#favourite les misérables

[nortism]

Having brain rot about a character so minor that they don’t even show up when you google them (Favourite from Les Misérables)

[la-confrontation]

"sewers tangent my beloved," i say after reading about les amis' deaths

[somuchbetterthanthat]

reading the tags on that ship poll about Grantaire and someone was the smartest person in the universe saying that Grantaire loves Enjolras for his convictions and so the love would go to possibly the second most resolute in those convictions and therefore Feuilly

and i'm obsessed with that. yes. that is so good. obviously. Obviously in a world where Enjolras does not exist Grantaire would be blindsided and start to follow Feuilly around

Would Feuilly have even less patience in him than Enjolras, that I can't decide. my instinct is to say he would not, but maybe he would!

[kaantt]

Ooh Feuilly my beloved, you finally came back in this fucking novel after 200 pages, but you came back just to be killed. My sweet boy I love you so much.

[jehan-d-art]

ten favourite movies gif game!

I was indirectly tagged by @gaylilsherlock to show my ten favourite movie gifs (I cheated a bit since I watch way more series than movies).

Pride and Prejudice

Pride

Les Misérables

Practical Magic

SOTUS

Latter Days

I Told Sunset About You

The Devil Judge

Beyond Evil

Inception

I guess this says so much about my favourite dynamics, character traits and the general mood of the respective movie/series ^^

Im tagging everyone who would like to play this game, too. :)

[mossmx]

Lewisvert wearing 2012 Crowevert uniform

(March 2015, SAI; colours added June 2023, CSP) - (light photo credit x by seanwsinclair)

[alphazed]

I WATCHED LES MISERABLES AGAIN BUT IN LONDON THIS TIME TO WATCH MY FAVOURITE GUY MILAN VAN WAARDENBURG AND I LOVED IT AGAIN SO MUCH AUGHDVSUZGDJSV

I need to draw.

[clove-pinks]

Not a new academic journal article about Paul Gavarni, but newly found by me: "Parisian Social Statistics: Gavarni, 'Le Diable à Paris,' and Early Realism" by Aaron Sheon (Google Drive link). I think this will be of interest to many of my friends here—

Le Diable à Paris is important to art historians because it included a series of illustrations by Guillaume Sulpice Chevallier, known as Gavarni, the popular Parisian illustrator who was one of the city's most colorful personalities—a bohemian and flaneur. His entire series of illustrations showing types of Parisians, particularly the poorest ones, was popular enough to be later assembled as Les gens de Paris in a separate book. Each illustration was captioned by Gavarni himself, who took pride in writing a touching or witty description for each image.

Gavarni's illustrations in Le Diable à Paris included some of the cruelest scenes of waifs, paupers, beggars, and les misérables that had yet been done. It is surprising that they have been overlooked in recent studies of the politicization of French artists in the 1840s. The curious neglect of his imagery of the destitute, unemployed Parisians in Les gens de Paris appears to be due to the general neglect of Gavarni's oeuvre. When considered at all, Gavarni has been viewed by most historians as a conservative artist, a gay blade who lived only for carnavals and bohemian self-indulgence. This assumption may be incorrect.

This is a really, really, really good article about Gavarni's world, probably the best source I've found next to his biography by Jules and Edmond de Goncourt (which is in French). There is some fascinating background on the gathering of social data and the development of the modern statistical bureau in early 19th century France; and the content of Le Diable à Paris is a LOT darker and more socially conscious than I imagined. I had thought that it was a more light-hearted work before Masques et Visages but definitely not. (Which makes it even more inexplicable that people in 1840s Britain thought that Gavarni was just a dandy who made elegant fashion drawings, only to be disappointed by his more complicated reality).

Very interesting information about provincial peasants flocking to 19th century Paris, where they lived in slums and faced discrimination and mockery for their regional dress and accents: "In the 1840s a number of pejorative words began to appear in novels and articles describing the immigrants: misérables, wretches, barbarians, savages, indigents, illiterates, nomads, vagabonds, and vagrants. Some writers described them as the 'mob' and a 'nation within the nation.'"

Special to @sanguinarysanguinity: I have FINALLY found some of Gavarni's mathematical work, thanks to this article! "Des fonctions curvitales" in Comptes Rendus des Séances de l'Académie des Sciences (1865). It's in French but maybe the equations will give you some idea?

Gavarni's publisher Pierre-Jules Hetzel was a lot younger than I imagined! I had no idea Hetzel was a political activist in the 1830s and 1840s (and opposed to the regime of Louis Philippe). He signed Honoré de Balzac to a publishing contract, too! Note to self for the upteenth time: I have to start reading Honoré de Balzac, who is constantly being brought up in association with/compared with Gavarni.

Sheon puts a pretty good case together that Gavarni should be regarded as more politically progressive and less shallow, although it makes me ponder how little I know about him. Gavarni is still enigmatic to me, and I have so many questions.

[elinordash]

FILM & TV YESTERDAY, TODAY, TOMORROW: Day 1 – Favourite

At the same time that there is an infinite without us, is there not an infinite within us? – Victor Hugo, Les Misérables

[can-of-w0rmz]

Talking to people who aren’t REALLY into classics sucks sometimes bc it’s understandable enough yk, acquired taste and all that, but also it’s like I SWEAR I’m not being pretentious by saying my favourite novels are Frankenstein/Dracula/Les Misérables THEY GENUINELY ARE 😭 IM GENUINELY ATTACHED TO THE CHARACTERS AND GENUINELY HAVE REREAD THEM MULTIPLE TIMES (except for Les Mis. I am… still not finished my first read it’s a long-ass book ok man leave me be) AND IM GENUINELY EXTREMELY ARTISTICALLY INSPIRED BY THEM ALL IM SORRY I am but a simple history nerd who genuinely likes reading about old men with psychological problems and almost-human-cryptids that are metaphors 🙏🙏

[nortism]

It’s important for the soul to claim an irrelevant Les Misérables side character as your own

[asexualenjolras]

I have seen a lot of Enjolras and Grantaire pairings over the years, but none have ever seemed more like boyfriends than James D. Gish and Connor Jones on the Les Misérables Arena Spectacular tour, and I need to talk about it.

James' Enjolras is so confident and is so committed to the revolution, but he is also very human and very soft with Grantaire and Gavroche. Througout the show they are seen together like a little family unit, and you can see that Enjolras cares for them both. He's conflicted throughout the show, and is very protective over them both.

Connor's Grantaire (and I say this every time I see him) is another level - he is so brick accurate and he portrays Grantaire with so much care. He's the usual drunken R, but he is so gentle and he feels things so deeply. He's anxious, and emotive and cynical, but he wears a mask and pretends to be okay. He's so aware of everything going on and he cares about his friends. And he cares about Gavroche; he's like the little brother that he never had. And he is so enamoured with Enjolras - he doesn't take his eyes off him for more than 2 minutes the whole time they're on stage. Connor Jones Grantaire will always be my favourite.

During Look Down, James' Enjolras is so confident. You can see how much the cause matters to him, and you really believe in him. And he's so human in Red & Black - he's clearly a little bit nervous, but when he looks to Grantaire and sees that he is smiling at him, he gets a boost of confidence. It's really sweet, and I've never seen that before. When he sings "don't let the wine go to your brains", he's poking fun at Grantaire and offers him a cheeky smile, which makes Grantaire laugh too.

Connor's Grantaire holds his wine bottle up to the roof in reply, laughing, and is reprimanded by another student. He, playfully, stands to attention and listens to Enjolras again following that. He goes towards Enjolras once he finishes singing, but immediately stops when Marius walks in and takes to teasing him. Enjolras speaks to the other students and intervenes before they can tell Grantaire off and tells them he will sort it. But he can't help himself but laugh at him when he's teasing Marius. He pulls himself together and continues with the song, keeping his eyes on Grantaire to make sure he's listening and he looks so proud of himself when he realises he's getting through to him.

Until Grantaire and Marius start up again, and then he looks so defeated but, again, can't help but smile. He's rolling his eyes but he's laughing because he just can't help it when he's watching Grantaire. It was so sweet.

It really was as if he was torn between upsetting Grantaire, and upsetting the rest of the Amis. And it worked really well. He was so relieved at the end of the song when Grantaire stopped joking around. He verbally said "YES" when Grantaire said "give me brandy on my breath and I'll breathe them all to death".

THESE TWO. They are such boyfriends.

Grantaire looks so concerned when Gavroche tells the Amis that Lamarque has died, and he runs straight over to him to make sure he's safe as the students prepare. He takes such a big drink of his wine and forces a smile onto his face for Enjolras. Enjolras constantly looks at Grantaire during the song, and Grantaire is doing the same but with so much love and pride in his eyes. James' Enjolras is so confident in what he believes in, but he is so soft with Grantaire and I really love that choice. While Grantaire stands with Gavroche, Enjolras is constantly seen walking over to them both and they really do seem like a little family. 

As Grantaire sings "let's give them a screwing they'll never forget", Enjolras looked at him with so much pride and smiled so wide once the words processed in his mind. 

After Èponine died, Enjolras was looking behind himself like a lost puppy and Grantaire stumbled forward and offered him his hand with so much desperation to try and help the man he loves. But Enjolras pulled away from the hold when Valjean clambered onto the barricade, leaving Grantaire holding his arm out. Gavroche gave him a little nudge but R looked so broken and upset. He literally growled the "a volunteer like you" line through gritted teeth.

After Enjolras shoots down his "so the war is won" line, he shakes his head and rolls his eyes as he walks to the back of the stage. It's at this point that you can see that Grantaire is really understanding that they're all going to die. He drinks some more and sits with Gavroche as Valjean and Javert have their confrontation.

At the start of Drink With Me, Grantaire stumbles (again) to the front of the stage, looking around at his friends and taking in what they're saying. He holds his arms up and then a few of the Amis stand up and storm towards him as he sings his part (with such a broken voice). But before they can get to him, Enjolras pulls them back and pushes them away from Grantaire, and they both look at each other on the "will the world remember you when you fall?" line, with Enjolras placing a comforting hand on Grantaire's shoulder.

But Grantaire pushes him away in his hurt and frustration, and Enjolras looks so concerned and upset. He looks around at the other students to see whether they're all watching too before just staring at R with so much sadness. He tries again to comfort him, putting both of his hands on his shoulders and leading him away as Gavroche runs up to them and throws his arms around him.

AND THE LOOK ON ENJOLRAS' FACE. OH MY GOD. IT SAID SO MUCH.

He wanted so much to be the one to hug Grantaire, you could tell. He was trying so hard not to cry, and it was gut-wrenching. He looked so sad, and so broken, and let out such an exasperated breath (he looked like he was going to have a panic attack, I'm not exaggerating) before forcing a smile onto his face for the other students.

The death scene is staged a little differently in the Arena Spectacular, but Grantaire still holds Gavroche and he still looks around for Enjolras and Enjolras gives him a small nod before they're both killed (do you permit it? vibes).

During Empty Chairs at Empty Tables, Enjolras, Grantaire and Gavroche stand together at the top of the stage like the little family that they are, and are together at the end for the finale too.

In conclusion, I love them, your honour. James D. Gish and Connor Jones will go down in history for their ExR. I hope we get an official recording with this cast, or I hope they do a stint in London in the future.

They ARE Enjoltaire.

[theblesseddamozel]

My favourite thing about Les Misérables is that Victor Hugo totally could have set it during the French Revolution but instead he picked a much smaller, more obscure revolt. And somehow it’s even more dramatic that way.

[olympain]

JEREMY JORDAN AS ALL THE ROLES (Ⅰ - my personal favourites)

'Bring Him Home' from Les Misérables 'Raise a Little Hell' from Bonnie & Clyde 'Feed Me (Git It)' from Little Shop of Horrors 'She Used to Be Mine' from Waitress 'From Now On' from The Greatest Showman 'Sh'ma' from Parade 'Maria' from West Side Story 'Oh, What a Beautiful Mornin'' from Oklahoma! 'Into the Unknown' from Frozen 'When Your Feet Don't Touch the Ground' from Finding Neverland

[hadleysmis]

Jean Valjean lifts Marius part IV

岩淵慶造

Bonus sewage content!!

The first photo is actually at the beginning of the book, right after the brief setting. They really wanted us to know, that above all, Les Misérables is a story about sewers. 10/10

Also a bit off topic, but this JvJ design is one of my favourites.