#every day i wake up and wish that they could just know the other one is alive

[yierrem]

dating headcanons - zzzero men edition pt. 2 ☆〜（ゝ。∂）

ft. gn! reader x asaba harumasa, billy kid, and seth lowell ; a follow up to my previous dating hcs (which can be found here) and a response to a request ( ^ω^ ) first post of the year（≧∇≦）i hope you enjoy reading!!

asaba harumasa

very clingy. when you're not together, he'd be texting you random little updates or beg for your attention just for the sake of talking to you if calling momentarily isn't an option. sometimes he tries to use you as an excuse to get out of work, but after he's done it a couple of times, you've become immune to always bending to his whims and suddenly he's whining about how you don't love him anymore.

["wait i'll look at your texts later brb love u ^3^" "so you hate me."]

an avid quality time enjoyer, if i've ever seen one. he's content with lazing around with you or doing mundane tasks that don't require much physical effort. likes cuddling against you when you're just sitting engrossed in doing something with your hands and reading or watching something together.

even though he usually appears and acts lighthearted, deep down, he's genuinely happy with you and the relationship you share. he cherishes every moment you can spend together and wishes it could go on for as long as he lives. you're the person he refers to as family when on one of his much-dreaded doctor appointments.

alongside the nightmares he already has regarding his sickness, he'd have times when he'd wake up in a cold sweat from dreams of losing or leaving you and the people he cares for. thankfully, on the days you sleep over, he has you; he's comforted by the sight of your sleeping figure and clings to you for the rest of the night.

on a lighter note, sharing a bed with this man is probably a chaotic experience on a dreamless night; initially, you'd both fall into slumber comfortably cuddled against each other, but the following morning, one of you would be seconds away from suffocating in a vice grip.

billy kid

loves playing games with you. he's usually competitive when playing against you but when you're both on a team together, he's suddenly the biggest cheerleader there is. if both of you lose, that's totally fine! you'll get it next time. what matters to him is that you had fun together.

deeply appreciates it and enjoys when you match him nerd-for-nerd, even if you don't share a lot of similar interests. you take turns randomly info-dumping about any piece of media or activity you're into and both of you pay genuine attention to whatever the other is talking about. he loves listening to you passionately talk or share anything about any topic because you do the same for him.

adding on to the previous point: both of you make jokes about liking your favorite fictional characters or celebrities more, just to be playfully petty.

["if you had to choose between me or monica, who would you pick?" "...well, yes!" "..." "alright, then. between me and /insert favorite character/--" "that's unimportant."]

after spending so much time with him, you already know which maintenance products he likes for himself or his guns. kind of like how other people know what shampoo or body wash their partner prefers. when you see he's running out and you buy them without telling him, he'll notice and be weeping tears of joy.

if you take a while to open up to him about certain things, he's alright with that and will tell you to take your time or give you the space you need. he's been the same when it comes to sharing his past with other people and understands that some things do take courage to tell.

seth lowell

despite having been in a relationship for a while, he most likely still gets easily flustered from any vaguely flirty quip and intimate gesture that comes from you. you could use this knowledge to your advantage but do have mercy on the poor guy.

[there was one instance where you gave him a quick peck on the lips without giving much thought to it before leaving and all he could do was stay where he was with his brain buffering for a whole minute.]

even though he's somewhat shy about expressing his admiration or appreciation for you and sometimes stumbles through his words when doing so, he's sincere in everything he says and does for you.

you're one of the very few people he trusts with touching his tail and ears. it's come to the point where when you're both just laying together, he wouldn't mind the feeling of your fingers gently rubbing on a certain spot on his ears while you run your fingers through his hair.

he appreciates that you see him for who he is and acknowledge his efforts to get where he is now. your affirmations, whether spoken or unspoken, mean much to him and he feels like he can truly be comfortable when he's around you.

sometimes, he unknowingly acts or does very attractive things and it just blows your mind. he'd steer you by the waist from bumping into things or, if you're shorter, accidentally pin you against a wall/surface when trying to reach for something from a high place because he just wants to help! you should be more careful, you know. but you've already mentally imploded while your sweet, sweet boyfriend remains clueless.

[misanthrapologist]

okay I have some stuff I wanna spout about nowhere and ivan himself now having the official lyrics and various translations. someone please listen to my ramblings.

starting off this song is clearly about him and his struggles about himself and his whole life. we see this overall from the lyrics and of course the cover.

if black sorrow was hopeless then this is beyond hopeless. the "this/that always happens to me" is just a clear sign right off the bat about this along with the "it's so typical, typical to me" it's it's obvious just how used to always being in these awful situations he is "that's just how it is" and how it'll always be, how it'll end "it's stained with blood" (can he stop that man you just jinxed your own pretty much suicide) he's always expected a death that's obviously not going to be that normal or say "happy" for lack of me thinking of a better word of a death, but it's okay, he's content with that cause it's what would've always happened no matter what. it's always how everything goes for him. fate sealed to an awful end from the beginning of his life.

the dream and hope slowly going from rose to purple to black once again shows this hope slipping away never to be fully back again no matter what. even if for a second he gains a bit of hope back, it's pointless. it'll always end wrong and it's back to his usual life. "wake up, wake up in my overwhelming daily/beautiful life. is it for real? an existence like dust, I can't stand to look at it, close my eyes and my mind" he's clearly unhappy with his life (to a point) and himself, preffering to look away, ignore it and forget as much as he can as to not stress about it anymore than necessary. it's easier that way rather than facing it or communicating about it at all. and we know how he is when it comes to all that. he's shit at it and doesn't know how to really do it so obviously that's what he does. the "is it for real?" is honestly kind of funny tbh. yet so meaningful. in a way it could mean that it's hard to believe what's happening and that it's better than anything he ever had in the slums or in general. maybe a feeling of unworthiness of these things in regards to the "beautiful life" line, since although not the best, again, better than anything he could've ever wished for. or maybe something else.

we already knew he does not like himself and is truthfully not confident. he certainly.attempts to be as we see from the act/personality he puts on but even then he ends it off with a way to slightly jab at himself as we see in his interview where when asked about his charm he says he has more flaws and his looks being "quite average". along with a mention about his teeth or rather tooth. here I'd like to mention the line "with that revolting tooth"/"with these disgusting teeth" this stuck out to me since it's very obviously him once again hating on himself. it's clearly a part many like/mention about him a lot. but it's him, who he is and of course he hates it. the constant descriptions of him from the team and himself being that he's "twisted" and variations of that further show just how deep this hatred goes. this feeling of abnormality and wrongness. the feeling you're so vastly different from everyone and needing to learn how to be normal and like the others in order to fit in and be liked. an act. one he's put up his whole life nearly down to his death before he does everything at the end of round 6. even in official arts of him being genuine in canon we don't see much except strong distress. which is so utterly fitting to how he thinks and is. of course he's distressed whenever he's alone and himself, putting on an act so different from himself pretty much all day every day of your life really takes that kind of toll on you. I don't blame him for looking so pissed off when he's alone it's stressful pretending to be someone who you're not, someone who you had to learn to be to survive, someone who you were forced to perfect to the best of your abilities to be likeable in some way, someone who may as well be their own separate person at that point. (I could go on and on but I have so much else to talk about my bad.)

"this painful wound that keeps getting worse, I become more and more numb to it" says a lot and could be referring to many different things. but why not everything? I see it as this reffering once again to his life as a whole and way of living as an act. after so many years, you get used to this the more you do it and the more things happen.

"In the dark city lights I can't find anyone, anyone, anyone" this could mean a variety of things really. having no one to truly relate to as a metaphor of sorts or just being alone in the past in the slums or both even. a lot if not most of these lyrics as seen tie back to the way he lives and thinks about himself, further making me believe this song truly is just a better, even clearer look at his true self.

now with lyrics I thought had one meaning even before the official release that just become less of a reach on my end that I'll talk about more broken up. "that's just the kind of kid he is, so laugh, laugh because he can't do anything" this one I immediately think about his issue about not presenting and being like everyone else having to learn to be "human" in a sense. (along with his again self deprecation being the one writing these and singing them) "can't do anything" makes me believe this even more since he didn't really know how to express anything considered human before being taught how to or being forced to teach himself for example how to smile. a basic human action everyone naturally knows how to do. but he doesn't. he had to learn and be forced to do things like that. observing people and picking up how to do things "right". "no one cares about him, there's nowhere in the world for him to rest, that's just how he is" again reffering to his true nature. feeling uncared for and "rightfully" hated in your own eyes. wanting to change and trying to change and pretending yet knowing it'll never truly be real or enough to feel something. "rest" here could either mean literally as in he doesn't get a damn break, never really had anywhere to go at all and has been alone his whole life or doesn't get a break from faking everything I mean with such insane security and obviously being under such pressure it's hard to fully put your guard down anywhere. though I won't say only one since I honestly think it could once again have many meanings, cause most things he says in this song can be taken in different ways that still perfectly fit with his character. "he's smooth, flexible, quite easy" and the rest of this verse coullddddd be reffering to his act. I think so at least. I already said how I feel about that no need to repeat myself.

that's a lot and honestly all I got without repeating myself for the rest I hope this was coherent enough and makes at least some sense. I just wanted to get all this out my system and if anyone has anything to add go ahead and uhbmy bad for getting a little personal but writing all this and thinking about it is honestly therapeutic?? in a way. I so awfully and deeply relate to this guy half the time I think or talk about him and his issues I stop and think about how I'm basically describing myself. he's truly such an insanely well written and interesting character I'm not wven surprised I latched onto him so much I don't even really know what I'm doing okay bye :3

[totheslaydogs]

the way they’re looking at each other oh i’m going to be ill…

[from the bsd anthology chapters]

[killjoy-prince]

Ray's After Ending is so funny because for a good chunk of it, most of the RFA members are knocked out by V's sleeping gas (Saeran is immune, Saeyoung isn't present bc he was kidnapped by his agency under his father's orders and MC wakes up in like an hour) but the game has a call feature where you can call the characters and it would be a waste if you couldn't use it bc the characters were unavailable so instead they have other people pick up the call (Jumin's driver picks up Jumin's phone, Jumin's father picks up Zen's phone, Yoosung's friends and mom pick up Yoosung's phone and Jaehee's coworkers pick up Jaehee's phone) and we do get to learn about the characters from outsider's point of view but it's so funny to me that these people are visiting their loved ones and suddenly the phone rings and they decide to just. answer it. and start talking to this stranger they've never met

[cimicherrychanga]

btw u guys have to promise to not be mad at me for becoming ur turtle mutual. please

[glorified-red]

Your majesty frothing at the mouth? Well I’ll be damned.

but the thing is … passion twists don’t last 💔 but I know box braids will last 1-2 months. Then again, then mfs hurt!

you could be talking about Havana twists, or maybe Senegalese twists

-knight anon

I could go on an entire rant about how much I love natural hair and their styles.

I actually looked into the braiding styles and wanted to learn how to do them because you never know. I want to foster so I want to do everything I can to make sure any person in my life feels seen and safe. Hair is just an extension of safety so 🤷‍♀️

And yes!! I actually think my favorite style is this one

Tbh they could be passion twists (they look like them). They're just so bouncy!! I wanna stare at them forever. I think women with this style hair just look like goddesses I'm sorry, they're so regal and everyone looks hot with them in.

Ugh 😩

Ngl, I know pricing and time is a huge thing when choosing hairstyles but idk which ones are more expensive or more time consuming. I just know that braids hurt and owie.

[orbitganymede]

baby daddy simon who dated you for a year before you got pregnant, you’d gone through most of the pregnancy alone, him being deployed 3 weeks after you found out and gone until the very last month of it. the both of you had tried at keeping the relationship together, but the distance and loneliness got to you, you’d been fine when it was just you but now with baby, you can’t let the father go in and out of their life. he wasn’t very happy with the decision to end your relationship, in his mind you were together forever now, tied together by this beautiful thing you two created, he didn’t even want children before you told him you were expecting but his whole world view changed when he realized that he not only had you to protect but a baby as well.

but you’d moved out against his wishes, finding a small flat you like and making it home for you and baby. he would come over sometimes, when he could, and spend some time with baby but honestly he felt more like some glorified uncle, would be convinced he was nothing to this child until he saw those brown eyes staring back at him, the ones that are so completely his, and he comes to the conclusion that this isn’t gonna work.

he starts small, coming over once a week instead of every other weekend, takes the two of you out for dinner instead of letting you cook or ordering in. stays late enough that you offer him the spare bed in the guest room, even with the distance you’ve put between yourselves, you can’t help but care for him, knowing nobody else will.

then he puts more pressure on you, making sure you see just how valuable he is, taking night shift feedings and waking up early with baby when they’re fussy. he offers to take baby for the night so you can go out with your friends, do things you haven’t been able to since baby’s arrival, even pays for a spa day for you to really relax. he stocks your fridge, full of the snacks you love and a bottle of wine for the hard nights. he buys and sets up new decor in the house, finally gets you the pretty white vanity and a new washing machine that doesn’t squeak. he really just does what he considers ‘husband duties’, things that he should have been doing this whole time.

and when you don’t budge on the separation, he goes nuclear, “no, love, i haven’t seen your birth control pills”, “look how cute this baby is, remember when ours was that small, sweetheart”, “you’re so stressed darling, let me help you” which basically means you end up getting rawdogged within an inch of your life, condom long forgotten, one of simons hands held over your mouth to muffle the sounds you’re making. he just hopes he’d tracked your cycle right, that you’re actually ovulating, because you can’t possible refuse his ring after having two of his babies right? you wouldn’t do that to him, would you pet?

[thebestandworstdayofjune]

in the refrigerator light

summary: you are somehow unprepared to run into Logan while on the quest for a midnight snack... in the house you both live in. wc: 1.9 k a/n: to be fair I did warn you that this would happen. I have a few more ideas kicking around in my head, but feel free to send requests if you have any! this doesn't take place during any particular movie, fyi, but you and Logan are both teaching at the school warnings: fluffy fluff, mutant!reader, empathic powers!reader, soft!Logan

You should have been asleep. Even after choosing to stay on at the school past your education, you’d had a hard time shaking habits of the past. It still felt strange to walk freely into professor only areas, and you were always in bed by 11:00 pm every night. Sneaking down to the kitchen to steal one of the chocolate bars you knew Scott had stashed deep in the back of a cabinet felt wrong, but the siren song was too strong to resist. 

You’d been quiet, making sure to avoid the creaky stair (third from the bottom on the right) before shuffling into the kitchen. You rubbed at your eyes as you made your way to the proper cabinet. The only problem being that it was much higher up than you remember. It was times like these that made you wish for a more helpful mutation, like telekinesis or at least a few extra inches of height. You struggled for a few moments, on your tippy toes, stretching your arm as far as you could reach before you gave up. You sighed, raking your hands through your hair and making your peace with the fact that chocolate was not in your future tonight. 

“Scoot over, bub.” You jumped and let out a small shriek, before clasping a hand over your mouth. It was rare that anyone got the drop on you these days, your power more finely tuned and emotions tending to be strong around the manor, but your guard was decidedly down in the place you’d called home for so many years. But Logan was an exception to many rules. HIs hand gently gripped your wrist, pulling you against his chest for a brief moment before moving to stand in front of the cabinet. He reached up into the cabinet, the zip up hoodie he wore pulling up to expose a few inches of his stomach before pulling down a few bars of chocolate with ease. He smiled, the crinkles by his eyes more prominent in the low light of the kitchen. You did your best to appear like you hadn’t just been ogling him. 

“How did you know-”

“Scott’s shit at secrets.” He huffed, rolling his eyes. “You think he’d learn by now to not be such a loud mouth in a house full of people with enhanced hearing”. 

Your laugh was quiet, muffled by your hand in the interest of not waking the others. “Well, in that case, I hope one of those is for me.” 

Logan shrugged, eyes full of mirth. “What’ll you give me for it?” 

You blinked, unsure of yourself. You weren’t used to this Logan, yet. He was usually gruff and reserved, always reluctant to give into the kids in his history class that were trying to derail the lesson with a joke or two. He’d been playful a few times in your presence, and it almost always made you worried that the other shoe was about to drop. Seeing him in pajama pants and a soft grey sweatshirt only added to the strangeness situation. 

For the briefest moment, you considered using your powers. A single touch and you would know exactly how he was feeling. It was a blessing and a curse, to be able to be sure of how others were feeling with a single touch. A god-send on intel gathering or stealthy missions, a terrible temptation at midnight alone in the kitchen of the manor with the man you had harbored a crush on for as long as you’d known him. You make to grab one of the bars out of his hand, but he is too fast for you, quickly lifting them over his head. Your eyes narrowed. 

Fine, two can play at this game. You roll your shoulders back, drawing up your courage. “Depends what you want for it.” 

Logan grinned, dropping his arms and holding the bars behind his back. “Well, what I don’t want is to be an accomplice in your quest for cavities. Chuck’d have my head if he found out I had a part to play.”  

“I’m a big girl, Logan. I can take care of myself” You grab for the chocolate, but he’s too quick for you. For a brief moment, the two of you stare at each other, the moment charged. You lunged for the chocolate again, but Logan is already halfway across the kitchen, waving the chocolate around teasingly. 

“Logan, please” you laugh, following around the island. He cocked his head to the side, smirk playing at the corner of his lips. You were seconds away from stomping your foot and demanding he hand the chocolate over, when his smirk grew into a grin. 

“Alright bub,” he made his way around the island, depositing one of the chocolate bars in your hand. “You know I can’t say no to you.” 

You did your best to tamp down the butterflies that suddenly made a home in your stomach, but his smile was so gentle and he looked so soft, it was hard not to feel a little lovestruck. You snapped a piece of the bar off, and held it out to him. You dutifully busied yourself with breaking off a piece for yourself, ignoring the way that his affectionate gaze seemed to never leave you. 

“You’re not usually up this late,” he says, holding his hand out for another piece. You shrug, dropping another section into his hand. 

“Couldn’t sleep.” 

“Welcome to the club.” You knew that Logan had trouble sleeping, he was usually the first one hunched over a cup of coffee in the mornings, steadfastly ignoring inquiries into how he slept. 

“I, um” You hesitated. Usually offers of using your powers didn’t go well. You took a breath, steadying yourself. The worst he could say was no, right? “I could help with that, if you want.” 

Logan reached out, tucking a piece of hair behind your ear. You could tell your eyes were the size of saucers, but you couldn’t find words. After a few moments, Logan took a step back, shaking his head slightly. You blinked owlishly, taking a breath to steady yourself. 

“That’s sweet of you, bub. But I wouldn’t want to tucker you out.” It was no secret around the house that although you had a less physical mutation, it still took some of your energy. Sensing emotions was as natural as breathing, but influencing them was newer, and took much more focus. 

You pointedly glanced at the clock over the stove, noting that it was well past any reasonable bedtime, before facing Logan once more. “That actually sounds really nice.” He mumbled something about not wanting to take advantage of you, but the words died in his throat when your hand found his own. You looked up at him through your lashes, hoping that he would be able to see how earnest you were being. “I don’t want to force you, but I want to be asleep more than anything, and I can tell that you are too wound up about something to even begin to fall asleep.” 

His thumb stroked over the back of your hand a few times, before he stepped around you and led you out of the kitchen. You expected him to turn towards the living room, where you’d caught him ‘resting his eyes’ a few times in the middle of the day. Instead, he turned right making sure to skip the creaky stair (third from the bottom on the right) and right up to the door of your room. 

“A bit presumptuous, no?” You asked, before opening the door and walking through. 

Logan rolled his eyes, leaning against your doorframe. “I was there the first time you tried this. Figured it was best that no one has to pick you up off the floor.” 

You felt your face grow hot, remembering the unmitigated disaster that had occurred the first time Charles suggested that this application of your powers was a possibility. Your chin tilted up, doing your best to project confidence. “Well, it’s been a while since then, I’ve gotten better.” 

If the lighting had been better, you would have seen the faintest pink blush coloring his cheeks. “Rogue’s in my room.” You couldn’t help it, your eyebrows shot up near your hairline. “She and Bobby got into a fight, she wanted somewhere she would be left alone.” His hands were twisting in the pockets of his sweatshirt as he ducked his head down low. 

“Is that why you were prowling around the kitchen?” He rolled his eyes, but nodded all the same. “Well, do you wanna stay here tonight?” He looked like he was about to object, but you held your hand up, effectively silencing him. “You’re doing a favor for Rogue, let me do one for you.” 

“Thought you were already doin’ me a favor, sweetheart.” He protested, all while moving towards your bed. 

You perched on the edge of your bed, consciously doing your best to keep your heart rate in check. The students always joked that between Charles and Jean’s mind reading and Logan being able to hear cheaters hearts speeding up, it wasn’t even worth it to try and cheat in class. It hadn’t occurred to you that if he could hear your heart fluttering, he could definitely hear the measured deep breaths you were taking to mitigate the issue. 

You reached for his hand, and he accepted it readily. His palm was shockingly smooth under yours, it must be from his regenerative powers. Your thumb gently ran across his knuckles, still slightly red from the training session he’d had with some of the students earlier in the day. You tugged on his arm slightly, and he lowered himself down onto the bed beside you. “I thought that it’s important to work as a team, sometimes.” 

“You spyin’ on me, bub?” You sheepishly meet his eyes, but find nothing but tenderness waiting for you. “I’ll try to forgive you.” He drops a kiss on your knuckles, before motioning for you to lay down. “I’ll take the floor.” 

You tightened your grip on his hand. If he really wanted to, he could have broken away easily. Instead, he paused, eyebrows raised and waiting for an explanation. “Not much of a favor if your back hurts in the morning from sleeping on the floor” you shrugged. 

“Only if you’re sure-”

“Just get in the damn bed Logan.” He grinned, pulling back the covers and slipping into the bed. You followed shortly after, and slipped your hand back into his. The both of you laid in silence for a few moments, adjusting to your new arrangement. You were nice and toasty warm, able to feel the heat radiating off him under the covers. You were in the middle of working up the courage to actually use your powers, when soft snores began to emanate from the other side of the bed. You chanced a glance towards him only to find his lashes gently fanned out over his cheeks, and his chest rising and falling with his steady breathing. 

After a few moments, you followed him into dreamland. In the morning, you woke up with his arm firmly around your waist, feeling fully rested for one of the first times in your life. Again, you waited for the awkwardness to come, for your face to flush and your stammer to pick back up, but you were left waiting.

feedback is very much appreciated, as I’ve never written for Logan before! let me know what you think <3

next part

[sttoru]

OKAY IK YOU JUST DID SATORU BUT BOOBOBSESSED!TOJI PLEASE !!

 𝝑𝑒 𝐓𝐀𝐆𝐒. husband!toji fushiguro x wife!female reader. smut, pwp. mention of bôōb job, m. māsturbation. brēast play. reader gets called ‘doll, girl’ not proofread

“tojiiii, i just came home,” you whine as the black-haired man lifts you up and brings you over to the couch the second you step into your shared apartment.

it’s become a part of your daily routine at this point. every time you come home, you’re put on the couch or bed and your clothes come off. it doesn’t necessarily have to lead to sex—sometimes your husband does it to comfort you and relieve your stress (and his).

“yeah, i know, doll,” toji responds in a gruff voice. he lifts your shirt up over your head and leaves chaste kisses on your shoulders and collarbone, “jus’ let me take care of you, ‘kay?” you can feel his stubble, making you realise that he did not shave. not that you’re complaining.

in fact, you’re the one who told him that you prefer it when he has a little stubble. it’s so sexy on toji—especially during the early mornings, when you wake up next to him, his muscular body on full display with that lazy look in his eyes. it makes you drool every time.

you hum shortly in agreement. toji licks a strip over your collarbone before swiftly undoing your bra. he watches your tits bounce free from their confines and he groans, feeling his cock swell in his boxer shorts already.

“been needing to suck on those,” he sighs. he shamelessly attaches his lips to your nipple, tongue flicking out to taste your plump flesh. it’s an addiction at this point. not a day goes by where toji doesn’t leave your breasts alone.

he either has to knead them while he watches a show or lazily suck on them while you cuddle. he can’t help it—your tits are just a delicious treat he wishes to indulge in every second of the day. even when toji is out of the house, images of your perfectly round chest keep him from focusing on the road ahead.

hell; one time toji even had to pull his car to the side so he could quickly palm himself through his boxers, simply because of your tits. he had one of his hands under his pants and the other held his phone, scrolling through pictures that captured your bust well.

“fuck,” toji curses under his breath. he groans with nearly every suckle, his eyes closed like he’s experiencing euphoria. you run your fingers through his hair, your back arching off the couch a little. your husband massages your other breast, his tongue quickly circling your swollen nipple like a touch starved man, “mh, can’t stop. fuckin’ delicious. wanna keep on suckin’ em.”

toji pinches your other nipple which causes you to moan loudly. it’s like your stress is quite literally being sucked out of your body. every suckle motion makes you relax even more in his embrace.

“babe, i need t’ make dinner,” you mutter between soft whimpers. you know it’s futile saying that—toji is not going to let you go. once he’s got you, he’s keeping you for the rest of the day.

the black-haired man rolls his eyes at your words while he’s actively sucking on your tit. he looks up at you before detaching his lips from your hardened nipple. there’s a wet spot of his saliva left over your chest.

“no need,” toji rasps, kissing the valley of your breasts. his dick twitches at the thought of being sunk between your tits, his cum shooting from the tip and coating your breasts and face white. “got my dinner right here,” he sighs and wraps his lips around your other nipple.

you moan at the stimulation. you tug at toji’s hair from the pleasure, your hips bucking up to grind against that hard bulge that’s been pressed between your thighs since the beginning. your husband hisses at the contact and bites on the sensitive nub.

“easy, girl,” toji growls, his eyes darkening with lust, “just a little more, mhm? i’ll give it to ya real good after.” he’s nearly going insane from the sensations. his hips grind back slowly against your core while his face is buried against your tits. the pair is getting equal attention, either from his lips and tongue or skilled fingers.

the pleasure is unending. you want nothing more than to return the favor to your lover, but with how things are going, that’s going to take a while. you’re going to need to pry toji away from your tits; he won’t leave them on his own free will.

if it was up to him, he’d live there forever, right between your tits.

[yan-lorkai]

Kicks the door open I have come! to request a Self-aware AU with the Twst bois. When they and the Darling/MC/Player/S/O switch bodies. However, the Darling isn't inside the game. So it's like the Darling waking up in the boys' bodies inside the game, and the boys waking up in the Darling's body in the real world. Thankyou very much 🙏👍🫂✨

.⁠｡⁠*⁠♡ a/n: self-aware au, my beloved. It was so fun to write this and I wrote a lot too 🥺💓. It took me a while to finish, so I hope you like it, darling!

Azul could always feel your presence through the puppet you control. He felt calm when you looked at him. He felt delighted at every laugh you laughed, and he wanted nothing more than to be beside you. The real you. He wished really hard for it to be possible someday, not knowing that this was exactly what was going to happen. Although his request was successful, there was just one error in the equation: he was in your body, your holy, beautiful body. Which means... You were in his horrible body.

While others would feel happy (and he really is happy to an extent), Azul feels a sense of trepidation knowing that you were awaking in his body and there was no way for him to check on you. Or could he? He tried calling his own phone but it wasn't possible. Resigned, he then took to explore your room and home and if you have any roommates / lived with your parents, Azul would try get along with them and collect information on you. While this isn't the ideal, Azul still has to think ten times ahead so when he take you to Twisted Wonderland (not a matter of if but more of when), he could make you sign a deal.

By the way, he definitely try to unlock your phone. And since he is in your body, Azul may try to unlock your phone with your fingerprint or your face if your phone has that function. If he is successful Azul will read your messages as if it were a magazine, he would see what type of songs you listen and videos you like to watch, what's in your history. Basically he is your fbi agent seeing everything on your phone, there's not a thing he'll not see. Good luck for you, reader. That's why I always I always delete my history lol.

Meanwhile you. You wake up on Azul Ashengrotto's body, the octavinelle dorm leader. Geez, are you dreaming? But everything is so real and feels so real. Jade and Floyd seems so real. And their voices, mocking and teasing, almost condescending as you tried your best to act like Azul. They seemed to know that something was wrong but neither choose to ask, brushing off as you being busy with a new scam plan. You were overjoyed but also anxious, without knowing what to do. Could you even return to your body at all? Only time will tell.

⠀⠀

Jade always knew that something was strange with this world, it was almost too... Surreal? He can't quite put into words the things he feel but everything was so much clearer whenever he could feel your presence when he was studying or riding his broom. He could feel your presence when he was cooking, when he was talking about this terrariums, when he was beating people who broke their part of the deal. You seemed to favor him, to love him. He could feel your affection seeping through your cellphone. And he wished to see you, to know you as intimately as you knew him.

And that wish became real. One day he woke up in a different bedroom, in a different body, then, while he is a little surprised, Jade just brush this off as something you did. Perhaps you wanted to show him your world? You wanted to show him your life? Or were you trying to show him something else? Either way, Jade is having the time of his life in your body. Though, as if he was mesmerized by it, he caught himself looking himself at the mirror to see your face staring right back at him. He looks like an excited kid making silly faces in front of the mirror. Honestly he is so unserious. Making faces and silly dances, and laughing because of it.

⠀

Floyd is instantly thrilled, if somewhat bewildered. At first, he messes around with everything he can find, marveling at your surroundings and taking a deep dive into your belongings — he finds it all so fascinating. He’s absolutely entertained by exploring your room, your things, and all the little details that give him insight into your life. But once the novelty wears off, his mischievous nature kicks in. He wants to know everything about you — what you like, your habits, your friends — and he’s not afraid to dig deep. Floyd starts exploring your social media, searching for anything that brings him closer to you and your world. If he finds anyone he thinks might be close to you, he’s ready to make them uncomfortable with cryptic messages or odd behavior, wanting to make it clear that no one knows you better than him.

Meanwhile, you, trapped in Floyd’s body, have to navigate his spontaneous, unpredictable moods and intense physicality — whether in class, on the basketball court, or during his shenanigans. He's having the time of his life while you are fighting for yours, even more when Azul send you to squeeze some people. Like??? How are you supposed to do this????

⠀

Silver always dreamt of you. He knew you, the feeling of your love and affection, the tone of your voice, even if when he woke up he forget everything. A blurry line separating you two. For a while, he thought that you were some higher being that he created on his mind, a simple part of his imagination. That is until this magicless student come around and your presence was all over them, controlling them, talking through them. He wanted to get closer, he wished he could talk to you, to bask on your presence. But he couldn't. He couldn't break his code. Not yet.

But when he slept that night something was different. He couldn't jump into another dream, his voice was different, his height was different, then when he inched closer to the mirror, he saw. A different face. And he knew instantly that it was your face. It was a very beautiful face, exactly how he had imagined. Though it was not what he wanted. He wanted to talk to you, to tell what he felt whenever your gaze was upon him. He didn't want to be you. Or for you to be him.

⠀

Riddle wakes up in your body, feeling completely disoriented and frustrated with the lack of control he has over the new, unfamiliar world around him. But soon, the shock turns into curiosity and then into obsession as he realizes he now has full access to everything about you, your routines, belongings, even your weaknesses, and insecurities.

Riddle’s meticulous nature drives him to organize your life, make everything as “perfect” as he can, so when you’re back, it’ll be clear that he knows what’s best for you. He spends hours exploring your things, setting up strict plans, and making lists, even going so far as to cut out people he feels are a bad influence. All of this, in his mind, is for your “own good.”

In Twisted Wonderland, you’re now bound to the rules of Heartslabyul, balancing Riddle’s strict schedule, navigating his many routines, and dealing with his high standards as you struggle to maintain his reputation without causing a commotion.

⠀

Jamil is quick to adjust, immediately masking his initial confusion in favor of stealthily gathering information about your world. He keeps a low profile, but behind that calm facade, he’s strategically piecing together every part of your life, figuring out who’s important to you and how he can stay in your life even if he returns to his world. Jamil moves through your world with subtlety, observing your friends and family with a quiet intensity, noting who to trust — and who to remove from your life. He’s ready to make subtle changes to your social circle or behavior, aligning your life with what he thinks is “best.”

Meanwhile, back in Twisted Wonderland, you’re handling Jamil’s carefully hidden responsibilities, feeling the pressure of his dual life between serving Kalim and managing his own ambitions, all while trying not to slip up and reveal your true identity. It's difficult.

⠀

Kalim wakes up in your body with sheer joy and fascination, his excitement overriding any initial confusion. He’s absolutely delighted to be in your world, taking in every little detail with childlike wonder. Kalim sees this as an opportunity to become even closer to you, and he goes about learning everything there is to know about your life, friends, and family, brimming with excitement to be part of it all. He’s incredibly affectionate with anyone he meets, happy to share his thoughts, and may unintentionally end up sharing details about “you” that leave people puzzled. He can’t resist splurging a bit on your behalf, thinking he’s treating you.

As for you, adapting to Kalim’s responsibilities in Twisted Wonderland is overwhelming, as you’re thrown into his high-energy life and surrounded by his devoted friends and followers. His cheerful, social world is a whirlwind of activity and expectation, especially with Jamil by your side, assessing every move you make with a scrutinizing eye.

⠀

When Ruggie wakes up in your body, he’s initially thrown off but quickly realizes the opportunity in front of him. Instead of panicking, he takes a strategic approach, savoring every moment as he explores your life and digs into your personal world. His tendencies kick in subtly but intensely; he’s not one for grand, showy gestures, but every action is deliberate, aimed at securing his presence in your life as deeply as possible, as he changes your wallpaper for fanart of him and enters the game to level up all his cards for you.

He begins by poking through your belongings, finding small things that give him insight into your personality, routines, and friends. Ruggie is careful to go unnoticed, learning as much as he can about your relationships and keeping mental notes about anyone he thinks poses a “threat” to his place in your life. He’s not above making subtle changes, distancing you from people he dislikes and reshaping your social circle to align with his preferences, but he does so with skillful subtlety — most people won’t even realize he’s manipulating things from behind the scenes.

If you have a job, he’ll blend right in, charming your colleagues and subtly gaining their favor, leaving an impression that makes it hard for anyone to forget you. He’s naturally resourceful, too, so he takes a look at your finances, maybe even setting aside a bit of extra money “for emergencies” (which, of course, he intends to use for things he thinks you’ll need down the line).

Meanwhile, back in Twisted Wonderland, you’re adjusting to the gritty pace of Ruggie’s life in Savanaclaw. His resourcefulness is evident in every little aspect of his world — from balancing odd jobs to navigating the intense social structure under Leona’s rule. You feel the constant need to stay alert, manage his reputation, and keep up with his never-ending hustle. It’s a life of quick thinking, constant negotiation, and clever shortcuts that keep you on your toes, giving you a firsthand taste of Ruggie’s way of surviving in a world that doesn’t make things easy. You made a note to dote on him when you get back to your body, he deserves.

[majestyeverlasting]

𝐜𝐨𝐦𝐞 𝐰𝐡𝐚𝐭𝐞𝐯𝐞𝐫 𝐦𝐚𝐲 | 𝐞.𝐦.

Pairing Eddie Munson x Fem Reader [friends -> lovers]

Summary: You and Eddie ditch the party of the semester to fall into something you both know is meant to be [fluff, 3k]

A/N This is just fun, fluff, and feels. Felt like a vibe while I was writing it. This fic is part 1 of 3.

The music vibrates through the floor so intensely that Eddie can feel it in his bones. Even in the sunroom where he and a few others have settled. The small space gives sight to the backyard, where people mingle as they smoke, illuminated by string lights combating the night’s darkness. Those inside the house with him chatter, sing, and toss their heads back in carefree laughter, feet shuffling against the hardwood as they dance.

The entire scene buzzes with the kind of life only Steve Harrington’s place could ignite on a Friday night. One of these days, he swore he was going to loosen up and allow himself to get swept up in it too. 

For now, he watches. Eyes flitting to various faces, but always returning to you. If you weren’t smiling, you were talking, and the way your lips formed around your words was just as beautiful. The two of you spoke briefly when he first arrived, and he could still feel the delighted hug you’d given him over the fact that he decided to come. He wondered what he’d have to do to make it go away, but good thing he didn’t mind the feeling. It was a reminder of how much he wished your nearness could be all his forever.

Longing was a peculiar thing. Selfish in its occupation of his entire being. 

As Eddie takes another small sip from his drink, something fruity spiked with vodka, The Hair himself saunters up in front of him in a pair of slacks and a Polo sweater. Though rather polished for the occasion, it manages to look fitting on him. His cheeks are a little flushed and the metalhead raises a curious brow as his friend stares down at him with a smirk. 

Rebel Yell starts pulsing through the stereo as Steve offers him a hand off the couch. They end up weaving their way out back. The fall air is cool, but not all of summer’s warmth has vanished. A few people wave and greet them as they head towards a pair of chaise lounge chairs. Billy Idol’s voice is muffled as it continues thrumming from inside. Grooving bodies are visible through the windows as the party carries on. 

Steve pulls out a fancy metal cigarette case before they sit, flipping it open with a soft click. Eddie can’t help but snort as he relaxes into the chair. 

Steve’s brows furrow as he slips out a joint and begins lighting it. “What?” 

Eddie nods to the case in Steve’s lap. “Rich people shit.” 

Steve takes the first couple puffs before passing the joint to Eddie. “Jealous?” 

A smile cracks Eddie's face before he takes a drag. The answer is no, he isn’t. Once upon a time, jealousy was all he burned with, even though he was Hawkin’s poster child for no fucks given and had every reason to be grateful he wasn’t worse off. Grateful for Wayne, that he wasn’t in the pen with his deadbeat father, for finally finding solid friends. He had more than he could ask for, and it took growing up to see it. 

Eddie tips his head back and blows smoke up into the night before giving Steve his turn. What he can’t see is that your eyes have fallen on him from inside the house, sparkling and curious as Robin grins by your side. 

“So did I save you back there or what?” Steve asks as he ashes the joint onto the ground. “Looked like you were zoning in and out, man.” There’s genuine curiosity in his gaze though his tone is playful. 

Growing up with parents like his, Steve had gotten good at reading people. They vacationed a lot, but still managed to walk around with arc reactors in their chests whenever they were home. Bound to detonate in the wake of the most trivial inconveniences. Sometimes he wished he could shut everyone and their feelings out, but he wouldn’t quite be himself then. 

Eddie runs his ringed fingers through his hair. “Just a bit overwhelmed.” 

Steve takes a thoughtful look around. “These kinda things can be a lot.” 

Not even half the faces outside belong to close friends. There was a magic to it, nevertheless. For a few hours, everyone could throw their worries to the wind as Hawkins, Indiana began to feel less like a nowhere town and more like the top of the world. Lord knows Steve didn’t mind the distraction. 

“Not my scene,” Eddie settles on saying. The joint has found its way back into his hand. 

“Everyone’s got their escape,” Steve says. “You’re just too evolved for this one.” 

Eddie snorts. “Shut up.” 

“Yet here you are in the flesh,” Steve continues, thinking as Eddie smokes. “You should tell her how you feel.” 

Eddie coughs, lowering the joint from between his lips. “Dude. Fuck.” 

Steve bites back a smirk as Eddie recovers, extending his hand for the joint. Eddie refuses, taking another drag out of spite, for himself or Steve he isn’t sure. A distant swell of giggles makes multiple heads turn towards the back door, where you and Robin file outside. There’s an immediate flutter in Eddie's gut as he takes you in, your skirt flowing at your thighs. It takes him a second to realize you two are headed their way. 

By the time you make it over, Eddie has straightened up. Meanwhile Steve remains unphased. “Ladies,” Steve greets.  

Robin wrinkles her glittery nose at him. “Why weren’t we invited out here?” 

Chuckling, he makes room for her on his chair and she plops down beside him. “‘Cause you hate the way weed makes you feel like you’re going insane.” He leans into her with each word until she pushes him away with a helpless laugh.

“It’s the principle,” she counters. 

Eddie motions for you to join him and you smile as you take a seat beside him, bumping your shoulder against his in a gentle hello. When he offers you the joint, you shake your head. Steve reaches for it yet again, but Eddie pretends not to notice, taking another drag. A small smile pulls at your lips. 

“Actually, I think I will take a hit.” Eddie doesn’t hesitate passing it to you. 

Rather than indulging, you hand it to Steve, who laughs in victory. Eddie shakes his head, feigning betrayal in a way that earns a laugh out of you. It’s a sweet, melodic sound. He tries to ignore the way your thigh feels pressed against his, but it’s in vain. Even the vanilla notes of your perfume manage to cloud his mind in the softest way. No matter where he was, if you were near, he would always be painfully aware of your presence. 

It was your invitation that had driven him to this party in the first place. Although Steve’s invite came first, your insistence made him change his mind and say yes. Sweaty bodies and blaring music wasn’t your ideal scene either, but you gave in from time to time and looked good doing so. Earlier that night, Eddie almost hadn’t made it through Dancing In the Dark as you and Robin swayed and jumped around like you were alone in your room. There was something about the freeness of the way you moved that made it hard to look away. 

“Munson’s been meaning to tell you something,” Steve announces, looking straight at you.

Eddie’s heart drops into his stomach as he glares at Steve. Robin glances between the two of them, brows furrowed as amusement plays on her lips. You hug your arms as a cool breeze rolls through, but you’re more interested in what Eddie has to say than escaping the chill. In meeting your gaze, however, he silently begs you not to entertain the claim. It only piques your curiosity all the more. 

“Are you gonna spill or what?” Robin prompts.

“There’s nothing to spill,” Eddie insists, looking down to twist his skull ring. 

Reaching over into his lap, you gingerly take his hand into yours to slip off that very ring. He doesn’t pull away or argue, just watches as a helplessly warm feeling melts down his ribcage. His lips twitch upwards when you put it on your thumb because it’s the only finger big enough. It’s warm from being against his own skin for so long. Robin and Steve share a brief, knowing look.

“Speak now or forever hold your peace.” There’s hope woven within the lilt of your voice. Eddie chuckles, and you commit the breathy sound to memory as if you’ll need it one day more than you do now. 

Robin slaps her hands against her knees. “Well, it’s getting kinda chilly out here so I’m gonna head back inside,” she says, rubbing her arms as she stands. 

“Don’t do anything I wouldn’t do,” you tease. 

“I’ll stick to something tame like snooping around in Harrington’s room,” she says as she turns to leave. Steve rolls his eyes.

A comfortable silence settles between the three of you. However, his brows eventually pinch together as he reconsiders Robin’s words. Taking one last drag, he passes the joint back to Eddie.   

“She was joking, Steve,” you assure him, chuckling. 

“No she wasn’t,” he worries as he stands to jog back into the house. Eddie snickers. 

With a soft sigh, you lean back onto your hands, looking towards the sky as silence falls again. There are a few clouds visible in the light of the crescent moon, but the stars are everywhere. Like tiny shining freckles peppered against the face of the night. Part of you wonders if he’ll talk now. 

“What if the stars have been watching us back our entire lives?” you murmur. 

Eddie’s brows pinch together as he looks over at you, chest rattling with a startled laugh. “That’s something to think about.” His eyes are a bit glossier now. “Don’t think I’d mind if that were true.” 

You tilt your head, a smile budding on your face. “You wouldn’t mind billions of little eyes observing your day-to-day life?” you ask. “That’s a pretty big audience.” 

A grin eases across his face, half playful, half cocky. “I’m a pretty interesting guy.”

You lift a teasing shoulder, feigning indifference. “You’re alright.” 

Eddie laughs, but a weighted look flickers in his eyes as he studies you, catching the fondness you hadn’t tried all that hard to hide. Even with the pleasant buzz beneath his skin and somewhat of a looser mind, he can see it clearly. 

“Hey,” you speak up again. There’s a new softness to your voice, something mischievous dancing around the edges. “Wanna get outta here?” 

Eddie blinks like he can’t quite believe you’ve asked, but finds himself saying yes anyways.

••• 

Sitting in the passenger seat in his van, you realize you didn’t think much further than this. The air smells like him in all the best ways. Pinewood and faint cigarette smoke. As the engine rumbles to life, you shift in your seat and peek over at him, your confidence a distant memory. The radio bursts to life as well, but he quickly reaches out to turn it down. You bite back a smile at the fact that his skull ring is missing from his finger because it’s on yours. Eddie settles in with a sigh, turning to you. 

“So,” he says, eyes sparkling and a little red under the glow of the street lights. 

There’s an intensity to the warmth of his gaze. It drives you to hide your face in your hands. Which does nothing to make him disappear, if the way he exhales a chuckle is any indicator. “Stop looking at me, I didn’t think this far ahead.” There’s no real distress in your voice, only giddiness mixed with nerves. 

“Now I feel like an idiot,” you whine. 

“Well, you’re not.” He sounds more sincere than the moment calls for. “And I don’t think I’m gonna be able to stop looking at you, so I guess we’re both in a pickle.” 

“A pickle?” You snort, lowering your hands to meet his gaze. More laughter escapes you. Maybe it’s your body's way of not having to address the implication of his words. 

There’s a flutter in his gut as he watches you. It’s like old times, back when you were freshmen who stayed up too late laughing over the most ridiculous things. Except now, you were more than the girl who sat beside him in Biology because you thought it was cool he had a tattoo. You’d grown into a friend, perhaps even more. As composure finds its way back to you, that truth weighs heavy in the small distance between you.  

Eddie clears his throat. “We could hang at mine for a bit. Wayne’s at work.” When you don’t say anything, he bites the inside of his cheek. “It’s up to you.”  

“Sorry, yeah, that sounds good,” you breathe. 

Eddie gears the van into drive, only to put it back in park with a heavy exhale. You blink when angles himself to look at you, opening his mouth a few times before speaking. 

“There is something I need to tell you,” he admits. “No way in hell did I ever think we’d be friends, but you’re the raddest person I’ve ever met.” A lump forms in your throat as his words wash over you. “And you’re so pretty that sometimes I wonder how every guy in the world isn’t giving you whatever you want all the time.” 

You can hear your heart in your ears as you say, “Maybe that’s ‘cause there’s only one guy I want in the world.” 

•••

A small sound of surprise rises up your throat when Eddie backs you against his bedroom door. His apology is hushed against your lips as he continues kissing you, hands gentle where they grip at your waist, feeling along your sides. You’re warm all over as if you’re laid out before the sun, arms hooked around his neck. It hadn’t occurred to him how much he wanted to kiss you until you looked at his alarm clock and realized that it’d probably be best if he drove you home. It was well past midnight. Time had escaped you as you talked and laughed. 

When he does pull away, he studies your face like he’s looking for something. A few seconds pass, and he still doesn’t know what for. Perhaps your smile as it shyly appears. You move your hands to cup his face, thumbs stroking his flushed cheeks. You’ve never been close enough to notice he has the faintest freckles over the bridge of his nose. It almost feels like you’re getting a glimpse at sacred markings you’re not supposed to see. 

Eddie remembers to breathe when you peck his lips again, running your fingers through his hair. His breath is startled out of him, more like. It’s a wonder his knees haven’t buckled beneath him. He wants to kiss you again to see if that’ll finally knock him back down to earth, but instead he exhales the softest sigh over your lips, squeezing your hips to confirm you’re real. He’s not expecting the sense of guilt that creeps up on him. 

Your brows pinch together. “What’s wrong?” 

“Nothing. I just… I haven’t taken you on a date or bought you flowers.” He swallows. “I swear you’re worth all that, swear I’m gonna.” 

You gently scratch his scalp. “That’s nothing to worry yourself over.” 

Eddie shakes his head. “Don’t want you to feel like I’m just trying to come onto you,” he says. “I like you a lot—”  

“If it’s any consolation, I’ve been wanting to kiss you forever too.” Your voice sounds braver than you feel. 

A smile breaks across his face as he rests his forehead against yours. “Well, that’s maddening news.” 

Humming, you kiss him again, delicately running your tongue along his lips so he shivers. “Where are we gonna go?” you breathe, clarifying when he makes a soft, confused sound, “For our first date.” With the way you continue kissing him, he assumes you don’t really want an answer, that you’re trying to drive him crazy on purpose. 

His mind changes when you gently push his chest so he knows to pull away. He listens immediately, eyes dazed. 

“Maybe the arcade,” you supply, toying with the hem of his shirt. “Or a picnic by the lake.” Your hands slip under his shirt, gracing the skin of his lower stomach, your touch sending a rush of heat through him faster than any high ever could. 

You’re not trying to be suggestive, it’s more exploratory. A shared thrill in finally being able to touch him how you’ve wanted for so long. Eddie’s hands remain at your waist, grounding him even as he feels his resolve starting to slip. 

As much as he wants to indulge a step further, maybe even several, he holds himself back. It might be old-fashioned, but he wants to do this right, do a bit of course correction. He can almost hear Uncle Wayne’s voice from those lazy afternoons of his younger years, talking about life and how to treat a lady. 

“Next Friday,” he says, staring into your eyes intently. “It’ll be nice. I’ll surprise you,” he promises, taking your hands in his, relishing their softness, their warmth. His skull ring is still on your thumb. 

“Really?” Your smile is unabashed. 

He nods, a grin creeping onto his face. “It’s a date.” 

-

Thank you so much for reading! Feel free to let me know what you think. 

Turn on notifications for @taleseverlasting so you don’t miss the next one.

NEXT PART (18+)

MORE

[shaisuki]

❝ I STILL THINK OF MY EX SOMETIMES, SOMETIMES. ❞

cw: stalking + yandere-ish gojo + implied babytrapping + power imbalances + forced affection + smut.

ex-boyfriend gojo who says that the break up was mutual. it was not. you broke up with him. reasoning that you both have your differences and the miscommunication are taking a toll in both of your relationship and decided it was better to break it off than cause further damages to you both.

ex-boyfriend gojo who made peace with it. he says but he's not. he struggles with it a lot and a lot means staring at your pictures every night and pathetically jerks with it.

ex-boyfriend gojo who have made flings every now and then, it's a good distraction but it's not when you haunts him with his memories of you. wishing it was you underneath him and not some random girl he's fucking with

ex-boyfriend gojo stalking your every social now and then. he looks out for possible rivals he may have in the near future. checking every update and he smiles when he sees you posting random things that he knows that makes you happy. a selfie of you. a random puppy you're holding. a book that you're currently reading and everything that is related to you. he saves them on his phone. his fingers having a mind of their own and tapping the save button.

ex-boyfriend gojo staying up late and thinks about the whole relationship he had with you. sure it was wonderful but you both are flawed especially him. it wasn't your fault that you gave up, he gave up first. his regrets dawning onto him why he gave you up when he should have fought. he knows you still cry at night blaming for the relationship you have no control over.

ex-boyfriend gojo replays the voicemails just to hear your voice once again. playing the videos when you both are still together. your laughter filling the silence of his bedroom and his own thoughts. staring longingly at you and it just hurts that everything still reminded him of you.

ex-boyfriend gojo who frequents the places that you two used to visit. the museum. the aquariums and any places where he can think of. eating alone at your favorite places hoping that you can come back and join him but it was nothing and it just the bitterness he feels being surrounded by the couples around him.

ex-boyfriend gojo who gets drunk and moans about you to his colleagues without him realizing it. sober he sounds when he told them about you and it's everything's clear that he is the problem and it's not you. he wakes up and then forgets like nothing ever happened like he didn't just pour his heart out to his colleagues the night before.

ex-boyfriend gojo decides that he should keep his distance at you so both of you could move and get with each other's lives but takes it back cause he's just a man. wanting you to be by his side, like the old days when you're both happy.

ex-boyfriend gojo turning into one of those stalkers but he's not. he's just following you home. making sure you're safe and don't mind him if he follows you to work. he's keeping an eye to you. frowning and glaring at every man that dares to look at you and ask you for a date. how dare they! it's sad when he sees you not smiling from what he's doing but it's fine. you can smile around him. he should be the reason you're smiling.

ex-boyfriend gojo breaks in to your home just to watch you sleep. watching as your chest heaves as you breathe. sometimes he lays besides you just to stare and pretends that everything's fine just the way they are and he's not your ex-boyfriend that's a stalker who likes watching his ex sleeps.

ex-boyfriend gojo solemnly touches your round cheeks smooched in the pillow. he imagines you melting in his touch and stays there and you would close your eyes cause you're that comfortable around him. that you trusted him and his fingers would slowly descend to your soft lips. the very lips that he kisses every time he can get. the very lips that gets swollen when he's swept away to his desires.

ex-boyfriend gojo then his sight drops to your plush body. generous with curves that every night he gives them the love it deserves. your soft pajamas adorning your voluptuous body that it's hard to keep his advances knowing it's his weakness. it won't right if he touches you? he did it plenty. break up or not. you will always belong to him.

ex-boyfriend gojo who leaves for the night. afraid that he can't control himself and lose himself in the moment with you and you'll hate him more. he can't have that.

ex-boyfriend gojo that visits you daily after that. there is something sad of how your face is stained with tears. probably crying from how he have hurt you and it wasn't his intention. he tenderly wipes the tears and wishes you're awake and apologize for the time he had hurt you.

ex-boyfriend gojo who makes sure to leave gifts at your doorstep. the flower deliveries every day and the little notes that comes with it. saying how sorry and lovely you are at the same time. it didn't deter him that you just casually ignores it. you'll soften at him in no time.

ex-boyfriend gojo who got tired of being in the shadows. showing at your doorstep without warning and straights up asks you to be with him again. whom you rejected without thinking twice. it's over, you tell him and he doesn't take that seriously.

ex-boyfriend gojo unceremoniously shows at every place where you go. asking you the same question and he gets the same answer from you that it's starting to affect your relationships with others and your personal life.

ex-boyfriend gojo kneeling in front of you at the confines of your home and he's close to kissing your feet which you forbid him to and you just burst into tears. telling him that why he can't understand that you two are over and it won't change.

ex-boyfriend gojo who proves you wrong. bugging you every moment he can get and changing all the things that cause this and would humble himself in front of you just to proves that he really loves and cares for you.

ex-boyfriend gojo who forces you to get back to him. leaving you no choice but to take him back and it's the worst decision you ever made cause now he just won't leave you alone.

“satoru, stop.” you say to him as you grabbed his hands who's hard on trying prying your thick thighs open just to get that goodness he's been missing for months. why would you even try that you're no match for his strength and you gave up but it doesn't mean you're not resisting him.

“missed this pussy, baby.” he hums before diving back again to your soaked cunt. his nose nudging your clit as he fucks you with his tongue. wiggling it inside that your thighs are clenching around his head. despite a warning to stop his advances, it encourages him more. he makes sure you've cummed thrice before he's caging you in his arms.

his cock hard and beads of precum are leaking while he slowly thrusts into your fat pussy and when he bottomed out. groaning and almost drooling at the tightness of your pussy. you were filled many times that night and you wake up feeling sore that you can barely walk.

ex-boyfriend gojo that have his whims in getting back at you and now he's your boyfriend and soon-to-be husband after knocking you up with his brat. ensuring that you won't leave him again and there's no reason for a break-up. he's just that insufferable.

[nochepsicodelica]

Bear boyfriend Toji who dreads getting sick more than the average person. He gets so grumpy during this little stunt in his health because he can't do much besides manage his harsh cough and runny nose, rest in bed and eat, but that's not even what he's most upset about. He's so pissed off that he can't be around you, unless he wants to get you sick too.

Oh, but you make it so hard on him. Walking into the room with a mug of tea with that smile that could nurse anyone back to health. You linger for longer than you should, even after he told you that if you're in there for too long, you'll get sick too. It's an annoying dilemma because on one end, watching you be sick is one of the most heart wrenching things he's ever seen. Like him, you pretend that you're fine, when really you feel so debilitated by the virus that invaded your immune system. You tell him you feel better, but your hearing is muffled and your voice is gravelly and doesn't seem to be recovering quickly. Toji sees right through it and his protective instincts kick in. He insists on doing everything necessary to get you back up and running. On the other end, he wants to see you and kiss you and just hold onto you through this horrible time he's having. He hasn't kissed you in almost three days. It really sucks that he's sick, but it's entirely unfair that you can't be near him. There is truly so much for him to be reasonably grumpy about.

"Hey, you're gonna get wrinkles on your handsome face," you say, smoothing down the crease between his eyebrows with your thumb. "Do you really want me out of here that bad?"

He sighs. Your cool hands are heaven on his burning skin. "You know I don't, ma," he croaks out, pulling your hand down from his face and holding it. "I want you here, but you can't stay."

"Baby, you lost your pretty color. You look like a zombie, but also, it's killing me to only be allowed to check on you once every hour. I think it's time I come sleep in here, again."

"No," he protests, while shaking his head. He wishes he had rethought the gesture once he's steady again. He feels like he shook his brain and his head hurts, now.

"Toji, i'm taking care of you. I'm sleeping in our bed, tonight. I'm more worried about you than I am about getting sick."

He wants to laugh at how you sound like a mother scolding her child, but he knows it'll throw him into a nasty coughing fit. He can't argue with you too much in this state. He doesn't want to argue anyway. You care and it feels nice.

"If I get sick, I get sick," you say, settling down next to him, on your side of the bed.

Toji has never been one to pull the 'woe is me' card, but when you're smothering him with so much affection and cooing at him while caressing his uncomfortably warm face, it's hard not to lean into it. You relieve his discomfort with your methods of care. Be it medicinal remedies or your extra love and affection, even your patience. You weren't the one who proposed keeping distance from him. You didn't want to sleep on the couch those last couple nights, but you did it for the sake of letting Toji be comfortable. He's your lover and you don't see a reason to avoid him, like what he has is something more fatal. His contagiousness is disregarded, because it doesn't matter.

You know he would do the same for you so you don't wrinkle your nose when he starts feeling safe enough to nuzzle into you and sluggishly kiss you, while clinging onto you. He's extra clingy, too. Your body is a lot cooler than his, so it feels nice when he rests his cheek on your chest or when his hot, clammy hands go to your arms. You don't turn away or block your face when he coughs. You rub menthol onto his reddened chest and neck, and watch as he grins dumbly when his nose clears up for a little. When he falls asleep, you stay with him, even if he doesn't wake up for the next five hours. You watch over him and only get up to grab things that are necessary, like his medicine, some water, and a damp towel to wipe the sweat off his forehead and neck.

He takes on the role of the little spoon when you take care of him. Being pampered by you makes him feel small in all the best ways. He feels protected, like you're his guardian. It's really as if the only remedy he needs is you. The expanse of your love for him is unquantifiable, but when you wrap your smaller arms around him and press featherlight kisses onto his skin, it's like a force field that blankets him.

[obsesssedblerd]

Part Four (2): “I promise, I’ll make this right.” 

- the jjk men promising to be a better partner for you after they forget your anniversary. 

final [second] written part of this smau series. 

Pt. 2: Choso, Shiu, and Gojo

Contains: angst to comfort 

a/n: and here’s the last, last part with the remaining characters! again, thank you so much for being so patient! <3 once again, sorry for any mistakes! 

---

CHOSO 

Truthfully, you didn’t know if you were actually ready to confront Choso, but you know that it’s time. You stand in front of the door to his house, and knock. You wait for less than a minute, then the door opens to reveal Yuuji on the other side, rubbing his tired eyes. His pink hair was messy, so you know that he woke up from a nap not too long ago. 

When he registers that it’s you, he gasps loudly, then holds up a hand and smiles nervously. “H-Hi! Um, wait just a minute, I’ll grab him! Please don’t leave this spot.” 

“I won’t leave, Yuuji.” 

His smile falters a bit. “No, seriously, please don’t. Me, Cho, and Megumi couldn’t find you for days.”

You place a comforting hand on his shoulder. “I promise,” you say slowly, “I won’t leave.” 

“Good. Be right back.” He gives you a thumbs up, closes the door, and you hear him scream from behind it, “Choso!! CHOSO!!! She’s outside, so stop blasting your sad music and get down these damn stairs!! No, I’m not kidding, why would I do that?!” 

You blink in shock, then Yuuji opens the door once more to smile sweetly at you. “He’ll be out in just a moment.” 

“Uh- Alright, thanks.” 

Not too long after, Choso appears. You can immediately tell that he hasn’t been sleeping much the last few days. Other than that, he looks relieved to see you there. He reaches towards you to hug you, then stops himself, remembering the situation. “Hi,” he quietly greets. 

“Hi. Walk with me?” He nods, and you two walk side-by-side to a nearby park. You let the silence drag for only a few minutes before you ask him the question that’s been weighing on you for the last couple of days. 

“Be honest. Before we got together, did you want to date Yuki at one point?” 

Are you only with me because you weren’t able to get with her? 

Choso stops in his tracks, and looks over at you, eyes blown wide with shock. “No. Never. We’re just friends, like I’ve told you before. I know it seems like-” 

You hold up a hand. “Cho, please just understand where I’m coming from. The-” 

“I do understand,” he says desperately, taking a step closer to you. “Of course I do. That's all I’ve been thinking about. I chose to hang out with her instead of you, numerous times. It’s unfair to you, I know, but I swear-”

“I feel like you love her.” Your biggest fear of your relationship flies out your mouth, and tears rush to your eyes, spilling down your cheeks. “Every single time, it’s her. It feels like it won’t matter how special something is—like our anniversary—because you’ll run to her the second she asks you to hang out and completely forget about me.” You take a breath and exhale slowly, trying not to make yourself look even more pathetic. “I’m tired, Cho.” 

“Listen to me. I do not love Yuki,” Choso says slowly. “Not now, not in secret, not ever. I am in love with you. You’re the one I want to wake up next to every morning, you’re the only one I trust when it comes to helping my siblings, and you’re the one I want to spend the rest of my life with.” He scoops your hand into his. “There’s no way in hell that I would choose her or any other woman over you, so I’m begging you, please get that out of your head.”

Before you can use a sleeve to wipe your tears, he wipes them for you, then uses his hand to cup your cheek. “I’m so sorry for hurting you. You spent so long planning the dinner for our anniversary and I completely forgot about it like it was nothing. I wish I could go back in time, but I can’t. All I can do is beg for another chance to be a better boyfriend. So, please, let me have another chance.”

You notice that his eyes are also watery. You’re about to point it out, but he hugs you tightly before you can, his body slightly trembling. “These last few days have been killing me, because I’ve messed up so bad to the point where you think I’m in love with another woman, when you’re the most amazing woman I’ve ever met in my  life. I don’t want anyone but you. I could never choose anyone over you. I don’t care who they are.” 

He rubs a comforting hand up and down your back. “Please,” he repeats once more. 

“Never again, Choso,” you mutter shakily. “I mean it.” 

He sighs in relief, then kisses you. “Thank you,” he whispers. “Walk back with me? I have your present back at the house. Then, we can plan another dinner, and something special after that.” 

---

SHIU

When you enter the hotel room, you see Shiu Kong there, leaning in the chair with a light, but nervous smile. “Hey, princess.” 

The door shuts, and you furrow your brows in confusion. “How the fuck did you get in here?” 

“Well, you weren’t answering your phone anymore, so I found a different way to track you.”

Your brain whirrs with multiple possible scenarios, then you roll your eyes when you figure it out. “You asked Toji, didn’t you?” Your work partner was the only one who knew your location.

“I had to blackmail him in order to find out where you were. It wasn’t easy.” 

You give him a fake smile. “Well, I don’t really care about that. You should leave.” 

“No.” 

“Shiu. Don’t piss me off,” you warn. “Go.”

“Not until we talk.” 

You cross your arms. “It’s either you leave, or I will handle you the same way I’d handle any person that comes into my room without my knowledge or permission.”

Shiu holds his hands up. “I’ll let you shoot me after I apologize.” 

“You’ve already apologized plenty over text. I already told you that I’m done. I’m better off focusing on work, and you’re better off just hanging out with your friends.” 

“Can you stop saying that shit? Baby, please, I swear that missing our anniversary dinner was a horrible mistake, and I’ll never make it again if you give me another chance.” When you don’t answer, he sighs desperately, taking a chance with his life and walking over to where you’re standing. “I’m sorry, princess. I completely understand why you’re pissed, and like I said, I’d let you shoot me if it’ll make you feel better. However, I will say that I can’t let you go. I love you.” 

You shut your eyes and shake your head. “Look, that’s sweet and all, but I don’t think you understand how awful it is knowing that your boyfriend chose a random night of drinking with his friends over a romantic dinner that you spent weeks planning. It makes it hard to believe that you even like me, let alone love me.” 

“I understand why you’re doubting my feelings for you. Anyone would after their lover forgets their anniversary. But I promise, I do love you, and if you give me another chance, I’ll show you. I’ll make you feel it. Please give me a chance to fix this.” 

“...But what if you don’t?” 

“Then I’ll let you kill me, like you’ve killed your other boyfriend after he fucked up and broke your heart.” When you raise your brow in question, he answers you, “Toji told me about that when he warned me to leave you alone earlier. Not taking his side at all. Heard he was an asshole, anyway. But, I’m serious. If I don’t do better, and I hurt you again, I won’t run or fight back when you come to kill me.” 

“Shiu, I don’t want to kill you,” you say, slightly frustrated. “I just want you to care more.” 

His thumb brushes underneath your eyes. You didn’t even know that you started crying. “I know, princess, ‘m so sorry. I promise, I’ll never make you cry again, and I’ll be better.” He’s relieved when you allow him to hug you. “Come home, okay? We’ll talk more there, and then I’ll start making this up to you.”

You nod, then rest your head on his shoulder. “You do know that Toji’s more than likely going to kick your ass for blackmailing him, right?” 

“You’re in my arms again, so it was worth it.”

---

GOJO

You’re speeding through the hallways of Jujutsu Tech, your heartbeat thundering in your ears. An hour ago, you got a text from Maki, your precious second-year student, telling you that something bad happened and that you need to come to the school quickly. 

“Maki, I’m here! Are you okay?!” You shout as you burst into the empty classroom. You find her, and you tilt your head in confusion. 

She looks fine. In fact, she’s standing next to a Yuuta Okkotsu, who looks like he’s about to vomit. “S-Sensei! I-” 

Maki cuts him off with her usual, sharp glare. “Not. A. Word.”

Inumaki and Panda are also there, and across the room, the three first years are standing stiffly. 

Something’s up. 

“Okay,” you say to the students as you cross your arms. “What on earth is going on?” 

Nobara looks over at Yuuji, who’s sweating nervously, and raises a brow. “Um… Haha,” he laughs, scratching the back of his head. “Don’t look at me like that, Kugisaki. H-He should be here any second, I swear!” 

He? 

Suddenly, Satoru Gojo teleports in. “What’s going on?” He asks as he looks over at the students. “I didn’t see a threat outside of the school. Yuuji said something bad happened?” 

“Great!” Nobara claps her hands together. “You’re both here!” 

Satoru goes quiet, and you raise an eyebrow. “Uh, yeah?” 

Maki points to you and Satoru. “You two need to talk.” 

“...Sorry?” 

“You two need to talk!” Nobara repeats Maki’s words. “Listen, we can’t stand having our two favorite teachers separated like this. [Y/L/N]-sensei has been gone for days!” 

“Plus, Gojo-sensei, you’ve been super stressed!” Yuuji shouts in defense. “Fushiguro says that you eat a lot more sweets when you’re stressed. You ate two packs of those mini cupcakes, plus the brownie that Nanamin gave me!” 

When Satoru looks over at Yuuta, he throws his hands up. “No, no, please don’t look at me like that! I voted against this! I said that w-we should probably give you two some space to figure it-” Inumaki slaps a hand over his mouth. 

“We’re just… worried,” Megumi mumbles. 

“Yup!” Panda shouts. “Very worried, and that’s why we came up with a plan to get you two back on track. We’re going to lock you two in this room, and you’re not coming out until you’re happy and in love again!” 

“Because you two are supposed to be together forever and get married and invite us to the wedding!” Yuuji pouts, and the rest of the students voice their agreements. 

You can’t believe it. They set you up. Your mouth falls open in shock, and the students all walk outside of the classroom. Maki and Nobara are the last ones out, and they both glare at Satoru. “Geto-sensei said that you missed your anniversary dinner,” Nobara hisses. “You better give her the most amazing, romantic and extravagant dinner after this, or we will deal with you!” 

Behind Nobara, Yuuta chuckles nervously. “...Pretty sure that you won’t be able to get past his infinity-” 

“Shut up, Okkotsu!” The rest of the students shout, then the door shuts and locks with a loud click. You drag a hand down your face, then scoff. Great.

“Wow, they’re really something,” Satoru chuckles, but when you don’t say anything, he turns to face you, his expression serious, even with his usual blindfold on. “Say the word, and I’ll teleport you out of here. Then, I’ll talk to them.” 

“No, it’s okay,” you say quietly as you sit in one of the empty chairs. “We can talk.” 

As you look around the classroom, a few memories from the year before came back. “Wait, this is the classroom where we met, isn’t it?” 

“Looks like it,” Satoru says as he leans against the wall, smiling softly. “Zen’in, Panda, Inumaki, and Okkotsu were first years. You were standing right here. Your first day as a transfer, and you were already teaching these kids as professionals.” 

“Yeah.” You stifle a laugh. “You stayed for the entire lesson, even though you had a meeting with the higher-ups. Suguru and Yaga had to practically drag you out of here so you wouldn’t spend another hour flirting.” 

“They were pissed, but it was worth it. Our newest team member is just so pretty,” he says, then reaches for your hand, your thumb lovingly brushing against yours as his voice dips lower. “The most beautiful woman that my six eyes have ever seen.” 

It’s a nice memory, but when you remember everything else, your smile falters. Satoru sighs, “I’m so sorry, pretty girl. Not just forgetting the annivesary dinner that you planned, but also for leaving you hanging. I don’t blame you for disappearing for a few days. If I were in your shoes, I would’ve been upset, too. I really don’t have an excuse. That was just… wrong.” 

“I appreciate that, Toru, but… are you sure that this even works? All of the chasing, the begging to spend just a few hours together, it’s draining. I know you’re the strongest sorcerer-” 

“You matter more than that,” he says firmly. “So much more than that. If it came down to choosing between you or being the strongest, I’m choosing you in an instant. I meant it when I said that I’d let Toji Fushiguro kill me again before letting you go.” You wince when you remember the gruesome details of that story, but don’t interrupt. “I made a horrible mistake by forgetting that date. I can’t imagine how awful it was sitting at the restaurant all alone. I’m so sorry. I don’t care how long it’ll take to make this up, I’ll prove that you mean the world to me.” 

You consider his words. While you’re still a bit hurt about being forgotten, you miss your boyfriend, and you do believe that he’ll make it up to you, despite you being a bit hesitant. “One more chance, Satoru,” you tell him. “Don’t ever do this to me again.” 

“I won’t. I promise,” he says, lifting his blindfold to reveal the gorgeous, cerulean eyes that you love so much. “You won’t regret this.” When you reach for him, he lowers his infinity fully to let you hug him, a long exhale leaving your body when you’re suddenly wrapped in his arms and his scent. “I missed you,” he whispers to you. “I was so worried. I couldn’t find you.”

“Didn’t mean to worry you.” 

He kisses your cheek, then pulls away from you. “Okay, time to go.” 

“Go where?” 

Satoru chuckles. “I owe you an amazing, romantic, and extravagant dinner, otherwise my students will find a way to kill me. Plus, we’re going to be disappearing for a while. I got a trip planned. Flight leaves early in the morning.”

You gasp. “What?! But what about work? Or the students? Or the-” 

He interrupts you with a feather-light kiss against your lips. “All taken care of, pretty girl,” he purrs. “Just let me make this up to you, okay?” 

“Alright, but first you need to apologize to the students for wreaking havoc while you were stressed, and buy Yuuji a new brownie.” 

[misscammiedawn]

Time Loops and Dissociation

CW: suicidal ideation, glitchy unreality, overt depictions of self-harm, parental abandonment

This essay contains full game spoilers for In Stars and Time.

You wake up to your alarm at the same time every day. The same view greets you from your window. Same sheets. Same outfits in your closet to get dressed in. Same choice of drinks in your kitchen to put in the same choice of cups. Same 24 hours but a different day. What better way to capture the existential horror of disconnecting from the world than to simply take away the words "but a different day" and make it the same 24 hours.

Time Loop fiction likes to capture the monotony of being caught in a rut. For some stories, like Groundhog Day, the rut could be that of not working on one’s self and accepting the eternal trappings of a never ending moment and not seeking change. For others, like Palm Springs, it is the conflict within a romantic relationship between one partner wishing to grow and find new experience while another wishes to remain in the safety of the known. Others still, like All You Need Is Kill, the conflict is a matter of maintaining one's optimism and drive in a hopeless fight against an antagonistic force that will crush their spirit upon the weight of eternity.

The constants in this genre are the forces of change and stagnation. Exit can be accomplished via self-improvement, it can be accomplished by having the bravery to risk leaving safety, it can be accomplished by killing every last time looping alien until you’re the only one left. But the allegories are always there. Tomorrow can only be attained by growing beyond Today. Change doesn’t happen in a day and as those stuck in a time loop know… a day can be an impossibly long time. And what does a person do during that impossibly long time? Repeating the same acts over and over again, where people become predictable and all the complexity of life has been stripped down until there’s nothing but cold empty and predictable monotony? You dissociate.

Dissociating is the experience of detaching from reality. Dissociation encompasses the feeling of daydreaming or being intensely focused, as well as the distressing experience of being disconnected from reality. In this state, consciousness, identity, memory, and perception are no longer naturally integrated. Dissociation often occurs as a result of stress or trauma, and it may be indicative of a dissociative disorder or other mental health condition.(*)

Every time loop story inevitably includes a segment where the pain of going around and around becomes simply too much to handle and the audience must witness the protagonist's mental health decline in real time. It is the moment in the story when they no longer feel able to connect with other humans, when they disconnect and just succumb to the weight of the eternity that they are trapped within. For most the idea of being stuck in a rut is a horrific thing. People are a social species. We seek connection and we seek change. We actively want to grow. But this is not true for everyone. Some are so scared and scarred by the world that they dare not ruin the safety that they have managed to find. Narrowing one's world down to avoid conflict and danger is a common feature in Complex Post Traumatic Stress Disorder, particularly in those with a tendency to freeze in the face of their emotional triggers.

The flight-freeze type avoids potential relationship-retraumatization with an obsessivecompulsive/dissociative “two-step.” Step one is working to complete exhaustion. Step two is collapsing into extreme “veging out”, and waiting until [their] energy reaccumulates enough to relaunch into step one. The price for this type of no-longer-necessary safety is a severely narrowed existence. - (Complex PTSD: From Surviving to Thriving - Pete Walker)

And that is the heart of any time loop. Safety at the price of a narrow existence.

-

For this essay I want to talk about a piece of media that masterfully manages the time loop dilemma while managing to depict a remarkably strong representation of Complex Post Traumatic Stress Disorder. Today I want to talk about In Stars and Time. Because if I'm gonna highlight a time loop story for my essays on dissociative disorders then I'm going to do the one which has a "Press X to dissociate" mechanic.

In Stars and Time is an RPG Maker game in the stylings of Earthbound and Final Fantasy. The star of the play game is Siffrin (he/they), a silly little one who tells light-hearted puns and has their tongue stuck out in a :3 cat face smile.

As the thief type of the party he leads the group through dungeons to deactivate traps and find keys he can sometimes be bad at his job. They have managed to help the team get to the final dungeon and take on The King who has managed to freeze most of the nation of Vaugarde in time. Their adventuring friends are Mirabelle (she/her), the housemaiden; Isabeau (he/him), the fighter; Odile (she/her), the researcher; and Bonnie (they/them), the kid. Siffrin finds themselves trapped within a time loop. Reliving the same 2 day period as the party make their approach to The King and must defeat him to release Vaugarde from being eternally frozen in time. The game speaks frankly and kindly on many topics beyond mental health and trauma. Among the many rare and beautiful things it organically depicts it has an asexual and an aromantic discussing society's pressure to enter relationships and perform intimate acts, a trans masc discussing the destructive and yet necessary process of transitioning and two expats discussing how difficult it is to integrate their cultural roots (or lack thereof) with the values and expectations of the dominant culture of their new environment. Keep that last one in your back pocket for now. It'll be important for later. This is the last chance to check the game out unspoiled and so if anything I have said intrigues enough then please buy the game (Steam - Switch - Playstation 4 - Playstation 5 - GOG - Itch.io) and enjoy it. The game is about 20 hours at a casual pace (WR speedrun is 2.5 hours) and it has much in the way of hidden conversations and content that can help a person stick around and dig deep to find all the content in the game (but watch out). Go with my blessing and check DoesTheDogDie for content warnings if needed. For those who have played or want to read on into spoiler territory, then please forgive my long-windedness. I've too much time on my hands and have not cultivated the skills or talent to present this as a video for passive enjoyment. Let's begin. The game is split into 6 acts so in the interests of not bombarding with information. Shall we follow suit?

Act 1 - The Stage

The curtain rises and the play begins. Act 1 makes up the first loop from Siffrin's perspective. If not for the time loops then this would be a very short adventure. Siffrin wakes up from a nap in a field as they will every single loop from now on. They are in the final town before the enemy stronghold, one final day to rest and gather their strength and resolve to save the country. The group's leader, Mirabelle, has decided to have a sleepover. One final day, one final dungeon, one final fight... and then it's all over. The world will finally be saved. It'll all be over... Siffrin spends the day speaking to their friends, making a wish on the local Favor Tree to spend time with an ally after the adventure and then it's on to the adventure. Isabeau has something he wants to tell Siffrin but decides it can wait until they have saved the world. Entering the house and moving through the first few rooms all seems to be going well. The party of friends beat their first few enemies and Siffrin is sent to check for traps in a corridor leading into the main areas of the house. He checks and checks and checks and doesn't find anything so...

The trap is activated by feeling safe.

For clarity I wish to say much of the analysis and discussion is our personal read of the plot. Before writing this essay we reached out to insertdisc5 to ask about how they approached depicting mental illness in the game and they responded that it was not a matter of research as she was worried about checking off boxes rather than depicting authentic experience. Which makes it all the more impressive that the game was able to depict so many aspects of Complex PTSD so seamlessly. From Walker's book the primary symptoms of CPTSD are:

Emotional Flashbacks Tyrannical Inner &/or Outer Critic Toxic Shame Self-Abandonment Social anxiety Abject feelings of loneliness and abandonment Fragile Self-esteem Attachment disorder Developmental Arrests Relationship difficulties Radical mood vacillations Dissociation via distracting activities or mental processes Hair-triggered fight/flight response Oversensitivity to stressful situations Suicidal Ideation

Over the course of the game Siffrin displays many, if not all of these. One of the core conflicts of the game is Siffrin's feelings of loneliness and abandonment as well as their inner critic and toxic shame.

Another common trait of those with C-PTSD not referenced in the above list is a sensitive startle reflex. It is mentioned in the same book at a later point, however:

A startle response is the sudden full body-flinching that survivors experience at loud noises or unanticipated physical contact. This is usually a somatic flashback to previous abuses.

I bring this all up now because Siffrin's first death. The cause of the first loop. HIS FIRST FAILURE. Was because he let his guard down. He felt safe for even a moment. This is not a reading or something which can be brought up for debate. On floor two of the house there is a book that explains the traps and speaks of the boulder that landed on Siffrin's head earlier:

Throughout the entire adventure Siffrin will have the toxic and universe validated belief that if they ever drop their guard, even for a single moment they may die. This belief will only get worse as they progress, unfortunately. For those with Complex PTSD they walk through life in a state of hyper-vigilance. Never quite feeling safe. Siffrin died the moment he let his guard down. [Dawn here. This is turning out to be the longest Media, Myself and I article by a wide margin. For the sake of not destroying everyone's timelines I'll put the rest of the game under a readmore. I would so very much love it if you did click on, though.]

Act 2 - The Performance

The curtain rises and the play begins. Again. Much of Act 2 is spent trying to get to The King and defeat him. Mistakes such as forgetting a key on an earlier floor or taking a wrong path will cause Siffrin to need to loop back. All the while inwardly berating themselves for their carelessness, knowing that in a world without the time loops they would have been trapped and unable to challenge The King at all. We are also introduced to Loop, a star who watches over Siffrin during his journey. Loop is in the time loop with Siffrin and can follow his progress, offer advice and comment on everything. Loop is a little disaffected and likes to play things silly and coy and can be a little mean at times. But they say they're here to help Siffrin. As the adventuring friends climb to the final boss we get to see Siffrin's rapport with the party. Siffrin likes to stay on the sidelines and listen in to other people having animated conversation. Everyone is nervous to touch him having universally come to an understanding that Siffrin does not like to be touched. They make fun of Siffrin's poor memory (another common trait of those with dissociative disorders that we will talk about more in time) and they treat one another warmly. However during a bit of banter in a snack break...

(source: ISAT Script Project) Note that Siffrin internalizes the comment "we're not friends." instantly. From this point of the game until a latter moment all times that Siffrin's monologue refers to his party the word "friends" is replaced with "allies". They are so sensitive to abandonment and rejection that the they simply accept Odile's words, not even aimed at Siffrin themselves and internalizes them deep enough that the HUD of the game itself changes to accommodate this belief. It was mentioned at the start that Siffrin is a silly traveler who enjoys puns and makes light of most situations. In battles the game uses a Rock, Paper, Scissors weapon triangle and all of Siffrin's attack names are puns. In the profile menu he sticks his tongue out. His battle image is a playfully confident smirk.

During the game we always have access to Siffrin's inner monologue and can tell how they interpret the world around them but they seldom ever voice their opinions. This allows us to see how often they are convincingly laughing on the outside while hurting on the inside. Siffrin, unable and unwilling to approach their shame and self-loathing and terrified of becoming a burden to their friends allies will deflect whenever he sense that they are hurting.

A person (or dissociative part) may avoid being aware of inner experiences such as feelings or thoughts that might evoke shame. Thus, he or she is not aware of the experience of shame, typically does not acknowledge the negative experience of self, engages in denial, and attempts to distract self and others away from the painful feeling. For example, a person who felt ashamed in therapy might start making jokes or flippantly comment that the session is boring or useless, or he or she might try to change the subject entirely or even switch to another part that has a different agenda. The experience becomes neutral or positive; shame may be disowned or denied, or overridden with joy or excitement in distracting activities (joking around, talking about something else). There is little to no awareness of shame or one’s shameful actions, faults, or characteristics. The motivation is to minimize the conscious experience of shame or to prove that one does not feel shame. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

The other key thing we have come to learn about how others perceive Siffrin is their memory issues. Memory issues are a constant part of dissociative disorders with a lack of childhood memories being a key feature in Complex Dissociative Disorders such as Depersonalization/Derealization Disorder and Dissociative Identity Disorder. If I am being honest about my motivations for writing this essay, while playing it I keyed in on the lack of memories early and assumed it to be an allegory for such trauma. Even made a Tumblr post stating this. On the top floor of the house of change in a secret room and only during Act 2 there is a bit of dialogue where Siffrin speaks about their childhood.

This was the moment we knew we needed to write about this game. What is missing from the text above is that when Siffrin stammers on their words there is a time loop effect. The first one in the game that is activated by something other than a death or the natural end of the loop. Siffrin edits out this conversation so that not even he can remember it.

Amnesia goes far beyond normal forgetfulness. It involves serious memory problems that are not caused by illness or extreme fatigue, by alcohol or other mind-altering substances, or normal forgetting. Amnesia falls on a continuum. People with a dissociative disorder may recall some aspects of an event but not other essential parts of it. In some cases all memory for certain events is unavailable for conscious recall. Some people with a dissociative disorder describe their memory as being like “Swiss cheese holes,” “foggy,” or “full of black holes.” They may suspect that something happened, or may have even been told by others that something happened to them, but have no personal recollection of events and often feel afraid to think about them. People may have amnesia for longer periods of time during which normal life events took place, for example, a person may report being unable to remember anything from the fifth grade, or from ages 9–12. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

Instinctive use of time travel to edit out parts of a conversation that a perspective character does not wish to accept or confront is a fantastic allegory for how dissociative symptoms manifest. When a person or dissociative part stumbles too close to a severe trauma trigger. To speak from personal experience it is a moment where in a conversation a question comes up and the answer feels wrong in your mouth. Like you just lied. But you know you didn't intend to lie... so of course you interrogate the piece of information and the wall of confusion that hits can make a person feel truly powerless. Like you're not even certain of what you are saying anymore and a mixture of shame and fear flood in and tell you to stop talking, stop lying, stop exaggerating, stop speaking, stop, stop, STOP. Poor Siffrin shouldn't have their memory made fun of. But... his friends allies don't know. Do they? How could they? Siffrin doesn't speak up and when he does it tends to be a showy performance of being light hearted and silly so no one can see how hurt he is. Because if he does try to be honest... well. You saw what happened when they tried to open up. Through hard work and persistence the allies loop enough times to gain the knowledge and strength to win against The King. The King's first attack will force the allies to see a vision of the future and without a special magic shield will kill them in a single strike. Siffrin stays determined and prepares his allies. Helps them become stronger. Helps them win. The world is saved. Everyone in Vaugarde is released from the time freezing spell... But something's wrong... Siffrin is given a chance to talk to everyone as they all happily speak about what they'll do now that the country is saved but no matter what happens. Isabeau attempts to confess the thing that he wished to tell Siffrin if they won but is interrupted before he can get the words out, much to Siffrin's annoyance. The world is safe. All is well. It shall return to normal soon enough... only thing to do is speak with the head housemaiden and accept the praise and thanks for all the hard effort in saving Vaugarde... Then world starts to fall apart and... The second act comes to an abrupt close.

Act 3 - Family and Culture

The curtain rises and the play begins continues. The loop begins with Siffrin back at the start, even though the day was saved. Simply killing The King must not be enough. There must be a reason that the loops are continuing, even after Vaugarde is saved. The only way to understand is to find out more about why The King is able to freeze the country in time and if it has anything to do with why Siffrin can loop back. Speaking with Loop, Siffrin recognizes that as long as there are ideas and leads to explore then giving up is not going to happen. Loop seems reluctant to encourage Siffrin to continue, in fact Loop seems doesn't appear surprised by the time loop continuing at all. Loop is an interesting character and deserves an article unto themselves. We should focus on Siffrin right now.

Their first order of business is to attempt the Golden End exit route. It worked for Bill Murray, why not in this situation? Simply work out a way to make everyone have a perfect loop. Saving the world isn't enough. Siffrin can solve everyone's problems. Here we learn that Bonnie, the kid, harbors a deep well of shame for allowing Siffrin to be blinded in an eye while protecting them earlier in the adventure, before the loops. Siffrin, true to their dissociative nature, did not even remember the event. Siffrin also spends quality time with the adults in the party. Always hoping Isabeau would be brave enough to confess this loop. On this journey up the house of change the team are closer and more caring. No one makes fun of Siffrin for bumping into the counter. Siffrin discovers that the other party members have noticed his breathing exercises. Very helpful for those with dissociative disorders, by the way. They ground the body and allow one to ease somatic symptoms by soothing the nervous system and preventing activated sensations worsening symptoms. As they get closer to The King the warm and familial banter continues with Odile using the word 'friend' out loud. A guarded Siffrin allows themselves to confront Odile on saying that they were not friends (something she did not even say this "Golden" loop) and through an awkward but kind conversation she confesses she, a Too Old For This lady cannot feel comfortable calling a group of people with a pre-teen "friends" but she can perhaps call them "Family" The menu updates. Siffrin's Allies are now Sif's Family Members. This remains true in all the menus no matter what happens in any loop. But in this moment, there is a golden ending. There is joy. Though Isabeau is unwilling to discuss his confession when Sif is feeling vulnerable. They need to have a Feely-Feels talk. Sif hates the idea of a Feely-Feels talk. Yet, even still... In this moment Sif is loved.

Many people with Complex PTSD have attachment wounds from their family of origin. The concept of a found family is common among survivors, particularly in those who choose to go Non-Contact with the family of origin. Others, like Sif, have lost their family to tragedy and simply have no roots to return to. The role of a chosen family is vital in the healing journey. Survivors can become aggressively attached to those who they view as chosen family and are often activated by the concept of another loss. The wounds of losing one family enough to have massive impact on how the survivor handles relationships going forward. It is why unstable relationships is listed as a symptom of CPTSD and why there is such a big overlap of CPTSD and BPD diagnosis.

There’s no way around the fact that on the journey to finding your chosen family, you will get hurt. People you thought would be there for you will abandon you, people will decide they no longer have the emotional capacity to hold space for you, and… people who made promises to be by your side will betray those promises. That’s not anyone’s fault. It’s just life. Not everyone belongs on our journeys, but… when you find the right people, don’t let go of them. Nurture the relationships, reciprocate the support, and above all, respect the myriad of ways that people can and will show up for you. - (The Role of ‘Chosen Family' in Trauma Recovery - Monika Sudakov)

Sif is desperately attached to the Family Members that they travel with. In many ways the only reason they can endure the time loops is to protect them. Any time there is a prompt which threatens these relationships Sif's monologue insists that they will not abandon the script that ensures their safety and happiness. Yet despite all this power of love and Family, the loops continue. Which is fine. Golden Ending was a long shot anyway. Clearly it has to be related to The King and it's power to stop time. It seems to know the mysterious art of Time Craft. Talking to The King will help. The answers are still attainable and now Sif has a Family. To get the information required to learn about Time Craft and The King one must interact with as many books and items in the house of change as possible. In doing so we learn more about Sif and their history. By this point in the story the concept of croissants has come up a number of times for the party. In the opening town Sif has the option of buying one from a bakery and gives an uncharacteristic scowl. When they are spotted in the house Sif tends to duck out of conversations, not caring to listen to people talk about the pastry he loathes so desperately. He jokes about it and obfuscates but Sif hates croissants. With a burning passion. There is literally a food that can kill him in the game (he is allergic to pineapple and can die on a banana plantain peel) but his ire always turns towards croissants. Croissants are an emotional trigger for Sif. They harbored such a deep hatred of croissants that when, in Act 4, he is pressured to tell everyone what he wished for at the start of the game he says that they wished for croissants to disappear forever. Sif's reactivated trauma is related to croissants. Up until now he had been living his life blissfully unaware of his dissociated experiences and yet a croissant cracked the amnesia barriers that kept him safe and now each time he sees them they cannot help but be reminded of "The Incident". By examining the Silver coin in their inventory a number of times one can see "The Incident", a moment that happened days before the plot began which informs Sif's entire emotional state throughout the game...

(source: ISAT Script Project) Note the time skip at the tail end of that sequence. Sif was thinking too heavily about the trauma again and skipped time to avoid thinking about it. Dissociative barriers. He literally cannot think about it. The universe won't let him. Sif's home isn't there anymore. In the canon of the game where reality can be rewritten on the whim of a wish, the country that Sif comes from was wiped off of the map and all knowledge and memory of it has been erased, even from those who lived there. Sif's trauma is that he lost his home. His family. Everything and everyone that he ever knew. Through traveling with his family members he has gained a slither of the emotion, comfort, connection and safety that he lost and in being reminded of all that he lost so close to the end of their journey he was reminded he can and will lose it all again and the thought is too terrifying to process. This is the core conflict in Sif's heart for the entire game. The more they interact with memories of the destruction of his homeland the more keenly aware he becomes of the fact that the quest will end and his family will go their separate ways and abandon him. They have no home to return to when this is all done. CPTSD is not currently recognized by the DSM-5. An official diagnostic description can only be found within the ICD-11. On the ICD-11 page for Complex-PTSD there is a specific segment for "Culture Related Features" that reads:

Cultural variation exists in the expression of symptoms of Complex Post-Traumatic Stress Disorder. For example, somatic or dissociative symptoms may be more prominent in certain groups attributable to cultural interpretations of the psychological, physiological, and spiritual etiology of these symptoms and of high levels of arousal.

Given the severe, prolonged, or recurrent nature of the traumatic events that precipitate Complex Post-Traumatic Stress Disorder, collective suffering and the destruction of social bonds, networks and communities may present as a focal concern or as important related features of the disorder.

For migrant communities, especially refugees or asylum seekers, Complex Post-Traumatic Stress Disorder may be exacerbated by acculturative stressors and the social environment in the host country. - (ICD-11 for Mortality and Morbidity Statistics)

We do not learn much of Sif's culture of origin but we know that they were in tune with The Universe, that they had spiritual aspects that allowed them to use Wish Craft and follow when fate leads. Act 3 is an info gathering quest on The King's motivations and we discover that King and Sif both hail from the same country and have lost all their social bonds, networks and communities and cannot even recreate the specifics of their culture. It has literally been erased. No culprit is ever named for this atrocity but from Act 3 onwards Sif mourns this lack of roots and via the power of the magic that prevents anyone from remembering the country they cannot mention this tragedy to anyone. Though Odile is able to infer it. Odile is also an immigrant to Vaugarde, her mother was from Vaugarde and her father from Ka Bue. Her mother abandoned her and Odile's quest in Vaugarde is to find parts of her history within the foreign land and fill in the parts of her soul that she feels are incomplete from the lack of her mother's presence and history in her life. In Act 3 the two bond over it as part of Odile's "friendquest", in Act 4 and beyond Sif's inner monologue seethes with bitterness and envy for Odile having connections. The initial connection of them both being foreigners in an accepting land caves to the pain of loss that consumes Siffrin whole.

(source: ISAT Script Project) What's worse is that some of the things that the family members joke at Sif about for being too forgetful to know the words "Kiln" "Pottery Wheel" or "Stuffed Animal" (though they do remember on some loops) become less about silly forgetful Sif letting incidental information slide out of their dissociative mind. It becomes making fun of a person speaking a second language and not having complete mastery over it. By Act 5 Sif has no patience for the playful jabs because they happen every single loop and they hurt. Minimizing is a lot harder in a time loop. Every small moment of tiny pain repeats again and again. Every time Sif bumps their hip on a counter the party laugh at him. Well... except for the time he screamed at them for it... or the time he collapsed into a defeated pile on the floor on the verge of tears. Heaven help me if bumping into a counter hasn't been the last straw to break my facade when the weight is too much to carry. Poor Sif... As Sif learns more about Time Craft and the country that both he and The King come from, Sif starts to gain an understanding of The King's motivations. After losing one country he couldn't bear to risk losing another home. Vaugarde was so kind to him and took him in and he wants it to remain perfect and safe forever. Frozen in time like a photograph. Now that Sif has come to recognize how important his Family Members are to him, they understand. To have people you love and consider Family is so important and the idea of losing that is simply unspeakable. It is a fate worse than the time loops. By now Sif has done the Golden Ending a time or two...

He understands why The King would do this. The final loop of Act 3 allows Sif to attempt to convince The King not to fight. The pair have attempted to bond over their roots, they have tried to force The Universe to allow them to speak the name of their nation (but it refused to be said) and now Sif wants to try and use understanding. The King agrees. He stops the fight. Asks Sif to come to his side and... Then he freezes the Family Members in time. He understands now that Sif is using Wish Craft to fight him and he cannot win on traditional terms so he decides to carve it into Sif's memory, a reminder of what happens if he continues defying The King's will. He picks up poor little pre-teen BonBon... and FORCES SIFFRIN TO WATCH AS HE CRU-

Act 4 - Shame Spiral

The curtain rises. The play begins continues. And Sif is not okay. They witnessed the game break the well established rule that the kid was not able to be hurt. Even in runs where you lose to The King Bonnie always gets away. The Family will always go out of their way to ensure The Kid survives. It's happened so many times by now one doesn't even think to question it... And the player had to watch. There is no avoiding that event. Sif will lower their guard to speak with The King and offer compassion and trust to someone they thought of as a kindred spirit and no sooner had they laid down their arms for a moment they were punished for it. Brutally. It's the rock again. Feel safe, even for a moment, and it comes crashing down to crush with full weight... only this time it's not the Sif taking the hit. Sif can take all the hits in the world. It was BONNIE. Someone else was crushed because Sif trusted. From this moment on Sif's intrusive thoughts become louder and meaner. Look above at the conversation with Odile about her roots and notice the changes between Act 3's inner monologue and Act 4's. By this point in the story Sif is losing track of how many loops they have gone through. Unless you keep your Memory of Self equipped you will find that any time you loop forwards or backwards the loop counter will jump up by leaps. Sif is so numb to the cycle by now that they're just dissociating through iterations of the time loop. Other times he 'blacks out' bits of time include sleeping at the clocktower. We learn that he never ever sleeps at the tower. He just blacks out and comes to at the house ready for the next run. All Sif can remember is what the player sees. But stuff does happen besides that which we see. It's not just the amount of time that Sif has been in the loops that is causing this degradation of mental health, though. It's the continuous activation taking a toll. When a person is continiously hyperaroused they become disaffected, chronically dissociated and begin experiencing somatic symptoms. Headache, stomach ache, exhaustion with no ability to sleep, hunger without ability to eat. At this point of the story Sif is constantly hungry and is not sleeping at all. The primary cause for this is the attachment trauma being continuously triggered. Where in early acts it was a matter of worry over losing his new family while being reminded constantly of losing his old one, now he is reminded of allowing his family to die because of his actions. The shame spiral claims him and his emotions become wild, even if he is not able to express them outwardly. This level of emotional sensitivity is a primary symptom of Borderline Personality Disorder. The similarities between CPTSD and BPD are enough that much of the discussion around the potential for including CPTSD in the next revision of the DSM centers around whether it should replace or be combined with BPD. The Foundation for CPTSD writes on the topic:

At one-time, complex post-traumatic stress disorder was proposed as an alternate form of borderline personality disorder because of the shared link to severe childhood trauma. The jury is still out to recognize CPTSD as a diagnosis in the DSM, but it is believed that the symptoms and causes of BPD and CPTSD overlap substantially, but it is not warranted to replace one diagnosis with the other or conceptualize CPTSD as a subtype of BPD. Borderline personality disorder and complex post-traumatic stress disorder are commonly found together, with between 25% and 60% of people living with BPD also having CPTSD. Complex post-traumatic stress disorder is listed in the 11th edition of the International Classification of Diseases (ICD-11), and this has spurred research differentiating the two disorders. Evidence suggests that CPTSD and BPD may represent a continuum of the stress response, and both seem to have a component of dissociation involved. The most significant difference between the two diagnoses is when they form. CPTSD typically forms in early childhood, while BPD forms during early adolescence. Having both CPTSD and BPD makes life difficult, to say the least. - (CPTSD Foundation)

BPD is a personality disorder categorized by attachment wounds. Part of the diagnostic criteria includes "Frantic efforts to avoid abandonment, whether it is accurate or not, by family and friends" It is safe to say Sif feels this way about their family. They lost their entire home, their history, their family of origin. They cannot conceive of losing the family that they have gained. The concept is simply too painful for them to consider and so emotional and dissociative barriers force away anything which could potentially bring the topic of losing them to mind. Heaven knows we can understand the impulse... But since being directly responsible for failing the promise they made to protect Bonnie this is no longer a matter of fear of the unknown, it is shame in having failed to keep a promise to protect. This shame grows and cripples Sif's emotional regulation, leaving them prone to volatile outbursts of their repressed rage. Either forcing it inwards on the self or outwards on others.

When you feel chronic shame, you believe that no amount of punishment or corrective actions would be sufficient, and you are unable to forgive yourself or have any empathy for the terrible suffering shame brings to you. It is as though chronically ashamed people have received a life sentence of shame with no hope of parole, even when they are unsure of exactly why they are bad. In fact, some people will say there is no particular reason they are bad and unworthy: The mere fact that they exist and take up space on the earth is shameful enough. They believe they are not worthy of living and do not deserve anything good. In such cases, shame is an emotion of hiding: The last thing an ashamed person wants is to be open, vulnerable, and seen by others. Thus, it is an emotion that often is not addressed sufficiently in therapy, even though it is a major impediment to healing. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

Act 4 is about learning the origins of the Wish Craft that rewrites the universe and allows for Sif to use Time Craft. We learn that any time they are upset they will instinctively rewrite history to prevent the things that they fear from coming to pass. This includes moments when their anger gets away from them and they lash out at their family. Some optional scenes include forcing Isabeau into a kiss or screaming at Odile when she knows too much and tries to help Siffrin. Any time these outbursts happen time rewinds and only Siffrin is left with the knowledge that they happen, deepening the growing well of shame. All the while Sif feels more hollow in the interactions he has with his Family. In forcing them to be their best selves via the "Friendquest" events every loop he starts feeling like he is manipulating them. Where he felt loved the first few times he now accuses himself of forcing them to love him.

To the degree that our caretakers attack or abandon us for showing vulnerability, to that degree do we later avoid the authentic self-expression that is fundamental to intimacy. The outer critic forms to remind us that everyone else is surely as dangerous as our original caretakers. Subliminal memories of being scorned for seeking our parents’ support then short-circuit our inclinations to share our troubles and ask for help. Even worse, retaliation fantasies can plague us for hours and days on the occasions when we do show our vulnerabilities. I once experienced this after being very honest and vulnerable in a job interview with a committee of eight. Over the next three insomnia-plagued nights, my outer critic ran non-stop films featuring my interviewers’ contempt about everything I had said, and disgust about all that I had left out. Even after they subsequently and enthusiastically hired me, the outer critic plagued me with “imposter syndrome” fantasies of eventually being exposed as incompetent in the new job. - (Complex PTSD: From Surviving to Thriving - Pete Walker)

It doesn't matter. Sif tries everything. Learns all the things that they can learn. Explores all the hidden areas of the house of change. Nothing matters. It's hopeless.

And with each loop The King's attack shows Sif a vision of the future. What do they see? Endless looping or... does Sif see the future beyond the loops? After the party return to their various homes? Act 4 ends with The Head Housemaiden, the only one who could have potentially held answers telling Sif outright that there was no escape... Before the loop begins anew.

Act 5 - Curtains

[Hello there. It's me, Dawn. I'm pausing the essay and dropping the cute little play structure to reiterate the Content Warnings from the start of the post. During Act 5 there are options to commit self-harm that a player may stumble across unintentionally. During previous acts one has to work exceptionally hard and against the game and characters within it to unlock a means of self-harm and it is unambiguously seen as a bad thing. In Act 5 there are no external forces to comment on Siffrin's actions.] The curtain rises. No point in wasting time. Get the actors. Make them strong. Beat the king. Do it right this time. Unfortunately our star has lost all of the mental fortitude they had. They were so strong for so long but there is only so much a person can take before they let the anger win. It is all too common for people with significant trauma to harbor resentment and anger in their soul. It sometimes remains repressed under layers of emotion numbing dissociation, it sometimes turns inwards into self-destructive acts and viewpoints and it sometimes turns outwards into explosive acts of physical or emotional violence. But it's there... lurking within the injustice of all the pain a person has felt.

When you have experienced a trauma, anger often becomes the central emotion that you feel. Angry thoughts about revenge may consume you. According to Enright and Fitzgibbons (2000), your anger is more destructive if you focus it on another person or people; it is intense, even in the short term; it leads to a learned pattern of annoyance, irritation, or frustration with others who are not the source of your anger; it is extremely passive; it is extremely hostile; or it is developmentally appropriate for someone much younger than your actual age (e.g., you act like a two-year-old and have a temper tantrum). - (The PTSD Workbook Mary Beth Williams)

and so... with the 5th act of our play about to begin, the star wakes in a familiar meadow for what may be the hundredth time... and they simply cannot take it anymore.

The actor on stage has reached Rock Bottom and likely unlocked the skill Rock Bottom to go with it, though they are beyond the silly puns now. Rock, Paper, Scissors, Breathe or Heal. Just get to The King. Just kill it. One. Last. Time. The GIF above starts with the line "YOU WANT YOUR FAMILY BACK!!! NOT THE FICTIONAL CHARACTERS THAT HAVE TAKEN THEIR PLACE!!!" Up until now we have only spoken about dissociation in terms of zoning out or blocking out memory. I now want to talk about Derealization and Depersonalization. DPDR has been a subject of other Media, Myself and I essays, most notably our discussion on Night in the Woods. To be brief about it for this essay Depersonalization is a detatchment from one's sense of self and Derealization is a detatchment from reality. Our star has become so disillusioned with the endless looping that they no longer view their surroundings as real. The people in their life are just actors in a play that they are directing. Everyone says their lines. Even the star must say their lines. But there's still some stage direction. Some purpose that our hero must fulfill. They know that there is a chance if they can just kill the king without Mirabelle landing the final shot. Then. Maybe... In their disaffected state and unable to convincingly perform their lines in the play, our star manages to upset everyone else on stage causing them to doubt if it would be safe and productive to continue traveling with such a horrible disgusting unreliable stupid person. This causes the final act to be a solo performance. One final walk through the house without friends allies family actors to help. At the clocktower the other actors talk about our star and are uncertain if they can trust them any longer. Our star reacts by rejecting them entirely and going it alone. There is a concept in BPD called Splitting in which a person devalues or exaggerates the value of an individual in their compromised emotional state. It can cost a person relationships if they act out of these temporary emotions. At the start of Act 5 the actor manages to scream at the kid for getting in danger, calls the fighter a coward and mocks the researcher for her mother abandoning her. The individual, so desperate to shield their wounded heart, pushes the people they love away because their proximity is too close to their open wounds and they push away to maintain space. This is particularly true in those who struggle to create healthy emotional boundaries. This game is such a god damned call out at times. As the actor climbs the house everything is broken. The universe itself is trying to maintain the reality of two wishes that it needs to make a reality. "Save Vaugarde" and the one the main character wished for in Act 1. Do you remember what it was? The Universe cannot allow Siffrin to remain with their Family Members if they run off alone and reject them. The Universe simply cannot accomodate such a reality. Everything is falling apart. What proceeds is the ISAT equivalent of a Genocide Run in Undertale. Everything is broken and wrong. Rooms are breaking the collision boundaries of a video game, textures are cut wrong, doors lead to the wrong location, time is looping without rhyme or reason. And the menu is blunt. You cannot change your equipment, now stuck with Memory of Emptiness with the description (Nothing comes to mind, hahahahaha!) Some rooms contain hallucinations that make our star feel more abandoned and empty and mournful of their situation. In rooms where they would normally receive a modicum of physical comfort brushing against the other actors there is nothing now.

(Aaaaaaah…) (You rub your arms once, twice, thrice.) (Your throat tightens) (You feel like you're floating in your own body.) (If only someone would touch you to make sure you're real! Someone, anyone!)

This is an example of extreme depersonalization. Also the garden has a table with 4 healthy plants and 1 dying plant to the side. Our star notices it and it acts as a visual indicator of the barriers between the director and their actors. Some of the other rooms on the Act 5 climb depict overt self-harm...

It can be understood as a substitute action for more adaptive coping that attempts to deal with a variety of overwhelming problems, many involving too much feeling (for example, loneliness, abandonment, panic, inner conflicts, traumatic memories) or too little feeling (numbness, depersonalization, emptiness, feeling dead). Self-harm is thus often related to the need for regulation skills, that is, finding ways to modulate and tolerate unbearable inner experiences, such as painful emotions, or traumatic memories (Gratz & Walsh, 2009; Miller, 1994). Some people harm themselves in secret and carefully hide the inflicted wounds from others. Other people harm their bodies in places that are visible to people around them. (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

The shame only increases upon doing these optional (but distressingly unprovoked) actions. Honestly, if I had one criticism of the game and its depiction of mental health it is that there is no way to know that looking at the cupboard with the eye patch conversation would cause a self-destructive action. As someone with extreme sensitivity to depictions of suicide and self-harm I felt that having no agency or warning over that (I had no reason to assume this would happen. Any other form of self-harm requires selecting a menu option. This one jumps out at a player unexpected) was... unfair. It is noted in monologue that breathing exercises no longer work by this point of the narrative and due to not being at the clocktower our star is proceeding with no food and no sleep. Their already bottomed out mental and emotional state is in sore need of external intervention. Something the actor both desires and rejects in equal measure. Upon finding and fighting The King our hero is frozen in time and locked in a dream. Placed face to face with their worst fears and worries of how their actors Family would perceive them.

(source: ISAT Script Project)

After the screen stops being blurry and the player wipes the wet spots off of their Nintendo Switch. The fear of being perceived. The fear of being seen as manipulative. Being seen as insincere. Being seen as lazy or too afraid to change. Callous. Aimless. Manipulative. So many survivors have these negative scripts and inner critics. Caught in their cycles. Their own little loops. But there's still hope. Family. The chance to be vulnerable. The game concludes with Sif's Family saving him from The King. But even though The King's spell is broken and the people of Vaugarde are unfrozen the sky has a giant red crack in it. Sif's wish is still tearing the world apart. Realizing that when the quest is over everyone will go home Sif has their temper tantrum, becoming the final boss in which every move is a choice to either lash out at the party or lash out at themselves. A boss mechanic version of the final embers of a violent extinction burst. That is to say a person who does not have control over their ability to maintain a sustained behavior will lash out and attempt to assert control in order to prevent losing the conditioned routine.

An extinction burst is characterized by a temporary increase in the frequency, intensity, or duration of behavior being extinguished through operant conditioning. This phenomenon occurs when the reinforcement for a previously learned behavior is removed, leading to an initial escalation of the behavior before it decreases and eventually ceases. While not all instances of extinction involve such bursts, they are observed in some cases, particularly during the treatment of problematic behaviors. Extinction bursts can complicate the treatment of behavioral disorders, as they may temporarily increase undesired behaviors like aggression or self-injury, making it challenging to assess the effectiveness of interventions. (*)

In this case Sif is lashing out because he has no way of preventing his Family from going back to their lives. It's a destructive and unhealthy mechanism. The fight ends with everyone refusing to let Sif run away or hide anymore. He is forced to admit that his wish was to stay with everyone. That he didn't want the family to go away. He opens himself up to the vulnerability of being seen of being understood and yes, even potentially rejected. The Family agree to travel together at least long enough to get Bonnie back to their sister. But there are no guarantees what happens beyond there. There is love. There is acceptance. There is honesty. There are no more time loops. Maybe now, finally... there can be change. Growth. Tomorrow.

In time loop fiction everything eventually loses meaning. There are no permanent consequences, no external pressures, nothing inherent to strive for, no meaning but what the protagonist(s) give themselves. The option to just accept things and remain is always there as Andy Samberg's character in Palm Springs does. The option to never stop trying to escape is there for those like Keiji in All You Need Is Kill.

The brilliance of In Stars and Time is that there are two wishes that are influencing the universe. The wish of the people to save Vaugarde from being frozen in time and Siffrin's wish to remain with his family. Change and Stagnation. That's what it always comes down to in these time loop stories and the conflict in this game is that those two forces are playing against one another. The only outcome was to give up on one or the other. As we'll learn in Act 6 there is no reality where Siffrin gets to stay with all 4 party members. They will have to separate at some point. Accepting change is accepting that things can and will and do end and life will go on and you have to be okay with it. Many of our essays have focused on representation that includes a healing journey from Ange Ushiromiya accepting the circumstances of her tragic past to Elliot Alderson's 4 season long representation of trauma therapy for dissociative clients. I think the thing I love about In Stars and Time is that it's the long and arduous process of a chronically traumatized individual asking for help. It's the first step on the healing journey. Acceptance. Siffrin spent the entire game in denial and rejection, making jokes and pushing things aside. Our long and hard journey was just getting to the point where they were able to recognize and admit it. And I really hope that Sif and their family members will be okay. I wished on my leaf for Sif to see Ka Bue with Odile. I hope they get to go. But as insertdisc5 says when asking any questions about what happens next "it's your turn" -

Stars that was a long one. Thank you for sticking with me if you read the whole thing. We like to write these essays as a matter of helping our study on dissociation (we, ourselves, are a DID patient and reading and comprehending this material is essential to our recovery and treatment) and providing a little insight to bits of media that are positive examples of what we go through. If you enjoyed always feel free to leave an ask or leave some silly tags. I never care if I get a flop post as writing is its own reward but the encouragement is good for my ego <3

Special thanks to @insertdisc5 for answering when I reached out for comment on the writing of this essay. The reply was helpful and encouraged us to take our time and write this with extra care. (In Stars and Time can be found on Steam, Itch, GOG, Nintendo Store and Playstation Store. The Prologue Game can be found on Steam and the Start Again comic on insertdisc5’s website) Media, Myself and I is a series of Tumblr Essays for positive depictions of dissociative disorders. Other essays include: A History of Murder Alters Discworld and Plurality Incidental, intentional and accidental representation Gender, Dissociation and Clinical Stigma in The Third Person Recontextualized Memories in Umineko Derealization in Night in the Woods and Metal Gear Solid The Dangers of Hypnotic Personality Play in Penlight System Origins in The Incredible Hulk Relationships with Systems in The Incredible Hulk The Healing Journey in Mr. Robot

...wait... what happened to Act 6?

I did say Loop deserved their own essay, didn't I?

[enhard]

lee heeseung — “bullseye”

pairing: loser roommate!l.hs x fem!reader

cw: smut, loser hee i can’t stress this enough, lowk a pervert and dirty minded, very very down bad but jealous af, lots of masturbating, usage of toys, stealing your underwear, mentions of nudes, he’s a virgin, cute breeding kink for my boy (ᗒᗣᗕ)՞

hee is the biggest loser in enhypen. try to change my mind.

@hoseokteardrop you gave me a brain itch (。ˇ ⊖ˇ）♡

not proofread ! (MDNI)

you always knew your college roommate was a loser, he played games all day and night in his dorm, never attended parties or outings. you liked him as a friend though. he’s sweet.

if only you had known that he would think about you all the time, whenever you came back home from a college party with a dress shorter than usual, he couldn’t help but quickly excuse himself to the bathroom just to fist his cock thinking about you.

he can’t stand it. he can’t accept seeing you in clothes so revealing going to parties where other men are there. why would you need attention from other men from campus? isn’t he enough?

he likes you. a bit too much. he’s horrible at flirting though. he has no experience in relationships or intimacy it’s pathetic.

“fuck, i’m cumming” is all that echoes through his room late at night, hoping to not wake you up.

he’s a virgin, hoping that you would be his first, but at the same time he’s terrified that he will do something wrong and you’ll hate him forever.

he would offer to do the laundry, just to look at your underwear, imagining you in it. how the panty straps would hug your hips with your skin glowing so bright.

he would steal some panties from you just to fuck them when he was feeling needy. you haven’t noticed they were missing to this day.

when you weren’t home, he would quickly go to his desk, pressing away at the pc to find his favourite videos. he would close his eyes imagining that those sweet sounds were all yours.

he wishes he would get at least one nude pic from you, but he never got it, obviously. that was one of the things he dreamed of at night, simultaneously something that kept him up at night. he needed your body. he needed you.

he wanted to breed you. he wanted to fuck his cum into you. he wanted to paint your pussy with it instead of a tissue or his abdomen. he wanted to fill you up so good, every time you talked he was fantasising about filling up your pretty mouth with his cum. he couldn’t help it.

you wondered why so many packages came through the door and why he was so strict about you not touching them. you respected his wishes, but now you wished you had opened them.

he would buy so many toys and gadgets for him to try out, he could open up an entire account for posting not-so-innocent videos of him relieving himself with them.

from different pillows, to rubber toys, fleshlights anything you could think of. he had it.

he knew he was dirty but not himself, oh he was clean compared to other college guys. his room was a mess though. but he never ever let you see all of those toys, he kept them nice and locked away.

one day you were at the dorm, feeling it in your room. you just got that urge. you felt needy.

you didn’t have a boyfriend or friends with benefits to call, so you decided to do it solo.

you had some hot but horrible boyfriends in the past, none of which you wanted to think about right now.. so who would be better than your loser gamer roommate?

“i know he’s crazy, but he’s also crazy hot.” you thought. he might be a nerd but he’s also so attractive it’s perfect.

you travel your hand down, rubbing yourself through your panties. it doesn’t take long before you stop to take your panties off and insert your fingers inside. you close your eyes, imagining that your roommate is fucking you right now.

you start moaning out his name, those noises sneaking through the halls. you thought he wasn’t home, but as he was walking across the hall, he could hear your moans.

as he stops by your door, luckily for him it was ajar, he sees you shoving your fingers inside.

he thought he was dreaming, getting so excited over the sight. someone pinch him.

he licked his lips seeing a slight hint of your pussy he wanted to fuck. he wanted to claim it like it was his.

at one point, you stop fingering yourself to take your top off, exposing your tits with a bounce.

he almost moaned on the spot seeing those tits. oh how he wishes he could touch them.

he promised to himself that he’ll suck on them so good it’ll leave you weeping.

he promised that he would fuck you so good it would leave you craving for more and more.

he wanted you to ride him, your tits bouncing up and down with each move. his favourite position.

once you start fingering yourself again and moaning out his name, he leaks precum through his pants, getting a painfully hard dick, oh how he wished for this.

he takes out his cock right out his pants, stroking it and abusing his swollen tip while staring at you.

it felt good. way better than it normally felt. he was doing good at keeping quiet until you let out the hottest moan he’s ever heard, that tipped him off the edge. his moan followed yours and you instantly stopped what you were doing to stare at the door.

with a confused look on your face, but way too horny to scold him, you sighed.

“hee..? come in. please.” you breathe out.

you can see him walking in, with his cock still out. you slightly smile, seeing at how desperate he was for you.

“come here, let me give you what you want.” you say, seeing a cute stupid smile plastered on his face.

he comes up to you just to pull you into a kiss, and to pin you under him. but he clearly didn’t know where to rest his arms so you softly laugh at him. “is this your first time?” you say smiling.

he nods, visibly embarrassed by it. you find him adorable, and the thought that he’s a virgin makes you even more excited. he doesn’t know what he’s doing but you’re there to teach him.

“that’s okay, don’t be embarrassed. i’ll guide you.”

he smiles. he knows he just hit bullseye.