#don’t really have a name for it

[mimikip4744]

Casually drops Precure Ocs*

Electric stage! Roaring with thunderous passion! Cure Lightning!

Glittering stage! The heart of the spotlight! Cure Charming!

Frigid stage! Embracing winter’s theatre! Cure Tundra!

Scorching stage! The wielder of the dragon star! Cure Flame!

…skitters away*

[superbat-lmao]

Jason travels to an alternate universe where Bruce only cares about being Batman. He took in each of his kids to serve the mission, not be his children.

Now, faced with alternate versions of his family, Jason has to grapple with the fact that his Bruce does care, that he is his father. Because the man in front of him now, trying to send him home, isn’t even close.

[squinkoblinko]

Redraw of a DTIYS entry I did for @greasby on insta forever ago hai haiaiis

why is there so much awkward space with this croppifn i’m too lazy to fix zzz

photo for reference (the whole dtiys was just to find a vintage queer photo n redraw it as a tf2 ship :•3 WAS FUN ASF)

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[ninja-knox-ur-sox-off]

how does the Amy and Sonic dynamic work with your versions of the two characters?

Aroace Sonic pt 6 Platonic Sonic and Rose Romantic

1. Amy is still crushing on Sonic just like in most canon material. She knows it’s not recuperated but feelings are feelings and she still likes him quite a lot regardless. (She might have a little bit of a fantasy version of Sonic in her head kind of like crushing on a character rather than an irl person, but it’s only the slightest bit and her feelings are still genuine!) She definitely wants a romantic partner but she’s not one to force herself to change, she plans to let her feelings move naturally in whatever direction they end up going in.

2. Sonic loves his friends, Amy is no exception just because he knows she’s mad crushing on him. NORMALIZE FRIENDS CRUSHING ON FRIENDS WITHOUT IT BEING RECUPERATED AND THEY STILL HANG OUT AND LOVE EACH OTHER BECAUSE THAT’S OKAY! Sonic does not harbour any romantic feelings for Amy. He’s genuinely fine with her liking him and respects her feelings. He loves her in his own way anyways and doesn’t try to avoid doing things that might be seen as romantic just cause she likes him, she gets loved just the same as the rest of his friends thank you very much

3. Yellow Tulips depending where you look can mean happiness, cheerfulness, hope, and “You have sunshine in your smile.”

[julfr]

Spidersona stuff

[potato-lord-but-not]

big fan of your noel and oscar designs!!! also that one panel in the blindfaith art waough,,, now im wondering noels reaction 👁 👁

I was gonna reply to this with “I don’t think I can post that without getting banned” but alas,,, everything after this tho stays in my head sorry

[doctorsiren]

I loved your headcannons about inukawa, reigen and reigens sister and I would really like to see what you think would happen if mob and reigens sister met and I was wondering if you could possibly draw them :D

hello yes I accidentally made a comic after seeing this ask yesterday 😁 bro psychoanalyzed her 😨

[karalovesallthegirls]

Also have another “first words spoken to you are on your skin” soulmate AU idea where Kara is a journalist assigned to shadow the controversial CEO of L-Corp for the day. It’s a big deal for her to get this assignment, so of course she trips the second she’s near the other woman and tries awkwardly to redeem herself.

The CEO stares at her almost in shock, and then says nothing. At all. Ever, for the entire day.

Kara spends hours following Lena Luthor around trying to fill the silence, but no amount of questions get her to talk. Lena almost seems to be running away at some points - like she’s trying to lose her? - and the few times she’s managed to catch her actually talking to someone she goes silent the second she sees Kara.

She asks around if Miss Luthor is usually like this and everyone looks at her like she’s crazy. Apparently she’s the only one who gets the silent treatment. By the end of her first day shadowing she’s walking away with half a page of observations and not a single quote. Miss Grant is going to kill her.

But that’s okay. It’s fine, this isn’t over. She has four days of shadowing ahead of her and she’ll be damned if she doesn’t finish this with a quote from the woman herself. It’s only a matter of time.

[rystiel]

idk what we’re all calling the concept of fiddlestan working together but i’m calling my version the portal partners AU 🙏🏼

[applestorms]

(tw for extensive discussions of dubiously consensual sexual situations, typical to canon. also spoilers for the decay route update)

honestly, one of the most interesting aspects of andrew's psyche that we get to see in the most recent decay route update to me is his nearly unending hesitancy about having sex with ashley, despite both his overwhelming desire to AND her incredibly blasé, Yeah Sure Let's Do It attitude in response to the question.

while the end of the burial route provides some key insight into ashley's point of view regarding this topic (e.g. if you go with the less enthusiastic/more teasing answer to andrew's question of "we're not like that, right? right??"), and the shots & such ending provides even more intrigue into her motivations, i think that decay presents two key reasons as to why andrew has continued to hold back for so long: his two core conflicting desires, and an inability to see ashley as her own full person. notably, both of these parts can easily be connected to his mother's childhood abuse and parentification of him as well.

with regards to the first point: andrew has two main overwhelming desires at the heart of his character that motivate most of his actions, which unfortunately for him are completely incompatible. andrew wants:

to be a normal, average person-- someone who can hold a steady, respectable job, fit in at the block party BBQs, and not attract any negative attention from the neighbors.

to fuck his sister.

to some degree, you could even read the distinction between the two main routes themselves (burial and decay) to be motivated by whether or not andrew can diffuse the tension between these two wants-- in burial, he gives up on his need to fit in with the rest of respectable society, presumably pushing him more towards the fucking-his-sister route; in decay, he struggles significantly to let go of this desire for normalcy, and the stress almost always breaks him. notably, in neither of these routes can he fully give up on the second desire-- really, his relationship with julia and the rest of his life up til the point that ep1 begins has been about him trying and failing to do so, so this makes sense.

(sidenote: i would also like to clarify that i think the Most key distinction between these two routes comes down to the decision you actually have to make to get one or the other-- namely, whether or not the siblings are able to trust one another. but anyways)

this focus on the first desire for normalcy is also interesting in that it seems to be one of the core desires that renee holds as well, as we see her so happily boast about during their interactions in ep2. honestly i could probably write a whole post about how much andrew (consciously or, more often, not) mimics his mother's behavior and takes on her standards and ideals, but the key point to pay attention to here is the fact that andrew has subsumed his mother's viewpoint in such a way that he is either not fully aware of or simply hasn't questioned in all that much depth yet.

we can also see this with the aforementioned parentifiication, which has really interesting consequences on how much andrew does (not) see ashley as her own autonomous person. pretty much every single childhood flashback we get in 3a shows the same terrible cycle:

andrew is told by renee that ashley is His responsibility -> ashley causes problems on purpose -> andrew takes the fall for her

frankly, we don't even really need that first step for andrew to fully internalize the idea that ashley's actions are His to take responsibility for. the horrible consequences of this are also quite obvious: not only is this pressure to take responsibility for someone else's actions an incredibly unfair burden to put on anyone, much less a kid, but it also continually pushes andrew to see ashley as something less than human, or as little more than an extension of himself rather than her own person.

the main conflict in decay really comes down to this conflicting desire between the two of them, where what both andrew and ashley want above all else is Complete and Utter control over the other-- andrew wanting control because he has again been groomed to see ashley as his full responsibility, and ashley wanting control to assuage her own insecurities and fears about being isolated and hated forever. the more sympathetic throughline underlying a lot of this is that what both of them seem to want is safety, to protect both themselves and each other from any and all situations outside of their control-- though, unfortunately, a lot of times those exact external situations are simply the other acting on this mirrored desire for control lol.

anyways, going back to the sex thing-- since andrew doesn't see ashley as her own person, since he sees her as incapable of taking responsibility for her own actions and therefore as someone who cannot make decisions for herself, due in large part to him automatically transferring this burden to himself, andrew also sees ashley's consent as essentially meaningless.

the more sympathetic reading here is that andrew does genuinely want ashley to be at least kinda into it as more than a manipulation tactic/transactional thing-- but i think it's also equally likely that andrew simply doesn't want to have to once again shoulder the full burden of Committing Incest on his own, and he doesn't trust ashley to ever be even capable of taking the fall for her own actions. the fact that andrew still ultimately sees ashley as Leyley and NEVER as Ashley Proper (as he himself recognizes at one point) really just reinforces this to me. he says it himself-- he practically raised this woman. and in this case, even above all others, ashley's actions are quite literally also his own. it all goes back to that initial mistrust, and he carries that resentment with him even after they get around to actually doing it. mutually dubious consent, truly in-fucking-deed.

[the-meme-monarch]

is this a ship that exists. (toy)cat and laptop. sorry

(original under the cut)

[remus-poopin]

When will the albus severus name discourse in this fandom die omggg. I feel like people are missing a really crucial point when talking about this, which is that all of these characters’ lives were defined around war. No, ginny would not have an issue naming her son after snape because he was a dick to neville! Snape dedicated his entire life to fighting a war on the side she was on, a war that her whole family was heavily involved in, a war that she fought her entire sixth year, a war that took her brother's life, why in the world would she care about something so considerably petty like snape being a shit teacher when he fought and died heroically for her and her loved one's lives?

[ninja-knox-ur-sox-off]

Listen i don’t…. I don’t have words I just have vibes to present okay i just have vibes

[poorly-drawn-mdzs]

In love with the idea that innie lwj is bouncing off the walls constantly. No emotional regulation. No social skills. Pure chaos. He deserves it

Given what we know about Drunk LWJ, it stands to reason a severed version of him would be also uninhibited and unfiltered.

If his outie has tamed his tempers, his innie is collecting them like a child at an unmonitored candy bowl.

[four-unwell-lesbians]

Thinking about the way dungeon meshi does queer horror. Using horror to tell queer stories is already subversive, but dungeon meshi subverts it even more

Normal queer horror is like. A monsterous desire and immortal love of something isolated/hated and the uncontrollable but suppressed need to consume someone to live and they only die if you break/pierce their heart. its great.

In dungeon meshi, the group is STARVING. they do things the way they're expected to and they're so deprived that eventually, one of them is consumed by that monsterous desire.

Then when Falin becomes a monster, she doesn't eat Marcille because she doesn't NEED to, Marcille already offered herself up as part of Falin by mixing her own blood with the dragon's for the resurrection.

Also Marcille is a monster too!! She doesn't need to be turned by Falin. She's a 'witch' doing black magic for one but she's also very vampiric

Her name is super vampirey especially given one of the translation spellings was Marcilla, an annogram of Carmilla*. And Marcille is very similar to Marceline from Adventure Time so it's a name with heavy connotations to me. Also her staff is Ambrosia which means immortal.

*ps Carmilla is the original modern vampire that inspired Dracula and also a lesbian. she used annagrams of her name (Marcilla, Mircalla, Millarca) to disguise herself across hundreds of years.

Marcille is like. a vampire in that death is a big part of her theme. She can breathe that immortality into someone else using her resurrection black magic and death is a huge part of her character. She wants them to live as long as she does. To make them immortal. Like. Like a vampire. Vampires which are unholy when her love interest is a cleric.

But once again this is subverted!! she doesn't 'turn' Falin, she makes her undead by giving her own blood instead of taking Falin's. Falin becomes a monster not because she's attacked or turned, but because her DNA, something INHERENT about her is now intertwined with the monster. so a god-like figure merges them. Then the only way to free her from that frenzy and grant her autonomy again is to finally consume her. something inherently lesbian about all that i think idk about you