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fumifooms · 2 months ago

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Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

#Fumi rambles #Chainsaw man #makima #analysis #meta #The goal is moreso me dropping thoughts than being flawless on every aspect of the lore so if and when i get things wrong b merciful….#Maybe her liking of control is why she remembers the ww2 authoritarian fascists. I don’t want to say the word jic for tumblr search #Pity is never a factor When mercy is a sign of a talentless actor #And as you grow its hold on your throat starts to falter And once you go beyond pure humanity's border #You will come back like a dooooog 😭#This’d be a different topic but. I don’t think makima likes denji as much as one of her dogs. If so i’d say it was in the moments where #she brought him to movies but even then….. i think she has more fondness for her dogs bc w denji it was indifference and derision #I love you please humiliate me / strip my dignity and laugh my honey #God. God i’m fine. I’m so okay about csm #Makima has a cryptic but strong sense of morals?? That doesn’t align with ours obvi but #‘Someone like you has no right to wish for a normal life do they?’ What do you meannn what do you meannnnn #What is this contempt for denji. Does she see herself as moral or part of those that are city mice bc they’re undeserving of a calm life???#Maybe famine only feels fed on humans and their blood 🤔 or their fear. man idk idk idk idk but i wanna see more of her quirks #And before someone says ‘but every demon likes to drink blood’ power is especially fixated on it tho cmannnn #Did Angel lie when he said he liked seeing humans die?? Did his haunting thing become worse after meeting Aki?? Did he suppress it #because he feels like he doesn’t belong as a devil??? bc he’s suppressing his memories of the villagers he cared about??#Has he just been trying so hard not to care for so long. Passive bc he thought that’s all he could or should be #AGHHHHH #Spoilers #There’s a lot more i’d have liked to touch on like the popular theory that Makima was *raised* by the government #and i’ve seen a take that the ‘my friend at a farm’ thing is all euphemism from makima about her troublesome human killing job ykyk #but i think the phrasing is too literal and natural for that. The snow and soil talk everything. It’s a perfect allegory but it can be both

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dirtytransmasc · 2 months ago

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screaming and crying over Spider and Neteyam and Fable;

When I lifted his urn Divinity says, "Destiny can't be earned or returned" I feel when I question, my skin starts to burn Why does my skin start to burn? Capital loss Love was the law and religion was taught, I'm not bought Feel when we argue, our skin starts to rot Our skin starts to rot

So, share me your plan If I implore you, could I be your lamb? Understand I look for the truth in the back of your hand, and I Look into the open sky Stars blink like my brother's eyes Stars blink like my brother's eyes Stars blink like his eyes Like his eyes I dream of eternal life

Spider grieving the death of the baby brother he failed. he never pushed him away, he clung to him, he clung so hard, even if he did so quietly, because that was his first brother, his baby brother, in a way that Lo'ak was not (because first and younger are different. they matter the exact same, he could never have a favorite, but it's different in a way there are no words for). Neteyam could push and push and he'd still watch over him and love him and worry over him.

When I lifted his urn Divinity says, "Destiny can't be earned or returned"

Spider holding his baby brother one last time, even if he just sneaks into the mauri holding the dead, because he otherwise does not belong, scooping his head into his hands to kiss his forehead and whisper a goodbye and tell him he always loved him no matter what and that he's sorry. he's so sorry.

in that moment he realizes that their fate has come to end. they were always doomed. to be brothers. to fall apart. to never get a second chance. that no amount of goodness— because his baby brother was good. flawed. that's not even the right word, too harsh. he could call him flawed. no. no he was a child stumbling through life, a hard life, blindly. but he was good. always. always —could have given them a better fate.

I feel when I question, my skin starts to burn Why does my skin start to burn?

a flashback to Neteyam. maybe a memory in Eywa, when the soul of a boy who died too young with too many regrets and dreams and things to fix breaks through the idea of paradise, of peace and rest, of closure, and instead falls onto his brother.

the one he abandoned.

onto whispers— demon. he should be with his own kind. it is unbecoming of you. you need to be a warrior, Neteyam, not running of with him. he will only become his father. his blood bears his sins —that plagued him.

shame blisters his skin. it hurts. it aches. he turned his brother away over whispers? he hurt him over whispers? he put them both through so much pain over whispers?

it had always burned. the feeling was familiar. so familiar. every time he looked back to him and considered taking his hand or curling into his arms or falling into his lap, like old times, questioning why he had ever left this behind... it burned.

why did it burn? he used to think. and now he knows. shame. it was shame.

Capital loss Love was the law and religion was taught, I'm not bought

death. death and blood. death and blood and pain and...

words left unsaid.

clinging apologies.

pleading— take me back. come back to me. take me back. come back to me. take me back. come back to me. take me back. come back to me. take me back. come back to me. please I'm begging you —words wanting to spill out at freely as the blood on the rocks

none of it was worth it.

love should have always come before hate.

hate was taught.

they only fell apart when they were old enough to understand what hate was.

when Neteyam was old enough to understand he should— according to his mother and his people and his clan and all the weight on his shoulders —hate his brother.

when Spider was old enough to realize no one but his brothers- brother and sisters liked him. liked him enough to fight for him. in their childish ways.

none of it should have been.

had there been love, maybe Neteyam would still be living and breathing. maybe it would have changed their fate.

Feel when we argue, our skin starts to rot Our skin starts to rot

another flash. the final fall out. a blow up.

desperate pleading once more.

Neteyam begging his brother to leave him alone, because he cannot keep pushing. it is breaking him. but he can't— he is not allowed to have him.

Spider finally breaking under the weight. he cannot keep doing this.

but as they walk away, nausea eats them away.

Neteyam will cling to each second he can pretend things were as they used to be.

Spider will watch silently.

they are dying.

long before their deaths; the death of a body, the death of a heart and mind.

they are dying.

they are rotting.

fading away

So, share me your plan If I implore you, could I be your lamb? Understand

Spider seeking out the Great Mother. offering himself a sacrifice. forever the lamb.

he did it long before now. before Neteyam was gone. when the war came. when the war parties went out. when Neteyam joined them. when he came back bloodied and bruised.

What is your plan? do you see blood? will take my blood instead of his? I will bare my neck, just leave my brother unharmed. please I beg. I beg.

he asked again when he was taken.

take mine, not his.

because Neteyam might have been a warrior, but he was also his baby brother, and he would always bleed first. he would bleed the blood that tore them apart to begin with.

and now he asks again, still trying to scrape his brother's blood from his nails.

why couldn't you do this one thing for me? why couldn't you let him live? why couldn't you take this hated blood? why could I be your lamb?

I look for the truth in the back of your hand, and I look into the open sky

Spider holding his baby brother's hand. again and again and again. growjng older, larger, wider, tougher each time.

holding it one last time.

tracing where stars should be.

they aren't there.

neither are the answers.

he looks up.

Stars blink like my brother's eyes

he wishes his brother would just open his eyes. that he would see that childish brightness—

hope and love and light and blissful naivety. unknowing of hate