#even then the underlying anxiety is still there

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[sototallynormaliswear]

I really don't care for the "true alpha" thing, and there are plenty of other people's posts about why, but I can't stop thinking about what it does to Scott and his character.

like, seasons one and two he's constantly fighting for NO ONE to be murdered, because he believes that you can't justify it and it's wrong. fair enough. this insistence places him at odds with people he might otherwise get along with, solidifying him as an underdog. even his alliance with Derek is tenuous, as Derek sees murder as necessary to keep people safe and Scott doesn't. but BECAUSE he's an underdog he has to work with the people around him and convince them why they shouldn't kill, he isn't powerful enough to stand on his own.

but in the later seasons.... he doesn't have that??

as the true alpha, his power hinges on him not killing people. while it would be unreasonable to say that his former stance is completely GONE, pessimistic fans (like me, hello hi how's your day) can make the case that he doesn't kill because he would be less powerful if he did, at least in part. it COMPLETELY cuts the teeth off his moral argument, which sucks because the show still has at least twelve more moral arguments left.

hes also completely LOST the underdog angle. he and Derek are finally chill, thankfully, but he's suddenly the most powerful cool guy in the area, the first of his kind in years, with super special powers just for him. about a season before he lost a fight with a guy who had been a werewolf for all of two seconds. and you know how before he had to convince other people to join his side and work with his plan? yeah no now he can just yell at them and they'll do whatever he says, magic rules.

No matter how you feel about season one and two Scott, it's undeniable that he is fighting an uphill battle that just kind of plateaus as of Season Three. and I love season three, but I feel like, if it did happen, it should have been closer to the end of the show

(And for all the talk about the McCall pack being weird and unconventional, they still fall in that same power structure that EVERY PACK EVER falls into. I think it would be more interesting if they didn't and their pack is even MORE of a mess to werewolves. take, for instance, the underlying subplot of seasons 1-3 that Beacon Hills doesn't have an alpha (at least a good one sorry Derek) and is there for ripe for the taking. a big reason that Derek wanted Scott in his pack was that he didn't want to be seen as weak or targeted by hunters, even other werewolves. they don't get along but they HAVE TO or else they straight up DIE. But then in 3A they suddenly have an alpha (at least a good one sorry AGAIN Derek) and that plotline is dropped. they're still being hunted, but that anxiety about being a good enough pack is gone. which is weird, right? wouldn't you want to increase that tension?

imagine if they didn't actually HAVE an alpha. They still consider each other pack, but that's not good enough for anyone but them. especially at the start of season four? no alpha, their former alpha has gone MISSING, they haven't told anyone, they have to go get him but every second any of them is away the more their town is in danger, and oh FUCK our former alpha is a TEENAGER NOW?? AND NOW HES BASICALLY NOT WVEN A WEREWOLF??? not only having to deal with the mercenaries and Kate but also other werewolves trying to nudge into their territory?)

[tsaritza-mika]

The Companions and Separation Anxiety

So something occurred to me while working on a WIP. It mostly started with Astarion, but then drifted to consider the others you could romance as well. I was mostly thinking of Star at the time, and the others came from conversation

If you consider everything that happened, from the moment they met, Tav and Star have never really spent any time apart for maybe longer than a few hours at most. And yes, I'd considered even the times he's left at camp. Because even if he's left at camp, all of them have that underlying mission and the need to rely on their allies. For all the allies that you gather in the game, you still keep everyone outside of your little group at something of an arms length. The only ones that spend even a little bit of time at your camp in the same vein as the rest of your companions are Dame Aylin and Isobel (no I'm not counting Alfira, because in Durge runs she isn't likely to survive a single night XDD poor baby).

All of our time is spent with our companions from the moment we meet, and for the ones we romance, I don't think it'd be far fetched to think that after everything is said and done, the brain and all other enemies dealt with, our chosen romanced companion could very well have some measure of separation anxiety if Tav/Durge had need to leave their side for longer than a day or two.

Especially with Astarion I think he would be hit hardest in this, because before his adventure with everyone, he had no choice but to watch everyone he might have had even a flicker of feelings for being taken away and never return. Kudos where he deserves them, he did a LOT of growing during the journey, but old habits die hard too. So even if he's in a better place at the end, he could very well experience some measure of separation anxiety the first time they need to really be apart from each other. This could be even worse if playing a Durge, as it might be a bit more intense considering he's already experienced his partner dying in front of him and being completely helpless to do anything to stop it before Withers steps in.

With Durge, Astarion had spent 200 years praying to every god he knew for a savior from his torment, watching as everything, every piece of himself was taken away from him. Then, the first truly good thing to happen to him, the first person who acknowledged him as someone worthy of love and respect, was ripped away from him by a god. And once again, he couldn't do anything to stop it. Even with Withers bringing them back, I doubt he's going to be completely fine with Tav/Durge being too far away from him for a while.

I'd imagine Gale and Shadow might have similarly bad reactions, yet not quite to the level that Star may get. They would also have comparable ways of dealing with it I think, reassuring Tav/Durge that they're fine, and that they understand, but their mannerisms aren't as assured as they usually are, and their words may be more clipped and sharp. They just really don't want to think about it, and try their best to ignore it.

Lae'zel I think would just, do everything physical to try not thinking about it. She acts like she's not worried about them, when in reality she's secretly counting the seconds until they're home. She keeps it all inside, because realistically she knows they can handle themselves, but she's not the emotional type. I think she might try losing herself in training. Like she's just, working herself to near exhaustion, putting in every effort to not think about it.

Honestly I think the only ones who wouldn't really be hit by it would be Wyll and Karlach. Like, they'd still feel the worry, but they'd be the ones to handle it best. Wyll and Karlach have been used to being on their own for quite a while before the tadpole, and judging by their dialogue during the reunion, I would guess they may still worry, but it wouldn't truly bother them unless they got word that Tav/Durge was in some serious trouble.

Halsin would likely be the only one who would be a middle-ground in all this I think. He'd do everything he could with the kids and the village, but then if he finds himself with enough time to think about it, he'd probably just, I dunno, chop some wood and build a table or something XDDDD Tav/Durge would come home to find that he's got a whole new 12 person table with chairs and carved dining set and cutlery. He's also carved a mother and father duck gently touching beaks as a centerpiece, and all the other carved ducklings have the names of everyone he knows carefully carved into them and placed in front of each seat. He's also been talking to them. People have been worried about him, but they didn't want to say anything XDDDD

[auntie-browning]

@emptyxhearted liked for a starter

The popping of burning wood filled the eternal night’s air with some much-needed ambiance as the doll tried her best to peer into the darkness surrounding her. It was all for naught however, as the darkness only seemed to remain opaque even with her rapidly adjusting optical sensors. Browning figured this was just Phi messing with her in his way, knowing well how her battlefield anxiety gets heightened when she can’t perceive anything around her.

She still seemed rather surprised that he had let her keep that memory all things considered. Perhaps the underlying dread of the truth keeps her tasty to his pallet as he drip-feeds things that work to agitate her to no end. Psychological torture of the highest degree, all so she would come running back into his arms like the defeated doll he wanted.

Of course, the doll wasn’t going to play game with that. She was harder than she looked, more so since he worked to no end to…enhance certain features she was bestowed but the point remained. She had an enduring will that kept her from collapsing into despair from traveling lost between realities by a force she didn’t understand. Hell, she has been used multiple times by these beings known as Old One’s before. And through it all, she had over come it all to at least push on through, if a little scarred. She will overcome it as always…

…And just maybe…that’s what he enjoys the most about tormenting her. Never understands when to give in.

The heat of the flame seemed to lull her into a cozy reassurance, placing her arms out to absorb all that was radiating. It almost seemed pathetic to view how oblivious she was to the presence inside the darkness peering in. Eyes of a predator lurking over their prey, yet reserved to not let such bloodlust deprive them of any sense or logic. No animalist rush of life was behind those rings that peered out of the shadows…simply ice-cold entropy that threatened to extinguish the very idea of animation itself.

This doll could only press her attention to retaining some comfort in her terrible situation she found herself. Either ignorant or terrified of what loomed out of sight around her. With unknown intentions placed upon its enigmatic form. There could only be so much that could save her.

[malikson]

.

[icewindandboringhorror]

Some (late) holiday photos of the boye~!

[pink-lemonadefairy]

🌻 ₊˚⊹ ࿔ 🌳

[bingotime]

[opens-up-4-nobody]

...

[cactusdodes]

.

[miss-shirley]

I love it so much when I make one tiny mistake that wasn't even really my fault and then immediately have an entire existential crisis about it 🙂

[fursasaida]

This article is from 2022, but it came up in the context of Palestine:

Here are some striking passages, relevant to all colonial aftermaths but certainly also to the forms we see Zionist reaction taking at the moment:

Over the decade I lived in South Africa, I became fascinated by this white minority [i.e. the whole white population post-apartheid as a minority in the country], particularly its members who considered themselves progressive. They reminded me of my liberal peers in America, who had an apparently self-assured enthusiasm about the coming of a so-called majority-minority nation. As with white South Africans who had celebrated the end of apartheid, their enthusiasm often belied, just beneath the surface, a striking degree of fear, bewilderment, disillusionment, and dread.

[...]

Yet these progressives’ response to the end of apartheid was ambivalent. Contemplating South Africa after apartheid, an Economist correspondent observed that “the lives of many whites exude sadness.” The phenomenon perplexed him. In so many ways, white life remained more or less untouched, or had even improved. Despite apartheid’s horrors—and the regime’s violence against those who worked to dismantle it—the ANC encouraged an attitude of forgiveness. It left statues of Afrikaner heroes standing and helped institute the Truth and Reconciliation Commission, which granted amnesty to some perpetrators of apartheid-era political crimes.

But as time wore on, even wealthy white South Africans began to radiate a degree of fear and frustration that did not match any simple economic analysis of their situation. A startling number of formerly anti-apartheid white people began to voice bitter criticisms of post-apartheid society. An Afrikaner poet who did prison time under apartheid for aiding the Black-liberation cause wrote an essay denouncing the new Black-led country as “a sewer of betrayed expectations and thievery, fear and unbridled greed.”

What accounted for this disillusionment? Many white South Africans told me that Black forgiveness felt like a slap on the face. By not acting toward you as you acted toward us, we’re showing you up, white South Africans seemed to hear. You’ll owe us a debt of gratitude forever.

The article goes on to discuss:

"Mau Mau anxiety," or the fear among whites of violent repercussions, and how this shows up in reported vs confirmed crime stats - possibly to the point of false memories of home invasion

A sense of irrelevance and alienation among this white population, leading to another anxiety: "do we still belong here?"

The sublimation of this anxiety into self-identification as a marginalized minority group, featuring such incredible statements as "I wanted to fight for Afrikaners, but I came to think of myself as a ‘liberal internationalist,’ not a white racist...I found such inspiration from the struggles of the Catalonians and the Basques. Even Tibet" and "[Martin Luther] King [Jr.] also fought for a people without much political representation … That’s why I consider him one of my most important forebears and heroes,” from a self-declared liberal environmentalist who also thinks Afrikaaners should take back government control because they are "naturally good" at governance

Some discussion of the dynamics underlying these reactions, particularly the fact that "admitting past sins seem[ed] to become harder even as they receded into history," and US parallels

And finally, in closing:

The Afrikaner journalist Rian Malan, who opposed apartheid, has written that, by most measures, its aftermath went better than almost any white person could have imagined. But, as with most white progressives, his experience of post-1994 South Africa has been complicated. [...]

He just couldn’t forgive Black people for forgiving him. Paradoxically, being left undisturbed served as an ever-present reminder of his guilt, of how wrongly he had treated his maid and other Black people under apartheid. “The Bible was right about a thing or two,” he wrote. “It is infinitely worse to receive than to give, especially if … the gift is mercy.”

[struggling-with-drivers]

Under the Opulence - Max Verstappen

⋗ Pairing - Max Verstappen x Reader

⋗ Summary - Your family isn't kind to you, and in fact, they all think Max would be a much better fit for your sister. Max likes to differ.

⋗ Word count - 3.4k words, hurt/comfort

⋗ Masterlist - This has been finished for some time, but I've only gotten around to given it a name Feedback and reblogs are appreciated

The grandeur of your family's foyer, adorned with polished marble and intricate chandeliers, set the stage for Max’s introduction to the world you came from. As you and Max entered, the echoes of your footsteps reverberated through the opulent space, the air charged with excitement and anxiety, but most noticeably on your side, dread. 

Gabriella, your sister, emerged from an adjoining room, her presence demanding attention. With her radiant smile and effortless poise, she seemed to glide into the scene like a queen entering her court. She was the star of the family, the golden child who effortlessly commanded attention and adoration. With her striking looks and sharp intellect, she had always been the one to effortlessly charm anyone who crossed her path. Even your past romantic interests had succumbed to her allure, leaving you with the bitter taste of never good enough.

"It's okay, we're sisters," Gabriella would nonchalantly reassure you. "They weren't good enough for you if they wanted me more."

Her eyes, adorned with an air of confidence, locked onto Max, acknowledging his presence with a subtle yet unmistakable hint of curiosity. Bluntly scrutinising Max, she drank him up with her eyes, then she battered her long eyelashes a few times before slotting into the role of the perfect twin sister.

Max, a bit taken aback by the unexpected encounter, met Gabriella's gaze with a polite smile. That was all your sister needed before stepping forward, presenting her hand gracefully, a subtle gesture that belied the underlying power dynamics at play. Max, being the gentleman he was, reciprocated the greeting with a warm shake. However, as the customary exchange lingered for a moment longer than expected, you felt an unspoken tension building. 

“Gabriella, but you – my dear – can call me Gabbie.” Her voice sang in the foyer, bouncing so wonderfully off the walls. You wanted nothing more than to leave. Their hands were still intertwined. 

Instinctively, you began to withdraw your hand from his left, realising that you were caught in an awkward silence. Gabriella's grip on Max's hand tightened imperceptibly, and you hesitated for a split second, torn between asserting yourself and avoiding a confrontation. Finally, you reluctantly released Max's hand, a subtle concession that felt like surrender.

However, your parents made their grand entrance, drawn by the commotion in the foyer.

Gabriella finally let go of Max. She stepped back, allowing a brief respite from the charged exchange. 

Your mother, an elegant woman with an air of sophistication, approached with a warm smile. "Oh, there you all are! We were starting to wonder when you'd make it to the heart of the festivities."

As she spoke, her eyes lingered on Gabriella and Max, a subtle but knowing gleam in her eyes. It was as if she sensed the unspoken currents beneath the surface. Your father, a more reserved figure, stood beside her, observing the scene with a discerning gaze.

"Mom, Dad, this is Max," you introduced, trying to steer the conversation away from the palpable tension that lingered.

With an air of practised nonchalance, Gabriella returned her attention to Max, a playful smile gracing her lips. "Well, Max, it's a pleasure to finally meet you. I've heard so much about you," she purred, her words leaving an ambiguous trail of intentions.

She tried to grasp his hand once again, but instead, he started helping you out of your coat to keep his hands busy.

Max, still wanting to leave a good impression, responded with a friendly smile. "Likewise, Gabriella. Your sister here has spoken highly of you too," he said, casting a glance in your direction, before he extended a polite hand toward your parents, exchanging pleasantries as he tried to steer the conversation towards the two newcomers in the foyer. 

Gabriella subtly positioned herself beside him, a silent claim reaffirmed. The atmosphere remained charged, your parents seemingly ignorant of the intricate dynamics playing out before them. The dreadful feeling returned to you as your mom made eye contact with you once more. You averted your eyes.

Gabriella, seizing the opportunity, looped her arm through Max's, as if marking her territory. "Max, let me give you a tour of this magnificent place. There are so many things you haven't seen yet," she exclaimed, her tone holding a mixture of innocence and mischief.

Your heart sank as you watched them disappear into the lavish corridors of your family home.

“Let them go, honey. I’m sure he will be quite interested in our family’s history.” Your mother commented, foregoing the formality of any other type of recognition or greeting to you as she and your dad disappeared after Gabriella and Max.

Leaving you on your own in the opulent foyer, you wished to leave once more.

Determined to regain some semblance of composure, you wandered into the adjacent parlour, a room adorned with plush furniture and rich tapestries. The soft glow of antique lamps cast a warm ambience, but even the comforting setting couldn't dispel the growing unease. You settled into a chair, the plush upholstery offering little solace for the whirlwind of emotions swirling within. The room seemed to close in on you as you anxiously waited for Max and Gabriella to return. The dreadful feeling intensified with every passing moment, and your mind raced with unsettling thoughts.

Finally, the door swung open, and they entered the parlour. Gabriella's laughter echoed through the room. Max wore a polite smile, seemingly having enjoyed the tour, but you couldn't shake the feeling that Gabriella was orchestrating an elaborate performance.

"This place is quite… something," Max said, casting a glance in your direction as if seeking reassurance or acknowledgement. You tried to smile at him. Gabriella, however, continued to dominate the spotlight.

"We have quite the family history," she replied with a sly smile, her eyes flickering between Max and you. "It's a shame you won't be able to hear all the juicy details."

You forced another smile in response, but the unease gnawed at you. As they settled into the room, Gabriella strategically took the seat next to Max, her gestures and expressions aimed at enchanting him right before your eyes.

The conversation flowed effortlessly between them, a dance of words that excluded you from its rhythm. You felt like a mere observer in your own home, watching as Gabriella captivated Max with tales of the family's past, her laughter ringing like an enchanting melody.

Your attempts to engage in the conversation were met with fleeting glances as if your presence were an afterthought. Gabriella was ever so quick to recapture Max’s attention, despite your valiant efforts to seek a way into the discussion.

Desperate for a reprieve, you finally excused yourself under the pretence of attending to something in the kitchen. As you escaped the room, the weight of the evening bore down on you, and you couldn't shake the sinking feeling that this family gathering had become a stage for a performance in which you had no choice but to play a reluctant supporting role.

In the kitchen, you busied yourself with trivial tasks, the rhythmic clinking of dishes providing a brief respite from the orchestrated drama in the parlour. The tension that had followed you from the foyer to the parlour lingered like an unwelcome guest, and you desperately sought a moment of solitude to collect your thoughts.

As you absentmindedly stacked plates from the dishwasher, your mother entered the kitchen, her gaze lingering on you with a knowing expression. It was as if she could sense the turbulence beneath the composed facade you were desperately trying to maintain.

"Oh, dear, are you alright?" she inquired, her tone carrying a hint of concern.

You forced a smile, attempting to deflect the obvious discomfort. "I'm fine, just needed a moment away from the chatter in there."

Your mother's eyes softened, but there was a glint of curiosity. "Well, I must say, Gabriella and Max make quite the pair. They look so good together, don't you think?"

The question hung in the air, a subtle prod at the heart of the matter. You felt a knot tighten in your stomach as you processed the implications of your mother's words. It was a commentary that cut through the facade you were desperately trying to maintain.

"Oh, Mom, they're just chatting. It doesn't mean anything," you responded, attempting to downplay the situation.

Your mother, however, seemed undeterred. "I don't know, dear. They do seem to have a certain chemistry, don't you think? They'd make a handsome couple."

The weight of her words settled on you like an anvil, and you struggled to find a suitable response. The kitchen, for a brief moment, had been a sanctuary, but now felt like a confessional where you were forced to confront the complexities of your feelings.

"I...I don't know, Mom. It's just an introduction," you stammered, your attempts to maintain composure faltering.

Her gaze lingered on you for a moment, and then she sighed, a knowing smile playing on her lips. "You know, sometimes we find unexpected connections in the most peculiar places. And if they happen to find something special tonight, well, we should be happy for them, shouldn't we?"

You felt a surge of frustration and helplessness.

“It’s such a shame his looks just aren’t quite there, but he certainly has other features to make up for it. Wouldn’t you say so as well? Yes, a shame, but Gabriella has always been so kind-hearted. I’m sure she doesn’t mind either.” Your mother continued, before finally smiling at you. 

Her message was loud and clear, as she had expressed her approval of Max as a suitable match for Gabriella. 

Your mother wanted you to break up with Max and hand him over.

It was as though Max was a commodity to be exchanged, a possession for your sister to play with until she grew tired and moved on. It made you feel sick to the stomach. 

“Dinner is all ready, your father just put down the roast on the table.”

You followed your mother into the dining room, the scent of the roast filling the air. The grand table, adorned with fine china and polished silverware, became the stage for the next act in this familial drama.

As you took your seat, Max seated next to you, your parents strategically positioned Gabriella opposite Max. The tension in the room was palpable, and you couldn't shake the feeling that every word and gesture would be scrutinised.

"So, Max," your mother began, her eyes flickering between Max and Gabriella, "how did you find our home? Quite exquisite, isn't it?"

Max, thankfully pr-trained, nodded appreciatively. "It's a stunning place with so much history."

Gabriella's eyes gleamed with satisfaction, and you braced yourself for what would come next. Your mother, however, wasn't finished.

"And speaking of history," she continued, casting a pointed look at Gabriella, "our family has quite a rich one. Gabriella, why don't you share some of the highlights? Max might find it fascinating."

“It’s alright, I think I heard enough earlier,” Max told your mom, “I would much rather hear childhood stories about her.” He turned his head, making himself able to look into your eyes, and you felt the dread spread. Despite the way he looked at you, it did nothing to calm you down, knowing your parents would not deliver what Max was expecting to be told about.

Max's genuine interest in hearing about your childhood seemed to momentarily disrupt the carefully choreographed performance. Your mother, however, skilfully manoeuvred to maintain the narrative she had meticulously constructed.

"Oh, Max, you're sweet," your mother said, offering a polite smile, "but Gabriella's achievements are the true highlights. She's always been the shining star of our family."

Your sister, seizing the opportunity, began to regale Max with tales of her academic triumphs, artistic pursuits, and social accomplishments. As she spoke, you felt the distance between you and Max widen, a chasm fuelled by your parents' insistence on casting Gabriella as the focal point of the conversation.

Max, sensing the discomfort, tried to redirect the conversation toward a more inclusive narrative. "I'm sure there are some other stories you could tell, perhaps some that aren’t about Gabriell-?"

“Please Max, do call me Gabby.” Gabriella interrupted Max.

Your mother exchanged a knowing glance with your father before responding, "Oh, there are plenty of stories, but I think Gabriella's achievements are what make our family truly special. Don't you agree, Max?"

Max hesitated for a moment, his frustration simmering beneath the surface. However, not wanting to create a scene, he nodded uncomfortably, "Yes, I guess Gabriella is quite accomplished."

Gabriella shot you a coy smile, her triumph was evident in the subtle control she exerted over the narrative. As the conversation continued to revolve around her, Max's attempts to steer it in a different direction seemed to hit an invisible wall.

Your parents, seemingly oblivious to Max's growing discomfort, continued to extol Gabriella's virtues. The room buzzed with the clinking of silverware and the murmur of praise, all while you sat there, a silent observer of your own family dinner.

As dessert was served, Max couldn't hide the subtle tenseness in his shoulders. He glanced at you, a mix of empathy and frustration in his eyes. Despite the challenging circumstances, you appreciated his efforts to bridge the gap.

When Max tried to ask about your childhood again, your mother skilfully redirected the conversation. "Oh, Max, we can talk about that another time. Let's focus on the present moment and enjoy the evening."

Your sister, seizing every opportunity to keep the spotlight, interjected, "You know, Max, I've always been curious about your interests and aspirations. Tell us more about yourself."

The shift in attention to Max was noticeable, but it wasn't the genuine interest he had hoped for. Instead, it felt like another tactic to steer the conversation away from you. Max, his patience waning, briefly shared short anecdotes about his work, nothing he hadn’t already told to the media. However, his eyes kept returning to you, his fingers intertwined with you. As though you were oblivious to the way your sister's feet – under the table – were trying to urge Max to look at her. 

The night wore on, and Max's frustration continued to build, a silent storm brewing within him. The genuine smile he had worn upon arrival had now transformed into a tight-lipped expression, betraying his growing discontent.

Your dad had taken it upon himself to serve a glass of whiskey to him and Max, while your mother brought forth an array of finger foods and other light and savoury snacks. Your family settled around the nice fireplace in the big sitting room, it’s even more extravagant and opulent than the smaller parlour room you had tried to take refuge in earlier in the day. 

When your sister, seemingly oblivious to the tension, leaned closer to Max, her voice dripping with false sweetness, "You know, Max, we're so thrilled to have you here. It's not often we get such distinguished company." 

Max, no longer willing to play along, shifted uncomfortably on the beige couch. "Thank you for having me. It's been... quite an experience," he replied, his tone carrying a subtle edge.

Your father, still under the illusion that the evening had gone splendidly, raised his glass. "A toast! To family and new beginnings."

Max's frustration reached its peak as his eyes locked on your dad’s raised glass. Max abruptly stood up, the sound of him slamming his glass down echoing in the sudden silence. The tension in the room was palpable as he looked directly at your parents.

"I appreciate your hospitality, but I can't ignore the blatant disregard for your own daughter," he said, his voice measured but firm. "I came here hoping to learn more about her, but it seems the spotlight is reserved for someone else."

Gabriella's eyes widened in feigned innocence, a practised mask that Max wasn't buying. Your parents exchanged uneasy glances, finally sensing the budding cracks in their carefully constructed facade.

"I won't be a part of a charade that dismisses her existence," Max continued, his frustration now laid bare. "If you can't appreciate the amazing person she is, then I want no part in this. Goodnight."

Without waiting for a response, Max pulled you from the couch. As you both retreated from the sitting room, leaving behind the echoes of tension and shattered illusions, you felt a strange mixture of relief and sorrow.

Max led you through the ornate hallways of your family home, the grandeur of the surroundings now feeling suffocating. The air outside was cool and crisp as you stepped onto the front porch, the distant sounds of the night providing a stark contrast to the stifling atmosphere within.

He turned to you, his eyes reflecting a mix of frustration and concern. "I'm sorry, I didn't expect it to be like this."

You managed a small smile, appreciating his genuine intentions. "It's not your fault. Thank you for trying."

Max sighed, running a hand through his hair. "Your family... it's not what I expected."

You nodded, feeling a lump forming in your throat. "It's never been easy."

"Look, I don't know what's going on, but you deserve better than this," Max said, his voice filled with sincerity. "I'm here for you, no matter what."

As Max navigated the darkened streets, a palpable tension and heavy silence filled the car ride home between you and him. The glow of streetlights cast fleeting shadows across his determined expression, the lines of worry etched into his brow.

You sat beside him, lost in your thoughts, the events of the evening replaying in your mind like a broken record. The weight of the strained interactions with your family weighed heavily on your shoulders, a burden you couldn't shake.

Max glanced at you from the corner of his eye, his concern evident in the furrow of his brow. "Are you okay?" he asked softly, breaking the silence that had enveloped the car.

You sighed, your gaze fixed on the passing scenery outside the window. "I don't know, Max. Tonight was… a lot. I’m sorry for Gabriella."

“They shouldn’t have said any of that.” Max ignored your comment, “that’s not- even I know that’s now how you treat family.”

“I’m sorry for Gabriella.” You tried to tell him once again, instead finding his hand reaching out to tangle it into yours. 

As Max's hand intertwined with yours, a comforting warmth spread through your fingertips, grounding you in the present moment. His touch was a lifeline, offering solace amidst the turmoil that had consumed your family gathering. You squeezed his hand gently, appreciating the silent support he offered.

Max pulled the car over, letting him turn to you and gaze into your eyes.

"I know you're sorry, love," Max whispered, his voice laced with understanding. "But you can't take responsibility for someone else's idiotic words. Gabriella's actions were uncalled for, and it's not your parents should have stopped it, not… Encouraged it."

His words resonated deep within you, reminding you that you were not solely accountable for the strained relationship with your parents. The weight on your shoulders began to lighten as if Max's presence alone could alleviate the burden.

You turned to him, finally meeting his concerned gaze. "Thank you, Max. Your support means the world to me."

He smiled softly, his eyes filled with tenderness. "I'll always be here for you, no matter what. We'll get through this together, alright?"

A surge of gratitude washed over you, grateful for the unwavering love and understanding Max consistently provided. You squeezed his hand once more, as he pulled out of the ditch. 

The car continued to glide through the darkened streets, but the heavy silence had transformed into a comforting embrace of shared vulnerability.

As the glow of streetlights continued to cast fleeting shadows, you realised that it was in the darkest moments that the strength of your relationship with Max shone the brightest. And with his hand clasped firmly in yours, you knew that together, you could weather any storm or awful family dinner.

⋗ a/n - thank you for reading this, sorry that it took so long to post this one

[ckret2]

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[izvmimi]

three for one - izuku x reader

cw: children mention. pregnancy mention. husband izuku, married female reader. reader wears a dress. a/n: a repost!

“I’ll be home in an hour. I can’t wait to see you.”

You smile ear to ear as you hang up, still savoring the sound of his voice, but in the immediate silence thereafter, the trepidation you’ve been feeling for the past month and a half resurfaces.

You let out a sigh as you set your cell phone onto the dinner table and return to the stove, turning pork cutlets that sizzle in oil and stirring a pot of soup. Rice steams in the cooker on the countertop, and the smell of Izuku’s favorite foods fill your home.

It smells heavenly, but you’re exhausted, and while the thought of the joy in his expression spurs you forth, you consider for a moment if you should have just aimed for takeout and an evening cuddling on the couch. The fact remains however that you haven’t seen your husband in two months and if you plan to give him life-changing news, you should probably do it over a home-cooked meal, even if he wouldn’t care either way. 

After all, you’ve been hiding the truth from him for months now, and you can’t possibly any longer.

Your belly turns a little, and you worry that you might throw up again before you see him. The table is set by now, and you clean up as much as you can of the kitchen, hoping that the sound of running water calms your nerves.

Before long, Izuku makes it home, right on time, and he’s a whirlwind of motion and joy - his bags go flying out of his hands, as he whisks you into his arm, nearly smothering you with an embrace.

“God, I missed you.”

He spins you as you reply the same, and you can’t help but laugh and squeeze silly tears from your eyes as you wrap your arms tighter around his neck. Your Izuku is back, safe, and you couldn’t be any more grateful. 

“I’m so happy you’re okay,” you say in a voice that’s thick with affection. Your lips meet quickly and don’t separate, engrossed in a dizzying kiss. Your hands run through his messy waves and once your lungs all scream for air, he buries his head into your neck, making a show of inhaling your scent.

“I missed you so much,” he repeats, kissing your cheek. “So much.”

More kisses pepper your skin, and you blink back a few tears, and nod somewhat embarrassed.  You’ve learned to be comfortable with his love language heavily reliant on touch. When he finally pulls back to look at you again, his smile is wide and innocent as usual, familiar and comforting.

Your Izuku, back for you. No scars, no injuries, you are thankful. 

Once he’s finally set you down completely, he begins to tell you excitedly about his adventure, but you don’t miss the gentle yet protective hold on your arms, and the careful once-over, where his eyes quickly scan your body for bruises and other injuries. It’s a habit he’s picked up over time that’s made it nearly impossible to hide your clumsiness from him (something that further reinforces the behavior). It makes you particularly nervous today however, given the circumstances.

Today you wear a baggy dress with an undershirt that covers your arms, the changes your body has undergone in his absence much less evident, but he can still see the anxiety that underlies the excitement in your eyes.

If he does notice, he doesn’t say anything immediately, opting again to kiss you on the forehead, and pet your hair gently.

“Were you good while I was gone?”

The warmth in your cheeks returns, and you nod but give him a playful punch on his shoulder anyway for the paternalistic remark. He grins, then changes the subject although he too is a bit nervous, your slightly muted behavior getting to him. His eyes glide over to the rest of your apartment finally, and then to the dinner table, lighting up immediately.

“Oh my God, that looks amazing.”

He moves over to the dinner table to peruse the wars; you follow him quickly, tension dissipating slightly with the discussion of food. 

“It better taste amazing too,” you joke, bumping himn on the hip. He takes the liberty to go one step forward and pat you on the ass before running off to the guest bathroom to wash his hands.

“Scrub beneath your fingernails!” you call after him, teasingly. You take the opportunity to wash your own hands in the kitchen sink again and consider what to do next.

How do you say this? Should  you wait and let him relax first? 

Surely it’s better if you say something before he puts two and two together? After all, the moment your clothes come off, he’ll notice.

Or perhaps he won’t. Perhaps he’ll just assume you’ve gained a few pounds and say nothing, kissing your belly softly as he’s prone to do. Perhaps it’ll be lovemaking as usual, and his usual sensitivity to your body and needs won’t be enough to notice.

But what if he does?

You were pregnant before he even left.

The days leading up to his trip had been hectic to say the least. Between the two of you preparing his departure, and the unnecessary safety precautions Izuku put in place for you for his absence, and your own work with the new Hero commission ramping up in urgency, you had barely registered that you’d missed one period and then another until you found yourself with a very positive pregnancy test.

What if it wasn’t the right time? Your marriage was still fresh, you’d just settled into the groove of being young professionals who lived together full time, and Izuku was so damn busy all the time-

“Come eat, love,” he calls from the other room. Your hand goes reflexively to your lower belly. 

You have to tell him now or you’ll agonize over it. Now is the time.

—

“Is it good?” you ask , smiling as you watch him eat with gusto. It’s a silly question because he’s nearly cleared his already overloaded plate.

“Incredible,” he says between ravenous bites. They say watching someone you love eat fills you up, and it’s true. Your cup is full of love.

“You’d say that even if it were awful,” you point out.

“Yes,” he admits, “but I haven’t had to,” he teases. You narrow your eyes at him playfully and he does an air kiss, cheesy enough to make you blow air out of your nose. You pick at your own dinner, but manage only to get a few bites in, which he notices.

It grows quiet for a moment as you think, and you wonder again if now is really the time, but he beats you to breaking the ice.

“Babe, is everything all right?”

Your heart starts to pound. You glance up from your plate towards him and he watches you curiously and patiently, a fleck of rice still stuck to his bottom lip. You consider deflecting, telling him something else that is not really a lie, because his gentle gaze and furrowed eyebrows betraying concern distress you. 

You don’t want to add more to his plate, figuratively.

And yet…

You swallow hard.

“Everything’s fine,” you start, and he nods, “but I have something to tell you.”

Izuku looks slightly surprised by the necessary warning shot. You don’t usually extend him that courtesy, so it’s clear that whatever you’ll say next is serious.

You breathe out slowly through your nose. Izuku watches you again carefully as you steel yourself.

“So you know how we haven’t been trying, but we’ve been a little less careful recently?”

Izuku’s eyes widen, and in the split second where the realization sets in, you can see his cheeks flush deeply and his mouth drop open in an ‘o’.

He immediately jumps to his feet.

“You’re pregnant?” he exclaims.

You nod slowly, and he seems to genuinely bloom with excitement.

“You… fuck, I-I can’t believe this! This is so exciting… babe!”

His hands rest on your shoulders then glide to your cheeks where he squishes them before kissing you again, barely able to contain himself.

Then immediately he starts to pace, the muttering beginning as he figures out what’s going to happen next.

“Why didn’t you tell me immediately? I can’t believe we’re gonna have a little girl or a boy-”

This is the hard part.

You slowly and deliberately raise three fingers and he freezes. A second then two passes, and you blink and then he blinks and the two of you watch each other in silence.

He mirrors the action, raising three fingers to meet yours.

“Do you mean… three…”

“Yes.”

The blood seems to drain out of his face.

“Oh. I need to sit down.”

He means it. As he settles back down into his seat, he genuinely looks dizzy and you make some sort of distressed sound between laughing and crying while he’s rubbing his temples, trying to make sense of the loop you’ve thrown him for.

“So… we’re having triplets.”

He looks up from the fixed point he was staring at on the table then at you, and you nod slowly. The both of you take a good look at each other again, and you sigh.

“I know this is so much all at once,” you start, “I’m sorry I-”

“Why are you apologizing for getting pregnant?” he interrupts with a chuckle. You give him a surprised look, then consider it. It’s true. Why are you apologizing for pregnancy?

He reaches over to grab your hand and squeezes it.

“We’ll be fine,” he says, pulling you towards him. You move over to him and he makes space for you to sit in his lap. Your head rests against his chest, and his heart, despite all the news you’ve just dumped on to him, now beats steadily despite yours that races.

Izuku thinks again, pulling your hand to his lips and kisses it softly. You can see the gears turn as you watch his profile, planning, strategizing. In this moment, you realized you were being silly. 

“We’ll be fine,” he repeats. “We can handle anything.”

He turns to you, green eyes twinkling. “Right?”

You smile, genuinely, and it feels like a weight has been lifted off your shoulders.

“Right.”

Bonus:

“You would fucking have triplets after I have my second, wouldn’t you, asshole?!”

“Kacchan, this has nothing to do with you!”

“Like hell it doesn’t! How dare you compete with me?”

You and Bakugou’s wife give each other a look and both sip your tea in unison, in amusement.

[novantinuum]

Steven's Breakdown Was Inevitable From the Very Beginning

I feel like the thing that fucks me up the most about Steven Q. Universe and how well conceived he is as a character is that the fundamental building blocks of why he reached his breaking point in SU: Future were laid out as clear as day in the span of legit only the first four episodes of the original show. The writing was literally always on the wall that future him would struggle with matters of self worth and identity in relationship to the others around him.

Let's take a look:

Gem Glow

"Awesome! What are these things?"

Foundational Trauma #1: Steven's home is always either under threat or actively being wrecked by antagonistic forces/beings, and he constantly copes with this by pushing down his fear in favor of a curiosity and silver linings based mindset.

Look at his initial shock when he opens the door and gets tackled by one of these things, and then his response when one of them spits acid:

The kid's freaked the hell out about all this, and while I do think there's a part of Steven that genuinely IS curious about what these lil critters are, I think he's subconsciously using that curiosity as a way to distract himself from his own fears and anxieties. This is Steven actively learning how to ignore the deeper problems in favor of emoting a facade to the others in his life that he can totally handle himself in scary situations like these.

The underlying reason why is incredibly apparent, when you look at the example from the next episode-

Laser Light Canon

"I don't know what a magic lady like her ever saw in a plain old dope like me..."

Genuinely- from the bottom of my heart- I think the above quote from Greg is a moment where his own insecurities around the Gems actually rubbed off on Steven.

At this point in time, Steven may be living with the Gems... but he hasn't started to harness any of his powers at all, so in his own head he might as well be the same as his dad- another human, just one who happens to have a gem! But the way Greg talks about himself... given Steven was living with him in the van for years before moving in to the beach house, he had to have heard negative self-talk from his dad like this before.

And then there's the rest of the Crystal Gems... always speaking of Rose with such reverence as if she were an all-powerful goddess... and Steven can't help but look back at himself, and his gem that won't work... the gem that the others still identify as Rose's...

"Your gem-! You have Rose's gem!"

And maybe he starts to wonder if- without any working powers- he's just a plain ol' dope like his Dad, too.

"Please work... Unlock! Activate! Go! Please-!! Everyone's counting on you, you can't just be useless!"

Foundational Trauma #2: Steven has Rose's gem, and as such, is constantly living under the silent expectation to live up to a standard that he simply cannot ever hope to achieve, because he doesn't KNOW her and he never will.

I want to highlight one of Steven's expressions while his dad is talking about Rose- look at that sad look. My god, I just wanna hug him. This is the expression of a child who has already come to terms with the fact that his only relationship with his mom is through the rose tinted stories that other people tell him about her.

Cheeseburger Backpack

So. Steven has learned so far that he needs to push down his feelings and emote a false veneer of cheer and bravery even when he's afraid, because the rest of the people in his life have expectations and hopes for him due to the legacy of his parentage and he can't bear the thought of letting them down. (And in a sad way, at this point "letting them down" literally just means... being an ordinary human boy. I believe Steven at this stage of the show is flat out scared to be human, because to be human is to fail at being a Gem, and no amount of love and sacrifice in the name of humanity in the seasons to come could've ever saved him from the fundamental fact that the wedge between him and this whole half of his being was already drawn long before the events of season 1 even started. But I digress.)

Let's see where we go from there. Let's check out Steven's first "mission." Or as Pearl puts it about 35 episodes later, his first "test."

"Yeah... they can't all be winners."

This episode is tinted with a little bit of tragedy for me on rewatch, because I genuinely do think the Gems handled the situation as well as they could've. They were supportive of Steven's successful ploys, and (for the most part) responded with grace when he majorly blundered and left the Goddess Statue at home. The main problem, however, is that Steven has already developed a bit of a complex about impressing the three of them-

Foundational Trauma #3: Even when they claim otherwise, Steven has convinced himself that affection from the Gems is transactional, and that when he messes up he's not truly a part of the Crystal Gems.

Of course we the audience know this isn't true- I mean, hell, Amethyst even said as much in episode one after her slip-up ("and you're fun to have around, even if your gem IS useless!")... that the Crystal Gems wouldn't be the same without him. But Steven... the poor kid is a complicated little guy living a complicated life, and whether they intended it or not, the language used they've used around him thus far has not backed up their attempts at fully embracing him, human parentage and all.

Thus, Steven just spends the entire episode wracked with anxiety trying to find creative non-power using ways to make the mission easier so he can convince them he's useful to have around.

Look how nervous he gets even when all three of them are visibly and vocally supportive of his presence here:

This is the face of a boy who feels like he's under constant judgement and scrutiny from those around him.

Blessedly, viewing this episode in isolation, he experiences a brief moment of mental respite where he finally accepts the Gems' encouragement and agrees that his ideas 'can't all be winners,' but this lesson does not stick for him moving forward. A shame, really.

Together Breakfast

"What's the matter, Steven?" "I wanted us all to have breakfast together, so I made Together Breakfast! But everyone keeps leaving..." "Oh, that's nice..."

Taken in context with what we've learned already in the last three episodes, Steven's desperation to spend quality time with the Gems here and his sadness that they keep leaving him alone doesn't just exist within a vacuum. He spends the whole morning watching them shuffle in and out of the temple, or come back from missions he wasn't invited on, and with the disastrous result of the LAST mission he went on probably fresh in his mind it's not hard to understand why this bothers him.

Foundational Trauma #4: Steven internalizes that the price of "not being useful" is that the Gems actively ignore him, meaning that the only way to guarantee their attention is to work as hard as he can to become a stronger member of the team.

I know this screenshot is usually used as a lighthearted meme, but I wanted to include it because I think it's a good example of how Steven's intense desire to impress permeates every facet of his personality at times. Just LOOK at how desperate he is to make Garnet laugh at his joke, to be the one that's at very least "fun to have around," as Amethyst put it in episode one.

The Gems do eventually drop what they're doing to spend time with Steven by the conclusion of this episode, but this only comes after Steven shows his growing strength and "proves" himself by saving their butts from the breakfast monster.

If he successfully gained their attention in literally any other way he might've come away from this episode with a different lesson, but no. Instead, his fears were proven true- the Gems value strength and utility, and if he's not exhibiting that, then what use is he to them?

These fears of his can be seen weaving throughout the foundational fabric of the entire show, but I think Steven lays out what he sees as his "stakes" in the clearest way possible in the episode 'An Indirect Kiss.'

"But- if I don't have powers, then I can't hang out with Amethyst, or Garnet, o-or Pearl, and- I-I can't go on missions!"

And these same insecurities even rear their ugly head as late as the movie.

"I can't believe this... for the first time in years, everyone's in danger, everybody needs me, and- I'm useless!"

Powers = Utility = Worth = Other's love, for Steven. Everything is transactional to the end, which is a hilarious double standard he's set for himself when he's made his reputation as the kid who always listens and encourages and gives others a chance to change, no matter their messy history with him.

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So let's recap and restate those foundational traumas from Steven's perspective.

One: The only way to cope when your life is constantly under threat is to bury the damage and pretend to be fine.

Two: Everyone expects you to live up to the standards of someone you're not.

Three: The Gems only love you when you're of use to them.

Four: If you ever stop being useful, the Gems won't want anything more to do with you.

In sum, Steven's habit of burying his feelings for the benefit of others was there from the very beginning, not just since 'The Test.'

Those unreachable standards he felt so daunted and intimidated by all his life were the ones set by Rose, at first... but over the course of the series, the dynamic of this shifted. As Rose's influence fell into the background, Steven's rose into the front. And so it's with great irony that- by the time of Steven Universe: Future, the expectations this exhausted, worn down teenager is fighting to once again achieve are the ones HE set for himself. Many of young Steven's selfless actions during the war are quite admirable when analyzed in isolation, but almost none of them are sustainable. He set himself on fire just to save the world, but teen Steven is genuinely unable to see this for what it is yet- as a tragic sacrifice of his own childhood. You can't burn your own ends for others forever, not at all. His breakdown was simply inevitable.

When it comes to the interconnected beliefs three and four, these are exactly why the ultimate confrontation at the end of I Am My Monster HAD to be one fueled by selfless love. Steven is at his absolute lowest at this point- he's everything he fears he's become, trapped in a form that's nearly incapable of reason. He's big and angry and spiky because that's a part of the facade- because a part of him WANTS to scare the Gems away, wants to be left alone forever, believing this the fate he deserves as price for his misdeeds.

In this form, by his own definitions he is NOT useful to the Crystal Gems at all.

But they don't care.

Because it never WAS about Steven's 'usefulness' to them, they simply love him for being Steven.

With this in mind, the conclusion of Steven Universe: Future wasn't just a salve to teen Steven's immediate struggles, it was a salve to the foundational insecurities that have been plaguing him his entire life.

And hopefully... from this point on... his family's shows of love and encouragement will be enough to finally convince Steven that he's more than worth their time...

No matter what path the future leads him on, and no matter what form he takes.