#especially sadness lol

[tiddie-taylor]

(I really am not)

[deoidesign]

One of my first digital pieces (2010) versus one of my recent ones (2024)

We all start somewhere!

[sysig]

How much of me is me? (Patreon)

[kopifurann]

Hetalia X Alien Stage

Round 5

[fictionalsupermarket]

If you could draw Loop annoying Odile that would make me so giddy c:

the sillies....

[verysmallcyborg]

fornax w/ ketenramm's hair. that's it that's the post, thank you for understanding (doesn't allow highlights but pls imagine that they have all of their grey hairs)

[c-kiddo]

been thinking abt this and ngl theres something that feels so cruel and unnecessary about the final combat in the cr2 finale.. i just dont fuck with it, despite the sheer drama of it all. the clays home being (partially) destroyed Again after they just got it back is so sad. we didn't need to be shown how cruel ikithon is again, like of all things that specifically didn't need reiterating and i think it was honestly a weak narrative choice from matt. fighting ikithon is whatever, sure, that plot needing some wrapping up. but like, i hate that the clays became collateral in it. and even though they all lived, house fires are devastating. add to that the fact that their house is also their sacred temple and has been where their family has lived since they existed And that they'd spent so much time and effort trying to save it and it rly just feels horrible to me. like, they had their beds and heirlooms and clothes and shrines in there and then theyre all destroyed or covered in ash and water damaged from putting the fire out... caduceus has to spend the next year turning it back to a sacred site again. i dont doubt that ikithon wouldnt give a fuck and would kill an innocent family, he obviously would, its like his fave thing to do apparently but i just think that the clays had suffered enough and they deserved better and deserved safety and shouldve been left alone at that point in the story and i think im a hater abt this plot point now actually

[theborzoiarebackintown]

Krampus at the dog show when not every single person stops to pet him

[katyspersonal]

me before SoTE: Gehrman 🤝 Miquella on being seen as creeps and awful people by fandom over misinterpreting some bits!

me after SoTE: Gehrman 🤝 Miquella on not being able to accept the drastic change (mostly to the worse) of a person they held dear and latching onto their former, "nicer" version, attempting to resurrect that version even although the result is a bit of just a husk (.....AND being seen as creeps and awful people by fandom over misinterpreting some bits lololol)

_________

I guess they're doomed to be friends no matter what gfjhjgv At least with Gehrman's crafting skills, he can make him many pretty dresses

[unsiredtribrid]

Do you guys ever think about how hollow and isolating certain things about Hope’s life must feel? When she was a little girl she was promised to be protected by her dad and treated like a princess and she had this image in her head of growing up and being a powerful witch and doing all of these things. And then she gets older, her parents + family members die/split off, ‘always and forever’ is dead in a way, most of the supernatural community either thought or still thinks she’s a danger to them, and then by Legacies we know that she also is faced with having to become immortal in order to stop something that’s going to kill what few friends she does have. She doesn’t want to be immortal. She’s been kind of an introvert and a loner and for all intents and purposes, her existence has been a huge disappointment. She doesn’t see being a vampire as some cool thing, she sees it as something that will at worst, make her more isolated because everyone thinks she’s a monster like her dad. And then that’s before you dig into what the trauma of Greta and Roman did to her. She was told that who she is is wrong and is going to hurt people. She’s been trying not to live up to all these horrible expectations everyone has of her because one of the things her family (propogated by Elijah and even Klaus when he tried to keep her from falling asleep to the Hollow) seemed to believe is that her existence would somehow fix everything and she would miraculously be a good person. So not only is becoming a vampire scary because she doesn’t want to become the worst version of herself and prove everyone right (therefore also reliving all of this trauma she has from other peoples’ expectations of her) but she also has to be alive forever in this sort of lonely state. She doesn’t have ‘normal’ things to look forward to that normal kids do. She’s been told her entire existence will suck for her and everyone else, actually. We even have the firstborn Mikaelson witch thing that posits she will suffer from the strength and uncontrollable quality of her magic. Idk… it’s just crazy how miserable and depressed she must be sometimes

[joseigamer]

Patalliro! is fascinating to me because of stuff like this. It's unapologetically gay - even within its anime which aired during primetime hours in 1982 - in a way that many later BL manga would never be, like the ones from the early 2000s which would never dare to call their characters actual homosexuals. Patalliro has actually aged quite well in this regard, there's something comforting about how campy it is.

[sysig]

Rainbows (Patreon)

[donutdrawsthings]

People say cottagecore is dead because of tradwives infiltrating the aesthetic... Well, I live under a wet rock among pillbugs, slugs and centipedes so online discourse can't reach me while I'm having fun

[waspgrave]

now there was no reason for lucanis to be given purple johnny silverhand as a plot point and then never have the purple johnny silverhand utilized except for maybe 3 or 4 times in the game (if you saved Treviso, otherwise it's twice) and dialogue. Dialogue where he pretty much just says weird and funny things and occasionally gets scolded like a dog which is entertaining sure but there is Literally A Demon In One Of The Companions Why Is This Not A Bigger Deal

[manderleyfire]

– What's keeping us apart ain't even real, your daddy, his religion, it's got nothing to do with us. – It's not just his, it's mine too. I've got the same spirit in me, why don't you see that?

Alice Englert and Walton Goggins in Them That Follow (2019), dir. Dan Madison Savage & Brittany Poulton

[deoidesign]

something that makes me sad is when people tell me the healthy communication in my writing is "unrealistic."

like guys this is how me and my partner talk with eachother... I'm writing from personal experience...