#easy to draw disney characters

[alabasterpickles]

I was sifting through stuff for school and found this character concept stuff for a Wander Over Yonder OC I had a blast designing about three or four months ago

(I should probably have mentioned her name is Marzipan 🫣)

Please enjoy my unhinged character design process 😂

The gumball machine headed guy is my sister’s OC! @bromeoanddudeliet ✨

[clownattack]

Fr tho why are people reading the dorian tales.

[runningwithscizzorz]

(1)Learn the rules before you break them + Gather proper references

(2) Understand what you want to break and how

(3) Can't do it? Find someone who can

(4) It's going to look really bad for a while

(5) Have fun with it!

(1) -Yes, I am that kind of artist. Yet, not in the conventional way. I encourage people to go in guns blazing when it comes to drawing something new, then coming out analyzing what they know, and what they need to learn more of right away.

-Here, I broke down the anatomical pieces of Nour and Narinder's face with the same labels so you guys can understand this weird invisible pattern that I follow in my work. Doing this with any animal you're attempting to draw greatly improves your line confidence when drawing different face shapes. Also understanding the biological function for why animals look a certain way helps you keep consistency.

(3) Time to throw any artistic guilt you have for heavily referencing people's art OUT THE WINDOW and start ANALYZING PEOPLE'S WORK YOU WANT TO BE LIKE✨ I've always done this, having a reference of someone else's amazing work right next to my own drawing so I can try and understand how they make their magic work! No shame, no embarrassment, nada. Pure, unadulterated will and spite that I would be just as good as the artist who made me so motivated and happy with their work! I couldn't figure out how to make Nour's face both sheep-like, and humanly expressive, so I looked at a LOT of Zootopia and old Disney art for help!

(2) With how I draw narilamb, I'm still working on it (as you can see) but I wanted to break Narinder's face to be fluffier and slimmer, while Nour's face would be shorter and flatter. If you look at it for too long, it's absolutely going to look weird, in the way that if you look at Anna from Frozen for too long she starts looking really weird. The anatomy isn't meant to be correct or consistent, it's meant to convey the emotion and energy I want out of the characters in that moment. If you're able to properly get that across, then you don't need to think about how broken something looks, as long as your eye is happy enough to trick your brain into thinking what you're seeing is canny.

(4) Yeah, I hate this part too. It's going to look like shit at first. I can't even look at my art from a few months ago when I was figuring out their designs... God, so fucking ugly. If it weren't for the shittiness of those drawings, I would have never gotten here! Wading through the "trust the process" stage always really sucks, but it's absolutely worth the relief of when you finally get something to look right.

(5) Art is work, yes. It's stressful, it's long, it's straining, its draining, it's exclaiming, blah blah blah. But, I try to keep my art FUN. If I find my artwork becoming slow as I depressingly drag my pen over my tablet, I'm failing. You MUST keep spirit and life in your work. The spirit of emptiness or the life of sadness can have a very meaningful place in art, but those can only exist with keeping work light, easy, and fun! If you're stressing how a specific thing looks or how you can't get something to look right no matter what, FUCK IT. Draw something to bring the flavor back in your work! I'm kind of rambling, but just, HAVE FUN!✨️ Be messy, scream, laugh, slash canvases, throw paint, smash sculptures, tear apart books, GO CRAZY

[i-tripped-on-a-rock]

Some more TD:WT fanart for the fic im definitely not writing :3 one of the drawings has significantly less effort put into it but oh well ¯\_(ツ)_/¯

Read more for fic excerpt

“Izzy, Owen, and shockingly, Noah, were all piled up in a corner of the loser’s class sound asleep. Alejandro raises his eyebrow in surprise. He’d heard the rumors about Noah’s clingy tendencies from Sierra, but it’s still surprising to see the teen who was always so sarcastic and cold towards a majority of the competitors show such outward affection.

Alejandro watches the pile of sleeping teens with a plethora of mixed emotions. He can’t pinpoint any of the many muddled emotions besides irritation. (He shuts down the faint voice in the back of his mind screaming “jealousy”. He couldn’t care less what Noah does; they’re barely even friends.) Every time he thinks he understands Noah, something throws a wrench in it.

The rest of his team and the other opponents were easy enough to understand, even if some were harder to manipulate than others. Usually, he could bat his eyelashes and flash a smile, (or bribe them with a chocolate bar in Owen’s case) but with Noah, it only served to irritate him even more. No matter what he did to gain his trust, no matter how many false smiles and compliments he gave, Noah still stayed frosty towards him. He just couldn’t understand him.

Noah is lazy and does practically nothing to help if he can get away with it, yet he will fight tooth and nail to keep his friends in the game. Noah dresses like a nerdy character on a Disney channel show in well worn sweater vests and button ups, but he also never takes off his pair of designer sunglasses. Alejandro had asked him about it once, but he didn’t seem to even be aware of how expensive they were. He seems to have some sort of knowledge about the challenges but doesn’t ever try to win. He’s an enigma wrapped in a mystery and tied up with a bow of contradictions. It’s driving him crazy.

Staring at Noah, the rest of the world seemed to fade away as he loomed over them. Why was it that Noah was so much more resistent than everyone else? Why couldn’t Noah do what he tells him to like the rest of them? Why was it that the only times Noah seems to actually appreciate Alejandro’s presence when Alejandro drops the mask and stops pretending-!?

…

…Alejandro clenches his fists at his sides. He inhales deeply and cuts off that train of thought immediately. He can’t think about that, not if he wants to win this game. So what if Noah thinks the comments Alejandro makes when he thinks no one is listening are funny? So what if those are some of the only times that he’s ever seen Noah smile? It doesn’t matter. He’s still useful for now, so he’ll keep Noah around until he stops proving to be useful.

He won’t lose.”

[zexapher]

Vacuan Nights, Like Vacuan Days

They’re just so great together! I’d love for Jaune and Weiss to get a little downtime in Vacuo to live out a moment like this. They really deserve it, and I’d love to see Jaune’s guitar make a reappearance.

The comic here was inspired by u/Silverstar1243’s excellent piece of art, A Serenade Under the Moonlight. Send some love to them on their twitter, commission some art if you’re willing and able, they’ve made some great stuff.

You folks may have noticed I threw in a couple of references for those in the know; the Golden Oreos behind Yang (double stuffed, I might add) for the trio’s ship, Weiss liking it rough for Mallobaude’s great fic, and of course I made a whole theme around the Arabian Nights Disney song. A song, along with its Aladdin compatriots, which I spent the better part of a day finding covers for just to listen to on repeat while I worked.

This one’s now officially my longest comic project, with 14 panels, two over the past record since I added the White Knight kiss at the end. I’m pretty happy with how it turned out. Not sure I’d say it was more difficult than my Vanity of Vanities post, but for this one I actually knew how to use my editing software going into it (at least somewhat).

Put a lot of work into this one, been working on it on and off since February. Took a few breaks for vacation, to make my memorial post for Rooster Teeth, and another five meme edits or so, but I came back around to it. First half was pretty easy, relatively minor edits inserting characters into scenes and so on. The second half with Jaune and Weiss was tougher though, with color correcting, merging poses, redrawing features, drawing Jaune’s entire head to fix some lighting issues, etc. Really like how the edit to make Jaune strum his guitar turned out.

The time it took to make the whole comic got me down a little, until I did a bit of math. Including my side projects since starting this, all the scripting and editing and all, I’ve been pumping out a panel every two days. That seems pretty good to me, that kind of accomplishment makes me a little proud of myself.

Really need to get around to watching the second part of the Justice League Crossover movies. It’s got a few Vacuo scenes that might make things a little more authentic instead of me just using Saphron’s house and pretending it’s a suite in Vacuo. I do love taking yet more character stills from Jaune and friends experiencing deep trauma and turning it into something positive, been making that a bit of a personal habit. And I’ve got to say, the background for Jaune and Weiss’ scene is really beautiful, pulled it from when Sun and Neptune hear Ruby’s message about Salem. That’s just a really good shot all on its own, I even saved a copy for my computer’s wallpaper after editing out the two.

Posting a big RWBY White Knight edit, watching not one but two RWBY Beyond episodes, and all on the trail of the news that RWBY’s found partners that they’re negotiating with and that the creative team is expected to stay on. And I'm sipping bubble tea. Life is good.

Anyway, pardon the long write up. I’m invested in this one, and am quite pleased with how the comic turned out. I hope you all get a kick out of it as well!

[ari-the-arotistic]

So I was thinking about pirates of the Caribbean, and each characters unique moral code and way of approaching life, as one does, when I remembered a particular scene about our beloved James Norrington... the very first scene in which Jack and James meet. Now, as a long time Sparrington shipper, I adore the Sparrington fandoms adopted head canon of Jack's compass pointing directly at Jack when James is holding it as having a romantic connotation too it, but this is Disney we're talking about, and a Disney from 20 years ago at that, so it is of course just a head canon. And while it is a beloved head canon, I will always be a writer before a shipper, and what that scene says about Norrington from a writer's perspective is far too juicy not to share... So buckle up for a very long meta post about who James Norrington is as a person, and how it was set up in this scene(and later reinforced in the second and third movie). This is my first real meta post, and I'm very excited for it, so let's jump right in.

First of all, the compass scene.

As we can clearly see in the image above, since the red line that points to the object of the holder's desires is no where to be seen, its relatively easy to conclude that it's hidden from our view by the sun dial in the middle, and thusly is pointing directly at Jack. Elizabeth is off to James's right, and no one is standing behind Jack, so unless the compass was pointing at something in the far off distance that just so happened to be in Jack's general direction(unlikely) its pretty clear what(or who) the compass is pointing at. For most potc fans, this is fairly standard knowledge. But it's what this fact says about Norrington's character that I'd like to focus on. After all, what does it say about a man that a compass that shows you what you desire most is pointing at a pirate, and the very face of piracy at that, instead of your canonical love interest, when you're a Commodore of the Navy? As stated above, Sparrington shippers often point at this scene as proof that James has a bit of a pash on the ruggedly handsome pirate, or at the very least, a thing for men. But from a writer's perspective, this just simply isn't the case, and not because the writer's in this instance are the notoriously homophobic corporation we call Disney. The reason why this is so unlikely from a writing perspective is because given the context clues, we as an audience are meant to draw the conclusion that this is the first time that they meet(I have heard rumors of them meeting as children in the books, but having never read them, and focusing only on the movies, I'm not including that in this post). And since this is the first time they've met, it's highly unlikely that the compass is pointing at Jack because James has a bit of a thing for him. Even if James has heard of Jack's many exploits, he does not truly know the man behind the legend, so having romantic feelings for the pirate at this point in time just isn't believable. And even if James was a closeted gay/bi man, it's still unlikely that the compass would be pointing at Jack of all the men around the Commodore(of which there is a lot, some of whom he is incredibly close with) seeing as Jack is the poster boy of piracy, and at this point in the movie it's made abundantly clear that James vehemently detests the notion and all who practice it. If James were to be holding the compass in Jack's vicinity in later movies and it still pointed at the pirate, an argument could definitely be made that it was because he had developed feelings for Jack, but for their first meeting, it's just not realistic. So it's much more likely that the reason the compass is pointing at Jack is because of James's desire to send every pirate he meets to "a quick drop and a sudden stop" as he so eloquently put it to a young Elizabeth. This is further reinforced in the third movie when it is revealed that Beckett's desire to have Jack dead at his feet would prevent him from using the compass to find Shipwreck Cove if the pirate was not already at the aforementioned location, or, well, dead. This is again, relatively common knowledge. But like I said before, it's what this fact says about James that is the whole point of this post... and that is that James cares more about his career than anything else, even the woman he claims to love. Now for some, that statement alone might seem like a pretty obvious conclusion, but it's how this scene subtlety sets up this core aspect of Norrington's character before we even truly get to know who he is, and how it's brought to it's full height in the second movie, and the core aspect of his redemption and subsequent death in the third that I'd really like to talk about. Which brings us to the next segment of this post...

How James lost his commission to the navy...

And how he got it back

So let's start off with how James lost his commission... it's a story we all know pretty well, and one he tells to Gibbs in the scene shown above, when he plans to either join Jack's crew or get revenge on the man that(he believes) ruined his life. After Jack's escape in the first movie, James grew obsessed with capturing the pirate, so much so that he foolishly followed the Black Pearl into a hurricane, resulting in the sinking of the Dauntless, and the loss of countless lives that had been aboard the vessel. It's unclear aside from James himself who had been on the ship at the time, and who did or did not survive, but the death toll was heavy, with most, if not everyone who wasn't James, having perished in the storm. While it is not the most extreme example(which we'll get too in just a bit), this is a pretty clear example of James prioritizing his career above everything else, even reason and logic. And all just to capture a singular pirate, even at the cost of his own ship and crew, and rather ironically, the very career that he had been so desperately trying to hold onto in the first place. Which brings us to the next scene I'd like to discuss... James stealing the heart of Davy Jones. This moment is the absolute peak of this part of James's character. This is the moment where James takes his obsessive need for his career to the max. This is the moment where James truly prioritizes his career above everything else, even the woman he claims to love(and for Sparrington shippers, above the man he's reluctantly come to care about). At this point in time, when James decides to take the heart for himself to regain his old station, he's been on the Black Pearl long enough to know the full situation. That Jack is in some kind of trouble with Davy Jones, and that if Jack doesn't use the heart to bargain for his freedom, then the Kraken will hunt Jack, and subsequently the Black Pearl, down until he and everyone aboard are dead. And that includes Elizabeth. And yet, despite knowing that stealing the heart would basically mean sealing Elizabeth's death, he still decided to do so. Sure, the argument could be made that he thought Elizabeth would be able to escape somehow, but the chances of her dying at sea, or some other terrible fate befalling her before she could safely make it back to civilization would have been highly likely. Of course we as an audience know that this isn't the case, but James does not. So essentially, James was so obsessed with his career, and maintaining the image of the honorable Commodore that he didn't even truly register that he was putting Elizabeth, the woman he loves and has been trying so desperately to woo for the past two movies, in danger. And he won't fully realize the consequences of his actions until the third movie, in a deleted scene no less(I swear when I find whoever decided to delete some of the most important scenes to James's character...), when Davy Jones informs Governor Swann of his daughters untimely demise on the Black Pearl. Of course, almost immediately afterwards, Beckett retcons that statement by informing the Governor that Elizabeth was recently seen in Singapore, but for a few minutes, James has to sit with the fact that Elizabeth was dead, and it was his fault. And even after learning that she was in fact still alive, James has now finally come to the realization that if she had still been on the Black Pearl when it sank with its Captain, he would've been the one to send her to her death. And for Sparrington shippers, James has to sit with the unavoidable fact that he was the reason Jack had died(even if the pirate does come back), despite the fact that it was Elizabeth's betrayal that was the final nail in Jack's coffin, since she wouldn't have had to do that if the Kraken wasn't after them in the first place. Which brings us to the final scene I'd like to discuss...

James choosing a side, and paying the price

Now, before we fully delve into this scene, I'd like to take a moment to talk about James's own perception of himself, and his relationship with honor and integrity. From the very first scene in which we meet James Norrington, we are made aware that he has a strong moral compass. He firmly believes piracy is evil, and that all who partake in piracy deserve a swift end. He perceives his Commodore persona as being the paragon of honor and integrity, and the sole arbiter of justice. We can infer from the line "By remembering that I serve others, Sparrow, not just myself" that James does have honorable intentions when ridding the world of pirates, that being protecting the innocent citizens under his care, but as seen once again in the first time James and Jack meet, wherein James adamantly tries to arrest Jack despite the fact the fact that pirate had just saved Elizabeth's life, his actions to achieve that goal are not always quite as honorable as his intentions are. This is especially highlighted once again when James gave Beckett the heart of Davy Jones. James's intentions here were once again rooted in honor and integrity - he believes that the only way to keep people safe from pirates is too return to his old station, to the image of honor and integrity he had built around the title of Commodore, and the only way to return to his old station is to give Beckett the heart. But the action itself was far from honorable, seeing as James had to betray the woman he loved just to obtain the heart, and that he was now putting it into the hands of a dangerously unstable individual who planned on using it to commit mass genocide.

And now, we finally get to the scene above... Of course, it's made clear throughout his scenes in the third movie leading up to this one that James is already starting to regret giving Beckett the heart after seeing the damage being caused, but since Beckett is targeting pirates specifically(although we as an audience know that Beckett's definition of pirate is very loose) James figures that the ends justify the means, as he often does in situations regarding piracy. It is not until his reunion with Elizabeth, where he learns that Governor Swann is dead, and that Beckett lied to him about the Governor's whereabouts, that James truly realizes the enormity of his mistake. It is in this moment that James has a sudden realization that fundamentally shakes him to his core, and is the reason behind his change of heart later on. He realizes that the honorable Commodore persona that he had tried to cultivate and keep a hold of for so long had never been truly honorable at all, and that by giving Beckett the heart of Davy Jones, he had effectively tied the noose around the neck of his own honor and integrity, as well as the necks of hundreds, if not thousands of innocent people, with his own hands. And as that one vine goes, this was the moment James knew, he fucked up. Which leads to his decision to change sides in an attempt to redeem himself, and his subsequent death in the process. Of course, part of James's reason for helping Elizabeth escape was that he does care for her, but given everything I've detailed about him so far, I think it's safe to say the main reason that James decided to help Elizabeth and her crew was because he wanted to undo the damage he had done, and he had faith that Elizabeth, Will, and Jack would have some sort of plan to defeat Beckett, and stop any further damage to come from his mistake. And now, for his death scene itself... As much as I love the idea of James surviving and joining the pirates(whether at Elizabeth's side or Jack's is unimportant), I firmly believe that his death was a necessary end of this part of his character arc, and that if he were to survive he would still have to go through a major ego death for this part of his character arc to end properly. Because as Bill turner drives that wooden pike into James's gut, it's not just the physical death of his body, but also the metaphorical death of Admiral James Norrington, and the ideals that James had used to build the persona out of. So even if James survived, the Admiral would still have to meet his metaphorical end, thusly causing James to lose a core part of himself that had been guiding most his decisions so far, in the process, which would start the next part of his character arc, where he would have to deal with the loss of a key part of his personality, and rebuild himself from the ground up to finally, truly become the image of honor and integrity he had envisioned from the beginning.

And that concludes this very long post. I could probably wax enough poetics about this aspect of James's character to write a short novel, but I've said everything important to this post, and if I go on any longer, I'm likely to start repeating myself lol. Thank you for reading, and feel free to share your thoughts in the comments or a reblog! I will always love hearing more about our polished peacock <3

[arkarti]

Genuine question, because I've been struggling HARD on how to nail Afton in my own artstyle - how do you study with yer take of him? I know the sketches n whatnot, which are honestly inspiring to me, and of course studying Matthew Lillard would help - but you have such a specific flow that is incredibly charming to me.

How did you work/study in terms of yer anatomy & facial structure fer yer art? Whether it be Afton studies or yer older pieces like Markiplier! Ya got such a nice flow between 'cartoon' & 'realistic' that is genuinely scratching every part of my brain. /vpos /gen 🙏🏼🧡🧡

that's a good question 😂 if I draw something long enough, someday I'll get an enlightenment what I like + what looks good. the struggle is finding the right amount of details/ lines and keeping it balanced

well for example with Markiplier: my first studies were more realistic and had a lot of detail, which takes more time draw 😩

Went the more simplified route: - less details!!! keeping the lines at a minimum - round nose + face/chin - minimalistic beard - stylized hair (kinda like disney 2D characters)

biggest factor to make it more cartoony/ simpler was that I wanted to do animatics with him, so I had to go the "low poly" design route and make it easy to draw. tried to study what makes the face characteristic for the person. works more or less - sometimes I cannot get it right either :'DD So I said ♪ meet me halfway ♫ and tried to aim for the middle of these styles 😂

Same goes for William - my first drawing of him (for a shitpost animatic, left side) was a bit too complex, so I had to simplify it (right)

GET SIMPLIFIED, IDIOT (affectionate) 🙏

[howtofightwrite]

Speaking of martial competence, do you have any examples of characters that are actually written with this in mind?

Loads. Some actually even make good on that.

So, there's different kinds of martial competence. There are characters who are proficient in combat directly, there are well written strategists, there are characters who excel at military leadership, and when they're written well, you can actuallylearn some things from them.

I'm going to give some examples, and at least one cautionary example.

For, just, raw combat prowess, I still go back to Robert E. Howard's Conan short stories. It's easy to meme on the character, especially 90 years after the fact, with the cultural persona that's grown around him, but Howard's original writing is excellent. The character would not have survived Howard's early (and, frankly, tragic) death if it was just the one note gag you might expect, if your only exposure to the character was through cultural osmosis and the films.

Howard's fight scenes were shockingly well written. To the point that it is still absolutely worth reading if you want to write a fantasy fighter.

For strategists, three characters come to mind, but only two are literary, and all are Science Fiction.

Grand Admiral Thrawn is probably one of the best villains Star Wars has ever produced, it's part of why he's one of the few characters that's migrated from the original EU to the Disney era. My personal take is, as a character, he's lost a lot over the years, but the original incarnation from the early 90s novels is a very solid model for a strategist. Particularly in how he takes time to understand his opponents while looking for potential weak points to exploit.

His practice of studying a culture's art to understand their psychology might sound a bit goofy, but the concept does have a real basis. (At least, until it metastasized into a superpower, in later adaptations of the character.) Being able to psychologically assess your foe is an incredibly valuable element of strategy, and one that you probably want to consider when you're writing a character who is supposed to be a “strategic genius.”

When writing fiction, you want to consider all of your characters as if they were people, rather than as hollow, plastic toys. And, yes, the obnoxious villain who knows exactly what your heroes will do because of authorial fiat is going to be a more compelling character than the ambulatory goldfish villain who exists as a prelude for your heroes showing off how badass you think they are.

Granted, even in Heir to the EmpireThrawn was already drawing strategic insights that strained credibility, but understanding your foe is an element of strategic thinking that is often forgotten in literature. So, even as a villain in a tie-in novel (we're not done with tie-in fiction yet), he is worth looking at. At least when written by Timothy Zhan, Thrawn was a well written character, and even if he bordered on a Mary Sue at times, he escaped a lot of that stigma by justifying his competence.

It's also probably worth mentioning in passing that he's one of the few Imperial leaders in Star Wars who isn't also criminally incompetent.

The non-literary example of a strategist would be John Sheridan from Babylon 5. Unlike Thrawn, Sheridan's main strategic focus is on situational exploitation. A little of that comes from his knowledge of enemy procedures and psychology, but at lot of it comes from a rather ruthless approach to technical limitations. An alien race is using technology that blocks human targeting systems? Set up a nuclear mine and then send out a fake distress single to lure them in. Need to deal with a significantly larger, more dangerous ship? Lure them into a gas giant and and let the planet's gravity well drag them past crush depth. Bruce Boxleitner's performance helped sell the character, but Sheridan is a really solid science fiction strategist, who really exemplifies how technical limitations can have enormous strategic considerations.

I'm not citing Sheridan as an excellent example of a leader per se,it's certainly there, but it is harder to unpack from Boxleitner's performance. It does have some good payoffs much later in the series when he starts making some orders that cause his subordinates to sit up and stop what they're doing. And that is a consistent theme even back to his introduction, but, it's a tangible consequence to an intangible cause.

The last example is a negative example, both for strategy and leadership. And, as much as it pains me to say this, at least Orson Scott Card understood that Ender was a bad leader. At least in the original novel. To be blunt, Ender is a mediocre strategist at best. His highlights in the book involve, “inventing armor,” and creative movement in micrograv. That's setting the bar exceptionally low, and while it is reasonably within the range of what you could expect from a pre-teen, that's not much of a justification.

Again, I'm not a fan of Card, and I'm reallynot recommending Ender's Gameto anyone. However, if I didn't mention it, you know there'd be a reblog going for twelve hundred words about how Andrew Wiggin is the best strategist in literature, which, yeah, no.

Do you want a goofy, tie-in fiction, literary suggestion for the best leader in sci-fi? Too bad, because I'm pretty sure Ciaphas Cain is not that person. The Ciaphas Cain novels by Sandy Mitchell are unusual as leadership recommendations, because of how much Cain internally processes the social manipulation involved in military leadership. He's not a great leader, but he is exceptionallygood at explaining to the reader how he's creating that illusion to motivate the soldiers around him. In fairness, some of that is an intrinsic character flaw, he is incredibly insecure, and desperately trying to hide that fact. And the difference between being a great leader, and effectively creating a comprehensive illusion of a great leader is: There is no difference. As a serious complement, it is one of the few times I've seen an author treat leadership as an actual skill, and not simply an extension of a character's charisma. Which is why I'm singling this one out. It might sound like a joke inclusion initially, and the books are quite funny in a Warhammer 40k kind of way, but there is quite a bit of  value to be had.

-Starke

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[shadowtoons]

Disney mirrorverse gave me an idea, I will create more designs for other characters, did Barnaby first since easy for me to draw.

[nahuelmax]

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For almost 10 years I have had the privilege of working professionally as a 2D animator. I participated in many projects of different styles, and each one of them helped me to get out of my comfort zone and learn (or change) concepts about the industry that until then I wasn't very clear about.

But without a doubt, one of the keys to continue growing as an artist is not to stop studying the classics. When considering this idea, I set myself the challenge of animating characters that I always dreamed of doing (since, for various reasons, the opportunities would be almost impossible).

I share this pencil test of Simba from Disney’s The Lion King (one of my favorites, by far) playing hunter. I admit that it was not easy to draw a four-legged animal (even with reference images). The challenge was to make his performance feel natural and believable. Still, I had a lot of fun in the process. I hope I have captured its essence.

[factual-fantasy]

26 ASKS! :DD THANK YOU! :}} 🥓

I mean, knowing me I'll come back around to it someday. I love Octonauts and tend to loop back around to that show every so often.. Its just that I've had a lot of uncomfortable experiences in the Octonauts fandom. Especially recently..

I don't really wanna go into detail, but I will say that I've encountered more upsetting situations in the Octonauts fandom, than I have in nearly every other fandom combined. Which is rather surprising considering its a kids show. And also unfortunate, since I don't really feel free to have fun in the Octonauts fandom the way I want to..

I'm hoping that at some point I can get my confidence back and find my way around that fandom and have the fun I want. But for now I'm just kind'a keeping my distance and thinking about it. I don't need any extra stress rn-

@unpopularartist14

I use FireAlpaca! :D As for how to draw injuries and bruises.. hmm.. well.. injuries are different from drawing to drawing and hard to explain.. but bruises? aaa how do I explain it--

Well, for character with pale skin. Like Wario and Waluigi.. I find I just airbrush some deep purples and reds in one spot on their face and put some dark purple/red scratches on top.. and how much purple or red you use depends on the freshness/severity of the bruise. If that makes sense..??

Like- Using this post with the Wario "bros" as an example, the bruise on Waluigi's chin/cheek is a muddy purple and has dark purple scratches on it. I feel like using purple makes the bruise look little older and likes its healed some.

Meanwhile on Wario's chin the bruise is pink/red-ish. Making it look "bloody" and fresh. I think so at least--

AGHHG- sorry, I'm not the best at explaining things. I hope you can look to that post as a reference and draw some bruises. I used the airbrush and pencil tool to draw them if that helps! <:D

@untitled-7613 (Comic in question)

Hmm.. my favorite Disney character.. I know that Disney bought Pixar and now owns all the characters. So I'm trying to think of characters that Disney made, not bought.. and I'm having some trouble remembering the older movies..

I think I liked Tarzan! Though I wouldn't say he's my favorite.. hmm.. I like Mufasa from the Lion King and I like the Genie from Aladdin! I also liked John Silver from treasure planet! (That was Disney right?) But idk if I'd say they're my favorite Disney characters.. hmm..

Now, if you're asking what my favorite Disney/Pixar character is? Well that's easy 👇

@tallchest13-blog

XDD Thank you so much! :DD I'm glad you like it! :}}}}

:x I have not seen the welcome home update-- all my info comes from MatPat/his channels. I'm way too lazy to actually go look into any welcome home stuff myself <XDD

ALTHOUGH!- I have heard that Julie has monster paws! :DD No doubt she has them for different reasons than my Julie, but still! it felt like an Apollos dodgeball moment for me! XDD

I'm not sure why you're telling me all this.. but I suppose I'll put in my 2 cents while you're here-

While some of this is true, this sounds like a rather 1 sided view of Alphys' character. I know most of the Undertale characters are beautifully complex and thought out, Alphys included. And I don't think this view is accurate to who she really is.

For example, as far as I remember she wasn't watching anime to "slack off". I'm sure she was severely depressed and extremely overwhelmed with everything going on in her life atm.

I think it would be a good idea for you to watch some character analysis videos on Alphys. Since I don't remember her very clearly, I cannot defend her very well. But I recall seeing a lot of posts/videos in defense of Alphys and explaining why she did the things she did.

Basically, I think its worth your while to actually look into Alphys and give her a chance! Who knows, after gaining some more understanding of her, you might just like her! :}

WAAAHAAG THANK YOU SO MUCH!! THAT MEANS A LOT TO MEEE!!😭💖💖😭💖

And hey, I get where you're coming from about the whole art theft thing. :( That is my biggest struggle being here on Tumblr. The constant art theft is so disheartening. In fact there were several times in the past where I almost threw in the towel and quit Tumblr all together over it.

But what's kept me around is people like you! :D There's some folks out there that really care about what I make. And are excited to see what I make next! The nice comments they leave me and the engagement with my work has really stuck with me. And it's what keeps me coming back! Maybe someday if you decide to take that first step and post some artwork, you'll find a lotta nice folks that make the art theft seem not so bad :}

Also giant watermarks. Giaaant watermarks that are just annoying to look at. That might discourage art theft <XDD

As for Jevil and Grillby.. In my AU, Jevil has this power to create mirrors and jump from timeline to timeline through them.

At some point when it was just him and Seam traveling together, they wound up in this Snowdin at night. Grillby was about to close his bar but he saw these too tired and hungry people so he let them in.

At some point while they were sitting at the counter and talking to Grillby.. Jevil could feel in his soul that this timeline they were in was about to collapse. Killing everyone in it. Jevil reacted on instinct and grabbed Seam and Grillby's arm and pulled the three of them through a mirror. The timeline was destroyed as soon as they disaapered.

What this meant is Jevil had saved Grillby's life!.. But his AU/timeline no longer existed. All of Grillby's friends and family were gone.. his home was gone.. He was now a homeless wandering traveler just like Seam and Jevil.

Deep down, Grillby doesn't really hate Jevil. He just took the grief of it all really hard and blamed it all on Jevil in response. He wished that Jevil hadn't saved him so he could have just died with the rest of his family.. and not have to experience this grief today..

Overtime he gets better.. and he understands that Jevil didn't want for any of this to happen. Eventually they talk about it a little and they end up on better terms. Maybe even becoming true friends someday. :}

@astaherussy (Recent development post on the Wario "bros") (Old Wario "bros" post) (Old King Boo/Boos post)

Thank you so much! I'm glad you like what I've made! :DD As for Wario and Waluigi.. the main changes I'm working on are visual/design changes. In their outfits especially. And I'm thinking of taking away their hats. They looked obviously very similar to Mario and Luigi's..

When it comes to their story, that is also being developed. I think I wanna keep the aspect of the Mario bros getting in some trouble and the Wario "bros" rescue them. Though with recent developments.. I don't know if the whole thing in Shy Guy woods is gonna work out-

In other news, actually no! :0 I wasn't aware that Spidercrab is so liked, but I am very glad to hear that he is! :DD

And a lot of those vibes was what I was going for! Tired, traumatized, has anxiety but is better at hiding it. Though the father figure is unexpected XD but I guess it fits! He's rather introverted and prefers quiet and space. But he is also the crews medic, and boy does he worry and care too much for his own good. He cares too much about them to spend all his time alone. He not only cares about their physical health, but he cares about them as people.

He wants to be there for his crew. He want's to be the first to notice when something is wrong or one of his crew is unwell. So he tries to participate in all their gatherings. Despite how much he'd rather just go read a book in his hammock <XDD

Though, he is still antisocial/awkward.. so there could have been many times he noticed one of the crew seemed off. But he didn't have the guts to talk to them. So he would go and tip off one of the other crew members to check up on them. Stuff like that I imagine is his way of showing he cares. :}

WAHG! I rambled a bit there didn't I? <XD Well I hope it was a fun read at least- as a thanks for taking interest in Spidercrab! It means a lot to me :}}}

Thank you so much!! And indeed he is! I'm so honored that you remembered him! :DD Though he's looking at some major re-designing and a biiiiit of lore re-structuring too <XDD 💔💔

<XD Unfortunately for many reasons I cannot/will not drink any of the things on that list. But! I can drink water! :D

@badlyblurry

<XDD I suppose so, at the very least I'm dipping my toes in and having some fun!

Hmm.. out of all the Mario games I can remember.. I think red shells from Mario kart got on my nerves the most <XDD

That, or this one very specific Zinger from Donkey Kong country. But I get that a DK game might not count XDD

📢📢SHOUT OUT TO YOU SETH!! :DD 📢📢

Thank you!! :DD

@neo-metalscottic

Ahh, I see, thank you for the info! And I'm glad you like my interpretation of them anyways! :DD

And oh yeah, his children's safety is his #1 priority. He's probably getting Kamek to create more Goomba's and rearranging his troops. Setting up a big chunk of them to just be on watch duty around his land. In case the hero's decide to come back..

He's also probably tightening the defenses around his hidden palace. (Where the Koopalings, Kamek, Kammy and the Blue paratroops all live.) Most likely by stationing more troops there and hiding out there himself. He wasn't able to beat the bros but he will still be an obstacle for them if they ever make it to the palace and try to hurt his kids. (Mario and Luigi wouldn't do that most likely but Bowser doesn't really know anything about them at this point- other than the fact they are very powerful and very scary)

I didn't think much about K rool when I made my version of DK. But that guy and his species are intended to exist and be causing problems on DK's island. Though all the details I'm unsure of.. perhaps its what you said, maybe they want the special beets and fruits that the kongs eat? Or maybe they came from another island that didn't have much to eat and now they're here to take over.?? :00

Sorry, I don't take requests! And my ability to draw rn is rather limited anyways... 😅

BUT! May I direct you to this post and point out a detail in the background? Cici only ate the frosting off her cake slice. So Bibi offered his slice so she could scrape off his cake frosting and eat that too XDD What a sweet brother he is :}

@2006-stupid-thatsme

I am not familiar with those sites.. <:0

<XD Mike was kind of a jerk though. Now don't get me wrong, his voice was killer! But I don't think he really changed as a person by the end of the movie.

If they had put him in the second movie he was gonna need a major personality change in order for me to like him <XD

@candyglumboy

I think its alright. :0 And if I have drawn one of the characters? I cant remember doing it <XD

(In relation to this post)

Aw, I'm sorry that you have to deal with all this. It doesn't sound fun that's for sure. :( But thank you for the info! :DD

@littlelightfish

XDD IM GLAD YOU LIKE HIM!! And these are all good questions! Unfortunately I haven't thought much about these things- so let me make some of it up on the fly- <XDD

I imagined he likes to mess with the crew sometimes and pull little pranks. Its all in good fun! Just a bit of goofin off. And he mostly does it to Coco XDD

Now his favorite crew member.. hmm.. I feel like that might be Ellie. Despite her cold exterior, she had a big heart and really does love her crew. Even the butthead that is Tuna <XDD I can see her getting the other crew members to lay off and give Tuna some space. She is known for cooking food to everyone's specific preference, no matter how much longer it takes to make. And she would do the same for Tuna. Cooking what ever he wants, how ever he wants it cooked.

That really means a lot to Tuna.. if he can count on anything, he can count on Ellie to cook a perfect meal just for him.

Now the crew member that understands him the most would be who ever has had similar experiences to him, right..? In that case it might be Pinwheel. Orrr Coco.. maybe Spidercrab..? Ah, I'm gonna need to do some more thinking on that one <XD

The crew member he doesn't feel so comfortable around could be Cuttlefish. She is very mysterious and some would even say untrustworthy. He is probably spooked by her and doesn't fully trust her. Though I'm also experimenting with Tuna having trouble with authority figures. So mayyybe he's less comfortable around Seafoam and Octo..?? :00

Also thank you for your enthusiasm and interest in Tuna! Its the biggest compliment to me/my OCS 🥰🥰

@raccoons-in-a-dumpster

XD Yup! Its me! And thank you! :DD

@beryl-shade

XDD Do they say that? Are there popsicles in the oceans from that game??

I'm not sure.. I'd assume so..? Keep in mind that these character were made from a game that I know next to nothing about-

Maybe? :00

@yeetmysoulintothevoid (Post in question)

No its not a sexual dimorphism thing, its all about stress, exhaustion, health,, etc.

Peach and Daisy have very thin blue markings (like their species is SUPPOSED to have) because they are well fed, well rested, and pampered as princesses.

Wario and Waluigi's blue markings are very large and puffy becuase they eat garbage, get very little to no sleep, and are fighting for their lives on the daily pretty much- if they had a saver living environment and a secure source of food, their eye bag would be much less noticeable-

Now Rosalina's blue marks are noticeable and puffy mostly due to her grief and depression. And partly because she isn't exactly.. aliiive..? Anymore..?? <:D

And yes! Everyone's ears are emotive! :}} Maybe subtly though. They can perk their ears up or droop them down, much more than a human typically can. But they cant do really fine and quick movements to improve their hearing/listen in a certain direction. Like Dogs, cats and rabbits can for example. Its all slow and mostly intentional movements.

Nope, I don't have plans to finish that comic. The writing was horrible and everyone acted super out of character all in the name of angst. 👎👎👎

If anyone wanted to know the ending, Kwazii was gonna patch Barnacle's face and the rest of the crew was gonna show up in the gups. They get him in a gup, take him to the octopod and he gets situated in the sick bay.

Then Kwazii and Peso have this stupid emotional talk about how Peso feels bad for not being there for the captain and blah blah blah. VERY out of character for Peso. The entire point of Peso's character is that he "helps any creature who is hurt or sick, no matter what." There is literally nothing on earth that could have stopped him from helping his own Captain, no, his friend in his time of need. That writing is juuuust so dumb.

Plus Kwazii was a total idiot in that comic- realistically Kwazii would have taken that situation very seriously and would have listened to anything that Peso told him to do. And even if for some reason he was being stupid and continued to approach the Captain, Peso would have stopped him.

And this is even beyond the fact that this whole comic starts with Captain Barnacles doing a series of very stupid and irresponsible things that he would not do. And then a perfect storm of "whoopsies!" happen ever so perfectly to have him wind on that island.

Over all its a veeeeery bad comic. Not my best! 0/10 would NOT draw it again! XD I don't even want to re-write it to make it good. Becuase that whole situation just wouldn't happen from the start.

Although, I am keeping the idea that Barnacles has a very sensitive nose/face. (Due to him being a polar bear with many muscles and nerves in his face) And if he ever got hit in the nose/face? It would be incredibly painful and he would be very disoriented for a time. But the rest of that comic can go down the drain XD

[wisteria-lodge]

Sorting Gaston

Up until now, all the Disney villains in my little project been criminals, loners, weirdos, or some combination of all three. Gaston is notable for being none of those things. He is a popular community leader, extremely Establishment, always surrounded by people. He’s also our first explicitly sexist villain (“It’s not right for a woman to read. Soon she’ll start getting ideas and… thinking.”) Belle is, of course, disgusted by this. And that’s the problem. The question here is why has Belle specifically gotten under Gaston’s skin so badly that he has to marry her… when he probably could’ve married all three of his blonde groupies at the same time. Like... Belle isn’t THAT much more beautiful. 

At first I thought it could be an insecurity thing… but... Gaston isn’t insecure. So I think it’s more ideological than that. Belle is a rebel who mocks and rejects Gaston's idea of an ideal community, and that is incredibly disturbing, and threatening to him. In kind of a twisted way, the best way to deal with this is to marry Belle and you know - slot her into the established system. Bring her in line. Gaston handles “crazy old Maurice” the same way, by getting corrupt authority to throw him in the insane asylum. 

I separated this out from my other, goofier Disney villain sorting, because when talking about Gaston I really wanted to bring up Howard Ashman, the creative force behind the film, who died of AIDS before it was finished. And it’s easy to see some of his experience in the ‘monstrous,’ ‘unlovable,’ shunned Beast, and the rule-breaking “peculiar” Belle who just wants out. Ashman drops lyrics like “We don't like / What we don't understand / In fact it scares us” during Gaston’s villain song, and that’s some pretty real stuff. Andreas Deja, who designed and animated Gaston, is also gay, and I think it’s so interesting that Gaston’s design went from REALLY queer coded at the beginning of production.

To the much *straighter* macho outdoorsman we have today. 

(also I want to throw in this amazing drawing I found on Andreas Deja’s website, where he’s shipping Gaston with another character he designed/animated.) 

But I’m still slotting Gaston into my system here, and for all those reasons - the community, the Establishment - I want to say that he is a Badger primary villain, and goes hard with Badger primary dehumanization in the way he interacts with Maurice and the Beast. He’s also a Lion secondary. Round up the troops, give them a rousing speech, charge in at the head of the forces. “Surprise Wedding” is also a comically Lion secondary beat. It’s actually kind of fun that he is a Badger Lion, since that is typically the Hero sorting. That’s the point of Gaston. He looks good. He looks like the hero at first… and then you think about him for five seconds.  

[ssalballoon]

Wait but how do you draw faces???? ): Do you have more suggestions for that sort of thing?

oh faces! i'm going to assume you're drawing in a semi(?) realistic/ anime-ish style? that's kinda the style i'm familiar with, if you're going for a super 2D graphical style then a lot of my advice won't really apply! i'll put it under the cut

1) I think the most important thing for faces is to always keep in mind the 3D form and planes of the face. Looking at a lot of simplified art (like anime) is a little detrimental for this because it's easy to think the features of the face are just kinda pasted on

Here's a tool from William Nguyen that lets you play around with any angle and light source you desire for heads! It really emphasizes the 3D form and especially the planes of the face. It's helped me out a ton!

Sinix has a video on drawing faces from any angle from imagination (no reference), again focusing on the 3D nature of faces. For individual features of the face (eyes, nose, mouth, etc) he has a playlist of anatomy tutorials!

- I advise against turning to memory and iconography for features of the face (like 👁️ and 👄) Icons like these are useful when the 2D shape is more important for communicating information quickly like in standardized hazard signs. But for more realistic drawing, you want to rely on the 3D form so these simplistic drawings can be jarring in certain styles when in the context of a full human face. This Proko video mentions that you should treat the features of the face like the eye as just another abstract form and not think of it specifically as an "eye" (Proko's channel is also a good general art resource)

2) basic proportions

This is about where specific features of the face are located. I never really studied this on its own, but I think drawing a lot just got me familiar with it. I'm hesitant to link a specific resource here because I didn't really use any myself;; while this isn't as exhaustive as I'd like, I like how Marc Brunet explains it! (Although I'm not a big fan of how he delineates male/female faces and facial features so black and white...? like don't feel obligated to stick to that specific face shape for female characters TTOTT i think it can get pretty redundant compared to the diversity of the male faces he draws)

- Facial proportions change with age! So you should be mindful of it depending on how old the character that you're drawing is

3) expressions

Drawing faces means you're gonna have to draw expressions, even if that expression is a neutral face. I'm admittedly not the best at this, but try pushing the expressions to their extremes to make them more interesting (of course depends on context). 2D disney expressions/concept art accomplish this perfectly and are a good reference to study from (I personally enjoy Shiyoon Kim's concept art!)

- Note how when you cry, the entire face (+body) moves to create that expression. It's not just a tear falling down the cheek, it's the eyebrows furrowing, the muscles around the eyes scrunching in(?), mucus running down the nose, mouth and lips tightening, eyes and nose becoming red, shoulders hunching up, etc.

- as a small aside I want to emphasize the importance of eyebrows because I avoided drawing them/ moving them around more when I started learning to draw, don't do that!! they're crucial for drawing expressions!

4) diversity

Try depicting facial diversity to make a character unique and more interesting!

- semirealism helped me turn away from the hyperstylization of certain anime styles where a lot of these unique features are smoothed away. Things like wrinkles around the brows/eyes/mouth, eye/nose/mouth shape and size, facial bone structure, facial hair, etc really help to individualize a character/ capture their likeness

- also people of different races have different facial features that you should be mindful of. I don't feel knowledgeable enough to give specific advice on this, but if you're unfamiliar with something please use references!!

This can be challenging especially in stylized drawing, since you tend to have to pick and choose what you choose to depict. For example, I find that trying to draw out all the wrinkles of a character, while it may be accurate, it just doesn't fit my style. I therefore have to balance the amount of details to include to achieve a character's likeness. However, stylization also allows you to emphasize those unique features which makes a character more memorable to me!

as another example this is a personal trick i use but i've found drawing the bottom lip helps make a more masculine face, and drawing the top lip as well for a more feminine face...??? idk why this works for me (and it may not work for you!) but yeah try playing around with what details you include/exclude and see what you end up liking!

okie I think that's all I have for faces..? hopefully i'm not missing anything... again I prefer to let actual teachers give specific advice on how to draw, I feel more comfortable talking about general ideas and referring you to better sources that you can learn from first-hand!

also I think in my efforts to explain the key aspects of drawing faces I've kind of made it seem like I follow strict delineated steps... no I truly just wing it every time I draw TTOTT I just think these points are important to keep in mind so that when you amass more knowledge about them you can internalize it to become a habit!

enough yapping from me thank you for your ask! i hope this can be of help to you 🫡💞

[my-plastic-life]

Behind the Scenes: Making Melody

Ah, Melody. The daughter of Ariel and Eric. Ariel, the only princess to have a child (Descendants doesn't count). Since the sequel to The Little Mermaid launched in 2000, I've wanted a Melody doll. To this day I can't believe the Disney Store hasn't made one.

Technically, one was released back in the day. I remember going to Toys R Us to get it, and upon seeing it, put it back on the shelf. Why? Because it looked nothing like my favorite princess's daughter.

A bit scary, right? Her eyes, for one, are brown and they should be blue or at least greenish-blue. And her face overall just gives me an uneasy vibe. I can't explain it, but she just doesn't look right. Even back then I couldn't fork over the money for her. Now, try to find her on eBay, and I swear she's ranged in price from $400-$800. Definitely out of my price range for a sub-par doll. Yes, I'd like to have the clothes, but no way am I forking over that kind of cash for clothes that I'm sure I can have someone make. And while I've come a long way with customizing and could easy change her eye color, it doesn't change the fact that she looks... off.

And thus began my journey of creating my own Melody doll. Again, Disney Store should really make one. A lot of us fans and collectors want one, and we know they have the ability to make smaller dolls because we've gotten Alice, Wendy, and Tinker Bell. Come on Disney Store...

But when a company fails to provide a doll you desire, you do the logical thing - you make your own!

The first step was determining the best candidate to transform into Melody. Obviously I wanted her to have one of the aforementioned Disney Store bodies designed for smaller characters. It would match the Ariel dolls I have, and I'd been eyeing an outfit made for that exact body (Melody's primary outfit, her bloomers).

So the body was simple. Next was the face. Obviously either of the three heads that came with the body would have sufficed. Skin tones were a good match to the Ariel dolls I have, so another easy step. The face, though... Melody is often portrayed as having a very large, toothy grin. I've seen people create Melody dolls using Ariel's face, and while that does make total sense, I felt her smile was a bit too "small" for this girl.

If I wanted to keep the original head with the body, Tinkerbell was out because of her pointed ears. That's one thing I can't fix LOL. Sculpting and drawing are definitely out of my area of expertise.

That left Alice and Wendy:

Great candidates, but their smiles definitely aren't right. Melody rarely had a closed mouth smile, if ever, and while I've seen some people customize these dolls into Melody and other characters and add painted teeth, the original issue still exists - the smile isn't big enough.

And yes, Tinkerbell, of course, has the open mouth smile - but the ears!!! Why?!

Another issue with using a Disney Store doll is the head itself. Disney Store doll heads are significantly harder than Mattel and Azone dolls, meaning it takes extra strength/work to reroot them. I could try dyeing the doll hair or using fabric markers on it, but A) that could possibly stain the doll, and B) I've tried fabric markers before and it makes the hair feel like straw.

I was convinced I'd inevitably have to use Wendy or Alice and have someone else reroot her for me, but then I thought of something else. Mattel has reacquired the rights to make Disney Princess dolls. That, of course, includes Ariel. I've made hybrid dolls before (my Inuyasha dolls combine two or three different dolls into one amazing creation), and I remember seeing the princess dolls when Mattel brought them back - particularly Ariel, who had a large toothy smile.

Plus, because she's Mattel, I know how the mechanics work with swapping heads and that the head is a lot softer and easier to work with in terms of rerooting. So I ordered her, but I wasn't yet sure if she'd work. Would her skin tone match either of the Disney Store bodies? What about the head size - would it be too big or small compared to the Disney Store Ariel? And of course, Mattel = pixelated faces... though I'd be repainting the lips anyway for sure because Melody's lips are a more natural pink shade rather than the bright red Ariel has.

Well, luck was on my side - the Ariel head not only matched the skin tone of the smaller bodies (which were also very close to the Disney Store Ariel), it was actually smaller than the original Wendy and Alice heads! I don't know what's up with that, but what a happy accident!

However, there was still another step. I've put Disney Store heads on Barbie bodies before, but not vice versa. And these are smaller bodies. How would it work? The verdict was a bobble head, but some rubber bands around the neck peg took care of that. I think it completely works!

The next step was the rerooting process. I don't know why it's so satisfying to pull all those little plugs out of a doll head, and then poke new hair right into it. :D Of course, before the poking, I had to use acetone to remove the factory paint on the scalp, then paint back over it with black and seal it. This time I was determined not to use too much hair, as in making it too long. When I rerooted my Azone Kagome, I didn't trim the hair until it was completely rooted, and not only did it make a huge mess, it was very wasteful because of how much I had to trim off to get it to the right length. Melody's hair isn't that long (it seems to hit just past her butt I think), so I felt fine cutting each piece I plugged in half. In the end, that proved to be a good decision because I only had to trim a very small amount to even it out and get the look I wanted. Yay!

Once that was done, I gave her a boil wash, allowed the hair to dry overnight, and then added the special glue inside from The Doll Planet Hair (I also got the hair from them). After that dried overnight, it was time to start on the face. I decided to start at the top and work my way down to lower my chances of messing up something that was finished. So I did the eyebrows first. Melody has significantly thicker eyebrows than Ariel, and of course they're black rather than red. Surprisingly enough, I was able to get them thicker and still even... this coming from the person who spent two hours on eyebrows on a different doll. >.<

Next was the eyes. At first I wasn't sure if I should leave them or not, but in the end I decided they needed to be changed. They were way too blue, and they're really supposed to match Ariel's and Eric's. She is their child, after all. Plus, thanks to Mattel, they were also pixelated. BOOOOO!

Many of the scenes in the movie show Melody as having green eyes, so I started there. But then I thought, I better make sure they match Ariel. So I got an Ariel doll out and used her as a guide. Let me tell you, matching that color was insanely difficult. Too green, too bright, too blue, too dark, etc... Then I kept going back and forth because, again, she seems to have green eyes. But then again, they should match Ariel's eyes. Remember, being a perfectionist can be super exhausting.

I finally had what I thought was a good color, so I used that to help shape the eyes. I kept the original white part of the eye and just painted over what was already there, trying to match the Disney Store style (large portion in the darker color, small ring in the lighter color, and then the pupil). But then, after holding it next to Ariel, I was still dissatisfied with the color (way too bright). I kept looking at Ariel, and then I even saw some other custom dolls with blue eyes and some shots of Melody do depict the eyes as being more blue than green (Ariel, too):

So, after literally a week of just trying to get the best color, I finally got it!!! Victory dance!

Last was the lips. Should be simple, right? I like the color of my Barbie self's lips. They're a natural shade of pink, and I have the combo of paints I used to pull that off saved, so I could just replicate that, right? WRONG! I didn't factor in the original factory paint, which serves as a base coat and affects what goes on top of it, plus this doll has a warmer skin tone than Mini Me, so the color turned out to be super bright and very unnatural-looking. So I did a ton of mixing and modifying the paint recipe until finally I was satisfied with the shade. I had to go over the teeth a couple of times too because A) pixels and B) I went over the white a bit with the lipstick.

Once her face was done, I could start styling her hair. Melody just has a simple ponytail with large bangs like her mom. The hardest part was definitely those bangs. They're not straight or flat bangs, but they have kind of a "poof" to them.

The part was a little off - it should have been more to the side and less to the center. However, I was following the original factory root line, so I didn't really pay attention to where it was. That was my fault lol. I took a few strands of hair and held them out of the way as I tied the rest into a ponytail. To give the bangs their ideal effect, I tied that hair back separately with a hair tie I'd bought that resembles Melody's green one. Then I started pulling them out little by little, hoping to achieve the desired look. This was the first result:

Not bad, but I thought I could make it a little better. I noticed some small bald spots around that area in the scalp (oops), so I added some more hair to those areas to make the bangs a little fuller. I re-tied the bang strands (didn't boil wash the second set of hair because I didn't want to risk messing up the paint and I wanted them to stand up somewhat anyway), manipulated the positioning a bit, and came up with this:

I think that's a little better and gives the desired effect. I may still try to manipulate it some more, but I did put some of my special doll hair spray on it to hold it in place. The ponytail bottom just needed a small curl, and while I tried my curling iron on it, I found it to be better to just curl it by hand and spray it.

The final part was the outfit. I got the outfit from malanedoll on Etsy (she makes gorgeous Disney outfits!) The outfit also came with Melody's symbolic seashell locket.

I know what you're thinking - where the heck is her tail? Well, I can't sew that well (I can make little pillows, relatively decent curtains, and maybe some garden flags, but outfits? Nope lol), and I haven't been able to find a tail that would work with this body in the right color. By next year I might have her tail, but for now, she'll stay in her signature bloomer outfit. That is what she's wearing most of the time, and she did ultimately decide to stay a human in the end. :D

And with that, Melody was complete! Probably not 100% perfect, like most of my creations, but satisfying enough for me! Of course, if Disney Store makes an official Melody doll, I'll buy her - and totally do a comparison LOL. And I do intend to eventually get her that iconic red tail!

Thanks for reading my journey on creating Ariel's daughter! To this day, she's still the only Disney princess to ever become a parent lol.

[frc-ambaradan]

A long time ago in a... well... galaxy full of ducks and mice

Hello there!

How should we celebrate Star Wars Day? Uhm... what about a ride along some italian Disney "parodies" of Star Wars? And I use quotation marks 'cause, it'll probably surprise you but, as of today, there is no real Disney parody of Star Wars.

There are, though, many stories that draw inspiration from some elements of Lucas' saga, starting from "Topolino e la spada di ghiaccio" (1984) amazing fantasy saga by Massimo de Vita that has nothing to do with Star Wars but gives us the first Disney character whose design's been heavily inspired by Darth Vader: the evil Prince of Mists!

The nefarious Prince of Mists from "Topolino e la spada di ghiaccio".

Scattered throughout the years there are many other stories inspired by Star Wars from Silvia Ziche's Topokolossal (1997):

Mickey Skyrunner weilds his legendary catalytic baguette as he faces off Pietro Galactus.

up to "Paperoga eroe dello spazio" (2013) a splendid, touching story by Roberto Gagnor and Claudio Sciarrone that culminates in one of the best plot twists ever on Topolino's pages (this story is the dream of any Galactic Empire fan ❤️).

Easy, Gorgius "heir" to Behlpost's throne... who do you think you are? Luke Skywalker? (Spoiler: you're not).

You may call it Behlpost, but that's Naboo royal palace for sure... with imperial guards as it seems 😁 (or are they forerunners of Operation Cinder sentinels? 🤔).

The only story (well, saga actually) that comes the most close to a real parody is Giorgio Pezzin's "Topolino e i signori della Galassia" (1991) which draws heavily inspiration from Star Wars expecially in the second episode.

The main character of this story is Goofy, who finds out to have inherited special powers from some old relative. Powers that make him the only one able to help the Galactic Confederation in their struggles against robots named "the Metals" led by general Titanio who seeks to eradicate every biological life form from the galaxy.

Jeez, Titanio's soldiers may be robots but their aim is as bad as Stormtroopers'... 🤣🤣

That's definitely the Battle of Hoth.

I know for sure there are also Star Wars inspired stories starring Josè Carioca out there, and McGreals' "May the farce be with you" (2005), but, unfortunately, I never had the chance to read them 'cause they've never been published in Italy.

But today's biggest obstacle to a Star Wars parody is Disney's auto-censorship. Yes, 'cause there's a strict rule at Disney that forbids authors to write parodies of other Disney franchises... so any parody of Star Wars (and Marvel) it's a very loud no-no. Sad :'(

We do know, though, that there are at least three finished legit parodies that never saw the light of day. One by Francesco Artibani that was supposed to be published on Topolino and two made-in-Egmont drawn by Cavazzano and Freccero.

Of the latter we can appreciate a beautiful illustration and a single page thanks to Freccero sharing them online a few years ago:

Alas, unless Disney change their internal directives (and there's no way it's gonna happen anytime soon) we'll never get the chance to see these or any other Star Wars inspired story in the near future.

But we can sure appreciate the older ones and if you wanna indulge yourself in something different today... these are the stories you're looking for ;)

May the Force be with you!

(And LONG LIVE THE EMPIRE!!! 💪)

[galaxygolfergirl]

Some of my favorite Helsa fan arts I’ve done throughout the years (dates are in the alt text).

I’ve been thinking about this ship recently, especially its place in the fandom, and I have some thoughts (read below)

Ever since I was roped into this franchise 10 years ago, I think I’ve almost always drawn Hans with a beard. Primarily, it was because I felt that if he ever did show up again in Frozen media, he would be more weathered and unpretentious about his appearance since dropping his facade in the first film. Also because I just thought he would look better with more facial hair (it’s a me thing).

As for Elsa, I’ve never been consistent in drawing her, as it was hard for me to read her animated model, what with her huge eyes and baby nose, as normal, so that’s evolved over the years to a happy medium where it still reads as Elsa, but also reads as human with normal face proportions.

As to why I’ve shipped helsa all these years? Hans and Elsa are two sides of the same coin to me, the main difference being that one of them succumbed to their worst intentions and desires, while the other freed themselves and learned to embrace love and peace in their life. Both were isolated during their childhoods, resulting in years of loneliness, misery, and bitterness; both try to appear poised and reserved, hiding their inner self-loathing; both are intelligent and cunning, both have a definite aggressive streak, and both have interesting chemistry in their very few scenes together. Hans seems to be the only one on equal footing with Elsa who can get through to her throughout the film, mainly for his own ambition, of course, but it intrigued me to see even all these years later how compelling their interactions are.

Why would he sympathetically plead, “don’t be the monster they fear you are,” and stop her from killing those two guards? If he was planning on killing her, why would he go to her and ask if she could stop the winter? Why does he look shocked, almost sad when she tells him that she can’t, like he’s regretting having to kill her? It’s moments like these that paint these characters with more nuance than meets the eye.

I’ve always thought after the first movie, there was definitely potential for a more nuanced and interesting story if Hans were to return. Not simply for revenge, but rather an “enemy of my enemy is my friend” situation, where Frohana would have to work with Hans somehow to fend off an invading force or adversary, like the Southern Isles, to stick it to his family. He and Elsa would be adversarial, for sure, but through forced cooperation, they could open up and become more vulnerable with one another. The amount of angst and turmoil over their feelings for one another would be doubly engrossing. The drama would be incredible.

Now listen: I don’t really expect any of that to happen. I got off the Helsa or die party bus years ago and I’m just mainly enjoying it as it’s own non-canon concept. Believe me, I would love it if it did happen, god willing and the creek don’t rise. But really, when you get down to it, these are movies marketed at little girls, and I don’t think it would really go that far. It’s not easy to come back from holding a sword over a girl’s head, as quoted by Santino Fontana himself.

I grew up with this fandom, I started all the way back in middle school 10 years ago, and this has been a definite learning experience for me in separating the extrapolated world of fan-fiction and the reality of a pg animated musical. I’ve grown up and my expectations are different, and now I understand that canon doesn’t mean shit. I beg, do not take any of this seriously. Just because it has the Disney trademark slapped on it does not mean it’s the end all be all of a story. Stories are fluid things that adapt and evolve in each of the hands they pass through. No one interpretation of a story or a character or a relationship has to be “the right one,” and not every character has to sit on a black and white scale of moral dichotomy, there are always shades of gray.

I’m not saying all of this to be deep about a ship between a Disney princess and a Disney villain that I got into when I was 13, believe I know it’s not that deep. I’m saying this because I’ve lived through fandom and set myself up with false expectations, only to be disappointed. Hell, I took a break from helsa for a solid 3 years because of how burnt out I was. It’s far too easy to dissociate from the text and treat fanon as canon; you’re just setting yourself up to be disappointed. Just let it be its own thing! Like I said, canon does not mean shit! Don’t take things so seriously! Feel free to tell your own stories!

Anyways, I still love this ship, or at least the version I came up with in my head, because I am a storyteller, and I saw potential in these two that could be realized through other means. It doesn’t matter to me if it’s canon or not. Just enjoy it as it is.