#do people just not look for their fandoms in blogs like these?

[biancadoes1]

I am so hyped for Luke! I love sci-fi thrillers and I have a good feeling this is only the beginning of his new projects. That being said I find it REALLY strange how much attention the fandom gives adjacent social media but then flat out ignores VERY interesting Luke and Nicola activities. Like Luke liking that guiness merch post despite NOT following the account but Nicola was tagged in the comments by her friend Jack; she didn’t even like the post if I’m correct or at least hadn’t at the time Luke liked it 🥹. Then we have Luke reposting Netflix insta of Colin meme but the one RIGHT before Wordle In Two (a direct Nicola reference from her Emmys night) and despite he wasn’t tagged in it either. The October 3rd Mean Girls Polin meme which was something Lukola used to do together on twitter. The BRB at the airport and then Nicola posting being on a plane shortly after when BOTH Nicola and Luke have not posted about traveling while at the airport itself. That one I feel like was HUGE and feels way more than a bit coincidental. The “people really want me to marry Luke” TIME magazine article. Oh and I’m sorry almost FORGOT the part where Nicola was announced for an audiobook about two Costars leads who characters are together in a period drama and then end up falling IN LOVE in real life! Like all of these things when you look at them are pointing in a certain direction of Lukola being together but somehow there’s just more weight put on other things that aren’t from Luke and Nicola? Not to also mention Nicola making an effort to scrub her tags associating her and JD as romantic partners. Yeah I mean we’re all speculating of course but just seems so weird to me that any Lukola positive signs get swept under the rug but the tiniest adjacent post is analyzed with a microscope lol. That being said I love your blog and appreciate you highlighting the actual people involved in the Lukola ship; Luke and Nicola lol.

Literally any thing pertaining to Luke and Nicola either together or separate is just tossed out the window the moment certain people show they're online.

It's mad annoying. It needs to stop.

Also, thank you anon for your kind words. I truly appreciate it 😊

[factual-fantasy]

27 Asks! Thank you!!! :}} 🐗

@sillyandquest

I really want to show them off but I also really don't want people to steal/use them <:( I've had too much of that recently..

Also thank you!! :)))))

@ocinstit

I'm not sure what you're asking.. <:0 So far he's only seen her in her security guard uniform if that what you meant! No Vanny costume yet.

@platinumsun490

WWAAAAHGHG THANK YOU!!! :DDDDD

:DDD Thank you! I'm glad to hear you like how I do my asks! Also I hope you have a better time in the fandom than I did 😅

I have not played it or seen a play through yet <:00

(My cookie run ocs)

Thank you <:) The doctors believe they've found what it is and now its a matter of trying to treat it..

Also AAAA THANK YOU SO MUCH!! :DDD What inspired me to make them was seeing other people making pirate cookie OCs and all the beautiful and creative designs everyone had. It made me want to make some of my own! :}}

As for how I designed them, I'm afraid its a process I cant really explain.. I just kind'a slapped things together and tweaked them until I was satisfied. Although I kept in mind that I wanted all of them to look different. So if I accidentally game 2 of them the same shaped shirt collars, I'd go back and change it on one of them :00 I think that con

Now, some information...

Well, the first thing that came to mind is Blue Beauty's lore change! :00 I changed it so she came from the same ocean that Star Coral cookie is from! So her redesign will be very space themed...👀👀

And lastly, thank you so much! I hope tomorrow goes well for you too! :))

@captain-skyler1987

LSKJFKSFSKDFSK

@avaveevo

She's pretty much the same as she is in canon, minus a few dialogue charges :0

@lycaran

DARK CACAOOOOOOO 😭😭💞💞💞💞

@ozzytheplushiemonster (XDD Its okay, I was late too)

I present to you!,

A barrel of redvines! :))

@smithanonsworld

I wanna pet it so bad <:'((((

@misscherrypie

AWWW I LOVE THEM ALL SO MUCH 😭😭💞💞💞

Man, for their own sakes the Autobots shouldn't study most of our history 💀

@palettepainter

The main thing I thought of for my Metagross is that his four brains are slightly out of sync. And when he talks there are four voices talking at once in slightly different tones. Sometimes when he gets really anxious or frustrated the voices will say different things entirely :( the poor guys..

As for my Queenie, yes! She has major mom vibes :))

Thank you very much <:)) you guys' comments have been very comforting during this time 😭💞💞

(Worm post)

XD Well I'm glad you liked the drawing! :))))

@thesweetdevilsamantha

:DDD Thank you!! :)))))

@londontragedies

WAAGG THANK TOOU SO MUCH!!! 😭😭💞💞💞💞

XD aww! What a cute draWHAT DO YOU MEAN YOU WERE ACCUSED OF BLOWING UP A PIRATE SHIP?

@dreamweave01

Thank you so much!! :DDDD And tbh I don't think I can just claim an art style.. If you want to to replicate my art style once or twice purely for the sake of a learning exercise, then who am I to stop you? That's what I did to learn too :0

@r4iri0ts

I've been hanging in there as best I can.. I'm still unwell and these past few days have been really bad so I'm trying to take it easy. Hoping that this will all blow over soon😔

Thank you <:))) I'm hoping this is over soon!

Pirates have become my favorite thing to dress as for Halloween. But I gotta say, your costume is much funnier XDD

@cat7890

I am scared and also confused 💀

I'm hanging in there as best I can. Have had some bad health days recently and all the art theft, tracings and new redesign thefts have been the cherry on top. 😔

Also thank you! :D I used to be so nervous about jumping from fandom to fandom, basically asking my followers for permission to do so. I'm so glad I'm out of that headspace and know fully understand that this is MY hobby blog, and I can draw from what ever fandom I want! XDD

Yeah 🥲

[fantasy-anatomy-analyst]

Anyway, I've decided I will no longer answer questions that are just "hey what about this media over here, how about its designs?" Because I do not have the time, energy, or motivation to explore media I don't already know beyond whatever I can find in a quick internet search/wiki skim, which means I cannot truly go in depth on any of it.

My commentary on that post about good guy creature design vs bad guy creature design has gotten under the skin of some wings of fire fans it seems and I'm just gonna say: I do not care. I don't. I'm sure I would have loved this series when I was 12-18, but I'm not anymore and I have no interest in it. The designs of the dragons are not bad, they just use some cliche visual tropes. When the wiki shows me that one particular type of design looks more animalistic and permanently angry than all the others and says they're slavers who tried a genocide, I think that's evidence enough that regardless of how the story plays out and how many individuals of that species have more nuanced arcs, the intention of the design is to make a reader say "ah these dragons are Bad", perhaps even with the intention of surprising you by then having some of them be not bad, in a very standard subversion of expectation. It's fine. Enjoy it if you love it, I'm not trying to drag your beloved dragon series through the mud. I'm just an adult on the internet running a blog about fantasy design and there is a lot of media i will never interact with outside of people telling me to critique it.

So now I'm just not going to do that anymore. I kinda get tired of seeing a pile of "what about this media!" asks in my inbox anyway, and the more my posts get noticed outside my followers, the more likely it is that fans of the media I'm asked to critique will decide to be mad at me for my opinions on the purely visual aspects of their favorite thing.

I will continue to answer requests for advice in design creation, reblogging other people's advice, and answering questions about broader topics like worldbuilding and stuff. But I'm deleting any questions asking me to critique designs from any fandom. Sorry.

[creatingblackcharacters]

hi there; first, thank you for making this blog and all the lessons you do, i really appreciate them as a Black person because it highlights a lot of struggles i face with fandoms in general, and why i dont interact more in certain spaces. it makes me feel seen

with regards to your questions, i'd also like answers to them from nonblack fans, especially nonblack anime fans. i don't even mean consuming anime with overtly racist caricatures of black characters (because numerous anime fans pirate their anime and never send a cent to the creators anyway), i mean how can they make fanworks of it?

how can they look at something that they are told is wildly offensive, but then defend with "well, this is how it looks in canon"? where is the line drawn between what's okay and what isn't? as long as it's slow and gradual, is there no line at all?

these are probably just rehashings of your own followup questions, so please excuse that, but i do have an anecdote

i joined a casual anime server the other day and a lot of folks were lamenting one Black character's racist design and how often those on social media will replicate it without thinking/caring. The thing that struck me is that, I've checked this character's tumblr tag regularly for a long time. There are always people who will post art/fanworks of this character with his racist design. Yet hardly ever, if ever, (outside of Black fans) have I seen any of these folks- the ones in the discord server- try to talk to artists/writers/fan creators/etc via asks/replies/etc. There's a notable amount of people in that server and a notable amount that agreed the design was outright racist and that they'll never make fanworks like that, and yet still silence

i'm not entirely sure what would be the line, or the "okay, that's enough" moment to spur any of these folks into action. i'm not sure if there is one. the only reason i don't make my own "hey what is wrong with all of you" post and blow up is because I've made a wonderful little friend group in this fandom who get it, and I don't want them to get caught up in whatever happens if I were to make a post like that

And this is just for getting people to stop using the canon design of the character, i.e., to stop drawing him as a racist caricature. This isn't touching on the people who 1) lighten his skintone [he's been horribly whitewashed over time, which has been reflected in some fanarts and fan merch], or 2) give him a looser hair/straight hair texture, rather than his type 4 hair (there's also #3, which is fanfiction with straight up slurs, and horribly racist writing in it that my friend heavily warned me not to read, but that was more of a one-off case and I've had the creator blocked a long time now).

my point being, we (Black fans) can't even get folks to stop with the caricatures, which we have to start with, and then there's even more of an annoying uphill battle with the other stuff. I'm just so tired of all of this; it makes me want delete my own works and turn away from fandom all together because i can't stand it.

trying for polite and assuming ignorance hardly ever works, speaking bluntly doesnt work at all, making public posts hardly goes anywhere (partly because of how rarely people reblog things anymore, partly because it makes people 'uncomfortable' to share this information with others). Black fans so obviously need help to combat this, and yet it's like sitting at a tea party and hearing all these pretty words in this one setting, yet nobody does anything different/better when the party's over/outside this setting.

sorry for dooming a bit, but like, genuinely i would like to know where the line is for nonblack folks? what is the point/are the points where you would speak up against antiblack racism? have you ever considered speaking up? if there's ever a moment you recognized antiblack racism and didn't say anything, why didn't you? did you consider how your lack of speaking up might affect your fellow Black fans? or how Black fans may be interpret this as silent agreement with the racists/with the racist 'norm'?

..those could maybe be alternative ways of asking your last followup question?

(if i've made any blunders or overstepped here, please let me know!)

No, I'm glad you spoke up! I too would like to see answers!

[scoobydoodean]

is there anything you're critical of Dean for? not meant as a gotcha, i just haven't been reading your blog for long.

i just struggle getting out of the Doylist perspective and holding characters accountable. i'm annoyingly cognizant of the external factors like them not wanting to pay Misha or having to cater to a sizeable portion of their audience that preferred the easier digestible, more accessible "two bros in MotW episodes" that didn't serve the overarching storyline or relationships or if they did, didn't take up that much air time or did it superficially (flashback to Dean being called overdramatic in 6x20 because they just didn't. get. it.).

I think it's clear that Dean and Cas’s relationship issues involving communication are an active choice made by the writers that don't just exist because Misha isn’t in all the episodes. If the writers didn’t want us to pay attention to Cas’s absences, they would establish that Cas consistently keeps in communication offscreen over the phone and that things between Dean and Cas are good when they see each other in person. Instead, they choose to do the exact opposite. They show Cas being avoidant and hiding in episodes he's not in and in episodes he's in too. They emphasize that Cas's absences are more than physical—he creates emotional distance—he hides and lies and keeps secrets when he feels ashamed or has become convinced that he needs to handle things on his own. This is a very core character hangup for Cas. It also doesn't make him a bad person. It makes him (for lack of a better word) human. His flaws are understandable and tragic and rooted in trauma, and one of the worst parts about the end of Supernatural is that Cas never gets to fully work through these feelings and have his eyes opened to exactly how deeply he is loved and that his worth is more than what he can do for others.

To be quite honest though, I think people need to become more comfortable with hearing that Cas isn't perfect without jumping to conclude that he is being condemned for being imperfect. No one is perfect—especially not our Supernatural blorbos. That includes Dean who is also imperfect. I'm not sure exactly what post of mine prompted this ask, but I don't actually think I've been that critical of Cas or condemned him for anything. I've only shined a light on some of his flaws—particularly in episodes where fandom has tended to ignore them and condemn Dean as The One And Only Bad Friend.

I guess I just wonder why it has always been acceptable to highlight Dean's flaws (even ones that don't actually exist) without ever mentioning a single thing another character did "wrong" to contribute to a conflict, but when I highlighting anything Cas ever did wrong in a conflict with Dean without a healthy helping of deancrit, people feel I'm not being "fair" enough. It's very clear that people want me to protect Cas more—even against the lightest criticisms— but I'm not sure why he's considered more deserving of that than Dean. I'm also not sure why a doylist perspective would invalidate Dean's experience as a fellow character within the story affected by Cas's absences and not an omniscient viewer who's thinking about how many episodes the writers can afford to put Misha Collins in (and again—I do not think a doylist perspective explains Cas's behavior—the behavior is intentionally written into his character for seasons upon seasons).

I'm not going to fight it if people choose to call me "cas critical" or "sam critical" because that's their prerogative. To be clear though, I don't prefer to engage with stories as competitions where we count up who did the most wrong things and assign that person as The Bad Character Among The Good Characters. I can understand if it looks that way from an outsider's perspective, but I'm actually reacting to fandom largely deciding to engage with Supernatural as if it should be consumed as a story about The Bad Character Among The Good Characters and deciding that The Bad Character Among The Good Characters is Dean. I'm far less critical of Sam or Cas than I'll ever be of fandom’s need to make everything about keeping score of who did the most wrong stuff. It can be fun to shitpost about it to piss of crits, but the actual point of the story isn't to figure out which one did the most bad things and "hold them accountable".

[frostfires-blog]

My Top 15 Favourite Anime (& Donghua) Female Characters 2024

[Before I get started, I'd like to point out that making this list was quite challenging considering I have watched quite a few anime. So please don't be too offended if any of your favourites aren't included; just because they aren't here doesn't automatically mean I dislike them. Feel free to leave your constructive thoughts and own lists in the comment section since I appreciate amicable discourse. Also, I decided to use the "keep reading" feature to make it easier to scroll through the long posts on my blog, so the official list is under the cut.]

-> Honourable Mentions:

-> My Top 15:

“If you’re helping someone and expecting something in return, you’re doing business not kindness.” Shirayuki is incredibly empathetic and emotionally aware as evidenced by her drive to ensure that the people around her feel cared for and supported. Even if it involves sacrificing her time and energy, she is always eager to help others. At times this is her greatest strength—as it enables her to build strong connections with others. However, on occasion, this trait makes it difficult for her to establish boundaries and prioritise her own needs.  This struggle is something I think we can all relate to.  I greatly admire her determination, optimism, compassion and resourcefulness. Her integrity, patience and consideration for others is something I aspire to emulate in daily life. Her passion for plants is something I have in common with her.

"I won't lose to myself!" Given that she has become somewhat of a meme in the fandom, I'm sure some of you may be surprised by this, but she was one of the first female anime characters I resonated with when I was young. Although she lacks presence in the overall series, her strong-willed and independent yet easy-going and relatable personality endeared her to me. Even in stressful situations, she is renowned for her diligence, discipline, practicality, and reliability. Her character serves as a tribute to the resilience of the human spirit as well as the value of perseverance and hard work. Her fear of failure sometimes causes her to doubt herself and her capabilities which highlights the struggle we all face with balancing our concerns and our obligations. Her fighting style and character design remain one of my absolute favourites, making me annoyed that Kishimoto didn’t do more with her character. Also, nejiten is my Roman Empire.

“This is a cruel world. And yet...so beautiful....” In all honesty, I'm still miffed by the ending of Attack on Titan, which had me contemplating whether to include her on this list, but I realised that would be petty and short-sighted. Mikasa was one of the first female characters I saw who not only stood with male characters on the battlefield but also outperformed them—which made me look up to her. Mikasa's greatest attributes are her inner strength and innate sense of responsibility to defend her loved ones and fight for justice, as well as her intense loyalty and devotion, especially to Eren. Aside from her strength and fortitude, she also possesses compassion and gentleness towards those she cares for—which I admire considering many female characters in shounen anime are pressured to sacrifice these qualities to be strong and respected.

“Why didn’t I try to get to know him better?” Since Frieren is the newest character on this list, I’m sure she’ll continue to grow on me in due time. As the protagonist of a show centred around the value of life, the importance of goodbyes and the passage of time; Frieren is an incredibly complex, multi-faceted character. Her journey to understand the depth of human relationships and emotions—after losing someone she failed to realise was important to her—is an incredibly touching and insightful one. Watching her experiences serves as an important lesson: to value every moment and to take the initiative to build connections with others—which is something I often struggle with. Frieren is best recognised for her composed demeanour. She demonstrates qualities such as an affinity for independence, a keen sense of introspection and a preference for logical reasoning—all of which allow her to serve as a voice of reason for their group. Her sharp mind and unrelenting curiosity propel her to continually expand the limits of her knowledge, enabling her to innovatively tackle challenges from a unique viewpoint—making her an engaging and dynamic character to watch.

“A-xian is my little brother…When others insult him it is no small matter to me.” While often overlooked due to her immense kindness and amiable personality—her determination, selflessness and fierce protectiveness of her loved ones are admirable. Although not a major character in MDZS, her influence over its more central characters is evident. Her lack of hesitance in sacrificing her life for her martial brother, Wei Wuxian—even though he unintentionally contributed to her husband’s death—endeared me to her. Her determination to rise above her difficult upbringing and grow into a caring, mature and reliable figure is praiseworthy along with her capacity to find common ground in seemingly immutable situations. Her character design ranks among my favourites as well and complements her personality well. She taught me that despite being in a society where one is harshly rebuked or pressurised it is important to stand firm in your beliefs and desires.

“If you must cling to something in order to yield, why not pick up that which you have tossed away and hold it in your hands anew?” While initially, she doesn't appear to be very noteworthy because of her limited role in the series, the brief time she gets presents her in a positive light and her backstory is notably well-developed even among more prominent side characters. Despite her reclusiveness; her compassion, forgiveness and humility are noteworthy—especially when contrasted with the majority of other Heavenly Officials. Given that characters like Xie Lian and Hua Cheng respect her, while Jun Wu and Pei Ming are cautious of her proves that her strength and significance should not be undervalued. Her ascension story—which earned her the moniker “The Princess Who Slit Her Throat”—is a prime example of her incredible selflessness as she willingly laid down her life to protect her family and country despite being ignored and mistreated for most of her life. She remains very grounded despite her status as the God of Rain and Agriculture and is always willing to help others, even if it means defying authority. She possesses no ill will towards those she has had disagreements with and doesn't hesitate to save them.

 "Even if it's a short life, burn hot and bright and overtake the moment. That's my way of life." Kagura is best known for her quick wit, tomboyish personality and fighting spirit which often manages to steal the spotlight in the Gintama series. She is an ardent and fierce fighter who doesn't hesitate to express her opinions. Beneath her brash exterior, she is compassionate and caring, frequently using her keen intuition and empathy when interacting with others. She often takes risks, facing challenges directly which can be seen as impulsive and abrasive—however, this behaviour stems from her need for control and security amidst a chaotic world. In a sense, we all struggle to assert ourselves in difficult situations and could benefit from approaching things with a little more of Kagura's zeal. Kagura also enjoys helping others and is incredibly devoted to the people she loves. She is also not afraid to voice her opinions or act when she sees someone in need. By virtue of her strength, humour, and charm, she has not only gained popularity among fans but also established herself as an iconic figure in the shounen genre.

"If you don't hold a rose carefully, you'll get pierced by its thorns." Tsukuyo is best known for her unique fighting style, sharp wit, caustic humour, and compelling backstory which has allowed her to become a fan favourite and a key part of many serious arcs in the series. In many respects, her design and backstory serve as a parallel to that of the protagonist—Gintoki—which adds to her depth. Furthermore, her name and personality are based on Tsukuyomi no Mikoto—the moon god in Shinto and Japanese mythology—accentuating the cool aesthetic of her design. Contrasting her rough exterior, Tsukuyo is shown to have a tender side, exhibiting an innate sense of empathy and sensitivity. Although her reserved attitude often conveys an impression of aloofness and distance, this is just how she processes things and expresses concern, which is something I can identify with.  Her most admirable quality is her strong sense of duty and loyalty towards her loved ones, as well as her inclination to prioritise the needs of others over her own. Although she struggles with insecurity and anxiety—leading her to hesitate and over-analyse—she is resolute in overcoming these issues when crucial matters are at stake, which is a valuable message.

“I once believed that the road of happiness continued forever and ever into the distance. When it was destroyed, I realized for the first time that it lies upon a thin sheet of glass. And just as we were saved, there were those whose happiness that haven't yet been destroyed. So, I wanted to get stronger and protect them.” Shinobu is a multifaceted and captivating character who stands out—even amongst Demon Slayer's eclectic cast—largely due to her distinct fighting style, striking design, tragic backstory as well as her nuanced personality and motivations. Shinobu's strongest assets are her insight, and compassion, which enable her to support those in need. She usually has a relaxed smile on her face and generally exhibits a bright, amiable, and joyful demeanour. However, it soon becomes apparent that this outward disposition is a façade masking her profound anger and relentless desire for vengeance. This dichotomy in her persona is foreshadowed by her conflicting roles in the series as a healer and a poisoner. Her desire to cater to those close to her is the primary motivation for her outward façade, which is primarily modelled after the mannerisms of her deceased older sister. Considering we all conceal certain parts of ourselves to appeal to others, this aspect of her character is very impactful and relatable. She also often struggles with feelings of inadequacy stemming from her physical limitations. However, she overcomes this obstacle by employing poison to kill demons, showcasing her resourcefulness, fortitude and tenacity. Although we all feel envious of the talents of others, Shinobu's character is a reminder that we all have our strengths and should face obstacles head-on never giving up on our objectives.

“Although our thoughts are changeable and difficult to understand, the actions we take don’t change, no matter how much time passes.” As a consequence of her seclusion in the Yamei Palace and her mystical abilities, Jusetsu is quite enigmatic and detached. While she is often perceived as haughty and aloof due to her bluntness, impatience and lack of social experience; she is shown to have a tender and vulnerable side. She possesses an inherent sense of justice and doesn't disregard those in need, even if they have offended her in the past, which is incredibly admirable. Although her position as the Raven Consort demands her to live alone, she quickly finds herself surrounded by people, leading her to feel guilty considering her deceased predecessor remained isolated. Her heart begins to soften as she lets others in, but she often struggles to comprehend others, causing her to inadvertently offend them—which is something that most of us can relate to. However, she is quick to mend things once she realises her misstep and comes to learn that it's necessary to confide in those who care about you. She frequently exhibits guilt about seeing her mother die, which leads her to feel that it's preferable to be by herself than to lose anyone else. Her struggles with guilt and constant introspection not only add to her complexity as a character but also make her very relatable. To a degree, we all worry that opening our hearts to others will result in us being irrevocably hurt but constantly have to take that risk to live a fulfilling life—thus making Jusetsu’s journey an incredibly empowering and compelling one.

“I'll definitely overtake you, and it'll be my turn to worry about you.” Misaki is best described as bright, diligent, pragmatic, and disciplined. As the student council president, she is committed to improving her school's reputation, even if it involves challenging the expectations of her male teachers and peers. Before Misaki's father abandoned their family, she was noticeably more tender-hearted and compassionate, but she subsequently developed a bias against males based on her conviction that they were inconsiderate and unreliable. She possesses a rigid sense of justice and sets high standards for herself and everyone around her. Consequently, she often struggles with her emotions, particularly when it comes to maintaining her composure when her private life is disrupted. Misaki is particularly embarrassed about her part-time position at a Maid Cafe, believing it contradicts her strong, uncompromising image, and consequently takes great effort to establish a rigid boundary between her public image and her private life by keeping this job hidden from others. Misaki's best quality is that she never veers off course and gives her all in everything she does, inspiring others in the process. Misaki exemplifies the value of resilience and diligence when it comes to achieving one's goals because, despite facing countless hurdles, she remains committed to her ideals. Conversely, she is overly self-sacrificing and frequently overworks herself due to her inability to trust others. Through the course of the series, she learns to accept her femininity and fragility while remaining assertive and self-sufficient. As she navigates her growing romantic feelings for Usui, she learns the value of having faith in others, as well as the significance of respect, communication, and acceptance in relationships. This process of self-discovery moulds Misaki into a multifaceted character who is exemplary and relatable.

“If history repeats itself, and moves in a circular path, then believing that whatever force is turning it is perfect, is all we can do as we move ahead. Pushed along by forces beyond our control, waiting, for the blade to be swung." Rukia’s best attributes are her altruism, modesty, strong moral compass and sense of duty. Her journey throughout the series centres around self-acceptance and belonging. Initially, she feels worthless and out of place yet longs to be recognised and accepted. Given that she finds it difficult to reach out to others, she never expresses these desires and lives a lonely life under continual strain. After meeting Ichigo and his friends, in the World of the Living, she begins to open up but quickly backtracks after she is taken back to the Soul Society to be executed. Despite enduring tremendous hardship, she never forsakes her ideals or blames anybody else—but instead faces and overcomes everything alone. This demonstrates her immense fortitude, resolve and integrity. Her strength lies in the fact that her heart never fluctuates. Upon the moment of her execution, she does not display fear or regret but is instead grateful for having lived an ample life. However, this is the turning point, as she is saved by Ichigo and is thereafter rewarded for her resolve and steadfast convictions. She finally alleviates herself of the guilt and grief she had been carrying by allowing herself to rely on others for emotional support. She can now confidently confront and overcome her greatest challenges because she is certain of who she is. In this way, Rukia's character serves as an example that no matter what you are faced with, your efforts will be recognised so long as you remain resolute and virtuous—which is incredibly commendable and compelling.

Her enduring and incomparable bond with the series’ protagonist, Ichigo is one of my favourite aspects of her character and the series as a whole. Throughout the story, she is a continual source of both physical and emotional strength for him. In several respects, Rukia's character is a parallel to his as she understands Ichigo's feelings better than anyone else considering she has gone through similar experiences. The quote "The rain drags the Black Sun down, but the rain is dried by the White Moon" perfectly encapsulates their dynamic—with Ichigo representing the former and Rukia representing the latter. Throughout the series, the rain is a potent metaphor for Ichigo's despair, while Rukia is constantly seen guiding and consoling him—effectively drying up “the rain”.  She acts as a "ray of light" for Ichigo—despite her problems—who in turn does the same for her. Rukia's symbolism as the "White Moon" also pertains to her technique—specifically her bankai, which transforms her into a veritable ice princess. This symbolism furthers her development, influence and prominence in the series.

"Before I question the gods, there are questions I should ask myself!" Yona's remarkable development from a pampered princess to a courageous warrior is precisely why she is one of the most recognised and respected shoujo heroines of all time. This development begins after her privileged and idyllic life in Hiryuu castle is upended when her beloved cousin, Soo-won, murders her father and seizes the throne. After witnessing this traumatising event, she is forced to flee the castle and is forced to adjust to a harsh and perilous life on the run. She is momentarily overcome with fear and denial thus depending entirely on her bodyguard and childhood friend Hak for protection and care. However, after recognising that the people who were sheltering her would suffer as a result of her incapacity, she began to pull herself together. Empowered by her newfound resolve, she and Hak journey across the kingdom in search of the legendary Dragon Warriors and through these fateful encounters, they cultivate a revitalized sense of purpose and camaraderie. It is on this journey that she begins to realise that her father’s pacifistic reign came at the cost of weakening their kingdom, leading to widespread strife and corruption. Her overwhelming guilt regarding her ignorance causes her to develop a genuine sense of responsibility towards her nation's people. With the support of her allies, she travels around the kingdom to improve the lives of the common people, having abandoned the prospect of revenge. Yona's fundamental strength is shown to derive from her emotional fortitude, compassion and capacity for forgiveness. Additionally, her adaptability, willingness to learn, and strong sense of conviction are all admirable. Although she continues to grow stronger throughout the series, she has always been incredibly kind and compassionate. She is inspiring because she demonstrates that true strength comes from within. It is her immense compassion that not only motivates her to protect her nation and change the lives of those around her but also draws people like Hak and the four dragon warriors to her. Her ability to forego her desire for vengeance in favour of forgiveness is not a show of weakness but is one of strength, selflessness and maturity. She realises that her desire for revenge is outweighed by the kingdom’s need for a radical and strong ruler like Soo-won —leading her to choose to work from the shadows to uplift the common people.

“It’s not always easy to see the good in people. In some people, you might even doubt that it’s there at all. But if you can somehow, find a way to believe…sometimes that’s all it takes to help someone, to give them the strength to find the good in themselves...” “No matter how cold it is now, spring will come again...” Tohru is best described as optimistic, hard-working, patient and open-minded. She is also modest, caring, and gentle-spirited. She constantly strives to seek out the good in everyone she encounters and is always willing to assist those in need—bearing no resentment against those who have harmed her. Her benevolent and amiable disposition effortlessly attracts people to her, making them feel accepted and valued, as demonstrated through her interactions with the zodiac members of the Sohma family. In comparison to the series' vast ensemble of colourful, quirky characters, Tohru is frequently perceived as being too perfectly kind and hence bland—nonetheless, this is completely misguided. In actuality, Tohru is equally as emotionally broken and thus the Sohma family heals her heart in the same way that she heals theirs. Her character is an exemplary subversion of the typical "kind-hearted" heroine given that she faces several genuine hardships that result from her gentle and charitable nature. She is not a perfect saint, but rather a girl who prioritises the struggles of others over her own as she attempts to find her place in the world. Her greatest strengths are her immense compassion, innate empathy and sincerity. Given that she expects nothing in exchange for helping others, her generosity does not originate from a position of entitlement, which is incredibly admirable. Tohru has a strong desire to be needed by others and thus often puts the needs of others before her own. She craves validation and assurance, hoping to be acknowledged as essential and irreplaceable to those around her. In response to the terrible treatment she received from her paternal relatives, Tohru has developed the notion that she might burden those around her, so she rarely expresses her desires. Consequently, she is inclined to internalise any unpleasant emotions and feelings rather than express them externally. However, as time passes, Tohru gradually learns to be more assertive and to accept help from others. Tohru's relationship with Kyo is another facet of her personality that I find endearing. Despite having similar backstories, they have developed divergent perspectives on life. Kyo finds it hard to recognise the positive in other people, while Tohru finds it hard to perceive anything negative in them. They strike a perfect equilibrium as he teaches her that being too unselfish and not sufficiently assertive is detrimental to her well-being, while she helps him realise that there is hope in trusting others. While Kyo is not the only one who sees through Tohru's façade, he is one of the only individuals who can help her face her issues as she becomes especially transparent around Kyo, confessing all her concerns and anxieties to him. Tohru demonstrates the power of forgiveness, love and friendship and exemplifies what it means to be a good person. Her journey towards overcoming her fears and attaining true happiness through strength and determination is heartwarming and inspiring. She embodies hope and compassion in a cruel and unfair world. Her growth demonstrates that being kind is not synonymous with being powerless or meek. She demonstrates that no one is completely perfect—that kindness is a choice rather than an innate gift, therefore we are all capable of making the effort to be kind and compassionate to others.

“If I should die, I'd want to die of poison.” Maomao's story is kickstarted when she is kidnapped and sent to the Imperial Palace as a maidservant. Maomao’s extensive knowledge of poisons and medicine, along with her aptitude for unravelling mysteries ensnare her into the intricate web of political intrigue despite her attempts to remain inconspicuous. She is mature, sharp-witted, composed, and pragmatic, in large part because she grasps her expendability in the Rear Palace. Being raised in the Red-Light District has shaped her into a resilient and adaptive person with a thorough awareness of society's complexities, which she uses to traverse the Rear Palace. Consequently, she has developed a highly practical and pessimistic mindset on life, centred around avoiding trouble and adjusting to her surroundings—which has enabled her to tolerate circumstances that many would deem traumatic or distressing.  Ironically, her insatiable curiosity, along with her strong sense of justice and empathy, frequently counterbalances her self-reservation; leading her to become involved in problems that affect others. Maomao is intrigued by poisons and medicinal plants, and she often investigates their effects on her own body. This passion is her primary motivation for her actions considering the mere prospect of savouring poison or studying a rare medicinal component kindles a fervent fire within her, resulting in a riveting shift in demeanour—which is naturally perceived as astonishing and insane by many characters, particularly the series' deuteragonist, Jinshi. Maomao’s name is derived from the onomatopoeia of a cat’s meow “貓” and fittingly she is often depicted with cat ears, which act as a visual metaphor for her ardent curiosity. This feline motif, combined with her proclivity for pushing herself into risky situations and her dangerous fascination with poisons, makes her the epitome of the phrase "curiosity killed the cat". Despite her exceptional competence and charisma, Maomao is not flawless; in fact, her flaws add to her appeal. Although Maomao's distrustful and inquisitive nature makes her an excellent detective, this same quality—coupled with her distorted yet starkly reliable perception of human connections—occasionally renders her socially inept. Maomao tends to shy away from forging strong, intimate bonds or attachments with other people, causing her to be wilfully oblivious of the obvious concern or affection others have for her, regardless of whether it is in a platonic, romantic, or professional capacity. Furthermore, she is sceptical about the notion of romance, feeling that it is more likely to cause ruination than to provide happiness. This scepticism and detachment are probably traumatic responses to being brought up in the red-light district, where someone's genuine affection alone does not guarantee that they will not discard you if needed.

Another aspect of Maomao’s character that I find intriguing is her dynamic with Jinshi which develops gradually and is multi-faceted due to their opposing traits, social statuses, and backgrounds. Despite her pretence of indifference, Maomao's actions—specifically her attentiveness and concern—gradually disclose her growing interest in him. Maomao's development demonstrates her progressively becoming less closed off emotionally as she processes the intricacies of her feelings. Similarly, Jinshi had no intention of growing attached to her—as he merely wanted to capitalise on her skill set and intellect. Nevertheless, he fell for her fairly quickly, with his feelings progressing from possessive attachment to ardent, selfless love. Their partnership is defined by mutual respect, trust, and their resolve to overcome obstacles of the aristocracy together. The series’ willingness to address feminist themes within a historically misogynistic setting adds another layer of complexity to Maomao’s character; since her intellect, competence, independence and boldness defy the gender expectations of the era. Even amidst the competitiveness of the Red-light district and the complex balance of power within the imperial harem— which were settings devised to pit women against one another—Maomao continues to advocate for camaraderie between women. As we continue to witness women supporting and empowering each other; their enduring strength and tenacity is exemplified. Maomao's journey is thus an embodiment of progressiveness reflecting a refreshing standpoint on female empowerment. Maomao's exceptional charm and vibrancy are profoundly compelling, instilling an enduring sense of inspiration and empowerment.

[Congratulations and thank you if you made it all the way to the end. I fear I rambled too much…. oh well… If anyone has any suggestions on what to do next, then let me know. Otherwise, I'm just going to be working on a few asks…]

[fanonimus]

Remember, you asked.

First, you misunderstand the batfamily's concept, or what fanon made them to be (canon is a lil shit we don't like bc its inconsistent.) I would not call them brutal, in the slightest. "Brutal" means savage, uncontrolled violence, which you could say is true to the batfamily, but they are not "brutal" as a family unit, and rarely brutal as individuals. The violence is more often than not stricktly neccesary.

The batfamily is inherently human, a huge family made by choice, with flaws, grief and anger coating every bond, because of the line of work they are in. They are different, yet they still find comfort and familiarity in each other. You can call them toxic, because they are in canon, but the fandom had managed to make something better, something functioning out of it.

The batfamily heals each other, and they offer a place of healing for others.

But then, why DP? You asked.

First, there is the obvious joke we should adress, the adoption bait Danny is. Black hair, blue eyes, trauma is basically Bruce waynes exact adoption type.

Second, Danny has a broken homelife, as much as people want to overlook it. Jack and Maddie are not good parents, fixated on their job, neglecting their kid. Because it is neglect, even if they love him.

Oh look! A sudden point that comes up! Paralells.

Danny's relationship with his parents brings a paralell to Tim's relationship with his own. The Fentons and the Drakes both love their son, but their job is always more important. They were not fit for parenthood, and they have no clue what to do with a child.

And lets not forget that Danny died a pretty traumatic death, which realistically would cause a fourteen year old biig ptsd, which I feel like is not properly explored in the show (shocker). And then he is brought back by this green goo (more on ectoplasm later), which brings us our second paralell, which is Jason Todd. Jason also died a traumatic dead at age fourten, and then was brought back to consciousness by green goo.

So, you have a teenage vigilante with black hair, blue eyes who had to die to gain his powers, is super traumatised, and hunted by his own parents, also has a creepy old man who wants to make him his sucsessor.

Yeah that is another paralel to Tim, and surprisingly Dick. (Slade when I cach you...)

I dunno about you, but Danny just fits into this little found family thing they have going on.

But what about Jass, I hear you asking.

Jass was also neglected, and then forced to take on a third parental role when Danny was born. Her love for psychology is not an accident, she wants to provide the best life for her brother, and emotional growth can only be supported by an emotionally mature person.

Add that to the fact that her brother technically died at fourteen, and you get a pretty good gist about how much trauma she herself might be repressing, which is an amazing point of discusion in any media.

Now onto the worldbuilding, and why DP adds so much to the DCU.

First, lets address the elephant in the blog, green goo. The lazarus pitts make so much sense as contaminated ectoplasm, it's not even funny. Ectoplasm is what ghosts are made out of, its what gives them life, what helps them heal. So it would make sense that it would assist with bringing back a person, but really wrong. It's dirty with age, and death, that's why it works as it does. It's an excellent plot drive, with Danny hellping Jason overcome the effects of this horrid thing inside him, and it also gives us an exciting premise of Jason being somewhat an opposite of Danny. Fully dead, and fully alive, not some half this half that. Jason is not just a ghost possessing his own body, he's him, he's still one, body and soul, even if he died.

Second, the GIW (Guys In White/Ghost Investigation Ward) and the AEA (Anty Ecto Acts).

The AEA goes against Meta Protection Laws, dehumanizing ectoplasmic beings and taking away every right denizens (residents of the infinite realms/ghost zone, more on that later) would deserve as sentient beings.

This brings in a tension point for the justice leauge and the gowernment, makind for stellar drama. Also a tension point for Damian and Jason, who are considered Ectoplasmic beings (lazarus pit).

The GIW are the enforcers basically. They experiment on denizens, they are a government organization, and such.

The implications of the Infinite realms, and how it fits.

As we know, the DCU is a multiverse, with a lot of different universes, The ghost zone, or Infinite realms, depending on who you ask, is basically the veins of the universe, and the ectoplasm is its blood. There, it fitts nicely, I am not going into politics bc that is really author dependent.

All in all, the two just fits together so perfectly, it would have been strange not to decide a crosover is due.

This is all I have right now, if I missed something, feel free to tell me.

I genuinely want to know where DC×DP got started. Who looked at this brutal, angry, violent family and said "you know who would go great with this? An overrated nickelodeon cartoon about ghosts" like ?????

[froginabogg]

my goal is to build such an intricate backlog i'll get to the point of someone requesting a board and i can pull it right out of my catalogue, will this ever happen? well apparently no one seems to request the boards i've already made

[deeneedsaname]

Is this anything

[poorly-drawn-mdzs]

Wei Wuxian eats a watermelon. Yep!

[hopeswriting]

daily life arc miura haru. does anyone know who i'm talking about. do you guys remember her. i still can't believe what happened to her 😔

[biancadoes1]

More of a statement for the Lukola fandom- I am pretty disappointed in some of the comments that were put on JD's post regarding his clothing. We want to be fed by N and L, but you make sh*tty comments on their friends' posts, do you really think that they are going to give us any of their time? If you don't like something, discuss it in a chat with friends. Don't put it where L and N can see what an a$$hole you are. Please, let's just act like adults in public?

Guys, please act like you were raised with sense.

I know some of you probably weren't and it's obvious, but please remember that these are other humans who should be treated with basic human respect.

We can have harsh criticisms for people and the way they act (because we've been performed for and trolled by select people and that's just life in any kind of spotlight) but we can also do this WITHOUT nitpicking the way they look at an event or their appearance in general.

These are things I'm not OK with on my blog. Mind yourselves.

[lunarharp]

played dragon age 2...just simple scribbles

[reginamillls]

I think the deleted scene is simply showing you how much Buck is cared for by the people he chose to be in his life, and from someone who craved that care and attention for so long I just think that's neat that Buck has so many people now that do, and idk I'm just happy for him

[tathrin]

The Extremely Serious and Scientific Legolas Fandom Hair Colour Poll:

What colour hair do you picture in your head for your personal mental image of Legolas of the Woodland Realm? (Not necessarily which one you think is more or less "canonical"; rather just what you see in your head when you're reading something.)

Ideally, you can also share when and how you were first exposed to Lord of the Rings in the tags or reblogs, and what you think most influenced your mental image.

No I'm not procrastinating from writing stuff, go away.

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.