#everything and everyone is flawed for all time

[unknown-cold]

Omg that's true!!

I'm so tired of these people saying Vi and Caitlyn's relationship is toxic, I mean literally the same thing she said Jinx and her relationship with Ekko wasn't good either and Jayce and Viktor too.

It is natural for problems and disagreements to occur in relationships, but it is not natural to think that a relationship will be peaceful and good all the time. These things only exist in Disney movies.

But apart from all that. Seriously guys hating on Vi or Caitlyn or both is way over the top. Like let's just imagine JUST IMAGINE, if Vi were male, the narrative surrounding her actions and character would change dramatically. She would likely be hailed as a "brother hero," a model of loyalty and kindness despite impossible circumstances. Her trauma, in prison, losing Vander, failing to save Jinx, and so on, would be sympathized with as a testament to her strength and determination.

Her status as the “bad sister” is undoubtedly tied to gender expectations. Women, especially older sisters, are often burdened with the role of caregiver, and are expected to be endlessly compassionate and self-sacrificing. Vi’s moments of anger, guilt, and mistakes, however, conflict with societal stereotypes of women as the natural “fixers” of emotional and familial conflicts. The fact that Vi is pigeonholed as the “bad sister” while Jinx is often seen as the tragic victim reflects deeper gender biases. Vi’s traumas and emotional wounds are ignored or minimized because she is expected to be the “strong one,” while Jinx is given sympathy and a more nuanced lens because her messiness and vulnerability fit into certain stereotypes of women who are broken or in need of saving.

It’s a frustrating double standard, and it underscores just how progressive Arcane is by refusing to fully give into those tropes. Vi’s character still shines as someone strong, flawed, and deeply human, but the criticisms she faces highlight how society treats female characters with such biases.

The misogyny is REAL and don’t think for a second that other women aren’t fully participating in that also. The amount of shit Vi gets for temporarily joining the Enforcers with Caitlyn to stop Jinx is insane. A male Vi would have been seen as a TORTURED HERO for joining up with the EVIL FORCES that took his parents away all so he could do HERO THINGS. But Vi does it? “Wah wah she joined the COPS she’s A TRAITOR THE REAL VI WOULD NEVER”. Like. Watch the show, my friends, and you will see she did what she thought was best and it was a very complex and very emotional decision for her; she hated every second of that uniform. But no, people shit on Vi and then complain like any of them could write a better show. Ugh.

And nobody would have hated a male Vi for having his love scene. Nobody. In fact, it would have been EXPECTED, but because Vi’s a woman, and a lesbian expressing her big gay love for her gorgeous gay lover, some people refuse to see her humanity and her growth as a person in that moment. I'm so tired

And the argument that we hate them because they did bad things is not true, I have seen people hate Caitlyn just because she is lesbian and one of them said if she was a straight woman I would have accepted her character on the show. Seriously this is someone who takes his criticism seriously, he forgot the story and everything in the show and focused on whether the characters are gay or straight or worse when I saw a comment from someone saying why are the main characters on the show female characters? Like is this an idiot or is he drug or what exactly? I think we should also ask, why do men always take the lead roles and when they are evil they are better, and if they are good they are also better, but if a woman comes along who is evil or wants to be evil or does just one mistake everyone hates her and she is the worst person in the world, but men are the only ones who deserve to play the role of evil and do bad things and we will sympathize with them and love them. THIS IS CRAZY!!

To understand what I'm saying more, compare Viktor's character and Caitlyn's character and you will see that Caitlyn was the character who was criticized the most even though she didn't kill anyone innocent and in the end she tried to fix things, while Viktor tried to kill all the people of Piltover and Zaun and didn't care about anyone, even his friend's pleas, he didn't care about them and Viktor thought that this was the solution but to end the conflicts between the two cities. But is there anyone who criticizes this, is there anyone who says that this is a bad act, of course not, yes you will see some people justifying it, as they did with Silco, the person who killed an entire family for control and drowned all of Zaun with shimmer and made the children work in dangerous factories, and there is not a single criticism, and people defend him even after Jinx's condition worsened, no they say that he is better than Caitlyn, my god like what the fuck!?

Then they tell you we don't hate women we don't hate gays or lesbians, just shut the fuck up, everything is clear, Arcane revealed to us that there are still people who are fanatic and traditional to the extreme who still want to see a man as the hero of the story and that all people and women should respect him even if he is evil and cruel he is always better than this bullshit, Arcane proved to us that it is possible for both sexes to appear in an excellent, strong and realistic way without insulting or belittling the other because these things are not useful and will not help in telling the story in any way.

Quick note I don't hate Jinx or Viktor and many of you who follow me know that I love Viktor very much but I will not deny the bad things he did and I am also really tired of the hypocrisy of some people and their constant criticism of other characters and characters. Just bc they say like these characters

Like I don't like Silco but have you ever seen me post every day criticizing Silco and Silco fans all the time or go to Silco fans and tell them if you like Silco then you support child labor and the drug trade and blah blah. Like they do with Caitlyn fans when one of them says he likes Caitlyn they accuse him of supporting collective punishment and corrupt governments and police brutality just because he likes a fictional character. I've never seen such stupidity and backwardness and bullshit in my life, just because I like a fictional character you think I will act like her in real life?? These people need to grow up seriously or find a job

[trrsseea]

The Choices We Make

pairing: Bucky x reader

warning: non

Bucky sat on the edge of his bed, staring at his vibranium hand. The dog tags around his neck clinked softly as he shifted, the sound somehow heavier than usual. Y/n was in the kitchen, humming to herself as she made breakfast, blissfully unaware of the war raging in his mind.

It wasn’t her fault. She was perfect—kind, smart, patient, everything he didn’t think he deserved. But that was the problem. Wasn’t it? She deserved someone who fit into her world. Someone who understood memes without needing them explained. Who didn’t get overwhelmed by crowds or who could actually laugh along with her friends instead of feeling like an outsider in their world. He didn’t belong here. Not at this time. Not with her.

Y/n walked in her hair slightly mussed from the morning, wearing one of my old shirts. She was holding a tray balanced carefully in her hands, carrying a breakfast, golden French toast and two steaming mugs. I assumed one was tea for her and the other, black coffee for me. Her face lit up with her usual radiant smile, a look so serene and angelic that she seemed almost otherworldly.

She smiled even brighter, which I didn’t think was possible as she handed me a mug. “Morning, sleepyhead.” I looked up and took the coffee, but the warmth of the mug did little to ease the cold feeling in my chest.

“Y/n, we need to talk,” I said, my voice low but steady.

She frowned, placing her mug on the table with a soft clink. “That sounds ominous,” she said, followed by a light giggle, unaware of just how right she was.

I took a deep breath, staring into the dark liquid swirling in the mug I held tightly. “I’ve been thinking… maybe this isn’t working.”

Her brow furrowed. “What do you mean?” At first, she didn’t understand, but then she realised it.

“We’re fine. Aren’t we?” she asked, her frown deepening as her eyes searched mine.

I shook my head, unable to meet her eyes. “You deserve someone… normal. Someone who understands your world, your jokes, your friends. Someone who isn’t stuck in the past.”

“Bucky,” she said softly, sitting beside me. “Where is this coming from? Did something happen?” She sounds worried and places her hand gently on my knee, her thumb moving in slow, soothing circles.

“It’s not one thing,” I admitted, setting the coffee down. “It’s everything. You’re young, Y/n. You have your whole life ahead of you. And I’m… I’m old. I’ve lived through things you can’t even imagine. And sometimes, I feel like I’m dragging you into my mess.”

She stops the movement of her hand “That’s not how I see it,” she said firmly.

“I know,” I said, finally meeting her gaze. “But it’s how I feel. And I don’t think it’s fair to you. You could be with someone who doesn’t come with all this… baggage.” I gesture to myself.

She stared at me for a long moment, her expression unreadable. Then, she stood up, crossing her arms. “Okay, let’s break this down. First of all, yes, you’re older. But that doesn’t mean we don’t understand each other. And you’re not the only one who has been through tough things. Everyone has baggage, Bucky.” She says firmly not letting her shields down.

“It’s not the same,” I argued.

“I’m not saying it’s the same baggage,” she countered, her voice steady, “but we all have something we fight.”

“No, it’s not,” she admitted, her tone softening. “But it doesn’t have to be. We don’t have to be the same to make this work.”

I sighed, running a hand through my hair. “Y/n, you’re too good for this. For me.”

She let out a short laugh, shaking her head. “You don’t get to decide that for me. I knew who you were when we started this, Bucky. I chose this. I chose you. And yeah, it’s not always easy, but what relationship is?” She smiled slightly at me.

I looked up at her, the walls I’d been building around myself starting to crack. “What if I can’t give you what you need? What if—”

“Stop,” she interrupted, sitting back down beside him. “What I need is you. Flaws, baggage, your dad jokes, and all of you. You don’t have to have everything figured out, Bucky. We can figure it out together.”

I was silent for a long moment, the weight of her words sinking in. “What if I can’t be enough?”

She moved to sit on top of me, each leg on one side, and placed her hands on my cheeks, her gaze locking onto mine. “Then we deal with it. Together. But you don’t get to push me away because you’re scared. That’s not fair to me.”

I stared at her, my throat tight. “I don’t deserve you.”

“Maybe not,” she said with a small smile. “But I’m not going anywhere.”

I wrapped my arms around her waist, pulled her close, and buried my face against her, inhaling her familiar scent. She responded by wrapping her arms around me, holding me just as tightly.

I let out a soft laugh, shaking my head. “You’re stubborn.”

“That’s why you like me,” she whispered into my ear brushing her lips softly against it.

Without thinking, I lifted my head closing the distance between us, and pressed my lips softly against hers. The kiss was tender, lingering for a moment as if we both needed the reassurance.

And for the first time in weeks. I felt a flicker of hope. Maybe we could make this work Maybe I didn’t have to do this alone.

[fruity-mond]

I genuinely cannot tell you if I'm happy with this or not. I DONT THINK I CAN FINISH THIS 😭 at least I made it half way. First time trying something like this actually

Amber and Kaeya's relationship with each other is so underutilized I swear.

Amber is optimistic to a FAULT. She takes words at face value (that one time Collei lied in the webtoon and everyone caught on EXCEPT Amber)

On the other hand is Kaeya, who's so suspicious about everything that he borders on cynicism. He completely grew hostile towards Collei and the HINT of her being a threat.

They're both fighting for the same goal but with completely different approach. Both deeply flawed in their own way.

Kaeya being the one breaking Amber's rose tinted glasses feels right, in an unfortunate way. Kaeya reminds Amber of the worst the world has had to offer, not because he's a bad person, but because of the lengths he has to go to. She knows, on some level, that Kaeya's justified in his methods, she just doesn't like that he is. He's a harsh reminder of what people have to do when put in those kind of situations.

I do believe they care for each other, it's just that they disavow each other's methods. Either because it's naive and inefficient, possibly risking the entire goal, or because of how cold and reckless it is, borderline cruel.

Genshin PLEASE PLEASE EXPAND YOUR CHARACTERS IM TIRED OF THIS. THE WEBTOON CANNOT BE ALL WE HAVE FOR KAEYA AND AMBER. I CAN ONLY LIVE OFF THE WEBTOON AND KAEYA'S HANGOUT EVENT FOR SO LONG 💔💔

[auguryofjellyfish]

i read something that made me think deeper about Kamimura's death and how i feel about it....Tsuno's death left me catatonic on friday because i love her deeply, but Kamimura's got wedged in my gut like a shard of glass. or: why Kamimura's death feels worse to me than Tsuno's.

it mostly comes down to the matter of his potential as a person and the circumstances of his death put together.

Tsuno…she had already found herself. just as some other characters, we have met her after she had already grown into herself, and "completed her arc". she knew who she wanted to be and worked tirelessly to uphold that ideal. she had loving family and friends and lived her best life, one that brought her fulfillment. she kept being herself in the killing game. connecting, caring, and loving with all her heart. she remained true to herself until the end.

she died doing what she's always have…trying her best. losing her is deeply tragic because she shone so brightly in life. she didn't manage to do everything she wanted, and it's not like she didn't have problems or flaws, she could have grown further. she didn't die with 0 regrets. it's not like she was done, no, nowhere near. but she was complete.

but..Kamimura... what…did he have? years of suffering and depression, multiple suicide attempts, shaky and uncertain future. barely any family, no friends. Kamimura entered the killing game having almost nothing. but that's not the worst thing.

it's that he was just starting to grow. the killing game and the motives made him absolutely miserable but at the same time...he was starting to form positive relationships. he had started to accept at least some level of support, after years of having to be independent. and obviously, there's Ken- who, if they all had gotten out, would 100% have stayed in Kamimura's life.

he contemplated his life and his dreams. he set a goal. even if small, he was still looking forward. he was starting to become more connected, to gain things he didn't have before...ever so slowly, he was starting to change...and i'm sure, despite his cynicism and ever-present struggle, despite the possibility of dying at any moment...that deep down, the littlest seed of hope for his future was just starting to grow.

and then he died.

it's not only him. it's also his massive unrealized potential. unexpressed feelings, unsaid words. un-lived life. he didn't manage to build a life that brought him satisfaction. he didn't…he didn't manage to do a single thing with his life that he wanted. he was nowhere near his full potential. he died as he lived and he's just gone and he got NOTHING. JUST after he was presented with the hope of his life possibly becoming different.

if Tsuno was at her best, a beautiful tree in full bloom cut short, then Kamimura was a little sappling slowly unfurling, and then getting stomped on and set on fire.

and you know what the worst part is? it didn't need to happen.

none of the previous deaths needed to happen, but they were forced to. this time, nobody snapped. nobody made a mistake, it was an active choice. there was NO good reason for him and Tsuno to die. just one person's selfishness, not even only to save their own hide but to also cause suffering. Tsuno's death was senseless and cruel but compared to Kamimura she at least retained some dignity. he didn't HAVE to be disrespected even in death, body torn apart and desacrated, like he was NOTHING. but he was, for the sake of a convoluted ass bullshit fucking plan.

yes, someone would have to die eventually with this motive. yes, not traumatizing hasegawa this badly thus incapacitating him would have added more risk for the culprit. idgaf. i'm not this upset that he died per se, it's that he died like this without being granted peace in death, with Hasegawa and everyone else unable to say proper goodbye because Kamimura's body's in fucking pieces.

[majimaisms]

on majima's relationship to power, dignity and freedom

a friend of mine was recently talking about a character from a movie, and whether or not an emotional response (specifically, anxiety and obligation over a loved one needing help) was something that character could "effectively discipline and draw from" or "something that will always threaten to overflow rational boundaries" and posed the question as: "does he make use of it, or does it make use of him?"

this, i believe, is how majima approaches quite literally everything in his life, up to and including, if not especially, his own emotions.

i think it's an anxiety over their agency and freedom that compels a person to ask this question about everything. because they're terrified of being used against their will, without their knowledge, of waking up one day and realizing they've been a slave to something because they refused to examine their relationship to it. and i think it takes 1. someone who is naturally very emotional, as in, inclined to make decisions based on emotions rather than rationalizations, and can't afford to be this way for whatever reason and 2. someone who has been robbed of their agency and freedom in the past, to develop this anxiety. majima more than fits the bill on both counts.

it's born out of a need to maintain power over this fear. it's literally pathological. his need to make tools out of everything. it's a disease. either hes wielding it, or being wielded as a tool by it, whatever "it" may be. its a binary, black and white choice, and it's not really a choice at all, because he absolutely refuses to risk the latter happening against his will. he needs to have control over himself, his life, his decisions, all the time or he feels like hes stuck, cornered, he panics and cant keep a cool head (all of y0, '85 flashbacks from y4). he freaks out. and he cant risk that, he cant stand it either.

but it's not even about that. it's about dignity. majima tries to navigate the entirety of those situations, where he's robbed of freedom, where he's cornered, with dignity. because it's all he has. and when even that is stripped from him (the hole, y0), he seeks out the most dignified way to deal with losing your dignity -- willingly letting go of it (the lord of the night).

we see him put to impossible choices in other games (y5 comes to mind) and he handles that just fine without freaking out even when he's cornered. the difference is that in y5 he had a dignified way of resolving that situation. what actually makes him "freak out" and lose his cool is being robbed of a dignified solution. the dignity in following his principles, not betraying himself, is something he goes ballistic at the thought of losing.

it's not just that he can't "risk" not being able to keep a cool head, or that he can't "stand" freaking out, its that he can't stand the humiliation of it. of not being perfectly composed and in control of himself all the time. he's too proud. and this is why mad dog is so therapeutic for him, because its a character who doesn't give a single fuck about how hes perceived, wielded by a guy who cares excessively about how hes perceived. he learns so much from mad dog over the course of the series, i genuinely think mad dog saved his life. because i was thinking about all of this going, my god. youre in the YAKUZA???? and youre living like THAT?? no fucking wonder he had to invent a persona to larp as just to not shoot himself.

but thinking more about it, it's like. of COURSE he is. of COURSE hes yakuza. because!! as a civilian, you're just slave to the same system everyone else is a slave to. you have to bow to it, and you don't even get a choice. so... what does he do. he makes his own choice. if hes going to be a slave in a system, it's going to be a system of his own choosing that he can respect, however flawed. yes, he's not "free" in the yakuza, and that is something he struggles with, but it's more about freedom of choice for him.

like. what a fucking thing to say. you cant attach a price to my life. you cant make USE of my life. you cannot USE my death as a TOOL to further your own ends. because that's what ibuchi is saying, that he'll kill majima and his death will start a war which he will benefit from. and he refuses to BE that for anyone.

...other than, of course, shimano and the men he respects, of which there are SO few in the tojo. (hello kiryu. hello saejima. this guy is in desperate need of people he respects and he will follow them around like a dog because he really wants to surrender power and "bow his head" because he's so exhausted from having to maintain it against himself and the world 24/7.)

look at his face in this scene. he's completely distraught. over having been used in some scheme without his knowledge. robbed of his autonomy. i have never seen him look like this at any other point in the series.

true resignation. utter defeat. this is partly what birthed mad dog, nihilism incarnate. sure, it takes being faced with the possibility that makoto will never wake up to finally "awaken" mad dog, but this is where majima is drawing his strength from -- this ability to tap into a state of complete indifference. this void. death.

even sera is surprised. but this is the moment he understands exactly what kind of person majima is. because yes, of course he would. majima, and people like majima, will jump at any chance to make their deaths count, because they're constantly living with the guilt of all the terrible shit they've done up to that point. having the opportunity to die for a good cause, knowing it won't redeem them but get them at least a little closer to it, is a blessing. they don't have to think twice about it. this is the death drive he's tapping into.

above all, majima wants to be useful. i think this need characterizes his relationship with kiryu, who is someone he respects. he's basically begging to let kiryu help him throughout y3. he agrees to go back to the clan because kiryu asks, twice. he's willing to die so haruka can live, because his death can accomplish something good. it's no choice at all.

but i'm far more interested in how this manifests in his relationship with shimano. this excerpt from an rggo story comes to mind.

i think shimano was, in a lot of ways, a tether for majima. the "leash" imagery is very accurate, but it suggests an entirely negative reading of their dynamic. the truth is majima likes being leashed. not only that, he needs it. he's just very discerning about who he will let leash him. he needs purpose in his life, needs to know hes useful, and for that he needs to devote himself to someone. and it needs to be a person, because he's too cynical to believe in a cause.

what that excerpt tells me is that he lost his respect for shimano. and when he died, majima became untethered. from the world. in the absence of saejima, or anyone else who could be that for him, he's adrift and aimless. lost.

it's not a coincidence he leaves the clan immediately after shimano dies. it's because of this, because of terada (he won't bow to someone he doesn't respect), and because he has, on some level, completed a large part of his duty to saejima by establishing his own family. he is without purpose. and i think it's maintaining this state of existence for years that turns him into the depressed, defeated man we see in y5.

he got burnt out, because it's exhausting being in this kind of active conflict with yourself all the time in the name of maintaining a sense of personal power and agency. over even your own emotions. he's truly relentless. but sooner or later, it was going to catch up to him.

[your-unfriendlyghost]

sodapop patrick curtis thoughts on my desk by the end of the week or ur DONE /j

How I feel about this character

  Uh like he’s perfect and should be my wife i think

  Nah but fr Soda’s one of my favorite characters ever. He’s sweet and all, but he’s so much more than that. Pony says he’s movie-star handsome, that he can go from gentle one minute to “blazing with anger” the next, that he gets drunk just on living, and understands everybody. Soda’s a Kerouac-style “mad one”- “mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes Awww!”

He’s a guy who’s sensitive but strong, a “bawl baby” who’s tough, he’s probably got ADHD and dyslexia, the school system failed him. His folks died and left him holding his brothers together by a thread. He’s pretty but not pretty enough for Sandy to stay. He might end up dying in Vietnam, and thank God that isn’t canon, but it’s still there. He’s happy to live life simply, behind a white picket fence with a wife and kids- hell, he’s thrilled to. But that’s not gonna happen, at least not for a while, because Soda is a tragedy. But he loves his brothers and his friends so much that he becomes a beacon of hope despite it all.

  I love Soda. Honestly, this barely scratches the surface of how I feel about him. I haven’t even touched on the adrenaline junkie stuff or the ways he’s sometimes so relatable to me that it hurts. 

All the people I ship romantically with this character

Steve, and sometimes Evie. 

  I’ve found I’m a friends-to-lovers enjoyer, so Stevepop scratches that part of my brain lol. To have someone who’s got your back through thick and thin, aware of your flaws but in spite of them- well, ain’t that the dream? The angst of it being the 60s makes it interesting to me too, because there’s a lot of ways to handle that. Man, when I first read the book I didn’t get the hype for them at all, but idk. It clicked. I get it now. 

  And then Steviepop is my roman empire lol. It’s all I love about Stevepop, but Evie adds even more complexity. I like her a lot and I love writing her, and I love writing her with characters who I also love. There is absolutely no canon anything to back this ship up. But dammit that’s the point of fandom.

  I will say though that I like exploring Soda’s dynamic with Sandy, but I don’t really ship them. I think the fact that Sandy left him (and I mean cheated on him, even if that can be read ambiguously) implies that there’s something about him that could be undesirable, romantically. I don’t mean cheating is good or that people deserve it, just that in this case, the idea that Soda’s an imperfect boyfriend adds layers to a character who is mostly just positives. We’ll never know Sandy’s POV on it, and I don’t think Soda will either. Sandypop to me will never have closure. That’s what makes it hurt so much. That’s what makes it relatable

My non-romantic OTP for this character

  I mean honestly? Steve. I know this isn’t really fair, since I like Stevepop and all, but idk, there’s no one else who I think it could be. 

  Steve’s a character who’s cocky and troubled and prone to assholeish-ness, but even he loves Soda. He knows about Sandy and gets angry on Soda’s behalf at Pony for mentioning her, which means Soda can tell him- angry, tough Steve Randle- about sensitive stuff. And Soda, who I think is a little in love with everyone he meets and could have anyone he wants, sees this bastard and sticks with him. He sees the parts of Steve that Pony can’t. Parts that make him worthy of being his best buddy.

It’s been said before, but no matter how you look at it, romantic or platonic, they’re each other’s person. I don’t think I could put anyone else in this slot.

My unpopular opinion about this character

 I have a few lol.

1- I see a lotta fics and takes where the whole “drunk on living” thing is a lie Soda feeds Ponyboy, and while I like that take, I do also think it’s totally possible and even plausible that Soda really doesn’t drink and Pony’s view of him (in that aspect) is right.

  I dunno, I mean, I know firsthand what it’s like to just get drunk on adrenaline/excitement. Adrenaline is a hell of a drug, and the rush from it is better than any other high I’ve had. Thrill rides make me act as stupid as someone drinking- when I’m excited, I lose all ability to filter thoughts or fight impulses. I’ve done all sorts of dumb moves- climbing onto tables, singing loudly without knowing or caring if it bothers people, play-fighting my buddies so hard we both get genuinely injured, standing up in a convertible going down the freeway... (This is obviously anecdotal and not real evidence or anything, but like, duh. This is an opinion piece lol.)

  I guess what I’m saying is that there’s a lot of interesting things that can still be done with a Soda who genuinely doesn’t drink. (Or at least not much.)

2- I love darker takes on Soda. I love when people dig into his addictive personality, his temper, his relationship with his looks/self image, all that stuff. I love his flaws, and I especially love when they co-exist with his earnest sweetness and genuine sensitivity. In a few of my fics, I’ve explored some slightly darker Sodas- Sodas who are impulsive, pent up, semi-narcissistic and occasionally manipulative. I haven’t delved deep into it or anything, and I usually keep his character wholesome, but I love it when other folks don’t. 

3- I actually really like the Vietnam War storyline. I mean it hurts, but it seems plausible. I hate the idea of him dying there, but I like exploring the idea of him being drafted. Hell, maybe he even enlisted. The military is known for being a good way to earn enough money to pull one’s family out of poverty, and this paired with the flawed ideas of masculinity and strength of the time lead to a really interesting version of Soda’s future.

  I’m real glad it isn’t canon though.

4- This isn’t technically unpopular but brown eyed Soda will always be canon to me. I like Rob Lowe’s Soda a lot but man….he coulda used brown contacts, yk? /hj lol

One thing I wish would happen / had happened with this character in canon.

Well I still think it’s a crime his emotional monologue got cut outta the original version of the film. Thank God for the full novel version, but man, still.

Woulda also have been cool to see him mentioned in That Was Then This is Now, but I get that SE Hinton wasn’t trying to make an Outsiders sequel really.

Idk, Soda served his purpose, I think. 

tl;dr- I love him

[drarchibaldpeppermd]

cant believe people are upset barbie isnt the esoteric feminist essay they convinced themselves it was going to be

[trilliath]

Soooo...how are you liking bg3? 😁

I've had this game for twelve days

[raccoonnutella13]

why are ppl always so mean about taz :(

[good-beanswrites]

My last post made me want to spin the ballet au to suit the general cast, keeping Es as the protagonist 🩰

I don't have art for this one but I still got a bit carried away with the details LOL This definitely leans more into a sweet fix-it :3

The story would open with Es waking up in the medical room of Milgram Dance Academy, a very small and isolated school. Es is told they suffered a bad head injury during a performance, resulting in amnesia. Their instructor (Jackalope. Make this work however you wish.) tells them not to worry about it, and to focus on their dancing for now. Es feels a pressing responsibility to stay and rehearse, so they agree.

Jackalope tells them they must understudy several roles while recovering, not ready to jump into things right away. They're grateful, since they're struggling with their identity and expression without their memories.

The first student they are directed to is a shy and lanky dancer by the name of Haruka. They study under him as the role of a graceful, melancholic swan. They watch the choreography in general, and it looks nice enough. Es proceeds to spend several rehearsals with him, talking and bonding and learning he has a bit more going on than meets the eye. They try to offer help as he admits to familial issues, self esteem questions, and comments about sibling jealousy. In turn, he teaches Es to mimic some of his powerful emotions. At the end of their time together, they both perform for their class in full costume and staging. Now, Es understands each move with a deeper understanding than their initial look at the steps.

Next, they’re sent to meet the bubbly girl playing Juliet and begin the process anew. This continues to make a total of ten roles. Some of the dancers take the sessions kindly, while others are brash, secretive, or just confusing.

After rehearsing with Kotoko and learning to understand her determination and confidence, Es is sent back to Haruka, who has moved onto a new show and new role. They’re shocked to discover that their words to each dancer – always well-intentioned – had caused some issues backstage. Now, there are rivalries and changes in stage presence. While experiencing stress (that Es has inadvertently caused,) some were distracted in rehearsal and got injured. Es must take on the interpersonal issues as well as the choreography challenges.

I don’t have all the roles down and was trying to stick to well-known shows anyway, but I think I’d want Muu to be the Sugar Plum Fairy, Kazui to be Albrecht from Giselle, and Amane to be Clara. I wanted to keep them traditionally gendered to prove there are plenty of roles for men, but I can’t help but have Odette/Odile thoughts for T1 Mikoto ;-;

Like the other post, I'm equally tempted to have the dancers performing ballet adaptations of the mvs 👀 I want to see. Bee tutu. Doctor coat costume. Marching band tutu. AKAA mismatched look. The backgrounds. The music. The choreo. So many cool possibilities...

As a sweet au, it all ends with everyone better for having met one another. Es is cast in a solo performance, combining everything they've learned both emotionally and technically from the others. They feel satisfied with their sense of identity, and shine onstage ✨️✨️✨️

[noodle-shenaniganery]

can we stop trying to bully people into advocacy, please?

can we stop making people feel personally responsible for issues they only just heard of and may not even understand?

can we stop yelling and berating people who aren’t putting all of their (probably limited) energy into researching something that has almost nothing to do with them and which may stress them out?

can we stop pressuring people who are already struggling to survive to limit their options on how they can live, what they can eat?

please?

please

can we stop

[martyrbat]

habeas corpus – detective comics #1086

(ID in alt!)

[flufflecat]

Can someone explain what the narrative stakes are even supposed to be anymore in jjk. All the characters are essentially guaranteed to die, the current cast is comprised almost entirely of characters who showed up 2/3rds into the story and we're supposed to care about them for some reason, and I do not even know what the threat is supposed to be anymore. The apocalypse? Destruction of an amorphous innocent society? Like has ANYTHING been shown of "here's the regular world that apparently needs to be saved" or are we just supposed to assume "this society is just Real Life+, so you're REQUIRED to care if some guy threatens to kill all humanity, because one of those humanities may be... a child" or something. Can you spare two seconds to show anything other than some magic randos fighting, or is it just a superhero story all the time now, minus the fun. Remember when yuuji had friends.

[co27]

i guess my question is why DOES nuance immediately become looked down upon when it comes to that one webcomic

[pigeonclaw]

the amount of times I have potentially controversial opinions that I type up and then save in my drafts forever because I still feel them but am too shy and afraid to choose violence in any way

[franollie]

i’ll never forgive arcane for what they did to vi’s character in s2