#especially when they were assuming i wanted to go extreme enough to need a tool to extend a 350 mod limit on it??? i think???

[parakeetpark]

I've finally cracked and I'm learning how to mod skyrim. My poor laptop doesn't deserve to suffer so I'm downloading the unofficial patch, and at most 10 mods....What made me crack was the repetitive dialogue ngl... BUT, this will NOT become like Stardew Valley where I have 350 mods and got really into it bc Skyrim is too... much work and possible issues for that

[am-i-the-asshole-official]

WIBTA if I(26nb) stopped answering my ex (27nb) or asked them to stop messaging me?

They aren't asking to get back together. A while back, my partner dumped me bc we just weren't talking as much, were into different things, and drifted apart. Normal stuff people break up over all the time. They told me there was no hard feelings on their end, and I was the same. It was kind of a bummer but the fact that I wasn't especially upset was evidence the relationship was dead at that point.

At the time, my New Ex™️ asked if I needed space or if it would be okay to check in on me from time to time and make sure I was okay because, even though I said I was fine, they were worried about the effect this would have on my mental health. I'm clinically depressed and they were aware things had gotten pretty drastic years before we even met, but the entire time we knew each other I was stable, and even when I was low I wasn't a danger to myself. I have meds and a good therapist and a lot of practice with coping strategies, I'm good to go, I got a handle on myself before we met and I still have a handle on myself now. Obviously mental health isn't a guaranteed thing and just because I'm currently okay doesn't mean I always will be, but I have the tools to handle it when needed.

All this to say, when they asked if they could check up on my mental health, I was a little taken aback, wondering if they thought this would drive me to something extreme and if so why would they think that. I assured them that I was fine, totally stable and doing well and they had nothing to worry about, but I'd like to stay friends so sure, message me whenever you want.

I figured they'd check in on me in the immediate aftermath, which they did, but I thought that once that aftermath had passed they would go back to messaging me more conversationally, if at all. But since then, they keep doing "check in's" every few weeks to make sure I'm okay. This is not something they did when we were dating. I've been playing along because I'm the one who said it was okay, but I'm starting to feel a little bit weird about it?

Maybe I'm being too sensitive but it rubs me the wrong way that they only message me to do these check-ins, as if they think I'm going to fly off the deep end because we broke up. As if messaging me isn't having a convo with a friend but is instead some sort of wellness check they're obligated to perform. Like I said, I was taken aback to begin with by the implications of this, but now that they're still treating me like that months later, it's kind of pissing me off.

They literally just say "checking in" and nothing else, and they don't seem keen to converse otherwise. It gives me wellness check vibes which bothers me because I'm not in crisis, I've never been in crisis while they've known me, and them dumping me certainly didn't change that. I cannot emphasize enough that even when I was deep in depressive lows while we dated, it was never their job to do this sort of thing and they only started doing it after we broke up. It feels like they think I'm too weak or too unstable to actually be okay without them, even though I've repeatedly said that I'm currently thriving and to my knowledge there's no reason for them to think I'm currently a danger to myself.

Part of me wants to just start ignoring the messages but I'm worried that if this person thinks I'm so at-risk they need to keep checking on me months and months after dumping me, they might assume the worst if I just stop answering. The rest of me wants to just ask them to knock it off, but in that case I'm worried I'll come off as defensive and unreasonable, like I'm being offended over someone caring about my wellbeing, or that my frustration with this behaviour will make it come off harsher than I want it to. I don’t want to attack them for being worried about me, even if I find the degree of worry a bit insulting at this point.

My ex does not have an anxiety disorder and is not an anxious person at all. I have never threatened to do anything to myself in the time they've known me, and my reaction to the breakup was very calm and casual. I don’t know why they're acting like this, but it feels... I dunno, infantilizing? Condescending? I don’t know how exactly to describe it other than that it kind of feels like a slap in the face after the years and years of work I put into getting to this point with my mental health, none of which I needed them or even knew them for.

Would I be the asshole if I asked them to stop and was honest about why? Should I just ask them to stop and not elaborate? But then, if they ask, I don't want to lie, but maybe this is a situation where honesty isn't the best policy? Should I keep my mouth shut because they aren't actually doing anything wrong and I'm the one who said I fine with them checking on me? I was fine with it in the short-term, if a bit confused, but I never imagined it would still be going on months later.

What are these acronyms?

[taintedwrote]

Why I personally think: 'This is Love' by Air Traffic Control could be about being Disabled/Chronically Ill 🙏

This gets really long and I'm running on no sleep making this but I've had this thought for a while and I had a surge of energy 🙏

Starting out with the very first line of the song, the opening that sets the tone for the rest of the song: "You're no good, you're no good, you could kill me and you should." For me, when I first heard this line I correlated it with love, but as I thought more about it and attempted to think about the song without the context of knowing it was a type of 'love song' (I say this loosely) I began to think about it in the context of being disabled.

For a lot of people, finding out you're disabled (especially as a teenager/kid) can feel horrible, it's a damning feeling that leaves you feeling lost.

It feels like a type of death.

The death of a life you dreamed about, the death of dreams that kept you going, the death of having that typical romcom life, the death of a future you thought you could reach.

Which, only cements itself with the next line: "I'm an idiot for thinking, this was anything but blood,"

Being disabled/chronically ill, for as much as abled people want to deny it, is a fight. It's a constant battle against your body with no surrender in sight; it's something you learn about and then have to consistently sit at the table to find ways around it, to find things that help but will never lessen the bloodshed.

The next line, personally, is the one that cements the underlying subject of disability within the lyrics: "On the wall, on the couch, on the corner of my mouth. You must like being the victim, you've done nothing to get out of this pattern of pain."

Abled people tend to assume that disabled people are simply unwilling to 'get better' and just wish to wallow in their pain in order to garner sympathy (which is laughable) from abled people. Doctors along with regular people on the street will offer advice that isn't anything other than "if I can do it so can you," or "You're just not trying hard enough," and refuse to listen when disabled people say they've either already tried it and it doesn't work, or that they are physically/mentally incapable of doing it.

Chalking it up to 'laziness' instead if an inherent issue within the culture/systems we live in.

"Washed away by the rain, you'll forgive me if I promise, and do nothing but the same." This line, to me, speaks to many of our shared experiences and traumas surrounding doctors or medical practitioners. We continuously go to doctors, ready to fight for ourselves, advocate, and just want to be heard and nearly every time they ignore symptoms or refuse to help (especially in regards to afab people).

It's... Exhausting to say the least.

"This is life until death," being chronically ill/disabled is something you can never get rid of, it's a life long aspect of your life. "Could be my last dying breath," many chronic illness and disabilities can kill you. Whether it is by the illness/disability itself or by outwards circumstances (caregivers, hate crimes, malpractice, ect).

"But this is love, love, shut up, this is love," this line just reminds me of people telling you they love/care about you while also diminishing your disability or your needs.

"Forget everything you used to know," when you're newly diagnosed, or when it's finally confirmed, it feels like you have to forget who you used to be; finding new tools and new understandings that could make you feel like a new person entirely even if nothing changed. The "rules of life" that were previously understood were now worthless with this new sheet of societal rules we're meant to follow.

"I think you better tell your friends to go," it is extremely hard to have/keep friends as a disabled person. (Especially as a disabled teenager which is where I have most of my own experience from.) Often, when you're newly diagnosed the friends you have will pull themselves back. The knowledge that they might need to accommodate or that they might not get to do the same things as before can make a lot of abled people pull away from their disabled friends.

"Stick around cause I'm about to show you, the beginning is the end." (This connects to the above paragraph about how it could be the beginning of the end of a lot of relationships)

"Yeah, I know wrong, I know right, but I just love to pick a fight," this line just makes me think of people trying (Ill intentioned) to offer advice contrary to what you know works best for your body (especially doctors) where you're then labeled as argumentive or difficult.

"I can sleep with one eye open," I just interpret this as being hyper vigilant of your disability. "If there's any sleep at night."

"I got my knife, got my gun," Your medication, "Let's see how fast you can run, you might think that you can hurt me but the damage has been done." I just thought about the medication chasing the disability and thought that was kinda funny. I could go deeper with this but it's already getting long.

"It's pathetic, I know, a jealous fool who won't let go." This line just personally hit me in the gut because for so long I was jealous of my friends who could live their lives without needing to make sure they would be safe or without planning ahead so they didn't end up hospitalized/in a flare and unable to move. For a long time I refused to let go of the wants I had for my future that I realized if never be able to get to, it was a mourning process they didn't understand which only made me even more jealous.

"If I was sorry for my actions, would I ever stoop so low?" This just made me think of all the times I had to apologize for being sick/unable to do something and it pissed me off so that's all I'm gonna say.

"Got no reason to live," Again, it just made me think of the mourning process that tends to happen when you have to let go of the life you wanted to live in the life you got.

"And I've got nothing left to give you, but my love!" This line felt like those moments when you're trying really hard, when you're putting all your tools and spoons into doing something and trying to keep other people from needing to accommodate only to be told you're not trying hard enough.

"Oh, I was hit as a kid," (refer to top paragraph)

"I was good but then I quit," most chronic illnesses that "don't show" in childhood usually get worse during puberty when your hormones are all fucked up and messy. Hensel feeling both like it's always been there and that it just spawned one day.

"Everyone that tried to fix me knows that I can't change a bit." Just...the constant ring-around of doctors that have been either unable to diagnose or unable to help.

"I've got no shame, got no pride, only skeletons to hide." Just, that odd feeling where a lot of people feel like they need to hide their disabilities to the best of their ability.

"And if you try to talk to someone, well then someone has to die." This just makes me think about the disabilities hiding themselves (or unconscious masking to the best of their ability) in front of Doctors, like they're a vampire hiding from the sun.

"Once you chase me down the hole," or once you try and figure the disability out, "yeah once you think you're in control," when you've been able to manage it for a few weeks or months or even years, "you'll believe that we are partners and you'll feel uncomfortable." or the classic "was I really that bad or was I just being dramatic" feeling that comes with feeling too good for long periods of time.

"Oh then the darkness rolls in," a flare, or a bad day. "And you'll forget who I have been," how to manage it.

"The simple love that your grandparents had, this kind of love will only make you mad." Realising that finding a partner will also include making sure it's someone that is okay with being "with a disabled person" which is, for some reason, not something people are okay with. 🙄

"It hurts at first but it ain't that bad," the beginning tends to be the worst but once you understand your body and it's limits it's not hard to "deal with" (I can't think of another word for what I mean) anymore. "You gotta wonder what it meant."

Anyway, this got really long but relating love songs (I use the term loosely) to the relationship disabled/chronically ill people tend to have with their disabilities. So.... ¯\_(ツ)_/¯

[thelador-s-mclargehuge]

You're generally incredibly lgbtq+ friendly, so I have to ask, why is it that you consistently misgender the vessels?

I promise I'm asking in good faith. You trust me, don't you? I'm random anonymous person on tumblr, your most trusted confidant!

Very good question! And unfortunately with a good question the answer is a little complicated. But I'll do my best to try and explain Now I'm amusing that you're talking about how the Vessels are non-binary, if it's not, then I'm not sure what you mean. And if that's the case it's because I did not know I was misgendering them and legitimately do not know what you mean lmao But assuming the former is true. The answer is, because, at some point, I couldn't tell you when, but HKR became a different story then Hollow Knight. And quite a bit of that story is about the Dude Currently Haunting The Narrative, The Pale King In HK proper, The Pale King was *correct* about what he was doing. Moral implications aside, he did create void vessels that could trap or even destroy the radiance, he was trying to save his kingdom, no strings or frills or secret plots. That's what he was doing. The vessels are nb, because they are Void. They Were Built For A Job kind of like a machine. The Pale King just chose the wrong one. When The Hollow Knight started feeling, even if it was a little bit of love for his father, the machine broke. Despite it all, he was a good enough father that one of his kids loved him, and thus into downfall, and horrible tragedy. The Main Character Vessel, especially after turning the kings soul into the voidheart and being able to capture the Voids essence, was proof that the plan did, actually, work, it just took some more time. In HKR the pale king, spoilers, is kind of a Lying Bastard who is mostly interested in continuing his hegemony at any cost. He created children who he beveled were empty vessels that he could put anything into, that would continue to grow his empire. Charlie is not that. He chose a name and a gender for himself (and did for his compatriots too, even if they didn't entirely like it.) He was a person even if the world saw him, and constantly told him that he was a tool for his father's plans. (Big reason I'm lgbtqia+ positive is because I'm queer as shit myself, and so I got daddy issues that go STRAIGHT into the fanfic lmaooooo). when he got out of that he met several men that were kind, and caring, and honorable and he wanted to emulate them. Hornet did the very same thing except there were women around her, and that's who she felt most conformable identifying as. They're both extremely similar in that regard, but, like the siblings they are, took very different roads to the same destination. That's why I voice both of them! As for everyone else essentially immediately assuming Charlie and the rest of the vessels are male, That one is easy. Hallownest is a patriarchal society that used to be a matriarchal one, is bordered by matriarchal societies, many that it has subsumed into itself, and is, even after it's death, trying to assert cultural dominance. You know how it is. This sort of didn't really come up as a thing in the game, because the game wasn't terribly interested in that aspect of it's world and didn't really need to be. I'm just a freak about that sorta thing. So, I guess the main answer is, due to the theming of these two stories and how I sorta divested from cannon somewhere along the way The Knight is Non-bianry Charlie is not Now, does that mean that the other vessels might've been non-binary if they were given the same opportunities as charlie?, and charlie might be jumping the gun a little by just gendering them all as male? Yeah. But he's not the brightest bulb in the box. Or even thinking about any of this consciously. The only one who is, is Hornet. And she's only thinking about it in, like, an early 2000s girl power sort of way.

[missmentelle]

What is reactive abuse?

“Reactive abuse” occurs when the victim of abuse lashes out at their abuser - by striking back at them, screaming, swearing at them, insulting them or even throwing something at them - in response to the abuse that they are experiencing. This is actually an extremely common behaviour in domestic violence victims, and it’s one of the most important tools an abuser has for convincing other people that the victim is the real abuser in the relationship, and that the abuser is actually the one being abused. 

Consider these scenarios:

Scenario 1: Sam is abusive to his partner, Erin. He constantly criticizes and belittles her, although he never raises his voice and always does so in a calm, matter-of-fact way. He tells her that her clothes are too revealing for her, and that she should go put on some baggy clothes until she’s lost some weight. He comments on everything she eats and asks if she “really needs” to be eating it. He compares her to his friends’ wives and asks why she can’t look like them. He talks down to her like she’s stupid, and criticizes her cooking, her cleaning, her spending, and her appearance. After weeks of relentless criticism, Erin snaps - she screams at Sam to fuck off and leave her alone, and locks herself in her room. 

Scenario 2: John is abusive to his partner, Raj. John likes to physically intimidate Raj by looming over him, backing him into corners, standing in doorways to prevent him from leaving, and punching holes in walls and smashing things when he gets angry. One day, during an argument, John grabs Raj by the arm and starts screaming in his face. Raj tells John to let go of him, but John ignores him and instructs Raj to “look at me when I’m talking to you”. Desperate to get away, Raj shoves John in the chest as hard as he can, and John falls backwards. 

In these scenarios, Erin and Raj are the ones lashing out... but they are also the victims in these situations, and not the perpetrators. These are examples of reactive abuse; they are lashing out because they are under extreme stress from being constantly abused, not because they are abusive themselves. If they were in a non-abusive relationship, they wouldn’t scream or shove their partners - it’s the abuse itself that is driving them to behave that way. 

Once a victim begins to display reactive abuse, the abuser will almost always use it against them. The abuser will constantly bring up the reactive abuse, presenting it as evidence that the victim is unstable and irrational, and that they themselves are actually the victim of their partner’s totally unpredictable behaviours and moods. Sam, for instance, can use Erin’s outburst as “proof” that she’s the abusive one in the relationship - when he talks about the incident, he can say “I was just trying to have a calm, rational conversation with her and she started screaming at me out of the blue. I tried to calm her down but she just wouldn’t listen - she told me to fuck off and then locked me out of our bedroom for hours. I feel like I’m walking on eggshells around her, anything can set her off”. 

Bringing up reactive abuse is a way for the abuser to win the sympathy of friends and family, turn people against the victim, and leave the victim even more isolated. They can even convince professionals that the victim is the abusive one, and use that as a weapon against the victim - if Sam goes to a therapist and gives a biased account of Erin’s “totally irrational” screaming fit, it’s very likely that the therapist will take his side and tell him what he wants to hear. Then he can truthfully come home and tell Erin that his therapist thinks she’s toxic and abusive, and that Sam shouldn’t have to put up with her. 

Eventually, constantly being told that you’re the abusive one - with several real-life examples listed as evidence - will probably start to convince you that you really are the abusive one in the relationship, even if you are genuinely the victim. Raj, for instance, has now actually hit his partner - that’s a line that John has never crossed, even through John is the physically abusive partner and Raj is the victim. It’s going to be very easy for John to use that against Raj, and convince Raj that he’s the real abuser, especially since Raj’s self-esteem is probably already poor from being in an abusive relationship. Once Raj starts to believe that maybe he really is the abusive one after all, it’s going to be much easier for John to control him, and it’ll be much harder for him to escape the relationship - he’ll no longer feel like he “deserves” or qualifies for help from domestic violence agencies, he’ll be inclined to blame himself for the issues in the relationship, and he may even start to feel like he should be grateful to John for staying with him and “trying to help him”. 

Some other important things to know about reactive abuse:

Reactive abuse is NOT mutual abuse. “Mutual abuse” is the term for a relationship where both people are abusers going into it, and both people abuse each other equally and are equally to blame for the abuse in the relationship. That’s not what this is. For one thing, mutual abuse is extremely rare, to the point that experts aren’t totally convinced that it exists - abuse requires a power dynamic where one person tries to assume control over the other, and that power dynamic just doesn’t work both ways. A person who commits reactive abuse is not an abuser - they are a person under extreme stress, and they stop reacting that way as soon as they are out of the abusive relationship. A genuine abuser shows the same pattern of abusive behaviour in all of their relationships, over and over again. 

Almost everyone will commit reactive abuse in certain circumstances. If you kick a dog enough times, the dog will eventually bite you. Some will bite you quicker, some will take longer to bite you, but they will all bite you at some point. Being under extreme stress changes a person - when you live with that kind of abuse day in and day out, the strain of it will eventually start to affect you in profound ways, and cause you to lash out and doing things you would never do otherwise. There’s nothing you can really do to cope with that kind of abuse in a healthy way while it’s still happening- the only way to recover is to leave. Many survivors of domestic abuse say that they barely recognized themselves near the end of the relationship, and did not know the person that they became after years of enduring abuse. 

People who have committed reactive abuse are not abusers. A person who has committed reactive abuse under extreme circumstances is not a danger to their future partners. Again, pretty much everyone will commit reactive abuse if they are pushed to the brink by months or years of relentless abuse - when someone is no longer being subjected to that abuse, they no longer have a reason to lash out. The fact that you’ll throw a punch while you’re being attacked by a coyote does not mean that you are likely to go home and punch your pets; the fact that you will commit violence in one very extreme and dangerous circumstance does not mean that you will commit violence in normal circumstances. 

Reactive abuse is one of the reasons why regular therapy is not recommended for abusers. When abusers learn more about abuse and boundaries in regular therapy, they don’t recognize their own abusive tendencies - they just get better at accusing their victims of being the real abusers. They are uniquely skilled at weaponizing therapy and therapy language to convince the people around them that their partner is irrational and that they, the abuser, are actually the long-suffering victim. An abuser who is actually serious about getting help needs to do so from a specialized abuser program - they need a professional who is knowledgeable about reactive abuse and will say “hmmmm, but what were you saying to Erin BEFORE she yelled at you? I don’t think you’re the victim here.”

As always, if you suspect that you may be in an abusive relationship, it’s important to seek help - there is help available to you, even in the midst of a pandemic. Call your local domestic violence hotline, contact a local domestic violence agency, or call 211 in Canada or the USA to learn about local options in your area.  Hope this answers your question! MM

[crysalita]

Left Behind

Bo Sinclair x Reader

Word Count: 2439

Warnings: Suicide mentioned when Bo is telling the story about Trudy.

I had to admit that I never actually wanted to be here, on a road trip that is, but somehow I had managed to find myself getting an invite from Carly, who claimed there needed to be more girls. I reluctantly agreed to tag along, and so far I was regretting that poorly made decision.

I was a third wheel as I lagged behind Carly and Wade. I felt as if all I had done so far since we arrived in this town was either roll my eyes or sigh at their constant flirting. If I had of known that this is what my day was going to consist of then I would have said no in a heartbeat.

The small town we had arrived in gave me strange vibes, whether it was because the town was oddly empty even though we could hear chatter, or whether it was because of the two men that we had come across.

Bo, the man that works at the gas station, spent most of the time eyeing me down after the run in at the church, I didn’t know how to feel about it.

“So, Y/n. What did you think about Bo? He seems to have taken quite an interest in you.” Carly teased, nudging my shoulder.

We were in the gas station looking for whatever part that Wade needed.

“Don’t be stupid, he was just being friendly.” I scowled.

“Coming from a guys perspective, he definitely finds you hot.” Wade spoke up.

I sent him a glare. “Just look for that part.”

“He’s got everything, but a 15 inch. I’ll just have to use a 16 inch.” Wade grabbed a hold of the strap that he needed, but we were startled when we heard another voice.

“Are you planning on stealing that?” When I turned around, I was met with Bo leaning against the door frame, still in his suit and tie. I had to admit that the suit did look good on him.

“No, we just didn’t know how much longer you were gonna be, and you know, we didn’t wanna interrupt again.” Wade rushed out. “But I left you some money on the counter, but you don’t even really have the right size. You don’t have any 15 inches.”

“I do at the house.” Bo replied, not looking in the slightest bit like he was convinced by Wade’s constant stuttering, I couldn’t blame him though, Wade made us look more suspicious than we actually were.

“Look, I hope you’re not getting the wrong idea that we’re in here.” Carly attempted to ease the tension.

“Yeah, we already feel bad enough after interrupting the first time, we just didn’t want to do it again.” I smiled politely. In return, Bo sent me one of his own smiles and gestured for us to come out of the shed.

“No worries. That was in the past. We can move on from that.” Bo replied as he held the door open for us.

“You keep fan belts at your house?” Wade asked.

“I get things delivered there when I’m not here. Look, if you want to hold onto the 16, that’s fine by me.” Bo was looking more agitated by the minute.

“No, it’s okay.”

Bo led us outside of the gas station and we began our journey to the house that Bo lived at. My legs were already tired enough as it was from all the walking we had done, and I honestly wasn’t trying to do anymore.

“So, is it too late to sign Carly up for that beauty pageant?” Wade asked with a smirk on his face.

“Now unfortunately it is, well at least for you-” Bo turned and nodded in my direction. “-Because you have won, hands down.” I blushed slightly at his comment but shook it off quickly as I looked away.

“Thank you.” I mumbled. My gaze landed on Carly who was giving me a smug smile to which I rolled my eyes at.

“That house of Wax is pretty cool.” Wade changed the subject. This caught Bo’s attention.

“You went inside?”

“Yeah, it was unlocked.”

“I did try to tell them they shouldn’t, but they both happen to be very stubborn.” I didn’t dare step foot into the House of Wax. Knowing myself I would probably end up ruining the art in there, and I would never forgive myself if I destroyed someone’s art that they, more than likely, spent hours trying to create. I did manage to get quick look inside when Carly and Wade entered, and it truly was amazing.

“Everything seems to be unlocked ‘round here, don’t it? Thank you for having respect.” I was rewarded with another one of his smiles that really did compliment his face, although he did use quite an odd choice of words as it made him seem all the creepier.

I shared a look between the other two, who were also very creeped out.

“I did get a look inside though, when they opened the door that is, and the wax sculptures are amazing.” I complimented. I was a bit bummed out that I couldn’t see the artwork up close to see their full detail, but my conscious got to the best of me and now I was glad that I didn’t go in.

“Yeah, people used to come and see it from miles away. Trudy was the main artist.” I could imagine the amount of people that I wanted to see it, but for some reason there wasn’t any.

“What about Vincent?” Carly questioned. “I saw his name on a lot of the work.”

“One of Trudy’s boys.”

“That family must be very talented. Are any of them still around? I would love to meet them, and maybe they could help me out with some of my own art.” I commented.

“Oh- no. It’s a horrible story. Trudy’s husband, Doctor Sinclair, he was a doctor. He got his licence revoked for doing surgery’s on the side, you know, stuff that most doctors wouldn’t do. So, he moved him and Trudy out here to Ambrose, made a fresh start in medical practise and Trudy found her calm with the whole wax sculpture thing.” Bo explained as we walked past the House of Wax. “It was her dream to do something incredible here. Then she had a couple of kids-”

“What’s so horrible about that?”

“Trudy got a cyst in her brain, she just started rottin’ away.” My eyes widened as Bo continued the story. It was really starting to take a dark turn. “Couldn’t work no more, she went crazy, and it got so bad, that Doctor Sinclair had to strap her up to the bed. The whole town could hear her screaming from the house. And Doctor Sinclair was so depressed that he couldn’t save her he-” Bo creates a gun with his fingers and pretends to shoot himself in the head. “Blew his head right off.”

“That’s horrible.” I mumbled.

By now we were approaching the last house on the road, meaning this was where Bo was staying. The sky was getting darker and darker by the minute, making the situation all the more terrifying.

“Hey, uh, why don’t you three hop in, and I’ll go get that fanbelt for ya’” Bo opened the door to his car and gestured for us to hop in.

“No, we actually have some friends picking us up where the roads washed out.” Carly interrupted.

“I’ll give ya’ a lift there. It’s the least I could do then for making ya’ll wait.” Carly and I both turned to Wade who was nodding his head.

“Could I use the toilet?” I asked Bo as Carly hopped into the car.

“Yeah, of course. You said you need to use the can too, didn’t ya?” Bo faced Wade. He then proceeded to ask Carly the same question before he led us into his house.

The house was nothing less than what I expected, not that I expected much. To no surprise, it was quite messy, but I couldn’t hold that against Bo, as he most likely wasn’t expecting guests.

“So, where ya’ headed too anyway?”

“Uh, where just headed to a football game.” Wade answered.

“Bathrooms just down the hall. Let me get out of this jacket and tie, and I’ll get the fanbelt. I have another bathroom upstairs for ya’ to use.” I followed Bo up the stairs as Wade walked down the hall. I began feeling nervous as now I was left alone. “You interested in football?” Bo cocked his head to the side as he looked at me. I found myself staring a little longer than I should have, which Bo took notice of too, as his lips twitched up into a sly smirk.

“No, not really. Just here for Carly.” Bo nodded his head along with what I was saying before he popped another question, a very unexpected question.

“I take it ya’ single than?”

“What makes you think that?” I stammered.

“Well, considering those two are tied to the hip, that would most likely mean that if ya’ were seeing someone, then they’d be 'ere too.” Bo explained as he shrugged off his jacket. “And if it were me, I wouldn’t let ya’ out of my sight. Especially in a town I’ve never been in.” Bo opened a door that revealed to be the second bathroom he owned. I walked in and closed the door and instantly let out a breath I didn’t realise I was holding.

This man was making me feel all kinds of things, and I wasn’t sure if this was a good thing or a bad thing.

I did my business and exited the bathroom to see Bo waiting outside, this time he was dressed in casual clothing, and no longer rocked a suit and tie. I had to admit that this man could certainly pull off both looks.

“Did you need help getting anything? I don’t mind helping.” I offered.

“That would be nice, thank you.” I followed behind Bo, who led us into the garage that was covered in tools and what I could only assume was car parts.

“Is it always this quiet in town?” I watched as Bo gathered some things and placed them in crate he had. I wasn’t sure what I was supposed to do, so I waited where he had placed down the crate.

“Depends on the day, I guess. Sometimes it can be noisy, believe or not, and some days it’s dead silent. Today just so happens to be one of those days.” Bo mumbled.

All of a sudden the lights were cut off and everything went pitch black. I immediately put my arms out to reach for something to grab a hold of. “Bo?” I held my hand out in the direction of where Bo was last stood. “Bo? Where are you?” I felt his hand come in contact with my own.

“I’m right here, sweets.” I was thankful the lights were off so Bo couldn’t see the blush spread out across my burning face. “I don’t know what happened.” The sound of metal hitting the ground echoed throughout the garage, and then I heard the sound of the horn from outside.

“They must be waiting for us.” I muttered to no one in particular. The lights then turned on and I found myself extremely close to Bo as his chest was almost plastered to my back. “Sorry about that. That was childish.” I apologised I pulled myself away from Bo.

“Nothing to be sorry for. Ya’ get a little scared of the dark, nothing to be ashamed of.” Bo picked up the crate of tools. “I’m going to take this stuff out to the truck. Would you mind finding the wrench for me? It should be in one of the drawers over there.” Bo nodded his head in the direction of where the cupboard filled with drawers were before he exited the garage.

Everything felt scarier now that I was alone and everything around me was silent. I could hear my own breathing with how silent it was, and I hated it.

I searched through the different drawers before I found the wrench that I was looking for.

I began hearing shouting from outside and I quickly made my way outside, only to find the truck driving away and Bo standing outside, the tools scattered across the ground. “Bo, what happened?” I slowly approached Bo who was seething with anger, that was until he turned around to me. His face relaxed as he locked eyes with my own.

“Your little friends just decided to drive off with my truck. I guess they forgot that there was a third one with them.” My mood dulled at his words. How could they just leave me like that? “Hey, don’t let them get ya’ down. You don’t need 'em. Especially after the way they’ve acted today.” That didn’t change the fact that someone that I considered to be my best friend, had just left me behind to run off with her boyfriend, did I ever really mean anything to her. “Listen, I have another truck at the station, if ya’ like, we could walk down tomorrow morning and I could drive ya’ where you need to go.”

“That’d be great. Thanks.” Bo walked back inside, forgetting about the tools that were lying all around.

“You can sleep on the couch for tonight. I’ll get ya’ some blankets to keep ya’ warm. Did ya’ want something to eat?” Bo yelled out as he walked up the stairs.

“I’m good.” I called back. I sat down on the couch and stared off into nothing, this day was going horrible. I sighed as I placed my head into my hands and tiredly rubbed my eyes.

“Hey, ya’ know. I’d love to see ya’ some more. I wasn’t lying when I said ya’ were pretty. Definitely caught my eye.” Bo placed down the blankets on the end of the couch as he sat down beside me.

I found myself blushing for what felt like the millionth time today. “Really? I’d like to see you more too.” I whispered, looking everywhere but the man beside me.

Bo placed his finger on my chin and guided me to look in his direction. “Look at me when ya’ speak. I want to see ya’.”

Before I knew it, we had spent what felt like hours talking on that couch before I eventually got tired and fell asleep, and that was definitely the only good part about my day, getting to talk to Bo.

[sketching-shark]

LMK fandom: Oh, what do we do about this guy who has nothing but hurt Xiaotian, tried to replace Sun Wukong and his crew, hurt Tripitaka and ordered servants to cannibalize a monkey? Oh I know! We’ll turn him into our little meow meow~ he’s so innocent and Sun Wukong is obviously the villain!

What doesn’t help is this idea is perpetuated by multiple fan fic writers and artists for some reason. Especially some aus they make that turn SWK into a bastard for the sake of the story rather than considering cultural context and thinking they should be respectful.

And almost everyone lets them get away with it just because the art or fanfic is good and they get so popular that no one can point what is actually wrong without feeling like they’re going to get attacked.

I'm starting to feel like my blog is the one anons go to specifically to vent their frustrations about the Six Eared Macaque in his lego monkey show form & the associated fandom lmao. But I guess this makes sense, as I’ve had fun quasi-dragging him before & will in fact use this anon submission as an opportunity to have my own, to put it academically, bitch fest about not just this fandom's favorite protagonist-traumatizing meow meow, but about the way villains are often treated in not just fanon, but increasingly in canon works as well. But same policy as with the last anon; I'll post my opinions below the cut, and as fandoms love to say, don’t like don't read if you don't want to see me dunking on the six eared simian & common fandom tendencies towards villains.

Oh man I would say where would you even begin with this but anon you’ve pretty much started yourself with my main gripe with a lot of ways that the Six-Eared Macaque is portrayed in fandom; there seems to be this unspoken agreement that his acts of violence towards Sun Wukong, Qi Xioatian, and Qi Xioatian’s loved ones are either to be framed as somewhat or totally justified, to be immediately forgiven/excused, or to simply & completely be ignored. Like friends maybe this is just me not seeing the proper posts but while the fandom is inundated with art and fanfics of Macaque as a generally decent individual & a true member of team good guy, I have yet to see one person address the fact that this monkey literally kidnapped & mind-controlled Xiaotian’s best friend and father figures & forced them to brutalize Xiaotian while ol’ Six Ear looked on and laughed (X_X). Like this kind of fandom villain treatment is definitely not something that’s solely at work for Monkie Kid, but it is kind of nutty how fandoms will swing between yelling that people should be allowed to like villains without even mild critique, and then will just flat-out not address the villainous behavior, and will even bend over backwards to frame even characters who committed genocide as just poor innocent widdle victims who need a hug. At its worst, I’ve even seen tons of people in a fandom get really angry at other people who don’t like a villain, and will even start accusing those people of hating real-life mentally disabled or abused individuals all because they don’t like the fandom’s favorite literal war criminal. The Monkie Kid fandom is FAR more chill & better than a lot of other fandoms I’ve come across in that regard, but that is an exceedingly low bar, & the tendency to woobify certain kinds of villains-- as with Macaque and the extreme emphasis on his bad boy/sad boy thing--is very much at work.  

 I’ve also talked before about a kind of monoculturalization of certain character interpretations and story beats in fandoms, and one of the more popular ones that seems to be applied to Macaque a lot is the “hero actually bad, villain actually good” cliche, as observable from the general fandom assumption that Mr. Six-Ears he wasn’t even slightly lying or remembering things through a rose-tinted or skewed lens when he gave his version of his and Sun Wukong’s past. Like at this point it seems the possibility that people WILL NOT even consider is that Sun Wukong never did & still doesn't care that much about the Six Eared Macaque (in JTTW they weren’t sworn brothers & in Monkie Kid the only thing the monkey king really said to Macaque before attacking him was a pretty contemptuous "Aren't you ever going to get sick of living under my shadow?," & responds to his "beloved friend" getting blown up with "You did good, bud" to Qi Xiaotian, who did the exploding), or that their original fight may in fact have mostly been instigated by Macaque. After all, to repeat what this anon summarized & what I've said before about their original JTTW context (& in an example of the things that do feel like it's often lost in translation) is that the Six Ear Macaque was a villain not just because he beat up the Tang Monk, but because he wanted to take over Sun Wukong's entire life and identity so he could have all that glory, prestige, and power for himself. To quote the macaque himself from the Anthony C. Yu translation, "I struck the T'ang monk and I took the luggage...precisely because I want to go to the West all by myself to ask Buddha for the scriptures. When I deliver them to the Land of the East, it will be my success and no one else's. Those people of the South Jambudvipa Continent will honor me then as their patriarch and my fame will last for all posterity." And in order to do this, the Six Eared Macaque had apparently made Sun Wukong's "little ones," his monkey family, his captives through either trickery or force, and gotten a number of them to take on the appearance of Tang Sanzang and the other pilgrims. It's also made clear that in very direct contrast to Sun Wukong, he doesn't care about these monkeys beyond how they might serve him. In fact, after Sha Wujing kills the monkey posing as him the Six Eared Macaque not only all but immediately replaces him with another, but also "told his little ones to have the dead monkey skinned. Then his meat was taken to be fried and served as food along with coconut and grape wines." So this monkey is not only willing to risk the lives of a lot of other monkeys for his own personal benefit, but is also a literal cannibal. And yes yes, I know a lot of people have argued that Monkie Kid shouldn't be considered a direct sequel to JTTW & that's fair enough (for example, Sun Wukong probably shouldn't be smashing anyone into a meat patty in a children's cartoon lol). And of course, it needs to be noted that there are a buttload of really out there & really cursed pieces of media based on JTTW & that were created in China. Yet the above description is the oft-ignored in the west original facet of the Six Eared Macaque's character. And it is this selfishness, entitlement, and treatment of other individuals as tools for his own self-serving ends  that is, from where I’m standing, still very much present in Monkie Kid. Like besides repeatedly going out of his way to physically and psychologically traumatize Xioatian, with the last episode Macaque seemed to be going right back to his manipulative ways. I’ve seen people frame their last conversation as Macaque softening to Xioatian a little bit, but personally that read a lot more like that common tactic among abusers where even after they’ve hurt you they’ll dangle something you want or need over your head (in Macaque’s case, the promise of desperately needed training and information about a serious looming threat), with the implication that you’ll only get it if you do what they want you to, such as, in this case, Xioatian going back to Macaque as his student even after having been so terribly hurt by this monkey, which would give Macaque power over Xiaotian and probably Sun Wukong as a result. And it is this violence and manipulation that it seems the fandom at large has tacitly decided shouldn’t even be addressed, instead leaning more towards a (and this is an exaggeration) “Six-Eared Macaque my poor meow meow Sun Wukong has always been bad & has always been wrong about literally everything” reading. 

And while it is the case that I am not Chinese and feel that as such it would be best left to someone who actually comes from that background to provide more context into how common interpretations of the Six Eared Macaque from China may clash really badly with the stuff the western fandom creates, it also must be noted that, as much as we all want to have fun in fandom & in spite of all the out-there versions of JTTW from China, we westerners should recognize that there is a very long and very ugly history of western countries stripping other cultures’ important religious and literary works for parts & mashing them into their own thing while implying or even insisting that what they present provides a true understanding of the original piece. And while I trust most individuals in regards to Monkie Kid are able to step back and think “this is a lego cartoon and not a set guide for how I should understand JTTW” (especially given the insistence that JTTW and Monkie Kid should be considered there own separate works) there does nevertheless seem to be something of a tendency to take the conclusions people come to, for example, about Sun Wukong’s characteristic in his lego form & then assume that’s just reflective to Sun Wukong as a totality. I imagine a good portion of this is due to people not reading JTTW & especially to not having easy access to solid information or answers about JTTW’s many different facets (like geez awhile ago I was trying to get a clear answer on what is considered the most accurate translation of the names of Sun Wukong’s six sworn brothers & got like 5 different responses lmao), but that tendency to take a western fandom interpretation & run with it instead of doing any background research or questioning said interpretation is still very much at play. As such, & as made prominent in the way people have been interpreting the dynamic between Sun Wukong and the Six Eared Macaque in the lego monkey show, tbh it does seem kind of shitty for western creators & audience to sometimes go really out of their way to ignore all of this original cultural & narrative context for the sake of Angst (TM) in Macaque's favor, demonizing Sun Wukong, and shipping the monkey king with his evil twin (X_X).

And speaking of which, even beyond the potential inherent creepiness & revulsion that can be inspired by this specific ship given common interpretations of the og classic's original meaning (again, it's my understanding, given both summaries of translated Chinese academic texts I've been kindly provided with, my own reading of the Anthony C. Yu translation of JTTW, & vents from a number of Chinese people I've seen on this site, that the Six-Eared Macaque is commonly interpreted in China as having originated from Sun Wukong himself as a living embodiment of his worst traits, hence why only Buddha can tell the difference between them & why the monkey king is much more slow to violence after he kills the macaque), I'd argue that in the face of all the uwu poor widdle meow meow portrayals lego show Macaque is, especially if you include JTTW's events, still in the role of “Sun Wukong but worse” as he is very much a violent & selfish creep. Like he was basically running around in JTTW wearing a Sun Wukong fursuit, but there he had the sole reason of wanting to replace Sun Wukong wholesale so he could have all the good things in the monkey king's life without actually having to work as hard for them. But if you combine that with Macaque now claiming that he used to be best friend with Sun Wukong in his pre-journey days (something that's made funny from a JTTW context given that that status actually belongs to the Demon Bull King lol), his original violence has now blown into this centuries long and really unhealthy obsession with the monkey king. Like he's apparently gone from wanting to literally be Sun Wukong to being so obsessed with getting revenge on Sun Wukong that he's got basically nothing else going on in his life. Like he's only appeared in two episodes but...does he have any friends? Any family? A career or even a hobby that DOESN'T center the monkey king? Anything at all outside of his "get revenge on and/or kill Sun Wukong/use his successor as my personal punching bag” thing? Like dude! That is extremely creepy and extremely bad for everyone all around! As I’ve said before, this seeming refusal to see beyond the past or to do something that doesn’t involve Sun Wukong in some capacity is a trait that makes Macaque an interesting and somewhat tragic villain--he even seems to be working as Sun Wukong’s reflection in a mirror darkly, with lego show Sun Wukong pretty clearly not being able to heal from his own past which is hinted to be defined by one loss after another, and with Monkie Kid even kind of having these two characters somewhat follow their JTTW characterizations in that in the latter half of the journey Sun Wukong often gets sad & starts crying in the face of what seems insurmountable odds (& Monkie Kid Sun Wukong does seem to be hiding some serious depression behind a cheerful facade), whereas the Six-Eared Macaque retains a worse version of Sun Wukong’s pre-journey characteristic of getting pissed and lashing out if things don’t go his way--but it’s also what would make any current friendship or romantic relationship between these monkeys horrific. Although to be fair even the fandom seems to recognize this in an unconscious way, in that a lot of the art & fanfic seems to swing erratically between them kissing & screaming at each other in yet another example of bog-standard fandom adulation of romanticized toxic relationships lol.  

At the end of the day, of course, this is nothing new. You'll find versions of this dynamic across a ton of fandoms and now even canonical work. And as such, I can only look at this kind of popularized relationship dynamic with a kind of resigned weariness whenever it pops up, & my frustrated question with the popularity of this kind of pairing is the exact same one that I have for a multitude of blatantly toxic villain/hero ships, given common fandom discourse & the tendency to either ignore or justify the villain's actions & demonize the hero: if you're THAT convinced that everything is the hero's fault, if you believe THAT much that the hero is the one in the wrong for the villain's pain and their subsequent actions, then why are you so set on them not only becoming a romantic pair, but framing this get-together as a good thing? Like I know we contain multitudes but that's waaay too many contradictions for me to wrap my head around. And it definitely doesn’t help that one branch of underlying reasoning behind this kind of pairing seems to be the ever-present “you break it, you fix it” mentality, where the assumption is that if you’re in a failing, abusive, and/or generally toxic relationship (platonically or romantically), if you put in enough time and effort & attempts to compromise, you’ll be able to restore/have the relationship you dreamed of, even with someone who hurt you really badly. And this assumption isn’t limited to fandom: I’d even argue that it’s everywhere in the culture, hence why a lot of people feel like they “failed” if they have to get a divorce or make the choice to leave an unhealthy friendship. Personally, I feel like people could really benefit from more stories about how it is not only the case that the people you hurt don’t owe you their forgiveness & you can still become a better and happier person without the one you hurt in your life, & that while it can be really hard it can also be a good thing to leave a relationship, even if it’s one that once meant a lot to you. 

  But in all honestly, from my own perspective this kind of pairing is starting to read far less like enemies to lovers and far more like a horrible fantasy where you can pull whatever shit you want, even on the people you "love," & never be held accountable for your terrible behavior or even have to consider that maybe you were in the wrong. It's another facet that makes me larf every time I see people insist that fandom is an inherently "transformative" or "progressive" form of storytelling like friends you are literally just taking status quo toxic monogamy & rebranding it as somehow beneficial & romantic (X_X).

But as to anon’s last frustration, it is hard to know what is the appropriate response with this kind of thing...like for my own part I’m keeping my frustrations to my blog & now increasingly to posts that you would have to click on the “read more” button to see what I have to say, but I totally get the hesitation to give even a mild critique to big names in a fandom. Like I've now seen it happen repeatedly where someone who has a big name in a fandom will make something that's kind of shitty for one reason or another, someone will message them with some version of "hey, that's kind of shitty, you shouldn't do that," and the typical response is either to blatantly ignore the issue completely, or more popularly to make a giant crying circus that seems deliberately geared towards stoking emotions on both sides of the, for example, fiction does/doesn't affect reality issue so that something that didn't even have to be that big a deal gets blown out of all proportion, with the big name often framing what often started out as a very mild critique into a long crying jag about how the initial response to their kind of shitty thing was so mean/cruel and they're just a poor innocent & that YOU'RE the true racist/sexist/bigot etc. if you don't agree with their opinion. It must of course be noted that there have also been numerous instances of people taking it too far the other way & sending not just big names but smaller creators literal deaths threats over stuff like innocuous ships which like holy hell bells people that’s a horrible thing to do. But for the big names at least, the end result of all this fighting is usually that once the dust has settled they have more attention/fame/money/power in the fandom than before, and with anyone who might have a problem with their stuff feeling afraid to voice their opinion lest they be swarmed by that person's fans. In that way fandom does often seem to increasingly be geared towards presenting an “official” fandom perspective about various facets of a piece of media instead of allowing for a multitude of interpretations, and with criticism, no matter its shape or form or how genuinely warranted it may be, being hounded out of existence. I feel like a lot of this could be made less bad if there wasn’t this constant assumption & even drive to think that a different interpretation of or criticism of your favorite work of fiction or your fanwork isn’t a direct claim that you are a thoroughly loathsome individual (& maybe also if people cultivated an enjoyment of learning things about important works from a culture outside their own, even if what you learn clashes with your own initial understandings), but I guess we’ll see if that ever happens. 

So these are my general thinks about the Six Eared Macaque’s current fandom meow meow status & some of my bigger gripes with fandom tendencies as a whole. I stand by my idea that the most interesting & beneficial route for Macaque moving forward would be a kind of “redemption without forgiveness from the ones you hurt” arc--as I think was done pretty excellently with the character Grace in Infinity Train--and if for no other reason than gosh dern this monkey really needs to cultivate some sort of identity beyond his “Sun Wukong but worse” persona. 

[scolopendress-tag]

I said I'd make a post detailing my kid Asra working for Lucio theory in this post so here it is! 

So Let's get STARDED.

So! To start off, how it began. We do know when Asra and Muriel were kids, Lucio came to them each seperately with a deal.

Essentially: work for me, or I'll hurt your friend.

This was the sentiment he repeated for both of them. So, not wanting the other to be harmed, they both agree - unaware of the other's deal.

For Muriel, it was playing heel/excecutioner at the coleseium. For Asra, it was doing... Well, we never know, aside from he worked under Lucio. But that's what we are here to discuss in any case.

Continued under the read more, for the sake of people's dashes.

Now presumably, if I got my timeline right, Asra at this time would've been around 12 or 13. We don't know much about how Asra was when he was younger, other than that he has certainly changed.

It's also worth noting that it's not amiss to say they were both also still homeless at the time, and the hut hadn't come into the play until after.

Asra was still living on the streets.

This all isn't overly important for any of my claims later, but perhaps someone else could make something of it. It does provide us with some framing for the situation as a whole, though.

Now onto Asra's time under Lucio. I don't know that we have any indication of how long it was, but presumably at least a year if not more.

We do also know that Lucio knew who Asra was. Both in that he knew Aisha and Salim had a kid, and that he knew Asra was said kid.

This is bring this up because we know Aisha and Salim were incredibly talented, and likely incredibly powerful. Lucio wouldn't settle for any run of the mill magician or alchemist for the work he needed. So he must've had some idea that Asra may take after that power as well.

To top it off, he also interacted and talked with the dock kids he also used, (two of which would actually later become palace guards,) and seeing as this is seemingly how he learned of Muriel, it's not off to think that this is also how he heard of Asra again to start. The kids knew of Asra's magic, and roughly where he was, and could've even continued talking about both Muriel and Asra to Lucio for unknown amounts of time.

So now Lucio knows that the kid of his two powerful practitioners of magic is not only still around, but taking after them as well.

If Muriel's intimidating size and physical power are what drew Lucio to him, why wouldn't Asra's considerable metaphysical power and talents draw Lucio in as well?

We know how much Lucio loves power, and that he has an interest in magic because of it, as mentioned in the main story. (no ss sorry... If you have one send so I can add. )

Plus, homeless kid in a vulnerable spot. Easy pickings.

That's what I think this whole thing was about, really. It's all power. Though Asra likely didn't have the full scope of power he does in the current game, he was probably still considerably talented, and was only getting better.

What Lucio specifically probably wanted from Asra then was either to be taught how to use that power, to use Asra for things that required it, and/or use his power for entertainment akin to how he used Muriel.

I think out of these however, using him for his power was most likely. Why? (And teaching him now, more on that further down)

(Sorry for bad quality lmao it's a small image. Also thanks to @8-bit-space for showing these to me like months ago. As you can see I can't stop thinking abt it)

These are screenshots from the old prologue. While they're not canon any more, there's reason to believe they still hold merit as to how Lucio feels about Asra.

Two things to me are major here. First is the "powerful potent magic," and how it's the "real deal," equating to a large part of how he views Asra yet again tying back to a heavy interest in his power. Now, you could argue this relates to using his powers in the palace during the plague, but the second point stands out even more to me.

"The one who broke him for me?"

What this implies to me is that Lucio could never quite get all the way through to Asra or control him when he was younger, and he's been dying to do so. He wanted Asra broken, presumably so that he'll become essentially a tool for him to use for his skill and not put up a fight- something Asra likely did as a child.

Because it seems that Lucio for the most part relied on control through fear when it came to Asra, threatening to hurt Muriel, lying to him about how he executed his parents, likely other things as well. But things seem to point to that never quite working like he had hoped.

This could allude to this as well. Though "impossible" is something Asra's been called a few times, namely also by Julian, there's no reason to assume Lucio wasn't also including his work with him as a kid in "always". Impossible to hate could be his draw to Asra for his power, his talent, his skills, the prospect of which I'm sure Lucio found practically mouthwatering. Impossible to love could be his stubbornness or reluctance to do what Lucio wants, always pushing against him or being hard to deal with, both as a kid and during the plague.

And lines like this, where he calls him a coward. I find it hard to relate this to the plague ritual as he was for the most part willingly helping with that, so it could be resenment for when Asra eventually ran off as a kid, unwilling to put up with him any longer, or his reluctance to do certain things for him then in general.

We know, and it has even been mentioned by a character within the canon, that Asra can be incredibly stubborn, to back that up. Plus, he could've been even harder to work with then both being a kid and as I mentioned earlier he has changed from how he was then, so he could've had more spunk to him or such.

This also easily means that what Lucio was trying to get Asra to do then was something Asra was quite obviously opposed to. Being used for his power is already degrading enough, but there could be more to it.

You'll notice in the post that was linked at the top (the reason I'm writing this) I mentioned pushing Asra to his physical limits and magical extremes. This could be one of the reasons for a push back.

If Lucio was having Asra do things for him involving magic, it's not out of pocket to assume he'd practically run him into the ground- I'm sure he really wouldve loved testing the limits of what Asra could REALLY do.

Wether it be huge expendure of power all at once, or tons of smaller things one after the other, it would absolutely take it's toll. We are shown a few times that using magic can exhaust someone, and I don't remember if this is shown in canon ever (tell me if so!) but pushing it even further could definitely lead to other things such as passing out, (Or nosebleeds, for the aesthetic,) alongside likely being incredibly painful and draining, both mentally and physically.

Basically, abusing his powers and the body that commanded them. It's also possible that the stubborness to work with Lucio could also be partially percieved because of this- Lucio taking Asra's literal physical inability to continue as defiance.

Another reason for push back from Asra would be making him do morally compromising things. This is a little more vague, but intimidation is a common headcanon I see for what Lucio made Asra do, and that could tie in here. Other things could be meddling in things and business he shouldn't, but again, it's a vague thing. Make of it what you will. Fucked up stuff all around.

[EDIT - TEACHING LUCIO]

(THANK YOU @tea-tye for showing me these, and credits to @hangedman-magician for the video they came from!!!!!!!)

...I cannot BELIEVE I forgot this, I KNEW I was missing something. Especially when I was fairly certain I remember Lucio being obsessed with the idea of magic. SO, MOVING ON,

There's not terribly much to pick apart here as it's rather direct- Asra saying he has in fact tried to teach Lucio magic. So in my eyes this solidifies that this was a component of Asra's time under Lucio. I still think my points about Lucio treatment (pushing Asra to his limits) stand, as well.

This can also tie in the stubborness mentioned as, well, can you imagine teaching Lucio? Asra backs this up by saying nothing he has ever said stuck with Lucio, and you know how Lucio gets when things don't go his way. He would've blamed his inability to learn on Asra, likely.

Looking to other quotes mentioned: the 'broke him' line still rings to me like he was trying to use Asra in other ways, and the 'coward' line could go either way from refusing to teach Lucio certain things, or refusing to do certain things for Lucio when he was merely being used. The "impossible" line could also go for others, as trying to teach someone like Lucio would've undoubtedly caused some head butting.

This is certainly really exciting and interesting to me as it gives a more complete picture on the exact situation at hand here. I still stay by my reasoning for Lucio simply using Asra as well on top of being taught because it seems highly likely that Lucio would've been too impatient to learn to do certain things himself, and like I said as well, I don't doubt he also just wanted to see what Asra was REALLY capable of. Something he could've saw as a tantalizing insight into the kind of power he could aquire of this kid would just... work with him.

NOW we have a MUCH clearer answer as to what exactly Asra was likely doing under Lucio, or at this point, almost certainly doing. It's a sad picture for Asra of course, but with this you can draw some interesting points as to how he could've been affected by this, as I'm sure it would've left some kind of imprint on him.

Sure it may not have been as traumatic as what Muriel went through, but when you look at it, it's hard to say it DIDN'T leave it's scars. If we consider all the points presented in this post truth we have:

A 12/13 yo homeless child, threatened with his friend's life to work for the Count that he knew was the one responsible for orphaning him and making him homeless in the first place.

Said child believing his parents are still alive, and as we see in Travel at Night, could very likely still be trying to find them. In a situation like Asra's that glimmer of hope probably was a big deal in helping him push on. This may also be a reason he agreed on top of Muriel's safety.

While working under the count, he is told that his parents were executed, no doubt devastating. The manner in which this was mentioned is up for debate, and could affect exactly how it was taken. Options could be Lucio joking or bragging about it (treating it as trivial or an accomplishment), or using it to threaten Asra, (as in I killed your parents, I'll kill you too,) both would work when it comes to controlling by fear.

It is also mentioned that Lucio told him the reason for his parents execution is that they messed up his gold arm, so Asra also has the knowledge that his parents were killed over something so unbelievably trivial.

Being used as a source of power and nothing else, both for teaching and pure work/entertainment, all for the man who killed his parents, day after day.

Being pushed to physically painful and mentally draining limits, expending so much energy that he completely exhausts himself, day after day.

Likely taking all sorts of verbal abuse from Lucio, day after day.

Like mentioned earlier, it seems clear that Lucio wanted to break Asra, so some other form of trying to chip away at his psyche to make him more convenient for Lucio is likely as well.

Those points alone, to yet again a CHILD no less, seem more than enough to cause some traumatic impact, and depending on certain specifics of what exactly went on during that time, it could be worse. I may make a post looking into the long lasting effects of this on Asra, I may not. It would mostly be headcanon regardless. If you want to add your hc relating to this situation though, I'll gladly reblog it!

And now that we are closing out, it's time to revise my summary. So, without further ado, THIS is what I think was going on during this time.

Lucio knows of Asras existence and parentage.

Lucio learns Asra is around and that he's got power.

Lucio LOVES power, so he threatens Asra into working for him.

Lucio uses Asra for his power and to be taught how to use it for himself.

While using Asra for his knowledge and power, runs him into the ground by pushing his limits to physical and magical degrees, possibly even moral.

Asra pushes back against a lot of this, or is at least percieved to, frustrating Lucio.

Lucio does what he can to try and control Asra even more, primarily via fear, but can't seem to crack him.

Eventually it's too much, and Asra leaves. Likely when the plague hit like Muriel, but it's possible it could've been somewhat sooner. Lucio is PISSED, because he wanted that magical power all to himself.

Less related, I can see Lucio trying to brush it off and pretending to be fine with it, excuse being "he was too difficult to work with, anyways," or something.

...And then... years later, as far as Lucio sees it, Asra comes crawling back- and he's tamed down to a degree! He's actually working with him. Lucio might not know what or who did it, but Asra is finally broke for him, and I'm sure he was absolutely ecstatic to have that power back in his hands- and more than ever before.

Think of all of this as you would like!

At the end this is all still speculative, so definitely feel free to make your own points or say if you feel any different abt anything- expansions or counters on this theory/headcanon welcome!

And if you also have any other screenshots or info not here that could add to the theory or change the outlook of certain things definitely add them!!! I feel like I'm missing stuff for sure, and my memory has probably muddled some things (hopefully I didn't get anything wrong, though.)

And @asrascherry thanks for the offer in helping word my hcs also! I forgot to say that. This one is just so long I wouldve felt bad bringing it all to you 😔 it's probably still messy as a result but I tried lmao (worried it's repetitive or unclear 😬)

Uh yeah! That's mostly it for NOW.

+All the love to Asra for going through so much I'm so sorry bb,,

Thanks for reading!

[shihalyfie]

Shiramine Nokia, and her role in Cyber Sleuth’s narrative

This one’s on request! Cyber Sleuth is quite the interesting game and a rather landmark entry in the franchise, mainly for being a love letter to the franchise and its long history itself, and for being the franchise’s very first work exclusively aimed at adults, meaning that it can explore different topics that wouldn’t normally be Sunday morning timeslot material, while also being a little more willing to assume that the people playing this are familiar with a lot of older parts of the franchise (not that it’s advisable to have complete lockout, but the game benefits greatly by not needing to assume lockout by default).

One of the ways Cyber Sleuth exhibits its “franchise love letter” status is by starting off the game all the way back at the franchise’s roots, before Digimon Adventure changed the game and everyone’s perception of Digimon and Digimon partnership, when the V-Pet lore was intertwined with Digimon as elements of hard sci-fi. As the game proceeds, the atmosphere slowly starts to resemble the more fantasy-like version of the franchise established by Digimon Adventure and its follower entries -- and that change is represented in none other than Nokia herself.

Before we begin: As anyone who follows my meta work has probably noticed, I generally prefer to have my analyses use tons of references and screenshots so that it’s easy to follow and the evidence is concrete, but Cyber Sleuth is a game, and it’s much harder to get those things without replaying the entire game, so I hope this won’t be too hard to follow despite being mostly text.

Nokia’s background and personality

If we want to apply the producer’s statements on Twitter, Nokia is 17 years old at the time of Cyber Sleuth, and has a backstory of having originally been a shy, bullied child who broke out of her shell thanks to the influence of her cousin (who, of all people, happens to be none other than Date Makiko). The flashback we get with Nokia in chapter 18, however, portrays her as just a fairly cheerful, go-getter child, but (although we only get to see her hair) she’s not quite as “flashy” or in-your-face as the description entails.

A possible hypothesis for rationalizing this all together comes from a what we learn about the process of memory wiping in Cyber Sleuth chapter 14: even if memories are extracted from the person, there’s some kind of residual memory left behind (the producer’s above statement also states that the same thing had even happened to Suedou). In Hacker’s Memory chapter 16, Arata confesses to Ryuji that the first Under Zero incident and Jude's loss to the Knightmon had re-triggered his trauma from having lost Yuugo years prior -- “not the memory, but the feeling.” So in other words, there was some feeling of loss that came after the loss of Yuugo that impacted those involved -- and it’s very possible that this deeply impacted and traumatized Nokia as well.

Assuming we’re still following this line of thought (since, again, this background point wasn’t actually in the game proper), Nokia eventually decided to break out of her shell thanks to Makiko’s influence, and become eccentric and assertive, and thus, the game begins.

While we’re here, I also want to point out that Nokia is also voiced by Han Megumi, possibly the Digimon franchise’s most notorious “promoted fangirl” who freaked out after getting to meet her childhood characters’ voice actors while cast as Airu in the Xros Wars crossover and ended up casted in a handful of major Digimon roles thereafter as a result. Which is not to say that her voice performance wasn’t also absolutely perfect for the bright and aggressive Nokia, but, you know...considering the below analysis, food for thought.

Nokia as a representative of “the conventional franchise”

Cyber Sleuth opens on a world where Digimon are largely seen as hacker programs, and even the hackers themselves only see them as non-sentient programs; there are ones like Chitose who treat them with empathy, but his attitude seems to be kindness towards them in a way not entirely unlike a family would treat a Roomba. Although he doesn’t admit to it at first, Arata himself also comes from this “world” of hackers, and we later learn that Yuuko herself is as well (via her “Yuugo” persona), meaning that, other than the playable protagonist, Nokia is the only “outside-context” person -- a completely ordinary civilian who’s gotten dragged into all of this.

Much like, say, the protagonists of Digimon Adventure.

With this background behind her, once she’s thrown into the world of hackers, she immediately has a “fateful encounter” with Agumon and Gabumon, instantly recognizable as two of the franchise’s most prominent Digimon (and complete with their Adventure voice actors, too). And I do especially bring up Adventure specifically, because while Nokia’s position in the game does end up taking in certain elements that roughly came around that era and possibly slightly predated it (mostly Digimon World and V-Tamer), Agumon and Gabumon weren’t particular mascots of the franchise until Adventure basically blew everything to pieces.

Right off the bat, Nokia does not have a single shred of doubt that Agumon and Gabumon are living beings and should be treated as such (again, much like the protagonists of Digimon Adventure; even Taichi in his “is this a game?” mode never doubted this). And they open up their meeting with this conversation:

Agumon: Umm, who are you? Nokia: It... It can talk?! It's so... so... so adoooooorable! M-M-M-M-My name's Nokia. What're your names? Agumon: Me? My name is Agumon! Gabumon: I... I'm Gabumon. Nokia: Agumon and Gabumon? Hee hee! What weird names! Gabumon: Hey, they're not weird! Agumon: You're the one with the weird name! Nokia: As if! My name's not weird! Hee hee!

And on top of that, Agumon refers to Nokia as having a “familiar” scent. Remember this for later.

Nokia’s second encounter with Agumon and Gabumon in Cyber Sleuth chapter 3 involves her properly partnering herself with Agumon and Gabumon, and learning about the existence of the “Digital World”. Note that, for all intents and purposes, EDEN had been treated like the functional equivalent of the Digital World in this narrative up until this point -- cyberspace with hackers, coming from the network, it’s basically a “digital world” from top to bottom, and yet here Agumon and Gabumon are introducing the concept of a more fantasy-esque incarnation of a digital world. (And, in fact, despite EDEN being right there, many long-time Digimon fans playing this game often complained about how little you get to see the “Digital World” in this game, because of how associated that term is with something more fantasy-like.) So, again: here we have Nokia, who’s forming a partnership with Agumon and Gabumon as equals instead of recruiting them as hacker tools (even the protagonist wasn’t immune to this method), and being indirectly responsible for introducing the more fantasy-like concept of the Digital World that the modern franchise is currently associated with.

Nokia embarks on the conventional shounen anime character arc of starting off cowardly, but eventually learning to have her own inner strength, with her Digimon evolving in accordance to her emotions. And, eventually, in Cyber Sleuth chapter 8, she decides to form her own hacker team, called the “Rebels”. She ostensibly bases it off the old creed of Jude, having heard that they were a team that never caused trouble for others, but we later learn via Arata turning out to have been its former leader, and the even later portrayal in Hacker’s Memory of its spiritual successor Hudie, that this is an extremely rose-colored image of them -- Jude (and Hudie) was not a well-intentioned team by any means, but rather a sort of mercenary group meant to enforce the “freedom” of EDEN, often taking on shady jobs and “punishing” entities they considered to be causing chaos. But in this case, Nokia forms her team under the idea of legitimately fighting for justice and good will -- again, much like a Digimon Adventure protagonist.

In case the metaphor weren’t clear enough, Nokia decides that the members of her group will not be called “hackers”, but “Tamers” -- the same lingo used by the franchise to refer to a human who partners alongside a Digimon to help them get stronger -- and that she wants to promote the idea of humans and Digimon working in tandem (complete with emotional bonding exercises). For this, everyone looks at her weird, and yet her methodology, initially naive as it seems, keeps working, because Nokia’s natural charisma starts bringing people from different places together and making quite the formidable team. Everyone is perplexed by this, but perhaps it’s only natural, because Nokia has just independently invented the modern concept of Digimon partnership in a world where it did not exist. And this is eventually solidified by the Under Zero invasion in Cyber Sleuth chapter 10, in which Omegamon is finally formed (from sheer guts on her part).

Omegamon is yet another symbol of the modern franchise, but it’s important to remember that he hasn’t always been so; even his appearance in V-Tamer was as more of a tactical piece than any kind of game-breaker, but the impact of Our War Game! has led him to constantly make a resurgence in major franchise roles (maybe a little too much these days). However, on top of Nokia basically embodying the modern franchise itself by doing this, Nokia and Arata’s positions are an obvious reference to Our War Game! in particular, being Omegamon and Diablomon Tamers -- but they’re not seen directly fighting each other. In fact, Arata’s partner only ever reaches Diablomon when he’s at the highest point of his morality, so the reference is more ideological; Nokia represents the more idealistic and heroic side of Digimon, whereas Arata represents the more dirty-playing and cynical hard sci-fi side of it (remember that Diablomon himself was rather detached from the fantasy conflict of Adventure, being a mysterious entity that sprouted out of nowhere on the Internet and wreaked havoc). Moreover, Nokia’s usage of Omegamon embodies a theme that’s central to both Our War Game! and Cyber Sleuth itself as a whole -- while most people associate Omegamon with Taichi and Yamato these days, the original method of formation back in Our War Game! came from “bringing people from different places together”. Nokia managed to bring together a formidable army in a place where everyone else in the hacker world was trying to promote a dog-eat-dog philosophy, and the sense of cooperation is arguably making her stronger than anyone else.

(I should also point out that Nokia’s name is, obviously, a reference to the Finnish telephone communications company, and this has a lot of relevance to the game’s theme of connection, along with her phone Digivice...and, also, the method used to bring everyone’s powers together in Our War Game!’s spiritual successor, Diablomon Strikes Back. Feels a bit too on-the-nose here.)

In the second half of the game, when the world starts falling apart due to the Digital World portal opening, Nokia becomes one of most important people holding everything together as Arata goes off the deep end and Yuuko starts fixating on her own personal problems and revenge -- because she’s the one most in tune with treating Digimon as the living beings they are, she’s most active in advocating for them and helping them bond with humans, and and she’s the one making the chaos be a little less chaotic. The second half is basically the more fantasy-esque version of Digimon leaking into the sci-fi, with the sidequests progressively resembling your average Digimon anime monster-of-the-week episode, and holding that all together is Nokia, who becomes a vital figure in maintaining that fellowship by being in tune with the modern franchise’s philosophy.

Through all of this, Nokia ends up taking a role rather similar to a Digimon protagonist, which is highlighted very strongly in Cyber Sleuth chapter 18 when she ends up literally becoming the player character while the main protagonist is out of commission. During that time, Yuuko and Nokia learn the truth of what happened during the EDEN incident eight years prior -- and we also learn that the five children involved had an extremely conventional “first meeting in the Digital World” experience that could have been pulled right out of the first episode of a Digimon anime, with them having a lovely adventure meeting new creatures. And at the center of that “first contact” was none other than Nokia, Agumon, and Gabumon themselves:

Agumon: Um... who are you? Nokia: Ahem! I am Nokia! And just who are you? Agumon: Me? My name is Agumon! Gabumon: I... I'm Gabumon. Nokia: Agumon and Gabumon? Hee hee! What weird names! Gabumon: Hey, they're not weird! Agumon: You're the one with the weird name! Nokia: As if! My name's not weird! Hee hee!

Nokia, Agumon, and Gabumon’s meeting at the beginning of the game had been an (accidental) reenactment of their first meeting in the Digital World eight years prior -- and, in the flashback, Nokia invites them to go on an “adventure” with them. So in other words, Nokia getting involved in the hacker conflict at the beginning of the game was, unknown to all of them, her attempting to restore that beauty and idealism of the Digimon Adventure-esque philosophy and fun in a world where the Eaters had torn it away and EDEN had turned into a haven of cynicism and hacker battle royale.

In the end, the game’s conflict is only resolved by bringing everyone together; Arata has to be retrieved from the deep end, and Yuuko has to settle her deep-seated personal grievances. Everyone makes a promise to return together, in the sense of making things right and repairing the connections between them that had been cut in that incident. The final battle (momentarily) causes the playable protagonist to literally fall apart, and the one reaching out to them and sending her message to them at the end of the game is none other than Nokia herself -- again, in the absence of the game’s protagonist, Nokia is the one with the closest role, because in the face of the new world going forward, she was the one who contributed most to restoring its idealism.

Ultimately, all of this is especially because Cyber Sleuth works under one of the most terrifying imaginable premises for a fan of a kids’ franchise: “we made an entry for this, but for adults.” Many of us can testify that this kind of premise can go very well, or very badly -- the latter especially in the case of things that decide “taking the opportunity to do things that you can’t do on a Sunday morning kids’ timeslot” means “going out of your way to put edgy violence and sexy things and cynicism just because you can”, or, in other words, looking down condescendingly on its kids’ franchise roots with malice and deciding that something for adults means “more suffering” and not “issues that require more life experience to understand”. The reason the game ended up getting as much acclaim among longtime Digimon fans as it did was that despite being the franchise’s first venture into this territory, it did end up setting itself up as something that took that opportunity to do something new and unique that would have never made it into any of the prior entries (holy hell the doll quest) and yet never gave up on the idealism and themes of connection that make up the franchise at its core, and paid respect to everything that had contributed to all of that while it was at it.

And at the center of that is Shiramine Nokia, who is effectively the spirit of Digimon Adventure, condensed into a single character.

[starr-fall-knight-rise]

Humans are Weird, “A Preoccupation with Death.”

Hope you enjoy :)

Analysis By Dr. Krill MD

Humanity’s preoccupation with death has always fascinated me: I say fascinated because to say that it disturbs me would be rather unscientific, and I have been attempting to reign in my anger… I have had some… complaints over the last year about the unprofessionalism of my previous papers. The GA community does not appreciate, and I quote, “Excessive swearing, and screaming” in virtual reports, so today I will attempt to be calm and relaxed as I explain to you, common human traditions based around death.

Now you must understand, from my perspective these practices are quite bizarre. Vrull have no rituals associated with death. The Vrull are disposed of and their bodies are incinerated. The ash is then disposed with by mixing into the soil to produce needed plants on the planet surface. There are no other options, and no other arrangements are made.

However, I am told that funeral rights with humans are, often, more to do with what the living need than what the deceased do. However, there are some funeral rights believed to be required in certain human cultures, so that rule does not always hold completely true.

I will begin from the moment of death.

Unlike the Vrull humans do not know their exact time of death. Granted this is not because the Vrull have a set clocking system in their bodies which sets the time in which we die, but because our society sets forth a time of our usefulness. No one knows how long a Vrull can feasibly live because no one has tried it before. I myself might plan on finding out, as I have no intention of returning for my scheduled termination, which is already a year overdue.

Humans, like most other species die in several different ways, accidents, sickness, or the sudden failure of the body due to old age, the final one generally happening peacefully and in their sleep.

However this is where humans tend to diverge from their inhuman counterparts, in that they are very social creatures, the death of a human is usually witnessed by multiple family members and friends, in the case of sickness, and is mourned many weeks after because the death of someone in your social circle changes that circle forever. Social bonds are cut and entire social lives are upended. Humans bond so heavily with each other that the loss of one of their own can lead to mental and emotional trauma extreme enough to require medication and hospitalization.

Humans plan their deaths months to years in advance. In certain instances, their jobs force them to plan their death in advance in case something were to happen. Decisions need to be made about who owns their property, where it goes, what happens to their dwellings, and how the surviving members of their family will be supported. Sometimes they plan this due to terminal illness which they knew will lead to their deaths, otherwise they might just do it out of precaution.

There are many different ways of disposing of a corpse. First of all, you must determine if any of the human parts are recyclable: this being the very morbid idea of taking someone else’s organs and giving them to another person. Now with the advancement of this technology, organ transplants from donors is not as common as it once was seeing as they can now 3D print organs. However, this method is not time effective and is very costly, in some cases leaving the harvesting of deceased human organs to be the only viable option.

Yes, they take organs from dead people… the doctor and surgeon in me admires that thought process, but the thinking breathing creature inside of me recoils heavily at the idea.

Assuming that no one requires your organs, or if you have especially requested for your organ not to be used  than there are other questions that need to be addressed. There are humans who have jobs especially in the business of taking care of dead bodies. They are generally moved in special containers and placed in refrigerated units to slow decomposition while the relatives determine what they want to do with the body.

In certain cases, where the death is suspicious, as related to murder, there are, in fact, humans who specilize in determining the cause and time of death based on the decomposition rate of a body and the stiffness of the flesh itself. This is a semi-common practice across the galaxy, and I myself have performed one or two autopsies since my professional career began though they are far more common for humans.

I find that the most humane method of human enterrement, and the one that makes most sense to me as a Vrull is the idea of cremation. The body is taken and placed in a furnace that is then heated enough to turn the body to ash leaving only bone fragments and the occasional mineral deposit. The ash may then be given to the family members or disposed of accordingly. Some humans find it comforting to keep the remains in some sort of container.... A fact which I find morbid but, we have proven in abundance that I find much of what humanity does, rather morbid.

It is only going to get worse.

The other method of disposal, popular through human history, however made someone obscure in recent centuries due to the proliferation of human burial sites…. The common north american and European Burial and funeral rights went as follows. After death, and freezing in the morgue, a special human with the job of mortician is called in to prepared the body for burial…. This is where it gets very morbid.

The body is drained of all of its fluids and then pumped full of preservatives to slow down the process of decomposition. The faces are then painted with makeup to give the corpse the appearance of sleep rather than death. The body is dressed in fine clothing and placed inside a coffin or casket: these in themselves can cost thousands of dollars as the family members decide what materials the box should be made out of and lined with, precious metals, woods like oak or steel, and the inside lined in velvet satin or silk. The body is placed inside with the person dressed in a finely tailored suit before a hearse: a special vehicle designed to carry caskets is brought to the place of mourning, generally a curch or a funeral home.

Many times the body is then put through a “viewing”.... It sounds just as bad as I make it seem, when the humans come in…. In large groups…. To stare at their dead relative. Just…. Stare at their rotting corpse before it is hauled away and lowered into an six foot hole in the earth. A decorative rock is then place on top of that inscribed with the deceased’s name so that everyone knows where to find their moldering corpse….

….

….

I am told this provides a lot of closure for family members, though I have yet to understand why staring at a painted corpse would be helpful.’

Unfortunately, with humans, this isn't the most gruesome method they have of corpse disposal, nor the most involved 

You may also chose to donate your body to science…

They might hand your bod over to a medical school, where aspiring doctors will, in groups, dissect your corpse slowly over an intervening few weeks or months. It is… gruesome, but a necessary part of the learning process. Your skeleton might even be recycled for use as a tool to demonstrate the skeletal structure to those very same students.

Perhaps your body will end up in a museum, where they will encase your nervous system in plaster and place it on a wall for school children and visiting day travelers to view.

Perhaps you might donate your body to…. A body farm. A palace where scientists will toss your corpse out into different elements to observe the rate and change of decomposition based on different dump sites. They will examine the decomposition, the moisture loss, and the bugs which take to eating your body. This research will then be used to determine the cause o death for other corpses disposed of by murderers or in similar fashion.

It is gruesome, but I suppose…. It is useful for scientific efforts.

These aren't the only methods of body disposal.

Bodies have been tied to the top of large towers

Thrown into the woods to be eaten by animals

Dumped into pits.

And in a couple of cases, launched into the vacuum of space.

Different rituals require family members to spend more or less time with the body, to wrap it in special cloth, or to anoint it with certain oils. 

The Egyptians were widely known for their complex and involved enterrement rituals commonly known as mummification.

The body was first embalmed

The brain was removed

The organs removed and placed in specialized canopic jars 

The body was then dried

Then wrapped which continued to help in the drying process 

Then the body was finally entered, and due to the sandy heat of the desert, the body was often preserved to a great and surprising degree. Egyptians believed that those things you had in life would come with you after death, and so egyptian rulers were entered with great riches and inside grand palaces 

Then of course there is the last ritual which I learned about just recently.

Certain tribal societies will….. Eat…. their dead….

They will eat them….

As in the entire village will get together and consume the corpse in a feast, believing that without this they cannot enter the afterlife.

…..

…

…

…

…

I am going to draft a proposal to the GASC that screaming and profanities should be considered scientifically appropriate when in regards to humans

[utilitycaster]

Skill Proficiencies are the Bedrock on Which the Success of a D&D Party Rests, Monks are  a Utility Class, and Other Correct Opinions

This came up when I was thinking about the Cobalt Soul subclass and the discussion thereof, especially the dismissive way in which people sometimes treat the mystical erudition feature. I am also a bard player, in my longest-running game, and I prefer utility classes in general, so I decided to write a whole essay that maybe like 5 people will appreciate, two of whom are in my inbox (thanks for the encouragement, @ayzenigma and @agigabyte and one of whom is me.

In D&D, on a fundamental level, this is what happens:

A DM describes the world

You decide to interact with the world in some way

The DM decides if you automatically can do what you want, if you automatically can’t do what you want, or if there are a range of possible outcomes. If the last option, roll a d20.

The DM narrates what happens when you act or fail to act, ie, describes the new state of the world; the cycle begins anew.

The vast majority of those d20 rolls will be skill checks. Some will be combat rolls, which are a whole other thing, but most will be skill checks. Some will be incredibly important skill checks. Some will be relatively minor. Sometimes you’ll be aware of how important the roll is; sometimes you will not. Spells can sometimes guarantee or improve the chances of a success, as can some class abilities; but those are finite resources, and in the end a lot of D&D is resource management, and many of the choices you make in interaction are going to be influenced by what resources you have left.

Consider: the party comes upon a door with a single lock. The party is D&D four-person-party classic: a mage archetype, a thief archetype, a healer archetype, and a strength-based battler archetype.

The mage can cast knock to open the door. This does guarantee success, but it’s extremely loud and will not only alert anyone nearby but also uses a second level spell slot. They may be able to get around this if they or the healer also casts silence, depending on how you play it*, but that’s either another spell slot gone, or ten minutes wasted.

The battler can, for free, either kick down the door or attack it. This is also going to be very loud unless silence is employed, they might choose to use a finite resource (a once a day weapon ability, a rage) and even if this itself doesn’t alert anyone on its own, the big hole where a door should have been, or even the smashed keyhole, probably will.

The thief can, for free, pick the lock. Assuming they are specifically a rogue, because of their class build there is a very high chance of success, and specifically a high chance of quick, quiet, secret success even without additional help. And if they fail, well, the other options still exist and only a small amount of time has been lost.

Things like a single rage, or a second level spell slot, don’t seem like much on their own, but that is the other thing about D&D: usually you go to bed with some things left in the tank, but occasionally you do not, and as the resources get into the red line it is not terribly difficult to get into a death spiral of throwing your limited resources at a problem too large to be solved by them. When you’re in a game where, mechanically, there is no difference between having 100 hit points left and having 1 hit point left, but there is a vast chasm between having 1 left and having none, that extra second level slot worth of healing or damage can mean everything.

Or: at levels 5 through 8, with a cleric, the difference between an ally’s life and potentially permanent death is whether the cleric is left standing with one third level spell slot at the end of a battle.

This isn’t to say you shouldn’t use spell slots to achieve things, especially if they’re important; just that there’s a balance, and sometimes a single good thieves’ tools check, investigation check, or persuasion check makes just as much of a difference in terms of the party’s success as a high level spell, even though it’s far less flashy.

The game designers realize this. Older versions had the idea of taking ten: if time is not of the essence and there is no significant penalty for failure, you could take ten and guarantee an average job (which does still require some skill proficiency to take that assumed roll of ten to “pretty good”). This still remains in 5e in the form of passive checks. It’s a core element of the rogue and bard classes that they are people who are highly skilled - both have more skills than most classes and access to expertise, which significantly increases their proficiency bonuses and therefore reduces the chance of failure - and both have additional class features that either improve the breadth (jack of all trades for bards granting them partial proficiency in everything) or depth (reliable talent for rogues granting them a guaranteed average job) of those skills. Frequently, and especially for bards, this is not seen as a significant help, possibly because it rarely comes up in combat. This is wrong.

Here’s the thing: combat takes a long time at the table but in terms of what the party is doing, two minutes of combat a day (20 rounds, total) would be considered an incredibly difficult day. The rest of the time, you’re not in combat.

Here’s the other thing: how did that combat happen? Did it happen because someone failed a check - that a better stealth roll or deception check, perhaps made by someone with expertise in one of those two areas, could have prevented? Or if this conflict was inevitable or necessary, was the party able to use that stealth or deception to get a surprise round? Investigation, nature, arcana, or history to know a little bit more in advance about what they’re about to face? Perception or survival to even find the enemy they need to stop? Persuasion to gain an ally? All of these can make the difference between a success and a failure.

When you come to the end of a long-running D&D game, you will probably think back a lot to combat moments and RP moments, and unless it was one of those few clutch ability checks where you knew how momentous it was at the time you probably won’t think back to the dozens of locks picked without issue, or social encounters navigated with relative ease, but they’re going to be there, and you would have felt the strain without them.

This isn’t limited to skill checks, honestly; it’s a problem with almost all so-called fluff/flavor abilities. It’s interesting, in that the words we use to describe a well-built character are themselves quite neutral in terms of the specific build (min-maxed, optimized) but in practice many people assume these fit into one of two categories: the tank, or the glass cannon. Of course, those are combat-specific abilities, and see above with regards to combat. And maybe you are in a D&D game that is very much about combat and combat only, but if you’re not, that so-called fluff is far too dismissive of utility.

And monks, in particular, are more of a utility class than one would expect. Sure, they get a lot of attacks and they’re sort of tanks of the ‘too fast to hit’ variety and they can stun, but monks are utility in a negative-space sort of way.They don’t need your buffs, and a monk in your party, like a rogue who can pick locks or a bard who can talk their way out of trouble, saves your resources. They are incredibly fast, and don’t need longstrider or jump cast on them. They don’t need feather fall or fly because they run up walls and avoid falling damage. They don’t need to be healed, if they just catch the arrows that were shot and evade the area of effect spell; they don’t need a magic weapon (or any weapon); they don’t need a restoration to end effects, they don’t need protection from poison or disease, they save you the need to cast comprehend languages or tongues, they’re less likely to need a buff to help them save against other effects, eventually they don’t even need food or water. A monk, like a skill check, helps the party by saving finite resources. The Cobalt Soul build merely makes it a little more literal by granting the monk themselves the ability to make those skill checks.

In conclusion: skill checks are cantrips that everyone gets, and if a class got 8 cantrips when most others got 4, and they had an extra bonus to hit, you’d absolutely notice.

*per a quick search it’s up for debate based on the ranges of the respective spells and whether the lock needs to ‘hear’ the spell or not and anyway if this is what you choose to fixate on in this essay I cannot stress this enough: you have the reading comprehension of a slime mold and the sense of relevance of a Republican congressperson.

[tl-notes]

Kobayashi’s Maid Dragon S2 Episode 3 Notes

Sparrows! Specifically the Eurasian tree sparrow, known in Japan as the suzume. You can just about see them all over Japan, all year long—but that doesn’t mean they aren’t a season word!

Depending on their depiction, they can be used as a season word for most times of the year, but a major one is “late spring,” as that’s when they’re out and about finding food for their baby birds. You can also see in the art they look a little floofy, indicative of the winter coat they haven’t fully shed yet; suzume in summer have a more sleek look. Here’s a shot of them from late summer last season:

And from closer to winter here↓. Quite fluffy.

As a quick refresher, 季語 kigo, or season words, are words/phrases/concepts used to give a sense of season to a haiku (or other poem/work of art), which is what part of what differentiates them from a senryuu. They were used pretty frequently in a lot of episodes last season, but a bit less so this time so far.

Where Lucoa and Ilulu are talking about a “right” here, the Japanese word is 資格 shikaku. While this usage is similar to “right” in English, the connotation is a little different as the word actually means more “qualification.” 

Whereas a “right” is generally something you have innately in some sense (e.g. if you make art you automatically have copyright over it, you have human rights just for being human, etc.), a shikaku is something you earn (e.g. if you study and take a test for certification program and pass, you’re rewarded with a shikaku.)

Ilulu’s response to the question here is 

そういうのは違う。小林がくれたあの言葉はなかったことにはできないから。

One way in which this differs from the English is that she’s not saying it would be right or wrong, but rather not the solution she’s looking for—because it would also mean undoing the words Kobayashi gave her, and that is something she doesn’t want to do, no matter what.

In contrast the English feels more like she thinks it would be wrong to do that, and even if she did it wouldn’t let her escape what Kobayashi said to her. (That would make more sense if Kobayashi had called her out on being evil, but that’s not really what went down.) An alternative wording might be something like:

“That wouldn’t solve anything. Besides, I don’t want to erase what Kobayashi gave me.”

This line is: 小林さんのようにはいかないなー

This is perhaps just my interpretation, but the English here sounds like Lucoa once convinced/helped Kobayashi in some fashion previously, is trying it again with Ilulu, but failing this time. (I don’t that’s ever happened though.)

In contrast, I think the Japanese is saying that Lucoa is trying to be like Kobayashi (e.g. when helping alleviate/solve Tohru’s various worries), and it’s not really working for her. I.e. “It’s not working like when Miss Kobayashi does it.” 

Ilulu’s line about “I don’t want to ask Kobayashi about it because she’d probably solve it too easily" seems to support that reading; the dragons know Kobayashi as worries-solver.

The English here has Lucoa saying she’ll go talk to Kanna/Saikawa, and casually telling Ilulu to wait in the bathroom. But Lucoa doesn’t actually talk to the kids, and even if she was planning to, why would Ilulu waiting in the toilet do anything?

The answer is that Lucoa is actually telling Ilulu to talk (to an unspecified subject, assumed to be Saikawa, since she’s a human and thus someone Ilulu feels guilty about interacting with; Kanna she’s more fine with, as a dragon). And instead of “Go ahead and wait in the bathroom,” it’s more of a “Go wait in the bathroom and see what happens,” with the implication Lucoa is going to set something up. 

And she does!

“I won’t lie about X, but Y is a different story.” This seems to imply she will still lie about Y? That seems a bit odd to me, especially when she just lied about X (those feelings) to Kanna/Saikawa minutes ago. 

The Japanese says something a bit different though.

The core of the middle line here is 気持ちに嘘をつかない kimochi ni uso wo tsukanai. Because the に, the particle indicating “direction,” is attached unadorned to "feelings,” it is saying not “lying about X” but “lying to X.” This construction, to say one is lying to a feeling, is fairly common in Japanese media. It’s basically equivalent in English to lying to yourself about those feelings.

(for “lying about X” you’d change the に into a について or similar)

So basically she’s saying she won’t pretend, to herself at least, that she doesn’t want to play. But that’s a separate issue to whether she has, as she said before, the “right” to play after what she did. 

You could maybe put it sort of like this:

“I won’t lie to myself about my feelings anymore. But that doesn’t mean I can act on them after what I did.”

I feel extremely silly even pointing this out, but the beam here is 尿意 nyoui, which is the urge to pee, not necessarily actually needing to pee. Hence why she seems to stop needing to as soon as she gets to the bathroom and walks straight back to the living room with Ilulu after they talk.

“Be deceived” here is not 騙される damasareru, lit. “be deceived,” but 騙し討ちにあう damashi-uchi ni au, which is like being hit by a sneak attack, being stabbed in the back, etc. In a fairly literal sense in this case too, as they’re talking about actual combat.

I mostly bring it up because it feels like there is not much difference between “being deceived” and “being tricked,” despite those being portrayed as polar opposites (deceived by hostile dragons, tricked by kind Kobayashi), so it might have been wise to differentiate them more in the translation.

E.g. perhaps “She had to change to avoid a knife in the back.” (though dragons don’t use knives, so maybe a claw?)

Another pretty minor point, but the “doesn’t know right from wrong” is 分別のない funbetsu no nai, where funbetsu means not so much “knowing right from wrong,” but a more encompassing sense of discretion and maturity.

I mostly bring this one up because it struck as me awkward to say Ilulu explicitly shouldn’t know right from wrong, since that would be going backward to her be okay destroying the city again. Instead it’s more that she shouldn’t need to feel weighed down by what’s “correct” or what she “should” do. One possible alt example:

“So go back to being a kid, and worry more about what you want to do than ought to do.”

(Lucoa also changes from a narrative tone to a more conversational tone at the end, in conjunction with the visual shift away from the flashback, so swapping the “she” to “you” might be appropriate.)

Note how Kanna shuffles the cards here. Depending on where you’re from, this may seem like an odd way of doing it (unless you watched Yugioh maybe). A lot of places with majority English speakers tend to use the overhand shuffle or riffle shuffle, but in Japan (and many other Asian countries) the most common shuffle is the one on display here, known as the Hindu shuffle. 

~The More You Know~

The act of handing over a piece of candy like this has been used as imagery in other places in the show as well, though I’ll leave thinking about what it represents to you.

“Blanket” is futon, which is used to refer to both the “mattress” part and “blanket” part of a full futon, the traditional Japanese bedding (not the same thing as the sofa/couch mattress you might hear called a futon in some places).

I mostly mention because just “a blanket” kind of sounds like they’re going to leave them on the floor, but they’re actually going to get the equivalent of a guest mattress (+blanket) to put them to sleep in, as it’s late enough for this to turn into a sleepover.

Just as a bit of trivia, the word she uses for “onlooker” here is the same term as the “spectator faction.” In the manga Tohru interjects with “Aww, come on, why not Chaos faction instead?” 

Also as a side note to this whole bit about Kobayashi wearing a maid outfit; recall this scene from early in season one, where Tohru found an outfit Kobayashi had bought and stuffed deep in a closet:

Relevant! Anyway, back to the actual episode now:

If you felt like this exchange felt a little disjointed, especially given Tohru’s tone of voice: the idea is that Lucoa is saying Tohru really goes to extremes when it comes to matters relating to Kobayashi, which is implying that it seems excessive to call so many people over for a relatively mild issue (not that she necessarily minds though). Tohru’s response is a slightly defensive “yeah I know, but thanks for coming over anyway.” 

(They’re saying it in ways such that you have to read between the lines a bit though, so it may not come across as easily in a translation.)

The word for “cold” here is 水くさい mizu-kusai, basically meaning “watered down” (like beer etc.), and used frequently to refer to a person/actions/words that the speaker considers too reserved for the relationship they have with the other person.

So it’s similar to cold, but cold in the context of already warm relationship. If talking about a stranger or someone you don’t get along with normally, you shouldn’t use 水くさい; you can just say 冷たい tsumetai (lit. “cold”) or similar.

In this context you could probably have her say “No need to apologize, Kobayashi-san.”

Also I like how they swap around the honorifics (Miss, Lady, -san, -sama, etc.) based on the speaker (I think differentiating between dragons and native-Japanese-speaking humans?). I would say it works given the setting, but that’s just me.

The text there says “Money Street.” It’s probably obvious, but it’s based primarily on Monopoly, which is semi-popular in Japan (though not to the extent as say in the US). 

Just some trivia, but the “sales pitch” for the game in the Japanese market is more that it’s an educational game that teaches investing and negotiation skills. (The origin of the game in general being an educational tool about exploitation of tenants by landlords, so not quite the same thing.)

Japan also has Momotarou Dentetsu (”Momotetsu”), which is a video game series that’s been around since the NES and is broadly similar to Monopoly rules-wise.

I just want to point out, amid all the riches, the bag of potato chips and other junk food in the back there.

Mini-trivia: the cardboard boxes in the background there seem to be a mix of the Amazon logo and the Seino Transportation logo, a Japanese shipping company with a kangaroo logo.

You probably noticed it without me pointing it out, but I enjoyed the fact Elma got corn starch* all around her mouth from the daifuku and then immediately got told to go play with the kids while the adults are talking.

*It may seem like powdered sugar if you’re used to donut holes, but daifuku, like most Japanese sweets (wagashi) generally, is not heavily sugared and not even particularly sweet by the standard of most “sweets” (which is part of the appeal for many). The skin of the daifuku is powdered with corn starch or similar simply to make it less sticky.

Kobayashi’s “do that” here is やろー yarou, which can mean “let’s do X” (which is a construction often used to tell/suggest someone to do something, without really including yourself in the “us”). 

However in this case—especially given Kobayashi’s pronunciation and tone of voice—I think it’s actually a homophone of that, a form of 野郎 yarou, a word for “guy” with often negative connotations, like saying “son of a” or “asshole” etc. 

The idea, I think, being that his immediate agreement of “Oooh, right I didn’t think about you wearing it,” comes with a heavy implication of “yeah you’re right, you couldn’t pull off something cute like that,” so she’s replying with a (mostly good-natured) “oh you fucker.”

This giant 完 kan means “the end,” used like “fin” at the end of a story or game etc. It’s also frequently used in “fake end” jokes. E.g. a show about a sentient zombie might start with the main character getting hit by a truck and dying immediately. The end! ...Except not, and they wake up as a zombie.

So here, the original goal was “make a maid outfit for Kobayashi to wear.” Then Georgie convinces Kobayashi that anything is a maid outfit as long as you are a maid at heart, so really, she’s already wearing one! The end! ...Except not.

Here’s some extra, probably needless, context on this “annoying”: it uses the word 面倒くさい mendokusai, which is basically used to describe something as annoying, a pain, etc. When used to describe a person like this, one of the ways it can be taken is specifically that the person is really fussy about details that others wouldn’t really care about—which describes Kobayashi about maids pretty well. 

So just for clarity, it’s not necessarily “I became an annoying person who is a maid otaku,” and can be more of a “within the context of my maid otaku-ness I became annoying.” Just to kind of shed some light on the extent of her self-deprecation here.

The word Kobayashi uses for “helping with the housework” is 家事手伝い kaji-tetsudai, which is a noun* that means “a housework helper”... here, basically a more bland way for a native Japanese speaker to say maid. 

Hence why Tohru reacts with “Oh, don’t call me that, call me a maid!”; Kobayashi went as far as to acknowledge her clothes as a maid outfit, but not quite as far as calling her maid outright. That’s our “annoying maid otaku” doing her thing. 

*It can also be verbed.

These neighborhood notices, 回覧板 kairan-ban, ~lit. circular notice, are a method used by local governing organizations to distribute information or forms etc. For example, about an upcoming neighborhood event to pick up litter.

The general idea is that one person gets the notice, reads it, signs it, then goes and passes it to the next household in line. It saves paper versus sending everyone a thing in the mail, encourages interaction between neighbors, and is more likely to be read than a flyer/email, though some people consider them a pain and they generally feel a little dated.

The phrase for “piercing noise” is  劈く金切り音, tsunzaku kanakiri-on, ~lit. “ear-piercing sound of tearing metal.”* 

“Was it that loud?” in the Japanese is a little different, そんな音してた?, meaning “was it making a sound like that?” 

I’m mostly just bringing it up to say that the “Sasakibe’s cooking isn’t just loud, the sounds don’t even make sense” gag is alive and well this season.

*The “sound of tearing metal” phrase can also used idiomatically for some types of high pitched sounds, but I imagine it was chosen very deliberately here.

It’s probably obvious, but this is a reference to the music video of the OP for season one. You can see it on the official channel for the band, fhána, here.

The season two music video is here, and it seems to have decent English subtitles for the lyrics if you’re curious what they are.

The adjective here is ニヒル nihiru, an abbreviation of nihilistic. It can be used as actually “nihilistic” like in English, but it can also be used more colloquially to describe a person with dark vibes. It can almost be a compliment!

“Sleeping” here is 惰眠をむさぼる damin wo musaboru. Damin is not just sleep, but “worthless” sleep—not like a nap because you’re tired. Musaboru is a verb for ~gorging upon on something (often metaphorically, not just food).

The two words are somewhat frequently used together for, basically, lying around the house doing nothing all day. And not in a particularly flattering way, so it’s pretty funny for her to just be like “yeah I do that as a hobby I guess.” 

It doesn’t mean the same thing, but it’d be like saying your hobby is loitering. Maybe could have translated as like “Hobbies? Vegetating.” or “Procrastinating?” or something, though I don’t know if those would have the right impact...

Kanna’s word for “idol” here is アイドル aidoru, i.e. idol in the pop culture sense.

Tohru’s word is 偶像 guuzou, or idol in the religious sense.

(Tohru swaps to the pop culture “idol” when she starts talking about Kobayashi though.)

Kanna’s “lost it” it here is 大変 taihen, a pretty common, almost generic word used as an intensifier (greatly, immensely, seriously, terribly, really, etc.) in both positive and negative ways. E.g. “thanks, you really saved me!” or “that was extremely rude.”

When used alone, like here, it usually implies something bad has happened, like something has befallen Tohru and/or she’s in some sort of trouble. Hence why Kobayashi immediately rushes home worried and bursts through the door like this—and loses her tension when she sees Tohru is fine, just... extreme(ly annoying to Kanna and Ilulu).

You could maybe say e.g. “Something’s wrong with Tohru!” to keep that double meaning open.

(”Lost it!” also makes sense for Kobayashi to be worried about, but the type of worry is somewhat different in that case; “oh god what is she going to do” vs. “oh god what happened to her.”)

The “lick” here is べろ bero, an onomatopoeia for licking that’s also used as slang for "tongue” (noun).

A bero chuu, as in the chorus here, is slang for a French kiss/deep kiss/tongue kiss.

~The More You Know~

The text here says “If your total assets are above one billion, proceed towards goal.” 

Only billionaires can win...

Here is 私のものはカンナのもの, lit. “What’s mine is Kanna’s!”

This line is a reference to a catchphrase of the bully/antagonist in Doraemon, Gian: “What’s yours is mine, and what’s mine is mine.” 

His line, and character, is so well known it’s spawned the term “Gianism” to represent that sort of self-centered philosophy: everything is rightfully mine to take, even if you think you lay some claim over it.

It’s interesting that the inversion of Gianism, i.e. “what’s mine is yours,” is the only way Kanna and Saikawa are able to overcome the rules, beat the billionaire, and win the game.

Solidarity forever.

[justaratswriting]

Batfam and Mental Health

orOkay so I love Batman and all the things surrounding it. Like the idea of a random rich man who happens to be an orphan just suddenly adopting a ton of children is ridiculous, and thoroughly entertaining.

But I am also a big fan of psychology, and learning about the mind. So mental illness and related things are fascinating to me. 

I notice that like strangely there is very little stuff about the batfam having mental illnesses or dealing with psychology or therapy. Don’t get me wrong there is still a lot addressing these things, but still with the things the family experiences you would think it would be a lot more prevalent in the writing about them, and especially fan fiction about them.

Like I think showing mental health through  beloved characters would be really cool and could be a tool to destigmatize them. Like showing hero's with them would make really great representation, people could see them and think Oh I can still be a good person and helpful even if my mental disorder makes it hard and for things like depression or ADHD showing which misconceptions are harmful and don’t work. 

I can also see this in the physical aspect, like I wish a hero would have something like chronic pain or one of the many invisible illnesses. To give representation and show how pushing through the pain can shut a person down for days. 

The specific disorders I think would be really interesting of the top of my head is, depression, Anxiety, POTS, Fibromyalgia, Chronic pain, eating disorders, nerve damage, ADHD, Bipolar, OCD, Chronic fatigue, PTSD, c-PTSD, Autism, Elhers Danlos syndrome, And the one I really think would be interesting DID. 

Like fore depression, showing how hard it is to get out of bed. Not showing constantly being sad but showing how it can be numbing. Acknowledging that in a disorder like this logic doesn’t always win even if you are the most logical person to live. 

For anxiety showing how debilitating it can be. Looking into their minds to show the thought process, the mind fight itself and logic. Knowing their fears are unreasonable but not being able to shake the feeling. Show how for different people different things cause anxiety. 

POTS or Postural Orthostatic Tachycardia Syndrome, (super simply put it is a circulation disorder where upon standing up blood rushes to extremities and can cause all sorts of problems like fainting, pain in your feet, Dizziness, poor temperature regulation, etc. Also I am assuming people know what depression and anxiety is.) would be fascinating to me. Like having a hero that is constantly sitting down or biting down and pushing through the pain even a hero that has to slowly stand up. So in the middle of a battle being shoved down having to slowly stand up or risk fainting or vision completely blacking out for a while. Showing a hero who has learned to fight with no sight because of that very thing. 

Or Fibromyalgia (This one I am a little less educated about but from what I understand, it is a disorder characterized by muscle pain and tenderness usually with no known cause, so from what I understand it usually is diagnosed after a ton of other disorders are eliminated and the pain is still occurring, often also has affect on sleep and memory/mood.) Like showing a hero having a particularly hard patrol and having to take a couple days off and constantly going places or trying things to help with the pain. 

Or Chronic pain ( from what I understand the main difference between Fibromyalgia and Chronic pain is chronic pain has to do with the nerves and Fibromyalgia has to do with muscles, also Fibromyalgia has other thins to go with it like energy levels and mental functions so memory/mood.) Like a hero having constant pain even if they didn’t have a big fight, maybe showing them icing, heating, or taking pain meds and the rest of the family or team being super confused as to why. Before they know showing them freak out and worry that they went on a mission without telling anyone. Showing how it is a constant battle, that sometimes treatments will work and other times, for seemingly no reason they won’t. 

I would also like to see eating disorders portrayed by the bat family. Showing how it’s not always a conscious choice, sometimes it is more along the lines of choosing something else over eating. Showing how people can use it for control or to punish themselves. Letting there be a male example, reminding people that they can happen to anyone. Allowing people to have representation. Show a recovery, how it is not impossible for anyone but not down playing how hard it is. It is a true and hard fight, and show how it can sneak up on you and drag you back. Not just one easy recovery, that recovery is a choice. You have to want it but you also need help, it is a long hard process and accessibility is everything. Show a family member making them food, show them sometimes eating it and others not. Also don’t only show under eating show how people can’t stop themselves from eating. Having cabinets locked to keep people out, for their own safety. 

Or nerve damage, showing how years of their work and fighting can really mess someone up. Show someone suddenly losing all feeling or sensation in certain parts of their body or constant pain or even pinched nerves. Show how confusing it can be to not know what you are feeling. Show how weird it can be when you realize you are fine or that nothing is touching you or taking it in the opposite direction and not realizing you are hurt or someone is trying to be your attention. I would also love to see the batfam explain any of these injuries to the hero community or to the public. Maybe show the hero community really starting to look into mental and general health services. 

ADHD or also ADD, showing how people can use it but also showing how hard it can be to control and fight. How much it can impede focusing and show situations it can put people in. Show a hero forgetting a huge part of their plan and falling but because of some random information from a hyper focus they still save the day. 

Bipolar, showing the wild swings and how confusing it can be. Feeling like a different person, struggling with identity and their own decisions. Show them accidently pushing people away but also how hard they work to maintain family and friends that despite how unpredictable they can be their friends still stick around. Or if their friends can’t handle it show them peacefully and respectfully stepping out of their life. Show how hard that can be to except but that the future can end up better than you could ever hope. 

OCD is really one I wish we saw in the hero's. Show their routines and things they do. Show the thought process, like if I don’t properly put the dishes away in fourteen seconds the joker will escape arkham. Show how terrifying the thoughts can be, but show how detail oriented it can make people and the beautiful art and amazing work that they can do. Show a person putting them selves at risk to comply with their routine. Like ignoring injuries to write a report. Show them and family or friends working to change the routine. Show how hard it is the moments they want to turn back and continue and how much they want to stop but show them not giving up and making the differences they want. Show them accomplishing things, show their compulsions actually keeping them safe.

Or even chronic fatigue, Show the fight each morning. Them saving energy, the disconnect between how exhausted you are mentally vs. physically. Show a hero that 50% of the time physically is too exhausted to be in the field so they offer technical support. Show a hero crashing, suddenly just not having enough energy to finish patrol or even get home. So someone has to come pick them up. Show them getting stuck in a fight and how hard it can be to do anything much less a fight. 

Let the characters have PTSD or c-PTSD, show flashbacks and being stuck in your head. All of the bat family has lived through horrors please show it affecting them. Show how they get help how they work through it show what can happen and how bad it can get if it is unaddressed.  

Show them having autism and how it is just a different way of life that there is nothing inherently wrong with it and how the ignorance that surrounds it and similar disorders can hurt and affect people. Show how it can be simple things that can show it or affect it. Try and look at it from their perspective and what things happen that should not just because they way someone is. 

Elhers Danlos syndrome, show the pain, the misdiagnosis, the process, the fight. Show how disabilities like this and several others including ones I have mentioned can cause a person to need medical equipment such as wheelchairs and braces. Show how not everyone using a wheelchair can’t walk. Show how limiting it can be and the precautions you have to take but don’t make everything about how hard it can be. Show how using a Wheelchair while not ideal can open up so many opportunities. Show them actually being able to go on family vacations and amusement parks because they have a wheelchair. Show how important it is to have ramps and accommodations for similar things so people can participate and so people can actually go places they want. Always show how hard people with disabilities and such work. Show them trying to get treatment and trying new treatments show how it isn’t as simple as getting a knee brace or two. 

And finally coming to one that absolutely fascinates me, DID or Dissociative Identity Disorder formerly known as multiple personality disorder. But don’t do this one completely uneducated, it is already a very stigmatized disorder. Show how Alters communicate. Show how they all work together and that they were made so the body and mind could survive. Make full characters just put them in one body. Show the confusion once they find out, show them slowly realizing and learning signs and what happened to them. Show each of the Alters having different friends and maybe understanding and knowing the family different. Show the different reasons and setups systems can have. Show system responsibility and each Alter working on themselves and to make a life for the system. Show the roles Alters will take. Show the horrible process of fragmenting and what things can cause it but also show healing and people supporting and accepting systems. 

Overall showing good parts of all the struggles people can have but not ignoring how hard they can be or glorifying them to people who don’t understand. Showing misconceptions and how support can affect these disorders. And most important in my mind, giving hope and a future to look forward to for the people with these disorders.

[s-creations]

The Caring from Others

Gyro has never been good with emotions or understanding people. His younger years not helpful in those categories as he grew up. Good thing life wasn't ready to let him throw in the towel just yet.

Fandom: Ducktales ‘17         Rating: General Audience         Relationships/Pairings: Gyro Gearloose/Fenton Crackshell-Cabrera, Fenro       Warnings/Tags: Other characters are mentioned, How do emotions work? We’re learning today!, A little OOC.

The Father

Gyro doesn’t recall his childhood fondly.

Growing up in a small, back water farming town. A place where advancements, anything ‘new’, was labeled as dangerous. Deemed bad for everyone involved. His parents were less than thrilled when Gyro announced he wanted to become a scientist.

It wasn’t ‘honest work’.

A profession of false tests to make the common folk fearful of everything.

To make them more dependent on the government.

Even if Gyro suggested creating improved tools. Better way to help the farmers in making their jobs easier. Even safer. Every suggestion was just shot down. His parents claimed if their way had worked so well for so long, why change anything?

For 15 year Gyro had to work in secrecy. Knowing if any glimmer of creativity was found, it would be destroyed. Stomped out before it could reach their full potential. Salvation came when, after turning in so many applications, he was accepted into a high level university. Full scholarship and all. Everything was paid for, there was nothing to worry about.

Gyro should have felt some sting when his parents put up no fuss as he left. Happily letting their misfit son go off on his own journey. But Gyro honestly felt nothing but relief as he left that farmhouse behind for good.

While he now had the freedom to create in the open, university had its own issues to contend with. Like being mocked by his peers. Gyro was young and already set up with terrible social skills. It wasn’t better when fellow students deemed it a high priority to ostracize the chicken.  The other students weren’t thrilled that someone younger than them had accomplished so much in their early years. The chicken’s ideas being scoffed at when he presented or attempted to make some connection. Gyro was sure he would have dropped out long ago if not for the continuous support and offered safety from his professors.

It was during Gyro’s last year of university that he was introduced to Dr. Akita. Properly introduced anyway. Gyro was well aware of the other long before this meeting. Having studied the scientist’s work extensively. It was almost like a dream come true when Gyro was offered an internship. A way to work with his idol directly.

How quickly it all turned into a nightmare.

2-BO was Gyro’s biggest accomplishment and regret. The chicken labeled as a mad scientist and abandoned by Akita when the chicken’s creation went rogue. Gyro was thrusted into a world he had no idea how to traverse. He was turned away from every opportunity. All knowing his history, fearful of what damage he was still capable of.

Gyro couldn’t blame them for being so concerned. He was honestly fearful of his own inventions at this point.

It was a surprise when Scrooge McDuck of all people reached out to him. Wanting Gyro to present his ideas to the billionaire and his board members. It was a mounting pile of nerves that was continuously being added to as the day drew closer. The chicken was honestly shocked that he didn’t pass out while presenting. Or from the unnerving quiet when Gyro finished. The buzzards looked unimpressed. Which did not help Gyro’s as yellow eyes stared him down.

“Mr. McDuck, this was a complete waste of time,” the buzzard from the middle spoke, “We are not in need of new hires for the production line. Especially not one with such a...dangerous past.”

Gyro swallowed weakly.

“Nonsense. Who ever said about having Dr. Gearloose here to be part of our regular R&D team.” Scrooge commented casually. He stood from his large, cushioned chair. Making his way over to the quietly panicking scientist. “I’ve been in the market for a personal inventor for awhile now.”

“Please do not tell me this is for your wild excursions sir.”

“Bradford, you’re too worried about keeping finances. Personal and monetary gain cannot be achieved at the same time. I have enough monetary value...for the moment. Now is the time for personal gain.”

“If you are so determined to do this. Could you at least get someone less dangerous.”

Scrooge slammed his cane down. Causing all in the room to flinch.  “How can we expect growth if we cling to the past. Dr. Gearloose cannot be given redemption with no opportunity. I’ve seen his work. Both the bad and the good. I want him working with me.”

“Then I request a trial period. I would like to see a working, safe invention from the doctor here. If he does that, I won’t bring this up again.”

With a smirk, Scrooge gave a nod before facing Gyro. Who’d been honestly confused through the entire ordeal. Who just argues so freely with their boss?

“What do you say Dr. Gearloose? Think you’re up for the task?”

Steeling himself, Gyro gave a short nod. “Yes. Absolutely.”

He could do this. He knew he could. How many ideas had he sketched out when he was younger? Surely there were a number of inventions he could use to impress the board.

The good news was he was right. He was able to dig up multiple sketchbooks he had filled out from his college days that had yet to be used. Now came the trying task of deciding which invention he was going to use. One that was impressive enough to blow those buzzards away. But he could easily make it within the offered window of time. And that it was safe.

He wished Mr. McDuck would have been more forward with what he was looking for. The chicken would at least have a starting point.

Gyro really thought he had a winner when the month was up. More than a little confident when he entered the boardroom, all eyes on him. Giving his presentation with as much vibrato as he could. It was all going, in his mind, quite well. Even Mr. McDuck looked a little smug for Gyro’s success.

Then the machine was turned on.

It gave a warning whine, Gyro actually leaning in to see what the issue was. Letting out a choking sound as he was pulled back by Scrooge’s cane. All taking cover when the invention exploded. Leaving the pedestal it had been resting on and the wall behind it with dark scorch marks.

Gyro felt absolutely sick. Wide eyes staring at the spot where his achievement once sat. Only looking away when Bradford slammed his hands down.

“Unacceptable! Even a simple request created something so dangerous. I am putting my foot down on this Mr. McDuck.” The buzzard huffed as he stared Gyro down.

Scrooge, on his part, merely seemed unfazed by it all. Taking the time dust himself off. Pulling Gyro up and straightening him out as well before speaking. “Dr. Gearloose. Would you mind waiting for me in the labs. I need to have a quick discussion with the board.”

Gyro merely nodded. His voice stuck in his throat as he made his way to the elevator. Arms and stomach heavy with his failure. He knew he was fired. His one opportunity was gone. Gyro realized this was his best and only chance at getting any sort of job. A scientist who’s inventions caused more damage and cut off by Scrooge McDuck? Gyro would be lucky if he got a job at Radio Hut after all of this.

He collapses into the first chair he could find in the lab. Laying his glasses on a nearby flat surface and rubbing his temples. At this point in his life, Gyro wasn’t as emotionally blocked as he would later become. But he was learning that breakdowns were seen as weaknesses.

By his parents.

By his classmates.

By Dr. Akita.

So while he wanted nothing more than to hide away. Let this moment of emotional sorrow pass naturally and move on. Gyro had been conditioned to hold it in. Because what scientist falls apart?

He let out a slow breath as the elevator announced it’s arrival. Glasses on and standing as Scrooge made a direct line for him. While showing emotions weren’t allowed, Gyro learned that groveling was acceptable. Something Dr. Akita was quick to teach.

“I am sorry,” Gyro said quickly, “It wasn’t my intention for it to explode.”

“I had assumed so.”

“If given another chance-”

“Lad, you’re not fired.”

Gyro swallowed weakly. Stunned by the name and the announcement. “But...I almost killed everyone.”

“That’s a tad extreme. We would have been maimed. But kill? Doubtful.”

“It exploded!”

“I’ve experienced worse.”

“Mr. McDuck, with all due respect, you’re insane.”

Scrooge waved his hand. “No matter. Why don’t you take a seat.”

Doing as asked, Gyro looked up nervously, hands clenched together as he waited.

“As stated before, you’re not fired. Even after your explosive debut. I know Bradford is a stickler for keeping things ‘safe’. It’s one of the reasons I hired him onto the team. But he doesn’t understand that needed balance of risk and reward. I’m aware of your past. Which I’m sure you’re tired of hearing about at this point. We are our own worst critics. But I also know of your successes, your numerous successes.”

“I want to see you succeed. You deserve to see yourself succeed. I want to give you that opportunity. We’ll need to make sure you can give something to Bradford on occasion to keep him placated. But, other than that, you will have full creative freedom. How does that sound?”

Gyro swallowed hard, trying to keep himself stable. No longer fearful. Now extremely happy. However, he kept himself in check to remain professional. “Honestly, it’s too good to be true.”

Scrooge merely laughed. Clapping a hand on Gyro’s shoulder. “Well, get over that starstruck feeling quick lad. You have a lot of work ahead of you. I trust you can manage from here.”

As he watched Scrooge head back towards the elevator, Gyro realized something. “Um, sir?”

“Yes?”

“Your bet, with Bradford, you didn’t technically win.”

“Technically yes.”

“So...shouldn’t I be fired?”

A smirk appeared on the billionaire’s face, eyes seeming to shine. “Bradford needs to use his words better. He said if he wasn’t impressed, he wouldn’t discuss not keeping you. He never out right said I had to fire you. So, unfortunately, we’ll still need to hear his complaints. But he can’t fire you unless he gives me a good reason. Which I doubt he’ll be able to give.”

“I...thank you, Mr. McDuck.” Gyro weakly answered in disbelief.

“Don’t thank me. Just be the scientist I know you can be.”

“I will sir!”

Turning in the elevator to face Gyro, Scrooge gave a nod and smile. “I know lad. I trust you.”

_____________________________

The Brother

Gyro has always been a loner. He worked best this way. He was able to focus and didn’t have to constantly worry if his partner was doing their work properly. Plus, no one had really tried to include him in anything during his younger years. So he learned that working alone was better for him.

He was very much against the idea of having an intern working in his lab. Which Scrooge flat out refused to take Gyro’s refusal. Meaning the chicken couldn’t deny the hired help no matter how loudly he complained. With the unfortunate addition of the possible literal rendition of sunshine named Fenton Crackshell-Cabrera being hired a few weeks later. Which also meant an increased number of ‘visitors’ to this dangerous lab to see the brown duck. Doing nothing to help Gyro’s frantic state of keeping everything safe and making sure nothing became evil.

Scrooge was a common person to see there. After all, he owned the lab and it was attached to his place of work. Why wouldn’t he arrive to check on progress. To be shown what Gyro was working on. Now, however, the billionaire invited himself in to also check on Fenton. To make sure the intern was actually doing scientific research and not just cleaning the floors.

Launchpad had become friends with Fenton after that B.U.D.D.Y incident. The idiotic driver deciding that wasting time discussing some childhood show was perfectly fine. Gyro honestly tried to not become infuriated. But did he have to waste the interns' time! Even if the chicken didn’t want help from the other. It was the principle of the matter.

This also caused the blue nephew (Dew- something, whatever) to join Launchpad in the lab. Two children or beings with childlike personalities running around in the lab. A place filled with dangerous equipment. It was the perfect place to socialize in, Gyro sarcastically muttered to himself. And Scrooge actually encouraged it! Saying social engagement was good for both Fenton and Gyro. As if the chicken wanted to talk to someone who didn’t know what NaCl was.

So even he was surprised when he started to form a connection with Huey Duck. The red cladded nephew first started showing up to visit Fenton originally. The duckling particularly enamored with the scientist/superhero. Both talking for hours about new upgrades they could possibly make to the suit.

“With you permission, of course! D-Dr. Gearloose.” Fenton would assure with a sheepish smile. Which Gyro would respond with a mere rolling of his eyes.

As time went on and Fenton started to leave more and more due to hero calls, Huey started following Gyro around. The duckling deciding he wouldn't want to leave the labs quiet yet. And Huey wanted to pick the head scientist’s brain with his own ideas. At first, Gyro assumed his ‘wonderful’ personality would drive the other away. Huey, however, didn’t seem to care.

“You don’t have any siblings, do you.”

Gyro raised a brow at that. “Uh, no. At least I didn’t when I was actually living at home. At this point in my life, who knows. What’s your point.”

“My point being that your sullen attitude will have no effect on me. I’m the oldest of three. So, I have to deal with younger brothers. Sour attitudes are an old trick.”

“There really is no getting rid of you.”

“Nope.”

Gyro won’t lie, it was aggravating at first. He already had a shadow in the form of Fenton. Now the chicken was settled with another one that liked to constantly talk and didn’t fear him. Gyro only gave proper notice to the duckling when Fenton came to him with an upgrade for the Gizmosuit. One that sounded good.

“I thought you were busy with your toothbrush idea. When did you have time to think of this?”

“Actually, Huey came up with this.” Fenton answered.

“The red triplet?”

The duck smiled softly. “He’s been around here enough times. I think you can refer to him by his name.”

The chicken wasn’t overly fond of this idea. In his mind, the use of a name means Gyro cared enough to remember. And caring meant he wasn’t truly focused on his work. Something Akita was very adamant that Gyro learned.

But look where Gyro was now. Abandoned by his mentor.

Maybe Fenton was onto something. That felt strange to say.

“Very well. Perhaps I’ll have to try it your way.” Gyro was hit with a wave of confusion by the sudden sweeping sensation that went through his stomach. Fenton’s smile seeming to hit differently that day. But the head scientist filed that sensation away under ‘a later problem’.

Gyro should not have felt a sense of accomplishment seeing Huey’s eyes light up upon hearing his name. The chicken should have cut ties when the triplet sheepishly asked if Gyro could review Huey’s science project. And there should have been no sickening, worry feeling entering his veins when Huey arrived to the labs one day with a black eye.

Fenton, being the caring overbearing person he was, instantly panicked. “Huey! What happened to you? Are you alright?”

Gyro scoffed. “Of course he isn’t. He’s injured.”

“Do we have ice packs?”

“Freezer in the break room. I’ll get the first aid.” The chicken gestured for Huey to follow him. The duckling doing so without complaint. “Come on, take a seat. I need to see where else you’ve been hurt.”

Huey gave no response. Which was starting to become worrisome. The duckling was covered with small cuts and bruises. Gyro thankful it wasn’t worse… Because he didn’t want to waste the resources! Of course. What else would he be talking about.

Fenton came rushing back in. An ice pack wrapped in a hand towel was pressed against the black eyes. “Leave that there for a while. Do you need some pain medicine?”

“Already taken care of,” Gyro answered once again, “Now that all of that’s been taken care of. I think we’re owed an explanation.”

“Dr. Gearloose, just give him a moment.”

“I would like a reason for why Huey,” darn it Gyro said the name, “came to us instead to one of his uncle’s or other family members.”

“He can tell us when he’s ready. Give him a chance to relax.”

“And he can when he tells us- me what’s going on right now.”

“Dr. Gearloose-”

“I was able to skip a level in science.” The adult fell quiet hearing Huey’s whispered response.

“What?”

Huey gestured to his discarded bag. To which Fenton grabs it, handing it over. The duckling opened it and pulled out a familiar notebook that had been shoved into Gyro’s face numerous times. One that held Huey’s numerous sketches and ideas. Except it was destroyed. Practically torn to shreds, almost unrecognizable from what the head scientist had seen before.

“I showed my teachers my notebook. They were really impressed and talked to the principal about me skipping a level. It’s so I could enter the science fair that the upper level students can participate in. They said I had a lot of potential. Uncle Donald was happy, I was happy. My brothers teased me, but I know they were happy for me. I was kind of...blinded by my eagerness, I was under the assumption everyone would just be...okay with this.”

“Your classmates…” Gyro meant to have it sound like a statement. It instead sounded like a sickening realization.

But Huey merely nodded before continuing. “They’ve been writing things on my desk. Throwing things at me. I’ve been ignoring it…”

“Have they...hurt you before?” Fenton asked.

“No. I think they were tired that they hadn’t been getting a response from me like they wanted.”

“Have you told your uncle about this?”

“No… He’s already having a hard time finding a job and fixing the boathouse. I was hoping if I just ignored them, they’d leave me alone. ...I think I’m going to just drop back down to my grade level.”

“You are not going to let those punks win,” Gyro was surprised that he didn’t flinch as two sets of eyes snapped to him, “If you just go running back to your previous classes, you let them win. You’ll give them more fuel to think their actions are right. Especially if you haven’t told anyone about this. There will be no repercussions and they’ll continue to be terrible little creatures.”

“What do I do then?” Huey asked.

“You’re going to tell your uncle, your teachers, your principal, everyone you can. You’re going to come back with even better ideas. And This is a fight you can win because you have support. People who care about you...or something mushy like that.”

Huey gave a nod, rubbing his good eye and giving a blinding smile. “Okay...thank you, Dr. Gearloose.”

Gyro didn’t squirm weakly under the adoring look being sent his way. Or feel any sort of warmth blossoming in his chest knowing he’d helped in some way. Or become flustered at the smile aimed at him by Fenton, who’s eyes seemed to shine with happiness.

“I also know a side step that can break a femur. Very useful to know.”

“Dr. Gearloose!”

A few days later, Huey returned to the labs. Bright eyed and eager to show off his idea. No longer supporting injuries or secrets.

Gyro felt another save of fluster when Huey hugged his legs while Fenton laughed softly as he watched.

_____________________________

The Son

Gyro was surprised so much could change in one day. Well...one day-ish. It was more like three. Point being it felt as if all events had transpired in one day.

2-BO, now named Boyd, entered his life once more. The real boy having befriended Huey. Because of course that’s who would meet Gyro’s used-to-be biggest regret. Then he returned to Tokyolk after 10 years with Fenton, Huey, and Boyd in tow. The original intention was to destroy (Selene above he felt sick thinking about it now) Boyd. Get rid of his past.

Only for his entire perspective to be flipped. The mentor he thought was on his side had corrupted Gyro’s creation. Boyd was never given an option in his original purpose. Turned into a war machine that the chicken never wanted. And Gyro himself realized he was not the mad scientist so many had labeled him as.

He will admit, it was by sheer dumb luck and tapping into emotions he was sure had shriveled up long ago that it all ended so well. Akita was arrested. Going to be put to trial and allowing Gyro a chance to properly clear his name. Boyd overrode all corrupted coding, both Akita’s and Mark’s. Becoming the real little boy he was meant to be. All surviving and heading back home to Duckberg. As he rested in the cushioned plane seat, Boyd resting on his lap, Gyro was hit with two realizations.

The first topic (one which he honestly wanted to focus on much, much later) was an understanding of what Fenton meant to him. Between the fear of possible death and the burn of betrayal, Gyro had felt a deep distress watching the duck fight for his life. Fenton had given his all to protect the city and the citizens. And it almost cost him his life. Something Gyro never wanted to see again. The reason why was something that the chicken was not fully ready to review. Not yet. Possibly in the future, at some point. But he had another problem he needed to worry about now.

The second worry was equally confusing. Possibly because Gyro was still emotionally backed up. He wasn’t quite sure what was going to happen to Boyd. Gyro was made aware by Huey that the other real boy had been living with the Drake’s. A pompous rich family with an arrogant and rather disturbing child. A setting Gyro didn’t want Boyd growing up in. But what was the other option? Gyro himself? Someone who’s never known a stable family life and is not even close to the person Boyd once knew.

He could barely care for himself if Gyro was honest. Living off of multiple cups of coffee and cheap instant noodles. His sleep schedule was non-existent. Social skills were laughable. Gyro had honestly nothing to offer. It was terrible that there was not a better solution to all of this. Boyd deserved so much better than whatever his current care taking options could offer.

Gyro was shocked when, only a few days later, Boyd announced he wanted to live with the scientist.

“I- why?” Gyro winced at how harsh he sounded. But Boyd merely smiled back.

“I just found you. I don’t want to lose you again.”

Well, how was he supposed to say no to that? Gyro’s second bedroom, which once housed numerous boxes, was turned into a proper living space. He lived by a schedule that revolved around Boyd’s activities. Researching meals that both could enjoy and even learning how to properly cook. It was strange, but very rewarding. Gyro didn’t think it would affect him so much.

Until Fenton pointed it out.

“You’re really happy.”

It was a casual comment. But it gave Gyro pause. “What?”

Fenton stalled at that, flushing softly. “Sorry, I mean… I just noticed you seemed to be smiling more. And you’re more relaxed. You’re eating better and well rested. You just look really happy.”

Gyro leaned back in his chair. Tapping his pen as he thought the statement over. “I...suppose I am. Boyd really had changed me for the better, I think. Isn’t it strange...he was once my biggest regret. Now, I can’t see him not being in my life. I do worry that I’m not doing enough. Or that I won’t be what Boyd needs.”

Gyro flushed softly feeling a hand benign placed on his shoulder. Looking up at the beaming face Fenton. “You’re doing a wonderful job Gyro. Don’t doubt yourself.”

The scientist did all he could to not melt into the floor. He takes Fenton’s words to heart. Gyro had worked with Fenton long enough to know the duck wasn’t one to just give false praise. So, if Fenton thought the chicken was doing well, who was Gyro to question the given conclusion.

Gyro’s resolve was truly tested when he received a call from the school Boyd was attending. Apparently the real boy had been in a fight. A fight fight with another student.

Hearing this caused Gyro to panic. Worrying that possibly, maybe, the corrupted programming had returned. Wondering what could have happened for Boyd to act like this. Had Gyro said something sarcastic that the real boy had taken to heart? Was Boyd going to be taken away? Was this a sign that Gyro was not fit to be a caretaker?

The chicken was brought out of his spinning thoughts when someone grabbed his shoulders. Eyes connected to Fenton’s, who’s looking was concerning.

“Dr. Gearloose, you need to calm down. You’re drawing a conclusion with so little context. Just go to the school and hear what happened. Then you can react appropriately.”

“Right… Right, I need to get there.” The chicken mumbled weakly, eyes now frantically scanning the lab for his car keys. Fenton came to the rescue again when said items suddenly appeared in his hands.

“How about I drive.”

“...Yeah. That’s probably for the best.”

The drive was quiet. Fenton focused on the road while Gyro internally panicked. All too soon they were pulling into the school’s parking lot. The area was relatively empty as they walked up to the front entrance. Fenton made a quiet comment about the teachers having to park behind the building. It was a bit of a shock to run into Donald. The duck looked close to an angry snap.

“Hello Mr. Duck.” Fenton offered a smile.

“Fenton,” Donald’s eyes went to Gyro, “Boyd?”

Gyro nodded. “He was apparently in a fight. What about you?”

“Huey.”

What was going on?

The three walked in together, being directed by the secretary to where the principal’s office was. Dewey and Louie were waiting outside. The triplets wearing concerned looks when they looked over to the approaching adults. Donald gave them each a hug with a few words of encouragement before knocking on the imposing door. Gyro’s hand instantly shot out and grabbed onto Fenton’s as his heart raced. The duck gave no complaint. Even giving an encouraging squeeze as they walked in.

The large desk was the first thing to note. Large and imposing, telling all that the person sitting behind it to be respected. Even if the principal himself was a frail little bird. To the right sat a large bulldog boy supporting an arm with fabric wrapped around it. Gyro assumed there was a scrap of some kind underneath the fabric. A wiry female was dotting over the child while a brick wall of a man standing behind them both with his arms crossed.

To the left sat Huey and Boyd. The real boy seemed unharmed. Just appearing extremely nervous and worried. Huey, on the other hand, was supporting a black eye. A bag of ice already pressed on the injury. Gyro needed to research if there were long term effects of multiple black eyes.

Donald instantly broke away from the three, bending down to check on Huey. Gyro walked over to Boyd. Still having a hold on Fenton’s hand.

“Are you okay?” Gyro frantically asked. To which Boyd gave a sharp nod and fell still again. Deciding that was enough of an answer for now, the scientist moved himself and Fenton to behind the seats.

“Thank you all for coming,” the principal began, “I realize this was all on short notice. But we do not tolerate fighting. According to numerous student witnesses, there was a verbal dispute that turned violent during recess. One that resulted in Dennis benign pushed and Huey receiving a black eye. Before I continue, I will ask that you hold all comments and questions until the end. Is this agreeable?”

All adults nodded.

“Very well.” Reaching for something in his drawer, the principal pulled out a cell phone protected by a faded green case. “Louie Duck was able to record the incident and it lines up with the events the other students have provided. Dennis here was apparently using verbal harassment and inappropriate language against Boyd. To which Huey attempted to defuse the situation by walking away. Dennis has responded by throwing a punch. To what ends, I’m unsure, and Dennis has not provided an answer for his actions.”

The chair Huey was sitting in let out a loud noise of protest. Donald gripping the back of it tightly.

“And you well to continue, Mr. Duck?”

Donald nodded.

“Very well. Boyd here reacted to this by pushing Dennis away. The scrap on his arm caused by his fall. Mr. and Mrs. Morris, I’m unsure as to where your son has learned such language and actions. I would advise you to seriously monitor the media and outside influence your son consumes.”

“Oh absolutely,” Mrs. Morris answered readily, “Don’t you fret. We will have a stern talking to Dennis when we get home.”

“That is good to hear. Now, does anyone have any questions about this matter.”

“What exactly did young Dennis here say to Boyd. If I may ask.” Gyro’s voice was even. But, if Fenton squeezing his hand was any indication, his tone was dripping with venom.

“I won’t say specifics as I don’t wish to repeat them. Dennis was making comments about Boyd’s...past. Something about him being dangerous. As well as some...homophobic comments.”

Fenton squeezed Gyro’s hand again, the chicken shaking now. With fear or rage, he couldn’t tell. His own attention had snapped over to Mr. Morris. The father still having his arms crossed and imposing. But Gyro noticed the other’s eyes flitted down to Gyro’s and Fenton’s joined hands. The scowl seemed to become deeper once the father was caught in the action.

“I see. I’m very concerned as to where Dennis would have picked up language like that.” Gyro held eye contact with Mr. Morris until the principal cleared his throat.

“If there are no more questions… Mr. and Mrs. Morris, the actions, both verbal and physical, cannot go unpunished. We do not tolerate this kind of behavior. Dennis will be given one weeks suspension. As well as a written apology letter to both Huey and Boyd. I would also recommend setting up some meetings with the school counselor.”

“Understandable, very reasonable.” Mrs. Morris nodded while Mr. Morris was shaking with, no doubt, rage.

“Very well. Mr. Gearloose-”

“Dr. Gearloose.”

“Ah, apologizes. Dr. Gearloose, I’m aware Boyd was merely defending Huey. However-”

“You’re going to give him detention because he pushed Dennis. Defending himself in a violent way.”

“Ah...yes. Huey will receive no punishment. I hope we’re all understanding of this course of action?” Another round of sharp nods, “Very well, I won’t keep you all any longer. Mr. Duck, here is Louie’s phone. Thank him for providing me with his phone. All are excused for the rest of the day.”

It was tense walking out. The Morris’ were leading the way. But Gyro kept a tight grip on Fenton as Mr. Morris kept glancing back with a dark scowl. Something Gyro was not a fan of. It didn’t reach a head until they entered the parking lot. Away from the front doors and the cameras.

Mr. Morris turned and stalked over to the mismatched group. Gyro more than ready for the awaiting confrontation.

“I know you, Gearloose. I’ve seen your name in the paper before. You’re an absolute menace in every possible way.” Eyes darted back down to the still clasped hands.

“Yet I’ve accomplished more than you could ever hope for in your miserable life. Your need for constant approval has clearly made you bitter. Because you’d rather stomp out any spark of joy than attempt to change yourself or your family. If this incident was any indication.”

Mr. Morris let out a low growl. Gyro fully expecting to be decked as well. Only to be shocked when Fenton stepped between the two. The larger looking down with a raised brow.

“And who are you.”

“He’s my emotional support duck.” Gyro answered.

“Do you really think a confrontation on school grounds will reflect well in any way,” Fenton said, “I would suggest you step away from this now.”

Mr. Morris popped his shoulder, his scowl set. From behind, Mrs. Morris gave a clear and harsh cough. Her husband benign sent a hard stare of his own when he turned to look back. It was a silent, but brief conversation between the two of them that ended with the husband shuffling back over to his family. No one from the group relaxed until the pink mini-van drove away from the parking lot.

“So what exactly was your plan here?” Gyro frowned at Fenton, “I don’t see the Gizmoduck armor on you.”

“My body reacted before I could really...think.” The duck laughed sheepishly.

The head scientist merely rolled his eyes before turning to Boyd. Who looked back with worried eyes. “You okay?”

The real boy shifted nervously. “He called me a weapon and...I really tried not to fight. I tried to ignore him. But he...he pushed Huey and I got really mad… What if he was right?”

“He absolutely is not right.”

“Gyro.” Fenton whispers, in the same tone that told the chicken he was sounding harsh. The head scientist was thrown off for a moment hearing his name and not his normal title. Tuck that moment of broken mind away for later.

Gyro let out a slow breath before kneeling down and placing a hand on Boyd’s shoulder. “Boyd, you know who you are. I know who you are. You are not a weapon or a mindless machine. You are a real little boy. And you need to remember that, because you are going to meet a lot of people like Dennis. Closed minded and very ignorant. Saying anything they can to make you feel miserable and make them feel better.”

“However...you have people in your life who know you. Truly know you. Those are the people you need to listen to. Because they are going to make sure you believe in yourself. Understand?”

Boyd blinked as he thought the statement over. Eyes darting over to Huey, the triplets watching as Donald shouted at someone over the phone. No doubt having called up the principal or someone higher up in the schooling system to complain about the interaction in the parking lot. The red cladded triplet looked over to Boyd, giving a small smile and a wave. Which the real boy returned happily.

“I understand, Dad.”

Gyro swallowed weakly, pulling the small form closer while trying to keep his emotions in check. A weight on his shoulder drew his attention back to Fenton. Who had bent down as well with a smile on his face. The chicken smiled back in appreciation.

_____________________________

The Lover

Gyro knew this realization was a long time coming. No matter how many times he tried to deny it. Tell himself emotions were useless weights. He reached the point where he couldn’t hide the fact any longer.

Gyro had fallen in love with Fenton.

Which is not something he really wanted to focus on.

Gyro was sure he was becoming addicted to Fenton’s laugh. The head scientist had a mental category that each laugh fell into. A hard exhale through the nose was a sarcastic laugh if Fenton found something ridiculous but didn’t want to say anything. Hiding behind his clipboard with shoulders shaking meant he found something online but didn’t want to disturb the quiet. Small chortles seemed reserved for Gyro, the duck finding the head scientist’s dry humor funny. His full laugh was used with abandonment when he knew he wouldn’t be reprimanded for being so loud. Which was honestly more often than not anymore. Gyro found he loved how the sound would echo in the labs. It was almost like music.

There was also a list of body ticks that always caught Gyro’s eyes. Gently tapping the eraser of his pencil against his bill as he thought through a new problem. Tilting his head to the side with his hip occasionally cocked to the side as he looked over a blueprint. His brow would furrow when he concentrated hard on a situation. The top of his tongue would poke out when he reached ‘Gyro level’ of focus. His nose would crinkle when he silently found something amusing or disgusting. Which could only be determined by how brightly his eyes would shine.

Gyro could privately say, to himself, in his head, that Fenton honestly kept him grounded. The number of insults he would have hurled at the media dwindled when he thought of how disappointed the duck would be. The chicken had substantially cut back on the cups of coffee he would consume in one day when Fenton made a comment about being worried about his heart. He was surprised when he went to the duck to look over a new design, wanting feedback. Fenton beaming with each new time he was included in something. Gyro would counter saying Scrooge had warned the chicken he wasn’t utilizing Fenton to his fullest ability. Which was partially true. But he would be lying if Gyro wasn’t also looking for that blinding smile of adoration to be sent his way.

So, yes. After all the mental and physical lists he created. The pros and cons to having a relationship with anyone. Countless nights where he would lie awake knowing he was nowhere near worthy enough to have Fenton. Gyro knew he was in love with the duck.

The problem was moving forward with this revelation.

In all honesty, admitting it just made it all more bothersome. When Gyro still had his walls up, he could blame the rapid heartbeat as some symptoms of an onset illness. Just push the problem away to keep working. But having Boyd back in his life made him realize how bottling his emotions had become so damaging. Making Gyro more aware of what he was missing.

So now he was left to tread water. Wondering who he trusted well enough to ask for help.

There weren’t that many options with the Duck family. He and Donald had never really gotten along before the Spear of Selene incident. And Gyro was sure the duck still held some hostility towards him about the incident. While Gyro would consider Della the closest person to be a ‘childhood’ friend, she was dealing with her own issues. The kids were far too young to be considered as an option. Launchpad only had two rocks rolling around in that empty head, so any advice from him was not worth the headache. M’ma Cabrera? ...Selene above no. Even Gyro wasn’t that insane.

So that only left...Scrooge McDuck. This could not be considered a work appropriate topic. But the chicken was honestly at his wits end and needed help. The billionaire was his last and only option. It was with a heavy stone in his stomach that Gyro approached the familiar office doors. Knocking on them and only entering when he heard the familiar call out to do so.

“Ah, Gyro! What can I do for you?” Scrooge asked as the chicken sat across from him.

“I...need some advice.”

Scrooge paused in his writing, raising a brow as his full attention went to Gyro. “Advice on what?”

The chicken swallowed weakly. “Uh...romantic advice?”

“I see…” The billionaire placed his pend down. Clearing his throat, Scrooge sat up a little straighter in his chair. “Well, I will admit that I have not been very successful in my own love life. But I can offer help in any way I can. So, who’s the lucky person?”

Gyro swallowed again, feeling his face become flushed at the question. Doing all he could not to groan, he answered, “It’s Fenton.”

“The Gizmoboy? Really?”

Gyro nodded, not looking at Scrooge. His face on fire. “I just don’t know what to do. I’m aware that things have been going well and I don’t want to ruin it. But I feel like I’m going crazy! My heart is always going so fast when he’s near. I want to tell him, I really do. But...I also don’t think I’m the kind of person he deserves…”

Scrooge let out a heavy sigh as Gyro’s shoulders slumped. “I won’t act as if I’ve known you for your entire life. We both know I haven’t. But I have seen you at your lowest point and every triumph you’ve accomplished along the way. I’ve seen you slowly close in on yourself. It pained me to watch because I wasn’t sure how to help…”

“Let’s be honest sir. We both have not been in great positions emotionally for a while.” Gyro commented weakly. One that got a laugh out of Scrooge.

“This is true. But, the point is you have made a change in the past few months. I know you’ve built walls around yourself. I also know...bringing those walls down can be a terrifying idea. You’ve already started thanks to that boy of yours. Even if it was unintentional.”

“But what if he says no? I don’t know… There are too many variables that could offer a negative outcome.”

“That’s the risk of life. The good and the bad.”

“So what if he says no.”

“Then you move forward.”

“...I don’t know if I will recover.”

“Gyro, you’re putting the horse before the cart. And we’re still building the cart.”

Letting out a small groan, Gyro rubbed his forehead before looking back up. “Okay. So I’m taking a risk. We’ve determined that. But what do I say to him?”

“You just ask him.”

“Could you please not make it sound so easy.”

“It sounds easy because it is. You’re asking Fenton out on a date. Not defusing a bomb.”

“Yet the latter seems easier to accomplish.”

“Take the risk Gyro. Don’t waste your life wallowing on the ‘what-ifs’. You’ll regret it.”

Gyro left the office with not many answers and a pounding headache. But with determination to try and make this work in some way.

The bottom drawer of his desk was now filled with blueprints. Not for machines, but the best plan to ask Fenton out. The perfect places to go. All ranging from the cliche to the outlandish. What day would work best. His feathers became further ruffled as he worked. After a week of no progress, Gyro knew this wasn’t going to work. No reliable variables or knowledgeable outcomes. He just needed to do this. Because Gyro couldn’t stay in this mindset anymore.

Gyro’s first move was to wait for the lab to be empty. If he was going to crash and burn, he didn’t want an audience. Once that was achieved, he took a deep breath to settle his heart (didn’t work) and walked over to Fenton’s desk. The duck breaking from his thoughts hearing Gyro clear his throat.

“Hello Dr. Gearloose. What can I help you with?”

Gyro’s heart seemed to pick up it’s pace. Between the smile and wide eyes, the chicken felt like he was melting. In a good way. If that makes sense. None of this did.

Emotions were just so messy.

Darn it Gyro, focus!

“I...was wondering if you would be interested in conducting a...social experiment with me.”

“Oh, uh, sure! Of course. What’s the experiment?”

Another deep breath. “There is a new cafe that’s opened up recently near where I live. I am curious if you would like to join me in trying the products they offer. Sometime this weekend, possibly Saturday? Possibly trade some stories?”

Fenton’s head tilted to the side as Gyro spoke. A small smile forming as the other finished. “Dr. Gearloose-”

“Gyro. You...you can call me Gyro.”

“Okay, Gyro. Would it be safe to assume that this is an ask for a date?”

“That...would be a safe assumption.”

“Then I accept.”

Gyron was honestly shocked he was able to remain standing. Relief hitting him quickly upon hearing the answer. “Good, good.”

“How about I drop by your apartment around 8? Have breakfast at this cafe?”

“That’s acceptable.”

“Good. I look forward to this Saturday.”

“I am as well.”

One date turned to two. Which turned into three. Which became having dinner at the Crackshell-Cabrera household. Gyro was shocked when he received M’ma Cabrera’s blessing in  dating her son. But not before getting a stern warning of what would happen if Fenton was hurt in any way.

“I think that was successful.” Fenton commented as they were sharing their good-byes for the evening on the front porch.

“Yeah. Nothing says accepting like a talk that ends in the threat of my kneecaps.” Gyro smiled softly hearing the other chuckle.

“Well, she may or may not be upset still about your MoonVasion comment. You know. About throwing Gizmoduck into the masses as a sacrifice.”

“I may now also regret that comment…”

Another laugh from Fenton, the duck reaching down to gently take Gyro’s hand. Placing a kiss on the back of it before holding it close. “I’m glad you came. I think M’ma really appreciates it as well.”

“I’m happy I came as well… You know...I don’t say or do things that intentionally hurt you. I did at first but-”

“Gyro.”

“Yes?”

“I know you better now than I did before.”

And the matter was dropped.

The first kiss milestone occurred at the park around the holidays. Both bundled up against the cold and falling snow as they admired the strung holiday lights hanging from the numerous trees. Arms hooked, Fenton led the way with wide eyes. Giving small comments about the lights and how lovely the park was decorated. Gyro was admiring the duck himself. Loving how the lights fell over the brown plumage. Fenton eventually caught on that the chicken wasn’t looking at the light as he was. Flushing softly seeing eyes on him.

“W-What?” The duck laughed, a small smile forming.

“You’re beautiful.” Gyro responded softly. Fenton’s eyes widened at the comment before softening into another smile. Gyro put up no restraint as he was gently pulled down. Fenton leaning up and meeting the chicken in a gentle kiss. It was only a few seconds, but Gyro loved every moment of it.

The utterance of the three words came a few months into them dating. Fenton had arrived back to the labs after an intense battle to find a worried chicken. Arms crossed and first aid kit in his hands. There was a sharp point set to the couch and Fenton understood the silent command. Stepping out of the suit and plopping onto the cushioned furniture. Gyro made it clear he was less than pleased at the moment.

“What were you thinking.” The chicken snapped. Hand shaking as he attempted to gently clean the cuts.

“People needed help.”

“Why is that your answer for everything and why do you think it’s a reasonable one.”

“Because it’s true. I have to defend Duckberg.”

“Even against crazies coming from St. Canard? Can’t that purple caped idiot keep them in his neck of the woods.”

Fenton smiled softly. “Villains are people too. You can’t control everything.”

“Don’t tell me that. You know the first thing I’m going to do is make something that controls people to make them leave this place.”

“Gyro, that’s unethical.”

“Well, maybe if you would stop being your heroic self and making me worry.”

“I understood the risks when I took this position. As did you. As long as I have you to come back to, I’ll be okay.”

Gyro huffed as he finished up. Turning to start packing up the supplies. “I love you, but you can be such an idiot sometimes.”

He didn’t catch it until Fenton grabbed his hand suddenly. The chicken looked up to find eyes filled with shock staring at him. “What...did you say?”

Gyro frowned, thinking back to his previous words. Face becoming full blown red when he realized what he’d just uttered. “I… Is it too soon to say that? I’m sorry, I just- I’ve been thinking it a lot and every time you go to your superheroing, I think how I’m not going to get to say it. But I know we haven’t dated for a year and-”

“I love you too.”

Swallowing his words down, Gyro’s head snapped back up to look Fenton in the eyes. They sat, staring at each other in disbelief before Fenton chuckled. Gyro shares his own sheepish grin before leaning forward to claim a kiss from Fenton.

It was close to a year of them dating that Fenton moved in with Gyro and Boyd. The real boy thrilled to have the other doctor living with them. The once small, cold apartment was now teeming with life. Mornings were a rush to get ready for the day and to be out the door before they were all late. The kitchen filled with warmth and wonderful smells as Fenton makes dinner with Gyro helping where he could. Meals being shared at the small dining table before watching a few shows until bedtime. Gyro and Fenton taking turns reading to Boyd before he powered down for the night.

It was a comfortable routine. Something Gyro thought he would’ve hated. But with each day ending with him and Fenton in their shared bed. The younger laying his head on Gyro’s chest and long arms wrapped around him. The chicken realized he wouldn’t want it any other way.

“I think we should buy a house.” Gyro suddenly commented into the darkness. Hearing Fenton hum softly as he was pulled from sleep.

“Where’d this come from?” The duck mumbled weakly.

“I’m not really sure. The boring suburban life seems pleasant after the craziness of...everything. What do you think?”

“I like the idea,” Fenton yawned widely before pressing closer, “We could get a big yard for Boyd and Lil Blub to play in. Neighborhood kids to become friends with. I think Della mentioned about getting a house in a quiet suburb. We could ask her.”

“That place won’t be quiet once that family moves in.”

“Oh hush. Wouldn’t it be nice to have Huey as a neighbor? Boyd would like it.”

“I suppose so…”

Fenton gave another hum, Gyro noticing the other’s breathing was slowing down again. He leaned down to place a kiss on Fenton’s forehead. “I love you.”

The duck laughed softly. Placing his own weak kiss on Gyro’s neck. “Love you too…”

Gyro let out a slow breath, a smile forming on his face. Eyes on the ceiling as he listened to Fenton fall asleep. A hand reached up to preen a few feathers as he pulled the other closer. Heart beating happily as he settled down further into the bed. A smile still on his face as he fell asleep as well.

[cyberp-ssy2077]

Cyberparents 2077: A Day in the Life // Part Two: Afternoon (Johnny Silverhand x Female!V)

Part One

Link to AO3!

A/N: Part two is finally here! Google "shopping cart with car" to see tyhe kind of shopping cart V is using. It's a liiiiittle angsty, so I hope I did okay!

“We should have tacos,” Sam opined with great seriousness from her seat in the plastic car that took up the front of the shopping cart.

“Sure, but what kind though? Beef, fish…?” V ventured, scanning the aisles. She was just there to pick up a couple essentials, but her daughter made an extremely compelling suggestion.

“Bleh, no fish!” Sam giggled, tugging on her little steering wheel. “Can we have chicken?”

“Now, that’s an idea,” V smiled, turning the cart towards the back of the store.

As they made their way, collecting items on their list, they inevitably drew attention. To be fair, V was eye-catching enough on her own; with her edgy haircut, riotous hair color, dark lipstick, extensive tattoos, and alluring figure, she was unapologetically alternative and rocking it. When you pair that aesthetic with a child of all things, it’s so seemingly incongruous that it seems nigh-on unnatural, to some.

Of course, when you add Johnny to the mix and all three went out together, it didn’t get any better. Sure, they got fewer comments (likely because Johnny looked like he was ready to cut a bitch at any moment), but the looks they got were still penetrating in their intensity.

V didn’t mind terribly what other people thought, especially the closed-minded people who took issue with how she presented herself. It was beneath her attention. She knew that Johnny definitely didn’t give two shits. What she struggled with, though, was the agony of Sam having to learn how to rise above others’ narrow views and how to react to them. V cast her memory back as they walked through the store, and remembered the first day that there was a real tipping point in Sam’s understanding of the situations they ended up in when they were out as a family.

V and Johnny had been waiting outside Sam’s school, waiting for the bell to ring and for their little girl to run out to them, excited and beaming, as she did every day. They were chatting and joking amongst themselves, Johnny having tucked V into his side with an arm around her waist. As time crept by, it became apparent that the school security guard was shuffling closer in their direction as he stood idly by the school gate that separated the classrooms from the parking lot.

Anyone who knew them knew that V and Johnny were not the type to be intimidated. So, they kept to themselves and ignored the encroaching party, until he was mere feet from them and began clearing his throat noisily. Johnny, in true take-no-shit fashion, raised his chin and looked the man directly in the eye.

“There a problem?”

“I could ask you folks the same thing,” the security guard replied. “There are kids getting out of school soon, so I need you to stop loitering so that parents can pick up their kids.”

Johnny pulled down his aviators and fixed the security guard with a piercing look. “Yeah, and one of those kids is my kid. Once she gets out, we’ll go.”

The guard looked taken aback at this, mentally weighing his options, and he slumped back over to the gate and pulled out his walkie-talkie, glowering at them as he brought the walkie up to his mouth.

“If he causes a fuckin’ scene…” Johnny trailed off. The sharp trilling of the bell rang out not a moment later, and soon enough kids of all ages began pouring out of the gates. V and Johnny scanned the pre-school area, and after a few moments Sam walked out.

The scene played out in slow motion; Sam’s class was led out by her teacher, and the little girl began making her way over to her parents. V glanced back at the security guard. He was no longer sulking at his post, rather walking towards Sam and calling her over once it became apparent where she was headed.

“Are you kidding me?” V asked angrily, pulling away from Johnny and marching over to where her daughter stood with the security guard. As she got closer, she started to hear what he was saying.

“...wait with me until your parents show up, okay? Just want to make sure you’re safe and nothing bad happens to you.”

Johnny had followed her as soon as he connected the dots himself, and he was fuming. “If you don’t get away from my daughter, something bad’s gonna happen to you, pal.”

Hearing her dad’s voice, Sam turned to face him and smiled. She ran over to cling against his leg and he picked her up and held her on his hip; instinctually, he wanted to be closer to her and he knew that if he had her in his hands, there was less chance that this tool would end up with a mouthful of Johnny’s chrome prosthetic in his mouth. For her part, once Sam had digested the expression on Johnny’s face and the tone of his voice, she appeared to be very confused.

Before anything serious happened, Sam’s teacher stepped in and apologized profusely to V and Johnny for the security guard’s over-zealousness. On the way home, Johnny and V had to explain to Sam why someone might assume that she doesn’t belong with them, and it broke V’s heart to see Sam’s eyes so sad. Later that night, Johnny and V sat together, both emotionally drained and contemplative over the events of the day… That wasn’t the first time something like that had happened, and it wouldn’t be the last, but it was the first time that Sam had noticed and asked about it. They were in for a long road ahead of them.

Today in the grocery store, everything seemed to be going well enough until it was time to check out. As V and Sam went through the line, Sam decided to bring up one of her favorite topics of conversation: dyeing her hair. She wanted badly to have “pretty hair” like her mom, but so far Johnny and V had held off on doing that for her due to the dark color of her locks; in order to achieve any notable change, her raven-black hair would have to be bleached. Despite their own views on self-expression and rebellion, both Johnny and V were holding off a bit when it comes to going that far with their child. In the meantime, they had the secret agreement that they would get her some hair chalk for her next birthday so that she could still join in the fun.

“I wish my hair had pretty colors,” Sam sulked, looking up at her mom with big eyes. “Me and Estrella both want pretty colors.”

Estrella was Jackie and Misty’s little girl, and Sam’s partner in crime. The two of them were thick as thieves and twice as mischievous, and of course they were universally adored by their parents and their parents’ friends. They went to the same school, despite being separated into different classes, and they both took martial arts classes together.

“What are you talking about? Your hair is a pretty color,” V said, tickling Sam’s sides as she climbed out of the cart. She noticed that the woman behind them in line was giving them a curious look, but it wasn’t outright hostile yet so V put it out of her mind. She began checking out, going through the motions of swiping her card and loading bags back into the cart.

“I want my hair to be purple!” Sam declared, smiling big. “I want it to be purple all over, like in my room!” Purple was Sam’s current color obsession, so it was not news to V that it was also the choice for her future hair color.

“That sounds pretty cool, I bet you’ll look awesome,” V replied, brimming with affection.

An intrusive voice piped up from behind them.

“You look rather young, so I’ll give you this advice: parents shouldn’t encourage such things. You never know what she’ll be asking for next.”

V pasted on her fakest smile. “Thanks, but I didn’t ask for your advice.” Ready to leave, V quickly sat Sam in the traditional shopping cart seat, facing her, and looked to make her escape. Before she got too far, Sam’s little voice piped up.

“I think you would look very nice with pink hair, ma’am,” Sam chirped, grinning toothily. The woman blustered, clearly not having a response. V couldn’t help herself, laughing out loud as they left the store. She’d have to tell Johnny about that one later, he’d get a kick out of it.

The drive to drop Sam off was rather uneventful, and Sam was bouncing in her seat by the time V put the car in park. As soon as she was let out of the car, she shot off like a rocket to the front door, with V trailing behind. By the time V got up to the porch, her perceptive (or precognitive?) friend had already let Sam in with a smile and was offering a greeting to V.

“How’s it going? You’re glowing, having a good day?” Misty asked dreamily, examining V as she handed over Sam’s dojo/overnight bag.

“Yeah, something like that,” V laughed. “We’ve had a good day so far. How are you doing?”

Misty shrugged. “Can’t complain. Star’s been bouncing off the walls all day, you’d think she didn’t just see Sam yesterday,” she said, a light smile playing on her lips.

“All right, well mine and Johnny’s cells should be on if anything comes up. I’ve got groceries in the car so I’ve gotta run, but see you tonight!”

“Yeah, sure thing,” Misty replied, glancing over her friend once more with a knowing smile. “You gonna tell him tonight?”

“I have no idea what you’re talking about,” V replied, a massive grin betraying her words. As she hopped in the car and started to drive home, she started to feel a tingling excitement grow within her. Now, just to get through the rest of the afternoon and the evening would come soon enough.

Part Three

[mellometal]

Do we have ANOTHER Dhar Mann video to rip apart today? Yes, we do.

This one is a real specimen...a real treat, if you will. I'm gonna have a field day with this. Today, we'll be talking about how to actually treat disabled people! Specifically physically disabled people! This is something I have a bit of a specialty in, since I do work with disabled people for a living.

This is a VERY recent video, by the way. When I watched this, it made my blood boil seeing how this disabled woman was being treated. Reading some of the comments people were making took everything in me to not scream at them through my phone. Why? I had the shadow of a doubt that they were probably very young and have never been around disabled people before...even though they very well probably have, but didn't realize it.

Before I begin, there's A LOT of ableism that I'm going to talk about. If that triggers you or makes you uncomfortable in any way, feel free to scroll past this and consume content that sparks joy.

To sum up the video, a disabled woman was getting out of her truck in the parking lot, intending to do some grocery shopping. An able-bodied woman (Karen) comes up to this woman to ask her a whole bunch of questions, try to help her unload things out of her truck (when she didn't need any help in the first place), and "tried to relate" by saying that she was in a wheelchair for two weeks in high school. Please don't do that.

Karen touched this woman's wheelchair without her consent and attempted to push her when she never asked for any help.

NEVER touch a disabled person, their wheelchair, walker, motor scooter, cane, etc. (medical equipment, essentially), without their consent. Unless the disabled person cannot move around on their own, they give you their consent, you're their caretaker, family members, or a professional who works with disabled people, don't touch them or their equipment. Even then, it never hurts to ask them first, especially if you're a new caretaker or a new professional in their home and they don't know you very well. If they tell you "no" and/or the person/people with them say "no", it means "no" and you need to leave them alone. If they tell you that they don't need your help, to leave them alone, or anything else along those lines, those phrases also mean "no". If they say they need help or they ask for help, of course, help them.

(ETA: Wheelchairs, walkers, motor scooters, canes, etc., are part of the physically disabled person. These things are how they move around. I meant this in the, "Don't touch THEM." kind of sense. Just thought I'd clarify real quick.)

Karen then pulled out her phone to take a picture with the disabled woman, despite her saying she didn't want to have pictures being taken of her. Karen POSTED IT ON HER SOCIAL MEDIA. The disabled woman says to Karen to leave her alone, stop worrying about her, and that she doesn't need any help.

In the store, the disabled woman is just getting some groceries...like anyone else would. She gets her reaching tool out to grab an item off the top shelf behind Karen, who makes a tasteless joke about how she should give her a speeding ticket. The disabled woman makes a remark that her legs may not work, but her eyes do. She grabs a bottle of blue cheese dressing off the top shelf with her reaching tool, which Karen grabs for her without asking.

Karen crouches down to talk to the disabled woman, which makes the woman understandably uncomfortable. The woman tries to put her groceries on the counter to pay for them, which Karen butts in YET AGAIN. The woman is obviously fed up at this point, rightfully so. Karen then offers to pay for this woman's groceries, which wasn't necessary whatsoever. Why? Because she "felt bad" for her and has the assumption that disabled people "don't have a lot of money". She also asked the disabled woman what happened for her to be in a wheelchair, which is something that I've only heard of CHILDREN asking. (That's none of your business, by the way. It's up to that person to tell you.)

Listen, disabled people don't need to be pitied. They're disabled. It is what it is. Being disabled isn't a disease, so please stop treating it like it is. As far as disabled people not having a lot of money, that's not exactly true for every aspect of life. They're not allowed to have any more than $2,000 in assets each month along with their benefits. They do have money, and the amount all depends on the person. You cannot just bunch up all disabled people's income as the same. Some disabled people don't have SSI. If they get married, their income gets even lower or they lose benefits completely, which is extremely fucked up and makes them more vulnerable to being exploited, abused, and controlled. Marriage equality STILL doesn't exist because disabled people are STILL not being treated as equals in marriages. Some places only pay disabled employees like $3.34 an hour or something crazy like that (that's how much Goodwill pays disabled employees, by the way). The working conditions for disabled people NEED to change. Give them a livable wage. You CANNOT live off of $3.34 an hour. Make companies give necessary, legal accommodations to disabled people. They have a right to their assets and to keep them, regardless of whether they get married or not. Why would you reduce that or take that away from them? Do you even know what their benefits go towards? THEM BEING ABLE TO LIVE, IN LAYMAN'S TERMS. All in all, help make the world a better place for disabled people. (Edited for new information.)

She pulls out her phone AGAIN to take pictures with the disabled woman, who puts her hand up to the phone and says she doesn't want to have pictures being taken of her. Karen then says that she's "just trying to spread awareness"....disabled people aren't a disease. They're not a danger to you. All disabled people ask for is to be accepted, treated like everyone else, and to have accommodations readily available for them. People are already aware of the existence of disabled people.

The disabled woman is clearly very fed up and wants to get back to her truck and go to wherever she needs to be, Karen goes out to confront her "for being rude", and the disabled woman confronts Karen for being extremely rude to her and stomping all over her boundaries. This woman was VERY polite too. Actually, WAY too polite. A lot of people in the comments section seemed to misunderstand her justified anger and wrote it off as her being a bitch. If you were a disabled person who's completely independent, you had some stranger randomly come up to you to ask twenty questions, they were constantly harassing you, touching you without your consent, shoving their phone or camera in your face to take pictures of you even when you told them you weren't okay with that, belittled you, and boiled you down to your disability, YOU'D BE PISSED TOO.

This woman tells Karen to not assume that disabled people all are completely helpless and can't do anything for themselves, that she's more than her disability, and to respect people. Karen apologizes (finally) and briefly explains that she thought she was trying to do a good deed. The woman says that she knows people have good intentions, but they again, shouldn't assume that all disabled people need their help. Especially when they don't ask for it. Plot twist: she owns her own company and is rich! (There are/have been rich disabled people; however, I can only name a few off the top of my head.)

Only then does Karen FINALLY decide to delete the picture she posted of this woman that she took without her consent. And it ends there.

(Context: The disabled woman told Karen that she didn't need her to push her....and yet Karen tries to anyway.)

This isn't okay. Karen should have left this woman alone after she told Karen to do so.

Taking pictures of people, despite them telling you that they don't want to take pictures, and posting them on social media without their consent for clout! What's that called again? Hmmmm....I know! EXPLOITATION! And being an extremely disrespectful sack of shit.

Again....if they say "no" or anything else along those lines, IT MEANS NO.

Onto my response. Again, like usual, it's a long response.

This is pretty much what I've said earlier...but like, seriously. If you want to help disabled people, THAT'S GREAT! You can try getting a job at a place that helps disabled people! You can volunteer!

Just....don't be like Karen in this video. Enough said. I don't think I need to elaborate further on that.