#even when most of those people are there for the wrong reasons

[itneverendshere]

LOVED YOU AT YOUR WORST - r.c series - SIX

pairings: ex!sweethearts; rafe x thornton!reader; rafe x sofia. chapter warnings: mention of pregnancy; abortion; lack of self-care; drug and alcohol addiction;

Rafe had been clean for the past three years.

Over the course of the year, things between him and you had been smooth sailing. 

It was almost easy, something he wouldn’t have believed a few years back when everything he touched seemed to go up in flames. There’d been a time when he was just too much—angry, impulsive, doing all the wrong things for all the wrong reasons.

He’d been selfish, reckless, it was intense, way too intense, and when you fought, it was like you were both throwing grenades, just waiting to see who’d blow up first. You’d pushed him away, he’d pushed you harder, and you’d both crossed lines that should’ve never even been close.

Eventually, both of you learned to talk instead of shouting, learned when to back down instead of pushing buttons just to get a reaction. You’d gotten better at letting each other breathe. He’d pull back when he felt himself getting heated, and you’d do the same.

It wasn’t perfect; sometimes you’d still get into it, still end up in an argument that felt like old times, but it was different. There were no more lines on the bathroom counter, no disappearing at all hours. 

Until Ward died. 

Rafe didn’t know what the fuck to feel when he got the news. He knew what he was supposed to feel, right? He’d done it before with his mom, now it was his dad’s turn. The man who had raised him, the one to teach him everything he knew about how the world worked, even if it wasn’t pretty. 

Ward was a hard man, a strong man. The kind of guy who commanded respect, even if he didn’t always show it the way others might expect. But that’s the thing, he was a man of respect. 

To Rafe, that meant something. Everything. 

Ward had shaped him, he couldn’t just forget that, couldn’t act like that wasn’t important.

At first, you were there for him, no question. 

He knew you hated Ward, you barely tolerated the thought of him even existing in the same room as you. You spent those first few weeks with him, making sure he didn’t spiral back into the shit that nearly destroyed him. He needed the support, even if he didn’t always know how to ask for it.

You were there, holding it down. You got through it, the late-night talk, but then, you started getting distant.

At first, it was subtle—small things. He’d catch you looking at him like you didn’t quite get him anymore. You’d pull away when he needed you to listen, when he was ranting about Ward, and even though you tried to hide it, Rafe could see the dissociation.

He pretended he didn’t sense it, tried to tell himself you’d come around. 

After all, this was his grief, and no one else was going to understand it the way he did. His dad had been everything to him—maybe not in the way you thought he should’ve been, but that was just the reality of it.

For the first time in years, it felt like you weren’t there with him. It didn’t make sense to him how you couldn’t see it. 

Ward had been a tough guy, sure, cruel sometimes, but he was also a provider, a father who tried to teach him how to survive, even if it didn’t always come wrapped in the right way.

He wasn’t perfect, but he was the only father Rafe had ever known. He was gone all of a sudden and that was what had hurt the most—knowing he’d never get the approval he’d always been chasing, even when he was clean, even when he was doing better. There was no fixing that. 

He wanted to mourn in peace, but no one seemed to understand why Ward still mattered to him, not even Sarah.

Three weeks after the funeral he spent his days surrounded by a few bottles of scotch he’d stolen right out of his dad’s stash. Who was gonna stop him now, anyway? He almost laughed. Three years clean. Shit, that was something, wasn’t it?

He’d had people telling him he wouldn’t make it three weeks, let alone three years. Shit, his dad sure didn’t think he’d get this far. Only you.

Rafe squinted at the amber liquid swirling in his glass, then leaned back in the worn leather of his dad’s old armchair. It felt weird being in here, in his chair, in his office, breathing in that persistent smell of old cigars and varnish.

After the whole “funeral”, with everyone looking at him like he was a wild animal about to snap, this was the only place he could sit without someone judging him.

If you’re so clean, why are you drinking yourself half to death? He took a slow sip, letting it burn down his throat. 

It wasn’t like it used to be, that high that hit fast and hard, and didn’t care if it broke him apart.

This was different, a slower, quieter process.

Besides, he was in control this time. Just a drink, he told himself, fingers tightening around the glass. No powder, no pills. That was progress.

So what if he had to take the edge off? Who wouldn’t, if they’d just said goodbye to their only living parent and had to look at their younger sisters crying like that? 

He was practically swimming in alcohol. Rafe knew he was overdoing it, but he didn’t care.

Every time he saw himself— on a window, mirror, whatever—he had a drink in his hand, and something about it just felt terrifyingly right.

Grounded.

Nobody understood him; they just kept looking at him with that worried face, like he was on the verge of losing it like he used to when he was younger. Maybe he already had.

You watched him—really watched him—and yeah, he could tell you were pissed. He saw it in that little wrinkle between your eyebrows every time he took another sip. But you didn’t say anything. 

Even Wheezie was on his case in her quiet way.

She was hanging around, throwing out old jokes and trying to make him smile, but he barely reacted. She was looking at him like she was scared, as if he was some stranger she was trying not to set off. And he hated that—God, he fucking hated it. So he kept his distance, hoped she would back off, let him get through this his way.

But then came that night at the beach bonfire, when everything changed.

He probably shouldn’t have gone, but he needed to get out and feel normal again—even if that just implied showing up and pretending, he was fine. He dragged you along, flashing that cocky grin you could see right through, but you followed anyway, probably just to keep an eye on him. He could feel it—the way you were watching him, worried as hell, that just made him want another drink.

Half the people were staring, too. Waiting to see if he was gonna go off, if he was back to the same volatile Rafe he used to be, the one they loved watching spin out. And just when he thought he could ignore it, some random pogue, scruffy, half-drunk, threw out a comment loud enough for the whole group around him to hear.

“Guess Ward Cameron finally found some gold he couldn’t buy his way out of, huh? What was he thinking, running off to some country where people don’t just take bribes? Practically killed himself.”

It took everything in him not to lunge right there, but he was too plastered to keep the anger off his face. He pushed his way over to the guy, hands clenched into fists.

“You got something you want to say to my fuckin’ face?”

The guy shrugged, muttering something under his breath, people were looking now, everyone watching to see if he was finally going to give them a show.

Before he knew what he was doing, he was shoving him back, hard enough that the dude stumbled, beer splashing out of his cup. The crowd around them stirred, murmurs, but nobody did a thing—they were just staring, waiting to see the blood spill. He felt tempted to hurt someone, felt that cameron fury crawling up his throat.

It didn’t matter that he was twice as drunk as he should be; all that mattered was the way his father’s name was rolling off this nobody’s lips.

He felt you grab his arm, long nails digging hard enough to pull him back, he jerked his shoulder, trying to shake you off, but you weren’t letting go.

“You’re gonna waste your time on him?”

Rafe gritted his teeth, but you didn’t give him a chance to argue. You hauled him back, forcing him away from the guy, who was still standing there with that smug look plastered on his face. 

“Get out. Now,” you urged him, voice calm but with the tone that even he didn’t want to test. He glared at you, mouth opening to argue, but you didn’t let him get a word in. “Rafe. Now.”

You were mad at him.

It was enough to knock some sense into him, and he let you reel him away, but not before you turned back.

“And you,” you called out, enough to silence the chatter around you. “Keep your fuckin’ mouth shut.” 

There was no bluff, no hesitation, and Rafe watched as the pogue’s smug expression dropped instantly, eyes widening as he realized you were dead serious, your family’s name always had an impact around town, old money and all.

As you dragged him to the car, he muttered that he didn’t need you playing bodyguard, but you ignored it, taking him out of the spotlight he hated but couldn’t seem to avoid.

His head was spinning, his blood boiling, and he couldn’t even look at you, not with how angry he felt.

By the time you pulled up to his house, you got out, guiding him inside with that hard, that silent determination he both hated and admired in you. 

You were there, right behind him with that look on your face—angry, disappointed, like he was missing something big, as if he was the one who didn’t get it.

He stumbled into the bathroom, holding himself against the sink, and before he could even catch his breath, you turned on the faucet and splashed cold water in his face. He jerked back, sputtering, wiping it with the back of his hand. When he looked at you, his anger burned again.

“What the fuck is your problem?” he snapped.

“My problem?” you scoffed head already shaking, “Are you serious?”

“You don’t get it,” he growled, barely controlling the rage, the shame—everything. “You don’t know a fuckin’ thing about him. I had the right to defend him.”

You took a step forward, finger pointed at your chest, “Don’t I? Because I remember standing in this very house, watching him tear you down every chance he got. You’re so busy mourning this man who treated you like shit, that you’re pushing the people who care about you away. It’s not just me. It’s everyone.”

Rafe laughed bitterly, the sound humorless. “Oh, here we go,” he muttered, rolling his eyes as he turned back to the sink, gripping the edge hard enough to make his knuckles turn white.

“Don’t you dare roll your fucking eyes at me,” you retaliated, stepping up beside him. “I stood by you through all of it, I’m not gonna stand here and watch you kill yourself because of him. He’s the reason you felt like you had to be so perfect all the time, why you’re always trying to prove yourself to people who don’t deserve it. And now he’s gone, and you still can’t see it. You’re still trying to be good enough for him!”

He didn’t look at you, didn’t want to see the indignation—or worse, the pity���in your eyes.

“Just stop,” he muttered, but you were past listening.

“No, I won’t stop. I can’t. I can’t keep watching you do this to yourself again. You’re better than this.”

He suddenly pushed himself away from the sink, and turned to face you, his blue eyes practically black with a hurt that was older and deeper than either of you could touch.

“You don’t get to stand there and tell me what I deserve.”

“I know what you deserve.” 

He scoffed, rolling his eyes again, though his face had gone a shade paler. “You think you know everything, don’t you?” he sneered. “Think you know what’s best for me? Get off your high horse.”

“You’re damn fucking right I know better than you do, I’m not the one who’s drowning every night in some pathetic tribute to a man who wouldn’t piss on you if you were on fire.”

He could feel it now, the bitterness you’d been hiding for weeks. It wasn’t just about him drinking himself stupid. It was everything—every fucking thing you’d been ignoring, it had festered between you two while you pretended things were okay.

“You’re the one who’s just tired of me, of everything that comes with me.”

You took a step back, eyes narrowing, but you didn’t flinch.

“What?” Your rage momentarily dialed down, the sound gurgling, “You think I’m tired of you? I’ve been here this whole time, trying to make you see the truth, but you won’t even look at me. You won’t let me in. You’re too fucking blind to notice.”

His breath was shaky, too fast, but he didn’t care. “So now I’m blind, huh? I didn’t see you sneaking out the door when I needed you? I didn’t notice how you pulled back, how you stopped giving a fuck about me? You’re just waiting for me to give you an excuse to leave.”

You opened your mouth to argue, but he wasn’t done.

“You don’t get it! I didn’t need you to fix me, I needed someone to stay. But instead, you—" His voice cracked, the anger choking him up, "Instead, you started to make me feel like I was a b-burden. Some mess you had to clean up. How am I supposed to deal with that, huh?"

You were shaking your head, your eyes had already been filled with tears, your chest suffocating.

“I’ve been here. I’ve been standing right next to you, waiting for you to pull your shit together. I didn’t walk away. You did.

His stomach churned, as if you’d taken every inch of space in his chest and twisted it, just for fun. The worst part was, he couldn’t even argue with you. Not really. He had been so wrapped up in his own shit, so obsessed with keeping everyone out, that he hadn’t even seen how far you’d already gone.

“Don’t. Don’t you dare try to make this about me,” he spat, the words ugly in his mouth, it felt like they were scraping their way out of him. “You don’t get to make me the villain in your story just because you’re tired of playing my fucking hero.”

“I’m not trying to play the hero!” you screamed, stepping closer, your eyes were cold. “I’m trying to help you see that you have to fix this. Not me. Not anyone else. But you. And if you’re so fucking broken you can’t see that, then maybe you really don’t need me.”

The silence that followed was thick, suffocating. Rafe could feel his heart racing, that agonizing coil in his chest, but he couldn’t stop.

“Maybe you’re right,” he said, voice quieter, but just as venomous.

He turned his back on you, walking to the door. The sound of his boots clamped against the wood floor like a countdown.

“Maybe I don’t. Grab your shit and go.”

"Don’t you fucking—" you snarled, but he was already moving, grabbing your jacket off the hook by the door and throwing it your way, “You know what? Fine. Maybe I will.” You shoved that stupid thing on, hands shaking as you yanked the zipper up. “Don’t come running back in two days like you always do. Don’t come crawling back.”

Rafe paused, hand on the doorknob, his jaw clenched so hard you could see the muscle ticking.

He didn’t turn around, didn’t look back at you.

“I don’t need you to feel sorry for me.”

“Good. Because I stopped feeling sorry for you a long time ago,” you replied sharply, every syllable punctuated with weeks of resentment. “What I feel now? That’s just disappointment.”

You watched his shoulders lock up; his whole body wound so tight it was like he was one wrong look away from completely losing it. He didn’t turn around either, even as you slipped out the door, but he knew.

That was it.

Two moths later, almost three, he was standing in front of the ER pacing like a complete fucking idiot after you passed out in his arms earlier.

He’d told himself he’d stay away, make it easy for both of you. 

That shitty plan had gone down the drain once he saw you speed away at that party with absolutely no regard for your safety or Topper’s. He’d seen that wild look in your eyes before—the one that said you were about to burn it all down. Or when your dad’s gala came around, and he couldn’t sleep properly knowing he wasn’t going to be there that year, knowing how you spiraled every time you had to step on that stage.

He had stupidly thought that maybe, one day, you two could still be friends. But today? That shit blew up in his face, for the second time in the span of a week.

He forgot what you could invoke in him when you were standing merely an inch away. He promised himself that he’d moved on, forced to consider that the love of his life might not be someone he could spend his lifetime with. Maybe you weren’t meant for each other.

But how the fuck was he supposed to act when the girl who had been everything to him was hurting? 

No, no, no.

Sofia was what he needed.

Someone who didn’t know shit about his past, who didn’t ask questions he didn’t want to answer. She hadn’t seen him the way you had, hadn’t been there through every drunken rant and punch he’d thrown at the wall or someone’s face, hadn’t heard him rail against his dad or drag himself back from one of his darkest nights. 

She hadn’t called him a fucking idiot when he chose to throw his father’s ashes on the ocean. She wasn’t going to call him a coward for it. She didn’t have a clue about any of it, and that was supposed to be what he wanted.

He looked up at the ER doors for the millionth time in the past hour, his fingers clenched around his jeep keys so tight they left marks on his hand.

It was over between you two. He’d make sure to keep the fucking distance, two whole months. If he didn’t give you enough closure, you’d hate him faster and you’d both get over it. 

So why the fuck was he about to set the whole hospital on fire as he watched John B’s beat up twinkie pull up to the parking area? It shouldn’t have surprised him, but it did. 

Of course you’d call her, his own sister—his father's favorite.

Sarah had always been the golden child, Ward’s little angel who could do no wrong, while he was the family screw-up. Even now, you’d picked her, just like Ward would have. 

He didn’t think before he moved, closing the distance between him them in seconds. 

“What the fuck are you doing here?” He barked right up in her face, daring her to explain herself.

Sarah didn’t back down, though. She just looked up at him with that same cool, level expression she always had whenever he tried to get a rise out of her. 

“I’m here because she called me.”

“She called you?” He scoffed, eyebrows pulling together in disbelief. “You? She called you?” He took a step closer, “So what, you’re her savior now or some shit? Why the hell would she call you if I’m right here?” His eyes narrowed, searching her face like he couldn’t believe it. “Are you kidding me?”

Sarah threw her hands up, a look of pure exasperation on her face.

“Are you dense, Rafe? You’re with someone else! Why would she want the guy who broke her heart to drive her home?”

He blinked, thrown off. “I broke her heart? She broke mine!” He laughed, but it was harsh, bitter. “I did us a favor. We were just—”

“Oh, right. A favor?” Sarah cut in, voice dripping with sarcasm. “That why you’re pacing out here like a goddamn lunatic?”

“Go away. I’m driving her home.”

She stepped closer, her voice steely as she looked him dead in the eye.

“No. She called me, she wants me here. Not you. So do yourself a real favor and go home before you do something even more stupid.”

A breathless chuckle escaped his lips, “She already hates me, Sarah. What’s the fucking harm, huh?” He threw his arms out, as if daring her to come up with an answer that would hurt less. “What’s one more screw-up on top of everything else?”

“You’re real dumb if you believe that. But if you wanna make it worse, then by all means, go ahead. You’ll just prove her right.”

He stayed rooted in place, chest heaving, the conflict ripping him to pieces. His hands shook, his throat tight with words he couldn’t even begin to understand.

But Sarah had already turned her back on him, heading toward the entrance.

“Walk away,” she warned him, looking over her shoulder, “That’s the only thing left for you to do right now.”

Rafe didn’t know why the fuck he listened to her.

It was as if his body had already made that decision for him, understanding that if he didn’t leave right then, he’d end up doing something stupid—something even more fucked up than what he’d already done. His tongue was locked in place, a curse on the tip of his pursed lips, but it never came. 

His feet wouldn’t move, his hands stayed at his sides, and that tightness in his throat wouldn’t let him get a single word out, not one that would make any fucking sense. He hated that. Hated that you still had this kind of control over him.

Hated that he just…felt like something was wrong.

You hadn’t been this frantic, so impulsive since he had to take you home after your sister passed. He didn’t want to remember that night—you damn near threw yourself out of his truck.

But he couldn’t ignore the memory, the desperation on your face, the screams, the fight in his grip as he pulled you by your shirt back inside.

He’d felt like he was holding on to something breaking apart in his hands, something he couldn’t fix but couldn’t let go of either. He’d seen it again in your eyes when he’d caught you earlier at the beach clean-up, the way you’d tried to dodge his stare, voice cracking, legs wobbling when he mentioned the hospital. 

Rafe still felt like he’d swallowed shattered pieces of glass every time he thought about you. And if he could just push it down, if he could just get through one fucking day without looking back, maybe he’d start to forget you.

His feet were glued to the hospital pavement, his heartbeat thundering in his ears. If you were about to crash, if this was anything like before…He didn’t know what the fuck he was going to do.

He had no reason to stay, you’d made it clear as day. He was supposed to be gone—out of your life for good. You’d told him you didn’t need him, he told you he didn’t need you. So why the hell was he still standing here? 

Perhaps because he remembered the last time he’d let you walk out, the way he’d watched you disappear, thinking he was doing the right thing—giving you the clean end you’d both needed.

Maybe that made him sick to his stomach now, thinking of you in there with Sarah, telling his sister things you wouldn’t say to him, letting her be the person he once was to you.

But you’d called her, not him. You’d picked Sarah to be here, and that hurt like a bitch, but it was what he’d asked for, wasn’t it?

This was what he deserved. He told you to grab your shit and go, forced you to leave because that was supposed to make it easier.

He’d impulsively made his choice the minute he’d wrapped his arm around Sofia, pulling her close in front of everyone who’d once known he was yours. He’d talked himself into it. It was the right call, moving on was the only way to finally get you out of his system. 

He was the one who decided it’d be easier to act like he forgot you than to actually try. He thought he could make it easy—pain-free.

Rafe pinched the bridge of his nose as he walked back toward his Jeep. He gripped the door handle so hard he could break it in half if he wanted to, feeling his knuckles strain.

If he let go, if he closed that door and stormed inside, he’d just be right back where he started.

He stared at his reflection in the window, his hardened face staring back. His pulse was pounding in his temples, his gut twisting and turning as he tried to bury it all six feet under—the need to just go to you, to hold your hand or yell at you for making him care so fucking much.

He finally released the death grip he had on the door handle, forcing his fingers to relax, his knuckles still throbbing. He slid into the driver’s seat, the cold leather you’d help him choose, mocking at his skin as he slammed the door shut.

With a quick flick of his wrist, he threw the car into drive, the tires screeching as he peeled out of the parking lot.

He drove like he was being hunted down. He wanted to get as far away from that place as possible, praying the miles between him and you would stop the churning inside him. 

You’ll just prove her right.

He hated her for saying it, hated Sarah for knowing exactly what buttons to push. 

As he rounded a curve, his headlights swept across Topper’s house. Rafe cut the engine and stalked toward the backyard. Topper’s sprawled-out form on a reclining chair, arms crossed over his chest, sunglasses somehow still on evenly.

He stomped up and smacked the end of his chair.

"Wake the fuck up."

He jolted, nearly tumbling off the chair, ripping his sunglasses off and squinting up at him. “Jesus fucking christ, dude, ever heard of calling ahead?”

But Rafe didn’t answer. He just paced, hands in his growing hair, digging into his scalp like he could rip the frustration out of his skull. Topper sighed, propping himself up on one elbow, he didn’t even look at him, just kept muttering to himself, biting his lip, pacing.

“What the hell happened?”

Finally, he stopped, “I need you to find out what’s wrong with your cousin,” he muttered, not wanting to admit he cared enough to ask.

Topper blinked, brow furrowing. “What do you mean, what’s wrong with her?”

Rafe only shook his head, hands on his hips as he stared at the ground. “I don’t know, okay? She just…she’s acting off. And I can’t—I’m not supposed to care, Top. I’m not. I’m with Sofia now, alright? But she’s still…” His voice trailed off, as he scrubbed a hand down it.

Topper tilted his head, eyeing him knowingly.

“Right, yeah, whatever you say. I’ll figure it out.”

If Sarah Cameron didn’t walk through that hospital door within the next three minutes, you’d lose all the courage you’d summoned over the last hours. Or was it just an hour? You weren’t sure how long you’d been lying there, the IV needle taped uncomfortably into your arm. 

Your fingers curled into the thin blanket draped over you, and you wished—desperately—that you didn’t feel so…empty.

Ten minutes later, she strode in with a glance at the door, as if she wasn’t sure if she’d be able to get there on time. The relief on her face when she saw you was reassuring but it only made the confusion in your chest heavier.

She was so different from Rafe, yet still looked so much like him. She sat in the chair by the bed, eyes scanning your face like she was trying to gauge just how bad it was.

“Hi.”

You swallowed, blinking up at the ceiling to keep the tears at bay.

“Thanks for coming.” 

“Of course,” She reached for your hand where it lay on top of the blanket, hesitating for a split second before giving it a reassuring squeeze. “You okay?” 

You felt a laugh bubble up, “Not even a little.”

She let out a small breath and nodded, squeezing your hand again. “I figured,” she said quietly, and you appreciated that she didn’t pretend to have some miracle answer, “I made him leave.”

She’d made him leave.

You could imagine his face distorted with anger.

You wondered if he’d put up a fight or if he’d just walked away,  giving in to his sister in that infuriating, self-pitying silence he’d perfected.

You weren’t going to ask, the less you knew, the better.

“Good.” You were relieved, but it felt bittersweet, “I didn’t want him here.” 

Except your voice shook, like it simply had to let her know you were lying.

You’d been telling yourself for so long that you didn’t need him—that you didn’t want him anywhere near you. But the second you pictured him there, waiting… God, you hated yourself.

Hated that tiny, pathetic part of you that still wanted him to care, even if it was just a sliver of anything that wasn’t anger or flat-out ignoring you.

“He threw a hissy fight, but don’t worry. He’s not coming back.”

You nodded, half in agreement, half in frustration, “He never listens.”

“Especially when it matters,” Sarah added, rolling her eyes. “I swear, sometimes I think he just likes to make things worse for himself. And everyone else.”

You recalled the sound of his footsteps trailing yours earlier, the way his hand had hovered near you when you swayed, the wild look on his face when you told him to back off. He had seemed…hurt. Like he wanted to fix something he’d already smashed to pieces.

“I don’t want to talk about him.”

She respected that—she wouldn’t insist. There was a lot to unpack when it came to Rafe, but you didn’t need to go there right now. She could tell.

"Okay. Do you want to tell me why you called me and not Topper?”

There wasn’t any judgment in her tone—just plain curiosity, confusion. And you couldn’t blame her. If the roles were reversed, you’d be asking the same thing.

You had to bite your lips to avoid crying for the hundredth time that day. You hadn’t planned on telling someone the biggest secret of your life in a public space, or after nearly having a mental breakdown.

Not like this, with the IV in your arm.

"I—" you started, the words tangled in your throat. "I don't trust him," you admitted quietly, "I don’t trust him with this.”

This.

You turned your head to look out the window, the late afternoon light pouring through the blinds, but it never touched the void you felt inside. 

“He’s too close. He wouldn’t get it. I needed someone who could just… not be involved, you know? I mean—You’re still his sister but—”

Sarah’s already frowning, interrupting your pitying party, “Sweet girl, you don’t have to explain your reasons to me. I’m listening either way. I don’t know what’s going on, but I get it, I understand why you’d want to keep him out of this.”

“You’re the only one I can trust to keep this a secret,” you confessed, “If anyone finds out—if Rafe finds out—it’s over. I’m not ready for that.”

A shadow crossed Sarah’s face, her lips pressing into a thin line. She didn’t ask questions about what you meant—about how Rafe had ruined things before. She didn’t need to. 

“I won’t tell him,” Sarah promised, her grip tightening on your skin. “It’s safe with me. I’ve got your back.”

You closed your eyes, breathing out slowly.

This was hard, harder than anything you’d ever done before, and that was saying something considering all the shit you went through when your family died. She had no idea what you were about to say, and you couldn’t help but wonder if it would change everything between you—between you and her, and you and everyone else.

"Sara, I—" The truth choked you once more, cutting you off. You couldn’t breathe.

Your chest felt vacant, something was missing, something that you didn’t know how to fix, but you had to say it. It was the only way out.

“Are you—" she started to ask, but you quickly shook your head. You could hear the hesitation in her voice.

"Just… just let me tell you,” You begged, pushing the words out before you lost them. “I-I’m pregnant,” you finally blurted out, as if confessing it all at once could make it easier.

But it didn’t. 

You didn’t dare look at Sarah right away. 

Your eyes were stuck on the ceiling, blinking rapidly, you didn’t need her to see how much this was breaking you or how terrified you were. You could feel her eyes on you now, and your hand clenched around the blanket, your knuckles white from the lack of circulation. 

Then, slowly, Sarah squeezed your hand again, she was giving you a moment to breathe, even though you didn’t feel like you deserved it.

“Rafe’s?” she asked quietly, confirming what you already knew she understood.

You nodded, not needing to say it aloud; she could sense the truth in the way your chest hitched, how you couldn’t bring yourself to meet her eyes.

“God,” Sarah breathed out, "And you... you want to...?"

You nodded again. She wasn’t asking if you were sure; you could hear it in the hesitation of her question. She was asking if you were ready to make the choice.

“I don’t want this,” you choked out, the tears finally breaking free. “I can’t have it, Sarah. I can’t. I’m not ready for that. I’m not sure I even know what I want anymore," you spit the doubt out with the brokenness you felt, wiping the traitorous tear that traced down your cheek. "I don’t know what to do."

“I’m here. Whatever you need, however you need to do this—I’m here,” she promised, making sure you wouldn’t float away.

“I can’t… I just… I don’t want him to find out,” you managed between shallow breaths. “If he knew, he’d… I don’t know what he’d do. Maybe it’s stupid, but I don’t want him to look at me like… like he owns me something.”

Sarah nodded, not a hint of judgment on her face, “He won’t know a thing from me, I swear. He’ll never have any say in this, not unless you want him to. This is your choice, no one else’s.”

You didn’t know you’d been holding your breath, but it came out all at once in a shaky exhale.

“Thank you. I just… I didn’t know who else I could ask.”

“Hey,” she said, her voice gentle. “This? This is exactly what I’m here for. I’ve got you, no matter what.”

The empathy there, the way she held space for all your broken pieces.

“New Mexico’s clinic rules… they won’t let me go through with it alone. They said I need someone with me.” You took a shaky breath. “I can’t imagine anyone else but you there, Sarah.”

“Then I’ll be there,” she said, without hesitation. “I’ll get the tickets, we’ll go together. And if you feel like breaking down, then break down, because you don’t have to keep any of this in anymore.”

Her words broke something in you that had been holding everything so tightly. The relief, the gratitude— “You’re really… You’d really do this for me?”

“Of course,” she murmured, pulling you close so your head rested against her shoulder, her fingers brushing through your hair soothingly. “Sweet girl, I’d do this a thousand times over.”

“I mean—he’s your brother. I don’t want to mess things up between you two even more.”

She sighed, giving a small, sad smile, almost like she’d been waiting for you to say that. “You think he’s my priority right now? Don’t you worry about me and him, we always figure it out. Trust me, I’m used to it.”

“He might hate me for this. And if he takes that out on you…” You couldn’t finish.

“Listen to me,” she sighed, “I’m here because I care about you. Rafe and I, we’ll always have our issues—he’s stubborn, and he thinks he has all the answers. But that’s our problem. He’ll never have a say over what I do or who I’m there for. Especially not with this.”

You swallowed hard, “I don’t want you to regret it.”

She gave a wry laugh, brushing a piece of hair back from your face. “You don’t have to protect me from him, remember? He’s my brother, yeah, I love him despite all our shit, but I’m not here for him right now. I’m here for you.”

“You’re sure?” you asked, the question a whisper, almost childlike. You were afraid of the answer, terrified she’d eventually pull away.

“Of course I’m sure,” she replied, tilting your chin so you’d meet her eyes. “Whatever’s going on with Rafe will figure itself out—But right now, you need someone who’s all in, no strings, no doubts. That’s me. You focus on you. I’ll handle him.”

You looked down at your hands, fidgeting with the edge of the blanket, “I don’t think he loves me anymore,” you admitted, almost hoping she wouldn’t hear it, “I was so mean when your dad died.”

When you finally looked up, Sarah was watching you with a sad smile, one that made your heart hurt in both comfort and ache. “You really believe that?” she asked quietly, and you could hear the disbelief in her voice as if it was so obvious to her, something you couldn’t see.

You nodded, swallowing down the sting in your throat. “He doesn’t want me, not really. He’s…he pulled away. Like he’d rather hate me than be close to me. He’s with her.” 

The words tasted bitter, and made you want to hurt him twice as bad, but there was finally some relief in saying it out loud.

She sighed, looking down for a second, almost like she was thinking how to tell you something that hurt her to admit.

“I don’t think that’s the problem,” she murmured, with a knowing sadness. “I think the problem is that you two will never stop loving each other. He’s still hurting from dad’s passing, he’s angry because he doesn’t know how to stop loving you. And you—you’re here, angry that he loved my dad so much, hurt that he left, trying to protect me from him, still worrying about me when you should be focusing on yourself. You’re scared he doesn’t care anymore, and he’s scared you don’t need him at all."

Your lips quivered, your heart about to leap out of your throat, your tongue darted out, briefly brushing your lips.

You weren’t sure you should say it out loud, but maybe you had to. “We’re better off without each other, aren’t we?”

“You’re allowed to be someone without him, and you’re allowed to find out who that is.”

You were slipping, falling back into that spiral of guilt and shame, the one that told you maybe this was all you were good for. Maybe Rafe was right to break things off, perhaps he’d realized that, in the end, you weren’t worth fighting for.

And shit, you hated yourself for still caring. For still wanting him to want you, even though you knew it was poison. Even though you knew that being with him, needing him, was only dragging you both down.

“Thank you.”

And as you sat there, in the stillness of that room, with the sunlight dimming outside, you felt that maybe someday you’d be able to trust yourself too. To believe that you were worth more than the heartache you’d come to accept as your own.

TAGLIST: @maybankslover @october-baby25 @haruvalentine4321 @hopelesslydevoted2paige

@rafebb @rafesbby @whytheylosttheirminds

@zyafics @astarlights @bruher @nosebeers @carrerascameron

@serrendiipty @sunny1616 @yootvi @ditzyzombiesblog

@psychocitylights @maibelitaaura @kiiyomei

@stoned-writer @justafangirls-blog-deactivated2

@starkeygirlposts @enjoymyloves @ijustwanttoreadlols @icaqttt

[sick-sad-world-revolution-now]

I want more complex female characters, including what’s happening with Caitlyn, I love seeing this freedom in the writing of a show. She’s becoming morally tainted and as viewers we can know and see the reasons that pushed her in that direction, it’s making the show even more thrilling and qualitative. What I cannot handle however is seeing people seriously defending a character in all their wrongdoings just because “they’re hot” (sometimes they won’t say it like that but it’s obvious it’s the reason why they defend the actions in question). And I get it I love some characters that are morally evil, whether lawful neutral or chaotic, Caitlyn at this point is just a rookie in that category if she even belongs in that category, yet I can recognise the path a character is or could be taking and how this or that action is not excusable.

Vi was worried about it happening, she expressed those concerns before Caitlyn kissed her : “everyone in my life changed, promise me you won’t change”. Fast forward to the end of the episode of we see that she changed, even though she told Vi she wouldn’t. In the two next acts we’ll probably see how much Ambessa will use Caitlyn’s grief to turn it into anger and blind military decisions, it won’t be pretty.

Now I could be wrong but Caitlyn is dealing with internal moral issues and she may feel sick to her guts at some point seeing the aftermaths of what she’s doing. She still has feelings for Vi, though how to deal with it properly when the one she loves is the sister of the one person she hates the most ? I love seeing more complex female characters because they are more interesting to analyse, because equal treatment in their development is what female characters need and deserve, but some people take it as an excuse to turn a blind eye on their fave’s questionable actions.

"We want more complex female characters" you can't even handle an angry, grieving daughter who just had her mother killed by her future wife's sister, shut the fuck up

[realchemistry]

Breaking down all the Buddie from "Confessions"

Did I write a photo review with over 5000 words dissecting the episode? Yeah, I did... Hope y'all enjoy!

Gonna ignore the first call because other than the bad mustache CGI/shots where it's not even there, there wasn't anything of substance. I wonder if they used that old call cause they had to fill up time, were short on budget, something else fell through or what happened.

So let's move to Eddie going to church. After 23 or so years he felt the need to confess his sins. But after an explanation of the crazy stuff that went down with Kim, including mentioning how Eddie lied to his son, his best friend and his girlfriend, he concluded he's not deserving of forgiveness and fled. The priest looked conflicted and that's supposed to be that.

Eddie, catholic guilt and all, went to church to confess. It's like the most desperate measure, I imagine, but desperate times... He gave the priest his name. Interesting. I got so emotional when he described Chris and talked about his optimism. Lying to Buck was pretty much at the top of the list, huh? Like, Eddie knew how bad he was behaving because their relationship's made up of truths. His talk in the kitchen with Buck was actually instrumental to him seeing how wrong all of it was. They need to be married immediately. The fact that one of the prayers (?) Eddie was meant to repent with was called "Our Fathers" was also interesting because it's coming from a priest or father but also, more obviously, Eddie's got a million daddy issues. Ramón traumatized him and Eddie said he traumatized Chris and Chris ended up going to Texas to live with Eddie's father.

The Buck and T date scene was super interesting for many, many reasons:

Buck thought he had the upper hand, saying he'd pay for dinner and trying to get T to guess the reason behind it.

T already knew it's their anniversary, which Buck clearly didn't expect.

T didn't just know, he actually brought Buck a gift for the occasion.

Interestingly enough, last season we learned that Buck didn't like basketball in the episode in which his jealousy and Eddie and T and him being bisexual happened.

T, after SIX months of dating the man, somehow didn't know that and gifted Buck tickets to see the Lakers.

For some odd reasons, T told Buck he didn't even have to take him to the game, "Take Eddie if you want," he suggested.

Buck looked confused but not exactly averse to that idea and asked, "really?"

And then T went, "and die" and then Buck replied, "okay, that sounds right."

Now, let's go through all that. It's their anniversary, they're out for dinner, and they apparently had a good time and then it's like they're completely out of sync. Buck wanted to pay for dinner to commemorate their anniversary, thinking T had missed it, whereas not only did T not miss it but he also bought him a present. Problem was said present wasn't something Buck actually cared for, which T seemed unaware of. The joke about taking Eddie... Why even suggest that? Was that a test? Did Buck fail it by wondering if that was really a possibility?

Then the woman interrupted the date and asked for a picture, with some unnecessary touching involved. I truly didn't get why Buck grabbed his own phone to take the pics... Was this second nature to him? A practical way to have an excuse to ask for the woman's phone number to send the pics? She wondered this and Buck denied it but there's literally no other reason to do that. T looked at the whole thing amusedly. Buck took the pics and went back to the table, expressing how weird that was.

Was that weird? I'm honestly so confused by that scene, like... people ask strangers to take their pics all the time. Yes, some of those might be an excuse to flirt but they're at a restaurant, which isn't exactly the greatest place to be trying to pick up someone. Also, Buck made it weird with the whole using his phone thing. Even if the woman was flirting, which she seemed to be, it didn't have to be made into anything. We can assume from this that Buck is uncomfortable being flirted at in front of T but he might also not feel great about feeling attracted to somebody other than his boyfriend who's right there to see it all.

Here's where it actually got weirder. T acknowledged the fact that it's okay to look and then Buck remarked that T didn't do that. T explained he's gay by saying he's a Kinsey 6. Buck, for some reasons, didn't pick on the meaning of that so T had to explain it. That's just... I call bullshit on that. Buck, recently bisexual, lover of research and internet deep dives would know ALL about it. This scene, I gotta say, felt super wonky. At points it was meant to but at others, like this one, it just... felt off. There's also the fact that Oliver and L have zero chemistry...

Anyway, back to the date. So T didn't know that Buck disliked basketball and Buck didn't know that T was gay? After SIX months of being together? What in the hell? Why were they only talking about that at this point? I don't think full disclosure or knowing your partner's history is a must at all, but considering Buck's curiosity and the fact that he was newly out, I figured all these subjects would've part of the first conversations between them. I'm not sure what to think. Was the writing completely off? Were they unable to come up with a better excuse to bring about the past partners talk and resorted to this? It's baffling. And since it's canon, whatever the reason, I found that the whole date showcased how little they actually knew about each other, which could only be a bad sign of the things to come for their relationship.

Of course, after that comment, T revealed he was engaged to a woman and called it off. Once again, the dialogue... T saying the woman went "nuts" after their break up, taking up some "himbo" half her age... Buck figured she was just trying to get over T, and then he mentioned the name of the woman. Of course it was Abby. Of course. Buck was literally having a crisis there, but the waiter showed up and asked how everything was. T, completely out of tune with what Buck was clearly trying to process, said it was "perfect." The waiter asked if he could get them anything else and T said "no, I think we're good." Buck looked so the opposite of good. Then the waiter wondered "who gets the damage" and, at last, a flawless piece of dialogue with T pointing at Buck and saying "That would be him." Buck was handed the check and the waiter told him, "whenever you're ready, no rush" and left while Buck looked like he was having a heart attack.

So, yeah, the date was a complete disaster. It's a mix between the actors not clicking, the dialogue serving the plot instead of Buck as a character (and Abby and even the show) and finally the actual plot dictating that it had to be a disaster. Honestly, the moment this bit ended, I knew they were going to be done.

Next, Buck went to dispatch to talk to Maddie. Why didn't he talk this through with Eddie, Hen and Chim? Curious... Maddie wondering how many men Abby had turned gay was hilarious. But I can't believe they didn't squeeze in the fact that Buck's bi there. They didn't do it during the date, though it was implicit, but here they had the perfect opportunity since they hadn't done it before. It would've taken a second for Buck to correct Maddie. Again, the writing this episode was all over the place, specially cause Buck looked at Maddie offended and Maddie clarified she was joking but then Buck sorta explained himself and T... anyways. Josh showed up then, and something was totally off with the actor's hair btw, I couldn't focus for a second there.

Josh eavesdropped and caught the kissing a boy part and eagerly asked if there was another boy... Buck was quick to deny that. Well, there's Eddie... Maddie and Buck explained the whole situation and Josh apparently knew her but they weren't close. And then, again, this whole thing just didn't make sense. Buck remarked that T led her on, said he loved her and then hurt her. Maddie thought Buck was afraid T would do that to Buck but Buck denied this and said, "I thought I knew him" and that he didn't think T would be capable of being dishonest and cruel.

Let me rewind for a second. Why was Buck under the impression that he knew T? Buck didn't even know T was gay... Also, didn't Buck know about T's past? He was worse than cruel to Hen and Chim... Truly, was he not told about all of that? I just, the use of the world cruel here... don't get me wrong, leading someone on is cruel but the whole being gay and repressing it part, while not excusing it, would at least explain T's actions. But the way he acted towards Chim and Hen... that had nothing to do with self-repression. It just didn't. I need someone to explain to me in detail how come Buck was deluded to think he knew T when at this point I'd be shocked to learn he knew T's last name.

Then the Josh speech happened. I wasn't happy with it at all. First of all, what's Buck loving him to do with any of it? If T was a cruel person, then Buck loving him wouldn't justify any of what he did to Abby. Buck looked super not in love as an answer, which was hilarious to me because of course he didn't love T, he didn't know the man!!! Josh backtracked from that word and asked a series of questions aimed at... gauging how much Buck cared for T? IDEK, it was all pretty ridiculous from the start. Also, first two questions made sense for Buck to answer affirmatively but T was literally such a plot device that there hadn't been a single instance in which Buck had shown that he was thinking about T or making T's concerns and happiness his own. These things, though, get positive answers in canon as far as Buddie is concerned. The future question was interesting because Buck's answer was "I could." It's never a definitive answer, it's another instance of "I guess" from the time T echoed "my attention?" when they first kissed. It's like Buck was convincing himself then. Josh took that to advice Buck to stop judging T because Buck didn't know what he was talking about.

The speech went into pre and post Glee world and all that nonsense. I truly hate a lot of things this episode chose to be. Was mentioning a Ryan Murphy show in a RM show a necessity? I don't wanna get into what Glee did or didn't do for the queer world, the point here is actually moot because T and Abby weren't a thing before Glee. Again, whatever experience with coming out T and Josh had, it had nothing to do with what Buck was asking. Buck was worried about the side of T he claimed not to know and how cruel he could be. I think the way T referred to her and the situation was also pretty awful, in the present tense. Even if one thought T was protecting himself by being with Abby, there is still room for judgement. We have Hen and Karen, in this same show, not being cruel to anyone, for one. Also, T didn't fight a single battle. He treated his coworker who was out like scum and was racist towards Chim. T wasn't an activist fighting for his life and his rights, he was just a bad person all around as far as we know. He had no scars to show. We can pretend he had an internal battle, maybe a family issue with his coming out but there's nothing to honor him for.

I cannot believe this show did that speech so awfully and pretended it was the greatest thing since Jack Shephard's "live together, die alone." Truly, they thought they had done a brilliant job and it's utter bullshit throughout.

Moving on, Eddie went to get juice... but then he changed his mind and got water instead. Who's there to witness that but Father Brian. Eddie's outside, drinking his water looking gloomy about it when Brian asked him of he could take a seat. Eddie allowed him to and for some reason, as Brian was sitting down, looked around. Brian told Eddie about being there for the first time, as if compelled, and then asked Eddie if he went there often. Eddie immediately assumed he was being hit on. Now, whether this is indicative of Eddie being hit on a lot or he just took those words as the line they sometimes can be and interpreted it that way, I hope we'll find out soon. Either way, Eddie told Brian "no offense, I'm straight." The lady doth protest... Hilariously enough, Brian's answer wasn't "me too" or "I'm not interested" but "I'm celibate". Eddie took that in and then Brian introduced himself and revealed that he knew Eddie. Eddie was processing that and the Father part, his hand still in the air.

Brian mentioned that he noticed that Eddie chose the juice initially and then got the water instead. He asked Eddie why he did that and Eddie kinda asked "decided I wanted water?" Brian posed that Eddie was punishing himself, denying himself because Eddie didn't feel worthy. Eddie sighed and, "I don't feel worty of juice?" Brian went straight (haha) to the point, "Of joy." Eddie chuckled and looked around and spoke in a low voice as he said he didn't have a lot to be joyful about because Brian was bringing up something Eddie had confessed to him in public. Eddie's well aware he's in public... Brian started listing the things that Eddie had, Chris, his parents, his job and his mustache. Eddie was kinda not happy but that last one got him laughing and blushing. He then confessed that he grew the mustache because he couldn't grow a full beard due to the LAFD. Brian concluded the mustache was a disguise and Eddie said it was something like that. Brian asked what Eddie's afraid of seeing in the mirror and Eddie said, "A failure. A man who doesn't deserve forgiveness. Or joy." Brian said that's now what go wanted for Eddie, that he'd already forgiven him. Eddie repeated that he doesn't deserve that and uncapped the bottle to take a sip of the water. Brian told him to earn it, and to stop punishing himself in the meantime. He remarked that Eddie spent his life in service and he understood that but they couldn't take care of others if they didn't take care of themselves. Eddie smiled and said he understood and Brian told him that after praying, he wanted Eddie to do something frivolous, something fun, something that expressed pure joy. Eddie told him he'd think about it.

The Eddie scenes were clearly written by someone else because they were all pretty on point. We had Eddie conflicted, and while it could just be him preferring water (the alternative is truly devastating to me so I want to believe Eddie isn't punishing himself through food), Brian decided to go with it to get Eddie to reflect about what he was doing to himself and it worked. Eddie didn't run away like he did in church but Eddie was shown to be aware of his surroundings, so the fact that he claimed to be straight with all of his chest... Why did he do that? Why did he think he was being hit on in the first place? Why was that moment necessary within this scene? Was juice really a representation of joy? Was joy a metaphor for something else? What were tptb trying to show or say here? Would a heterosexual character need to affirm himself as such? Would a repressed one? Thoughts, so many thoughts!!!!

The well emergency happened and it wasn't about Eddie, but it was interesting cause they seem to be doing Greatest Hits for some reason... Now I gotta ask, wouldn't Eddie, as a medic, know that getting the kid oxygen wouldn't work? Why was Hen explaining that to him? Honestly, the writing this episode... Buck's first idea was to dig... funny. Eddie said someone had to get down there and Bobby told him he wasn't gonna fit this time. Interesting. Bobby announced they would pull the big brother out after two minutes no matter what, specifically addressing Buck and Eddie. Interesting.

So it wasn't about Eddie because it wasn't the same Eddie. The pipe was smaller and Eddie didn't fit. But Eddie also didn't fit himself. He disguised himself with a mustache to avoid looking at his face in the mirror because he felt like a failure. He was shown in an episode entitled "Masks" at home taking down Halloween decorations all on his own. Bobby made sure that both Buck and Eddie knew the clock was ticking and they had to abide by it this time. Unlike Eddie's well, when Eddie cut the line and Hen refused to have Buck look for him because they'd end up with two cut lines. No more lines being cut? No more alternative ways to escape? Maybe I'm reading way too much but the camera did show Buck and Eddie's reaction as Bobby singled them out.

Back at the loft, T said he had a spot right out front and they should Uber to the movie so he didn't lose it. That phrasing... Buck agreed but asked to talk first. T replied positively, "we got time." Again, funny way to put it. They were both going to the movies so why was T the one who was going to lose it if they didn't get the Uber? You know who actually got an Uber with Buck recently, right? Also, "we got time".... famous last words. He'd just said they didn't have time but then said they did and, well, as it turned out, they didn't.

They sat down around the island and Buck brought up the story at the restaurant that T shared with him about how he "almost got engaged." This was odd and T corrected Buck, "I did get engaged. What I didn't do is get married." Buck said he appreciated T's honesty and that he wanted to be honest with him. T knew this spelled trouble and Buck denied it before taking out his phone and passing it over to show T pictures of Buck and Abby. T was surprised at first but then he scrolled to a pic of Buck and Abby kissing. Buck announced he was the himbo. T agreed it was crazy, after Buck put it like that, but added it was a little awkward. Buck decided to go closer and said it was like that for him as well at first, and that he should had been honest at dinner, but T asked or gathered that it had freaked him out a little. Buck said yes to this and T explained that if he had known, he wouldn't had used the word himbo because he didn't think Buck's one. Buck claimed that he was, at least before Abby, because what they had wasn't that, not for him. Buck said it was the most transformative relationship of his life until then. Buck said one of the reasons he's comfortable with T was that T's comfortable with himself. T said he wasn't always that way and Buck said he's aware and it made him admire T more. And then dropped the bomb, saying he wanted T to move in with him. WHAT?

No, really, WHAT? Buck really got deranged thoughts cause why on Earth would he ask T to move in? They clearly didn't know each other, they didn't love each other either, so explain how this made sense?? I'm hoping that it's a case of tptb purposefully having Buck spiral and go from zero to a hundred. There's also parallels between this and Eddie and Marisol, with Buck and Eddie asking their partners to move in when their relationships were clearly not at that stage.

T's reaction to Buck's words was crystal. While Buck said he was ready to take the next step and then, for entirely insane reasons, made it clear that he wasn't proposing marriage and or an engagement, though that'd be a possibility thanks to the brave people that came before like T. WHAT? Really, no, I'm so serious. I fucking cannot with this dialogue. Moving in, the suggestion, was bad enough, but bringing up marriage? Attributing the fact that they had that right thanks to people like T? SERIOUSLY? This was atrocious. I know Oliver was thinking of his bank account while delivering those lines because they were as non sensical as they could get.

"Why be apart when we can be together?" Buck finally asked. T said that's sweet but he couldn't move in. Buck wondered the why and T answered, "Because... I know how this ends." And my heart literally stopped or skipped a beat or something. I legit thought he was gonna bring up Eddie or a hint and, well, he kinda did, though not directly.

Buck asked what that meant and T explained. He mentioned Buck's qualities but then said that Buck's feelings were new and so it was all exciting and it felt like forever but he's still figuring himself out, which was good. Buck asked what he was saying and T said that no matter how bad he wanted to be, he wasn't his last but his first. Buck interjected that they could be the same but T said they usually weren't. If he were to move in, Buck wouldn't mean to but he'd end up breaking T's heart and he didn't think he could deal with that. He got up to leave, saying he should go and Buck told him to wait and asked him if he had just broken up with him, to which T replied, "yes, I guess I did. Believe me, I didn't see it coming either. Should've known that parking spot was too good to be true. I'll see you around, Buck."

At last, free! But while the beginning of the conversation was terrible, it ended on a high note. There's a lot of questions, like: according to what he said, T knew there wasn't a future between them. So I'm guessing here that after six months, they hadn't actually discussed that because Buck was clearly on a different page. T knew they weren't long term while Buck was thinking of moving together and being together for good. Make it make sense, how were these two dating not knowing anything about each other and not discussing basic relationship stuff??? T knew that Buck had to figure himself out yet he was still with him hoping it'd be casual without actually talking about it??? Yet he later claimed he didn't see a break up coming and he could see his heart being broken?

Now, my shipper heart wants to believe the between-the-lines reading of this scene had Eddie written all over. Eddie is how it'll end... And the fact that T's answer to Buck's question contained the "guess" this time around, mirroring Buck's response to "my attention"... INTERESTING. It was all a guessing game between BT, It's also the first time he called Buck by his name, which was the first and probably last because we're not gonna see him ever again. I was glad Buck asked if they were done because we all know he got confused about it with Abby... So long, T, you will not be missed. Buck's loft door opened and later on, another did...

Finally, we had Eddie. My boy. Looking at himself in the mirror and getting rid of his disguise.

And then... I literally felt so many things at once, y'all! The music, the shot... I couldn't believe it was about to happen. And then the mole made an appearance and Eddie was wearing pink and tighty whities and I swear I couldn't. I just, even rewatching to write this... I love him so much!!!!!!!!!! I was so happy to see Eddie letting go of his disguise and allowing himself to have that joy. The fact that Ryan looked like that... I was fighting for my life the whole time, NEGL.

I kept thinking Buck was going to show up midway. I was truly bracing myself for it. But the doorbell rang. Eddie looked through the peephole. Buck was there. Eddie opened the door, nodded at him and Buck gave him a beer as an answer to an unasked question and got in. Eddie closed the door and looked at the beer, at Buck and at the beer again. He made a face and then climbed the sofa. Buck was already drinking when the camera panned to him. Eddie opened his beer and drank from it. Scene.

LISTEN. I was unhinged already because they had Ryan dancing like that. But then the final scene happened and I just... I don't know how I'll survive what I hope it's to come.

Let's break that one down:

Eddie decided to follow Brian's words. Eddie didn't forgive himself but he decided to stop punishing and disguising himself in the meantime.

The way Eddie looked at himself in the mirror, both before and after he shaved off his mustache... My heart!!!

Eddie allowed himself to do something frivolous, something fun, something that expressed pure joy. The fact that he chose to dance half naked around his house... that's very babygirl of him, and I don't say this lightly.

The pink... the moves like the ones from the bachelor party... I felt crazy.

I kept waiting for Buck to show up, like my mind was half insane at what I was seeing and half insane at the possibility of Buck seeing it as well.

The doorbell rang instead.

Why didn't Buck use his keys?

It was the perfect opportunity for Eddie to put on some pants. Eddie didn't do that… Neither before or after looking who it was.

But, really, why didn't Buck use his keys? WHY????????

Was it to hammer the fact that Eddie was comfortable opening up his door to Buck while not wearing pants?

Was it so Eddie could see him standing on the other side of the door, mimicking Brian's view of Eddie in the confessionary? Will there be something for Buck to confess in the future? To Eddie specifically???

Buck wasn't looking at Eddie when Eddie saw him behind the door, btw...

Eddie opened his door and they looked at each other and said not a word but understood each other perfectly.

I truly hate the continuity error with the shirt collar. It's gonna hunt me forever.

Buck made himself at home while Eddie considered the beer.

Remember how Eddie's choices were water or juice? Well, what about a third secret option? BEER. Buck's beer, in fact. INTERESTING.

I went nuts and will continue to go nuts at Eddie climbing the sofa. Whose choice was that? I need to know. It was so freaking cute!!!

The camera went steady and Buck was already drinking from his bottle. Eddie, on the other hand, uncapped the bottle like he did with the water, and the shot ended as he drank the beer.

The contrast in the colors of their clothes… the fact that Eddie was looking to the side while Buck was looking ahead.

Was all of this symbolic of the fact that Buck already figured his sexuality out while Eddie's just starting? I'd like to think so.

Was it symbolic of Buck reaching conclusions he'd later have to confess to Eddie before Eddie arrives to those same conclusions himself? I'd also like this very much.

Now, the episode was called "Confessions" and Buck and Eddie didn't speak to each other. Not a single word. Even in that last scene, the only one in which they actually interacted, they didn't use words to communicate.

I see this lack of dialogue between Buck and Eddie in two ways:

First, it could show how good a relationship Buck and Eddie have in order to not utter a sound and still get each other completely. Regardless of all the issues I had with the writing, I can safely say that Buck and T were the complete opposite and lacked communication all around. The space and lack thereof reflected this too. Buck and Eddie know each other so well and Buck went directly to sit down on the couch, waiting for Eddie. Eddie followed right behind. BT, though... Buck stepped away from their table and the whole conflict with T's dating history started. Buck sat very far from T at the loft and only got close to be broken up with. Incredibly enough, that final shot with Buck and Eddie sitting together at Eddie's couch was the first that ever happened... Maybe that's foreshadowing something else, like couch theory related stuff? I never really spiraled about it before but I might soon.

Second, it could indicate there's something Buck and Eddie aren't saying to each other. They didn't speak to each other because they can't -- they're not ready or aware that there is something to confess. They remained silent because it isn't time yet but if they were to confess something, it would be impossible to take back. It would change everything. It will.

This is a legit insane post. When I say they're driving me nuts, I mean it and this is proof. Even though it's the longest ever, I probably forgot stuff that I might add tomorrow.

Now please share your thoughts on the episode and Buddie and everything so I don't feel alone in my madness. <3

[rockyp77mk3]

Right my side lost and your side won. I am trying to understand but I want to know what is the big difference between the Progressives and conservatives? Why do Progressives piss off conservatives so much? We only want equality and fairness.

Thank you for the question. These questions are deceptively simple but they require somewhat complicated answers. I will try.

Oh, I am not just a conservative. I am a Constitutional Conservative which means that the Constitution is considered the supreme law of the land. It is the guide against which all legislation, taxes, regulations, and issues are judged. It applies equally to all and is therefore a protection for all. It can only be changed by amendment and is not subject to any foreign law or restrictions even those promoted by the UN.

Since I like checklists I will try to answer your questions in some kind of order.

Problem solving. When presented with a problem Conservatives try to solve it using known facts and reason. Progressives tend to use spending and regulation. I have never witnessed a Progressive try to solve a problem (Or perceived problem) in any other way than raising taxes or sponsoring legislation that further truncates our individual rights.

Control. Progressives seem to love control, either being in control or being controlled in every aspect of life. They want to tell or be told what people can own, how far people can succeed in life, what people can think, what people can eat, what people can drive, and lets not forget what people should do with the very money they earn. In that last one Progressives are content to confiscate wealth through taxes for redistribution to their liking. Conservative just want to be left alone. We want to keep most of what we earn, we want to enjoy our enumerated rights unfettered by social pressure or governmental overreach. We would like government to literally get the Hell out of our lives.

Lack of tolerance. When a progressive gets an idea they believe it to be so good that it must be shared with (Inflicted upon) others even at the point of a governmental bayonet. Socialism for instance, also limiting 2ND Amendment rights, private property rights, etc. Conservatives don't care what you want to do as long as we are left alone to do what we want to do. If you don't like guns, fine, don't own one. If you want to be a socialist fine, get fifty of your closest friends and create a commune, I wish you luck. Do what ever you like, just leave me and my rights alone.

Happiness. Conservatives seem to be relatively happy. Progressives aren't happy unless they are angry or upset about a situation that either happened over 100 years ago or is an isolated incident, or is just something with which they don't agree. Progressives aren't always right but they are always certain. In that pseudo certitude they are willing to trample any and all rights. Individuals be damned the cause is all.

The US is always wrong. No matter the issue Progressives will unerringly take the side of anything that goes against the US. Progressives will support despots, terrorist groups, rouge nations, and criminal politicians as long as those support the inherent anti US sentiment of the hard left. Conservatives acknowledge that the US makes mistakes, sometimes hideous mistakes but at our core we are generally damn good. For example, if Kamala had won you won't see too many Conservatives wanting to leave the US. We are Americans and will stay and fight to the last.

Equality. Progressive want an equality of outcome. A guarantee that all people will have the same success. They call this "Equity". Conservatives believe that equality means that all people will have a fair chance at success. That hard work, effort, and inventiveness will pay off. You can't ensure outcomes only starting points.

There are more but you get the idea. By the way, Progressives don't piss us off all that much, we just don't want you in charge.

[shineysposts]

My Thoughts on the Supposed 'Plot Hole' in Rafayel's Branch

I’ve seen a few people pointing out some "plot holes" in Rafayel’s branch. One of the biggest complaints is: How did MC suddenly know about Rafayel being a Lemurian and their special bond?

(spoiler ahead)

I’ll admit, this surprised me at first too. But after taking some time to process it, I realized that the two-month time skip after MC returns from the N109 Zone isn’t just a random gap—it’s pretty clear that a lot happens off-screen during this period, most likely involving interactions between MC and each of the boys.

We’ve seen a similar approach in Zayne’s branch, where MC already knows about Zayne’s recurring nightmares, even though this was never explicitly mentioned in the main story. The reason people don’t focus on this as a plot hole is because it’s easy to assume that Zayne and MC discussed it during the two-month gap, given their established friendship.

Rafayel’s case feels different, though, because the reveal is a big deal—it’s about his Lemurian heritage and the bond he shares with MC. This is probably why some of us feel like it shouldn’t have been glossed over. However, I think we need to give the devs a little credit and consider that Rafayel and MC likely had important moments during those two months. Here’s why:

Rafayel was the last person MC saw before heading to the N109 Zone. It makes sense that she’d talk to him when she got back.

Even though it’s not explicitly stated that they’ve been talking frequently, MC trusts Rafayel enough to involve him in her mission. This kind of trust doesn’t just happen overnight, it suggests they’ve been growing closer during the time skip.

Another common complaint I’ve seen is that Rafayel’s branch doesn’t mention the beta-protocurve plot, which was a major focus in Zayne’s story. However, Zayne’s branch revolves heavily around his recurring nightmare, so it makes sense that the beta-protocurve would tie into it. Beta-protocurves are unique energy wavelengths emitted by certain Wanderers, capable of distorting space itself. Exploring this in his branch serves the purpose of exploring his backstory.

On the other hand, including the beta-protocurve in Rafayel’s branch wouldn’t have the same impact.

Comparing Rafayel’s branch to Zayne’s and expecting the same kind of focus feels like missing the point. The purpose of the branch isn’t just to explore the beta-protocurve but to dig deeper into what Ever is planning behind the scenes.

As Jenna put it:

“Our mission isn’t just about finding the Aether Cores. We also need to investigate the shady organizations that covet them. These cores are essentially ticking time bombs in the wrong hands.”

The focus isn’t just on the new Wanderer or the Aether Core—it’s about setting up Ever as a major antagonist. Both Zayne’s and Rafayel’s branches serve their own purposes, each contributing to the larger narrative in its own way. In the end, I feel that both branches are doing exactly what they need to do to build up the the future chapters.

[pkmnprofaspen]

Aqua's probably my second or third pick for teams I'd join if I had to pick one.

The good half of Team Plasma would be my first choice since they're the best from a moral standpoint. Sure, they were misguided before the Neo split but the ones that sided with N are genuinely good people and have learned from their mistakes. But, they aren't really considered a "team" anymore and are more of just a charity, so they might not count.

My second pick is Team Skull. They do their thing not out of a desire to cause harm to others or drastically change how the world works, they're just upset the trials were too hard and are being rebellious. I hear their leader, Guzma, was in a bad situation growing up and that might be a reason they're more aggressive than the usual rebellious teens, but they're generally good people overall and they got a lot nicer after the Alolan Champion spoke with them. They weren't causing much trouble, just putting graffiti on an abandoned town and dancing at people. Plus, they have the best uniforms of any team IMO.

Aqua's third because they're generally chill people. They had much more justification for not realizing awakening Kyogre might be a bad idea than Magma did with Groudon, (Come on, you're a team of SCIENTISTS and you can't figure out that awakening the ancient deity known to cause major droughts might not be the best idea? Also, why did they assume the Blue Orb with the Alpha symbol on it would be the one that controls the red Pokémon associated with the Omega symbol when there was also a Red Orb with the Omega symbol right next to it? I get why the people who just really like fish might be confused there, but actual scientists with actual degrees should understand these things.) they support gay rights and gay wrongs as stated above, and their uniforms are cool and actually appropriate for the place, time, and situation.

Compare that to team uniforms like Magma, which were were DEFINITELY not designed with practicality in mind (What sane person wears a hoodie on top of a sweater while inside a volcano?), Flare's (absolute fashion disaster, also tf was that plan?) or god forbid whatever old tapestry Ghetsis stole from an antiques shop and decided would make a good outfit.

Finally, they're one of the few teams whose names actually make sense. Like, Team Rocket and Team Galactic aren't really doing anything in terms of space travel, (No, Palkia doesn't count. Cyrus wanted to make a new space, not explore the one we already have, and it didn't have anything to do with galaxies.) Team Plasma isn't doing anything plasma-related, (what would that even mean if it was accurate? Would they be doing, like, evil blood plasma donations?) Team Flare is only accurate because they like Fire-type Pokémon and has nothing to do with their actual plans whatsoever, Team Skull doesn't have anything to do with skulls, and Team Star doesn't have anything to do with stars. The only ones that make sense are Team Aqua, who wants more water AKA Aqua, Team Magma who want more volcano eruptions for more land which would make Magma, and Team Yell, who makes the most sense because they absolutely do yell. They yell a lot. Gotta respect those Galarians for putting up with that much noise, couldn't be me.

[ghostingghosty]

I fear that the anger and disappointment of the left and in US-liberal spaces might create divisions and promote infighting; something which will counteract any momentum that have been growing in progressive spaces the last couple of years (the counter momentum to the rise of facism from the right).

The resentment towards the outcome and those who did not vote for Harris, either in demonstration or out of indifference, should not be carried over to Palestinians or their cause. I understand it's a time for self-reflection and reconsideration of political priorities, but comments like 'I am going to Starbucks RN' or 'good thing I never stopped eating McD lol' are so disheartening to hear. Your support for Palestinians should not be conditional – your morals should not falter because some people chose not to vote. Genocide is genocide; it did not change just because Trump won, and your support shouldn't either. If every single Palestinian signed a letter saying that they despised me, I would still fight for their right to live, cause human rights aren't debatable or conditional.

That said, I have also seen a lot of leftists who did not vote for Harris call the people who are sharing their frustrations with the election Zionists and genocide supporters, which is equally as disgusting. You are not morally better for not voting; you just made a different decision. Voting for Kamala does not make you a Zionist or a supporter of genocide, just like abstaining from voting because of morals didn't cause Trump to win. I also feel like these labels have been especially targeted against black people when sharing their frustrations with non-voters; a group that has historically been, and are, anti-war.

Emotions are high. Don't let the current political state discourage your kindness.

I believe that most of these reactions are coming from a place of hopelessness where we are seeking a scapegoat for the election results (and what that means for the state of the nation) and sharing ones frustration with a genocide that seems impossible to make politicians care about. Infighting is not the call, and it is important to let the Democratic Party know that turning to the right was the WRONG decision, otherwise they will do it again in four years. The Party was the main reason for their loss, as their campaign was tilted to center-right leaning republican middle and upper middle class women, instead of focusing on popular policies, such as free healthcare, and their own leftist base. It was a single-issue campaign on abortion, with an adoption of the right's racist immigration propaganda AND EVEN BEING FRIENDLY TOWARDS THEM to the point of promising republicans a seat in her government??? The campaign was a failure, and it is important to make them recognise their own incompetence and show them that boot-licking the right is bad politics.

PLEASE do not stop fighting for righteousness, even when everything seems hopeless – vote in the smaller elections and be informed on legislators and legislations in your states! Hold your representatives accountable!

[bigmack2go]

Katherine “Plumber” Pulitzer has Adhd but not “aDhD iS BeAuTiFuL” type adhd because it isnt. It’s a disability that affects people

Katherine who’s hyperactive and annoying and has trouble finding friends because of it

Katherine who doesn’t believe when she *does* have real friends, thinking they’ll grow tired of her eventually

Katherine who has a bajillion hyper fixations a week and can’t finish one if her projects for shits

Katherine who doesn’t remember that she put stuff down she was just holdibg seconds ago, let alone where

Katherine who thinks she’s going crazy or that she has memory loss or some shit because she just can’t remember anything

Katherine who ignores her reminders automatically even when she tries not to and doesn’t know WHY

Katheribe who can’t explain shit, who cant put things into words and cant explain her feelings or her thoughts

Partially because her thoughts go to fast and partially because they don’t make sense when they’re put into words

Katherine who cant speaj spontaneously, who always has to wrote shit down and formulate whole sentences before hand, so she cabt handle confrontation. Not because she doesn’t know WHAT to say but because she doesn’t knwo HOW to say ot when she didn’t prepare herself

Katherine who’s affraid of relationships because she’s afraid they’ll jusy be another hyper fixation and they dont wnat to make anyone feel that way

Katherine who doesn’t want to make ANYONE feel that way, who feels guilty way to fast and does everything in her power to make people feel included even if that means not being included herself because she knows what it feels like and she can’t stand the thought of other feeling that way. Let alone being the reason other feel that way

Katherine who WHEN she writes stuff down, can formulate the most complicated sentence possible and still make it make sense but only if she has time for that

Katherine who can’t get out of bed for shits sometimes, wondering why she isn’t as much of a rubberball as she used to be when she was younger

Katherine who has episodes where she sleeps always and everywhere and then other times she’ll stay awake for a week at a time and then drive on one hour of sleep the next week

Katherine who has trouble sleeping even if she really really wants to and is really fucking tired because her brain just wont stop

Katherine who writes articles and sometimes slowly trails off, transitioning to another topic or starts writing about something entirely different in the middle of a sentence

Katherine who’s afraid of quitting hobbies that she started because of a hyper fixation even though she’s grown out if said hyper fixation, because she’s afraid she’ll regret it

Katherine plumber who just can’t get it right. No matter how hard she tries she just always seems to keep failing. And no matter how much attention she tries to py in class, she just can’t

Katherine who gets called out for not listening, and made to cone to the board to solve a task even though the teacher know damn well she can’t do that because she wasn’t paying

Katherine who gets laughed at and feels humiliated by her teachers

Katherine who holds grudges against these people. Katherine who just cannot forget what they’ve done. Katherine who sometimes catches herself smiling when something happens to those people

Katherine who is determined to be something big, to have a legacy, something that outlives her, something big. Not because she’s greedy but because people always underestimate her and she needs to prove. Them. Wrong. She just HAS to. Or else, how does SHE know that they weren’t right. If those people arent wrong, then what’s she even doing here?

Katehrine who sometimes tries to make friends by bragging about her father’s wealth, thinking people will like her that way. Who’s willing to have friends that only like her because of her father. And ultimately, who still doesn’t make friends because even when she does do that ppl still don’t want to be her friends….

Katherine who wants to be a good friend but also just anytime someone just beeds someone to listen, she’ll skip back to the original plan as soon as possible because otherwise she’ll panic.

Katherine who misses deadlines

Katherine whi just cant seem to learn from her mistakes

Katherine who’s told she ruins everything

Katherine who thinks she’s a bad friend and a bad person because she’s lazy, and she doesn’t clean her room and she doesn’t do the homework and she cheats in class because she doesn’t understand but *ultimately its her own fault for not listening* so she still feels bad about it

Katherine who sometimes takes advantage of her fathers influence even though she knows she shouldn’t

Katherine who used to think that everything is unfair and everyone is against her and acted like she hated herself to manipulate others. Katherine who realised what she was doing and tries to change but sometimes still catches herself doing this stuff. Katherine who ends up *actually* hating herself because of that, and katherine who thinks she’s still manipulating others

Katherine who lets people treat her bad because *they were there for me when i was bad, and sometimes i treated them bad too, and they didn’t leave. So they deserve the same from me*

Katherine who hates the thought that she has to live her entire life like this even tho she only has one

And Katherine who wonders why everyone else doesn’t feel that way about themselves or about her

And katherine who wonders why everyone hates her

And Katherine who wonders why she cant do anything about it

Katherine who wonders why she can’t just be normal

And Katherine who wonders why she cant just be like everyone else

And mostly importantly

Katherine who wonders

Why *her*??? Why does it have to be her?

Why not anyone else. Thers so many people and she’s the one that has to be different

“Why ME?”

[itsmygarbagepail]

Fun(?) anecdote from real life: I know multiple people who were raised in a woman-only feminist lesbian circle in the 80s where they all raised their kids together. Like, they were really trying to make a man-free micro society thing happen, lived together in women-only houses, started their own women-run businesses, and obtained semen through various means that didn't include a relationship with a man. They were really serious about this.

About half of them went on to have children. And some of them had boys. Or at least children that were assigned male at birth. They also had girls, obviously.

I don't think this setting was good for either the girls or the boys, and I know some samples of both.

The ones that were assigned male at birth, really struggled for multiple reasons:

They were initially part of this really supportive and kind community, showered with love and affection from a lot of mother figures. But around 5 years old, some of the women stopped being comfortable with having those boys in their spaces. Which means boys were kicked out of the only community they knew, and the only community their moms were a part of. At 5 years of age. Holy abandonment issues, batman.

They were surrounded by women who thought that all of humanity's problems were caused by men. They were surrounded by women who thought all sexism was the fault of men (surprise! a lot of misogyny is perpetuated by women! it sucks but it's true!) They were surrounded by messages that said that women were victims and men were violent, harmful beings.

They were told a lot that they had to be very careful to not talk over others, to respect other peoples' boundaries, to be gentle and kind, etc, which is great as far as it goes- but they weren't told about respecting their own boundaries, or stepping up for themselves, or protecting themselves from harm.

About half the women in that group were what was called at the time a 'political lesbian' which means they were choosing to ignore their attraction to men because they thought men were, to put it simply, bad and not trustworthy. Do think of the message that that sends to their children.

If you were thinking that this would lead to some really depressed individuals who hated themselves/their gender/their sex (and not like, in a trans way, but in a "men are abusive assholes, and I'm a man, therefore I must be bad despite a lack of any evidence to support that position" way, along with a feeling that you're doomed to be an asshole), who ended up getting taken advantage of and hurt by others, you'd be right. Really, really depressed. And hating every part of them that is considered masculine . That is not, needless to say, healthy.

But that's just the amab side. I've known a few women who were raised in that setting and:

They were taught that they had to be tough, and assertive, and make them selves heard.

They were taught that men are bad, and men were looking to hurt them

They were taught that men are not and cannot be allies, and will never be able to learn enough to be a good ally

So, as adults:

They automatically think they are smarter and more ethical than men.

They think men will never understand feminism (even though it's really not that difficult of a concept??? Like, seriously. It's not hard.)

They end up being straight up mean to their sexual partners (because being lesbian isn't infectious, so most of them are straight) and other male loved ones; being disrespectful, not listening to them when they bring up issues, belittling and shaming them.

Thinking that men are always wrong, so making fun of them for say, wearing sun screen. Yes, really. Sun screen.

Straight up tell men who were raised by the same feminist lesbians they were, who were taught feminism explicitly by their (shared) mothers and again in college, that lived and breathed feminism from birth, that they just couldn't understand sexism or feminism, and that they could never be a feminist.

Pigeon-hole their amab quasi-siblings as sexist and pathetic man babies, despite their siblings' partners explicitly saying, "no, he does more of the house work than I do. No, he's more emotionally skilled and does as much or more of the emotional labor than I do. No, we're equal partners. No, actually, we're both agender, so stop putting your (stupid) gender essentialism on us."

Have a huge double standard- if a childfree woman doesn't know how to change a diaper, that's a non-issue. If a childfree man (with vasectomy even) doesn't know how to change a diaper, well clearly he's sexist and just expects women to take care of the babies.

When one of their amab siblings comes out as trans, completely flip their behavior from the above, and immediately take on the protective, let-me-show-you-the-ropes big sister role. Has the person changed? Nope. But they're no longer a man so now their feelings matter.

To their credit, the women that were raised this way that I still talk to have gotten better, once enough women and assorted non-men pointed out their behavior. So, yay, growth.

The folks who were assigned male at birth? They're doing better now; I've managed to convince the one that I'm married to that they're not evil because of their genitalia, and I've even managed to convince them that they don't have to let other people belittle them and trample all over them.

In sum, I think we should teach everyone to both stand up for themselves and be assertive and also to be able to listen to and respect others. To maintain their own boundaries, and respect other peoples' boundaries. To be kind, to themselves and others.

i used to be a kind of 'i think we need spaces with no men but in a trans-inclusive woman-positive way' person but the more i grow i think that whole idea is pretty flawed from the core? because like, 'no men' is reactionary thing by nature, but it also, like people much more learnt than me have said, suggests that the only way to create meaningful feminist spaces is by excluding men entirely? and 1. thats not true and 2. that bodes badly for a feminist future! as badly as some people might want it we are not becoming lesbian geckos any time soon.

the ways in which its flawed definitely interface w transmisogyny - and i think some antifeminists describe ideology like this as 'segregating the genders!!' in a way thats Wrong, but like, it's important that if we want a feminist future, people who might be percieved as men are accepted and allowed to learn and treated as people with equal potential to create a more just world and some of them become women and thats awesome and some of them dont, yaknow? fundamentally it comes back to the radfem idea that 'the people i think are Men have a sort of Evil Particle in them' being so unconducive to a meaningful feminist movement cos it prevents people from sharing their own experiences under the patriarchy and forming solidarity. it also positions the ultimate conflict of society as Men vs Women which very handily erases a lot of other lines of oppression in a way that benefits the white women who perpetrate it.

thats my feminist thinkpiece for the day

[tomorrowxtogether]

SOOBIN: “I thought I should just try to shine as I am.”

TOMORROW X TOGETHER The Star Chapter: SANCTUARY comeback interview

2024.11.11

He once strived to become a lush, towering forest. But he realized that people will love him for exactly what he is—a deep, rolling ocean. And so, he decided to remain as whom he always has been: an ocean named SOOBIN.

You took a trip to Vietnam earlier this year with BEOMGYU. I heard you planned the whole thing. SOOBIN: I’m usually the kind of person who just goes around without a real plan, but since we don’t get much vacation time, I figured we’d better go all out and do everything we could in one go, so I tried planning it all out. (laughs) BEOMGYU just wanted to go with the flow, but there was a ton of stuff I wanted to do.

I’m sure it’s not easy taking a trip or spending your off time with the same people you spend all your time with. SOOBIN: I hang out a lot with the rest of the group on my own time too, though. Three of us were all hanging out together just yesterday. To be perfectly honest, it doesn’t feel like anything special since we’re always together 365 days a year, but I’m also most comfortable around them for the same reason.

Sometimes people start bickering with each other when they get too comfortable with one another, but you’re always so kind—like how you gifted BEOMGYU with a nap in that “The Perfect Way to Rest” video when you remembered he was feeling tired. SOOBIN: I think I’m good at picking up on things. I don’t know if I can do it with everyone, but at least with the other members of the group, I’m pretty good at telling how they’re feeling or if they’re not feeling well. As soon as I see one of them, I can tell, Oh, he looks a little rough today, or, He’s sure in a good mood today. (laughs) If they seem down, I go over to them to find out what’s wrong and talk it over.

Your kindness also comes across when you’re with animals, like in the “OUR TOMORROW” video, where you took care of one dog who was so nervous that it didn’t get a chance to eat any treats. Have you always been drawn to people and creatures that are small and left out? SOOBIN: So, so much. In fact, I was really shy and struggled to fit in when I was a trainee. I was really lonely at first. So when time passed and I finally got accustomed to things, if I saw another trainee who was shy and couldn’t adjust, I felt like looking out for them. Kai was among them. (laughs) That’s how I ended up becoming really close with him.

You talked about the cat your sister adopted recently, explaining how it used to be shy because it had a hard life in the past but that it finally opened up this year. SOOBIN: I went to see the cat when my sister first got it, but I couldn’t even see it that first time—it just hid under the couch. It was so shy that I thought I’d never get to pet it, but the last time I saw it, it came right up to me and started purring, wanting to be petted. It was able to overcome its painful past and open up to my family thanks to all the love they show looking after it. Love really does have the power to change anything. (laughs)

You also said on weverse LIVE recently that you made a new friend who you can talk about dramas, movies, and books with. SOOBIN: For me, dramas and movies don’t end with watching them—after you’re done watching, that’s when things are just getting started. I always look up reviews and analyses online. People can watch the same thing and they’ll all have their own thoughts on it, so I’m curious about all those different views, and now I have someone to talk about that with. They know a lot more about books and movies than I do, so I end up learning a lot when we’re sharing our thoughts together. Just having a friend to share my interests with is really fun.

You mentioned talking about Inside Out 2, and you looked at how it features a place to store things you’ve heard that you want to keep for a long time, which got you thinking about what sort of things you would want to hold onto. SOOBIN: I kept recalling things my friends say after we hang out—things like, “SOOBIN, I’m so happy we’re friends,” and, “I feel great whenever I’m with you.” Hearing things like that really touches my heart. Seriously, how often do you get to hear things like that in life? I used to find expressing things like that awkward and weird, but thanks to my friends, I’m getting used to saying I love and appreciate people. You empathized with how Anxiety works harder and feels more anxious than others because they want to be good at things. Are there things you feel you should work harder at than other people? SOOBIN: I’m actually slower at learning choreography compared to the other members. I assumed I’d get a lot better after debuting and regularly performing onstage, but progress was slower than I expected. I didn’t say anything about this before, and I even kept it a secret from the other members, but I actually got separate choreo lessons on the side when we were doing “Chasing That Feeling” and “Deja Vu.” We’d take lessons as a group, and then once I was alone I’d always spend about an hour dancing and working on the little details. I tried so hard with those two most recent songs that I even practiced on my own like that. Seeing as I’m slow, I have to work harder to keep up with the other members. If I have more time, I want to practice more for this comeback, too.

With all the touring you’ve done and the encore performances you have coming up, it must’ve been really hectic getting ready for your Star Chapter: SANCTUARY comeback. SOOBIN: The schedule was really tight this time around—we even had to record vocals in Japan in the middle of the tour since we were in and out of the country—but now that we’re in our sixth year, the five of us were all really fast about things. I could sense that we had grown compared to before since we were faster at recording than we could’ve expected to be in the past and it took us less time to work out the details of the choreography.

The album’s subtitle, SANCTUARY, is a word that’s appeared in TOMORROW X TOGETHER albums before. What’s been your sanctuary these days? SOOBIN: I never used to have a sanctuary, which made getting through tough times hard, but I do now: simple things like working out or reading. It feels like the things that break me away from overthinking and let me immerse myself in something else are my sanctuary.

You were complimented on your previous promotions for your improved vocals and high notes. What about on this album? SOOBIN: Actually, every other album we’ve done had a song in a genre I wasn’t confident in, but not this time. The single “Over The Moon” is really laid-back, and I felt like it was perfect timing for us to try out a song like that. What’s unfortunate is that I caught this horrendous cold during recording. We started practicing for live performances recently, and the director said, “SOOBIN’s singing better than he did when recording. He makes it sound effortless.” So I couldn’t help but think about how much better I could’ve done if only my throat had been in better shape.

You always focus a lot on lyrics. Were there any on this album that have stuck with you in particular? SOOBIN: This album isn’t so much about telling some big, sweeping story as it is about everything we’ve been through together. Now that we’ve been through all that chaos, it’s about the universal emotion of love, which everyone can relate to, and I liked that about it. There’s a line in “Higher Than Heaven” that sticks with me that goes, “I think I kinda get what forever means now.” I even once said, “I never used to believe in the word ‘forever,’ but I think I can now, thanks to our fans.” I didn’t write that part, but it’s like it was written to perfectly capture my feelings.

The other members have probably had an impact on your belief in the word “forever,” too. SOOBIN: I’m pretty sure we’re going to grow old together and that we’ll be together till the day I die. We do the same thing and basically live the same life day in and day out, so we know what makes each other cry the most during concerts, too. Whether it’s my tears of happiness or BEOMGYU’s tears of disappointment from a leg injury, having friends to understand and share those feelings with is nice. They’re all just really kind people—calm and clear, like a stream. None of us is domineering or splashing around, disturbing the peace, and nobody’s dirtying the water, so I think we’ll be able to stick together for a long, long time.

You said before that you had found being onstage tough while touring. Now that you’ve already wrapped up your third world tour, do you still find that to be the case? SOOBIN: I think I’m getting better over time. I still can’t say that I completely enjoy myself, but the worries I used to have before going onstage have gone away entirely. There used to be times where I found it hard to watch myself onstage because I didn’t like how I looked, but now I see myself up there and I think I look cool. (laughs)

The way you have a different outfit on for every sound check when you’re on tour is definitely cool. SOOBIN: For fans who come even though they’re busy, showing up hours before the concert just to wait, doing it purely out of love, I wanted to be more stylish, so I bought a lot of clothes just for sound checks. The glasses-plus-cardigan combo was something I bought in advance for summer, and the reaction from the audience was amazing! They showed me on the big screen and MOA was screaming their lungs out—like, not the usual “wow,” but, “aah!” Like shock and awe. (laughs) I was worried I went overboard with the look, but they showed they liked it, so I was happy.

There’s no way not to bring up your cover of the Choi Yu Ree song “Forest” when talking about you. You said that the people around you are like tall trees in a forest and that you thought you’re one of them, but that you figured out you’re actually more like the ocean. SOOBIN: It’s easy to find people around me who are better looking and sing and dance better than I do. I actually started thinking about that at Lollapalooza. The other members looked so happy and like they were having so much fun onstage, but I couldn’t. I felt eaten up inside seeing myself not being able to fully enjoy it because of all the pressure. Then I heard Choi Yu Ree explaining that “Forest” is about feeling like you’re not good enough and I thought, “Ah, so that’s what I’ve been going through.” I started to understand my emotions a little bit better. Everyone ends up comparing themselves to others at some point in their lives—it’s unavoidable. And they have times where all they can see are the things they hate about themselves, but it’s ridiculous. I was overflowing with negative feelings when I was working on my “Forest” cover, and I wanted to sort of deal with those feelings and express them.

The music video echoes your thoughts that someday you’ll come to shore and become one with the forest. What does the forest mean to you? SOOBIN: Just being a singer who’s good at singing and dancing, interacting with my fans, enjoying performing, and being able to do it all with complete sincerity. I think I was showing how the forest to me means being happy with the other members when they’re happy. Nothing big—just simple things I’m not always that good at.

Do you feel more like a forest now that some time has gone by? SOOBIN: Umm … I saw a ton of comments from fans after I covered “Forest.” My mindset when I was doing it was, Right now I’m like the ocean, but I’ll become a part of the forest just like you guys—so wait for me until then. But once I saw what fans were writing, I changed my mind and thought, Do I really need to become a part of the forest? I could be similar to the forest, but I don’t have to change myself to be one. My fans kept saying, “The whole reason we liked you in the first place is because you’re like the ocean, not because we hoped you’d become like a forest. If that were the case, we’d like somebody else. Why do you think it was you?” The ocean comes with its own perks, you know. You need to have some ocean near a forest to add to the scenery and have more things to do. Now I think maybe I tried too hard to fit in by trying to be like the forest. Now I feel like I can shine bright just by being myself.

That lines up with what you recently said in an interview you did in Japan when you said that your 20s, the best and most energetic time of life, are dazzling and fun thanks to knowing MOA. What do you think you’ll see when you look back on this youthful period of your 20s? SOOBIN: Joy. Every moment of our lives is packed with good times and bad times, joy and sorrow, but in the end, I think, I’m on a path towards joy. Even things that are so agonizing that you want to die—so bad you feel like the whole world is against you, and so bad you’re certain they’re weighing on you forever, eventually pass.

Doesn’t it almost feel funny sometimes, looking back after all that? (laughs) SOOBIN: Yes. It ends up feeling so trivial somehow. Things that felt massive at the time are like a speck in the distance once you get even a little space between them and yourself. Even after all the hardship I went through being a trainee, I can look back now and see there were a lot of good times. Maybe we tend to romanticize the past a bit? (laughs) Even some of the stuff I’m going through now can be tough, to be honest, but I’m never going to give up. There’s still so much I want to give. The amount of joy I derive from doing this is way higher than the amount of difficulty. I think my life’s amazing, even right now.

So amazing. (laughs) SOOBIN: I think so too! (laughs) As time goes on and I get older, when I look back on my youth, my time with TOMORROW X TOGETHER, I wonder if it’ll look that much more shiny and amazing. Maybe I’ll feel I was even cooler at this time than I feel I am now.

[thereareeyesinsidethetrees]

ae don't see the point in engaging in a fandom if you don't even really like the characters

like, yeah, folks get ford wrong, and they get mabel wrong too. but they also get stan wrong. like. a lot? just as much as they get ford wrong, even? is. is there a chance the only reason folks talk about ford's mischaracterization more is because he's made out to seem worse than he is and stan is made out to be flawless and people like flawlessness and perfection and more attracted to characters deemed as having no negative traits because they feel better projecting themselves onto said character

anyway, ae can't say anything on dipper cause ae don't even really know his character that well (was always more interested in the others unfortunately) so ae have no clue if like. folks are mischaracterizing the main character too

but the point is: you have a main cast of like four characters. maybe five, if you count bill. and three out of those four (maybe four out of those five, considering the. what would we call that. 'wet kitten'-ifing of bill, especially recently), a large chunk of the fandom violently mischaracterizes. do you get us here? like, it's one thing to throw some headcanons into the ring, tweak some bits of a character, etc.

what the fandom does with ford and stan is not that. ford is not ford, and stan is certainly not stan. and mabel? we all know how she's treated

aey don't want to say like. all the folks here are doing it for this reason. but ae'm willing to bet this is due to 1. not interacting with the actual material for a long while and 2. not being able to let go of the series due to nostalgia

and ae get that, ae do. it's hard to let things go that are important to you. but you're not the only one. gravity falls praises weirdness, the differences in beings. lots of folks are attached to the show due to this, especially neurodivergent or just generally outcast folks. it says you will find your place, where you will find community and safety. it says that things get messy, but they can always get better

1: erasing stan's mistakes and flaws and making him a perfect can-do-no-wrong was coerced into every bad thing he's ever done character fucks that up (and the stan in our head personally likes to have his gremlin shenanigans acknowledged). it means stan didn't have to work for his happy ending, he didn't have to better himself, he just had to sit and wait for ford to drop it in his lap. this means it is not equal. it's not fair to ford, if he's the only one that had to put effort into it (especially after the thirty years of being in a completely alien place??). this also becomes an issue when you take into account that a large amount of people still give stan all his canonical trauma. you are not your trauma, you are not responsible for it, but you do need to work with it. it can't get better by itself, you need to help it get to that point. and this is speaking as someone with ptsd. it will always be there, but you can ease the pain. thus, treating stan in this way yields the opposite meaning: he doesn't struggle with it. he doesn't make mistakes. he never lashes out because of the suffering as commonly occurs. he doesn't have to try. making him messy makes him real, and making him real means he can be used as a device to help those hurting to heal. his experiences are relatable for a lot: and thus making him have to work for his good ending instead of just waiting for it to fall into his hold is important. if he can do it, you can, too! you don't get that if he doesn't have to try

2: ford is a very neurodivergent-coded character. this does not mean he is canonically neurodivergent; it does, however, mean that when you demonize him, make his character worse than it is, it is very difficult to avoid spewing out ableism. saying x trait of ford is bad for y reason means you are bound to fall into a pit trap of hurting beings who don't deserve it. most folks think of autism, of course, but this also applies to a lot of other things. personality disorders, paranoia and anxiety, ocd, and a whole host of other things folks have no control over. he has a lot of hurt he was never able to process properly, and that adds to him being a messy character. this is good! he works hard to pry his life from his abuser, and he works even harder to better himself and get his happy ending with his family! and yet. the fandom does not acknowledge any of that. he is demonized for things stan does, too, and ae have never such horrific victim blaming as in the fandom. again, this hurts people. he is not irredeemable, and he is not responsible for what his manipulative abuser did to him. implying or outright saying he is harms beings that are trying to heal from similar experiences. furthermore: the emphasis on him being arrogant, having an ego. stop that. if he has a little bit of arrogance to him, so what? that's normal, that doesn't make him a bad guy. especially when folks dig so hard to find any scraps that prove this apparent trait of his. everything is scrutinized. learning to love yourself is important, and gaining a little bit of an ego is part of that. building confidence and pride in your accomplishments is good! being able to genuinely say you're cool or amazing or smart or beautiful or strong is good! building all of this up is an important part of healing, especially from trauma, and demonizing ford for it is actively working against this

pointing these things out isn't hating on stan or defending ford, either. the characters have personalities, and it's better in the end to let them keep them, as messy as they may be. stan has flaws, ford does too. but they're good people, they have good intentions, and they work to better themselves and repair relationships. they're not all the way there, yet, but they will be. you just won't get to see it (that's what fics and fan art and headcanons and discussions are for)

this turned out so much longer than ae meant it to be, but like. idk, needed to get our thoughts out ae guess

[thornfield13713]

So, apart from how it happened, what's your take on the Spike soul thing?

...I actually like it? I hate everything about Seeing Red, but sending Spike off to get a soul? That actually works for me. For a few reasons.

First of all, it deepens and complicates the show's soul lore so much to have a post-soul Spike be recognisably exactly the same guy, just with the addition of a built-in moral compass and a little more guilt and restraint. It demolishes everything we were told about how vampirism works at the start of the series, and that is fascinating to me and also something that I feel like ought to have been a much bigger deal for everyone in the show, but wasn't.

Also, the dynamic of his having fought for and won a soul because he wants to be a good man and feels like he can't just rely on Buffy as an external moral compass is...I love that. I love that it enables them to stand on a more equal footing, because putting your whole moral compass on someone else is inevitably going to unbalance things a bit. I love the way that it makes it impossible to believe that Spike has not changed and grown and wasn't doing his best to be good beforehand, because if he genuinely didn't care about being a better person, he'd never have done it. Does he need the soul to be a good man? Probably not, but soulless Spike seems to be relying on other people as barometers for morality, and that would be dangerous even if those other people weren't the Scoobies in general and Buffy in specific, who struggle as much with figuring out morality as anyone else, and aren't the most stable basis for this, even putting aside just how marginal Spike is within the group.

And, spitefully, I love the way it underlines his differences from Angel. This might just be that he claims to be 'not a thinker' (not entirely accurate, but his thought patterns do not follow the same sort of lines as Angel's), but Spike's first thought after the soul is action - to try and work to make amends, not just stewing in his own guilt. Like- it annoyed me so much when Angel acted like Spike 'getting over' his guilt so much more quickly was a point against him, when...actually, this is not a comparison that favours Angel. The guilt is clearly still there - the aftermath of the Dana thing demonstrates that, even with all the things wrong with Spike's characterisation in AtS S5 - but Spike chooses to do something about it rather than angsting and eating rats. And does so without anyone dangling a fifteen-year-old in front of him like a carrot, and with the full acceptance that the woman he loves does not and will not return his feelings (so far as he knows) no matter how many good deeds he does. Likewise, there's no claim that he's two different people, no attempt to duck responsibility. Angel might accuse Spike's arc of being a cheap knockoff of his in Destiny, but I'd argue that it's the improved second version.

So, yeah, the soul itself, I approve of. I might not like how it was handled, or how they kicked that plotline off, but I think it's both narratively interesting and very useful for worldbuilding and characterisation. Also it pisses Angel off royally, and that is never not going to fill me with glee.

[alligatorjesie]

I love how OP is complaining 'capitalism isn't an answer to these questions' when if we just sit down with a shit scoop and dust away the clean surface litter of 'why people vote against their own interests' the stinky cat turd that is capitalism is right there under the surface.

Capitalism explains a lot of why people are stupid and vote stupid, and if definitely explains why a lot of us who are not so stupid and don't vote against our own interests still have to deal with corrupt corporate legislation that force shit options upon us.

In America we've turned schooling into a numbers and testing game that punishes schools who don't test well. That sounds correct on the surface but then when you dig around in the bullshit a little you realize they're literally only teaching these kids how to test and not how to do fucking anything else.

human restoration project did a long fuckin' video on how teaching the test is dicking over American public school systems

skip intro did one about a fictional school but it reflects a lot about what is wrong with real schools.

It's money.

It's always money.

Now we have schools filled with students who can't read good and teachers who ain't really allowed to teach anything but 'the test' and ain't even being paid well enough to babysit and a lot of this isn't this way because voters are stupid. It got this way because corporations own school book publishings. They decide what we learn and how we learn it from lobbying the fuck out of Congress to make it this way. Schools don't get a choice how they teach, and if they don't do it the way Congress wants then they don't get funding.

It's not even a conspiracy.

It's very look-up-able.

We literally just had a ballot measure in my state that was 'hey should we give the already poultry amount of we designate for public schools to private schools instead of public schools?' and thank fuck it lost but that shit got over 30% yes votes. Most of the houses that had 'vote yes on 2' signs in their yards didn't even have children living there.

I also noticed how a lot of those yards also had trump signs in them but that's a conversation for another day.

We don't have healthcare because we're told there's no better system out there besides the one with the absolutely fucking useless middle man who can deny you help because they deemed that cancer you developed from DuPont pouring Teflon into the waterways was pre-existing condition just to ensure shareholders get more of the pie at the end of the quarter. This wasn't even a measure we got to vote on this was just forced on us because of greed. Cooperations have corporate interests and lawyers and lobbyist that are paid very well to make that company as much money as possible.

This is one of the reasons you can't walk into a hospital in America and ask 'hey how much would it cost to do x?'. They won't tell you a price because it's fucking made up.

No joke. You can't find out how much it will cost to have a baby in a hospital in America and the hospital won't give you a price ahead of time because that price is heavy influenced by things like; if you have insurance or not, what income bracket you belong in, if your paying some shit in cash, just to name a few bullshit reasons.

We keep getting food recalls because huge food corporations have have financial interests to demand to monitor their own food safety rules instead of allowing the government to do it. We have a whole government agency that could be better staffed to handle this but there isn't a financial incentive to do that so we don't.

9 times out of 10 the reason shit sucks is because someone wanted to make money over being a decent human being.

It's not even fascism it's just regular ol' corporate greed.

which has roots in fascism no doubt.

Honestly, we could fix most of the problems in America if we just got rid of lobbying.

surely we could educate the people in matters of economics and social theory to make them less stupid in their voting.

Perhaps, but that's a multi-generational project of improving education, which doesn't solve the short-term problem of winning political campaigns. Indeed, the former is rather predicated on the latter.

[bird-inacage]

Arcane S2 Act 1: Caitlyn's Arc (The Call of Revenge)

This is not my usual corner of tumblr, but I adore Arcane and I wanted to air out my thoughts on Act 1. There's understandably a lot of contentious commentary surrounding Caitlyn's 'villain uprising'.

As Mel points out, "she hides it admirably, but the poor girl's in so much pain". Caitlyn is by all definitions a loose cannon right now. She's clearly not in a sound nor stable state of mind. She's plagued by immense levels of grief, anger and hatred, that have her possessed and consumed. She's tried to put on a brave face but she's lashing out. She's raw. She fantasises about killing Jinx. Revenge is rarely ever rational or fair. It's emotionally charged and can often veer into madness.

During their fight with Jinx, all that comes to a head. In the heat of the moment, Caitlyn completely loses all her rationale, any dregs of compassion we knew from S1 swiftly go out the window. She must kill Jinx, no matter what. When people lose something dear, revenge can become their sole motivation, the only thing giving them purpose and a reason to keep going or to even stay alive. When a war suddenly takes away one of your loved ones, it becomes personal and very real. Up until that point, you can take a more diplomatic approach. A more idealistic stance. That is, until you've become a direct victim of the situation.

There was always a degree of sheltered naivete we saw with Caitlyn in S1, which clashed with Vi's more jaded (or grounded) sense of reality. And now Caitlyn's experiencing that for herself. Those feelings are currently at their most heightened, most potent and therefore; most dangerous. Luckily Vi had Vander to guide her when she tragically lost her parents, but there's no one to steer and influence Caitlyn when she's now at her most vulnerable and volatile.

Vi is wrapped up in the centre of said conflict and is still processing a lifetime of grief herself. Jayce is pre-occupied with Viktor. Mel has disappeared. Her mother is dead. Her father is paralysed by grief. There is no Grayson or equivalent to lead the enforcers. She doesn't have a mentor figure to consult or look to for guidance, who has her best interests at hand. "I don't know how, okay?!"

Ambessa seeks to exploit Caitlyn as a figurehead to aid her own objectives, precisely because she's in the perfect position to be easily manipulated and weaponised. "Come child", is a stark reminder that essentially Caitlyn is still a child. A child whose lost their mother and lost their way and now stands in the middle of a political hailstorm. So when Ambessa offers out her hand, it's no surprise Caitlyn takes it.

In my opinion, attempting to distill Caitlyn's actions as categorically right or wrong is a huge disservice to the complexities of the situation and the story. No one sets out to be the villain of their own narrative. We feel justified in what we do, because of who we are and what we've gone through. In our own minds, our actions make sense to us. And quite frankly, no one is immune to that.

[dandelion-wings]

Hello! Love your fic and blog. I would love to hear your thoughts on something. There's a thing I sometimes see people say...that like Kaeya should have told Diluc his secret earlier than he did. (And I agree that he should have told him at a different time. And I do think it is generally a good thing that would strengthen their relationship, after they work through it, and it gives Kaeya a confidant.) Idk, it's complicated because I kind of feel like Kaeya doesn't really owe anyone the truth until such a time that he is put in a position of potential or active harm to Mondstadt. But I am generally of the opinion that people are way too harsh on most of the characters that keep secrets, as if that in itself is a moral wrong.

Hmmm. I had to think about this a little, anon, because "should" is such a loaded term here!

I think so much about evaluating his choices here depends on context we simply don't have in canon. Is Kaeya actually in Mondstadt for any malicious reason, or did his father leave him there to protect him in some way (and if so, did he justify it with a false mission to make Kaeya cooperate, or is Kaeya fearing a war that isn't actually likely to come)? If there was a reason, was he an active agent (spy, saboteur, what have you) or a helpless pawn (c.f. this post)? If there was an actual plot, has his loyalty changed and he doesn't have to do anything for Khaenri'ah going forward, or does he fear some kind of secret trigger word or magical control that would make him a danger to Mondstadt no matter what? Is "Khaenri'ah" only the Abyss Order at this point, or are there actual non-Order Khaenri'ahans still around that Alberich Sr. is trying to save? (Or, in between the two, is he on the "save/purify the hilichurls" boat with Caribert, but is taking a different tack than the Order, or working with them only reluctantly?)

An important question for me has always been whether the fanon that Kaeya is "a prince" is true because, if he is, and there is an actual plan, and there are actual Khaenri'ahans this plan was meant to save, then morally speaking I don't think he should have told at all. I tolerate royalty even in my fiction only and exclusively on the premise that they serve their people No Matter What (this is why I still hate Ei >> ), and I would lose all respect for him if those three conditions obtained and he still chose Mondstadt.

But like... my insanely high standards for fictional royalty aside... Kaeya was a kid abandoned in a foreign land. That's the one thing we know for absolute certainty. Even if he was around Diluc's age of eighteen, and even if Mondstadt definitely gives responsibility to kids way younger than in our world, to me that's still a kid. "Should" seems to come with moral judgement here that's pretty harsh, given that, and I say this as someone who does judge Diluc around the same events--but with the same ambivalence, for the same reasons, of him being a kid in a tough spot. (I did not make better decisions re: sibling relationships than either of them at that age, let me put it that way.) Also, honestly, if Kaeya had confessed earlier, I don't think Diluc was the person to initially do it to--leaving aside all moral questions, I think the smart person to tell would have been Crepus, an actual adult who, while not perfect as a parent by any means, I feel likely would have chosen to protect his adopted son from blowback. He almost certainly had the experience as a businessman to control when and how that information was disseminated to any relevant parties, including Diluc himself.

I honestly don't even think Kaeya "owes" anyone the truth even if it does put Mondstadt at risk, though that comes from the premise that he still feels conflicted somewhat (which canon has drifted away from somewhat but I do stubbornly cling to, because it's spicier, and I don't love them blandifying my boy >> ). He gets to make his own choices. And then he gets to deal with whatever consequences fall out for them! And honestly, while I feel like the morality of secret-keeping in the real world depends very much on the secrets and their impacts, and can often go horribly wrong, in fiction it leads to some of my favorite kinds of narrative drama. So I guess that's my takeaway!

[sciderman]

Sometimes i remember a comics moment i randomly came across somewhere, where Sam Wilson mentiones a musical and Steve Rodgers says he doesn't like musicals, to whitch Sam goes "Guess that means you really are straight" and even tho i don't care about Cap America or the Avengers, the moment stuck in me for that quote by Sam. And like....Sci, any ideas if straight men actually don't like musicals or is that bullshit?

actually i think i know more gay men who hate musicals than i know straight men who hate musicals. i've had a drag queen stop me point blank when i was about to sing a barbra streisand song, and i know so many gays who pointedly hate abba. so based on my experience i think the inverse is true. most of the straight men i know are kind of impartial about musicals, but gay men? hate.

my theory is that a lot of gay men don't want to fall into stereotypes, maybe. but thaaaaat's just a theory! a gay theory.