been going out for a while, but from time to time, you like to play a little and pretend you don’t know each other. You’re not sure how it started, all you know is that you both clearly enjoy this pretense as a form of foreplay, even if it’s a little silly at times. The only downside is that neither of you can hold the fantasy for too long. Eventually you always start laughing, but you're getting better at it. And it doesn't matter if it's not perfect, cause it works like a charm.

“You’re late,” he says, his warm hand squeezing your leg.

“I know, I’m sorry. My car was acting up again. I could’ve texted you, but I didn’t wanna mess up our pregame”

“It’s alright. I’ll check it out this weekend, yeah?” He brings his face closer so he can kiss your lips again. “You know, next time… do call me. It’d be fun to do this on the road. You could be a damsel in distress and me, an asshole who would only help you in exchange for certain favors.”

“That sounds kinky. I love it.” Scrunching your nose, you seize his mouth once again. This time, your lips part, and you invite him for a deeper dive into your mouth that he quickly takes over with the delicious swirl of his tongue that firmly plays with yours.

The hue of your advertised make-out proof lipstick ends up smudged on his lips when he pulls back.

“You know, that color looks good on you. It brings out your eyes.” You use your thumb to wipe the stain from his mouth.

“I should kiss you more often then.”

“I’m not opposed to that,” you pull his face closer so you can continue peppering his mouth with an endless amount of kisses. It’s hard to stop. He tastes and smells so good you can’t help yourself.

With music playing in the background, when the mood shifts to something slower, Shane drags you to the dance floor. You anchor your arms to him, trying to balance yourself on your impossible heels as you sway together to the melody of the song playing. You adore the way he stares at you when his forehead leans on top of yours. One of his fingers traces the shape of your jaw. A second later, your face is held inside his palm as an inescapable wave of desire forces him to conquer your lips again, as if his life was on the line and the only safe haven was your mouth. Your head spins with the dizzying swirl of his tongue that leaves you breathless over and over. The tone of the music changes to something sexier, and so does the rhythm of your bodies that follow suit. You part from his kiss as the heat rises, and spin around in his hold to press your ass against his bulge. His mouth latches at the crook of your neck, viciously printing a love bite as a reaction to the sensual swaying of your hips, making him harden behind his uniform slacks. You throw an arm back and place your hand blindly on the back of his head, making a fist with his curls.

“Everyone is looking at you, darling’” he purrs in your ear, clutching his hands to your waist, following your moves.

“Yeah? Let ‘em.” Your cheeks feel like burning when you say that. You avoid at all costs looking around to see anyone staring. Instead, you gaze over your shoulder to focus solely on him. “Bet they're jealous I've already picked my guy for the night.”

“You bet this sweet ass they are,” he squeezes your backside firmly as you find the soft skin of his earlobe and suck it between your teeth. It makes him lose his mind when you do that, but not as much as when you're sucking his cock. He becomes a feral creature when you take him fully between your lips.

You press your teeth a tad harder on his lobe, and he pulls back at once. He retaliates by biting your neck with the same force.

Letting out a gasp, you close your eyes and let Shane and the music take over your body. His hands roam your body anxiously to touch every part of your skin, covered or not. The sultry neon lighting of the dance floor acts as cover for you and other couples around.

There's something that has risen to rock-hard perfection, rubbing at the curve of your hips as the song comes to an end. During that transition, you suddenly feel your hands propped against the paneling of the wall, and him completely pressed against your back. One of his hands slips under the hem of your skirt at the front as he drags his hardness over your ass while his fingers play over the thin lacy fabric of your underwear, stirring your arousal.

Your panties are soaked by the time he manhandles your body so you're facing him again.

With glaring lust spilling out of the wildness of his gaze, he now shoves your back against the wall with little care. He's the hunter now, and you're the prey, and you can tell he's not looking to go easy on you.

Shane licks his lips, and without warning, he seizes your mouth once more with such vehemence, it makes your center send a jolt of electricity across every cell of your body. With teeth, tongue, and hands, he devours every bit of you as if you were made out of his favorite food. It's violent and delightful to have him all over you like that. It’s easy to get lost in that cloud of ecstasy when all your body craves nothing but being taken by him. Shane is firmly pressed against you. His rough hand lifts one of your thighs over his hip, forcing the skirt of your dress to fold up your leg, so you can feel the outline of his erection when he fits his crotch between your legs.

“Shane… Shane, baby,” you moan unintelligibly in his mouth, slightly coming to your senses. “Maybe we should do this somewhere else?”

“Hm? I thought Sherry was more adventurous.” His lips are automatically drawn to your neck once again.

“She is.” You hold his head between your palms and straighten his neck so you can look at his eyes.” But that doesn't mean she wants to basically copulate in front of all these people like fucking animals.”

“I don't think they’d mind.” Shaking his head, amused, he nudges the tip of this nose against yours. “It would be the first time these walls have seen some copulation happening.”

“Well, I do mind.”

When you're done protesting, you head out the bar to drive home, but you don't make it farther than the parking lot.

Unable to keep his hands off you, by the time you've reached his truck, he's practically ripped off your panties. There's barely a thread holding them together when your favorite deputy opens the door to the passenger seat to his truck. Without bothering with climbing inside, he bends you over that same seat, removing the remains of your underwear completely so he can collect your arousal in his fingers.

Much like the inside of the bar, there’s no doubt the parking lot at the back has seen its fair share of action, but out here, the difference is that there's practically anybody.

Either way, you leave the car door open to shield your dirty deeds. While Shane stands behind you, you look over your shoulder after hearing the clinking sound of his belt unbuckling, just in time to see his raging erection being released. Biting your lip, you watch him spit on his hand and spread it all over his shaft to have an extra layer of lubrication. He leans forwards and whispers in your ear to stay quiet before shoving his cock bluntly into your dripping cunt. You gasp and close your eyes, feeling every thick inch of him stretching you up nicely. His warmth breath bathes the back of your neck while he quickly picks up the pace. Right off the bat, his thrusts come sharp and hard to have you clenching around him before everyone even notices what you’re up to. This is about a fix, a quick release to quench that fire burning at your core. Pleasure ripples through your body with each push. You have to press your teeth harder on your lip to keep you from crying out. Shane coos your ear with encouragements mixed with a fair share of fucks and other curse words.

The grip of his hands tightens at your hips when he’s about to come. You can tell by the way his cock throbs and the erratic push of his hips searching for that sweet release. Your legs are about to give up when you feel the fire in your center expanding outwards, making you contract harder around him in one tight squeeze that earns you a good grunt out of him. A second later, his warm, sticky substance comes out in quick spurts, coating your walls, filling you up like a cream puff.

“Fuck, Deputy, you really know how to make a girl's legs shake.”

“You're not the only one with a natural talent, darlin’.”

— Credits: stunning divider by @firefly-graphics

[space-blue]

It's horrible too if Jinx lives!!

OK, I guess we're doing this?

People keep coming at me for my post about Jinx dying being terrible writing and promoting suicide by heroics as a valid way out, and the argument is always "Actually, Jinx is alive because XYZ"

So let me makes myself clear : if Jinx lives, it's also terrible writing!!

Because for all intent and purposes, she DOES DIE! Even if she's alive and fucked off in that blimp, she's still dead to everyone who knew and loved her.

WORSE! Vi will go on thinking for the rest of her life that Jinx died because of her, or at the very least that she couldn't save her.

It's not for no reason that Vi has this scene in the cell with Caitlyn, where she says she always choses wrong. In the scene on the crumbling metal beam, Vi choses not to listen to Jinx!

People got in my comments saying I have no humanity for reproving Vi picking "Vander's corpse" over Jinx. But what we see happen is Jinx telling Vi multiple time to get away and how to get to safety, and Vi completely ignoring her to interact with Vander/WW, only for him to wake up, attack her, and force Jinx to risk her life to save Vi.

Vi made a choice, between more time with Vander and listening to Jinx, and the price paid in the end is Jinx dying.

What if she lived and escaped? Vi doesn't know that! Ekko doesn't know that! Or Sevika! Or anyone!

Thought exercise time: close your eyes and imagine a relative disappearing for your life after a lethal accident you're involved in. You never recover a body and never see them again. How do you feel about it? Mmh?

"Oh but Caitlyn sees the schematics that show a side tunnel…"

Firstly, Caitlyn was nowhere near the event, and she can't frame-by-frame the explosion as we do, so you can hardly claim she's looking for Jinx and not, for example, the arcane gem, or Warwick.

Vander/WW was shown to be entirely impervious to the bullets from Jinx's automatic gun. If anyone has a chance of surviving, it'd be him.

But do you know what? If Jinx is in that blimp, and Caitlyn then tells Vi, "From the schematic, I think your sister could have escaped" (ignoring entirely the fact that Jinx should be cut in half by WW's claws wrapped around her waist), then what would happen???

That would send Vi on a wild goose's chase!! How many years would she spend hunting through Zaun trying to find her sister? How many years until she starts resenting Caitlyn for giving her false hope? How many years until she's forced to accept Jinx isn't anywhere, and so must have died back then, and has to see herself as Jinx's killer all over again??

How is this good for Vi?

And Ekko? He pulled her out of suicide what? 5 times? Had some epic bonding with her painting all over each other, doing self-care and hair dyes and fixing a balloon so they could go on a big attack together.

Maybe he thought he could genuinely finally be close to his world's Powder. Silco just taught him the greatest thing he can do is forgive, and the girl he forgives fakes her death and runs away?

They're barely 20 ffs, Jinx would have plenty of time to struggle on the road to recovery, especially with his help. What if Ekko was ready to be there along the way with her? What about him?

How is it good if Jinx is NOT dead but has NOT told him? What difference does it make to him? She's dead for Ekko, and if he learns later on that she faked her death, all he'll know is that HE wasn't worth her staying. He wasn't even worth telling the truth to!!!

It's fucked! It's not healthy!! Jinx could have her ending removing herself from Zaun without having to fake her death.

But hang on, it gets worse!

Because it's straight up not good writing even on the meta level.

Arcane has millions of viewers. Nobody I know IRL thinks Jinx is alive. Plenty of people in my notes agree she's dead. Do you know what millions of people think? That she is dead!!! Because it's the TEXT OF THE SHOW.

Millions of fans will think Jinx was killed off, because they aren't willing to go frame by frame, extrapolating and make-believing their way into thinking she is alive. Most fans are normal people who aren't terminally online, theorycrafting all day long.

Most normal fans have moved on to watch Dune Prophecy or Sweetpea. And if Jinx comes out alive in another show, the "Somehow Palpatine Jinx returned" memes will abound.

Let's go over the common elements brought forth as arguments.

Jinx uses pink and blue in that bomb, and pink is how she gets away "quick".

No? The bomb she attached to Thieram in season 1 was pink and it was all for glitter and harassment. There is no strong canon association of meaning. If you watch frame by frame, there is a pink "light gleam" over the first blue detonation followed by a very large pink blast and ZERO smoke trails or anything indication someone getting away. Jinx uses the same bomb she used to kill herself very effectively earlier in the show, so we have no indication it wouldn't kill her here too.

We can see the inside of her bomb when she kills herself (with the two liquid vials) and it's the same she uses on Vander/WW and herself.

Besides, even if she used some part of the explosion to get away, WW's claws are around her like this:

She'd be bisected in half.

So some people say that means that Warwick is also alive and let her go! But no. That's make-believe. That's fanon, 100%. The TEXT of the show is that Vander is burnt away (we see the final image of himself burning up) and he has just attacked Vi, trying to kill her. We have no indication he'd want to spare Jinx here.

HOWEVER, he's literally bullet proof, so if there's anything we can conclude is that he's likely to be the one to have made it into a shaft and to safety.

Speaking of shafts: the next argument is that Caitlyn is looking at the tower's schematics to hint that she suspects Jinx lives.

Maybe, but you are reading a character's mind. We see her look at schematics while holding the monkey bomb head, yes, but you don't know what she's thinking, and if the show runners don't make it explicit, then Cait's thoughts about an explosion she hasn't even witnessed aren't worth much. She could think Warwick lived. OR she could think, despite not witnessing the fight, that Jinx lived. But she doesn't KNOW, she doesn't tell us, and so you are INVENTING the thoughts of a character to mean what you want it to mean.

This would be a lot more meaningful if it were Vi investigating this.

There's a blimp going away, it has blue smoke, and then it ends with a Jinx glitch.

No. There is a blimp going away, slowly, without any blue smoke. It's also THE EXACT SAME ONE that opens Season 1 act 1.

Instead of coming towards Piltover, it now is leaving over the sea. This can be fully interpreted as a sign that the hextech era is over. Blimps have to travel the old fashioned way again. It's also going away from Piltover/Zaun, symbolizing future stories taking place there.

Finally, the glitch is 3 frames long and spells "the End". IDK why the fact that it's a little Jinxy means anything to anyone. The end of credits for season 1 was Jinxy as well, and it could simply be about keeping the same visual identity and not a sign of Jinx being alive???

If I wanted to play subtext games, I could say "Wow Jinx writing "the end" would be appropriate if she were dead" and reverse the argument.

Finally, and the thing in most poor taste, IMO.

Jinx kills herself several times in the opening of the episode, and a sad emo song plays over it, with sad fucked up lyrics. Then Ekko comes and pulls her from this…

Only for that EXACT same song to be played while she and Vander/WW fall. They are both crying. Vi is crying and screaming while these lyrics are playing!!

If I could just lay my head down and rest. If there was nothing to fight or protect. Maybe then I could finally be free. Maybe death is like falling asleep. This world is a wasteland where nothing can grow. I used to have strength but I ran out of hope. I know it's my fault that I'm here all alone. This world is a wasteland. Please let me go. Go, go, go. Please let me go.

This is literally singing about suicide. When you say "Maybe death is like falling asleep" over the animation of a character pulling the pin, you are not dealing in subtext or metaphor of any kind.

One of the earlier shots literally has her framed in broken glass among shards that are WARWICK'S MAW. It's like a hint of her death being killed by him, furthering the parallel.

And I think it is in very bad taste to have suicide apologia music playing over characters screaming and bawling (Vi)

while others cry (Jinx and WW)

and a bomb goes off (with no hint of survival),

only for some of y'all to come around acting like Cait glowering at a blueprint and a recuring blimp all means Jinx is alive...

It would be grief porn on the part of the writers. It would mean slamming us in our feelings in a brutal way, in an ugly way, while playing a suicide song, only to turn around and say "Syke! didn't you get that Cait is suspicious about Jinx so it totally means it was all a fakeout?"

I don't want a fake-out at this point!! Why would I?? It's legit worse! Because then it means they couldn't spare 5min of animation time to have her rescued by Ekko and being on the mend with him. Even if she has a scene where she tells him "I need to leave. I can't stay in this city), at least it wouldn't be a cruel joke on the fans and the characters.

This entire ending means that either Jinx was better off dying taking out the mad monster made out of her dad with her (making her the ultimate dad killer, yay), or Jinx was better off removing herself from the equation SO THOROUGHLY that MOST fans believe it, everyone in world believe it, and the show offers no concrete textual clue for it.

It means Jinx didn't deserve/or wasn't able to get better. And so she has to die or do the exact-same-as-dying but kind of more fucked up somehow.

---

ULTIMATELY the message to impressionable viewers who struggle a lot with mental health and identified a lot with Jinx, are being told with soft sad music that yeah maybe dying is like going to sleep and your family should let you go, go, go, and that "leaving everything and everyone behind" is about the same.

It's fucked, and it saddens me that people are so focused on the "she lived" narrative that they miss out the fact that a hint she may be alive doesn't change the messaging.

And it saddens me knowing that if Viktor's arc ended with him being validated in feeling like his human body was "broken" and "inferior" and that his disability made him lesser as a human, people would have pitchforks and torches out.

Jinx's mental illness and struggles in interacting with the world were her disability, and she got fucking killed or wiped off the city incognito for it.

--

P.S: If you're warming up to post hate in comments or tags because you don't like my take and don't know how to politely disagree, please save us both time and block me. I'm open to polite discourse but the next person questioning my humanity over fandom wank will be nuked from orbit with prejudice.

[le-fruit-de-la-passion]

Does a bad ending ruin a good story? A comprehensive guide to my feelings on the Arcane finale

*Spoilers for Arcane season 2*

So. You just finished the show, and you're staring at the screen in bewilderment. Perhaps you’re even with some friends, shouting words of confusion to the rolling credits. Try as you might, you can barely hear them, because a single thought echoes in your mind and pushes away any other:

“What the fuck just happened?”

If this happened to you, then boy oh boy, we're on the same boat. If it didn't, well, I'm glad for you friend! We might not have been looking for the same things from this story. But this is my post, meaning I will give my opinions (which are objectively correct because this is my blog and I'm the mayor here) on everything that Arcane broke and failed to deliver in its last 2 episodes.

Let's start with characters, and why none of it mattered.

Jinx symbolized the fear we all have of not belonging somewhere, of not having anything to call home or anyone to call a family. Her anger stemmed from wanting to carve a place in a society and a world that had so harshly rejected her (i.e., Vi leaving her). Her existence was a huge middle finger to all that refused to let her live, a fight to build herself something wholeheartedly hers (hence her being an inventor). It was proof that despite the world telling her she was better off dead, she would never stop fighting to prove it wrong.

… and she died.

She died, and that means all the suffering she went through to exist simply amounted to nothing. She left nothing behind either, no trace of a legacy, something that would have left her mark on that world. Isha, the child she raised as a daughter, died. Silco, who she taught love and care to, died. Vander, who she brought back from years of trauma and torture, died. Jinx fought so hard to live, and in the end, it was as if she hadn't lived at all.

Viktor is most certainly the character that made me the angriest, because of how attached I am to the person he is in season 1 (and even the first two acts of season 2 to an extent). Everything that made him so beautifully complex… gone, in about 10 minutes. There was NO reason to make him the surprise ultimate villain. Viktor had always, always been a pacificist. That's why he was so adamant Hextech not be used as a weapon. That's why every time there were chances to test hextech to hurt, he tried to learn how it could heal. Yes, his fusion with the hexcore had changed him; but NOT into a man who didn't care for human life. He wanted to help all the hurt done to his people. People like him, living day to day in the undercity, but who had never gotten a chance to crawl out of their hell. His community was about HEALING, not controlling. The very IDEA that he would accept killing innocents and ally with Noxus, the warmongers, is so ridiculous I could genuinely laugh if it didn't make me so angry. The show needed an easy, black-and-white showdown to conclude a story that would have needed so much more time to tell. And they chose Viktor. Because it was the easy way out. It was the perfect foil to the return of the Golden Boy. And that PISSES me off.

There is this really shitty concept in popular media that the handicapped/chronically ill character is always in the pursuit of being “cured” and that they need outside help to realize “that their imperfections make them perfect”. Fuck. You. As someone with chronic illness and who just finished beating blood cancer, fuck you. That realization, that you're you with every part of your being, even the ‘bad’ ones, cannot come from outside. It's YOU who needs to learn it. It's you who needs to discover how your body and your mind are so much stronger than you previously thought them to be. Not your lover, your family, your friends, or God forbid your able-bodied lab partner. You. Others may tell you as many times as they want your illness doesn't define you; it won't matter until you, yourself, have understood why and have accepted it. Having someone swoop in and “fix” Viktor with a “you don't have to change uwu” is just….. so reductive I can barely find the words for it. That was VIKTOR’S path to find, and not Jayce’s role to find it for him.

Also… Viktor wasn't trying to ‘fix’ his leg; he was trying to find a cure to a deadly illness ravaging his body and no doubt the bodies of many in Zaun. The HELL is the message here??? That he should have just rolled with it because the deadly illness was part of him??? Again, as a cancer survivor. Fuck right off.

Of course, I can't just ignore the hideous get-up they put him in at the end. The man who laughed at Jayce's narcissism….you want me to believe… he would put on that fucking edge lord costume and not DIE of embarrassment??? The design makes no sense from a narrative standpoint either: if his cane has become the sceptre, why is he still keeping it? He doesn't need it anymore to walk, and it's a reminder of his weaknesses as a human that he apparently hated so much. Why the hell does he keep it then? And the hexclaw. Where did that bad boy come out from?? Did you all see a secret extra bonus scene where he steals it from the lab, because I sure didn't. It doesn't add anything to his sets of powers either it’s… it's a fucking laser gun. WHY. And oh sweet god that mask… there would have been so many ways of designing a mask more meaningful than the one from LoL. This one is just. A piece of metal he spawned in embryo. Get it? Because he's made of metal now and also hiding his face means no more humanity? Get it?? Of fucking course you do, because this was the easiest and worst possible way they could have integrated the mask.

Viktor and Jayce had a fantastic dynamic in that Viktor had started out as the loner, the underdog scientist from the slums; while Jayce was the leader figure, living in comfort that made him attachingly naive, his face plastered on posters stroking his ego. The shift is delightfully slow, as Viktor gains in confidence and determination to see his invention through no matter what, while Jayce is confronted with harsher and harsher truths about the world he so blissfully ignored. By Act 2, they have fully switched roles: Viktor is now the leader figure, a symbol of the future for the people, while Jayce is desperately alone, both physically in the hexcore anomaly, and mentally in being the only one who has seen the devastating future. Excellent stuff. What would be a great way to push these parallels further and to show the complexity of these characters, and perhaps how they can balance each other out? Well, Fortiche sure didn't know, now Viktor is the bad bad guy and Jayce is mister hero. Zaun bad, Piltover good. All nuance, gone. Proving that indeed, the man from poverty and inequality turns out evil, while the one from comfort and wealth turns out to be the hero of the story. The whole “giving a warm speech to the bad villain about how you care for them, somehow immediately changing their ways, and dying together to save the world” can work well in shounen anime where friendship is magic, or in the Ben 10 live-action movie (yes, that's the plot, I thought that wasn't deep when I was like 7 years old so imagine now), but not in a show like Arcane. Not with the ethical and moral nuances they have accustomed us to.

And now, let's explore...

Plotholes and incomplete storylines galore.

Ekko’s tree and the contamination of Zaun from Piltover? Fuck that. The huge showdown between the two opposite yet sister cities, like Jinx and Vi, that has been built up for two seasons? Fuck that. And for what?

For the Noxus sequel teaser.

Mel’s plotline about finding her mage origins had NOTHING to do with the main plot. Absolutely nothing. It added 0 twists or intrigues to the story, and served no purpose except making her a deus ex machina for a broken ending. All it was there for was to lay the base for a following show on Noxus and the Black Rose. Time that could have been spent either giving Mel a proper arc related to the plot, or giving all the other rushed character arcs more development.

Finally, and I deeply regret having to say this, but… the end of Vi and Cait's relationship was majorly disappointing to me. As an LGBTQ+ person myself, who feels attraction to women, it was a delight to have such a realistically portrayed w/w relationship on screen. Popular media tends to portray m/m relationships as these doomed, sinful feelings between two repressed guys, while w/w relationships are shown to just be all sunshine and rainbows and teddy bears, because two women together are a cute little accessory to have on screen. It’s non-threatening. But not Cait and Vi; their bond was raw, and rocky, with violent lows and passionate highs in a world that seemed to want to keep them apart. Their separation and the introduction of Maddie showed the reality of a w/w relationship, where fights and cheating ARE things that happen, because they're two adult women with different beliefs, objectives, an trauma. Putting them back together, as if nothing had happened, without giving us anything about how their relationship would have evolved from the breakup? I'd never thought I'd say this, but it's too easy. How about Caitlyn's literal descent into fascism??? We’ll just ignore that? Vi will just ignore that?

As with everything else, this last part of Arcane destroys all the complex emotions that exist between these characters, the resentment, the anger, the frustration, built upon years of different social conditioning… gone. Because they had 2 episodes left to wrap it up, and there was no way to make a coherent and natural transition to them getting back together with that kind of time. And can I just say. The decision to have Vi, symbol of Zaun, go down on Caitlyn, symbol of Piltover and enforcers, in a prison cell that has held innocent Zaunites and represents their complete lack of freedom as individuals by a cop state that oppresses them….. yeah, bad. So bad.

And… the multiverse. Yup, they went the multiverse route. Now, that's not necessarily a bad thing: the concept of multiverses itself is interesting in a vacuum, and quite a few properties have managed to make it work coherently. But it has been terribly overused and bastardized in serialized content in the last few years, for the simple reason that it's extremely practical. Why make a new, original series when you already have worlds and characters that are developed, and come with built-in fans? It's a money-saving hack! Why dedicate yourself to an ending that is meaningful in its finality and wraps the story properly when you can just say “It's just one ending in the multiverse!”. It takes away any accountability to the fans, and leaves the door open to a potential other version of the story! The perfect combo!

…except in practice, it comes off as lazy in a medium where that trope is overly saturated (don't start me on Marvel), and like a cowardly way of escaping from the responsibility of really taking the time to craft a good, solid ending to end your story.

So, with all that said: does it ruin Arcane for me? No, absolutely not, and I don’t think it should be for you either. The intricate artistry and raw talent that went into making the first season (and I would say a majority of the two first acts of season 2) is undeniable, and will stay undeniable. Nothing can touch that story. It will forever be one of my favourite pieces of animated media, which is saying a lot because I'm currently getting my master's degree on that topic.

However, it does give Arcane, as a whole rather than two separate seasons/entities, a very bittersweet feeling that is hard to forget. Thinking of what could have been, just if a little more time had been given to the minds behind the masterpiece you so loved… it's its own form of heartbreak. Academics have even compared it to experiencing a form of death of a loved one, before they ever got to reach their fullest potential and live the life they deserved. It may sound dramatic, but the feelings you feel in this moment, watching the horrible end of a fiction you have so much love for, are real. No one can take those away from you. You're allowed to grieve the loss of something that meant a lot to you.

Tldr; No, Arcane is not a bad series because of its rushed and incomprehensible ending. As they say, it's all about the journey, not the destination, even if that's one of the parts we tend to remember the most. And I don't know about you, but this was one of the best journeys I've ever been on.

[sepetajmikolikomehoces]

Okay, I have finally recuperated after yesterday's getting home-snafu. In the process of trying to get to the train station, I ended up missing my train and the only available options was either paying an assload for an evening train ticket or a slightly smaller assload for an even later evening train ticket.

Smaller assload it was.

Anyway.

Good GOD what a weekend. Putting it under the cut.

I have been so hyped about seeing Kuumaa since we got tickets in February and fucking hell if just the prospect of seeing them hasn't carried me through this year amidst finalizing my divorce and dealing with the aftermath of that on top of work and school.

The friend group I have been so lucky to be welcomed into realized that four of us would be going to Kuumaa, and when we found out Kä would perform at Tullikamari the day after we all realized we could go and bought tickets, deciding along the way to make a pikkujoulut-weekend of it complete with secret santa and everything.

Kuumaa are just... insane live. I had some expectations, but I was not ready for Johannes kicking us off with a very stripped down version of "Tarkotin sua". Everything after that was just highlight after highlight. Some of the songs from their earliest album were slightly unfamiliar to me, but still fucking slapped. Bawled my eyes out during "Luotan tulevaan" as predicted, had chills down my spine for all of "Tuiki tuiki" and felt like my soul was soaring as 10 000 of us sang along to "Ylivoimainen". Insane, and it took me a while to land from that experience and fall asleep later.

Saturday was Kä day with my beloved potatoes @frikatilhi @harmaanoita @punanenmarli @meerkathideout and @maladroitoracle. Gifts were exchanged, Marli also got an additional late birthday/early Christmas gift in the form of a Fisherman's rib cardigan, and my lovely meerkat got their very own Jure sweater.

This was probably the absolute chillest pregigging ever, and I want to do this every time. We piled six people into a car meant for five and went and had pasta dinner at a place near Tullikamari, then showed up just as doors had opened. Still got an excellent view, and holy shit, THE GIG.

So many people have already talked about how incredible the gig was and I can only echo the sentiment. "Ready to go" is the fucking BEST opening song, Kä was so happy all throughout the gig, the yapping was A+ and I fucking died when we got "Rock Rock" AND "Menestynyt yksilö" on the setlist. Getting "Urheilujätkä" after some chanting was just the cherry on top, and of course Jesse was missed, but if nothing else, this is proof of how beloved he is.

Had the most fucking Fenno-Swedish encounter post-gig. Guy comes up to me and meerkat and this happens:

Guy: Hey, are you from [region X]?

Me: ....yeah?

Guy: I FUCKING KNEW IT, I COULD TELL. Where from, north or south?

Me: Well, technically neither???

Guy: No, no, you're either from the north or the south!

Meerkat: How about "secret third option"?

Guy: The fuck does that mean?

Meerkat: [explains]

Me: Yeah, so I am from [place]. Hence "secret third option".

Guy: OH FUCKING HELL.

He then turns around and yells for his friend. Who is also from the same place as me (though apparently doesn’t live there anymore). We spent five minutes just making sure we weren’t related. We weren't. But still. Can't go fucking anywhere without finding some sort of connection to home.

Six people, a five seat car repeated on the way home, and we first spotted the Kä bus coming towards us, screamed a little, then had to immediately freeze because we passed a police car. Then realized five seconds later the Kä bus was a little ways behind us. Exit pursued by the Kä bus.

Can't thank my lovely potatoes enough for this weekend, and I hope we can do this again (not necessarily with back to back gigs involved) very, very soon.

[lunchtimebedamned1997]

Arcane S2 thoughts

(spoilers, obviously)

Most of this was sent to my friend Penn @pennedinblood in discord first, but I wanted to share it + some more on here too.

Okay, I now that its been a couple days and I've had time to think properly, have some thoughts about Arcane. This isn't going to be as specific and nuanced as I'd like, but I'll need more time for something like that.

Here's the thing... What we did get was good and I liked it a lot - for the most part anyway - but like - it wasn't a very good finale imo...

Like -

In season one they had this just fucking masterful foundation for such a nuanced discussion of class and oppression, of the cycle of violence, of how desperate acts may seem evil to some but are not always as simple as they seem and that one person's actions may influence the narrative but that it is the systems in place - and the willingness to follow systems that harm a disproportionate amount of the population for personal gain - that are the real issue. There were no real villains in s1 imo. It was just people making good, bad, or neutral choices, and they all interconnected and effected not only the plot, but the audiences' understanding of the corrupt system in place.

It forced you (if you're paying attention) to understand with visceral understanding both those of the oppressed and the oppressors; and in the midst of all of that we had magic and science interplaying beautifully against the good and greed of mankind.

AND just vast, resonant, deep interpersonal connections and development that you could feel in your bones.

and then in season two... we just kind of went - 'fuck that here's jesus and a witch ~~~ Magic war tiiime' Like?????

It touched on a few themes for sure, and what Jayce had to say to Viktor about disability and the purpose of people, or the value in imperfection and the point of life - as someone who's struggled with their health and other personal things I don't want to get into on the internet, that hit so hard. I hated Jayce in S1, and he won me over in act one of this season and just - didn't let me down. His arc was beautiful and I really really appreciate it. His connection with Viktor means so much to me. screeches into the void

But lets be so fucking real - they kind of (majorly) chickened out of their mass commentary on the opposing classes and working towards a better system that doesn't harm its people. and instead like - Vi's arc got completely fucked?

Like - oh okay so you ditched everything you were going to say and just made her a strong war pawn who can hit good and is gay coolcoolcool (sobs). Like, act one was so promising it really felt like it was following up on everything they had been working towards, and i loved seeing Vi having to make hard choices; watching her become an enforcer as the only way she could think of to deal with two disparate parts of herself - one that needed to put an end to the monster she feels like she created (Jinx, obvi), and one that desperately needed to hold onto the only person she had left (Caitlyn).

And Cait's devolvement into fascism was so intriguing and dark and I hated it in a good way, yk? Like I was like "oh fuck they made Cupcake unrecognizable in a fucking believable way wtf that's rad bro"

And then in act two they were just like 'HAHA lets not show you anything but the highlights of Vi's inner tumoil, then - wow look Jinx is here to tell her about Vander! - let's just never actually take a hard look into Vi's issues or personal arc ever again teehee - oh! And Cait's on our side again yay!' Like EXCUSE ME???

Vi had stood as one of the most important characters in the entire show. She is the linchpin between Piltover and Zaun - one of only two hinges that connects the two cites (the other being Viktor to a far lesser degree bc his roots are never explored, Singed is the only undercity person we see him go back to interact with, etc etc leaving Vi to be the only 'real one') And they completely sidestepped that - especially how she's also so connected to Ekko and the Firelights - which was just - never touched again - Ekko didn't even get to fix his tree! I get it, bigger fish but ffs - it's not a blaming character thing, it's a writing issue. I understand why Ekko had to focus on smth besides his tree lmao - it's that the writers just dropped this thing that stood so strongly for Ekko's fucking roots man (pun intended). Like - He's representing what Vander wanted to do. What Zuan could be. He is literally making a part of Zaun beautiful and supportive, and standing resolute against the system and saying "both of you are wrong, back tf up and lets talk" and they just got rid of that. I think it says a lot that that in particular was punted into the void.

I'm just not over that we never got to see him and Vi interact again dude wth - and I feel like that really speaks to how much they removed Vi from her point and purpose in S1. It would make sense if she needed more time to reconnect -esp after how Cait betrayed her - but to never actually talk again? Just glimpsing each other in the finale?

Don't get me wrong, I loved some of the time-suckers this season. Mel for one (who I also wasn't a huge fan of in S1 (I didn't trust her lol)). Everything with Mel, Vik, and Jayce was sooo interesting, and Ambessa was a great villain. She was imposing and horrible and yet there were very small parts of her that you could understand - but there wasn't enough time. Not with everything else we were also touching. Not without loosing so much of what we had been working towards. And even with the large focus, The Black Rose was this jumbled mess of ideas that didn't really amount to much besides giving Mel a powerup and probably leading us into the spinoff :(

I've been having trouble processing all of this because I'm shocked and upset because narratively, I didn't like it.

And I HATE that I didn't like it. I liked the individual scenes. I liked the concepts at play. But none of it was fleshed out!

That impeccable no-crumbs-left writing was suddenly nothing but crumbs. A whole feast of them. Nothing was really held together and it left each arc feeling like a separate vaguely-connected vignette rather than a whole story - let alone a satisfying conclusion to the previous season.

I'm genuinely angry because I wanted so badly to love this season but I just don't; not as a whole, not as an ending. Again, the individual moments were largely great, but good moments don't make a good story.

I just feel like they were trying too hard to serve LoL lore. Originally Arcane wasn't cannon-compliant with the messy lore of the game, and then a few months ago they came out and said that it was now considered canon - and I was excited bc I thought that meant that whatever they did would influence League - but I was wrong. I think it's very clear that Canonizing Arcane had the opposite effect. I think it's why they chickened out of their societal commentary - I think it's why the Champion deaths were so 'no body, no proof'. I think that it undercut all the stakes for the writers and made them forced to bend to the will of a lot more oversight from the higher-ups at Riot.

I don't know guys, how are you feeling? I'm really glad we got CaitVi cannonized (but I have things I wanna say about that too, esp. how their sex scene played into the sidestepping of Vi's arc (not that it happened, but the way it did - I can talk more about this another time lmao)) and I loved getting a timebomb kiss (again more Vi arc things I wanna say *sobbing and gnawing on my cage bars*) but yeah - anyway I gotta stop typing before I get too into-the-weeds of my thoughts. I'll probably make a big post about the specifics of how I feel they fucked up Vi's story in another post bc I clearly can't let it go XD

But fr tell me ur thoughts too pls I want to know what you thing even if - maybe even especially if - you disagree with me :3

Idk I've got to rewatch it.

It wasn't bad TV, it's still better than most things coming out right now... I hate that I can't just love it entirely rn raaaaaaahhh auhfalwoiha (help D':)

[theclownghoul]

Arcane Season 2 has me messed up and not in a good way

It’s actually breaking my heart that I don’t love this show anymore.

I don’t want to hate it, there’s pieces I love but there’s also pieces I hate. Act l had me in such high hopes and then it stuttered then crashed and burned.

I just feel so disappointed with so many parts of it. Actively angry at others.

There are some moments that I loved that had me feeling the same high as the first season but every time I thought things would develop better they didn’t.

I think I’m only really happy with Ekko and I was worried about him for much of the season. As an Ekko and Jinx shipper I was pleased with most of their story but the way they ended Jinx’s story undermined the importance of their talk so…

Honestly I would trade all the ship stuff for a proper story arc for Vi, Jinx, Cait and the rest

I saw the signs for Vi as soon as her pit fighter arc didn’t extend passed the promo clips. I kept waiting to delve into her issues but that never came.

Jinx was done so dirty. And this was something I prayed wouldn’t happen. She’s so personal to me in ways that would take too long to go into here. I had high hopes for her, especially after Isha and her starting to move forward, I knew it wouldn’t last but I knew (hoped) it would be interesting. I fully expected Isha to die but the way it happened was so weird?? The scene itself felt like it was manipulating me which is something I hate with a passion.

Likewise I expected her to relapse into suicidality after that and I had suspected that the scene with Ekko would happen. Her scene with Vi beforehand hurt in a good way and I wanted to watch as she hit rock bottom then clawed her way back as she started to mend the broken relationships in her life.

The thing that finally set me off was her hair. I thought she would cut it after she decided to live, as a show a change but before was just so cliché (it did look cute but don’t go trying to distract me)

I really didn’t want people blaming Vi for Jinx running off to try to end herself again. And I didn’t, even though I knew something was wrong about the way the scene played out and lead into the sex scene. I knew something was wrong I was just hoping that I was wrong.

I was so looking forward to the CaitVi sex scene, since King Princess was revealed for the soundtrack. Hoping her and Cait would have a real ass conversation, a hard conversation and then get that moment together but it just felt wrong. I wanted to love it but I didn’t. As a King Princess fan I was so excited but all I feel now is at best apathy and at worst anger. The more I read from lesbians in the fandom and those that care for Vi how I care for Jinx the worse I feel.

Briefly let’s talk about Cait. I was interested in her arc after Act l. Messy it would be and a long road back for sure but I had hope. She was done dirty too.

Back to Jinx…. What the fuck was that ending? Her “sacrifice” felt so similar to her fights with Vi (Act l) and Ekko (S1) where she was going to let herself die. No growth from the rest of the season, that’s how they left us, that’s what they did to a character that they did so beautifully in S1. I don’t care if she’s alive, that’s not a fucking ending.

(Apologies for continuing to bring up my predictions. I just think it’s funny how my thoughts make more sense than what we got)

I didn’t mind the idea of her sacrificing herself for Vi, Arcane is a tragedy after all. Her being the one to protect her sister in the end not because she thought Vi was better off without her but because Vi protects everyone and her sister can help now would have been great.

But that ending rubbed me wrong in every way.

The story of these sisters meant everything to me and what a fool we all were to think it was in competent hands. Like seriously I can’t believe this is the same writing team.

All of us went in with high hopes and then had those hopes crushed.

I’ve seen so many people who were excited to react and analyze go radio silent after Act ll and I hope they stay that way. I’d love to change my mind but I don’t think I can. I don’t think there’s any coming back.

I wanted to take the good moments and leave it alone but I keep feeling the disappointment because the show’s first season left a mark on me that I’ll treasure forever and I can’t let go. I still have so many feelings about this. Piltover and Zaun, Victor and Jayce, Mel and Ambessa, admittedly not my area of expertise but safe to say they all deserved better and we deserved better.

I would say it felt like a fanfic but I know fans have more grace and respect for this story.

This is not the tragedy I signed up for.

[billygoated]

Finally got around to playing Mouthwashing and god damn is this gonna be one of the games that sticks with me for a while. because like, what the fuck? (in a good way dw)

Spoilers below the cut! (CW: rape, pregnancy, cannibalism, suicide, Jimmy.)

Honestly the biggest thing that surprised me about my experience with the game and the so far two days since my completion of it, is Curly. Fucking Curly. i have a love-hate relationship with this man. because on one hand i can genuinely believe in his competence as a captain, but on the other... he utterly failed Anya (and the rest of the crew to by extension) by showing blatant nepotism towards Jimmy due to their being friends by not doing anything about him actually just straight up RAPING Anya and getting her pregnant.

Like, don't get me wrong, if Jimmy wasn't the whiny egotistical jackass that he was i fully believe the crew would've completed the journey just fine and gotten paid (even if they where gonna be jobless afterwards anyway due to the company going bankrupt). But this one fucking failure of his, this one fuck up due to a personal fault, singlehandedly doomed the entire fucking crew and condemned him to not only watch, but to outlive all of them by a long time. And by the time he realized his mistakes, it was far, FAR too late for him to do anything. All he could do was laugh as Jimmy picked up the gun.

And this man really stared his failures in the face when Anya took her own life in front of him, and he was the one to tell her that the medbay could be locked no less! And he had to watch Jimmy kill Swansea, and then eventually himself, after forcefeeding Curly his own leg and putting him in the cryopod. Curly essentially paid the price of his own actions, as well as paying the price for Jimmy's (who he is partially responsible for the actions of as his captain, best friend, and as someone WHO KNEW DAMN WELL HE RAPED SOMEBODY).

But at the end of the day i don't believe Curly is some belligerent psychopath who went out of his way to be just as bad as Jimmy himself, Curly is a person who let his social nature and friendship turn into favoritism and complacency with the status quo, ultimately trying to preserve it much to everyone's detriment.

I genuinely believe Curly cares about his crew, I really do. And i like that about him. But his mentality as a captain to preserve the status quo was a big part in why Jimmy was able to do what he did. It's not like the signs weren't there even not accounting for what happened to Anya, it literally would've been written all over Jimmy's psych eval, Anya herself even points it out to him. The man is not well and shouldn't have been allowed on the ship (though corporate bullshitery was also partially responsible for this as i am not blind to this games anti-capitalist themes).

I think that's about all i have to say though and i suck at concluding long winded stuff like this so TL:DR Swansea should've been captain, He's a real one and actually has a spine.

(i will almost certainly edit this if i think of anything i want to add or correct about my takes.)

[madonnamadeofasphalt]

EA & Bioware honestly did an incredible job at killing any enthusiasm I had for a new Dragon Age. Fucking hell, man, I've played the first two games so much I could probably go through them with closed eyes and still pick all the right dialogue options to get My Exact Personally Canonized Plot. And the only reason I didn't do the same thing with DA:I is because it was made after EA completely gave up on optimizing their shit so the fucking thing takes up like a billion terabytes of disc space and takes 10 hours to download and install. I honestly think it's the best-written cRPG franchise to ever have a budget that doesn't involve a list of Kickstarter backers or getting an eccentric Estonian billionaire fixated on the project. And the gameplay is also there, I don't really care about that part.

Then they proceeded to fire all the talent that made me love those first three games, and scratch and restart the production twice, and be suspiciously cagey with any details or gameplay footage for a fucking decade, so my hype consistently went down and down. And yet I still managed to hold out some hope that somehow, by some miracle, it wouldn't fucking suck.

I kept that hope until the trailer dropped. You know the one. The one where we see a bearded Varric. This, I think, was the exact moment when I lost any desire to play fucking Veilguard.

Like, first of all, Varric being there at all is already an issue. Leave the man alone. His presence was already kinda forced in DA:I. And after DA:I and Tresspasser, his story couldn't be more finished if he got killed, eaten, shitted out, condemned to hell, redeemed by divine sacrifice, bathed for eternity in the everlasting light. There is no point to Varric anymore. Whatever arc they've given him in Veilguard, and I don't even give a shit enough to read the spoilers before writing this post, it has no business existing. Fuck you. The only reason he's there is because he's a recognizable IP, and when you're a certain kind of soulless corporate moron, you think there's nothing more important than putting a recognizable IP in whatever new bullshit you're trying to peddle. Maybe if you didn't fire every decent writer in your trash fucking company, you'd have someone to tell you about the importance of Ending The Fucking Story When The Story Fucking Ends.

But that's not even the core of the problem. Beard? they gave Varric a Beard? Varric I fucking hate everything that's even tangentially connected to dwarven culture with a passion which is why I've made a point to shave my beard all my life to spite anyone who gives a fuck about it Tethras? beard? you gave him a beard? He changed so much offscreen in the goddamn timeskip between these two games that he got a motherfucking berd? fucshhfdbeard? feadsgfsvarricafgfdh BEARD? yyousftoiuslyhhabevarricasgsfucningbeardandthivkimgosabedineditit?beard????

PS. (edit after finding out spoilers) I've gone to TV Tropes to read up on Varric's role in DATV after writing this (just in case I'm wrong and dumb, and there's actually a deeply compelling narrative reason for his presence), and, well, this shit is cheaper than I thought. And more importantly, just as I thought, there appears to be no justification for the beard beyond "adding a beard is a cliche way to show that a bunch of time has passed, and we didn't care enough to think this shit through". I'm fucking tired, man.

PPS. (edit after reading the rest of big spoilers) This is so much worse than I could even begin to suspect. This is worse than the final season of Game of Thrones. This is the final season of Game of Thrones if they straight-up fired GRRM, burned his notes and hired a showrunner who's only read a one-page summary of the first six seasons. This is fucking depressing, man. I'm genuinely fucking sad. So many subplots that were started over the course of these three games, that were clearly going somewhere, scrapped in favour of a simplistic good vs. evil story that would get rejected by fucking CD-Projekt in 2007 for being too basic. All because the artists who poured their hearts and souls into this bullshit franchise got thrown out like trash by its "owners". Morrigan's kid, the Well of Sorrows, all the implied complexities of Tevinter politics, the Crows, the Old Gods, Andraste. All went to shit. Death to capitalism.

[nervouswhizkid]

i. am so mad. i'm mad at season 4 and at every one of you that interacted with my last post abt vld season 3. i know u were all sitting there giggling at me as i walked into s4 knowing full well it was going to destroy me. no WARNING??? i don't even want to sit down and write about it, i'm gonna start crying all over again

i hate that keith left the team. i have to actually practice breathing techniques right now because it's making me so mad omg. i know i said last time that voltron without lance was unthinkable, but i didn't mean that keith should leave. THAT IS NOT WHAT I WANTED!!!! that also means that there was less keith (and klance) content this season, which i take personally. they did that to hurt me specifically. and on top of that, the team was being so mean about keith's wavering priorities. i feel like when anything goes wrong, with lance and keith specifically, everyone is so mean to them??? god forbid they make a mistake or have personal struggles, DAMN

i feel like this screencap says it all.

guys how about let's talk to each other instead of being passive aggressive and icing people out (i do want to point out though that lance seems more sad/disappointed here than anything. my little klance heart is breaking 😭) AND THIS SCENE??

the moment i realized keith was about to walk in my stomach dropped. they all look so angry and here comes Mister Puppy Eyes McGee. i actually can't take it that's my son everyone leave him alone!!! 🤺🤺🤺🤺 i know they had a big group hug after but that's not good enough for me, they should have tied keith up or handcuffed him to the ship, or something. WHY ARE WE LETTING HIM GO WITH THE BLADE OHMYGODDDD

look at this, like??

the camera setup is what gets me. you have keith smiling with all of his friends in the background and then it swaps to a dark, yawning hallway with the most heartbreaking frown on his face. that doesn't look like someone sure of their decisions to me. this boy is in pain!! i'm also just confused about shiro being able to pilot the black lion. maybe confused isn't the right word, but i'm not sure how to describe it. i'm not convinced?? black already denied him, so why now? i kinda feel like it would've been better had he not tried to reconnect with her at the end of last season, because there was no suspense for me this time. the moment he decided to go try again i was like "oh it's gonna work this time isn't it" i get that it's likely black could sense keith's internal struggles and feel him pulling away and maybe that's why she gave shiro a second chance, but shiro becoming the black paladin again gave keith the excuse to leave, because why do they need him now? they have a black paladin, and it's not him. but to me, it should have been. he went through all of that growth last season, and for what?? just to abandon them when things get rocky?? ugh, i hate this!!

i can't even talk about episode 2 without crying, so just know that i'm sitting here with tears streaming down my face as i write this. i was really excited to finally get some closure on the whole pidge-missing-family mystery, considering that's been a subplot since the beginning of the show. as much as this episode broke my heart, i really did love it. they executed it so well. the scene where pidge lands on that planet with the graves? and they're running and pleading for it to not be true, all the flashbacks of cherished memories and images of matt? dropping to her knees in front of his grave in disbelief??

now that's fucking cinema. you best believe i was bawling my eyes out the whole time. i have a little sister and our relationship is very similar to pidge and matt's, so this was just excruciating. i'm very glad he wasn't actually dead, but part of me almost wishes he was? that sounds SO dark, i hope you guys get what i mean. they just put the audience through the absolute wringer and then they're like "oh, actually he's still alive LOL gotcha!" and that makes me really happy for pidge, but man, what a plot twist that would have been. they've been searching for their brother all this time, so you expect some kind of payoff for dedicating so much time to that storyline, but what if he was just dead?? and there was nothing she could do?? wow this is painful to talk about why did i start watching this show if there's a fic where someone explores that possibility then pls share, for some reason i want to torture myself again, i just love how they did this episode. it's very trope-y, but sometimes you just have to lean into it and enjoy, and this was one of those times

the classic fighting-each-other-unknowingly and middle-of-the-fight-identity-reveal? i'll eat it up every time!!

real talk though why is matt so attractive 😏

soo, zarkon is back. fantastic. do he and haggar just not care about each other?? they haven't mentioned the fact that they're married at all and haggar basically still acts like his loyal follower. i'd entertain the thought that maybe it's been so long that it just doesn't really matter to them anymore, but haggar sounded like she actually cared when she realized they were husband and wife last season. but now it's like nothing happened?? i don't expect them to act all lovey-dovey, but there wasn't even a single line of acknowledgment. and i still cannot understand what lotor's plans are. what is his agenda? he wasn’t bothered at all by zarkon reclaiming the throne, and even went to the trouble to make them think he cared. he got that comet and made a couple of ships, but i still don't know what he plans to do with them. also– i can't believe he killed narti!! i know, i was literally just talking about how she specifically frustrated me, but i was so not expecting their death. i get why he did it, but now the rest of his group doesn't trust him.

i'd say that the one bright spot in this season was episode four. that episode was just so silly and gave me so much secondhand-embarrassment i actually had to look away at times LMAO is this where we got the whole Loverboy Lance and Lone Wolf Keith thing from?? i thought that was purely fandom-made, i was not expecting to hear that in an actual episode. talk about whiplash. and we got this ICONIC scene:

he did that wayyy too naturally. lance, buddy, got anything to share?

i really would have loved to see keith with the team during that episode. i can just imagine how he would've reacted to having to do all of that stuff. god, that would've been hysterical!! the images of the parasite in coran's brain made me gag though, was that really necessary🧍‍♀️

i don't have a ton to say about the final episodes. i mean, it was two episodes of them fighting on naxzela. it was definitely a bit of an avengers endgame feeling with all people they helped in previous seasons showing up to fight, so that was cool! i'm curious as to what purpose naxzela served to the galra empire though. were they always planning to use it as a bomb? and couldn't they still do that technically? they only broke the witches connection with it, so all they'd have to do is get another ship out there and she could do it again. what do you even do with a planet like that?? just destroy it?? i also just want to point out that lance said they should get out of there immediately, and nobody listened!! and then five seconds later they were like "oh no, we need to get out of here!" justice for lance i stg ohmygod and LOTOR is on their side now?!?!?! i actually can't wait to see how this plays out!! total transparency, i love atla and i could absolutely see this being a zuko redemption arc situation. it's clear his parents don't like him at all (are they actually heartless or something??) so why not join the other side!! I'M HERE FOR IT

i have to be honest, this definitely wasn't my favorite season. we're getting into the later seasons and i've heard plenty about how the writing goes a little left-field (though i'm not sure when that happens. most people seem to agree season 8 is shit, but i've heard complaints about s6-7 as well) so we'll just have to see! i'm sticking it out as best i can🚶‍♀️‍➡️ onto season 5!

[toasthaste]

ok here are some In Stars and Time thoughts: (wow! that's a lot of thoughts actually! long post warning! also warning for like every possible spoiler, don't read this if you haven't engaged with the game to your satisfaction)

I'm obsessed with the fact that the loop that ends up being the final one is the one where EVERYTHING goes wrong. I spent the whole game subconsciously building up my Perfect Final Loop in my mind, how I'd get every item to make sure I didn't miss an opportunity to use em, do all the friendquests and such... I didn't even realize I'd been building up that ideal scenario until after credits rolled! Really really cool. The timeline where Siffrin does the worst stuff he does in any loop is the one that stays. And it's still a happy ending! it's a better ending because of that! His friends saw him at his worst and still loved him! He didn't have to do everything perfect to keep them around actually! Something about that feels so right, to me.

I keep using "ludonarrative resonance" to describe this game and yeah ok I'm huffing my own farts here whipping that out but whatever, it's REAL. The player and Siffrin are on the EXACT same emotional journey as each other, we're getting tired of seeing the exact same lines over and over again right alongside them, we're taking shortcuts because we've seen it all before and just want to grab key open door grab crest etc etc make the progress go. We're starting to find these previously-charming characters grating because we've just seem them repeat the SAME lines over and over and over and OVER again until they start feeling like caricatures of themselves who we can barely feel any real compassion for any more.... It's just so.... clean, it's so perfect, to me. It helps that Siffrin is also one of the more relatable characters I've encountered in, like, media. I don't usually relate to fictional characters much, but, man, the emotional constipation, the building scorn, the depression, the Being Weird About Touch... I mentioned in another post that it's really just Siffrin and Murderbot who I've ever found viscerally relatable, of all the characters ever in media. So like, it's a pretty rare position. (I do not relate to the pun-love though. I'm funny I'm good at goofs but bad puns are extremely tedious to me. Which perhaps goes to show how well-realized Siffrin is, given that I'm able to look the other way....)

I think they could have stood to make Loop's Whole Deal a bit more obvious. I had no clue what their fucking deal was at any point. I totally missed the interaction that lets you learn about The Incident and thus get more Loop info at the end, and... it's valid to have different endings in a game of course, but... I felt like I really missed out tbh! And I had no way of knowing I had to keep interacting with the silver coin.... idk. It felt a bit like a gotcha I suppose. And Loop's deal is really cool! Holy hell! I'm doing a quick replay of the game to see more convos with them with this context, and to get the ending with them, and like--!!! There's so much here! Loop tellins Sif to use the royal We, they even tell Siffrin, like-- Loop asks Siffrin why he doesn't just tell his friends about the loops, maybe they can help, why keep it a secret? Meanwhile... Loop!Siffrin is stuck in their own helpless timefuckery world and refusing to let Siffrin know about it! The Siffrin from the Start Again timeline never learned those lessons, they're still trying to help someone else while refusing to ask for help themselves, refusing to even let on that there's a problem! And getting more and more emotionally fucked up about it! Man it's good. I guess it does make a replay more rewarding, not knowing this until the end, the first time, but so much of the game is already a replay that, idk, it does feel weird to replay it. I've already done so many repetitions y'all.... But I guess that's pretty meta, also...

Oh I'm under the impression this is not terribly uncommon but I absolutely did get got by the ?diary? that had the story of the person making a duplicate of themselves so they had someone to talk to. Like I fully thought that was describing the King and Siffrin, I spent a long time under the mistaken impression that Siffrin was a copy of the King in some capacity. Oops.... I might try to gently lead Beloved Roomie away from this interpretation when she plays it. Planning on being pretty hands-off overall but this is one area where I feel it might be justified to violate the prime directive.... But we'll see!

I wish I liked the music more..... This is a game that I think really begs for some real heartwrenching tunes to enhance all of the everything but instead none of it does it for me at all. I think that's a real shame, it's by far my biggest complaint. I'm not asking for Undertale-tier, but, at least something I'd want to put on my playlist for the emotional resonance, y'know?

THEY ACTUALLY KILLED THE KID !!!! LIKE!!!! I guess I have some biases I might should think about but I was not expecting a game that begins with so many explicit pronouns introductions (rather than just giving us context clues) and that has no real cursing to be willing to kill the kid, even impermanently? Let alone so gruesomely? I think I was expecting a much greater level of.... idk, tweeness, fanglessness, than we actually got. In spite of being a fan of insertdisc5's comics for YEARS and years! And like! Damn! Props to them!

God. God. So, like. All the ending fakeouts were fucking great. I genuinely thought the All Friendship Quests ending might be the Real One, I was prepared to be disappointed because it felt too soon and just not.... quite.... right? But I did think that was probably where it was heading! But it wasn't! I got got and it's so heartwrenching and also so satisfying, the mood whiplash from loop to loop is fucking sublime.

And-- AND! The real ending! So like. Some of the stuff I missed was just me not pursuing specific content correctly. But some of it is genuinely just, like, stuff that has no actual purpose besides flavor. Flavor, and.... The locked passphrase door in Dormont. The four-pointed leaf you can get (but not in the final loop!), the bell chime, etc etc. You can't actually really do anything with any of this stuff. But you don't know that! It feels like there's still all these loose ends! And!!! Those loose ends do their job SO WELL! The dev knows Gamer Instincts, knows people are gonna have that mental tally of boxes-yet-to-be-checked. Left some forever unchecked on purpose, which-- At the end, the real end, when Siffrin is about to talk to the Head Housemaiden and find out, for real, if this is the final loop or if it's all going to happen again, again, again. He's scared. He's traumatized! He's thought he Had It so many times! SO many times!!! Hope is terrifying! Hope is a poison! And the game has left these loose threads, and at least for me I really was not sure it was going to work. Like it seemed likely but the same metaknowledge of story structure that made me think it was likely also told me "but wait, there's all these loose threads, and the only way for them to trick us again WOULD BE to make the ending SO elaborate and epilogue-y....." I was nervous right along with Siffrin! I was uncertain! Fucking fantastic work, using my own gamer's instincts against me. Thrilled about it.

All the characters are so well realized. They all have specific relationships with each other, not just with Siffrin (Important!!!!! Huge complaint I had with BG3, they didn't put their whole pussies into this!!!!). And, and, I love how they all have different feelings about the time loops. I love that Mirabelle doesn't want "spoilers," and meanwhile Bonnie doesn't mind them and thinks of their alt-selves as like... them-but-not-them in a very cool way.

There's something about-- the way the game starts as a regular degular videogame and then graaaadually becomes, essentially, a visual novel as the actual gameplay becomes trivialized. Which itself is like, really really cool with the themes! And also, just.... I never would have picked up a straight up visual novel, I just, don't get into them, I'd rather read a book, but! I was already invested! It got its hooks into me when there was gameplay mixing things up and those hooks weren't about to let go just because the gameplay didn't super matter any more!

Straight up when we first see Red I didn't at all process that it was a Color in a game with No Colors, Canonically. They had to spell it out for me. It didn't occur to me to be surprised. I'm just too used to colors existing I guess idk. I think I wish the colors thing had gone somewhere a bit more...? I'm GUESSING it mostly originated as just a cute little explanation for why the game is all grayscale and then fit in with enough stuff to be given elevated importance (?) But it felt... hm. Underdeveloped, maybe. I think I really want more stories in this.... "Setting" and "Universe" and "Series" are not quite the right words but hopefully you get the idea. I want more so there can be one that develops that more. Not that leaving stones unturned is, like, illegal ofc. I just find the idea very compelling....

What is it with time loop stories and themes of loss that cannot be outsmarted. Man. I wondered, for so long, if Siffrin's country was going to be restored in people's minds, if that was one of the main big Plot Things we'd see. And it just didn't! Their memory is going to keep being bad, they're going to keep having all these huge tragic gaps and it's just. What can you do. At some point you have to either be permanently paralyzed by the horrific injustice you've suffered-- or you have to try to live a life. And. Man. I don't think I've actually ever encountered a story that was so much about that exact specific form of loss, the loss of one's culture, history, language! All of it. Gone from everywhere. It made me think of the obvious things and just. Man. What a howling void. The contrast with Odile's deal made it a lot more effective too I think. More of an expanded meditation upon these themes than just one toe dipping in, I guess? Hm.

Odile's battle profile pic when she's at low health is so fucking hot this cartoon character is so hot goddammit.

Game good. You're only reading this if you've already played it, I hope, so I can't use this space to recommend it in a meaningful way but. Heck. Game good.

[preet-01]

For the ask game

A Heart is Drawn Around Your Name!

A Heart Drawn Around Your Name is wag Daniel, but Max doesn't really come into the story until the end since he's the final relationship - the one that finally works out.

Daniel didn’t seek out Formula 1 drivers to fuck or date. 

Despite what the media and fans said – which they said a lot – Daniel didn’t chase after them. He didn’t jump from one to the next as the championship contenders changed and different teams began their dominant years. He didn’t actively seek out Formula 1 drivers, nor did he prey on single drivers in the hopes of getting back into the paddock. Hell, he probably would be perfectly fine never stepping foot in there. He didn’t go after drivers on the up and he didn’t drop the drivers on a downward spiral. 

He had never chased the drivers he dated or occasionally fucked around with. But when they would come up to him with some god-awful pickup line that inadvertently would make him laugh hysterically and promises of everlasting love that almost always ended up with Daniel serving his hand on a golden platter. 

Even when he’d known better, Daniel had never been good at saying no to the men who flirted with him and gave him hopes of something great. While Daniel hadn’t chased Formula 1 drivers, he had always chased happiness and everlasting love. He could never say no to a man who wanted him and wasn’t afraid to show just how much. He could never deny someone who was willing to risk it all just to be with him. 

Unfortunately, that, in his experience, tended to be detrimental to himself and no one else. At the end of the day, he always seemed to be the one the drivers chose for a good time not a long time. 

A hopeless romantic, his family said every time he introduced them to a new boyfriend, a new driver that had shown him a future of love and happiness. They’d always said it with cautious smiles and hopeful eyes that maybe this time they wouldn’t be the ones who had to pick up the pieces. A whore, the media and fans said every time he walked into the paddock in the arms of a different driver. From his very first appearance in the world of Formula 1, the path had been set for him in their eyes. Let it last, he begged whichever higher power that listened. Always desperately praying that for once Daniel would be enough, that someone out there would want to spend the rest of their life with him. Praying that for once they wanted him for more than just a few months together, for his heart and not what they could get from his body. 

____

Max had been 19 when he first saw Daniel. 

Dressed in red and on the arm of Sebastian Vettel, Daniel had shone like the sun and Max had been the sunflower following behind him. 

He hadn’t known who Daniel was then, nothing other than someone that Sebastian was dating, but others knew Daniel. They knew of Daniel, they had things to say about Daniel – some good, but a lot of bad that Max couldn’t reconcile with the man he saw nervously standing with Sebastian’s friends in the Ferrari garage. 

Though the most common thing people said was: you don’t wanna get involved in all of that, he’ll drop you the minute he’s had his fun.

Max was never one to follow blindly, so he does his own research. 

One of the mechanics had given him a name and Google was a wonderful thing. 

Daniel Ricciardo Formula 1

The earliest article is one that concerns Red Bull and Daniel wearing what looks like a 2007 Red Bull race suit alongside Mark Webber. From there it quickly devolves into the territory of extramarital affairs and gay cheating scandals and Mark’s vow renewal that year. 

Then comes Jenson and a bevy of pictures with the two of them in scandalous positions. The playboy and the homewrecker is what the press refers to them as. And by the time the next season of F1 starts, Daniel’s not to be seen and Jenson’s whoring his way around the party scenes. 

There aren’t any articles of Daniel and Lewis, but he does see pictures of them at the same events. 

2017 is when the Sebastian and Daniel relationship begins. 

[iconicname]

The same goes for anya x curly too it may seem cute, but curly was essentially a boy mom with Jimmy as the "boy." Honestly, I think at most anya and curly could be tentatively reconciled friends post fix-it ending or whatever which would take a lot of work on curly's part and giving a lot of forgiveness (If shes willing ofc) on anya's part.

obviously, do what you want i could literally not care less what yall do i just wish fandoms were less shipping-oriented sometimes :/

weird accidental character analysis/rant below

Look, I too, am not immune to the 'oh, curly's kinda cute' thing people have going on. I get it, but I don't want to be blinded by it.

I think people forget that pre-crash curly was a miserable and incompetent guy who stuck around and kept jimmy around for a reason, (while yeah the birthday scene made it clear that he's a nice enough person that pre-crash crew generally had a good opinion of him and he may seem better when side by side with someone like jimmy but that man is nowhere near the picture of a "well-rounded man)

The reason doesn't have to be deliberate or anything like that, it could be that Curly silently never grew out of the dismissal of SA/the female experience mentality which allowed someone like Jimmy to be his close friend for so long. or, in his own words he preferred looking at the bigger picture but because he was so focused on Jimmy's wellbeing (y'know immediately rushing to fucking Jimmy to assure him that everything was going to be okay after ANYA confessed to being pregnant and said that she fears jimmy enough to hide a gun from him that if it were not for the fact that curly would not allow it she would have used to the gun to protect herself. in that scene, it clearly shows that Curly prioritized Jimmy's well-being but also his feelings over Anya's even if if he didn't realize it. to Curly Jimmy was the bigger picture.

Jimmy is clearly not above abusing people he considers his "friends" especially someone who was catering to him to that degree, i.e the birthday cake scene ("both" of them) and the multiple medicine-taking scenes, etc so over the years of knowing jimmy, Curly could have subconsciously internalized Jimmy's sexist way of thinking, as to not create conflict (which is not an excuse) plus someone who may not be happy might cling to the people and disregard red flags in fear of isolation/losing something they consider positive (still not an excuse).

I don't think Curly didn't care for Anya or the rest of the crew, for that matter, but because he focused on catering to Jimmy, he hurt the people Jimmy hurt.

I like to think that Anya and Curly were very similar early days post-crash not just in the "victim to the same piece of shit" kind of way but that they both had the "thinking the best of bad people out of a sense of self-preservation". One of Anya's iconic phrases "Our worst moments don't make us monsters", I like to think that's in character for Curly to adopt that phrase as well for jimmy out of some hopeful delusion and or lasting affection for Jimmy (plus he was definitely delirious and in pain 24/7 mans not going to thinking clearly), especially since Anya and Curly were often together post-crash. but when Anya reaches her breaking point and ends her life it's Curly's breaking point too because it finally fully clicked how horrible Jimmy really was, as a co-worker, friend, and person. and that's why when Jimmy unlocked the gun case, we got the chilling, sardonic, and scorful laugh.

Ya'll have got to stop shipping Curly with Jimmy. That man is a rapist. He doesn't deserve the Yaoi fantasies.