#down with fake pretenders

[moonyinpisces]

the concept of crowley and aziraphale being like vocally pro civil rights of marginalized communities is especially hilarious considering witch burnings were like. canonically happening while they were on earth. neither of them were rushing to lift a finger about THAT one

[arttsuka]

Silly things

Here it is with a fake censor because why not

[the-far-bright-center]

Thanks for going through what makes this trend so awful in detail. It strikes me that it's a such a shame it was The Force Awakens of all things that Hollywood tried to mimic, instead of Mad Max: Fury Road, which came out earlier the same year, and which was a vastly superior film in almost every possible way.

The Force Awakens was, without a doubt, the worst cinema viewing experience of my life. Prior to seeing it, I remember thinking to myself 'if this is even half as good as the Mad Max movie was, then it might be alright'. Fury Road had been a rare example of a nostalgic sequel/reboot done right, and at the time I’d been hoping it would set the stage for things to come. I assumed the worst that could happen was that TFA would just be a cheesy, mindless action romp, but otherwise harmless. Oh sweet summer child, little did I know just how wrong I would be. The moment the opening text scrolled by, I knew something was terribly, unforgivably wrong. Immediately, I felt a sense of disorientation and panic setting in. The entire premise made no sense and was completely out-of-character, and that was even before the movie had started! It only got worse from there, until I stumbled broken-hearted out of the cinema, feeling as though someone had just reached back through time, found my happiest childhood memories and destroyed them before my very eyes. Return of the Jedi was my most-watched movie as a kid. If I had to pick a single film that embodied my childhood, that would be it. And TFA tried to gaslight me and tell me the events of that movie never happened, or if they did, they certainly didn't matter. Han and Leia were my childhood OTP, and TFA tried to gaslight me and tell me they never mattered. Luke Skywalker was my childhood hero, and TFA tried to gaslight me into believing that nothing he did ever mattered. Vader's redemption at the end of RotJ was, by pure chance, the very first Star Wars scene I ever saw as a child, and is forever ingrained in my heart and mind. And once again, TFA tried to tell me it never mattered or had any lasting positive effect whatsoever.

In the immediate aftermath, I felt like Star Wars was lost to me forever. For months I was in despair and afraid that I'd never be able to feel anything positive about it ever again. But I am nothing if not stubborn, and eventually I turned my focus back to Lucas-era Star Wars, and blacklisted and avoided everything about the rest of the fake-sequel movies. Nothing in any further sequel entry could ever 'fix' the damage TFA had done, so there was no point watching any further. It was obvious that Disney never cared one jot about the original story or characters—if they had, they would never have allowed something like TFA to ‘happen’ in the first place.

Since then, it’s become clear to me that we live in strangely cynical and iconoclastic times, in which nostalgic, long-beloved stories stories are mined for profit and then almost gleefully desecrated. One of the prevailing attitudes of this era is that 'subversion' automatically makes something ‘better’. Or, perhaps, more 'realistic', and thus more palatable to contemporary expectations. That all older stories are inherently outdated and ‘need’ to be overturned, even if the story in question was a positive or uplifting one. The fact that it didn't seem to occur to anyone that the original Star Wars saga was never in *need* of 'subversion' in the first place will never cease to astonish me. Disney treated a story that had been complete since 1983 (and in it’s fullest form, since 2005) as if it had been left open-ended (NOT because of any supposed 'flaws' with the original, but only because it’s more lucrative for a story to go on indefinitely) and tried to gaslight us all into believing it had never had a satisfactory or meaningful conclusion. In doing so, they forgot the key to the original films’ success and staying power: Star Wars is meant to function like a myth or a fairytale. It’s not meant to be 'realistic' in its outcome. And in a fairytale, OTPs don’t break up. Heroes don’t abandon their loved ones. And saving someone from the Dark Side is a galaxy-liberating blessing, not a generational curse.

Despite the continued onslaught, there are glimmers of hope. Hollywood may still be enamoured with its endless destructive spin-offs, reboots, and sequels, but at least the popularity of The Force Awakens itself seems to have waned. Of course, as someone who's been swimming against that particular tide from the start, I could just be biased. But I'm also an archivist and art historian by training, and I feel strongly that beautiful, old things can and should be preserved. And in the intervening years since TFA's release, I've focused on preserving the memory of the REAL Skywalker saga: the mythic, transcendent story that I've known and loved my whole life. A story that has already stood the test of time and will continue to do so, long after any unworthy 'additions' fade away into oblivion.

The unfortunate legacy of The Force Awakens and the Star Wars sequels

The fact that The Force Awakens made so much money in 2015 has been a lead weight around Hollywood’s neck for a full decade now. 

We’re *STILL* seeing decades-late sequels that imitate the Star Wars sequels’ WORST elements. 

Specifically:

Make sure your classic character(s) has/have been totally miserable and/or failures since they were last seen. Yes, even though it’s been at LEAST a decade, they should’ve been suffering the whole fucking time.

Erase at least one character’s growth (or sometimes even their base character traits) entirely, resetting them back where they started in their first film (or, alternatively, rendering them unrecognizable). 

Kill off some of those legacy characters ASAP to ensure they have no hope of ever achieving the happy ending you once promised/implied.

Work in obvious repeats of prior movies’ events and scenes so the audience can be like “Oooh, I remember when they said/did that in the other movies,” resulting in them feeling like they’re in on something and are therefore validated.

In fact… maybe just copy/paste the entire plot from an earlier entry? No surprises means MAXIMUM NOSTALGIA.

These things were all present in The Force Awakens and even repeated for The Last Jedi. But they wound up just being pioneers of a shitty trend.

Some examples:

Terminator: Dark Fate

Ghostbusters Afterlife

The Matrix Resurrections

Scream (2022)

Clerks III

The degree of the severity of these things varies, at least. Maybe not every single legacy character has been completely miserable since we last saw them; it might be only some or even just one of them. I’ll also grant Ghostbusters Afterlife that killing off Egon was the only reasonable choice available to them. Situations like these can help soften the blow… and for those reasons, I don’t hate ALL of the movies I just listed. There’s even one or two I kinda like!

But make no mistake: All of the above lessons/tropes are still shitty ones. The legacy of the Star Wars sequels (TFA most specifically) is still a damning one. I honestly believe that ALL the movies I cited would all be better off if they hadn’t taken ANY cues from TFA’s template.

[casualavocados]

Why do you always use that to piss me off? ...It makes me happy. We agreed that I'm in charge of the bars. But you come here all the time to watch me. How am I supposed to lead my people? Use your head, okay? Suit yourself. What's the matter? Chen Yi. Chen Yi! [...] Don't make me worry.

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[drbtinglecannon]

The thing driving me so insane about Loid and Yor communicating so openly is that this is how a couple in an actual relationship would address the problems they're having

She's asking him to rely on her, saying that he doesn't need to put up appearances all the time, that she knows he's capable but she's here to help and wants to, that he doesn't need to be perfect.

They're in a fake marriage. Loid has repeatedly told her she doesn't have to do anything but be around for specific events, but Yor still genuinely took up the role of Anya's mom and has been actively working to be a good mother to her fake husband's daughter this entire time, and now she's gently pushing back on Loid about not helping him either.

They aren't in love yet, or at least aren't aware of any developing feelings, but Yor is still reaching out to Loid in a way that someone in a real committed relationship would to their partner. She doesn't need to!! She's completely in her right to not help him, to not care!! He has given her the explicit permission of it multiple times!! But she cares about him, Anya, and Bond, this little family they've created. She wants him to lean on her like she does on him

[felassan]

remember that wild Dragon Age theme park ride (Dragon Age: Flight of the Wardens), originally located in Dubai until it randomly turned up years later (now also oddly-rebranded as "[Not Dragon Age We Swears It]: The Guardian") in, of all places, Skegness England? well, I had to satisfy my curiosity and obsession with obscure pieces of Dragon Age media & archival thereof. and so - actually quite some time ago now - I finally got around to going on a pilgrimage there (which was this whole, like.. heinous harrowing in and of itself, that I will not go into), and I rode it

and to my surprise the original Dragon Age in-ride movie is still part of the ride experience! - complete with references to darkspawn, a Pride demon, dragons, green "rifts", Discount Anders (a Grey Warden[?] mage called 'Eldron'), Discount Yavanna (a Witch of the Wilds called 'Alexia') and Dragon Age: Inquisition soundtrack music. there is also now a new pre-ride movie which replaces the old Dragon Age pre-ride movie as part of the ride's rebranding, and i simply ?¿?

there are also still quite a lot of identifiable Dragon Age props in the fantasy-themed queue-area of the ride (so these must have been part of the whole purchase between parks), including multiple iconic Inquisitor helmets, Grey Warden shields, a Dragon Age dragon (now with DA-dragon identifiable horns.. sawn off??), and several Dragon Age banners, including the Inquisition hairy eyeball, the templar symbol and the Circle symbol. here's some pictures.

[^this image is taken from the video linked below]

I also captured the new pre-ride movie, and you can see it along with the Dragon Age in-ride movie here ⬇️. and so now, with this epilogue to the.. most odyssey of all time, more than two years after the first message about the ride was ever sent to Ghil Dirthalen, this adventure in obscurity and the strange fever-dream meta story of the Dragon Age: Flight of the Wardens era in Dragon Age history is finally complete.

Ghil Dirthalen: The Guardian??? {Overview. - Spoilers All}

[video source & link: Ghil Dirthalen, posted here w/ permission]

some further notes, thoughts and commentary under the cut -

there's a few seconds missing from this capture of the in-ride movie. for the sake of the curious and completion: in them, you're still in the fort and you see lots of 'Wardens' walking and milling around.

a camera in the ride takes two photos of the riders during the ride, which are displayed on a screen on the way out. you can choose to buy these from the Fantasy Island merchandise store. you know those photos of people on log flume rides? it's like those, only of the four riders in a row in the seats. the photos have Fantasy Island branding on them and fire along the bottom, then in two corners there's a bit of a dragon's head and that's about it. the ride photo is the only Guardian-specific merch available at the park.

some of the queue area props appear to be from random other places. like there was a barrel which had something like "1850 distillery" written on it, which is obviously temporally/thematically and universe-ly out of place (not that that's at all unreasonable given the rest of the rideworld lore, there's totally a way it could have gotten there easily hh, see below), and I guess it's a spare or leftover prop from a Western-themed ride or something? others were generic sword'n'sorcery fantasy props (some of these are from the ride's previous life in Dubai though). there are also some pretty random props, like a dead stuffed roe deer's head on the wall and a.. comically large spoon.

there's music playing in the queue area, but it's not DA music, it's generic ye olde fantasy world music.

some folks there mistakenly thought that the long themed lead-up (it was pretty darn long) queue area with the props was the entrance to or start of something completely different, like a haunted house or maze type thing, or was the ride 'experience' in and of itself.

the ride attendant gives you the option of watching the new pre-ride movie or not. I guess they get sick of putting it on and listening to it 9000 times a day (valid), and also cutting it out reduces queue times as it's about five minutes long. it's screened in a little enclosed room at the end of the queue area. you go in and sit down, they show it to you, then you go through another door to the chair machine.

the in-ride movie is blurry and poor quality. I heard someone else who rode it say that it was so blurry that they had no idea what was going on hhh

Now about the new pre-ride movie. first of all, here's the transcript.

Pre-ride movie transcript "Welcome, my friends, to the gates of our kingdom, and the start of your adventure. I know your journey has been a long and arduous climb to get here, but we are grateful that you are the ones that have stepped forward to help us in our quest. I should probably start at the beginning. My name is King Aethelswyth [sp?] and I am the ruler of Elvia [sp?] - at least, what's left of it. You see, six months ago, our world was invaded by giant demons and creatures from another dimension, which now plunder our lands, and continue to destroy our kingdom piece by piece. They came, through a time-rift, from another world, leaving much destruction in their wake. Ever since they came, our people have defended as best they are able, but, we were once a peaceful race, and sadly no match for the giant demons and dragons. Luckily, a few days ago, help arrived. They came through the rift, human in form but with incredible powers, and the ability to not only fly but transform into dragon-like creatures. That's where you all come in. You see, not only have they brought hope to our lands, but also gifted us with technology, the likes of which we have never seen before. This communication device for example - it enables us to talk to each other from great distances without being in the same room. And there is something else, and the reason why you are here. They provided us with plans to create our own machine, which as we speak is being prepared for your mission. I should explain. The machine, although made of metal and advanced technologies we can't even begin to understand, requires biological matter to function; a very specific amount of oxygen, carbon, hydrogen, nitrogen and calcium, all of which you are made from my friends. Once you are connected to the machine, you will be lifted into the portal and instantly dropped into the outer world. You'll be able to fight alongside the guardians and help close the rift once and for all. I won't lie. The mission will be dangerous, but with your help, we can defeat the giant demons, close the rift and save the kingdom. Hahahaha! [dragon roars] Ah, do not be afraid! This is Mia [sp?], one of the dragon guardians. She will help you on your quest and guide you to the rift. There it will be up to you to find a way to close it. My friends, it is almost time for you to enter the machine, and become the guardians! [inaudible] a safe journey. Save Elvia, become the heroes you're destined to be! The gates will open momentarily, as soon as the machine is ready for you. Good luck my friends, and I'll see you on the other side!"

in the linked video, the start of the new pre-ride movie isn't included in full at normal speed as it seemed to be a compilation of whatever random fantasy-themed stock footage the video creator could find, stitched together. but again for the curious and the sake of completion: it starts out panning randomly around SPACE, like at the solar system and of planets and at the Milky Way. for a sec I wondered if it was made up of random old Mass Effect assets. then it shows dragons (FROM SPACE) invading an Earth-like planet where I suppose the Ferelden-y kindgom (formerly called "Noathen", now called "Elvia" or something) setting in the rideworld is now supposed to be set. these invading dragons invade either from space or.. another dimension?? or maybe from the future or both?? [see below], entering through a big green rift. (and they still have the green coloring for the rifts and call it/them "rifts" like in DA, which was honestly so funny to me for some reason). the whole panning in from space start to the movie reminded me a lot of the Easter eggs in the DA and ME games that, while they're just Easter eggs for fun and I don't subscribe to this theory myself (as DA is its own great, self-contained thing), could light-heartedly imply that the planet with Thedas on it is a planet in the MEverse (like the krogan head in the Winter Palace in DAI or the ogre in that ME dlc).

in the pre-ride movie, the kingdom of "Elvia" might have actually been called "Albion", which is the earliest-known name for the island of Britain. (it was hard to make out exactly what the king was saying there) the new pre-ride movie seems like it was made in England and ofc thats a common fantasy setting, so I could see it, especially since the king character's name was something like Aethylswyth, which sounded very "Old English". for me personally, if it was "Albion", it adds fuel to the fire of Caitie's cracktheory/"trying to make this fit"-headcanon for the ride story/lore (see Caitie's original video on the ride's previous life for this), that it's set somewhere obscure and backwatery in Ferelden, which is kinda England- or Britain-inspired. (dont take these thoughts or other thoughts in this post about the lore/canon etc too srsly pls hh, it's just crack for fun and I know tis just an off-brand themepark ride)

on the whole the new pre-ride movie is pretty random. there's a giant in it, but it doesn't look like a DAI giant. (is it his big spoon??) it shows a fortress in part of it which looks a bit like Skyhold if you squint, with the long bridge approaching it as the entrance. at one point one of the dragons that pops up is a dragon designed more in the style of a dragon as they are sometimes depicted in, for example, Chinese mythology and folklore. the "communication device" the king described had me rolling, it's exactly like a Dragon Age Skype Crystal or a working set of eluvians from Thedas.. I wondered if the video creator was inspired some by DAI promo images and took cues from the Inquisitor's green hand/the Anchor, since the king has a green glowing thing on (or in?) his chest. and when the king started listing the elements humans are made of, I was reminded of Fullmetal Alchemist.

also, "through a time rift".. I mean technically Dorian's involvement in DAI DOES show green space-time magic right? Where is this other dimension? ofc I know it's not literally Dragon Age, but it's funny to think about and to try and make it "fit" skhskdhfjhe. is it the Fade? the Void? from somewhere in-between like Tevinter Nights implies exists? or is it the dimension which has Thedas's mundane world itself in it - like maybe the dragons are invading this poor guy's kingdom dimension from Thedas? if so what tf is going on in Thedas?? did Solas' explosion at the Conclave ripple through spacetime and rip holes in the fabrics of other worlds as well - like is Solas out here accidentally causing interdimensional Space Dragon invasions? like, theoretically.. the new pre-ride move does reference the in-ride movie, and in turn the in-ride movie is still Dragon Age (!), so technically the new pre-ride movie IS.. kind of.. weirdly.. canon.

((the pre-ride movie references an "outerworld", implying that even in THAT dimension there's an outer world and an inner world, definitely more than one at least. and back on the dimensions thing, I'm not clear - are the dragons coming from Thedas dimension? or are they coming to Thedas dimension? "they came through the rift, human in form but with powers, the ability to fly [that's Eldron] and the ability to transform into dragon-like creatures [that's Alexia]" implies that the dimension on the other side of the rift - if the helpers came through the same rift as the invading dragons - is Thedas, because that's Eldron and Alexia from the Dragon Age in-ride movie being referred to, and Noathen where they're from is in Thedas somewhere. so some Thedosians have travelled to another world to save it?? Dragons are escaping out of Thedas? but.. from space? but also - the narration is telling us that Eldron and Alexia and the other Guardians brought with them from where they came from, as a gift, incredible advanced technology that the people of Elvia have never seen before. he then gives the example of "this communication device" which could be read meta-ly as meaning the television screen, and of plans to build a machine made of metal and advanced technology (meaning the ride machine you go sit on, which is a themepark machine irl obviously and in the 'world' of the ride, some kind of flying machine). so like.. are Eldron and Alexia from Future Thedas (think Avatar Aang/Korra, when by Korra's time there's like lots more machinery and a more modern feel), a Thedas which has advanced complex machines like idk, AEROPLANES? is that what they mean by "time-rift"? because they specifically did say "time". is that to try and explain the modern machinery? does that mean the invading dragons also came from the future, not just from space or another dimension? the other option: Eldron and Alexia came from alternate universe Thedas, which has more modern technology in it. but Thedosians Time-Travelling From The Future And Also Space And Another Dimension is so funny to me so lets go with that. my headcanon is that on the way to Elvia they also timetravelled through a Westernthemed time period and thats why theres a recent-modern period whisky barrel)).

in the ride's previous life, the explanatory hook was that Eldron made you a special harness or saddle thing with which to ride a dragon, which was what the ride machine was simulating. however now, the hook to explain the machine is that it's a gift of advanced technology powered by carbon, hydrogen, organic matter (Big Oil lmao?) etc. (I enjoyed that this explanatory hook got wackier between eras of the ride's life, much like the whole meta story of this piece of media itself. it was already weird because riding dragons isn't really part of DA. though I don't understand meta-ly speaking this convoluted explanation for the machine. dragon-riding isn't an identifiable or key part of the Dragon Age franchise, so they could have kept the idea that you're sitting on a dragon's back and flying around on that in instead of having this wacky explanation about a flying machine gifted from magical strangers from Back To The Future and it would have been fine. I love it though bc its so absurd)

And Tiny Dragon Alexia from the original ride experience is kinda referenced (unintentionally?) when the king introduces the dragon "Guardian" "Mia", as when she comes on-screen her size or scaling looks small/kinda off, so maybe Tiny Dragon lives on. so now we have Tiny Dragon Alexia, Tiny Dragon Mia, and Tiny Dragon queue prop. it's a Tiny Dragon Conference.

and like I just have so many questions. in her original video on the ride, Ghil Dirthalen wondered at length where in Ferelden/Thedas Noathen could be. where is Elvia? why does the pov of the pre-ride movie proceed downstairs into the room where the king is - like why does the king have his throne in a basement? is he in an underground bunker for safety because of the Space Dragon invasion? why does he say we "climbed" up when we have just gone down into his dungeon? why is the tiny dragon introduced as "Mia" when the tiny dragon witch lady in the in-ride movie is called "Alexia"? does the king's green glowing chest thing work like the Anchor - does he have a chest Anchor.. a Chanchor? where did they get Discount Gandalf from the queue area and why is he exactly like the Ghil Dirthalen Stock Theatre Wizards in her original video? why did they change the kingdom's name from "Noathen" to "Elvia" in the pre-ride movie when "Noathen" was already non-existent in Dragon Age lore? why did they scrub Dragon Age from or avoid Dragon Age in the pre-ride movie but leave the whole Dragon Age in-ride movie intact? are the "Guardians" Discount Grey Wardens? is the king's whole schpeel secretly an evil plot so he that can use our bodies for like necromancy-alchemy? why does the ride run on your flesh and are we about to be sacrificed in a blood magic ritual? do we end up like the husks in Mass Effect after our organic forms are broken down into compounds to fuel the King of Elvia's flying anti-dragon defense tank? is the actor of the king a park staffer who is into larping, or someone's fun nerd uncle who likes DnD? does Caitie not in fact agree that I am very handsome and smart, indeed the World's Most Interesting Guy? 😤 why go to the trouble of sawing off the dragon's DA-dragon horns when the in-ride movie is still Dragon Age?? why are the dragons invading from space anyway like what do they want??? how can I obtain the king actor guy's autograph? where are EA's lawyers? and why is there a giant spoon?

[ruanbaijie]

再晚就来不及把你忘记，这荒凉的世界即将没有你 逃不出注定分离的游戏，这荒唐的命运只有你愿意 陪我，等一场雪，等繁星满天，让这一刹那间，抵过一万光年 你在另一边快要消失不见，请别再倒数时间，我怕我会不顾一切 I will never let you go, 想回到世界的尽头 you will be always in my eyes, 直到模糊了黑夜白昼

a little later and I won't be in time to forget you, you will soon be gone from this desolate world unable to escape from this game where we're destined to be separated, in this absurd fate you are the only one who is willing to accompany me to wait for the snow, to wait for the star-filled sky, to let this fleeting moment surpass thousands of light years on the other side, you are about to disappear, please don't rewind time again, for I'm afraid I will do anything regardless of the cost I will never let you go, wishing to return to the end of the world you will always be in my eyes, until day and night are blurred

THE SPIREALM 致命游戏 (2024) 1.77 adapted from the danmei novel Kaleidoscope of Death 死亡万花筒 by Xi Zi Xu 西子绪

[fear-no-mort]

thinkign about how alone and unloved morty was for all his life and rick was the first time anyobdy ever put such an amount of intense attention and dependency onto him . and rick had a whole new family and losing them made him stop seeing the value in other people as a whole and morty was the one and first thing that woke him up

[lucky-clover-gazette]

just spent three hours verbally outlining a revised star wars sequel trilogy with several nerd friends and i love our version of ben solo that doesn’t exist

[komsomolka]

i realized that i dig katya/ivan post canon under conditions that he hates her with the power of thousands suns due to katya's testimony being a catalyst for mitya's sentence on top of his personal grievances. at the same time her fake indifference turns into wild obsession to have him. katya truly believes that she can force ivan to love her again if he's stick with her long enough. katya will cook some crazy plan how they NEED to get married to rescue mitya from jail or some other equally unhinged way to marriage trap her beloved. ivan's existential crisis cured by having to constantly deal with his evil wife's manipulative lovesick antics because he literally doesn't have time left to think about anything else😁

[fazgoo-connoiseur-1987]

more of this courtesy of another conversation with @melanodis

[total-drama-brainrot]

What if Geoff wasn't the nice, chill surfer party dude who had no problems with anyone and was friends with everyone?

No, nobody can be that nice. No teenager can be that okay with every person in the camp. No, Geoff hid it. It was a common tactic he used to get people not constantly pissed at him before (it was just annoying). Pretending to be this dumb party dude fooled everyone into believing he was that because why would you ever question HIS motives? He's just a dumb party dude!

But pretending was so, so hard. You see, he had to pretend he liked these people.

Too hard.

And one day, he slipped up.

Interesting. So Geoff's friendly demeanour and sufer boy energy is all, what, a ruse he uses to portray himself as less of a threat in the competition?

It would be an effective game plan; Geoff makes it pretty far into the game in Island, and a lot of his survivability stems from his social strengths and the fact that he's not really seen as a threat in the competition - he's a lot like Owen in that regard, just less intense with his friendliness. You could have Geoff intentionally imitate a lot of Owen's mannerisms after he notices how generally liked (or at least tolerated) he is, and it'd explain their similarities quite nicely.

It does make me wonder what Geoff would be like underneath his act. Your ask implies that he's, if not entirely misanthropic, then a lot less easygoing and amicable as he's shown to be in canon. Someone easily annoyed by others, who perhaps doesn't really have the patience to deal with a lot of the shenannagins that happen on the show, even if he pretends he does... and even if his whole game plan revolves around maintaining that misconception.

That's not to say that he isn't the Geoff we all know and love from canon. He's still the same person, he's just... not as benign. At least not internally.

You could take inspiration for this Geoff from his portrayal in Action, or maybe even his vindicitiveness from World Tour (against Blaineley, just make that energy universal) to base a lot of his real character on; a Geoff who isn't exactly antagonistic, but has a mean streak and a tendancy to hold grudges. And, of course, he'd keep the same natural charisma canon Geoff has, even if his "himbo charm" is fake.

Then it's just a case of replacing his usual good-natured aloofness with cool apathy, or even a spiteful disrgard of others, and you've got yourself the perfect canvas for a wolf in sheep's clothing.

And he's also got his friendships with the Bass boys - Harold excluded, of course - which, considering Duncan's influence, would be a nice outlet for his less sociable tendencies. A way to let loose without having to expose himself as less good-natured than he lets on.

Bringing it back to Owen, and their shared similarities: Geoff could esaily attach himself to Owen post merge, similarly to how Heather attaches herself to Lindsay, as not only a social buffer (though Geoff doesn't really need one, unlike Heather) but as a sort of pawn in the competition. The "boy's alliance" would be the perfect time to have Geoff try to integrate Owen into his social circle, which is pretty much what happens in canon anyway.

Keeping Owen as close as possible is the most strategically sound move on Geoff's part. The closer he is to Owen, the easier it is to cherry pick what aspects of Owen's personality he's going to imitate. He's also got himself at least one secured vote (in theory, since Owen's known to be easily swayed).

The issue with this?

Geoff finds Owen almost unbearable to be around.

Which is ironic, given that he's conciously and intentionally trying to be as Owen-like as possible, but it's true. He can't understand how anyone can be as unconditionally and authentically cordial as Owen is, and it pisses him off. He has a hard enough time acting friendly and warm around people he doesn't like, but when it comes to doing the same with someone he actively despises?

It's enough to wear his already thin patience down until it snaps.

[triglycercule]

sometimes i like to think that horror comes to dust's room late at night just to talk to phantom papyrus. no he doesn't wanna talk to dust. horror probably doesn't even CARE if dust's awake at the asscrack of dawn or rambling off to the hallucination too loudly this late at night because he just wants to talk to phantom papyrus

horror's not delusional enough to believe that phantom paps is actually real and his own papyrus like dust does but sometimes he really wants to,,,, so just for these short moments between them he wants to pretend that the hallucination is his papyrus. that he gets to talk to his own brother before everything went to shit and before he ruined his brother's life. yeah sure phantom paps kinda says some crazy stuff that horror's papyrus never would back then but so what?? dust's papyrus is the closest thing he's got and at least he doesn't have to deal with the guilt at even LOOKING at his brother's face (the sunken eyesockets,,,, the uneven teeth,,,,, yeah no) because there's nothing there. horror doesn't have to do anything but keep his back turned to dust and just talk to papyrus through him

they both keep their backs turned to eachother when they do this because neither of them can stand looking at eachother. dust especially because hearing horror sound so much like how he was before. horror sounds so lighthearted and relaxed and just,,,,, normal that it almost reminds dust of himself. maybe if he closed his eyes and tuned out his own voice he could just imagine the moment being a conversation between himself and paps back then before he had to kill him over and over. dust doesn't want to have to look back and see horror's mutilated skull and his permanently replaced eye. he doesn't want the fake scenario he's choosing to indulge in right now to be broken

and then i think they talk like that for a long time; because horror has a lot to say to paps about himself and what he regrets and dust has a lot of reminiscing to do on the good old days before he lost himself :3

[chiyana]

Bruce: now, for the last part of this meeting

Dick, Jason, Tim, Stephanie, Damian, Cass, and Duke: ?

Bruce: -turns around to bring up a power point presentation, the title card of which just reads 'Please Be Normal About Tim'-

Bruce: -turns back around-

Bruce: ...Tim why are you the only one still here

Tim: I just like power point presentations

[melonisopod]

Drives me insane to think how easily you could make a Zwei Gregor x Reader fake-dating scenario.

[la0hu]

not to get earnest but kamala's campaign is going to make all the exact same mistakes that hillary did in 2016 re: not appealing to swing states which is, unfortunately, the name of the game. the game being the electoral college