#everything about it impresses me

[edwardshundredyearoldspunk]

stumbled across a ballad of songbirds and snakes critique video and I couldn't even watch it because the person so did not get what the book was doing and saying and the comments were complaining about the unnecessary romance when it's super obvious it's not intended to be a romance. suzanne collins is, yet again, ahead of her time because I remember the hate mockingjay got when it came out for killing prim and having katniss vote for new hunger games when those plot points are crucial and are meant to act as a commentary

[quarkfancam]

worf and o'brien being friends i need it bad

this is the dynamic to me

[egophiliac]

swipes everything else off of the table to yell about diasomnia flower bookmarks

(I gave Silver one too :D)

[secriden]

Not to be a Style apologist, but I feel like some viewers haven't quite picked up that Style's brand of wooing Fadel is quite literally intentionally designed (by both the writers and the character) to be as annoying and frustrating as possible.

Lets consider:

Style thinks his bff is in love for the first time in his life. He thinks Kant is genuinely down bad for Bison: let’s not forget his clear surprise when Kant agreed to give up the car. As far as Style is concerned, Kant is acting really out of character and it's because Kant desperately wants to be with Bison.

He also thinks the only thing standing in the way of True Love™ is Fadel, who according to Kant is being unreasonably difficult about Kant and Bison dating. He doesn't know that Kant has a secondary motivation, nor does he know about the mind games that Bison is playing with Kant. Worse, he has no frame of reference or context to make any of Fadel's animosity towards Kant reasonable.

Moreover, while I think we all agree that Style made a terrible first impression on Fadel, the same has to be said of Fadel towards Style. Like, yes, absolutely Style was in the wrong, but Fadel came off as not only condescending and impatient, but unreasonable (and very weirdly cagey) when Style tried to immediately offer a resolution. Again, Style has no frame of reference for why Fadel would first demand that he take responsibility for his actions and then immediately after claim to have no time to entertain Style's attempt to take said responsibility.

Also, it doesn't help Style's wounded pride that Fadel keeps 'besting' him at every turn. So at this point I think a significant portion of that initial attraction (in ep 1) has shifted to annoyance when it comes to Fadel. By the time he gets his hands on Fadel's information, I think he's more than a little invested in some payback. While I think Style very much still wants to help Kant (and Bison) out, at least a part of him figures as long as he keeps Fadel busy, he kind of meets his goal. And if he gets to embarrass, frustrate and otherwise harass Fadel along the way, all the better!

You can see him start to have some fun with it. He ramps it up SO much in ep 2. He gets to lean into that wild, brash, playful personality because he doesn't really care if Fadel likes him. Style gets to be dialled up to extremes, and I love that for him because he's honestly kind of justified because he knows so fucking little about what's really going on. I think it's only fair if the other 3 are playing 4D chess while Style only has the Uno game rules in front of him, he gets to be the most Unhinged about it.

So, yeah, while I absolutely agree with all the posts out there that recognises just how reasonable and polite and tired Fadel is, I do think we need to give Style some credit here. He's absolutely SO extra, but he's also the one, arguably, that has been lied to the most and I feel that he deserves some slack for that.

[fairyofshampgyu]

BASSIST BEOMGYU BASSIST BEOMGYU BASSIST BEOMGYU BASSIST BEOMGYU

[gunsatthaphan]

🤓🚩🫶🏻

[sun-marie]

BG3 has two of the most thoughtful, unapologetic, no holds barred depictions of men with abusive female partners I've every seen (Wyll + Mizora and Gale + Mystra), which is so rare to see in any media but especially video games, and some of the Larian writers seem determined to convince me it was 100% by accident

[ai-the-broccoli]

enemies to lovers / but you'll never own my heart

@luzon-dove happy birthday, Quinn!! As a present, I decided to draw a piece fanart of your "blood in the walls of the yagami house" AU fic series, since I found it very well-written and full of super interesting ideas and concepts. I hope you like it!

[topaz-mutiny]

"Seeing from his violent demeanor that he was English" is still probably one of the best (funniest) lines in Dracula, but I love how this part of the Post Script contrasts with the rest of the letter Sister Agatha sends.

The main body of the letter is to the point and polite on all matters (makes sense as it seems this part of the writing was overseen by our good friend Jonathan himself, though he's too weak to write) in contrast to the Post Script where Agatha adds in details that are emotionaly powerful and some aren't necessarily sordid but would absolutely be of concern.

Jonathan has nothing on him, he is shouting and in a rush, he has a frightening delirium, delirium can last and reemerge a long time into the future, he rambles about terrifying and grotesque subjects when in the throes of his brain fever (which is an old-timey way to describe a lot of mental illnesses and behaviors), and all of this overcomes a frailty and physical weakness from whatever else he's been through that causes him to otherwise be bedridden.

Even half of that could erode trust in someone. But as told in the rest of the Post Script:

He's recovering, he's gaining more lucidity, the Sisters notice his lucid moments are punctuated by gentleness and sweetness (hard to trust at first likely, due to frequent relapses, and the Sisters are eventually convinced a lot of his prior behavior was caused by the fading brain fever and not by his inherent personality), he is a cherished patient of the Hospital of St. Joseph And St. Mary, and it seems the staff are enamored with how often and with such love he talks about Mina, such that this spurred Sister Agatha to make the Post Script in the first place because it's the first thing she mentions.

[iwasbored777]

Crying cuz this is the place where they almost kissed - where EVERYONE at that party can see them. You go to your friend's party with your family and you randomly look up and you see his teenage son making out with his girlfriend.

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[sunsetsover]

I don't think people say GMMTV is sabotaging FK; the correct word would be neglecting. GMMTV neglects FK, and it is extremely obvious if you pay attention.

idk what exactly prompted this ask bc i made that post like a week ago and from what i can tell it hasn't really got any notes for the past few days and i haven't even been online so maybe this is just something that had been bothering you? idk but. and i don't mean to be rude when i say this! but i must say i don't like the tone of this. i'll give you the benefit of the doubt and assume it was accidental, but jsyk this came off as very passive aggressive, like im somehow an idiot for not seeing it. and i will tell you that i have definitely seen people accusing gmmtv of sabotaging fkt and thk, which as i said is silly, but yes some do say that! i've seen it with my own two eyes lmao

like literally today i saw someone on twitter saying exactly this bc the gmmtv twt account posted upcoming events for the next week. now mind you! first is LITERALLY on holiday with his family rn, so how (and more importantly why) do they expect him to have events next week? well when someone mentioned that in the replies, their response was just 'well clearly you don't see it the way i do' which ?? what way is that ?? that he's on holiday?? that he can't be in two places at once??? and other people in the replies were like 'well why can't khaotung have solo events!' and it's like ?? idk maybe bc he's at home gaming, hanging out with his sister and playing his instruments ?? maybe it's bc the two of them are CLEARLY on a break and just bc khaotung is still at home doesn't mean he's not RESTING??

and yes i'm mad about that kind of stuff! it comes off as so selfish and spoilt!! and not to make everything about bts but bts have this exact same issue w some fans to the point where armys literally came up w a name for to refer to these kind of fans: mantis (manager+anti). an explanation of what that means from reddit (bc it's better than i could ever explain it): 'Mantis are antis who essentially hide behind “stanning” so much that they themselves feel like they know the group, and their career, better than the group does. These are the fans constantly trying to "protect" them, beyond normal levels. The type to think they are constantly mistreated/tortured by the company and don't get to make any decisions of their own. Also tend to call out other fans "for not being real fans" if they don't join in on the concern.' like literally i read some of stuff some (emphasis on SOME) fkt fans say and it literally is like. i have played these games before!

and listen i'm not gonna pretend i know much of anything abt that company. i'm new here as it is and i really don't pay attention to any other actors or shows or whatever to compare it to so im deffo not the authority in this regard!

but all that said i 1000% get the impression that there are some fans that kinda... infantilise fkt when it comes to their work. like they have no choice or agency and gmmtv are keeping them locked in a basement somewhere. and i do believe that the majority of them mean well (altho i do think a lot of them want/expect way too much from fkt but i'll get to that), but it's almost as if they forget they're grown men who are more than capable of advocating for themselves. i mean fucking hell, was it not them aggressively advocating for themselves for years that got them put on a show together in the first place? first and khaotung are clearly not people who have difficulty going after what they want, esp when together. i've heard that fkt are notoriously picky about which scripts they accept, which doesn't sound to me like people who are really being neglected by their company. neglected actors don't get the luxury of being picky about jobs. neglected actors are lucky to get any jobs.

(and this goes for events and stuff too, which is a common gripe i've seen. in my opinion - and this is just mine! - people who take their acting as seriously as first and khaotung may not want to take loads of events where they're essentially glorified salesmen. and i mean that with no shade bc make that bag always, but as i see it that's all those events are - extra money in their pockets. i can't see how they would do anything for their career really. and doesn't it just make sense that if they're picky abt their jobs that would also extend into events and stuff too? like? i mean ppl are free to disagree w me on this bc this is just my opinion but yknow. i just think ppl make this into a bigger thing than it is)

and funnily enough i also saw a thread on twt the other day abt how fkt are much bigger internationally than they are in thailand. the shows they've opted to do (again, opted, bc they have a choice) are shows that allegedly don't appeal to a domestic market like most other gmmtv shows do. and so, no matter how you or i might feel abt it, from a business pov it makes sense that they might not be getting the opportunities some other actors might be getting if there simply just isn't demand for it domestically. which sucks, but if that's how it is, that's how it is.

and don't get me wrong i completely get viciously advocating for your faves ok? im an army. for half of bts' career fans were all they had. but sometimes that advocacy becomes a) kinda ridiculously demanding given the context and b) almost condescending. or very condescending sometimes. this goes for bts and fkt both. and while it's all well and good wanting things for them, all i'm saying is let's not forget that they are grown men who are not new to this business. not to mention the fact they have a known track record of advocating for themselves, or the fact that they enough scripts coming their way to be able to be picky, or the fact that already have a new show lined up. first has two even! and a show currently airing! and a cameo that just aired like last week! and another one we know is coming! like my god these are not men who are hurting for work rn.

and in my humble opinion, coming to learn about this industry relatively recently, i think ppl expect too much from these actors overall. i think a lot of them - fkt included - work a hell of a fucking lot actually. i think demanding much more is just selfishness. if im honest. like yes it's nice to see them doing events and stuff. but it's not necessary. and i'll be honest! would i like more interviews and magazines and things like that? sure! but like i said if the demand isn't there, neither will the offers be. that's just the reality of what it is! i'm not going to be sending trucks about it lmfao

the bottom line is this: i'm not saying gmmtv do or don't neglect them. i don't have enough information to have a strong enough opinion one way or the other. but from the outside looking in they seem to be doing just fine. they've got work. they've seemingly got money. and like i said, they're grown men. this is their careers. if they have issues with one thing or another, i trust that they will address those issues as they see fit between themselves and their company. until the day that first and/or khaotung themselves express unhappiness or discontentment, i will take them at face value and believe that they're happy w the way things are. bc literally who tf am i to tell them they should be doing anything different?

[egophiliac]

I have never been more concerned for a JP update from your art than I am seeing a Cheka knowing the context of Leona’s dream.

My bois ok right?????? My sweet nephews ok right??????

well

uhhhh

I'm sure the real one is fine :)

[remusjohnslupin]

I forgot to make a post about this last week (or maybe I needed time to process what I saw), but addressing my fellow Tolkien fans out there: Did anyone else feel the urge to scoop their own eyes out with a spoon after the whole 'sympathetic and misunderstood orcs who just want to stay with their families and don't want to go to war' debacle?

Misunderstood orcs. Misunderstood. Orcs. Who don't want to go to war. ORCS. They actually showed an orc baby being held by its orc parent.

Once again... ORCS.

I am so glad Christopher Tolkien died in 2020.

[dumb-doll-lips]

Maybe controversial, but on posts about being dumb where girls are like saying ‘but I’m actually smart.’ Like tbh, I don’t really believe them. Like if you’re smart why does feeling dumb feel so good or hot or whatever to you then? I kinda feel like it’s having an excuse to let go of trying as much as you would be when you’re saying your smart. If you’re like really actually smart, I don’t feel like a break from ‘being smart’ would be such a relief or like as appealing.

[nikolas-ghostbusters-fixation]

Something I've been thinking a lot about lately is how everyone thought Egon had gone insane. What Happened that made them think that. They've fought a gigantic Stay Puft Marshmellow Man TWICE (counting the 2009 video game because iirc it's canon? Correct me if I'm wrong), fought an interdimensional god, fought a blood thirsty ruler that killed thousands and was hated by all that was trapped in a painting (and managed to get in to beat him by making THE STATUE OF LIBERTY start walking down the street with slime that reacted purely based on vibes), found an underground abandoned transit system full of the moodslime, had a bathtub try to eat Dana and her baby, fought a giant murderous black widow lady, fought the fisherman ghost who turned an entire hotel floor into the bottom of a ocean, and that's not even mentioning them getting trapped on an island that randomly raised up from underwater that had been abandoned for decades created by Ivor Shandor who worshipped Gozer. So what did he do or say that made everyone else think he'd gone insane?? All I can think is maybe he was acting strange / eratic before, but he's always been like that to some degree.

I don't know. It's something that I've been thinking about. The correct answer is 'it's not that deep and they needed a reason that the others weren't together anymore and weren't aware of Egons death or know what was going on,' but also. What Was He Saying that prompted everyone, including Ray, to think he lost his mind when he'd been right almost every time before that.

I'm genuinely so curious as to what he was up to before this. What was he doing. What insane idea was working on prior to this or was he even working on anything at all??

Also want to clarify this post isn't negative 😭 I really love the newer movies and their lore / the newer storyline / characters, I just like thinking about small stupid things like this. Gives me something to think about / speculate about / figure out an answer to.