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meimi-haneoka · 2 years ago

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"With hindsight" Part 2 - a Yuna D. Kaito retrospective/analysis

Welcome to the second part of my retrospective on Yuna D. Kaito!

I remind you this is just a collection of scenes about Kaito from the whole story that I will be revisiting with the hindsight that Chapter 70 finally gave us. I'll try to give what I think is the right interpretation, but of course these are just my thoughts on the matter.

Continuing from Part 1, here we get into the heart of the story, while we find out more and more hints for Kaito's plan...but also hints for what's really in his heart.

My main goal with these posts is showing that the recent development didn't come out of the left field but there were actually subtle (or less subtle, but misunderstood due to prejudice) hints for it all along.

In this particular post, at some point, there'll be talk about heavy subjects related to life and death. The paragraph will have a warning beforehand, just to be sure, and you can skip to the next section if you want.

"The greatest magic artifact...Akiho-san herself" - Volume 6

After the huge event of the first time-rewind happening just merely a couple of chapters earlier, the end of volume 6 brings another earth-shaking revelation, along with many more important info.

First of all, since he completely dropped his "mask", we're shown for the first time how Kaito is immediately aware when Sakura creates a new Card. But that also confirms that he didn't meddle with those events, not in the beginning at least.

As I said previously, Kaito is someone who tends to act and intervene only at the last minute, when he cannot really avoid it anymore.

Even though the Card created by Sakura was so pivotal to the success of his plan, he really didn't intend to make her produce it by force. He still had time, so he hoped she would create it on her own without needing to resort to harsh methods. Another indication that he really wasn't keen on hurting Sakura at any moment of this plan. He was just standing there, going "oh!" when he could sense a vibration in the magic that suggested that Sakura's powers went out of control again, and soon another Card would be born. He just had to wait for the right one. A game of patience. Definitely a challenge for someone like him, used to obtain everything immediately, thanks to his magic.

We also get the first mentions about his plan: we acknowledge that he indeed needs a Card created by Sakura in particular, but that any of those new created ones will still be very useful to his goal (almost all the Cards in fact acted as "characters" for the story he prepared in Clockland).

We're informed that Momo is the guardian of the Book Akiho holds so dear, and that Kaito is trying to make that Book work to activate a forbidden spell.

Indeed, as we well know from chapter 70, everything went exactly as he wished for: they went inside the Book, he created the Clockland story using his memories and those of Akiho + Sakura in order to turn them sisters later on, the transparent Card he wanted was produced at the very last moment and he "piggybacked" Sakura's wish to exchange roles with Akiho to make an exchange himself.

But the biggest revelation (and one of the biggest misunderstandings) is that Kaito mentions "that's why I never returned it....the greatest artifact created by the Magic Association and that Clan...Akiho-san herself".

After this page, all the red flags and sirens probably went off in everyone's head, "omg he abducted her", "he wants to use her", "he's deceiving her"...but....to be honest, seeing the chapter with the first part of Akiho's past, and seeing how unhappy she was, we should've wondered immediately if that wasn't for the best.

Because it was.

He literally saved her life by never returning her to her clan.

Still, the sense of distrust in Kaito after this scene here (powered by that seemingly manic smile) persisted for long, long time in the fandom. And that was exactly what CLAMP planned us to feel like. Or rather, they wanted to see if we'd be able to get rid of this feeling the more the story went on.

Time magic at the behest of the Association - vol. 7

Just want to point out this small detail here - it tends to be forgotten, but Kaito didn't learn time magic when he decided to escort Akiho around the world, nor was given that ability by Momo.

He already knew how to work it, and has been using that dangerous type of magic ever since he was a kid, at the orders of the Association. Eriol obtained that information during his research.

This connects to chapter 70 because it made sense for them to impose a spell like the Seal of D on Kaito.

They knew he could use time magic, they knew he had no qualms in using it, and therefore that made him all the more dangerous to escort such a precious magic artifact in their eyes.

But most of all, this scene here confirms how Kaito himself was used and abused by the Association, in a similar way to what happened to Akiho. Scared of the terrible side effects, they ordered an emotionally stunted boy to use that magic on their behalf, well aware that it would've shaved off his life span. He didn't know any better, had a bleak existence because of how he grew up, he didn't have desires, so he couldn't really muster a will to refuse the orders.

"The boy didn't understand what was fun in that" - Volume 7

When talking about Kaito's past, CLAMP keep telling us "he didn't care for anyone, he didn't know what was fun in doing something with someone...spending time with them".

It's something they keep hammering because it's very indicative of how Kaito changed profoundly thanks to Akiho.

Now he experienced what's good in doing something for someone (not only all the things he did for her as her attendant, but also the very plan he set into motion, the sense of accomplishment we see in his final smile in chapter 70 comes directly from that), he experienced how good it can feel to spend time with someone (there's no doubt he loved spending time with Akiho, otherwise when given the chance - the time rewind at the date later on - he would've avoided it).

The only problem is.....he hasn't understood why yet. What really makes the difference here. Or rather, he stubbornly refused to acknowledge it till the end. And that stubborn ignorance led him to go on with his plan, thinking he was doing something good, oblivious to the effect this will have on Akiho later on when she'll find out what happened. That's why Momo cried "blockhead!!" in rage before he disappeared in chapter 70.

"Happy ending for whom?" - Vol. 7

And here we get HUGE, huge hints for what was coming up in the future.

Kaito was exhausted (Momo checks on him with a worried face) and fell asleep on a sofa, dreaming of his past and the moment that changed his life forever. The moment when the Association decided to tell him that they had just executed a magic ritual on the girl that he had certified as "magicless, like a blank book" long time before, in order to turn her into a magic artifact. Not "any girl", but the daughter of the only person who treated him with humanity for the little time they interacted with eachother.

If he was still dreaming of it now, years later, it meant that the event scarred his heart in a way that he didn't even fully understand himself. And we'll get confirmation of this only in chapter 60, 29 chapters after this one.

Kaito mentions that his dream looked "like a picture book", and Momo poses a clever question: "Does it look like this book will have a happy ending?".

We all took this question as figurative back then. But to imagine she actually was meaning it in a literal way, that we would really witness the characters becoming protagonists of a story set up by him! Again another hint under our noses.

Kaito confidently replies "It will (I'll make sure of it)", but that's when Momo (oh, I love her so much) comes with another sharper question that hits the bull's eye fully: "And that...will be a happy ending for whom, exactly?". My gosh. I don't know how Kaito didn't start second guessing after a question like that.

Because it's true, even though this might be the happy ending he imagined for Akiho (at his own expense, but he didn't care), it didn't even occur to him that this might not have been what she wanted at all. It didn't occur to him because of the complex feelings that his sense of disgust for himself and his guilt for what he had done to her were stirring in him. But we'll find out more about that later.

"She's really loved...by all the people involved with her" - vol. 7

Man, you can really feel we're halfway through the story, because in volume 7 are starting to surface a series of hints that become more and more specific to the revelation of Kaito's plan.

Kaito and Momo had just sensed that Ruby Moon and Spinel Sun came to Japan on behalf of Eriol, and Kaito knows very well that Eriol is venturing in scheming that far for his dear Sakura's sake.

And then....Kaito becomes sad? melancholic? for one moment...with a quite painful expression.

"She's really loved...by all the people involved with her"

This expression here kept me (and I'm sure not only me) wondering for long, long time. Years. It's apparent he's feeling a pang of sadness because Sakura's blessing with people who love and care for her wasn't granted on Akiho as well. But was he only feeling sad for Akiho? And what exactly that expression represented, was there envy for it? Longing?

Did he resent Sakura for the blessing of a loving entourage?

Now we know he really didn't. Of course the idea that CLAMP wanted to instill in our heads was that Kaito wanted to exchange the girls and felt envy/resentment towards Sakura, for the countless, shameless luck and privileges she was blessed with. I had fallen for that interpretation too for some time, because it kinda made sense. Seeing his past, his background, his upbringing...and the fact that Sakura was basically a stranger to him.

And Momo's further comment that Akiho loved Sakura too, with the subsequent silence from Kaito, was really staged by CLAMP in a way that could suggest Kaito was having second thoughts about his plan, because if he hurted Sakura, Akiho would've been sad.

But now it doesn't really seem like that was the case anymore. We know he never intended to hurt Sakura, nor exchanging them, from the very beginning.

I think here his storming feelings are originating not only from Akiho's situation, but also from his own need to be loved. A need that was naturally born in him along the years, but could not find its way to be acknowledged and expressed properly. And Momo mentioning that Akiho loved Sakura as a friend only contributed to make him feel even more alone, outside that "circle" of people loving eachother. He's excluded from this, because in his head he won't ever have someone who loves him. He's a bad person with a locking seal imposed on him that will swallow him whole at the end of this journey. Which is why...

"Because it's about you, Akiho-san" - Vol. 7

...when Kaito nonchalantly blurts out "Because it's about you, Akiho-san" in response to Akiho's question on how does he know perfectly everytime she's coming home to let her find her afternoon snacks ready, Momo becomes livid. So much that she wants to send him flying with a kick.

Because Akiho of course cannot help but running away, red in the face like the reddest tomato, in front of such sweet declaration of affection from him. It's like he's saying "you're important to me, so of course I always know everything about you, I have a sixth sense for you" and that would be perfectly fine, if it weren't for his otrageous obliviousness. His "?" face in front of a raging Momo is further proof of that. Remember when she said, in the Drama CD 2, "it's true they say people know the least about themselves"?

He's uttering it himself and yet he doesn't understand the full meaning of the words that are spilling out of his mouth. Nor he understands the effect they have on Akiho (because he's oblivious to her feelings as well).

Kaito never ever admitted that he's doing all of this for Akiho's sake, never spelled out that he cares about her and loves her in his own way. Even though it's apparent to everyone by now. And this obliviousness, or this refusal? to see the truth is precisely the reason why the success of his plan will only bring misery to Akiho in the long run. Despite he wanted (deep down in his heart) nothing more than making her happy.

"I will read more books" - vol. 7

If we exclude the scene where Kaito gets closer to Akiho during stopped time at the end of Vol. 5, this is the first time we clearly see Kaito hurting for something. The first time he clearly lets slip a sort of weakness in front of Akiho. And you can guess it, it's got always something to do with her.

This is the very first, timid proof that what little Kaito said on that fateful day of some years earlier had wrecked him in every possible way and had pushed him to give all of him to make things right.

Akiho says something really innocent, "I will read more and more books! I will memorize so many more things...!" because poor her, she just couldn't bear to keep embarrassing herself in front of her most important person with her clumsy, ignorant takes.

Little did she know, she had just pierced his heart with a knife at that very moment.

Because "reading more books" is not just an innocent, healthy activity, but in her case can also actually mean to push herself one step closer to death. And since it all started with something Kaito unintentionally said, the mere thought wrecks him more than 100 spells attacking him.

Kaito defends his 'family' - vol. 7

Allow me to comment on this scene, because I really need to point out something that will be more subtly connected to what happened in chapter 70 (we get into dark thematics related to death, so beware and skip to the next paragraph if you're sensitive on the matter).

The Magic Association tried to attack the Shinomoto mansion, likely to take Akiho back. Of course Kaito sensed it and counterattacked, using time magic.

Here he commented "As long as they continue to not include time magic (in their spells), due to their weakness and fear of its devastating effects on their bodies, it's going to have the same result every time".

The thing that immediately becomes apparent for people reading this for the first time is that Kaito not only betrayed the confraternity of people he was once part of, but he also despises them, thinks very little of them and probably has done so for quite some time (with all the reasons of this world).

Then, it's also very apparent how he indirectly poses himself in contrast to their actions: "they're weak and cowards, that's why they don't use time magic. While I have no qualms in using it. I am not afraid of what will happen. No one is gonna stop me".

Then....if we dig deeper...we also find something more personally concerning Kaito, in his sentence.

He's indirectly showing he acknowledged that they kept using him when he was a child to perform tasks that required time magic, because they were too coward to use it themselves. He acknowledges they used him, and lord only knows when that realization came about, probably after starting his journey with Akiho and staying away from that toxic environment for some time.

And that realization came with his greatest act of rebellion.

"I hate myself, I'll always be alone and am not interested in continuing living this life, but at the very least I won't ruin myself at your behest anymore. I WILL BE THE ONE to decide how and what to exhaust my life on". It is of course a terrible, horrible way to see the worth of his own life, but at the same time a desperate scream for self-determination that personally I can't ignore. For how horrible it is, this is Kaito calling the shots for what concerns him. He's not existing for the use and abuse of other people anymore. And this is also part of why he shows that self-satisfied smile at the end of ch. 70, although mixed with other emotions.

Of course, he made such decision with a mindset of someone who got nothing to lose. Nothing, or no one. And this is where he was terribly wrong.

Rewind & the silencing spell - vol. 7

Sakura produced the Rewind Card, and for the first time ever, we get a comment from Kaito indicating that, although it's not exactly the one he was looking for, it went quite close.

Now that we know that the Card he was looking for is Exchange, we can infer in which ways Rewind went close to it, but wasn't exactly what he was looking for.

I think Rewind was simply incomplete for the full plan Kaito had.

Rewind showed to be capable to change the appearance of someone to make look them like they were in a previous state. In Syaoran's case, it made him look like when he was very little, because that was what Sakura was thinking about when she created the Card. Even if Kaito wished, thanks to Rewind, to restore Akiho's situation back to when she wasn't turned into a magic artifact yet, that would've been only a superficial change. Rewind doesn't seem to have (for now) the full potential of the time-rewindings operated by Kaito. Sakura didn't actually travel in time to bring a little Syaoran back from those times, as Syaoran still had his own teenager conscience. The "change" doesn't operate at deep level, basically, and so it was insufficient for Kaito's plan.

Furthermore, in this same scene, we see him activating the silencing spell on Syaoran. Again, a move made at the very last moment, when Sakura had already found out that she was the one giving birth to those Cards. To be honest I still don't feel like this was malicious at all. He could've thought up so, so many harsher ways to stop them from interfering with his plans if he meant any harm to them. Messed with their minds, made them forget (Eriol did so with Yue!!), I don't know.

Instead, he chose this way, exposing himself even further, because why only mentions of Akiho and Kaito would get "blocked"? Of course that made so apparent that the spell came from him, and he somehow wanted Syaoran to know it did. Probably as a way to suggest "it's me, please don't interfere more than this". Of course, as I said before, Kaito is not here to f*ck around, so he found himself forced to use this silencing spell, or cutting off Eriol from communication, or to use all the time-rewinds he used.

The first decision I've ever made for myself - vol. 7 and vol. 8

I look at the first picture of this paragraph and I laugh, because I remember when this chapter came out people were making fun of Kaito, calling him "creep" for spying on a middle school (a swimming class, at that 😅). But looking at that smile now, with the hindsight of what we know...it's such a sweet smile. He seems genuinely happy to see Akiho enjoying her time with all her classmates. He loves to see all the bonds she created.

But that heartwarming feeling lasts very little, as his "half-assed" (as I always call it, what was that 'wave' for?) attempt to make Sakura create a new Card triggers Akiho's book, and for the first time ever we see it in action, making her lose her conscience completely.

The proof is that "Akiho" doesn't talk with her usual voice, but with the voices of the Association and the Clan. As you can see, at her feet, we see the same "book pages" that will engulf Kaito at the end of chapter 70 too (therefore almost confirming that's where he is right now, inside the damned book).

As both Momo and Kaito confirm, the spell that will eventually crush her soul is still very much active on her and not too far from its final goal. We get a glimpse of a very sorrowful expression from Kaito while he says with his own words that probably those people are hoping that the spell will crush Akiho's soul. This expression alone shoul've already been enough to confirm what Kaito's intentions were. But also how much he felt responsible for that atrocity.

Kaito doesn't have a choice, he will use *more* time magic to put some sort of "seal" on the book inside Akiho (freezing its time), full aware that this is just a patch and won't solve any problem definitively. But at least it should keep everyone (Sakura & Syaoran included, since it activated mostly in their presence) safe while he tried to bring his plan to completion.

Also...I can't help but point out how he softly caresses her face again before starting his spell, such a sweet gesture that almost seems as if saying "sorry" for performing a magic on her without the girl being aware.

Once again, he allows himself to be this sweet with her only when she's not aware of it. Knowing what we know now, it's no wonder why.

And here it is...probably the most important scene beside the one where he made a choice and said "I'll go".

His first conversation with Akiho.

For him, this wasn't really the first 'meeting'. Indeed, later on he will talk again about this moment and he will specifically use the japanese word for "conversation". Because although from afar, the very first time he met her was through the magic sphere.

Of course she was way too little to remember. So while for her this might have been effectively her first meeting with him, for him it wasn't, and his kind, sweet smile is proof of that.

He went there already knowing who she was, her background, who she was the daughter of, what happened to her, and prepared so that he could make her feel at ease from the very start. Of course someone must have taught him this, because before this scene he used to have such a dead stare. He looked like he never smiled once in his whole life.

My idea is that, after making his contract with Momo, she "trained him". For his smiles and everything else. Taught him how to interact properly with other people, since he was so averse to it beforehand.

This theory I have comes from the fact she's the one who told him, in one of the Drama CDs, "please laugh more properly! even it's a fake laugh!".

Anyway, this scene is so powerful because it's not only drawn in such a "fateful meeting" way, but also because this fountain and rose garden will appear later on in Clockland too, summoned by the magic of Momo's book browsing through Kaito's memories.

While other people might argue that this is also the place where he met Lilie once, I'd daresay first meetings and talks are more likely to leave such a big impression on someone. When he met Lilie there, it was one of their regular meetings (and clearly not the first one), while with Akiho it was the meeting that would start their journey together, and start the process of how his whole life would change thanks to her.

It's definitely not by chance that he's remembering this important moment while he discloses to the readers for the first time that "I made a decision that day. The first decision I've ever made for myself".

Stopping the time of the book inside Akiho proves to be very arduous.

So arduous that Kaito is sweating and panting at the end of it.

Not only that, but the book itself activates some sort of "defense" (that black matter that comes out of Akiho, the same black matter that comes out when she loses consciousness) and literally attacks Kaito. You can see it hitting him in several spots.

He looks stubborn and unstoppable, though. Even with the magic of the book hurting him, he still pushes through with his spell for the sake of Akiho.

Momo is taken aback because she didn't know *anything* of this idea of his, and she's really mad when he's done.

Always for the same reason.

Because while he can realize her change of mood without any problem ("You look even angrier now" "Ah, you can understand *that* just fine, hm? And yet you don't understand what's really important"), he hasn't understood Akiho's feelings nor his own, yet. And he keeps insisting in disregarding his life like it's nobody's business. The very core of the problem that will persist till chapter 70 lies all there.

Small detail I like to point out: Kaito's time magic isn't infinite. After he exerted himself on stopping Akiho's book, the magic he used to stop time for everyone literally starts to crumble apart, signifying that its effect will vanish very soon. This will happen again later on, in a *very* different situation.

Whenever Kaito's magic focus falls short, whether it's due to physical or emotional matters, his magic is affected and falls apart.

And with this scene of the beginning of volume 8 I will conclude this second part of my analysis! 💜

I have to be honest, when I started this "project", it was totally propelled by the strong feelings that chapter 70 gave me, but I thought I would finish this in 1, 2 posts maximum....but along the way, I found myself wanting to talk about so many scenes 😂that I'm not even sure I'll be able to finish this within the 3rd post 😂😂😂especially cause later on there'll be more and more hints scattered around...god help me 😅

At this point I can say for sure that part 3 will come after the release of chapter 71, so see you later for my monthly translation + commentary post!! 😉

#card captor sakura #cardcaptor sakura #clear card arc #yuna d. kaito #ccs spoilers #akiho shinomoto #yunaaki #akiyuna #god this will be soooo long now that I realized how many scenes I want to talk about #what did I put myself into 😂#please don't infer that Kaito is absolutely blameless and perfect by the sheer amount of love I have for him and that emerges from my posts #I think it's clear by the amount of times I've mentioned it that he's making a terrible mistake #and it's ok because he's human and still very inexperienced at many things #the authors don't call him openly 'immature' for no reason #but there are certain things that have no meaning if you don't come to understand them on your own #I know that 'sealing him off' in that book is clamp's way to give him his hail mary pass before it's too late #let's see if being away from her will make him understand now #Welcome to the Kaito Educational Channel

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basicbats · 10 months ago

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Just finished e1 and they are most definitely That couple (pda). And I can't imagine it'll get any less with them not being able to meet each other outside of school now 😅

#yr s3 spoilers #I hope people have that filtered. I think that's the one I've seen used most?#I am feeling many emotions #But this was easy to comment on lol #Oh Sara #Oh Simon #Oh wille #Oh felice #August.. I have feelings about you too...#But still don't like him #All the others I want to give a hug like they need it #Yr s3e1 #yr thoughts #sayingthing

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im-no-jedi · 1 year ago

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might say screw it and just make a public summary of all the future plans for MLWTBB just so I don't have to keep them secret anymore lolololol

#at this point idk when I'll get back to writing the series #and I'm sick of having to keep from saying stuff for the sake of spoilers #I honestly don't care anymore #maybe sharing some ideas will spark interest again idk #I would tag everything for anyone who DOES care about spoilers #but yeah I just have too many ideas that might not ever come to fruition at this point #and I've been wanting to talk about certain things for literal YEARS now #vacation prep has just made me not give a frick anymore apparently LOL #MLWTBB chatter

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cheapshrimpysheep · 3 months ago

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Yuutsum 1

SUMMARY: What if you also have a Tsum? Then your Tsum and the Tsum of the person you like keep giving signs that they like each other?

CHARACTERS: Twisted Tsumderland 1 Tsumsitters (Riddle; Cater; Leona; Jack; Floyd; Epel; Sebek)

TAGS: Fluff; GN Reader

WARNING: Spoilers for the Twisted Tsumderland Event and the Tsumsitter cards Vignettes.

WORD COUNT: An average of 600 words per character.

COMMENTS: This was originally a request from @taruruchi for my 1k celebration. Which you can read here. And since so many readers liked it, I decided to do what I normally do when this happens: Do this for ALL the characters! Grouped by event in this case.

The beginning of the Riddle's part is the same as in the request, but I added a little bit more scenario after that.

I hope you enjoy 😉

Yuutsum 2 (Deuce; Azul; Jade; Kalim; Rook; Ortho; Lilia)

Yuutsum 3 (after going to the English server)

With your Tsum in your arms, you find Ace and Deuce, leaning over with their hands on their knees as if they were catching their breath after a run. They look at you first, but quickly the cute little creature you hold in your arms catches their attention. They both have that look on their faces like they think it's the cutest and most beautiful little thing in the world but don't want to admit it.

They say that Riddle also has one of those and it was the one they were chasing and trying to catch, but they lost it. The moment they said Riddle’s name, you felt your Tsum move enthusiastically for a moment.

They hear something, when they look they see Riddle-tsum in the distance and run towards it, starting the chase again. Your Tsum jumps out of your arms and runs with them, which makes you run after them too.

Your Tsum passes Ace and Deuce, which surprises them because they were so fast, and throws itself at Riddle-tsum, rolling together for a few seconds until they both stop. When this happened, Riddle-tsum didn't run away again, and the two were rubbing each other's cheeks happily.

Ace grabbed Riddle-tsum while it was distracted. It seemed upset about being caught. But the moment Deuce grabbed your Tsum that upsetness turn into anger. Riddle-tsum jumped out of Ace's arms, hits him in the face and threw itself right in Deuce's face to make him release your Tsum. Once back on the ground, Riddle-tsum positioned itself between your Tsum and those two, glaring threateningly at Ace and Deuce.

Once again, it doesn't run away. You finally get close to them and approach the tsums. When Riddle-tsum sees you it relaxes again and looks at you with admiration. As if looking at a royalty.

Ace and Deuce suggest that you try taking them both to Heartslabyul, as Riddle-tsum doesn't seem to like either of them. They were small enough for you to be able to carry them both in your arms without any problems.

You take them both in your arms and Riddle-tsum immediately turns red. It looked like a tomato in white clothes, and it writhed as if it wanted to hide in your arms in embarrassment. When you arrive at Heartslabyul, Riddle-tsum's blush had already subsided.

“Ah, prefect.” Riddle says when he sees you, Ace and Deuce arriving. “I see you were the one who managed to catch...” He looks at your arms to see his tsum, but his gaze automatically goes to your tsum instead. “Oh, there is one similar to you too. It looks... as charming as you.” he blushes just a little.

After explaining how you three caught Riddle-tsum, Ace suggests that they leave you and your Tsum with Riddle-tsum to prevent it from escaping again or causing trouble. Or hurt someone else. Riddle hesitates at first, as he is the one responsible for taking care of his tsum, but soon after, Riddle-tsum hits a student for breaking some rule and Riddle starts arguing with it so he stops attacking others.

You place a hand on Riddle's shoulder to try to calm him down a little and at that moment both of your attention went to your tsums. Your Tsum was between you and Riddle-tsum.

“You know, they remind me of the hedgehogs in a way.” Riddle says “And now they are reminding me of when they come closer to smell each other or to rub each other's noses. I can't deny that I find it quite cute whenever they do it.”

And then your Tsum starts rubbing its little round nose against Riddle-tsum's and caressing it to calm it down. And it works. It returns the affection by staying very close to your Tsum.

Riddle blushes a little again, and says that, reconsidering Ace's suggestion and if you want, you could take care of your tsums together.

You were walking with your Tsum in your arms when you saw Cater and his Tsum on Main Street. Cater-tsum seemed to be curled defensively around something Cater was trying to retrieve.

“Look, you can't have it, okay?!” You hear Carter say to his Tsum as you get close to them.

You greet him by asking what they are doing. Cater gives you a quick glance before turning his attention back to Cater-tsum, as if he's afraid that if he looks away it'll escape.

“Hey, (Y/N)-chan! I'm trying to get my-” He quickly looks back at you, more specifically at the adorable little thing you have in your arms. “Oh!... My!... Great Seven!” He turns his body towards you, his gaze so fixed on your Tsum that he doesn't even blink. “YOU HAVE A TSUMMY TOO! And it's the most adorable little thing I've ever seen in my life!”

Suddenly you both got jumpscared as something jumps towards you. It was Cater-tsum jumping into your arms! Despite the scare, you manage to catch it and it starts to nestle into your arms and cuddle your Tsum. Cater looks at the floor where Tsum was and sees his cell phone left behind. He retrieves it.

“We HAVE to take a pic of them!” Cater says excitedly “No! We have to do a whole photoshoot! Here! It's a great place to start.”

If you like taking pictures, your Tsum will be very excited. If you are shy, your Tsum will turn around to hide its face in your arms.

“Awwwww~ That’s even more adorable! Pwease! I beg you~" He says to your Tsum. Cater-tsum will also make pleading eyes at your Tsum.

The four of you spend a lot of time taking pictures in different places. Both pictures of the Tsums and of you with Cater. Until Cater and his Tsum have enough pictures to finally let you and your Tsum rest.

You sit on a bench, you with your Tsum on your lap and Cater with his Tsum on his lap, both of them editing photos on his cell phone. However, you feel your Tsum move and leave your lap to headbutt Cater's hand that was holding the cell phone, making it fall against his belly. After that, your tsum just stands there looking at Cater-tsum with a slightly annoyed look. Cater-tsum smiles with its tiny eyes and jumps against your tsum so they can cuddle each other.

Cater looks at the Tsums protecting the cell phone against his chest, watches them for a moment and then looks at you.

“Hey, if you want to do the same, just need to ask, you know~?” Cater says and winks at you.

If you accept, he'll put an arm around your shoulders and edit the photos with you, while your two Tsums cuddle on your laps.

Your Tsum was restless, impatient. It really wanted to go somewhere. So you pick it up and walk around campus trying to understand where it wants to go. Fortunately you don't need to walk far, as the botanical garden is one of the closest points to Ramshackle Dorm.

As soon as you enter, your tsum jumps out of your arms and starts jumping (its way of running) somewhere in the middle of some bushes. And you know that spot well. As soon as you stop seeing it, you hear a patient growl.

“Another one?” You hear Leona's voice. “Hey! What do you think you're doing?!” You follow the voice, pass through the bushes and see Leona lying down with two tsums on top of his torso. Your Tsum and Leona-tsum, cuddled up like two cats sleeping with each other.

“Herbivore, get your stuffie thing out of here and take the one that looks like me with you too. I'm not a nest to have two pesky armadillos sleeping on top of me!”

You kneel down next to him, looking at Leona-tsum with that “HE’S SO CUTE!” twinkle in your eyes. Leona-tsum looks at you and its sleepy eyes suddenly open, almost bulging. And it jumps onto your chest, knowing you would catch it.

“You got one.” Leona said. “Just one more to-” He interrupted himself, looking at his chest and seeing your tsum rising until it approached his face.

If you look at his face, you will see Leona's pupils dilating. And your tsum snuggling against his chest. You comment that you don't think your tsum will want to leave his side.

“Why don't you walk away with that one and see what happens? Maybe yours will follow.”

You are also curious to know what would happen. Leona-tsum was already sleeping in your arms.

You walk away with it, towards the exit of the botanical garden. Halfway there it wakes up and you feel it move in your arms. You stop and look at it. It seemed to have an annoyed look on its face, very similar to what Leona does when things aren't going according to his plans. You open your mouth to say or ask something, but it's Leona's voice that can be heard throughout the botanical garden.

“OI!” You hear Leona growl in annoyance. “Who do you think you are demanding anythin’ from me?!” And then you hear him roar.

You come back with Leona-tsum in your arms, and you find your tsum pulling one of Leona's braids towards you as if it wanted to force him to come to you.

“This thing really takes after you.” he comments, in a tone reminiscent of a father irritated with a child he deep down loves.

Leona-tsum jumps out of your arms and lazily approaches your tsum. Your tsum lets go of Leona's braid.

You both see Leona-tsum rubbing its cheek on your Tsum's cheek, and making a movement as if it was licking your Tsum's face. After calming your tsum down, the two of them curl up to sleep together.

“Well, at least they're not bothering me anymore.” Leona says. He closes his eyes, but right after, he opens one of them again to look at you. “If you're also going to stay here with your stuffie thing, at least be useful. This floor isn't the best pillow, you know?” He makes that gesture for you to come closer with his index finger.

And if you let him use your lap to lie down, he will fall asleep in 3 seconds, just like his Tsum did.

You were in the Ramshackle Dorm Lounge with your Tsum and Grim was in your bedroom, probably taking a nap after eating too much, when you hear someone knocking at the door. You go open the door, leaving your Tsum on the couch. You do it and see Jack.

“Hi (Y/N). Sorry to bother you, but this Tsum-” Before Jack could finish his sentence, you saw something near your feet come barreling through the door. You look back in time to see Jack-tsum turn to enter the Lounge. “Ah! Sorry. It won't sit still. Let's catch it before it does any damage.”

The two of you go to the lounge and stop right at the entrance. Jack-tsum was on the couch with your Tsum. Jack-tsum was jumping around your Tsum, its little tail wagging like crazy, and its eyes shining while also rubbing its face against your Tsum’s as if licking it. It was just like a puppy wanting to play.

“OI!” Jack shouted “Don't mess up (Y/N)'s couch!”

Jack-tsum sulked and your Tsum jumped from the couch to the floor. Jack-tsum followed it. Your Tsum approached Jack and smiled at him with its eyes, as if it were greeting him.

“Hum?” Jack’s ears pricked up as he looked down. “You also have a Tsum similar to you.” He didn't realize his tail had started wagging.

Jack-tsum followed your Tsum and you felt the need to bend down to see Jack-tsum up close. It looked at you with big bright eyes and its tail wagging wildly. You comment on how cute it is and reach out to pet it.

“Be careful.” Jack warns you “It doesn't let anyone...” You start to pet its head as it leans in your hand. “... touch it... What's the deal with this thing? Whenever anyone approached it would either move away or growl at them. How did you do that? I can't even catch it to take it to Savanaclaw.”

You say you don't know what you did either, if anything special. And you comment that it seems to like you. This makes Jack blush slightly.

“How would it not?” he says softly, and without meaning to. He clears his throat. “Um, do you mind if we stay here for a while? It seems to have finally settle down a bit.”

Your tsum goes to Jack-tsum's side and they both look at you as if begging you to say yes. You agree and the two Tsums bounce happily for a moment before they start running around the lounge together.

“OI! You two be careful!” Jack warns “Don't break or mess anything up, you hear?!”

You laugh and comment on how much you think Jack and his Tsum look alike.

“It's just the hair and the outfit.” he says a little embarrassed “Do I look round and soft?!”

“Round maybe not but soft...” You laugh and he blushes.

Before he could open his mouth to try to respond to that, the tsums started running towards you and ended up bump into you as they passed, which made you lose your balance. Jack catches you.

“What did I say?” he shouts to the tsums. He looks at you. "Are you okay?" in his arms, and he releases you, blushing a little. “Sorry about that.” he rubs the back of his neck. “It had never done this.”

“Maybe it was a bad influence.” you say and look at the Tsums. From the looks on their faces, especially your Tsum’s, it wasn't an accident.

You were walking down the Main Street with your Tsum in your arms when you hear footsteps running behind you, approaching quickly. You turn around in shock and see a very tall figure right in front of you. Then you realize it's Floyd.

“Boo~” Floyd smiles at you with something writhing violently in his arms. You look and see his Tsum trying to get free. You also notice, by the way he is holding Floyd-tsum, that he is using a lot of force. “Hi Koebi-chan~. Whatcha doin'~?” He sees something in your arms and looks to find your Tsum. “Woo! You have one too! And it looks so small and weak like you, how cute! He he.”

(What you don't know is that what really happened was that Floyd-tsum was loose and took off running when it saw you. The footsteps you heard were Floyd running to catch it before Floyd-tsum caught you first.)

Your Tsum made a sulky face, while Floyd-tsum continued to struggle in Floyd's arms. You say Floyd-tsum is also very cute, it stops and looks at you with smiling little eyes.

“Do you wanna play with it?” Floyd asks and you say yes. “Sure, but careful how you handle it. It’s easy to set this guy-” The moment he let his arms go slack for a second, Floyd-tsum jumped into your arms.

With difficulty, but you managed to catch it without letting your tsum fall. Now you had them both in your arms. You saw it squeezing your tsum while it snuggled into your arms. However, your tsum didn't seem uncomfortable, quite the opposite, it felt like a passionate everyday hug.

Between letting Floyd-tsum jump out of his arms, until realizing that it wouldn't hurt you, Floyd stared at his Tsum with that serious face that all students who know him the least bit fear.

“Aw~ Aren't they cute together?” he says with his usual relaxed expression. He sees that you are having difficulty holding both tsums. “Let them go. They can walk on their own. Or hop, I guess.”

You do so. The two Tsums land on the ground and Floyd-tsum jumps up to continue hugging your Tsum. But before it can, Floyd quickly picks up your Tsum in his arms and starts squeezing it too.

“MY TURN!” Floyd says to his Tsum.

This one sulks, looks at you and jumps back towards you. You catch it and it hugs your forearm. You and Floyd laugh, until the pressure in your arm starts to increase to the point where it starts to hurt. The moment you grimace, Floyd's expression changes, he lets go of your tsum and rips his off your arm.

“I warned you.” he says to his tsum, with the same face he uses to threaten students who don't pay Azul. “Someone is not keeping their side of the deal.”

Floyd-tsum manages to escape and hugs your tsum again, but without hurting it. Floyd looks at you, who looks slightly sad, and sees you rubbing the forearm that Tsum was squeezing. He holds your wrist to see better. There is a slight reddish mark. He lets go of your wrist, turns to the Tsums and lifts his foot as if to step on his tsum. Before you could stop him, your tsum does it, getting out of Floyd-tsum's embrace and positioning itself between it and Floyd's sole when he was about to hit his Tsum. He looks at your tsum's fearless face for a moment and laughs heartily.

“HA HA HA HA! It also takes after you, Koebi-chan~” He puts his foot back on the ground and turns back to you. “We were going to Mostro Lounge. Do you want to come?”

With your Tsum in your arms, you were walking down Main Street when you heard a scream. It sounded like someone was being attacked by a dog or something. You follow the sound and see Epel, another Pomefiore student, and an Epel-tsum attacking this student while Epel tries to stop it.

Your tsum jumps out of your arms and runs (or hops) towards them until it stops between Epel-tsum and the student, preventing the tsum from attacking him again. And then, your tsum headbutted Epel-tsum so hard that it even knocked it upside down for a moment. Enough time for Epel to catch it. The other student runs away and Epel-tsum begins to struggle in Epel's arms.

“Stop it!” Epel complained “Ya can't go aroun´ attackin´ students!”

You approach them asking if everything is okay and if he needs help. Epel-tsum stops and looks at you. You smile when you see that Epel also has a tsum and comment on how cute it is (like any tsum).

“No! Don't call it that!” The Tsum manages to jump out of Epel's arms and towards you.

He panics, but instead of the Tsum hitting you, it lands in your arms and just looks at you with a sulky face. You say it's still being cute, and once again, instead of it attacking you, its little face turns red with blush.

Epel freezes, completely confused for a moment until he thinks about what could be the possible reason for you being the only person who called the Tsum cute and it didn't attack. And when he thinks of the most likely reason, he also blushes.

Your tsum also jumped into Epel's arms, surprising him. It smiles at him with its cute little eyes and his blush deepens. Your voice is the only thing that makes Epel look away from your Tsum, asking if you could accompany him and his Tsum if they were going to Pomefiore.

In his dorm, needless to say, Rook wasted no time praising the Tsums, both Epel's and yours. But since Epel's Tsum didn't seem to appreciate the comments very much, especially if they focused on the fact that it was cute, Rook ended up turning his attention to your Tsum, which ended up bothering Epel's Tsum even more.

“It looks like someone is jaloux.” Rook says smiling amused.

That was the only thing that made Epel-tsum throw itself at him, to attack. Rook dodged it like a bullfighter with the grace of someone who was expecting it. Epel panicked and quickly picked up his tsum and apologized to Rook.

“There is no reason to apologize, Monsieur Pommette.” Rook says, loving the situation more than he should. “Truly. I must confess that my provocation was premeditated. C'est tellement beau to see your true feelings and emotions through your Tsum's lack of filter.”

“WHA-?! WHAT IS THIS SUPPOSED TO MEAN?!”

Rook just laughs, winks at Epel and starts walking towards the door. Halfway there he passes you, leans over and whispers in your ear: “Could you tame the little beast for us, Trickster?” and leaves.

Epel's Tsum struggled in his arms, angry... with jealousy.

Your Tsum was restless, impatient. It really wanted to go somewhere. So you pick it up and walk around campus trying to understand where it wants to go. You leave Ramshackle Dorm, pass the Botanical Garden and the Alchemy Workshop and arrive at the Hall of Mirrors.

As soon as you enter, your Tsum escapes from your arms and quickly jumps until it enters the mirror to Diasmonia. You follow it, but you realize that you lost sight of it the moment it passed through the mirror.

“Good afternoon, (Y/N)!” Lilia is the first to come and greet you. “To what do we owe such a wonderful surprise visit?”

You tell him about your tsum.

“Ah yes! Sebek also has a cute little lookalike. I can't wait to see yours. Although if it's as adorable or even more adorable than you, we're going to have a cuteness overdose problem in this dorm. Khe he. Well, from what I understand, and despite Sebek denying it, the personality of these tsums is very similar to the personality of those they physically resemble. So if your tsum wanted to come here, where do you think it would have gone? Where would you want to go?”

You don't think about a ‘where’ but rather a ‘who’ and that may have shown on your face, beacuse Lilia laughs amusedly.

“So maybe your tsum went to meet someone? Maybe a fellow tsum? Khe he he. I suggest we look for Malleus. Wherever he is, Sebek and Silver will be there too.”

The two of you head to the lounge, but before you get there you can already hear all the commotion. Aka: Sebek’s thunderous voice.

“Don't look at me like that! No matter who your looks resemble, you're bothering Malleus-sama and meddling in our, I mean my guard duties!”

“Actually,” You hear Malleus's patient voice say. “I am quite enjoying this little one's presence. It's as pleasant as (Y/N)'s own presence. Wouldn't you agree, Sebek?”

“HM?! Yes! Of course sir! Please forgive me for implying that this Tsum's presence was inconvenient.”

You and Lilia arrive at the lounge and approach those two. Sebek, as expected, was standing very straight next to Malleus, who was sitting in one of the sofas. Coming closer, you see that both your Tsum and Sebek's Tsum are in Malleus' lap. And Sebek-tsum looked like it was... about to cry?

“AWW~ Look at you.” Lilia said, your Tsum turned to him. “You are even cuter than I imagined. *sigh* What an unfair competition.”

The moment Sebek-tsum sees you is when it finally starts crying.

“HUM?! What is wrong with you?” Sebek inquires. “You are such a strange creature.”

“I think it's too much emotion to see so many people it likes together.” Lilia says with a smirk.

“W-Well, regardless, it should learn to control itself!”

You come closer, worried about Sebek-tsum, and ask if it would like a hug to feel better. It looks at you, then at Malleus, back at you, Malleus, you, Malleus, and on until it almost gets dizzy and the indecision seems to make it more sad.

“I think I have an idea.” Malleus says. “(Y/N), would you like to sit next to me?”

You sit down, he asks you to come closer until your thighs touch, so he can place Sebek-tsum on both of your laps at the same time. It, still in tears, seemed to be thanking Malleus with his eyes and head.

“How intelligent and generous, my liege!” Even Sebek himself had a tear in the corner of his eye.

He was about to continue his praise when your Tsum jumped from Malleus' lap into Sebek's hands. He caught it as if he was saving it from a fall. It looked at him and smiled with its eyes.

“How precious.” He said with a tender smile, as he was still emotional about Malleus's act. Then he realized what he had just said and blushed in embarrassment. But he didn't stop holding your Tsum.

If you would like to read more from me, you can find it in my pinned post: INDEX

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maythedreadwolftakeyou · 2 months ago

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Ranking the Veilguard companions Hookup Potential based on the kind of bed situation they have going on in the Lighthouse

(im in early act 2 so have no idea what further romance scenes are actually like, this is just jokin time without any romance spoilers. just pics of how their respective rooms in the lighthouse look and some basic characterization we know about them)

Taash: 8/10

In another game or the real world I would only rate this a 5 because they have no pillows or addition blankets. however they do have a real bedframe AND it's big enough for 2 which means the they are doing better than 90% of the rest of the Veilguard so this score gets boosted. And while there's not many blankets, there are plenty of braziers around the room to keep you warm, and Taash is probably their own miniature furnace to cuddle up to. Crucially, they also have a whole wheel of cheese next to the bed, which means you don't even have to leave the covers to get a snack after.

Lucanis: 1/10

Oh no. I'm not even going to comment on the pantry angle because everyone else asks him about that to begin with, so this is just about the bed. Unfortunately the bed is a cot made of uneven wooden planks with some blankets on top of it, and is only wide enough for 1. This is because Lucanis hates sleeping and doesn't want to do it, so the less tempting his bed is, the better for him. Unfortunately this means sleepover potential is dreadful and you will have to find alternate solutions. He does at least have another blanket to go over him and one that's presumably being used as a pillow, so, he gets a 1 instead of a 0, but I am still planning on gifting him coupons for a back massage for Satinalia.

Bellara: 4/10

This setup is perfectly fine for sleeping. It's the lighthouse standard little bed couch thing, has a mattress/cushion, is elevated off the floor, has a pillow, and she's got her blankets folded below. Perfectly serviceable for getting a good night's rest which we know Bellara is not because she forgot to sleep again. However, it's very much a one person sized setup. You might be able to cuddle for a while but if one of you unconsciously tries to roll over you are going right to the floor. Ouch.

Lace Harding: 5/10

You might be wondring "why is sleeping on the floor rated higher than bellara's" and the answer is because this means you are not rolling off the bed onto the floor. it's not going to be comfy but we are not ranking comfort here we're ranking sleepover potential. Harding has managed to make this space look homey and the canopy gives the illusion of being in a tent or canopy bed to help with that illusion. There are rugs down on the floor plus the blankets and pillows--we know Harding is used to sleeping on the ground due to her career as a scout, and I'm sure she can scrounge up more blankets to make the cushioning big enough for the both of you. Your back WILL hurt in the morning but you'll get to have a fun night first.

Neve: 3/10

Girl I know you can do better than this. Which means you're not trying to on purpose, so, live your life I guess. I will say this cot IS bounds nicer than Lucanis's--you can see its a stretched canvas or hide on a frame rather than wooden planks, so it will have a little more give. However they are not THAT much comfier which I know having slept on this modern equivalent many times. Neve also apparently has 0 pillows or blankets so you're out of luck there, as well as the problem of it only being wide enough for 1 again. This woman has too many other things going on to think about romance so your Rook is going to be the one improvising on that matter I think.

Davrin: 10/10

Now here is a man who has his life together. Double or queen size mattress, rustic bed frame he probably lovingly carved and assembled himself by hand, and not only are there sheets AND blankets AND pillows, they are are full on matching set and this knight in shining armor dutifully makes the bed every morning. There's also enough pillows for two! While the remains of a giant corpse is hanging above you all night, the spacing of the ribs still gives you lots of room above to manouver, so just don't worry about that. As a bonus you'll probably even have a baby griffon come to cuddle in the night which is such a cute thought we're going to ignore how much worse getting stepped on by a griffon foot would be than even the biggest fattest housecat trying to stand on your stomach at 4:30am. My one criticism of the setup here is that due to the bed's positioning if the person on the inside needs to get up in the night they'll have to awkwardly crawl over the person on the outside, however everyone else's bed situation is so dismal I'm not even going to subtract a point for that. Great work Davrin.

Emmrich: ???/10

Where... does this man sleep. Peepaw I KNOW you can't be sitting in that armchair all night you need your beauty rest!!! There are 0 beds or cots or floor blankets in this man's room. HOW am I supposed to break his pelvis if he has nowhere for us to lie down??? We can't risk that old man's spine on the cobblestone.

Wait... unless. No, surly not. I mean--jk. Unless...? 😳😳😳

is daddy necromancer gonna fuck me on the sacrifice slab... 😳😳😳🥵🥵🥵

Bonus:

Solas 11/10

does not matter where he actually slept bc once my inquisitor Gets Him again they WILL be fucking on top of the piano in front of the mural in his Yearning Room

#i know rook has their own couch thing however this post was funnier without it. also they have 0 pillows/blankets so a 5/10 also.#ramblings #dragon age: veilguard #dragon age: the veilguard #dav shitposts #lucanis dellamorte #taash #lucanis #lace harding #harding #bellara #bellara lutare #neve #neve gallus #davrin #emmrich #emmrich volkarin #solas #solavellan #rook #full disclosure after i thought of this and took all these pics i Did get a cutscene where emmrich has a corpse on the table so. not a bed #but for a few days of running around i WAS like... i mean theres nowhere else... what if...#i still think itd be hot #jade plays dav #juniper aldwir #juniper rook #datv #veilguard #also plrease note i made this before i got taash’s Gender Quest… i edited the pronouns after #but the old reblogs that got popular still show ‘she’ sorry

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evanhereonearth · 1 month ago

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The Insidious Cycle of the Abuser Who Says They Love You: Mythal and Solas

Likely goes without saying, but Veilguard spoilers all under the jump.

I have been absolutely wrecked by the end scenes in Veilguard for weeks now, and I want to do a deep dive into Solas's relationship with Mythal and how it absolutely reeks of abuse. Long post incoming!

CW for heavy discussion of cycles of abuse, trauma response, and abuse tactics.

When I finished my first playthrough, this moment hit me like an absolute freight train. His visceral response to her presence and the way he instinctively retreats and flinches back/puts out a hand to protect himself is a full-blown trauma response.

And then she starts talking and moving towards him, and it gets worse.

Solas curls in on himself; his body goes even further into self-protection mode. His face is downcast, not the way he bowed to his vhenan moments before with a straight back and open posture, but shrinking.

And then as she advances, he cowers.

He completely folds inward. He crumples; he shakes, he hyperventilates, and the moment she reaches for him, he fumblingly offers her the lyrium dagger to kill him with.

Is this shame? Yes, of course, but it's far, far more than that.

For the sake of brevity, I'm going to limit this list to the four most widely recognised trauma responses:

Fight

Flight

Freeze

Fawn

As someone whose primary trauma response is fawn (wooo CPTSD), which is intensely common among people who experience complex trauma, especially through emotional and prolonged physical/mental abuse where their needs are discarded, pushed aside, or otherwise steamrolled, I felt this right alongside Solas. My own body responded to seeing it. This is, quite frankly, one of the most visceral and realistic (and extreme) fawn responses I've seen depicted in media.

Mythal in this scene is...phew, something else.

"She was the best of them," Solas tells us in Trespasser.

But she was not good, everything tells us in Veilguard.

Let's look at his regrets in chronological order.

Through Solas's memories of regret, we see this germinate in his foundational regret: leaving the Fade to take a physical form.

He does not want to do this. He tells her he does not want to do this. From the conversation, it's clear it's not the first time she's asked.

And the way she asks? Outright coercion.

"You have so long observed the world. Why not consider joining it?" [I want you to do this thing, so I will frame it as logical for you to make the choice I want you to make.]

"But I have no desire to live as humans. Besides, this talk of taking on a solid form. I think you underestimate the danger." [I don't want to do that. It does not feel safe to me.] "When you took the glowing stone to build your body, did the earth not shake?" [This is dangerous and selfish.]

"The lyrium gives us the strength we had when we were of the Fade; we are the best of both physical and Fade." [It makes us powerful, so I don't care about the risks.] "I need your wisdom, Solas, to withstand the louder voices like Elgar'nan's who would go too far." [If you do not come with me, a tyrant you abhor will make others suffer.] "I need you."

"This is madness. You must know that." [I don't want to do this at all. This will hurt me. I don't want this.] "I will always follow where you go." [Because I love you and trust you.]

Mythal's words in this part are classic abusive framing. When appealing to his natural curiosity does not work and he expresses strong rejection of her logical thought process (just because I have observed this place does not mean I want to go there, echoing his comments to the Inquisitor in DAI: "Many Orlesian peasants dream of travelling to exotic Rivain. But not everyone wants to go to Rivain!") and expresses that there is significant danger to continue to build bodies out of lyrium, she changes tactics.

Her second tactic is that it gives them power--she implies that he is limited and not enough for being only of the Fade. If he follows her, he will be the best of both, like she is. She clearly already sees herself as above him.

Her third tactic is pure emotional blackmail: "I need you. I will give in to the tyrants without your wisdom, and having your counsel in the Fade is not enough. If you don't go against your own nature and desires, people will suffer...and it will be your fault for not being by my side."

She doesn't say those things outright, but they are implied by everything she is saying. He says again he doesn't want it--that it is madness and that she must be aware of that despite her ignoring any suggestion that she actually is. All she is seeing is power and her desires: for Solas to do what she wants him to do.

So he agrees. Because she is his friend, and she says she needs him.

As far as core wounds go, this one is a doozy. It's absolutely brutal, because it's irrevocable. It's a point of no return. It's the first in what will become millennia of regret, of her ignoring the Wisdom she coerced out of the Fade to do what she wants regardless, to continue to push him to twist his nature under the guise of the greater good, to continue to cede to Elgar'nan and enable the very tyrants she promised him to balance.

This regret was deeply painful for me to watch. The nuance here is easily lost if people don't understand abuse tactics and how this sort of manipulation is used. It also serves to bind Solas to Mythal, an enormous sunk cost fallacy in the making--once he has made this choice, there is no going back.

And you see Solas curled in on himself in anguish and regret from the trauma of taking a physical form. It is in deep, painful contrast to his open, free wingspan as a spirit of Wisdom; he will never be the same.

"Have you created what we need?" From the outset Mythal is framing this as his idea as much as hers, when from everything he says, that is not true.

"With this, the proper ritual will sunder every Titan from its spirit. But you must know, those severed dreams will certainly be driven mad, a disembodied blight of pain and anger. It--is--awful what we are doing."

"And the only way to end this war."

Again, Solas offers the wisdom she claimed she took him from the Fade to listen to. He warns her, again, of the danger. He does not want to do this. Just like he warned her of the earth quaking when they made their bodies--they, the Evanuris, started this war by taking what they wanted regardless of who it hurt. He never wanted to participate in it, but now he is in the middle of that war. Mythal was one of the initial perpetrators of this war; she brought Solas into it against his will because he loved her, and now he's stuck. He is past his point of no return. And she is still using his heart against him. She has isolated him from everyone he knew in the Fade; he has no one to support him. He. Only. Has. Her.

This is another classic abuse tactic; if the person being abused has no one else, they will continue to enable that abuse even if it harms others, because they cannot see a way out. If you don't do what I say, it will destroy our children, our family. If you don't do what I say, this war will consume all you have, and you no longer have a home to return to. If you don't do what I say and hurt yourself and the Other, more will suffer, and it will be your fault.

Again, his posture, curled up and broken, appearing to cradle a now-tranquil Titan beneath him--and be embraced in return. This is an interesting artistic choice here, one that aches. It speaks to the depth of his own wound and how much it rent his own spirit to follow through with Mythal's wants here; that it sundered him from his spirit as much as it did the Titans.

"You cannot do this, Elgar'nan! You swore we would give up our commands when this war was over!"

"Our people need our leadership. If you are unwilling, leave."

From Elgar'nan, this is expected. From Mythal?

"Our people must rebuild. And we must help unite them."

Solas, once again, betrayed. He put his trust in Mythal and in the other Evanuris to follow through with their promise. Everything he has done thus far is poisoned in this moment; had the Evanuris indeed stepped back rather than stepped on necks, perhaps Solas could have healed, found a way to live with what he had done, maybe even to make amends. But this starts his war anew--and Mythal is standing with his enemy despite her promises, despite every wheedling word she's used to get what she wants from him over the centuries and longer, despite him turning from everything, everything, he loved to love her. This is the moment where he understands that he has only been a tool to her all along.

"So we did not fight for freedom, but to conquer this land and our own."

Let's pick apart Solas's words.

So we did not fight for freedom: He truly believed that he was fighting for freedom, that no matter how bad it got, that he could bear it for freedom.

But to conquer this land: Literally the land, I think, because of the Titans. To subdue them at all costs. This was not what he came for, but he believed Mythal.

And our own: Our own, our people, more spirits we gave bodies for this war, more who may not have wanted to leave the Fade. Our own, our people. To Solas, he is one of them. In this moment, he realises how much Mythal holds herself above all of them.

Elgar'nan's words are all too telling: "We fought to win. And now the Evanuris are as gods. I do not answer to Mythal's annoying lapdog."

They all--all--see him thus. As her pet.

Because he is. She has, until now, controlled him utterly with her manipulation and "need" for him.

"The people are afraid. They must believe in something." Mythal does not even stand up for Solas here; she does not reject Elgar'nan's perception of him. All she does is further distance herself.

The people are afraid: The Evanuris made them. They are as controlled as Solas and more.

Elgar'nan asserts, "They need strength."

"And wisdom." Mythal has the absolute gall to attribute this to herself, when Solas is the source of the wisdom she "needed" for so long. (Belated addition: And another level here: she may also be saying again that she needs him, but doing so in a way that doesn't require her to stand up for him directly. Honestly, fucking gross.)

"They need gods who can protect them," Elgar'nan continues.

"We are not gods. You will learn that." Solas's voice here is pure defeat. The scales are falling from his eyes.

"Every lapdog holds a wolf inside," says Elgar'nan.

Solas knows that Elgar'nan's "protection" is hollow, based on subjugation. And I think in this moment, he learns that Mythal's is based only in her belief that she is better than those beneath her, who cannot possibly handle themselves.

So her lapdog becomes the Wolf.

"I was not certain you would come."

Solas's opening words in this regret show the distance between them already and how much he has realised he does not know this woman who called herself his friend.

And her response is to instantly blame him.

"You are the one who walked away. I never turn my back when my friend needs me."

In putting this post together, this line absolutely sucker punched me. I've watched these several times already, but the absolute audacity to blame him for standing up for his principles for the first time against all her manipulation? Hoo.

She blames him for doing just that, "turning his back when his friend needed him." She needed her enabler, and when he stopped, she turned bitter. Just like any abuser.

That he goes straight into "The Evanuris seek the magic of the Blight" instead of engaging, honestly shows that he's still Wisdom. That is one battle that is unwinnable, trying to stand up against an abuser's bullshit like that.

"Impossible," she says. "The Blight is safely sealed away forever."

Gaslight, girl boss, gatekeep.

"Though I wish I could believe you." [You have lied to me so many times.] "I have sensed the breaking of the wards."

And her answer is patronising. "I will investigate your claims." [I don't believe you.] "If they forget the danger of the Blight, I will endeavour to remind them."

Solas knows this is futile. "What if, instead, you left the Evanuris and remained with me? Do you not wish for freedom from this struggle?"

He asks her, again, to veer from the dangerous path. He desperately wants to believe he was not completely wrong about her, I think. If she were to leave, he could heal somewhat, for not having so thoroughly misjudged her character.

Am I enough for you? Was I ever enough? is the unspoken question here when he asks if she will remain with him.

And in return, he gets back even more patronising bullshit and hubris. "Be at peace, love. I will stop them."

(Can you tell Mythal pisses me off?)

She calls him love. What an unbearable insult after everything, to go on telling him she cares for him whilst ignoring his wisdom--the very wisdom she coerced him into leaving the Fade so she would have by her side--and consolidating her own power at the expense of his people.

"As you must," he says. "The Blight is our mistake."

Might be unpopular, but I do not think Solas bears a split fifty-fifty custody for whose fault the Blight is. Could he have said no about the dagger? Could he have pushed then? Maybe. But by this point, he'd already had probable millennia of complex trauma and a deeply abusive codependent relationship, probably also a level of magical bond. Like, sorry, Trick and BioWare, if you want to retcon everything you shared with us in Inquisition about being in service to the Evanuris ("You have given yourself into the service of an ancient elven god! You are Mythal's creature now. Everything you do, whether you know it or not, will be for her.") AND Mythal casually overriding her servants' will and Solas burning her vallaslin off his face and leaving a scar and devoting himself to freeing the elven people from the Evanuris's domination, fine, but I don't buy it. Even if there was no magical compulsion on him all this time, that is immaterial.

Complex trauma literally rewires the brain to survive. She spent lifetimes programming him, isolating him, stripping from him every bit of agency he had. This man did not have the capacity to say no.

When our no is trampled even for a few months or years, we stop trying to use it. We comply. We, as mortal humans, cannot begin to comprehend the compounded trauma of millennia of this happening with the stakes of worlds in the balance. Solas, quite simply, has lost the entire ability to consent. No one of us can even imagine.

Yet he managed to walk away from her somehow, when she chose Elgar'nan. This man is stronger than anyone gives him credit for.

The dagger was clearly Mythal's idea. The plan to sever the Titans from their dreams, clearly her idea. To end the war. For there to be "peace". For there to be "freedom". Except that never came.

His loyalty was to her and to their people; hers was only ever to herself.

And again, she walks away and lets Solas suffer.

What a good friend.

[screaming from the general direction of Scotland]

She put her trust in monsters instead of her oldest friend, and the monsters ate her face.

Anyone surprised? I'm surprised. (I'm not surprised.)

And on top of this, Mythal finally, finally giving Solas one tiny breadcrumb that she had any principles remaining? I think that cemented his bindings to her forever. Not just that the Evanuris killed her, but why they killed her: because after millennia, she listened to him.

For someone that deep into trauma and abuse? Well. We know what happened.

It cannot be overstated that with his imprisonment of the Evanuris and the Blight, Solas saved the entire world. The entire world. Every living being in Thedas had a chance at life because of him. Only because of him.

Morrigan says it early on in the game, that for all the consequences of the veil (which, it also must be said, was not supposed to be global!), "his imprisonment of the Evanuris was just. Had he not done so, all of Thedas would have fallen to the Blight."

And the world has hated him for it.

He woke after sleeping for millennia, exhausted by this immense act of magic, to discover that not only had it gone horribly wrong, but that it had cost his people everything. That Tevinter had come in and enslaved them, released a trickle of the Blight after breaking into the Black City, used so much blood magic that the veil itself all over Thedas has been in tatters--not least because in releasing the Blight, the survivors had had to face down and kill the dragon thralls (archdemons) of the Evanuris, rendering five out of seven of them mortal, and with their deaths over the intervening centuries, the veil had grown threadbare with only two Evanuris sustaining it.

The risks were catastrophic, the price unbearable.

Everything he'd ever done to protect the world could still come crashing down...and in a sick twist of fate, he would be alive to see it.

And, shockingly, so would Mythal.

Mythal, whose fragment has just been chilling in a swamp for centuries in human form. Mythal, whose abuse of him lasted through the entirety of the world's history. Mythal, who, due to the Evanuris's betrayal and her abusee's abandonment, has become little more than retribution.

Mythal, who could have set him free at any point in all this time and didn't, because he was hers.

Mythal, who is the only remaining person with the power to do what he feels must be done.

I find it interesting that they chose not to use the post-Inquisition dialogue at all. Interesting also that they used Mythal's voice actor and not Flemeth's. This feels like a retcon, but we'll go with it. Whatevs.

"I knew that you would find me soon enough. You need the power of a god, the strength that I alone still carry."

She's still asserting her own godhood.

He's not having it. "The blighted Evanuris will soon break free from their prison. I must make a stronger one that can contain them."

He's not wrong. Not even a little bit wrong. And he's also right that she won't help him. Why would she? She never has.

"While the prison is important, it is not the only goal you seek."

"Why should I not tear down the veil? And bring back immortality to all the elven people? They deserve it."

And this is where I get even more raging, because Mythal's answer is this: "The elven people of today do not deserve to see the world they love torn apart to salve your conscience."

I'm sorry, what?

The world they love? The world that has offered them nowt but literal genocide for thousands of years? The world where in Tevinter, they're chattel slaves and worse, fuel for blood magic without a thought? The world where in the "civilised", slaveless nations to the south, they're either confined to alienages and subjected to repeated genocide (that's what a "purge" is, if anyone isn't clear on that) or the remnants of the Dales, who are the descendents of another enormous genocide? The world where elven magic has been pillaged but elven mages in human settlements are confined to Circles and abused or made tranquil or also genocided by Templars invoking the Rite of Annulment? The world where they're called "elf savage" and "rabbit" and "knife ear" and cannot participate in Thedosian religious life because the Chantry erases every instance of elves from even the Chant of Light? The world where it took the Inquisitor installing a perpetrator of genocide on the Orlesian throne (both Celene AND Gaspard fit this bill) and either having Celene reconcile with Briala (Briala and Celene's relationship could be a whole other post. Boak.) and blackmailing them to give a single elf lands and a title? That world????

What the fuck, Mythal, die faster.

I got real mad there for a second. I'm fine. I'm fine!

Solas, once more, simply says, "I must fix what I have broken. I am sorry."

More than she deserves, frankly. Man's a mess, but at least he tries. She's been chilling in a swamp and pulling puppet strings for ages and abusing her kids. Nudging history like it's some sort of hobby, because it has always just been pieces on a board to her. They have never been people in her eyes like they are in his.

"As am I, old friend."

Aye, get tae fuck. Friends don't treat friends the way you treated Solas. The closest thing to an apology Solas will ever get from her is that she pretty much just lies down and dies when he comes to kill her. And she still won't set him free before he does. Has to continue to twist her own knife.

This scene has me riled.

And this takes us back to the beginning of this post.

To her essence showing up to release him from her service.

In what is, to me, the least accountable, bare minimum non-apology (she never actually says she's sorry) I've had the displeasure to witness in a videogame, with Solas literally cowering before her and offering her a knife to kill him with since this is the first time he's seen her actual, non-Flemythal face since she died.

This was never a friendship of equals. Ever.

She got one thing right. She did break him. But she knew it all this time, and she never took a single step to put it right until pushed. Her corner of the Crossroads, which he built for her in the desperate hope that she would show a glimmer of the friend he believed she was, notably has a pair of wolf statues. Both beheaded.

She's spent all this time punishing him further.

He never went to visit her? I wouldn't either. I could not blame him.

This has gone to an angry place. So let's conclude with what is, I think, the entire point.

Grace.

"I lied. I betrayed you."

"I forgive you."

Has anyone--anyone--in all his long life, ever said those words to him?

I'll say that again: has anyone--ANYONE--in all his millennia of existence, EVER said those words to him?

I forgive you.

Mythal certainly didn't.

The world certainly didn't.

He has shouldered all the blame of an entire pantheon, a war that broke the world, a blight, everything, always, and while people have come alongside him to help him, I am not sure anyone (certainly not anyone he cares about) has given him the grace of forgiveness.

The beauty of this final scene for me wasn't just Ilaana, wasn't just Ilaana reuniting with the man she has loved for a decade who has spent all that time pushing her away so he couldn't--in his mind--inevitably poison the love of the only person who has seen his spirit and cherished it without twisting him.

It was the slow realisation that Rook trusted his love enough to try.

It was Morrigan, who carries all Mythal's memories and her own of Flemythal's abuse and machinations, who responds to Rook's question about her views of Solas with: "Or do you mean to discover if I would stand directly against the Dread Wolf, were there a need? I shall aid you in any way but that. What has passed between Solas and Mythal...I beg you: do not ask this of me again."

Morrigan knows. She will not raise a hand against him. She will not try to stop him. She will let the veil fall. She will not fight with Rook. Because she knows this being whose memories she holds has harmed him enough.

Solas, in these final moments, even before Mythal shows up to gut punch him, realises all these people have somehow, somehow, banded together to help him.

Not work for him.

Not be his agents.

Not worship him.

Not follow him blindly.

To help him. To help Solas. To help him, after all this time, take the first steps towards himself. Towards his own essence, so long twisted into something he never sought or wanted.

The Inquisitor and Morrigan certainly understand what it's like to be seen only as the symbol others raise in your image. Rook will learn that someday, but is still naive.

But even with that naivete, willing. Present. Able to put aside being a chess piece on his board. Able to see that they would never have succeeded without his help. Able to trust two people who know him better than they ever will.

Able to offer him grace.

And when they produce Mythal's essence, how that must brutalise him; to think that perhaps all this has been to let his abuser kill him back. He clearly thinks that's what's happening. He breaks. He fawns. He offers her the blade that has caused so much pain.

Her release of him is the bare minimum she owes him. I've already railed about that.

What is transcendent here, transformative--it is the mortals.

The mortals offering grace to a god who never wanted to be a god.

It's them together showing him a way out of an endless cycle of trauma and abuse. No one of them alone is enough. Without Rook, they wouldn't have Mythal's essence; Morrigan can't go get it, and she can't do what is needed because she's not actually Mythal, only has her memories. Without Morrigan, who can stand there with those memories but from the compassionate perspective of someone who has watched them in horror from the outside. She's far from objective, but she can do this one thing to help.

Without the Inquisitor (romanced or not, still someone he let know him as he most desperately wanted to be known--the Fade-walker, the Dreamer, the humble mage who desperately needed a friend). The Inquisitor, who kneels before him to comfort him. Who sees his hurt and responds.

If romanced, without Lavellan, who kneels to repeat back words he once shouted at the Nightmare in the Fade after Adamant.

"Dirth ma, harellan. Ma banal enasalin. Mar solas ema mar din." (Speak, traitor. Your victory was fruitless. Your pride gives way only to your death.)

To which Solas replied, "Banal nadas."

On the surface, nothing is inevitable, but can also be taken to mean that nothingness is inevitable, entropy, the final void. (Thanks to Dumped, Drunk, and Dalish for this excellent long post on this scene.)

And here is Lavellan, kneeling beside him with those words. "Banal nadas ar lath, ma vhenan."

Nothing is inevitable but the love we share, my heart.

I see everything you are, all you have done, and I love you. I forgive you for the pain you have caused me. I understand, see, and forgive.

No one has ever shown him grace like this.

Ever.

And Solas, this shattered man, sobs.

He sobs.

Someone has taken the trouble to isolate his voice in the video. This man has nothing left. And, after millennia of this trauma cycle repeating over and over, he is finally free to make the choice he wants to make. It's not the outcome he wants; that has to be said. He doesn't want to leave the veil up. He doesn't want to be bound into prison forever with no hope of seeing the world he fought for ever return.

But he is done.

In the Fade after Adamant, there is a cemetery with the worst fears of every companion scriven on shrines and stones. Solas's is dying alone.

After all of this, he is willing to face just that--and would, if not for her.

She knows his deepest fears. She has faced the demon Mythal made of the man she loves. She has given unwitting comfort to the spirit of Wisdom still within. She has seen his sweetest self. Nurtured him, cherished him, and has been nurtured and cherished in return.

Does she want to leave the world behind and spend eternity in a Fade prison? Probably not her first choice. It's not my Ilaana's; she has been on his side all this time, dreaming of a world where the spirits she loves can be reunited with the world in peace and ready to make that happen.

But it was not supposed to happen this way. It did happen this way anyway.

He has sacrificed everything--everything--including his own spirit self, his soul, his life. How could she not offer him what no one ever has? A friend forever, a lover willing to walk the din'an shiral by his side, a companion to ward off the forever alone.

Together, the two of them can begin to heal, with their counterpart who has always seen through the burdens of the world to the soul within.

This is the only thing I've ever had any faith in. Grace I know you carry us Grace And it was such a mess Grace I don't say it enough Grace You are so loved

#solavellan #a solavellan heart beats in my chest #bellanaris #solas x lavellan #solas x inquisitor #solas romance #veilguard spoilers #da4 spoilers #datv spoilers #fen'harel #solas x female lavellan #ilaana lavellan x solas #these two are my everything forever #breaking trauma cycles

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tititiri · 2 years ago

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Here is third to collection

you know what i hate about myself is that every time i see legato all i can actually see is seto fucking kaiba

look at themmm

they're the same fucker!!!

#barbie is more like Kaiba from season 0 #he has green hair and brown eyes....and willingness to kill his younger useless brother #also big ego...#and he's tall...#okay bye #i don't want to give you too many spoilers 😇#thank you for attention #magi #barbarossa

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juney-blues · 4 months ago

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June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.

The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.

The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.

In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)

For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)

All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.

If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.

And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."

You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.

But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)

you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.

It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.

If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....

Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"

*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.

#juney.txt #homestuck #june egbert #junecourse #idk why i'm so autistic about this topic

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celestiamour · 8 days ago

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Accept my Hyun-ju request and my life is yours 😩🛐 (/lh you totally don't have to accept it if you don't want to <33)

BUT. The part where Hyun-ju is about to leave to fight the masked guards. Throughout the games, fem!reader developed a crush on Hyun-ju and before she left to fight, reader decides to go for it and give her a goodbye/good luck kiss 🤭

I am SO obsessed with this queen omg

ft. cho hyun-ju x f! reader — squid game

╰₊✧ giving her a goodbye kiss before she leaves during the revolt┊0.8k words

setting: season 2, episode 7 contains: , angsty & open-ended, season 2 spoilers, canon-typical gun violence! love confessions, reader is sapphic obviously, mentioned homophobia/transphobic in conservative korea

➤ author's note: i’m so glad to see so many requests for this queen, i’m also obsessed

“goddamn it, where the fuck is dae-ho?!” you could barely even hear yourself over the sounds of shots being fired on both sides, hiding behind the pink walls which were steadily being painted red with the blood of your companions.

the younger marine had left at some point to gather more magazines from the pockets of the deceased guards back at the barracks, but he was currently nowhere to be seen and the situation was becoming more dire by the second. although you had been conservative with your bullets to focus on accurate hits that would kill them on the spot, there were only a handful left at the moment and some of the other men were completely out.

over all the ruckus, you could hear hyun-ju yelling into the walkie-talkie trying to get a hold of him, but he was nowhere to be seen or heard so she roughly shoved it into her tracksuit pocket and began to shout, “something must have happened! i’ll go down and check!”

“wait, let me come with you! it’s too dangerous to go alone!” you tried to get up from your position but was stopped when an oncoming bullet managed to graze your face, making you shriek in surprise as a shaky hand lightly brushed at the wound and found your fingers now smeared with blood.

“it’s even more dangerous for you to move from your spot! i’ll be okay, i promise!”

her determination was awe-inspiring, yet your heart sank at the realization this might be your last time seeing her face. your affections toward her were unexpected even though you already knew you loved differently than most people did, something you both bonded over when being a part of the lgbtq+ community was still a taboo topic socially, but you found her to be beautiful inside and out with her caring personality and resilience in times of danger even though you were too scared of ruining your special friendship to admit it. you had no idea it was possible to become so attached to another in the span of less than a week, being so surprised at the realization you stayed up for hours when others were asleep to take it in. the only other person who knew about your feelings for her was young-mi, and she was…

suddenly hyun-ju was next to you wiping away the sole tear about to drip down the corner of your eye, holding on to you with a worried look on her face, “are you okay? i thought you went into shock for a second.”

god, you didn’t even notice with the battle going on around you sounding almost muffled with the two of you feeling like the only souls for miles around. everyone here insisted you should stay behind on account of being a woman even though you believed you had proven yourself to be tougher than most throughout the games, but she had faith that you could fight just as fiercely as a man and defended you each time they said you should turn back. (as annoying as it was, you don’t blame them since they were only looking out for you.)

you stared back at her for a second, blinking away thoughts of the past to focus on the present, the knowledge of this possibly being your last interaction with her once again coming to the forefront of your mind. taking in a deep breath, you decided “fuck it” with closed eyes and pulled her towards you for your first and possibly last kiss.

her eyes remained wide open in shock, trying to process the sudden action. it lasted for a few seconds but felt like an entire minute, feeling your soft lips against hers as she reciprocated the kiss and feeling her heart jump for joy. the earth seemed to stop spinning for those few moments until a voice called out to interrupt. “hey lovebirds! we’re kind of in the middle of something here!”

you finally parted with her, gazing deeply into her eyes and noting her blown-out pupils. “come back safe, and when we get out of here, we’re going to pay for your surgeries and move to thailand together, and i…” you closed your eyes again, taking a deep breath to muster up the bravery to utter the words you might never be able to say again, “i love you.”

now it was her turn to stare at you. you loved her? loved her as she is? she can’t remember the last time she heard those words after getting essentially disowned by her family. she always knew, deep down, she shared the same feelings for you, but was too scared she would end up alone again as she has been for so long so chose to push them down out of fear of rejection. yet when you’re by her side like this in the face of certain death, she feels courage. “i love you too. we’re going to get out of this together,” her confident voice made it sound like she was an oracle who already foretold your happiness in the future, “but first, you guys are going to have to cover for me.”

“don’t worry, i got your back!”

#📜. her works #cho hyun ju #cho hyun ju x reader #squid game #squid game x reader

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confused-pyramid · 8 months ago

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Breaking Point

pairing: art donaldson x fem!reader

summary: You and Art were hitting partners (and a bit more) in college, so when you run into him a decade later at the U.S. Open, old sparks reignite...

word count: 3.4k

warnings: SMUT, p in v, oral (fem!receiving), slight marking, drinking

a/n: I watched Challengers last night and then wrote this whole thing in one sitting. Nothing in this is really canon other than Art being a major simp lol so no spoilers for the movie! I usually make playlists (or at least find a few songs that get me in the zone) when writing, so I thought I'd start sharing them here too if people are interested!

You should've known he'd be here. You've been following his career for the last decade since you graduated, and ever since he won Wimbledon last year, he's been tennis royalty, but a small part of you still thought you wouldn't run into him here. At the fucking U.S. Open.

Stanford was a lifetime ago, and you haven't kept in touch with anyone from the college team, but there was always something about Art Donaldson that stuck with you. Ten years later, that hasn't changed.

"It's been so long," he calls out when he spots you from across the practice courts. "I didn't think I'd see you."

You didn't either, and you still haven't decided how you feel about it yet, but when he jogs over to your side, you just shrug. "Guess it's your lucky day."

He smiles, and his teeth glimmer in the bright sunlight. "It certainly is."

The loud thwacks of tennis balls hitting rackets echo around you, but you can't seem to focus on anything but the man standing in front of you. He looks good.

He was beautiful in college too, whether he was training across the net or slipping into your bed, but it feels different now, with so much time apart. He looks like a man now.

"Anyway," Art says, jerking you back to reality. "We should get a drink sometime. To catch up."

He adds the last part almost as an afterthought, but it doesn't escape your notice how his eyes have been trailing up and down your body since he walked over.

A drink could mean almost anything with Art Donaldson, but you're too curious to refuse. "Sure. This weekend, after the semi-finals."

He nods, his eyes glinting with amusement, and you grab your bag from the bench beside you before looping the strap over your shoulder.

You walk off the practice courts after one last glance over your shoulder, and you feel his eyes following along until the doors swing shut behind you.

***

He should've expected this. You were a firecracker in college, and you kept him on his toes every single day you were together, so he really should have known what he was getting into when he met you for drinks that weekend.

Instead, he's one too many beers in, and his buzz is only enhancing the glow of your beauty in the hazy bar light. Your dress isn't even that low cut, but something about the shadows glancing over your strong shoulders reminds him of late nights in the Stanford dorms after a hard practice when there was only one thing he wanted more than sleep.

"You played really well this morning," he says genuinely as he sets his beer back onto the table. "After that first set, Mueller didn't stand a chance."

You flash him a dazzling smile as you shrug, resting your chin on your palm. "I had her after the third game, but thanks. It was a quick match."

Art hasn't taken his eyes off of you since you sat down, and while prolonged eye contact usually makes you nervous, you find that you're actually enjoying the attention quite a bit. Attentiveness was never an issue with him, and you would normally give in to your urges, but there's just too much history with him, and you can't afford to lose focus. Not when the title is so close you can taste it.

"I hear the networks are eyeing you for a commentator post," you say, trying to change the subject.

You trace your finger around the rim of your nearly empty margarita, before lifting it to take a final sip, and you don't miss how his throat bobs as you lick the salt off your lips.

"Uh, yeah," he mumbles, clearing his throat. "It was just some chatter, but I'm not looking to retire anytime soon."

You frown. "Is that right?" He's playing better than ever, but he definitely hasn't been himself out on the court in years.

He glances down, clearly trying to avoid the scrutiny, and when his eyes land on your empty glass, he changes the subject again. "You want another drink?"

You shake your head, knowing that another will lead to a less than fun morning, but he isn't done yet.

"You sure?" His eyes find yours again, and this time the eye contact feels primal. "It doesn't have to be here."

Your eyebrows lift and you tilt your head with a knowing smile. "Where were you thinking?"

"I don't know," he shrugs, before his lips curve up into a cheeky grin. "My room's nice."

You saw it coming from a mile away, but it still pulls a laugh out of you. "Oh, I'm sure it is, but this isn't college anymore, Art. You should get some sleep...focus on your match in the morning."

You push your glass forward and stand up, nodding at him as you turn to leave, but then you see him stand too out of the corner of your eye.

"I'll walk you to your car."

He looks at you with a hint of amusement in his expression, and you can't help but want to play along, even though Art Donaldson was nothing but trouble for you.

You don't respond, instead just stepping out from around the table and walking out the front doors of the bar. You don't have to turn back to know he's right behind you, and when you reach your car, parked in the center of the nearly empty parking lot, you spin around.

He doesn't stop walking until he has you practically boxed in by your driver's side door, his face less than a foot from yours as he tucks his hands into his pockets.

He had pushed his sleeves back at some point in the night, from the humid summer heat of the bar, and you can see the veins on his forearms now, under the dim light of the street lamps.

"This is me," you say jokingly, tipping your chin at your car as he looks at you with an expression you can't distinguish. "I'm good from here."

He doesn't move.

It's not that you expected him to give up so easily; you had just forgotten how persistent he could be.

Art's mouth stretches into a slanted smile. "Do you remember the Davis Invitational? Junior year."

Speaking of his persistence...he had been pursuing you for months, not in any tangible way, but you always knew what he was thinking.

After the invitational, where you and Art had been the respective men's and women's champions, you had gone back to his dorm to celebrate. Three hours and just as many vodka shooters later, he had finally gotten you in his bed. Not that you were complaining.

Art knew his way around your body, and even that first night, he had managed to get you off more times than you can remember.

"What about it?" you shoot back, your eyebrows raising at the insinuation.

"Nothing," he says with a shrug, but you don't miss the humor glinting in his eyes. "You just used to be a lot more fun to celebrate with."

"Fuck you," you spit out, shoving his shoulder harder than you mean to. He barely budges, instead grabbing your hand and tugging you a few inches closer, and suddenly a wave of lust washes over you, making your breath hitch.

You press your thighs together under your dress, hoping he can't feel the heat spreading across your skin, but then his smile turns to a smirk and you know you're done for.

"What do you think?" he whispers, leaning in so close that his lips brush over your earlobe. "Want to celebrate?"

Molten lava pools in your gut and you are only peripherally aware of his hand sliding down your hips to the flowy edge of your dress. His fingers glide over your skin as his hand goes under the loose fabric, before rising up to grab your ass, drawing your hips flush with his.

Your arousal is already starting to soak through your panties, but the feeling of his hard bulge pressed up against you sends you flying back to reality.

You lift your hands to his chest and push him back so that he's a few steps away from you. It's not far enough, but at least you can't feel him from there. "I'm not fucking you, Art."

He shrugs, his smirk only slightly shaken. "Who said anything about fucking? I just wanted to talk."

You huff out a laugh. "You're funny. Besides, I'm too tired for this. I need to rest up before my match."

"What about tomorrow night then?" His lip is still curved up in a smirk, but there's an earnestness in his gaze that surprises you.

"What makes you think you'll still be here tomorrow?"

His mouth spreads into a wide smile. "I always win."

You snort. "Fine. Win your match and we can talk."

You don't miss the grin on his face as you climb into your car and leave.

***

You win your next match in straight sets again, so by the time you're out of the locker room, Art's match is still in play. Driven by a mixture of curiosity and intrigue, you head over to his court and find a seat halfway up the stands.

He has won two of three sets, and he's leading the fourth, so with the prospect of the match ending soon, you use the time to observe him from a different angle.

His form is much better than it was in college, and you've seen him play countless times on TV, but you haven't really let yourself see how good he looks out there. The sinewy muscles rippling in his arms as he lifts them to serve. The rugged sturdiness of his legs as he races back and forth across the court.

You wish you could be down there with him, running your hands over the smooth lines of his abdomen, tasting the drops of sweat as they roll down his body-

The crowd erupts in cheers, and you are thrust back into reality as Art throws his arms into the air with a loud whoop. The scoreboard confirms his victory, and you clap along with the audience as he shakes his opponent's hand and heads over to his chair.

People around you stand up to leave, but you stay in your seat, watching as he grabs his bag and stuffs his rackets inside. When he wipes a towel over his face, his head turns up and his eyes immediately go to you, like he knew you were here the whole time.

Your stomach does an involuntary flip and he flashes his eyebrows at you as you bit the inside of your lip, trying to hold back a smile.

When he ducks back down to grab his things, you stand up quickly to avoid letting him see your blush and follow the rest of the crowd off of the stands.

***

You hear it late that night. Three little raps on your hotel room door, just before midnight.

You're in the finals, and you don't have any friends here to celebrate with, so you were sipping a beer and watching old match recordings when you heard the knock.

There's no one else who would come to see you this late, so you're not surprised when you open the door to find Art, dressed in a tee shirt and comfy-looking pajama pants.

"What are you doing here?" you ask, even though you already know the answer.

Art just looks at you, his pupils already massive. "You said if I win, we could talk." He shrugs. "I won."

"Okay," you concede, opening the door wider to let him in. "Just talking then."

He nods, before following you inside and shutting the door.

"You want anything to drink?" you ask as he trails behind you.

He shakes his head. "I'm good."

You grab your beer bottle from the side table and sit down on the floor, crossing your legs beneath you.

Art sits across from you, his feet in front of him and his elbows on his knees. You were assigned to a modestly sized room, but for someone as tall as him, the space must feel cramped.

"How did the match feel?" you ask, taking a swig of beer.

He thinks for a moment. "It was close at first, but once I shook my legs out, it became a breeze."

"Your legs were never the problem," you say, leveling him with a serious look. "It was always your attitude. Or your confidence."

He frowns, his eyebrows scrunching slightly. "I'm plenty confident."

"You are now," you tell him as you swirl the bottle around in your hand. "You won Wimbledon, you have a reason to be confident."

That makes him smile. "So you're saying my legs are fine."

"Yeah," you say before you can process what you're saying. "You looked good out there."

His smile turns to a smirk so fast it nearly gives you whiplash. "You think I look good?"

You let out an exasperated scoff. "At tennis."

His grin doesn't falter so you roll your eyes at him before lifting the bottle to your lips to take another swig. When you tilt the bottle back down to swallow, his hand reaches forward to take it from you. Your grip on the beer doesn't loosen, so the motion sends you pitching forward.

Your mouth parts with a small yelp as his arm wraps around you, tugging you closer, and before you can process what's happening, his lips are on yours.

If you let yourself think too hard, you would realize that there is way too much shared history and way too much baggage here for this to be a good idea...so that's why you don't.

Instead, you let him pull your body flush against his and when his tongue slides over the seam of your lips, you grant him access immediately. Your shirts come off in quick succession and you gasp as his hands run up and down your body, his strong, calloused fingers grasping at every inch of purchase they can find. Yours reach up to tangle in his messy hair, and when his lips move down your neck, your grip tightens, making him moan quietly against your skin.

Something about being on the floor takes you back to your college days, when you'd both be so worked up after practice that you couldn't even make it to the bed, but that feels too real right now.

"Art," you whisper as he runs his lips and teeth over your neck, before replacing it with his tongue to soothe the quickly blossoming marks. "Art, the bed. Now."

It takes him a second to process your words, but when he does, he loops an arm around your waist and lifts you up and onto the bed in one motion, before pushing you back onto the covers.

By the time your head hits the bed, he's already pulling your shorts and panties down, exposing you to the cool air. His lips follow the path of his hands as they trace up your legs, making you squirm under the hot touch of his rough fingers. He presses wet kisses to the insides of your thighs before spreading them apart and dropping to his knees on the floor in front of you.

"So wet for me," he whispers, almost to himself, before he dives in, his mouth making lewd noises as he licks a thick stripe up your core. "You taste so good."

He lifts your legs over his shoulders to give himself some leverage as he makes a mess between your thighs, licking and sucking your clit into his mouth before fucking you with his tongue.

His grip on your thighs is the only thing keeping you pinned to the bed as you writhe beneath him, trying to not squeeze your legs together from the heat spreading up your core.

His mouth feels amazing and it takes only minutes before you're already nearing the edge. You don't want to come until he is inside of you, though, so you yank his hair, pulling him up and off of you.

He looks up at you through his lashes, and he looks ethereal with his disheveled hair and his chin wet with your slick.

You, on the other hand, look like heaven itself with your eyes half-hooded from pleasure, and he can't help the grin that crosses his face as he licks his lips and climbs over you onto the bed. He lets you taste yourself as he kisses you again, and he lets out a low groan when you bite his lip just hard enough to sting.

"Fuck me," you gasp, your voice too breathy to be actually authoritative. "Fuck me the way I like."

Art grins at your desperate tone and the wild lust in your eyes, committing this image to memory for a later time when you're much further away.

He kicks his pants off as he lifts you both further up the bed, and after covering himself with a condom from his back pocket, he lines himself up and slowly pushes forward.

He gives you a few moments to adjust to his size before slowly pulling out nearly all the way and then thrusting in again.

The slight pain turns to pleasure almost immediately, but he keeps his pace steady so as not to hurt you. You need more right now, so you wrap your legs around him for leverage and flip him over so that you're straddling him.

He groans as his head hits the pillow, and when he tries to sit up, you press your hands to his chest, pushing him down as you ride him. This position gives you a lot more control, and you use it to your advantage as you bounce yourself on his cock, feeling the way he fills you up so fully from this higher angle.

His fingers dig into your hips as he helps lift you up and down, and his eyes are practically feral as he watches the spot where his cock disappears inside of you.

He's the perfect size to fill you up completely, and with each swivel of your hips, you get closer and closer to your climax, which is approaching so fast you can taste it.

You cry out when he hits exactly the right spot deep inside of you, and his eyes fly to yours as your movements start to stutter from your impending release.

Needing to see the look on your face when you come, he pushes your lower back forward so you fall against his chest, before lifting himself up to meet you halfway. With one arm locked around you, he brings his other hand down between the two of you to rub quick circles over your clit. The new angle lets him thrust up into you, and the increased pace of his movements mixed with the speed of his fingers sends you flying over the edge.

Your mouth falls open with a loud cry, and you squeeze him so tightly he's practically seeing stars. You look so beautiful when you come, like a goddess sent down here just for him, and when your eyes meet his, he finds his own climax.

His body jerks forward with the force of his release, and you let him thrust a few more times as he finally finishes inside of you.

After pulling out, he tugs you down to lay next to him, and at first you let him, but the emotions warring inside of you don't stay quiet for long.

You know that whatever this was isn't going to go anywhere. You didn't work in college, and you won't work now, and you don't want anyone to get hurt again, so you have to make a choice. Now.

"I need to get some rest," you say quietly, a tiny part of you hoping he doesn't hear you. "Before the next match."

"Yeah," he sighs after a beat. "Me too."

You let him hold you for a moment longer, before he unwraps himself from your body and sits up, tugging his shirt and pants back on. You tug the sheet back and wrap it around your torso as he stands up and walks to the door.

You're not sure what you're expecting as he goes to leave, but what you get is a silent nod as the door swings shut behind him.

#art donaldson smut #art donaldson #challengers #challengers smut #art donaldson x reader #art donaldson x fem!reader #challengers fanfiction #art donaldson x female reader #art donaldson x you

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