#fandom knits

[megapteraknits]

I'm re-watching the X-Files series, so naturally I need to make more mittens.

[boyduroy]

There are two wolves inside me

One is crying and begging me not to attempt to make the ugly sweater Rutherford wears in "Grounded" because it will literally cost like $300 and take a long time to even chart out, much less make

The other is just pointing out dope the sweater is

[theshadowrealmitself]

*notices I have more stitches than I’m supposed to*

…

……

*knits 2tog and moves on with my life*

[grahamcore]

i genuinely would like to see a study on how the fuck the hannibal nbc fandom has remained not just active but thriving online when the show ended in 2015. other more recent shows have come and gone in the years since then but we’ve still got new fics and art and posts happening daily?? how does that happen

[hihereami]

I think so much of the outlook over fandom would change if many people treated it like it is: a goddamn hobby.

A fandom group is no better nor more revolutionary than a knitting club. It can replicate any real world biases and discriminations and it can also be used to raise money/group people towards causes. It can foster connections that will turn to actual real political action or it can just be a gathering of people who don't know much about each other outside of it.

It can be lovely to experience when you're surrounded by a lovely group and it can be hell when the group is full of cattiness and pettiness . It can be inclusive or it can be exclusive when you're surrounded by bigotry.

Because it's a group of people - it's going to have problems. And when there's a conflict or people are pointing shit out, it needs to be solved so its members aren't spit out in the sake of "avoiding drama". Because it's a group of people, it's not automatically changing the world in a blaze of self grandeur. Because it's a group of people with a common hobby, it can impact its members lives for the better and give them a space to express themselves.

Fandom is a goddamn knitting club. It's not this inherent great, subversive force of good nor this den of evil that's traumatisizing the children. Chill out.

[she-posts-nerdy-stuff]

Grishaverse knitting update

I FINISHED THE SIX OF CROWS BLANKET

Okay maybe ‘finished’ is a strong word; all the ends need weaving in (there are so many of them 😭) and I haven’t bought anything to back it with yet but I CAST IT OFF THIS EVENING I’m calling it finished I’m taking the win

The lighting in the photo really isn’t great but here she is in all her glory:

I’m so freaking happy with it

I know a few people asked about the pattern but I don’t have a written one as I just drew up a chart myself and went for it (my second fair isle project ever, and the first was a bauble. I was not ready for this but man I’m glad I just decided to jump I to the deep end because I am obsessed with the result), however I did put up a screenshot of the drawing I used to make my chart a little while ago and if anyone would like me to repost that with my grid superimposed over it and to explain how I did it and what size yarn and needles and everything I used then let me know and I will try to create an explanatory post

I AM SO EXCITED

In other grishaverse knitting news: I haven’t worked on the Kefta in ages tbh but I think I have one sleeve to go before the embroidery I just hate sleeves lol so I’ve been procrastinating and also just generally busy to be fair, and also did I tell y’all I knitted Wylan’s toy crow? I can’t remember, but yeah in my collection of toy crows of the Crows I now have Jesper and Wylan and they sit on my shelf together looking so damn cute. Jesper has a lil hat that he wears at a fun angle and Wylan has lil goggles on his head and a bomb tucked under his wing hehe

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[levitiquee]

Cold outside.

“Levi, whatcha making?”

“Mm.”

-

It was a question you asked him everyday. Everyday when you caught him back in the couch with his crochet tools, his hands moving as he looped the hook one after another. And it was a question he ignored everyday.

But you watched eagerly. Even without two fingers, how he managed to keep working so effortlessly and flawlessly was mind-blowing to you, because the last time you attempted it, you ended up with only a huge mess of yarn. Yet, he did it as easily as if he’d been doing it for years.

After the war ended, the two of you found yourself with these huge stretched periods of free time that none of you know what to do with. It was specially harder for him, living his whole life constantly working, never taking a second to relax. Work is all he ever knew. Now that it was all over, he was overwhelmed how absurdly long days are. Not that he actually minded, he absolutely loved having more hours to spend with you. But it was the feeling of uselessness that took over him. With his physical state, there wasn’t a lot of physical activities he could do to keep himself busy either.

That’s when you started experimenting. You started trying out things with him, cooking, reading, sewing (He was good at all of them) but surprisingly it was crochet that stuck with him. (Despite his initial protests that it was for old people and how it doesn’t suit him.) So, since then, you often found him sitting on the couch, fiddling with his yarn and hooks and whatsonot. He’s even made a lot of little household things and so, though he gets embarrassed whenever he sees you actually using them. You adored them though, they were beautiful.

It was only recently he started working on a certain something. Something he refused to tell you or even let you see it. And curiosity ate you up from inside, (Because what could it possibly be that he has to hide from you?), but you always gave up after trying for a few minutes, because first of all, the man was absolutely stubborn and pestering Levi usually never ended well.

But you asked the question everyday.

“Are you ever gonna tell me what you’re making?”

“Maybe. If you stop bugging me.”

“Is it for me?’’ You asked, grinning. “Is that why you’re shy?”

He never answered, only shifted his work a little more out of your sight.

You still watched him though. How could you not? It was such an elegant sight, the way he has his eyes all narrowed in concentration, fingers working carefully. Sometimes, he does this thing where he bites down on his lip, and you don’t think he even realizes that, but holy shit, did it get you feeling all gooey.

But then again,everything Levi Ackerman does has you feeling that way.

-

“What’s taking you so long?” You called out, rubbing your hands together. It was the end of December, it only started snowing since last weekend. To say the weather was freezing would be an understatement, Levi practically had to drag you out of the covers every morning. And even now, all bundled up in jackets and sweaters and gloves and socks, you could still feel the cold poking your skin. You puffed out little foggy breaths, watching them as they faded away.

“You’re shivering, idiot.”

Hand clasped on your shoulder, turning you around. Before you even got to blink, Levi was wrapping something warm around your neck clumsily.

"It's cold outside." He muttered under his breath as an explanation.

You let out a sigh of relief almost immediately, soaking in the bundle of heat. It was so soft, fluffy, warm and…

A scarf?

Your hands reached out to feel it, and it was as you thought.

You looked up and Levi was already turning away, grabbing your hand and tugging you forward.

“Wait!” You stopped him, pulling back your hands.

“What? Weren’t you the one eager to go for a walk?” He turned around, looking at you, confused.

“But..” You trailed off, looking down at the white wool, fingers still feeling the softness. “Did you..did you make this Levi?”

Levi was silent for a few seconds, then gave the slightest nod, his eyes on the ground.

Your jaw dropped.

“No way.”

“...do you not like it?” He glanced up, voice timid. Almost as if he’s scared you’ll say no.

You stared at him in disbelief.

“Are you kidding?” You blinked, you were feeling so many things, you couldn’t even begin to sort them out. “Levi..that’s what you’ve been doing? This is for me?”

“You’re the one wearing it, aren’t you?”

You swallowed, choking on your emotions. Levi showing affection such way was so rare, but when he really did, they were always things you never even thought of. When he did something, he always gave his most.

You brought up one hand to wipe the little tears that formed on your eyes. “Oh wow, I’m crying.” You let out a little laugh. “I might start bawling,.”

“What the–” He frowned, reaching out to you but hand pausing midair, unsure what to do. “I’m…sorry?”

“Oh, Levi, it’s not that.” You let out a half snort. This absolute clueless idiot.

“Well, you’re acting weird. Did you like it or not?”

“I..” You inhaled. “Levi, you fool. I love it.”

And Levi exhaled, his shoulders finally relaxing. “That’s..” He mumbled, glancing at you. “That’s good then.”

And you stared at him for a few seconds, relief washed over his features. His cold gray eyes holding a warmth that was only ever reserved for you. The tips of his ear and nose were red, as it always was when he was flustered or embarrassed. There were flakes of snow on his hair, the night breeze blowing his bangs away from his face, ruining what was always so carefully combed.

He looked like an angel. Something ethereal sent from the heavens above.

It was so surreal, you had to pinch yourself.

“Ow.” You mumbled.

He was quick to grab your hand. “Now, what the hell was that for?” He demanded.

“Huh?” You looked up, still in a daze. “Just..” And your face broke into a stupid, stupid smile. You suddenly felt so unbelievably gleeful. “Just really happy.”

He wasn’t sure what one had to do with the other, but he stared at you. Unpredictable, always so. But it was so easy to make you happy. It makes him feel sometimes as though he doesn't deserve this.

Even after so many years of being with you, your smile had never failed to tug his heart. And suddenly, he felt like that young teenager he was when he first met you, when he couldn’t even greet you casually without stuttering over his words. Just as flustered, just as stupid, just as shy.

Next thing you know, he was pulling you by the very scarf, leaning down to press his lips against yours, trying to tell you all the things he never really had the courage to say out loud. That he was so grateful. And he wants to say thank you, thank you for staying alive, for not leaving, for giving him a chance, for always sticking with him, for giving him a taste of what living feels like.

And he's telling you I love you over and over, he hopes this is enough. Enough for you to convey how his heart feels because his tongue geys tied up everytime he tries. He wishes he could burn the words against your lips. Because he's always so scared that you might never really understand how grateful he is and how important you are.

"I love you."

You pulled away to breathe, stumbling out the words, exhaling out a cloud of fog. You looked up, wide eyes reassuring him you know. Reassuring him that It's okay if he never really says it, but you know.

“I love this and I love you.”

Levi gulped and nodded, hoping to let you know that he felt the same. Except he was a coward and you were not.

It was enough for you though. You shot a bright grin, cheeks all red. Giddily, you grabbed his hand, pulling him along.

“Easy.” He said. “You’ll slip.”

You hummed, waving away his words. “I’m never taking it off by the way.”

“Yeah sure.”

“I’m serious. And I’m going to show it off to everyone.”

“Uh-huh.”

And then you blabbered some more nonsense things that he couldn’t really focus on as he was more busy watching you and the way your eyes shone.

“I love you,” He whispers quietly to himself.

Maybe one day, he’ll finally be able to say that out loud.

[garbagechocolate]

Unhealthy Obsession animatic

Monarch by @nebuladreamz

Somi by @smoljeanius

[m4rscreek]

holiday creek collab with @idioticvamp 🌲✨ they drew tweek :333 💕

[aibidil]

[megapteraknits]

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Forgot to post a pic of my kiddo's Doctor Who scarf.

[pixiecactus]

they really love to forget about jeyne poole and beth cassel existence in winterfell when talking about how sansa was the loneliest child to ever be lonely in winterfell.

[theshadowrealmitself]

If it’s worth doing then it’s worth doing badly I chant through tears while trying to knit a god damned triceratops

[ladyfurbton]

If you think about it crafting such as knitting, sewing, crocheting and other crafts can be a form of stimming. As many craft activities involve repetitive movements. Lots of neurodivergent people often enjoy crafting.

If you would like to see more disability content you can follow my other account which is @the-autistic-agoraphobe

Image Description:

Long John is a long furby with dark blue ears. He is knitted and his head is yellow at the top and white at the bottom of it. He has a red 3D printed faceplate with holes for his eyes and beak and for his light sensor. His body starts off dark blue than goes dark green than a lighter green than yellow than orange than a brighter orange than lastly Red with a streak of purple. His head is made from a 1998 furby with white eyelids and purple eyes. His feet are light green with red thread separating the toes. He also has a red spot on the green part of his body. He is sitting on a grey couch and he is knitting with red yarn. The red yarn is in a clear yarn bowl. End Description.

[isiaiowin]

Good Omens Cosplay

Furfur's scarf / cravat

A knitting pattern

In the original costume pictures, Reece very kindly shared, Furfur's scarf is made out of a strip of distressed fabric.

In the final shots of the series, probably due to the colour grading, it looks a lot darker and more like a seed stitch knitted scarf. It inspired me to knit one for myself.

Maybe it's useful for your cosplay or for some everyday Furfur bounding.

You need:

Yarn: 1x Scheepjes Metropolis in the colour Depok approximately £7,-

Or any 50gr / 200m skein of fingering weight yarn.

Knitting Needles: 2.75mm / US 2

Pattern:

Cast on 23 stitches

Row 1 - Row 8: Knit all stitches

Row 9 - repeat until desired length: Knit 1 Purl 1 until the end of the row (seed stitch) always starting and ending with a knit stitch.

Knit all stitches of the last 8 rows, bind off and weave in the ends.

You need to be able to wrap the scarf around your neck and knot it in the front twice + extra length to tuck in. I made mine around 140cm / 55 inches

Give it a gentle soak in a wool wash and block evenly.

You can distress the fabric you created or leave it for a polished Earth look.

You're going to be in a Knit 1 Purl 1 Hell loop for a while, but it's totally worth it!

Put Depeche Mode on repeat and sing along, watch Good Omens again (and again) binge watch Inside No. 9 (because you definitely should)

Tadaa: scarf 💚

Now go block some miracles in style, give Shax a fist bump from me and work towards that promotion you so much deserve.

You can add it to your Ravelry here:

@goodomensafterdark