#end mischaracterization

[shewolf-sinclair]

I HATE when people dumb down Jason Todd “he’s impulsive/irrational/erratic/brash/dumb/the angry robin!”

WRONG

let me break it down for you fools because he’s actually like one of the most nuanced and complex characters to ever bless my presence (and he’s the best ((my fav)) robin argue with the wall) (tldr at the end but please read the post)

Starting out as robin they are ALL orphans. because that’s like bruce’s thing. BUT dick and tim had families before bruce adopted them. Jason did not. HE GREW UP ON THE STREETS. (+10 points for truama✨) which led him to grow up to be independent and resourceful. Bruce literally met him because he was trying to steal the bat mobiles tires with the intent of reverse engineering them to sell to the people of gotham because bullet proof tires in that kinda city would save lives source

As for being brash. Yeah. he is. he lacks people skills because HE GREW UP ON THE STREETS. yet he still knows how to sympathize with people and not be an ass ALL the time. he’s cocky sure but it’s a defensive mechanism after years of being treated like he doesn’t have value/having to prove himself. and damien is worse lets bsffr.

He’s impulsive. (likely adhd) Teenager. next question.

He’s the angriest robin! he only ever wants vengeance! WRONG. dick is angrier! he was so petty he left gotham and got a new identity just as a fuck you to bruce. any anger Jason has is not unmatched or outdone by other robins and he is rightfully angry he’s been dealt a crappy hand in life. he’s jealous of dick because bruce was ALWAYS comparing him and telling heroic stories of dicks feats. it’s hard not to push yourself to be as good as or better than the og and not to crack under said pressure.

He’s dumb! NOPE. he is as smart if not smarter than tim. He is BRILLIANT when he wants to be. (see above: resourceful) if you take titans (cw) as canon (why wouldn’t u its as canon as any other tv show??) he is a GENIUS. he taught himself chemistry so he could invent and mass produce drugs. he had a genius strategy to fuck with the titans; the puzzle of clues for which dick needed scarecrow, kory, gar, and conner to solve. Not to mention him finding doctor light earlier in the season. He leads the outlaws bc he is a natural leader and good at handling the details!!

He’s a villain! OKAY AND? SO WAS HARLEY BUT WE LUV HER !! DAMIEN WAS A TRAINED ASSASAIN! he puts so much effort into helping people (see above: resourceful) HE RISKED/LOST HIS LIFE FOR IT. HE IS FIERCELY LOYAL. even as red hood he obtains a strict moral code; no drugs to kids or by schools, don’t kill innocent uninvolved people(depends on which media you’re looking at). serve karma on a gold platter. unlawful but USUALLY NOT unethical. he also becomes a vigilante (and the JL for a bit) and does so much good! none of them are perfect ALL of the time. and considering the other DC villains, he’s not that evil.

strength?? no problem! he almost beat dick and bruce several times in the comics!! source

not to mention his proficiency for new things (see above: chemistry) his whole time as robin he uses bat tech. but redhood uses guns and knives. he just picked that up and was a skilled marksman immediately. (also truama response after nearly dying to death stroke)

so what hes kinda fucked in the head. aren’t they all? isn’t that… the point? it’s justified after everything he’s been through AND it makes hims a better character, more 3D more realistic and relatable.

also for the sake of this thesis partially disregard the wonderful work of art that is WFA it’s a fixit. for a reason. because the it was broken and needed fixing.

TLDR; you don’t have to like Jason Todd, or think he’s the best Robin, but you have to admit, he is a complex, layered, well written character. And stop mischaracterizing him and dumbing him down to this impulsive, angry, weak kid.

bonus: my Jason playlist

[was-house-fruity]

Was House fruity this episode?

Season 7, episode 15: Bombshells

Lisa had a nightmare that she died and House and Wilson became her daughter's gay dads

Verdict: FRUITY

[scourgiez]

I’ve talked about Elliott being just an incredibly genuine person before, but nothing describes it better than him always trying to find the good in people. No matter what. Take this quote about Clint:

He is the type of person to be empathetic towards anyone and I think that is a very sweet character trait. He gets mischaracterized a lot but sometimes I think that makes him a better and more dynamic character; it’s amazing how many people perceive being overly genuine as being fake, which happens irl all of the time!

There’s also the whole thing about Elliott’s own “quirkiness” and him being lonely (and a little desperate for friends) but that’s a convo for another day.

[tianhai03]

not the biggest fan of the design but i still had to draw the new dante 🫶

[yumebliki]

Rotating them in my brain

[veryaren]

how are we feeling (read:coping) with closing night act II .

[stellanix]

(genshin impact spoilers incoming)

one aspect of furina's characterization that's pretty understated but that i really really really love is her intelligence and curiosity. usually in genshin, when a character's intelligence is an important trait of theirs, there are aspects of their design, writing, voice acting, etc, that very clearly tell you "hey this character is smart." albedo, for example, wears a labcoat, is always saying big sciency words in a calm, rational tone of voice, and other characters are always talking about how smart he is

but furina? nothing about her on the surface suggests that she's a "smart" character - quite the opposite, in fact. superficially, she's introduced as a bratty, conceited, overconfident person who actually has no idea what she's doing. we eventually learn in the archon quest that that was all an act, but even after she regains her freedom, nothing about her really seems archetypically intelligent, at least at face value

instead, furina's intelligence is always shown rather than told (the only exception being nahida's voiceline about her). she had an intelligence network across teyvat feeding her information, and we saw in the flashback how she directed researchers to study the prophecy and potential ways of stopping it. before things like lyney's trial or directing the two musketeers, she'd stay up all night planning and piecing things together all on her own. she loves learning new things, she has lines in the teapot about how, when she's interested in something, she wants to become the most knowledgeable person in the topic, and also how she'd like to disassemble the teapot itself to learn how it works, and she's quick to learn new skills (like surfing). and, of course, she's well read, and quite possibly teyvat's foremost expert on the performing arts

i like how furina sort of defies the concept of character archetypes. she's initially presented as an archetypical bratty, dramatic, spoiled popular girl, but that was a role she forced herself into because it's what people expected of her. but the real furina, while still retaining some of the flamboyance from her archon persona, doesn't really fit into a clear mold. she's smart without being a super-genius, and she's kind without being a soft-spoken doormat. it makes her feel multifaceted and real, and i really love that!

anyway, this is why it makes me mad whenever i see people calling furina stupid, cuz she's not!

[atlas-on-earth]

just rewatched avengers endgame with my mother and i cried because of steve's ending (not in the way the writers intended) and my mother just looked at me with knowing in her eyes bc she knew i'd go nuclear. now in our house we call him the bad writing boogeyman.

[technicalthinker]

inspired by this post and others that have pointed similiar things out: the thing about sang-woo hunting the narrative in squid game season 2 is that he does it in two different ways

like first of all: gi-hun takes on the role of sang-woo. he does things that sang-woo did. he brings up the voting, informs about the red light/green light situation, but he also just acts more like him. gi-hun is more subdued than ever, and plays his cards closer to his chest. when his cheery friend from the outside world runs up to him he is not like himself. the friend notices but sticks to his side anyways. towards the end of the season, he gets into the "we need to make sacrifices" mindset. they need to win the game no matter the cost, the idea of winning is just different.

but also: in-ho takes on the role of young-il, who is not only similiar to sang-woo, but he's also sort of who gi-hun wished sang-woo was. intentionally or not. like they're similiar: collected, steady and focused. sort of the same hair and physicality. but young-il is also easier than sang-woo. he opens up about his situation unprompted. he'll apologize for stepping out of line. he states clearly how much he trusts gi-hun. he is the one who initiates teaming up. he asks for gi-huns opinions and plans. when young-il suggests something he checks if it's alright with gi-hun. he risks his life for others, especially the ones considered weak. young-il shares a lot of traits with sang-woo, but ultimately is not burdened or guarded in the same way. so young-il is both a stranger and something familiar to gi-hun. but also young-il is not real. not in the perfect way in-ho tries to present him. beneath it all there is that flawed and cold complicated person. gi-hun hasn't discovered that person yet, like he once discovered that side of sang-woo.

but sang-woo is still dead. he's haunting it in two different ways but also kind of a third one, which is arguably a combination of the two: he's simply a dead man and gi-hun wishes he lived. gi-hun has nightmares about his decapitated head. he looks after sang-woos mother. his money might as well be covered in sang-woo's blood. gi-hun looked up to him and admired him (feeling like he never could be as good as him, but maybe hoped). sang-woo failed and betrayed him, but was still redeemable (there was a good well-meaning person underneath but it was ripped away from him by circumstance). sang-woo was real but now he haunts the narrative and haunts gi-hun and haunts us all. but he's still dead.

[zonezyo]

glinda and fiyero, both being for all intents and purposes on the same footing socially, are two sides of the same coin on what happens to those who come from privilege if they choose to forsake their standing in the face of adversity. they come from the same place, they have essentially the same thing to lose, but they end UP losing insanely different things based on the way they choose to live their lives. however, glinda and fiyero have the same thing to lose, but they do NOT have the same thing to gain.*

fiyero is of course actually very smart, no matter how carefree he plays himself, but before elphaba, before the catalyst, he WAS truly content with dancing through life-- he probably would have skated through on his looks and his charm, living a blessed but ultimately unfulfilling, unhappy life, with no real direction. but when given a cause he wakes up and begins to actually want. he wants change, wants elphaba, wants something different than what he's had. though it comes at obvious sacrifice for him, it is natural for him to follow elphaba. there is no personal risk of straying off his path because there is no real path ahead of him anyway. yes, he's captain of the guard, he's engaged to glinda-- but his heart is not truly with them. he has already mentally strayed towards elphaba.

glinda, though, is not like fiyero. she can play herself as charming as she wants to match him and everyone that expects anything from her, but she's at shiz to learn sorcery-- from the moment she's introduced we know that she's dead set on that goal. she WANTS something. she, like elphaba, marvels at the emerald city, imagining her life there one day. so when faced with this fatal decision between choosing what might be good but what is risky, she panics-- it's right there in the lyric!! to grovel in submission to feed her own ambition!! though part of it is certainly her backing into what is safe, she can't let go of her own dream for what would effectively kill every future she ever dreamed of. glinda is WILLING to forfeit her SOCIAL status for elphaba-- it's just that she's smart enough to understand that this is not simply forfeiting social status. this is forfeiting any and all power she ever could have, gain, or use to her/elphaba's advantage.

however: glinda's choice may seem entirely based in self preservation but she's also just as much trying to preserve elphaba's, maybe not safety, but status, because that's what she thinks of as safety. though it's unfair, glinda is right-- maybe not in this instance, but at least in the broad strokes of the song. elphaba HAS hurt her cause forever, she IS having delusions of grandeur, and this is going to make it that much harder for elphaba to ever truly make change regarding animals in oz because as a villain all she can do is drive people away (though ofc this doesn't mean she shouldn't have done what she did). glinda is desperately bargaining-- she knows elphaba cares about the animals, but she doesn't truly understand why, so there is nothing she could have said or done to level with elphaba. glinda ultimately still thinks that change is manageable under the people responsible for cruelty. she's misguided, unaware of the weight of what's happening. it's why she calls it ELPHABA'S cause, not the animals' cause, because she's not really concerned with the greater good at the moment, she's focused on saving her and her best friend. she's smart enough to understand power play, but not aware enough to understand what all that power means, really, at least not in the moment of act 1.

we can speculate what the "good" choice would have been for glinda but the real truth of the show is that the choice she made was the only one she was ever going to, though it might not be just or right or the one she should have.

[serpentface]

Omg, is there any more about Odonii battlefield performance?

Faiza giving a full battlefield performance, which includes grimacing, sinister looks, letting out terrifying war cries, and banging on her shield with her dagger's pommel. She's wearing a full set of armor, which is functional but highly decorative. A squire will be present somewhere nearby to carry the rest of her weaponry.

As mentioned in the other post, Odonii generally do not actually Participate in fighting. Their perpetual armament and training to correctly Use this armament has predominantly symbolic functions, with their bodies as vessels for state and military empowerment and integrity.

Their normal role on the battlefield is:

a) Spiritual protection for their associated warriors and intimidation of enemies.

Their role is partially to be the ‘guardian lion’ figure in human form, their presence and performance in of itself is considered metaphysically protective. This guardian lion nature is played up and reinforced with their dress and behavior- they wear lion skins over their armor, paint their faces red to obscure human features, perform war cries tailored to sound inhuman (not like lions, just a very shrill and frightening sound). They perform ‘frenzied’ movements that intend to evoke an enraged animal- pacing, banging on their shields, biting their weapons/shields, baring teeth, exaggerated glances that emphasize the whites of their eyes, etc. This can be a disturbing sight- reassuring to their allies who know a frightening spiritual guardian figure is on their side, and demoralizing to an enemy (the latter especially in conjunction with common beliefs that Odonii are witches/shapeshifters)

b) A motivating factor to get the men to fight more bravely.

This is partly out of religious belief (you will probably be a little bolder if you feel reassurance that God is very much present and on your side, via Its priestesses), partly out of esteem for the order (you are highly motivated to perform for their recognition and protect them from harm). In a way, their role on the battlefield is the Least masculinized aspect of their performance- they are in part there to remind men of their mothers, wives, and daughters, who they are supposed to be the protectors of and whose benefit they are ultimately (at least deemed to be) fighting for.

In some cases, this is taken to a (cultural relative) extreme wherein they will expose their breasts towards their own men as a part of battlefield performance, in the form of a supplicatory gesture (bearing the breasts and thumping on the chest with a fist). (The Odomache’s nude body should never be publicly seen under any circumstances, limited and controlled exposure by Odonii Can be appropriate). Breasts are not sexualized in this cultural sphere, but are not treated as neutral body parts either, instead having values of motherly nurturing and feminine vulnerability projected onto them. Odonii showing tits will be a DISTINCT reminder of the ‘vulnerable female’ elements that the men should be protecting, and can be highly motivating (especially in the context of a figure who is otherwise behaviorally ‘masculinized’, it’s jarring and can have useful emotional impact).

c) General spiritual leadership (in connection to a & b).

Weapons dances are an aspect of military training and the kagnoma odo dance is always performed prior to conventional battles, Odonii lead these dances. This has multifacted functions- it is believed to spiritually bless the troops, it is a means of practicing with weaponry/limbering up, it is a psychological rallying point and good for morale, and it may intimidate your enemy who can see it happening from a distance (by displaying readiness/eagerness to battle, good discipline, unity, and physical might). Odonii also perform personalized blessings of soldiers, weapons, and armor.

c) Filling gaps in the command structure or acting as commanders

Odonii are involved in strategic meetings, and ones who receive battlefield roles are very well studied in military tactics. As a matter of technicality, their commands to the body of Imperial Wardi troops do not override those of generals or other ranking soldiers (though they will often be deferred to regardless), but they can fill in gaps in the command structure in case of death of high ranking soldiers or if lines become scattered and communication breaks down.

Additionally, there are two elite warrior orders presided over by the Odonii priesthood (the rest answer directly to the Usoma's court appointed general), with senior Odonii as their commanders and the Odomache as their general. (This is one of many political tension points between the priesthood and monarchy, given that the Odonii have managed to get themselves about 200 high skill, firearm'ed warriors that are separate from the normal military structure, only as loyal to the Usoma as their current general is, and Very beloved among the public so you can't just like, outright kill or disarm this very obvious threat.)

d) A strategic flexing of eastern seaway honorable combat norms

Conventions of honorable warfare have broad commonalities across the eastern seaway peoples, one of which is that noncombatants (by default- women, girls, prepubsecent boys, unarmed elderly men) are not legitimate targets in the normal process of open war (but are fair game in contexts like sieges when a foe has refused to surrender on behalf of their population). Odonii being armed throws a wrinkle into this - they are still effectively ‘noncombatants’ by virtue of being women, but if they actually Engage in fighting they do present a threat that could be justifiably neutralized.

If they do not actually Use their arms they are not legitimate targets, and an enemy concerned with honorable combat will have to work around their presence (or risk social/retaliatory consequences if he does not). They are thus effectively human shields- at the very least introducing an additional layer of difficulties for an opponent to navigate, and sometimes actively putting their bodies between their men and their opponents.

e) as a factor of D, potential mediator figures.

When in conventional battles, Odonii on losing sides are usually expected to allow themselves to be captured without resistance. They stand a very high chance of being taken alive and remaining unharmed due to a combination of factors- baseline honorable warfare practices (which are ABSOLUTELY not always followed, but at least Influence behavior), fears of material consequences in retribution for harming the priestess, fears of spiritual consequences for harming a potentially powerful witch, knowledge that releasing an Odonii unscathed may give the captors a better negotiating position down the line, or knowledge that an Odonii is a very valuable hostage and can make for a good bargaining chip.

Because of this element, captured Odonii are expected to perform mediation roles, negotiate the release of hostages, carry messages from their captors, or bravely tolerate hostage conditions (ideally while gaining intelligence on their captors)

---

Odonii very, very rarely actually participate in combat (and are in fact not Supposed To in the vast majority of circumstances).

They are, however, fairly well equipped for it. Their perpetual armament is symbolic in nature, but its intended function of empowering their bodies and the state by proxy additionally requires them to know how to Use It. They are trained and regularly drill and engage in mock battles in each of their key weapons/defensive combinations (sword, sword and shield, spear, spear and shield, longgun, handgun) and are expected to be adept at their use. Odonii who attend battlefields, while not being directly engaged, are still in very high-stress and dangerous environments and will have to learn to stay calm and collected under duress. All this doesn't mean every Odonii would be a skilled warrior in an actual combat situation (given that most will have no experience fighting someone who is actually trying to Kill Them), but it does mean they have enough technical skill and mental fortitude to stand a decent chance.

The only times where they are SUPPOSED to actively engage is when a battle is deemed as an existential struggle and is being lost (in practice, the main context for this is a siege), or losing against a foe deemed so thoroughly depraved that they won’t even slightly follow wartime conventions. The idea in these situations is that they are most likely already doomed, and that they should die protecting their people in battle.

Wardi history is filled with stories of Odonii fighting and dying in desperate conflicts (particularly against Imperial Bur), but this is at least Partly historical revisionism (there WERE some women in proto-Odonii roles involved in these conflicts, but these retellings project the modern Odonii order onto its multiple progenitor practices).

Odonii are frequently present on battlefields, but there are only two major instances of modern era Odonii participating in battle as full combatants, both involving conflict with Finnerich

---

The fully modern incarnation of the order can be defined as starting in the late period of Burri occupation, in which multiple Wardi city-states and kingdoms allied against a common foe, and the separate progenitors of the Odonii tradition began to coelesce into a single practice. These alliances were mostly dropped after Burri withdrawal, and the immediate post-withdrawal period was a chaotic scrambling to politically stabilize and assert old territorial claims- thus most Wardi states resumed hostile or indifferent relations with one another. (The one exception is that Wardin and Ephennos remained allied, which shortly would become a Big Deal). Forms of early Odonii now existed throughout most of these states, just not united under a single banner.

The city of Godsmouth was blockaded and besieged by Finnerich during this period (taking advantage of its historical rival’s weakness in the political chaos of de-occupation and hoping to capture or at least maim the city), and some of these early Odonii were involved in this conflict and are known to have engaged.

Godsmouth was a rival to its neighboring states more than anything else- there was little reason for others to send aid in the conflict, and it was left to fend for itself. It was and is a heavily fortified city, and thus the siege lasted for months, with the strategy turning to starving the population out rather than the risky maneuver of throwing troops at well-defended gates to force entry. The Finn forces never managed to breach the inner walls, but were very successful at starving the city's population, raiding its farmlands and villages, and destroying its ports and capturing or burning its ships, all with minimal casualties on their side.

The strategy of the siege finally turned to a risky push to breach and capture the city (due to Finnerich’s own dwindling resources and logistical difficulties in restocking due to storms at sea, and news that an allied Wardin and Ephennos had, in an unprecedented move, been persuaded to send reinforcements (in return for Godsmouth's sworn fealty and absorption into their alliance)), and Finn forces succeeded in breaking through the outer walls. This developed into a very dramatic standoff in which the remaining warriors and/or civilians of Godsmouth attempted to fend off the attack long enough for reinforcements to arrive (which would take days by sea).

Odonii are very famously known to have fully engaged in this stretch of the conflict on the front lines, as it represented an existential threat to the city-state (it’s a fortified settlement, if it was captured, reinforcements would not matter). Some of the recountings are distinctly fanciful (describing Odonii and noblemen leading Siege Of Helms Deep style khaitback charges into masses of enemies, or SWEARING that one of them actually did turn into a lion and ripped apart a hundred Finns before she succumbed to her wounds). An At Least Partially True Story With Exaggerated Elements of the final days of the siege describes the Odonii priestess Hibrides Odiboe rallying a group of elderly men into battle by baring her breasts and scratching deep, bleeding wounds into her chest, declaring herself as 'your mothers, your wives, your daughters, and look how I bleed while you hide behind your walls and wait to die.' While accounts have fantastical elements, it is factual that Odonii priestesses fought and died defending the city's inner walls, notably filling command positions left vacant by slain or starved leaders and rallying citizens to the front lines.

The end of the siege was ultimately a pyrrhic victory for Godsmouth- the city was never actually taken but its population was starved and riddled with disease, its farmlands were burned, and its ports were destroyed. Finnerich forces retreated before reinforcements arrived after failing to break through the inner walls in time, but had succeeded in most objectives of severely wounding their historical enemy. It has been a source of collective trauma in Godsmouth since that point (it is now out of living memory, but vivid stories remain of seeing the dead eaten by dogs and the starving eating the dogs that ate the dead, watching family members succumb to disease and starvation, all while hearing the sounds of fighting draw closer and closer with no reason to believe that any help would ever come), but ultimately recontextualized as a victory, a turning point in the arc of modern history. (The Wardin-Ephennos-Godsmouth alliance, which formed in full as a result of this conflict, would become the triple state that conquered the rest of the region and formed Imperial Wardin).

The direct participation of Odonii in this conflict is heavily played up in the narrative as the order in its purest form as sovereignty incarnate, the priestesses bravely fighting for (what would turn out to be) the beginnings of the Imperial Wardi state. The 11 Odonii who died fighting in the siege have been bestowed sainthood and are memorialized in a series of guardian lion statue-shrines overlooking Godsmouth’s ports (in which their ashes and bones are stored).

---

The other instance of modern era Odonii engaging in conflict is significantly less romantic, occurring in the context of the Extremely failed second invasion of Finnerich.

During and after the rout that resulted in the Odomache's capture and killing, it became exceptionally clear to the Imperial Wardi forces that They Were Fucked. The conflict veered with REMARKABLE speed from being an attempt end the state's civil war between the Imperial Wardi-loyalist provincial puppet government and its rebelling northwest population, to a desperate struggle for Wardi forces to get out of Finnerich Alive. At this point it was assumed (fairly accurately) that any defeated party would be summarily executed, so most Odonii present ended up directly engaging in battle. Two are known to have died leading soldiers in a bid to retrieve the Odomache's body, others fought and/or died while defending the retreat.

A few Finn Odonii (women appointed as a local sect of the priesthood after the initial takeover) remained in the capital after the Wardi forces fucked off overseas, and were executed along with the rest of the installed loyalist government and priests (though it's unlikely that they were involved in any fighting, as the provincial government surrendered after the withdrawal).

Odonii veterans of the invading force have not fared well in the aftermath. Most of those who survived the ambush in which the Odomache was captured have ended up committing honorable suicide due to breaking vows in abandoning their leader in retreat, failing to retrieve her body, and/or being assaulted in capture. More have committed (ostensibly ritual, probably emotionally driven) suicide in the years that followed, with the knowledge that their leader's death and defilement and this severing of God's spirit has brought doom upon their land in the form of an unbroken drought and famine, and that they failed to prevent this. The priestess who was captured alive to witness the Odomache's death and released unharmed to report it was the first.

All this has opened some vacancies in the order's leadership, and given things a very somber tone. It is currently in debate as to whether the ones who died on Finn soil (particularly those who died attempting to retrieve their leader's body) should be canonized as saints or if it's a little too soon for all that.

[two-entire-bits]

I have a confession. I do not care for the soc boys. I'm sure they have very interesting character traits and lore the actors and fandom have come up with and that is so fun and great and I know none of it and I am perfectly content with that. Shout out to all my mutuals who love the soc boys I hope you are having fun with your Ken dolls but I will not be joining you. keep slaying.

[luminique]

this man occupied my mind EVERYDAY i Need him . what if lighter become jealous because someone is trying to get close to his s/o HEAR ME OUT JEALOUS!LIGHTER will be So incredibly Hot

it would be very hot (pun intended)

i don’t know how everyone else thinks of lighter but i don’t think he’s huge on announcing that you’re his. i think he tells people in passing but those close to both him and you know.

now this leads to some problem. mainly that some people might not know that you’re both together. so if you’re being hit on by some drunkard at the bar, he would definitely come closer to you instead of standing against the wall and watching from afar. he’d sit next to you, his gloved hand slowly snaking onto your waist.

he’s naturally cool, a little intimidating just because you can’t really tell what’s going on behind those sunglasses of his. but when he sees someone else scooting a little closer, getting a little too touchy, he’s definitely pulling his shades down just a little more to glare at them. a warning without any words spoken.

i do think that he would be even more condescending and straightforward too, almost borderline insulting them. if they still persist, i think he would be more than willing to settle it with a fight. not only were they invading your personal space, but so were they just getting on his nerves.

i think after all that though, he’d look for your reassurance. like he knows you wouldn’t just leave him for some random you met 10 minutes ago but he still can’t help it. so be sure to give him lots of hugs and affection until he’s melting in your arms again.

[scarletsinsblog]

idk why it needs to be said, but Kimiko and Frenchie have never been platonic 😭 since that finale, I’ve seen mostly positivity about their confession/kiss, but I have also seen people claiming that the writers are “pandering to a minority” by making them a couple…??? THEY HAVE BEEN BUILDING UP TO THAT SINCE THE MOMENT THEY MET!

Frenchie has always been queer, yes, but it’s SO obvious that he’s been pining for Kimiko since the very beginning. and when she told him he was “family,” it didn’t necessarily negate their romantic vibe. family is simply comfortability and love between two or more people, and it isn’t reserved to platonic relationships.

and for those who claim they were “more like siblings,” I beg of you to answer this: what does your relationship with YOUR siblings look like?! because if it looks anything like the dynamic between Kimiko and Frenchie…that’s concerning.

he literally calls her “my heart” exclusively for the better part of three seasons. which, in French, is typically a romantic endearment.

needed to speak my truth because I’m tired of this debate and the strangely purist takes people have expressed about these two and their relationship. they are allowed to like each other as more than friends, and I’m not sure why it’s such a taboo thing for two fucked up people to find their soulmate in one another. 🤷‍♀️

[viewlumia]

Pain. All I know is pain. Lemon juice on a paper cut pain.

[nicorobinphd]

stg, being an enjoyer of jane twdg is like being forced into an expert-level course on the way misogyny manifests in video game spaces.

god forbid a woman be complex or difficult or provably mischaracterized (see tags) at the end of her arc to service the culmination of a man’s storyline.