#do i tag everyone. fuck yes i will

[nono-uwu]

Hello hi here is what alignments ons characters would have in path to nowhere :3 (and i give zero context for my reasoning!) Also feel free to add on/make suggestions for other characters!

(Tierlist maker fried the images holy shit)

Characters not included bc i have no fugin clue where to put them: Mitsuba, Chess, Horn

Characters not included bc I was too lazy to grab their images: everyone else lmao

Explanations for each alignment utc! (aka the flavor text in game)

Violence: Boiling blood torments the body of the violent one. Neither love not hatred matters anymore. - No matter how you try, you will be forever mired in blood

Love: The lover's upturned gaze fixes on the sky above the cliff, as if longing for an unattainable aim of desire. - Fulfill my most frantic loneliness

Greed: Greed will ever expand and snowball into a massive, bone-crushing boulder. - You wish to dominate all, but you will perish a servant

Treachery: Paths of the earth become as fatal as a frozen lake with cracks. Icy demise is at the slightest misstep. - The faithless, the insincere, the dishonest - their soul do not return

Limbo: The limbo one tries to see through Fate's plan, yet has learbed how arduous it is to seek the meaning of life. - Blind idiot, all is vanity

Anger: The angry trudges through mud, searching for a clear path. The answer's not out there; it reflects from within. - The fire of rage may burn out, but I am their fuel

Heresy: Wrath of authority trails closely behind, vowing to chase heretics into the eternal hellfire of the sarcophagus. - Outside of the light, I dwell in shadow

Sloth: The heart of the sloth stays where it is. Even if there are countless roads in front, they shall balk at moving forward. - Cherish the outmoded and preserve the outworn, stubbornly fetering oneself

Fraud: The fraud believes in what they think is true, and therefore feels they can manipulate everything. - The deluded take refuge in the dark, and those who fool others have no place to return to

Immortal: The one who sleeps here is not deceased. Under the light of the red moon, there is an end to death. - Retrograde without return, withered and sunken

[legobenkenobi]

there is quite genuinely not one single day where i don’t think about this and feel like i’m going to be fucking sick.

they purposely isolated Cody from not only grieving over Obi-Wan but also from other people close to Obi-Wan because they didn’t want any risk of the mission failing. i’m gonna be fucking SICK do NOT talk to me!!!!!

[front-facing-pokemon]

[amugoffandoms]

"It's all for making something-Toks to sell your name. (Just for all your vanity, it's the worst, good night.)"

"No way I'm okay with ending it like this! I'm sure what we truly want isn't the money."

Cyberpunk Dead Boy Fuuta!! The second I heard the song, I was like I need to draw him in it right now. Here are the original shots!

Here are some banger versions of the song I listened to!:

English Cover by ami!

The PJSK Cover that I took the shots from!

The Original Song!

Under the cut is the original screenshots!

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[racewinnerlandonorris]

the lando tag is fucked, it’s just full of hate posts about lando, hate posts about oscar, a fucking fanfic about lando, max and nico, people making disgusting ‘jokes’ wishing the drivers harm, people cross tagging irrelevant shit like please i just want to look at him being pretty

[norstrum-art]

[Image description from alt: A drawing template titled: "Favorite characters in each unit of Project Sekai: Colorful Stage!" Below are six boxes, each one listed with a unit with digitally drawn half body, flat color characters inside. Most are in their original unit outfits. The unit Virtual Singer has Rin grinning and winking, holding a peace sign to her head. The unit Leo/Need has Honami smiling nervously, tilting her head to the side. The unit More More Jump has Shizuku in her "Draw Your Bow in this White World" event outfit, smiling and holding a hand to her chin. The unit Vivid Bad Squad had Toya in his 2023 birthday outfit happily. The unit Wonderlands x Showtime has Emu cheerfully waving her hand in the air out of the box. The unit Nightcord at 25:00 has Mizuki and Mafuyu; Mizuki is smiling with a cat mouth (:3) while making a heart sign with both hands, and Mafuyu looks at them neutrally from behind. End image description.]

*throws this out of my WIP folder* and STAY out!!!! No but seriously this was actually really fun figuring out how to draw everyone!!!

[azure-clockwork]

How Does it Feel to Read Classic Sci-Fi?

Orson Scott Card: Two of the most interesting books you’ll ever read if you’re willing to look past a handful of things. And then you find the planet of Chinese people who worship having debilitating OCD. And the Mormonism. And the fact that the author is wildly homophobic and ought to read his own books.

Robert Heinlein (or at least the Wikipedia Summaries): I guess that’s a neat concept—oh, it’s a sex thing. Um. Gotcha.

Ray Bradbury: Man, I gotta read this thing for class huh. Well here’s hoping it’s good! *three hours later* oh. that’s why he’s famous. this will stick with me forever and I will never look at the phrase ‘soft rain’ the same again. christ. And then repeat 3x.

Isaac Asimov: Wow, this is such an interesting concept! I wonder how the exploration of it will influence the plot! Wait, hey, are you going to add any characters? Any of em? No like, with character traits other than ‘robot psychologist’ and ‘autistic’ and ‘woman’? None of em? No, ‘detective’ isn’t a character trait. Those are all just facts. Aaaand now I’m bored.

Ursula K. Le Guin: Hah, get a load of this guy! He’s never heard of nonbinary people before. Lol, what a riot; how dumb do you have to be to comprehend that these people aren’t men *or* women actually? Oh, wait, what’s happening. Oh shit, it was about society and love and learning to understand each other? And now I’m crying? And perhaps a better human being for it??

Andy Weir: Alright, this guy’s a really good writer. Funny, creative, knows so much engineering stuff…ooh, a new book! …I guess he can’t write women. Well, he wouldn’t be the first sci-fi writer…ooh another new book! And it’s more engineering problem solving and—wow. It’s not just women he can’t write. Please stop letting your characters talk to each other.

Lois Lowry: Oh, I remember this being fun when I was a kid! Wouldn’t it be fucked up to not see color? …upon reread, it would be fucked up to have your humanity stripped away, replaced with a tepid, beige ‘happiness’ for all time. Yeah.

Tamsyn Muir (let me have this ok): Haha, “lesbian necromancers in space” sounds fun. Lemme read this. Oh wow, yeah, this is right up my alley. OH GOD WHAT. NO. FUCK. OH SHIT WHAT IS EVEN HAPPENING AND WHY IS IT REFERENCING THE BOOK OF RUTH AND HOMESTUCK BACK TO BACK!!! AHHHHHHHHH!! Now give me more please.

[butterflieswhisper]

hiiii ^^ beastlife fishie analysis. spoilers ahead. etc etc

okay so. the main point of this is simple. I don't think the salmon head cursed c!fishie. Explaining that is the harder part I think. also i'm going to refer to the salmon head thing in e5 as "the incident" from here on out because frankly i think it's funny

Let's start with the incident. The big day. etc. What happened? Why did it happen? Obligatory third questioning statement? Well. She was gifted the salmon head for her birthday by kiwi(or like. someone in the kiwibird system. -bird system. the birds). Immediately upon receiving it she relives parts of season one and fishie herself doesn't really acknowledge it. The other players definitely notice but im not caught up enough in any other pov yet to like have thoughts on that I'll come back to that point someday. Fishie seems shaken, sure, but she moves on so quickly, especially considering what happened just there. 37 seconds of standing frozen, unresponsive. she recovers in 5 seconds. And seeing how she reacts later on to realizing the memory situation--if she was aware that happened, she would probably be concerned by it. She puts it on for a brief second at the end of the party and takes it off immediately. She's otherwise normal -- well. as normal as she is otherwise up to that point. Because that is also how she acts with pretty much any salmon head, even just kiwi herself.

I raise: Episode one, about 8:20 in. The slow zoom on kiwi as the static overtakes every other noise. This is the *exact* same behavior displayed when fishie receives the salmon head, albeit without actual concrete old video footage style flashbacks. In episode two (28:55ish) the same thing happens when she looks at the salmon head in moch's house, but this time there is technically a flashback -- kiwis grave. Fishie moves on immediately and doesn't acknowledge her behavior at all, and, seeing as it is fishie, im inclined to believe that means she does not know she is doing it. Fishie (when alone) will discuss all of her problems in immense, and usually misguided detail (bestie i promise kiwi doesn't hate you???) to the audience and/or herself. I mean she's not alone in episode one, and it is technically presession, and i guess getting struck by lightning is a decent distraction from your problems, but in episode two? She is completely alone. There is nobody with her. She went looking for moch and moch is not there. She still doesn't acknowledge the fiveish seconds she is completely frozen. This happens again and again with kiwi and salmon heads.

And then that leads you to e5. The incident. She's. well. she's doing worse. 0:50. "This will distract me if i leave it up." This is the first mention from fishie herself about how fucking weird she's being, and even then she doesn't seem concerned. I think she does not realize she's being so so incredibly weird about it. If the static and freezing is what's referred to as "distraction" then keeping it in her inventory makes it worse actually so it wouldn't really make sense unless the way it is distracting her is NOT the. well. whatever the fuck is wrong with her (affectionate). After she puts the head on there's the static all the time but for a short brief amount of time she's like significantly more normal and i don't really know if that means anything i just think it's really funny.

And then we all know what goes on during the incident i'm not analyzing this video frame by frame. um. i could. but i am not going to right now. And then she has the conversation on the table with kiwi where she like is normal for 5 minutes. Like genuinely the most. i guess stable? fishie's thought process is is like in the moments directly after the incident. She is immediately understanding with the antikiwi situation, they come to an agreement that they're like. okay now. "thank you for everything and im so sorry i couldnt do more" / "it was short, but it was nice" "i knew what i was getting into when i married you" etc etc and then they kind of rush it at the end because people won't stop dying. But then fishie is fishie and takes it in the complete opposite extreme (from. um. whatever was wrong up until now. to "oh kiwibird must secretly hate me because" and then there's no real good reason she's just like that) and it's also an issue. And i think the season two memory thing is also a part of that but this is so long already and so i'm not going to get into it rn. So bringing all of this back to my original point: the salmon head was not the cause of the curse(?) because she's been so weird all the time forever and the salmon head thing was just like. an effect. of whatever went Wrong(tm) in the season transition. like the head was a vessel to Be Worse about it but i feel like it would have worked with any salmon head she got her hands on and that it happened to be kiwico was a coincidence and also that the head wasn't cursed at all there's just something deeply wrong with fishie s3 in general and uh yeah 👍

I'm so sorry this is so disjointed i had a thesis statement and everything. alas

[vinnymauro]

Friendly reminder that this community is MAINLY queer people and trans people. Ronnie Radke is a misogyinist, he is a racist, he is openly transphobic and NOTHING you can say will justify that

Bigots in the metalcore/alt community will NEVER want you so stop sucking up to their outdated and disgusting views and start SUPPORTING EACH OTHER, Ronnie Radke does not want you just because you are defending his "views". Its not an opinion, it's transphobia

Let's not forget that this man has domestic abuse charges, tweets about minorities, including cis women, to no end and has literally justified his actions by saying he should be able to indentify as a black man then, he gas talked shit on dylan mulvaney several times saying she isnt a women because she doesnt have a period, and many MANY other things

Y'all are sick in the head supporting this kind of behavior, something I fully expect a cishet, possibly white woman to fucking defend

"Not everyone has to support it" go eat chunks of splintered wood

[featherymainffins]

Peace and love on planet Earth but if I see one more post NOT about recovery and, in fact, encouraging eating disorders in the ed recovery tag, I might just turn into a chimpanzee and tear everyone's faces off.

[sheila--e]

There's a surprising amount of fanfics where illuso, through some sort of time bending magic or necromancy reasons, gets brought back to life and Giorno's like "yeah lemme pardon him. even tho he tried to kill us and he sucks." just so Sheila has a reason to not feel like he's super righteous and good and confronts him or wtv. Like first of all if illuso came back, Giorno wouldn't fucking pardon him he'd send him over to Sheila so she can actually kill him this time. This man tried to murder them, they considered people traitors for less 😭😭 also if u want a reason for Sheila to feel "let down" and angry at Giorno there's like, a thousand reasons u do not need to make up an ooc scenario for it I promise you....

[allyriadayne]

Alicent Hightower and Tyland Lannister, the last two members of the Greens left alive after the death of King Aegon II.

Rhaenyra Targaryen's son took the throne as Aegon III Targaryen in 131 AC. [...]. She once terrified her granddaughter by suggesting she slit Aegon's throat. Since Alicent refused to be reconciled, Ser Tyland Lannister, the Hand of the King, ordered her confined to Maegor's Holdfast.

Alicent remained in her chambers for the last year of her life. Her only company was her septa, serving girls, and guards. [...] She died in 133 AC, during the outbreak of the Winter Fever. (x)

In early 133 AC, when it was discovered that Winter Fever had broken out across the city and the realm, Tyland ordered the gates of the city and the Red Keep closed, to prevent the disease from spreading. But as the Winter Fever was nearing its end, Tyland himself fell ill. He died after only two days, in the presence of Septon Eustace and King Aegon III, who took his hand as Tyland took his last breath.

Tyland is not remembered fondly, partly due to his physical appearance after being tortured and partly due to his actions during the Dance of the Dragons. Some blacks hated him for having urged King Aegon II Targaryen to put Aegon the Younger to death and some greens hated him for serving Aegon III faithfully in the aftermath of the war. (x)

[beevean]

A theory I've read more than once is that this one frame of Lenore entering Hector's cell for the second time is proof that she is not actually enjoying what she has to do:

The wiki describes it as such: "Lenore has a sad expression when entering the dungeon to visit Hector the second time."

Also this, from a comment I found:

Like for example when she goes to meet Hector the second time, you can see sadness on her face when she is walking alone in the dungeon, but as soon as she approaches Hector she puts on a smile. I.e. may be she already knew she had to use the ring at that point and felt bad about it but didn't want Hector to realize that. A lot of such small animation details really provide a glimpse into what the explicit writing was lacking.

(edit: turns out that they were the same person)

Okay.

First things first: I doubt she has the ring in mind already. It's hard to tell because Lenore pulls it out of her ass with zero foreshadowing whatsoever, but with the way it was framed, the ring was likely a direct response to Striga's idea of buying mercenaries to make Hector unnecessary, which comes later into the story: Lenore even uses the information she eavesdropped from Striga as a way to lie to Hector about her loyalty to the sisters. In theory it makes sense, because Hector needs to be reliable to be allowed to live, but the ring is... a very poor solution the more you think about it, even if you ignore how S4 neutered it, because it only addresses one of the many logistic problems that come with forcing Hector to make an army of Night Creatures, and it's not the dead bodies/living livestock paradox. And going with the story, it's unlikely Lenore was already thinking of raping the ring into Hector: why would the sisters be amazed at her plan if they were the ones suggesting her to speed up things? And if Lenore came up with it, why would she be remorseful at her own idea? Did she have so little faith in her own manipulating skills that she already felt that she had no choice but to use "brute force", after one understandable incident? Then why even bother interrogating him to understand his motivations and needs? Just skip straight to the sexual molestation to make him believe she likes him. As I pointed out, that interrogation was not for the sake of painting herself as particularly caring: she was collecting intel, intel that she wouldn't need if her plan was already tricking Hector into slavery via a magic ring.

Second: that expression honestly doesn't look sad to me. I would be willing to give the interpretation some credit, because she's looking downwards which can be a sign of sadness, but after that one frame, she switches to this expression:

Now she looks mildly pissy, like the idea of talking to Hector is just soooooo annoying, ugh. She even has the sassy cocked eyebrow lmao.

Of course that can't be it, so I propose the most obvious interpretation: she's serious and deep in thought. That is because their first encounter ended up disastrously: Hector assaulted Lenore with the intent of threatening her, which pissed her off, and she assaulted Hector by beating him to an inch of his life, which is not the best way to win a pet's trust. So she's most likely thinking the best way to approach him again.

And I'll even praise a small detail: the first time Lenore fed Hector, she made him crawl towards her to eat from her hand. The second time, however, she tosses an apple to his feet. Both gestures are demeaning, but after that incident she seems to be more cautious towards him, and being more careful into manipulating him. I'm honestly surprised that her final solution is stupid as fuck when she can be intelligent when she wants to. real reason she's hector's soulmate: both of them have braincells like christmas tree lights :V

Third: oh, do you want to talk about explicit writing?

These are not freeze frame bonuses. The scene lingers on this expression on Lenore's face as Hector is screaming in pain over the ring she put on him.

So, you're willing to believe Lenore didn't want to use the ring but felt forced to because in one frame she has an expression that mildly looks displeased... but somehow you ignore this blatantly sadistic reaction? This screams, at the very least, "haha, sucker, I've won"; but add to this that Hector is visibly and audibly in pain, shocked and scared at the curse overtaking his body during a vulnerable moment...

This ties well with how she beat Hector to a pulp not just out of self-defense, but because she wanted to feel strong and powerful when surrounded by people who underestimate her - the writing might imply that she was offended that Hector too saw her as vulnerable and stupid, but she was explicitly laughing and mocking him while showing off her strength (a strength she doesn't display when, say, Isaac enters her cage: he easily intimidates her). You might read the implication that Lenore spoke about Hector so disgustingly to the sisters to be taken seriously as a vampire mistress and didn't actually want to dehumanize him, but explicitly, even ignoring the forced pet play that showed she had fun treating him like a dog, she reduced him to a "problem to be solved" when complaining about her woes, and when she could have apologized or explained herself she minimized or doubled down on the harm she caused, never once expressing any remorse or doing anything worthwile to make up for it (like, for example, talking about the ring and how it's a shame Hector is only there because he has no choice because she feels they'd be good friends without it: that would imply guilt).

In fact, going back to the moment when Lenore decides to use the ring, it is far more likely that it was in response to this part of the conversation Lenore has eavesdropped:

Striga: We can possibly push east as far as Lake Balaton before I run out of soldiers, but that exposes our Western border. Morana: Sleep. Striga: We can't do it without Lenore turning the forgemaster, and she's just taking him out for fucking walkies. Morana: She will land him. Striga: It's going to have to be soon.

Considering that it's shown that Lenore highly resents being seen as a stupid animal lover, it's far easier to think that this is when she got pissy and decided to use a quicker method, even if it destroyed all the hard manipulation work she had done.

One frame might paint her as a reluctant villain only trying to make everyone happy and being stuck between a rock and a hard place, but multiple scenes paint her as a vile bully and abuser who enjoys feeling in power and control, whether she uses kindness or harm to achieve her goal.

I'm sorry, subtext can absolutely enrich the understanding of a story or character, but not when it actively contradicts the text.

Do you want my personal example? I'll play the same game of overanalyzing expressions. When Isaac attacks the castle, Lenore goes to rescue Hector first thing, instead of checking on Carmilla. For one moment, she even looks torn on where to go:

I will praise this moment: this shows her concern for him quite nicely and that she believes his safety is the first priority, without having to spell it out - no declataration of love, no "you're too important to me", the action speaks for itself. However, there is also her reaction when Hector severs his finger to get rid of the ring, after he explains that "command and control flows through [him] to Lenore here and to her friends":

It could be simple disgust because, well, there's a severed finger and pools of blood lying near her. But I also see what the commenter saw in that frame in S3: sadness. Defeat. Lenore has lost control of the Night Creatures. She can't do anything to protect Carmilla and the castle. And she has lost control of Hector, who has gone behind her back and is protecting her at the expense of her sisters and home: he may chose to stay with her, but he also gave Isaac all the tools he needs to destroy her life. She's powerless. Everything she has worked for went up in smokes and was pointless. Which, as it was shown and told, greatly bothers her. (this is also why I believe her suicide makes sense for her state of being, an opinion apparently not shared by her fans)

I see all of this encapsulated into that expression that mixes disgust, concern and quiet, horrified realization: and it's also fully backed up by the context.

This leads to the message I keep insisting on and which is something that more people need to learn, and the reason I keep eviscerating this character because the writing and the fandom piss me off something fierce: abusers can care about you. They can care about your safety and well being, they can want what (they think) it's best for you. What makes them abusers is that they place more importance on their own need of control. Lenore wanting to save Hector because she pitied him, has grown close to him and eventually finds in him someone who listens to her doesn't at all erase in the slightest all the harm she has caused him: which, I reiterate, includes lying to him and taking advantage of his feelings and need for love to trick him into sex with the objective of placing a slave ring on him, and enjoying his suffering when she won - and when Hector called her out on this, her response was "SHUSH, YOU WERE HAVING FUN".

At the end of the day, she has never stopped behaving like a vampire, a creature whose definition of love is "acting to keep something with you for as long as you can". Even in her most wholesome scenes, like this one or the one where she pleads for more of Carmilla's patience, it's easy to see at the core of it all a need to control the situation and people involved, and reluctance to admit her needless cruelty. This is nuance, not "she's actually good deep down, pls ignore all the sexual abuse because it was for Hector's own good 🥺".

On one hand, it's true that when you do character analyses, you will always be biased, because you come in with your ideas and preconceptions. I am biased too, of course, you can tell. On the other, it's dishonest to cling only onto the most convenient hidden details to look like you have fully understood the text, when you dismiss the most obvious ones that are so obvious you have to actively try to.

[royalberryriku]

Thinking about how "self defence" is considered okay until a country the west is not allied with does it.